movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Green Mile | Palo Alto Weekly | Jeanne Aufmuth | Laughter and tears are both subtly drawn out and jack-hammered home. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,984 |
Groove | Palo Alto Weekly | Jeanne Aufmuth | In the process of enlightening the masses on the hipster party scene, Mr. Harrison forgot to make an interesting movie. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,984 |
Kikujiro | Palo Alto Weekly | Jeanne Aufmuth | ... when the adult is a lout and the child is a silent dullard, the formula loses its punch. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,984 |
Liberty Heights | Palo Alto Weekly | Jeanne Aufmuth | A thoroughly grounded statement about the human condition. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,984 |
Love and Basketball | Palo Alto Weekly | Jeanne Aufmuth | The entire production is dumbed-down. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,984 |
Magnolia | Palo Alto Weekly | Jeanne Aufmuth | A stunning achievement. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,984 |
The Muse | Palo Alto Weekly | Jeanne Aufmuth | The lead performances of Brooks, MacDowell, and Stone are critical to the story's success, and ultimately fall flat. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,984 |
Notting Hill | Palo Alto Weekly | Jeanne Aufmuth | Slick look, a bit of experimental camera work, and clever montages. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,984 |
Requiem for a Dream | Palo Alto Weekly | Jeanne Aufmuth | A one of a kind, must-see, moviegoing experience. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,984 |
Run Lola Run | Palo Alto Weekly | Jeanne Aufmuth | Sheer, demented entertainment. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,984 |
Snatch | Palo Alto Weekly | Jeanne Aufmuth | Working with this brutal charmer will reap endless rewards. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,984 |
The Talented Mr. Ripley | Palo Alto Weekly | Jeanne Aufmuth | Highly reminiscent of a taut Hitchcock thriller. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,984 |
The Love Letter | Palo Alto Weekly | Jeanne Aufmuth | The chemistry between the age-challenged lovers is exceptionally sweet, and crucial to the success of the project. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,984 |
Toy Story 2 | Palo Alto Weekly | Jeanne Aufmuth | Those wizards at Pixar sure know how to put on a show. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,984 |
The Dukes of Hazzard | Palo Alto Weekly | Jeanne Aufmuth | B-movie pabulum within an A-level marketing plan. | 2.4/5 | 5 | 2.4 | 5 | false | 7 | 21 | 5 | 1,985 |
Aliens | Panorama | Jean-François Vandeuren | Un film clé en son genre. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,986 |
Green Zone | Panorama | Jean-François Vandeuren | Cliquez pour lire la critique... | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,986 |
Alexandra's Project | Panorama | Jean-François Vandeuren | Manipulateur et de mauvaise foi. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,986 |
Prince of Persia: The Sands of Time | Panorama | Jean-François Vandeuren | Cliquez pour lire la critique... | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,986 |
Spun | Panorama | Jean-François Vandeuren | Une bien mauvaise caricature. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 1,986 |
Alexander | Panorama | Louis-Jérôme Cloutier | À moitié réussi, à moitié raté. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,987 |
The Manchurian Candidate | Panorama | Louis-Jérôme Cloutier | Ingal, mais efficace. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,987 |
The Ring Two | Panorama | Louis-Jérôme Cloutier | Du gros, gros recyclage. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,987 |
Spectre | Parade Magazine | Neil Pond | The 24th movie since 'Dr. No' began the franchise in 1962 may reflect on the past and even gaze into the grave, but it's vibrantly, expressively, emotionally alive and very much in step with today. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,988 |
Escape from New York | Pasadena Weekly | John Esther | Reagen-era horseshit. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
Witness | Pasadena Weekly | John Esther | An offence to the Amish | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
The Long Goodbye | Pasadena Weekly | John Esther | One of the greatest detective films of all time. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 1,989 |
The Circus | Pasadena Weekly | John Esther | Hilarious-ness-ness | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 1,989 |
The Kid | Pasadena Weekly | John Esther | A beautiful film. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 1,989 |
Pocahontas | Pasadena Weekly | John Esther | Horrible. Racist. An affront. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
8 1/2 | Pasadena Weekly | John Esther | Most overrated film of all time. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 1,989 |
Blood Simple | Pasadena Weekly | John Esther | Useless update | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 1,989 |
Broken Flowers | Pasadena Weekly | John Esther | "Broken Flowers" is layered with sophisticated symbolism, amusing wordplay and a strong cast, yet it remains an unsatisfying film. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 1,989 |
Death and the Maiden | Pasadena Weekly | John Esther | Weaver and Kingsley move. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 1,989 |
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb | Pasadena Weekly | John Esther | Masterpiece | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 1,989 |
Everything You Always Wanted to Know About Sex * But Were Afraid to Ask | Pasadena Weekly | John Esther | Funny the first time. Multiple viewings offer nothing. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 1,989 |
The Exterminator | Pasadena Weekly | John Esther | Right-wing nonsense | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
Giant | Pasadena Weekly | John Esther | Essential viewing | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 1,989 |
La Grande illusion (Grand Illusion) | Pasadena Weekly | John Esther | One of the greatest films of all time. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 1,989 |
Let Him Have It | Pasadena Weekly | John Esther | One of the best films on capital punishment ever. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 1,989 |
Lifeboat | Pasadena Weekly | John Esther | One of Hitchcock's best | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 1,989 |
Look Who's Talking Now | Pasadena Weekly | John Esther | For losers | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
Modern Times | Pasadena Weekly | John Esther | A masterpiece. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 1,989 |
Phantasm | Pasadena Weekly | John Esther | Flat out stupid | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
Play It Again, Sam | Pasadena Weekly | John Esther | Amusing early Allen | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 1,989 |
The Power of One | Pasadena Weekly | John Esther | Mushy | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 1,989 |
Sky Ladder: The Art of Cai Guo-Qiang | Pasadena Weekly | Jana Monji | In the fascinating documentary Sky Ladder: The Art of Cai Guo-Qiang, director Kevin Macdonald helps audiences understand the political and social forces that helped develop one of China's major artists and his journey. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 1,989 |
Soylent Green | Pasadena Weekly | John Esther | The SNL skits are better | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 1,989 |
Species | Pasadena Weekly | John Esther | Worthless | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
Teenage Mutant Ninja Turtles II - The Secret of the Ooze | Pasadena Weekly | John Esther | For losers | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,989 |
Wild Strawberries | Pasadena Weekly | John Esther | Brilliant. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 1,989 |
Death by China | Paste Magazine | Jay Antani | As a wake-up call... Navarro scores points. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,990 |
Pusher | Paste Magazine | Jay Antani | a perfectly serviceable race-against-the-clock thriller thanks to a powerful lead performance from Richard Coyle. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,990 |
The Crash Reel | Paste Magazine | Calum Marsh | Walker's strategy yields drama on par with a scripted thriller ... But what's missing, I think, is a moral sense. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,990 |
The Kid with a Bike | Paste Magazine | Jay Antani | continues the Belgian writing-directing brothers Jean-Pierre and Luc Dardenne's extraordinary run of charting the lives of European down-and-outers navigating difficult moral and spiritual terrain. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,990 |
Tonight You're Mine | Paste Magazine | Jay Antani | A prime example of a movie whose setting must compensate for an absence of any actual merit. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,990 |
Trishna | Paste Magazine | Jay Antani | dismal and unconvincing | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,990 |
Undefeated | Paste Magazine | Jay Antani | In introducing us to [Coach] Courtney...Undefeated finds its voice | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,990 |
10,000 B.C. | Paste Magazine | Robert Davis | But the folks who made 10,000 B.C. have filled their film with a sub-Disney plot and inserted a few measly slivers of action that hardly warrant all the mystical hubbub and romantic angst. | 1.5/5 | 5 | 1.5 | 5 | false | 5 | 41 | 10 | 1,991 |
Married Life | Paste Magazine | Robert Davis | It's elegant, unhurried, and, if you meet it half way, softly satisfying ... like the muffled clap of a velvet-covered ring box snapping shut. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 1,991 |
The New World | Paste Magazine | Robert Davis | [Malick's] characters must consider their lives, consider each other, and resolve the situation like adults. And when they do, a story that seemed to be irredeemably broken snaps back together. | 4.5/5 | 5 | 4.5 | 5 | false | 35 | 41 | 10 | 1,991 |
Free Zone | Paste Magazine | Robert Davis | There's an art to ambiguity -- there really is... Left to their own devices, viewers will fill in the blanks, but when the movie starts filling them in itself, you have to wonder about the mismatch. | 3/5 | 5 | 3 | 5 | false | 20 | 41 | 10 | 1,991 |
Akeelah and the Bee | Paste Magazine | Robert Davis | Akeelah and the Bee is the kind of movie you want to recommend to every 11-year-old you know. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
Art School Confidential | Paste Magazine | Robert Davis | Unfortunately, the tender observations Zwigoff and Clowes specialize in are largely missing from Art School Confidential, which spends its energy on the zany people who'd usually pepper the edges of their films. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 1,991 |
Batman Begins | Paste Magazine | Robert Davis | Not only do we see Gotham in the daylight, but Christian Bale may also be the first Bruce Wayne who's more at home crouching in a monastery with his hair in his eyes than attending a dinner party for which he'd have to trim his nails. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Be Kind Rewind | Paste Magazine | Robert Davis | But with a skill that is difficult to pinpoint, Gondry seems to stumble like a fox from this paper-thin plot into a precious little ode to community. | 3/5 | 5 | 3 | 5 | false | 20 | 41 | 10 | 1,991 |
Caché | Paste Magazine | Robert Davis | Michael Haneke's aptly named Caché (Hidden) is the kind of movie that fully engages the mind of the viewer. It's a multi-layered, open-ended thriller, an onion sliced by taut piano wire. | 4.5/5 | 5 | 4.5 | 5 | false | 35 | 41 | 10 | 1,991 |
The Corporation | Paste Magazine | Robert Davis | As a clever joke, the filmmakers run down a list of the traits of a psychopath and find a corporate action to match each one. Diagnosis: psychopath. It's cute, but it's a logical fallacy. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Dogville | Paste Magazine | Robert Davis | These elements come together to form a movie that is clinically ironic but also unique, inspired, and quite sublime. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Eros | Paste Magazine | Robert Davis | The chatter in the lobby, I predict, will be from people wondering how and when [Antonioni] flipped his lid... The film is a failure, no matter how grandiose its title or the names above it. | 2/5 | 5 | 2 | 5 | false | 10 | 41 | 10 | 1,991 |
Girl With a Pearl Earring | Paste Magazine | Robert Davis | The movie benefits greatly from Johansson's gift for understated delivery, but she's less assured in this demure, largely non-verbal role than she was as a modern young woman in Ghost World and Lost in Translation. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 1,991 |
A Good Year | Paste Magazine | Robert Davis | [Russel Crowe's] supply of quips and pratfalls is inexhaustible, even when he's trapped at the bottom of a swimming pool surrounded by peat and dry leaves. Alas, he escapes. | 2/5 | 5 | 2 | 5 | false | 10 | 41 | 10 | 1,991 |
Grace Is Gone | Paste Magazine | Robert Davis | The power of the ending comes from the inherent pain of loss, but it's no feat to recognize how emotional this would be, to tell us it's coming and to dangle it in front of us for an hour and a half. | 2/5 | 5 | 2 | 5 | false | 10 | 41 | 10 | 1,991 |
Hero | Paste Magazine | Robert Davis | In what may be the movie's most spectacular set piece ... Zhang pits the sword against the pen and fends off war with knowledge and non-violence. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
In the Shadow of the Moon | Paste Magazine | Robert Davis | It never hurts to be reminded of our potential and our insignicance, and who better to do the reminding than clean-cut American boys who've covered up the entire world with their thumbs. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
Jumanji: The Next Level | Paste Magazine | Oktay Ege Kozak | Skip The Next Level and hope for some form of originality in the next one instead. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Little Miss Sunshine | Paste Magazine | Robert Davis | The chaotic dinner scene pops like syncopated jazz, setting the tone for a warm, funny film that has more smiles than belly laughs. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Manderlay | Paste Magazine | Robert Davis | It doesn't offer much insight into America's race issues, which might seem at first to be its target, but it works very well as a metaphor for America's intervention in Iraq. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
Meet Dave | Paste Magazine | Robert Davis | I doubt many kids will follow the bit about using an orb to desalinate the earth's water, but that's just the MacGuffin of a film whose nature is to whiff across the top of a kid's head and then evaporate, which it does, leaving almost no residue. | 2/5 | 5 | 2 | 5 | false | 10 | 41 | 10 | 1,991 |
Monster | Paste Magazine | Robert Davis | As impressive as [Charlize Theron's] transformation is, it's likely to spawn more discussions about acting than about the topic at hand. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
My Summer of Love | Paste Magazine | Robert Davis | The film reaches a point of high drama, for sure, but when Edith Piaf's voice rises over the final minutes, the gothic climax curls into a wicked grin. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
A Prairie Home Companion | Paste Magazine | Robert Davis | Altman's star-studded cast is natural and energetic -- with the exception of a surprisingly detached Keillor -- and the Hollywood folks mingle easily, in character, among the real show's performers, a technique Altman perfected in Nashville. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Protagonist | Paste Magazine | Robert Davis | [Jessica Yu] combines the interviews with such skill that themes begin to emerge, a tangled thicket of men seeking to define themselves through strength, discipline and self-transformation. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Millennium Mambo (Qianxi Manbo) | Paste Magazine | Robert Davis | We get far too few opportunities in the U.S. to see Hou's gorgeous films on the big screen. If this one comes to your town, don't pass it up. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
Saraband | Paste Magazine | Robert Davis | Bergman has a sharp talent for observing human conflicts without claiming to fully understand them. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
The Savages | Paste Magazine | Robert Davis | Oddly being marketed as a comedy by its distributor, The Savages is best approached as a drama with an intermittently light touch that's generally more of a curse than a boon. | 3/5 | 5 | 3 | 5 | false | 20 | 41 | 10 | 1,991 |
Super Size Me | Paste Magazine | Robert Davis | I'm willing to believe Spurlock's hypothesis ... but someday I'd like to see a well-researched documentary as lively as this one on the harmful effects of pseudo-science in the media. | 3/5 | 5 | 3 | 5 | false | 20 | 41 | 10 | 1,991 |
The Counterfeiters | Paste Magazine | Robert Davis | Karl Markovics is exceptionally well cast. He's not wildly expressive, but his physicality -- a small frame, a nose that bends northwest due to events we can only imagine -- is enough to carry the film's ambiguities. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
The Death of Mr. Lazarescu | Paste Magazine | Robert Davis | The Death of Mr. Lazarescu seems effortlessly observed, even improvised, but it's actually a wonder of choreography, rhythm and social commentary. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
The Grudge | Paste Magazine | Andy Crump | Each thread could have functioned as a standalone film about the terrible consequences of presuming safety in a world menaced by invisible dangers. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 1,991 |
The Nines | Paste Magazine | Robert Davis | August is on solid ground when he's riffing on Stephen King and celebrities, but he's stretching when he tries to be David Lynch, which would require a distinctly different kind of brain damage. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 1,991 |
Thriller | Paste Magazine | Joelle Monique | Thriller at best qualifies as an interesting attempt at bringing additional perspectives to horror. Given the potential of this particular niche of the horror genre, that also makes it quite the wasted opportunity. | 4.7/5 | 5 | 4.7 | 5 | false | 37 | 41 | 10 | 1,991 |
Twentynine Palms | Paste Magazine | Robert Davis | Twentynine Palms is another in a string of recent French movies in which the body is no longer sacred, a churning, jerking, oozing machine. But Dumont seems to be working toward human discovery. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 1,991 |
Twice Born | Paste Magazine | Brent Simon | The type of cinematic slog one watches and thinks, 'This would actually be much more interesting as a book.' And that makes sense, really, since that's its original medium. | 2/5 | 5 | 2 | 5 | false | 10 | 41 | 10 | 1,991 |
V for Vendetta | Paste Magazine | Robert Davis | The details of V's beef with society are hazy, but the film has a certain purity of spirit. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 1,991 |
Vantage Point | Paste Magazine | Robert Davis | [Vantage Point is] a puzzle cut by a drunken, three-fingered jigsaw operator who lost a few pieces and chewed on a few others. | 1.5/5 | 5 | 1.5 | 5 | false | 5 | 41 | 10 | 1,991 |
Waitress | Paste Magazine | Robert Davis | It's a love letter of the first degree, the kind that rises out of trepidation and confusion, almost by accident, with a sudden force of absolute clarity. | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 1,991 |
Wordplay | Paste Magazine | Robert Davis | Similar in structure to the recent movie Spellbound, Wordplay is a fun documentary about an American institution and national habit. | 3/5 | 5 | 3 | 5 | false | 20 | 41 | 10 | 1,991 |
12 Strong | Paste Magazine | Will Leitch | The movie has its moments. But Thor wrestling with the Hulk is more realistic and, frankly, more relevant to the current facts on the ground. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,992 |
22 July | Paste Magazine | Will Leitch | Essentially "United 93" with "The 9/11 Commission Report" tacked onto the end of it. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,992 |
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