movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Best Years of Our Lives | Reeling Reviews | Robin Clifford | This masterpiece may seem corny to some 55 years later but it never fails to bring a tear to my eye and an ache in my heart. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
Big Trouble in Little China | Reeling Reviews | Robin Clifford | Campy as heck but a lot of fun, too. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,072 |
Brubaker | Reeling Reviews | Robin Clifford | A good, not great, movie that reps a solid, mid-career performance by Redford. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,072 |
Call Northside 777 | Reeling Reviews | Robin Clifford | A dark look into guilt and innocence with reporter Jimmy Stewart digging into an old murder story. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,072 |
A Clockwork Orange | Reeling Reviews | Robin Clifford | "A Clockwork Orange" is on of Kubrick's best and a marvelous adaptation of the Anthony Burgess novel. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
The Cook, the Thief, His Wife & Her Lover | Reeling Reviews | Laura Clifford | Many people hated this film. I found it to be an allegory of all that is beautiful and all that is vile, and the vile is strongly presented. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
Crossing Delancey | Reeling Reviews | Robin Clifford | a real charmer | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,072 |
Cruising | Reeling Reviews | Robin Clifford | One of the most painfully bad films I have ever seen and an embarrassment for its star, Al Pacino. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 2,072 |
Doc Hollywood | Reeling Reviews | Robin Clifford | A Hollywood look into small town America that, somehow, rings real. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,072 |
The Exorcist III | Reeling Reviews | Robin Clifford | Amazing! A sequel that stands on its own and still creeps me out at times. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,072 |
A Fistful of Dollars (Per un Pugno di Dollari) | Reeling Reviews | Robin Clifford | The first and one of the best of the spaghetti westerns | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
Hatari! | Reeling Reviews | Robin Clifford | Corny but vastly entertaining with terrific wildlife photography and a great score by Henry Mancini | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,072 |
Honeymoon in Vegas | Reeling Reviews | Robin Clifford | Ya gotta love the skydiving Elvis impersonators. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,072 |
Local Hero | Reeling Reviews | Robin Clifford | A whimsical, delightful tale of a stranger in a strange land. It is director Bill Forsythe's best ever. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
Mixed Nuts | Reeling Reviews | Robin Clifford | Horrible...horrible...horrible! | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 2,072 |
Operation Petticoat | Reeling Reviews | Robin Clifford | A n ice pairing of the talents of Cary Grant and Tony Curtis | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,072 |
Play It Again, Sam | Reeling Reviews | Robin Clifford | How can anyone not like the combo of Woody and Bogie in one movie? | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
Rope | Reeling Reviews | Robin Clifford | Worth the effort just to watch the talent and innovation of maestro Alfred Hitchcock | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,072 |
The Devil and Daniel Webster | Reeling Reviews | Robin Clifford | A wonderful masterpiece. Walter Huston has a devilishly good time! | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
To Catch a Thief | Reeling Reviews | Robin Clifford | A wonderfully witty and sexy Hitchcok thriller that answers the question, "Why did the chicken cross the road?" | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,072 |
Topaz | Reeling Reviews | Robin Clifford | Not Alfred Hitchcock at his best. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,072 |
Von Ryan's Express | Reeling Reviews | Robin Clifford | An action packed prisoner of war thriller and Ole Blue Eyes doesn't even sing a note. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,072 |
Wise Guys | Reeling Reviews | Robin Clifford | A waste of celluloid. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 2,072 |
Warrior | Reelrave | Sean O'Connell | "Soul of a lion." I jotted that down. For with "Warrior," it seems to apply. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,073 |
The Adjustment Bureau | Reelrave | Sean O'Connell | The actors convincingly sell that passion, and their union smoothes any wrinkles an otherwise critical eye might spy as "The Adjustment Bureau" ... races along. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,073 |
Arthur | Reelrave | Sean O'Connell | "Arthur" is paced too slowly for a comedy. It's too flat to serve as a romantic diversion. And it's too light on relevant lessons for a redemption fable. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,073 |
Battle: Los Angeles | Reelrave | Sean O'Connell | Should have been titled "Call of Duty: Martian Warfare 2." | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,073 |
Cedar Rapids | Reelrave | Sean O'Connell | Doesn't ask its cast to detour too far from personalities they've played in past projects. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,073 |
For Colored Girls | Reelrave | Sean O'Connell | Any time [an actress] excels in a scene, its in spite of Perry's uninspired contributions behind the camera and not because of them. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,073 |
Red Riding Hood | Reelrave | Sean O'Connell | Gary Oldman, bless his heart, chews scenery faster than a wolf chomping on a villager, but even his fangs aren't sharp enough to puncture the layer of cheese Hardwicke coats atop her dreadful film. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,073 |
Harry Potter and the Deathly Hallows - Part 1 | Reelrave | Sean O'Connell | There's nothing inherently wrong with his initial adaptation of J.K. Rowling's seventh and final novel except for the fact that it ends with the best parts of the story yet to be told. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,073 |
Hereafter | Reelrave | Sean O'Connell | Feels like the beginning of a discussion, one Eastwood likely has with his peers as they age. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,073 |
Hop | Reelrave | Sean O'Connell | Leap to another theater, and wait for something that's worth your family's time. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,073 |
Insidious | Reelrave | Sean O'Connell | Save for "Two Girls and One Cup," I'm able to sit through anything. Very little bothers me the way "Insidious" bothered me. Disturbed me. Ran its ice-cold finger down the length of my spine, chilling me to the core. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,073 |
It's Kind of a Funny Story | Reelrave | Sean O'Connell | Its kind of a phony story, as well. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,073 |
Megamind | Reelrave | Sean O'Connell | Not exactly ingenious, but certainly an entertaining way to spend an afternoon at the theater with the family. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,073 |
Midnight in Paris | Reelrave | Sean O'Connell | Minor ... a one-sided infatuation that always looks fancy, thanks to Darius Khondji's exquisite Parisian cinematography, but isn't as fanciful as its dreamy foundation suggests. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,073 |
Secretariat | Reelrave | Sean O'Connell | Too often bludgeons us over the head with its inspirational quotables, burying the storys organic goodwill under a pile of Hollywood horse manure. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,073 |
Source Code | Reelrave | Sean O'Connell | The irony of the situation is that it's the last eight minutes of "Code" - a movie that hinges on eight-minute intervals - that falter. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,073 |
Tangled | Reelrave | Sean O'Connell | I actually believe in Walt Disney Animation once again. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,073 |
The Eagle | Reelrave | Sean O'Connell | It's good, but medium-scale when it had a slim chance of being epic. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,073 |
The Social Network | Reelrave | Sean O'Connell | Has a rhythm, or a pulse. ... You almost interact with the production as you would a stage play, as if the players can feed off your energy (and vice versa). | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,073 |
The American | Reelrave | Sean O'Connell | Much like the town that hides Jack, "The American" is a beautiful relic, an honorable homage to films of the past. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,073 |
The Tourist | Reelrave | Sean O'Connell | A frothy bit of cloak-and-dagger intrigue where the cloak isn't billowy enough to cover the script's multiple plot inconsistencies, and the dagger's about as dull as a butter knife. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,073 |
The Break-Up | ReelzChannel.com | Jeff Otto | A brilliantly conceived romantic comedy reversal that turns the genre on its head. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,074 |
Cars | ReelzChannel.com | Jeff Otto | Pixar maintains the lush visuals and sweet story, but the crossover is limited this time around. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,074 |
A Fantastic Woman (Una mujer fantástica) | Reforma | Ernesto Diezmartinez | A conventional woman's film that has its greatest audacity in the charisma of its trans protagonist, Daniela Vega. (Complete review in Spanish in Refroma.com) | 2.5/4 | 4 | 2.5 | 4 | true | 5 | 9 | 2 | 2,075 |
Every Day | Reforma | Ernesto Diezmartinez | The movie is a harmless kitsch but is quite entertaining. Of course, Miss Rice is called to become a true movie star. (Complete review in Spanish in the Mexican newspaper Reforma). | 1/4 | 4 | 1 | 4 | true | 2 | 9 | 2 | 2,075 |
Film Stars Don't Die in Liverpool | Reforma | Ernesto Diezmartinez | A biopic whose greatest merit is, perhaps, to let young moviegoers know who Gloria Grahame was. (Complete review in Spanish in the Mexican newspaper Reforma). | 1/4 | 4 | 1 | 4 | true | 2 | 9 | 2 | 2,075 |
Lady Bird | Reforma | Ernesto Diezmartinez | This film has achieved some notoriety for the cultural climate that Hollywood is experiencing at this time. If Hollywood wanted to nominate a woman, they could name Eliza Hittman or Kathryn Bigelow. (Full Review in Reforma newspaper, in Spanish). | 1.5/4 | 4 | 1.5 | 4 | true | 3 | 9 | 2 | 2,075 |
Loveless (Nelyubov) | Reforma | Ernesto Diezmartinez | The premise seems to be taken from a Ruth Rendell novel. The search for the kid will not unite the marriage but to spread the lack of love between man and woman to all those around them. (Complete review in Spanish in newspaper Reforma). | 3.5/4 | 4 | 3.5 | 4 | true | 7 | 9 | 2 | 2,075 |
Please Stand By | Reforma | Ernesto Diezmartinez | A feel-good indie. (Complete review in Spanish en Reforma newspaper). | 1.5/4 | 4 | 1.5 | 4 | true | 3 | 9 | 2 | 2,075 |
Submergence | Reforma | Ernesto Diezmartinez | "Cheesy and boring movie". Complete review in Spanish in the Mexican newspaper Reforma. | 0/4 | 4 | 0 | 4 | true | 0 | 9 | 2 | 2,075 |
Tag | Reforma | Ernesto Diezmartinez | "One of the worst movies of 2018." [Full review in Spanish] | 0/4 | 4 | 0 | 4 | true | 0 | 9 | 2 | 2,075 |
The Florida Project | Reforma | Ernesto Diezmartinez | Baker follows these characters through a series of neo-realist episodes, in their absolute precariousness and in their most contagious freedom. (Complete review in newspaper Reforma, in Spanish) | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 2,075 |
The Mercy | Reforma | Ernesto Diezmartinez | This is apointless adventure, as well as the same film focused on this pathetic adventure. (Complete review in Spanish, in the Mexican newspaper Reforma) | 0/4 | 4 | 0 | 4 | true | 0 | 9 | 2 | 2,075 |
The Strangers: Prey At Night | Reforma | Ernesto Diezmartinez | Effective but derivative. A gory movie, with a good rock-pop soundtrack included. (Complete review in Spanish in the Mexican newspaper Reforma). | 1/4 | 4 | 1 | 4 | true | 2 | 9 | 2 | 2,075 |
Thelma | Reforma | Ernesto Diezmartinez | A shrewd mix of horror movie, provocative feminist / feminist liberation film and, in the end, the story of the origin of a new super-heroine (or a super-villain?) (Review complete in newspaper Reforma, in spanish) | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 2,075 |
Time Share (Tiempo Compartido) | Reforma | Ernesto Diezmartinez | "A brilliant dark comedy" (Complete review in Spanish in the Mexican newspaper Reforma) | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 2,075 |
You Were Never Really Here | Reforma | Ernesto Diezmartinez | Ramsay's fourth feature does not hide his debts with classics such as Taxi Driver (Scorsese, 1976) and even the seminal western The Searchers (Ford, 1956), but the British director knows how to create truly absorbing images. (Complete review in Spanish). | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 2,075 |
Carmen & Lola (Carmen y Lola) | Remezcla | Kiko Martinez | By refusing to take the easy way out, [Spanish writer/director Arantxa Echevarría] transforms Carmen y Lola into a less cliché, forbidden love story with real consequences. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,076 |
Coco | Remezcla | Kiko Martinez | A film that will become the standard-bearer of a positive example of what the Latino experience can look like on the big screen for years to come. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,076 |
Peppermint | Remezcla | Kiko Martinez | The people behind Peppermint need to hear the more uncomfortable discussions their movie provokes. They need to listen, take note and realize that in 2018 they should be better than this. | D- | long_letter | null | null | false | 6 | 18 | 1 | 2,076 |
Roma | Remezcla | Kiko Martinez | It's as close to cinematic poetry as you can get and director Alfonso Cuarón, with an expert-level attention to detail, places us at the center of his story - watching, listening, waiting, and cherishing every delicate moment. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,076 |
Spider-Man: Into the Spider-Verse | Remezcla | Kiko Martinez | It won't do for Latinos what Black Panther did for the African-American community earlier this year from a cultural perspective, but the highly stylized animated film is a solid first step in making the mainstream superhero universe more inclusive. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,076 |
Spider-Man 3 | Reno News and Review | Bob Grimm | It's as if director Raimi ingested a ton of Spidey comics, chased them with some crappy romance novels, and barfed the whole discordant mess onto the screen. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 2,077 |
Spirit - Stallion of the Cimarron | Reno News and Review | Bob Grimm | A beautiful looking movie that suffers a bit due to some lousy Bryan Adams songs | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 2,077 |
Sex and Lucia | Request Magazine | Bryan Reesman | Not every movie that is billed as 'erotic' deserves that distinction, but director Julio Medem's Sex And Lucia certainly does. It's the kind of intelligent, thoughtful film about sex and love that Hollywood just can't make. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,078 |
Brave | Response | Jeffrey Overstreet | We've been conditioned to expect a familiar message: 'Follow your heart! You can do anything you set your mind to.' Brave is a rare and wonderful exception. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,079 |
Margaret | Response | Jeffrey Overstreet | This is an America in which nobody listens, the end always justifies the means, and it's always the other guy's fault. Blame is tricky when everyone is failing everyone. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,079 |
Much Ado About Nothing | Response | Jeffrey Overstreet | The film's biggest problem is that its Beatrice, played with spunk and spark by Amy Acker, is far more engaging and enchanting than its Benedick. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,079 |
Mud | Response | Jeffrey Overstreet | Mud has a rare big-screen beauty, and its old-fashioned storytelling recalls A River Runs Through It, Night of the Hunter, and Stand By Me. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,079 |
Stories We Tell | Response | Jeffrey Overstreet | Polley approaches every character with compassion, intent upon blessing them, and serving the audience with useful questions about how we seek the truth. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,079 |
The World's End | Response | Jeffrey Overstreet | The most grown-up film of the trilogy. ... Instead of giving us characters who find happiness by rediscovering their youth, they show us the folly of resisting adulthood. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,079 |
Vision: From the Life of Hildegard von Bingen | Response | Jeffrey Overstreet | Sukowa gives Hildegard intriguing complexity and an almost irresistible charisma ... but the great [film] about this woman who embraced faith, art, and science is yet to arrive. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,079 |
Munich | Reverse Shot | Keith Uhlich | Let us start from the dual positions that sex can (potentially) bring us closer to God and that cinema, in and of itself, is a holy medium given to the transcendent. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 2,080 |
Bill & Ted Face the Music | Review Nation | Derek Sante | Nostalgia that Rocks Hard! | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,081 |
The Tax Collector | Review Nation | Derek Sante | I would have loved this as a 10 part series. From the beginning Shia was throwing down a real and correct character. Overall its a good film with rounded characters and definitely worth your VOD dollars if you want something dark and gritty. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,081 |
April and the Extraordinary World (Avril et le monde truqué) | ReviewExpress.com | Jean Lowerison | A fine animated film | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 2,082 |
Free State of Jones | ReviewExpress.com | Diana Saenger | McConaughey Brings History to Life | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 2,082 |
The Drop | ReviewExpress.com | Diana Saenger | Superb Acting and Drama | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 2,082 |
The Judge | ReviewExpress.com | Diana Saenger | Excellent Cast in Poignant Drama - wonderful to see this actors bring this story to life | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 2,082 |
Kick-Ass | ReviewExpress.com | Jean Lowerison | The funniest, tongue-in-cheekiest, most outrageous version of a superhero ever. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,083 |
Crazy Heart | ReviewExpress.com | Diana Saenger | In Bridges' protrayal Bad is like a floating candle in a jar of gasoline – always ready to ignite. Through Jean he learns to hang on with a hope to glow once again. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,083 |
The Soloist | ReviewExpress.com | Diana Saenger | There are moments when Downey verbalizes a simple line of dialogue that becomes so profound through his magic of subtle emotion we're transformed. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,083 |
The Runner | ReviewExpress.com | Diana Saenger | Cage makes us believe the good and the bad in this man. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,083 |
Water for Elephants | ReviewExpress.com | Diana Saenger | The art decoration and cinematography were superb but the casting of Patterson seemed to miss the boat. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,083 |
I Saw the Devil | Revolver | Jovanka Vuckovic | Worth the price of admission for the wildly creative (and brutally bloody) taxicab scene alone. Merciless, uncompromising, and unforgettable. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,084 |
The Skin I Live In | Revolver | Jovanka Vuckovic | Not since David Cronenberg have surgery, sex and violence frolicked in the same stained bed so skillfully. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,084 |
Trollhunter | Revolver | Jovanka Vuckovic | What do you get when you combine Cloverfield with Nordic Trolls? This very funny monster mockumentary. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,084 |
Winning: The Racing Life Of Paul Newman | Richard Roeper.com | Richard Roeper | For longtime fans of Paul Newman, "Winning" provides valuable insight into the sport he loved. For millennials that might be only vaguely familiar with this old-time movie star, it's a lesson in how one should live a life. | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 2,085 |
Casino Royale | Richard Roeper.com | Richard Roeper | Meet the new Bond, not the same as the old Bond -- and thank God for that. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 2,086 |
Children of Men | Richard Roeper.com | Richard Roeper | Outside of Black Christmas -- and aren't we all planning on staying outside of Black Christmas? -- this is probably the feel-not-so-great movie of the holiday season. But if you're in the proper, semi-dark mood, it's a gritty gem. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 2,086 |
Hotel Artemis | Richard Roeper.com | Richard Roeper | Positive points for trying to achieve something original, and for the quality of the cast. But after that bloody boldness, the analogies and the life lessons and the moments of closure are all too predictable and familiar. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 2,086 |
Remember Me | Richard Roeper.com | Richard Roeper | Ambitious but overwrought, with a polarizing final act. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,087 |
Annie Hall | Richard Roeper.com | Richard Roeper | This is Woody Allen's signature film, arguably his best and certainly his most popular. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,087 |
In the Heat of the Night | Richard Roeper.com | Richard Roeper | Social importance aside, In the Heat of the Night works as a buddy film and as a tense thriller. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,087 |
The Fault In Our Stars | Richard Roeper.com | Richard Roeper | Led by the unforgettable work from a young actress who's among the best of her generation, "The Fault in Our Stars" is a lovely work. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,087 |
A Prairie Home Companion | Richmond Post | Kam Williams | This adaptation is highly-recommended for loyal devotees of the long-running radio show as a cinematic capstone on Keillor's magnificent career. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,088 |
Scary Movie 4 | Richmond Post | Kam Williams | A low-brow comedy chock full of cheap laughs. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,088 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.