movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Boss Baby | Rotoscopers | Rachel Wagner | I can see The Boss Baby working as an animated short, similar to the opening of Who Framed Roger Rabbit, but there just isn't enough meat on the bones for a feature film. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,104 |
The Boy And The Beast (Bakemono No Ko) | Rotoscopers | Rachel Wagner | The martial arts sequences look very bold and captivating, and all the animation is rendered beautifully. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,104 |
The Emoji Movie | Rotoscopers | Rachel Wagner | In the end, there is no reason to give your money to The Emoji Movie. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,104 |
The Star | Rotoscopers | Rachel Wagner | The humor completely falls flat in The Star. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,104 |
Your Name. (Kimi No Na Wa.) | Rotoscopers | Rachel Wagner | It's bold and stunning with great characters and original storytelling. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,104 |
Alex Rider: Operation Stormbreaker | Rotten Tomatoes | Jen Yamato | Filled with entertaining action sequences and a dazzling supporting cast, Operation Stormbreaker succeeds in serving up tasty fare for the older set, as well as kids. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,105 |
Black Book | Rotten Tomatoes | Jen Yamato | It's Nazis, melodrama and intrigue galore as Paul Verhoeven adds his patented Verhoeven touch to this sordid tale of a Jewish girl in hiding during World War II. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,105 |
Breaking and Entering | Rotten Tomatoes | Jen Yamato | Despite some admirably committed performances, the film is marred by a few plot contrivances that cast unbelievability into a story that strives to be about real relationships, real politics, and real economics. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,105 |
Catch a Fire | Rotten Tomatoes | Jen Yamato | The film champions its "terrorist" and vilifies its family man-turned-desperate lawman, and argues that when the lines between good and bad are forever blurred, forgiveness is mankind's only salvation. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,105 |
Deliver Us from Evil | Rotten Tomatoes | Jen Yamato | What further elevates Deliver Us From Evil beyond the poignancy and courage of O'Grady's victims and the sorrow of their devastated families is Berg's access to the pedophile himself. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,105 |
El Cantante | Rotten Tomatoes | Jen Yamato | El Cantante is driven by the rhythmic, pulsating sounds of Lavoe's music, without which the film would be nothing. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,105 |
Transit | Rough Cut | Debbie Zhou | What lies at the forefront of Transit is a delicately thorny, complex display of dislocation and ambiguity - Petzold deliberately holding the reins tight on this film that's imbued with impossible questions that go right down to the bones of humanity. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,106 |
Hellboy II: The Golden Army (Hellboy 2) | Rue Morgue Magazine | Jovanka Vuckovic | A quirky, idiosyncratic, Harryhausen-inspired, art house creature feature with the poetry and narrative depth characteristic of misunderstood monster classics such as The Creature from the Black Lagoon and The Bride of Frankenstein. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,107 |
The Hills Have Eyes | Rue Morgue Magazine | Dave Alexander | Gore disciples rejoice: Alexandre Aja's remake of The Hills Have Eyes hits like a hot blood baptism. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,107 |
Pan's Labyrinth | Rue Morgue Magazine | Jovanka Vuckovic | A gorgeously executed and disturbingly violent moving picture poem that bravely flies in the face of genre convention and stands alone in its purpose. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,107 |
Perfume: The Story of a Murderer | Rue Morgue Magazine | Rod Gudino | In a time when the serial killer subgenre is practically the definition of derivative, Perfume is – for better or for worse – a whiff of something uniquely fresh. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,107 |
Rock 'n' Roll High School | Rue Morgue Magazine | Jovanka Vuckovic | What punk rock lovin' fiend doesn't love the Ramones? | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 2,108 |
Alone in the Dark | Rue Morgue Magazine | Jovanka Vuckovic | How Uwe Boll manages to scrape together enough investment money to give wing to this type of overblown, amateurish gibberish is truly a mystery of the cosmos... | 0/5 | 5 | 0 | 5 | true | 0 | 11 | 2 | 2,108 |
The Devil's Backbone (El Espinazo del diablo) | Rue Morgue Magazine | Jovanka Vuckovic | A treasure of artistic elements and genres synthesized together in a flawless cohesion of cinematic and visual poetry. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 2,108 |
The Devil's Rejects | Rue Morgue Magazine | Rod Gudino | The Devil's Rejects plays out like the kind of film everyone thought House was gonna be - a retrofied, nasty horror homage. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 2,108 |
May | Rue Morgue Magazine | Jovanka Vuckovic | 'May is nothing short of brilliant. It is likely the most original horror story I have seen in years.' | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 2,108 |
Night Watch | Rue Morgue Magazine | Dave Alexander | As slick as any mega-budget American movie... but it's also as cliché and soulless, and a lot more convoluted. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 2,108 |
Rawhead Rex | Rue Morgue Magazine | Jovanka Vuckovic | A terrible adaptation of a fantastic Clive Barker story from his Books of Blood. Despite the goofy mask the demon wears, Rex does have some teeth; it earns points for the Rex-urinating-on-willing-priest's-face scene. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 2,108 |
Not Easily Broken | SET Magazine | Kimberly Gadette | Playing the funny friend, Kevin Hart stands out--a welcome relief from the low-simmering, Promise Keeper-esque ethos that fuels this piece. | 3.5/10 | 10 | 3.5 | 10 | false | 5 | 19 | 2 | 2,109 |
Godzilla | SF Crowsnest | Frank Ochieng | Fittingly, Godzilla does its noted work in adequately displaying the continued connection and corruption that is the conception of man versus beast and flaunts it on a grand cinematic stage for all to digest as a manifestation for contemplative hubris. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,110 |
Star Wars: The Rise of Skywalker | SF Crowsnest | Laurence Boyce | Rise of Skywalker is less a film and more a series of moments strung together to please a cabal of corporate overlords. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,110 |
Winter's Tale | SF Crowsnest | Frank Ochieng | Thus, the emergence of writer-director Akiva Goldman's whimsical romancer Winter's Tale, a bloated and sugary supernatural period piece that hopes emotional audiences will eagerly digest with the enthusiasm of gulping down a box of chocolate candy kisses | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,110 |
August: Osage County | SF Weekly | Jonathan Kiefer | Wells' cinematic strategy seems mostly to be a matter of preserving the source play, and Streep's mondo performance in particular, for posterity. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,111 |
Closed Circuit | SF Weekly | Jonathan Kiefer | Even allowing that the shortcomings of tactfulness are partly what it's about, the film's own tactfulness feels vaguely unsatisfying. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,111 |
Palo Alto | SF Weekly | Jonathan Kiefer | One way Gia Coppola deals with privileges is by recognizing and revealing their limits. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,111 |
The Hobbit: The Desolation of Smaug | SF Weekly | Jonathan Kiefer | As usual, the dialogue includes certain important-seeming nouns which bushy beards and thick theatrical accents make difficult to discern. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,111 |
RoboCop | SFBay | Sam Fragoso | Jose Padilla's RoboCop is a galvanizing action picture that doesn't settle for merely retelling Verhoeven's original narrative, but updating it, both visually and thematically. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,112 |
Bad Words | SFBay | Sam Fragoso | Underneath Bad Words' thick layer of sardonicism and snark, there is heart. You just have to dig deep. Very deep. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,112 |
Breathe In | SFBay | Sam Fragoso | It takes all of 10 minutes for Doremus' film to reveal itself to us: this is a movie about a conflicted father who has arrived at a crossroads, both morally and artistically. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,112 |
Dear White People | SFBay | Sam Fragoso | Arguably the most vital film to come out of Hollywood in 2014. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,112 |
Divergent | SFBay | Sam Fragoso | Despite being filmed and set in Chicago, Divergent feels like a manufactured product churned out by the Hollywood system. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,112 |
Fury | SFBay | Sam Fragoso | Ayer's overlong, 134-minute screenplay never pops with any urgency, passion, or fire. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,112 |
Gone Girl | SFBay | Sam Fragoso | A galvanizing portrait of defective love that twists, turns, and unfurls until you don't know what to think anymore. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,112 |
Interstellar | SFBay | Sam Fragoso | It's an experience. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,112 |
Nightcrawler | SFBay | Sam Fragoso | A hypnotic confluence of action, comedy and hysteria that is at once unnerving, exhilarating and unlike anything I've ever seen. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,112 |
Non-Stop | SFBay | Sam Fragoso | My lasting wish is that Neeson, now 61, retires this grating schtick soon. His Golden Years are nigh, and his undeniable talents need not be wasted any longer. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,112 |
That Awkward Moment | SFBay | Sam Fragoso | That Awkward Moment is neither romantic, nor comedic. Just idiotic. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,112 |
The Amazing Spider-Man 2 | SFBay | Sam Fragoso | Webb's second entry into this tiresome franchise amounts to little more than a case study in superhero movie banality. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,112 |
The Wolf of Wall Street | SFBay | Sam Fragoso | There's a good chance that by the conclusion of Martin Scorsese's intoxicating, raucous, and shamelessly depraved "The Wolf of Wall Street" you're going to want to cleanse yourself through prayer, charity, or whatever it is that you do to feel virtuous. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,112 |
This Is Where I Leave You | SFBay | Sam Fragoso | We are, at least in some small measure, partly responsible for the abhorrent, radioactive hazmat that is Shawn Levy's latest film. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,112 |
Transcendence | SFBay | Sam Fragoso | Depending on how the next few decades unfold, people will look back at Transcendence as either a prophetic or surreal piece of filmmaking. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,112 |
Two Night Stand | SFBay | Sam Fragoso | A foreign film without subtitles - a movie whose language is incomprehensible to anyone who has truthfully been involved. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,112 |
Deep Blue Sea | SPLICEDWire | Rob Blackwelder | A step up in budget and a step down in originality from your pure formula, B-grade, monster movie. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,113 |
Mansfield Park | SPLICEDWire | Rob Blackwelder | Rozema's dry wit, effervescent dialogue and contemporary reinterpretations are often a refreshing change from the swoony, soft-peddling style of other Austen adaptations. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
Last Night | SPLICEDWire | Rob Blackwelder | I wasn't sure if I liked Last Night until about an hour after I left the theater and realized I was having a hard time escaping the psychological wake of this allegory about the end of the world. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
George Washington | SPLICEDWire | Rob Blackwelder | Raw, troubling. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
10 Things I Hate About You | SPLICEDWire | Rob Blackwelder | Most of the picture is flat, spiritless and hopelessly staged. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
The 13th Warrior | SPLICEDWire | Rob Blackwelder | An abbreviated and shallow epic that comes off like an over-produced and dead-serious episode of the campy cult TV show Xena: Warrior Princess. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,113 |
3000 Miles to Graceland | SPLICEDWire | Rob Blackwelder | A good ride. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
Almost Famous | SPLICEDWire | Rob Blackwelder | A vividly realized labor of love and an absolute pleasure to watch. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
American Pie | SPLICEDWire | Rob Blackwelder | It's the regrettable return of the high-profile, low-brow sex comedy, aimed at idiots and hormone-driven teenage boys. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,113 |
Any Given Sunday | SPLICEDWire | Rob Blackwelder | Watching this film, you get an overwhelming sense of exactly what it's like to be staring up at 6-foot-6, 300 lb. linebacker (for emphasis Stone sneaks a few tiger growls into the audio) while 80,000 people roar in the stands. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Anywhere but Here | SPLICEDWire | Rob Blackwelder | Sarandon lends history and intricacy to the barely-veiled neuroses of her falsely chipper, ego-battered single mom, who projects all her unfulfilled ambitions onto her irked offspring. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
The Blair Witch Project | SPLICEDWire | Rob Blackwelder | This film is scary on a whole new scale. It's not just exponentially terrifying, but unsettling and disturbing because it doesn't feel like fiction for even a second. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Bowfinger | SPLICEDWire | Rob Blackwelder | A junk food comedy, packed with instant gratification laughs that fade away almost immediately after the credits roll. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
Bringing Out the Dead | SPLICEDWire | Rob Blackwelder | Nicolas Cage inhabits this lonely, broken, everyday hero in a way no other actor ever could (save, perhaps, De Niro) in Martin Scorsese's ironically vital masterpiece of mortality. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,113 |
But I'm a Cheerleader | SPLICEDWire | Rob Blackwelder | Even though Babbit gets carried away at times trying to be silly while making a point, her absolutely ideal cast keeps the comedy anchored in exaggerated but emotionally true performances. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
The Cider House Rules | SPLICEDWire | Rob Blackwelder | Although there's much to like about The Cider House Rules, by the time the credits rolled the most enthusiastic reaction I could muster was little more than a shrug. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Cookie's Fortune | SPLICEDWire | Rob Blackwelder | A simple and subtle, yet outrageous and intricate, comedy with the kind of inconsequential embellishments that make all Altman's best films ring so true. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,113 |
Crouching Tiger, Hidden Dragon | SPLICEDWire | Rob Blackwelder | A magnificently-crafted hybrid of Chinese historical epic, F/X-enhanced martial arts spectacular, mystical romantic tragedy and live-action anime. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,113 |
The Emperor's New Groove | SPLICEDWire | Rob Blackwelder | It's sprightly, clever and fun, fun, fun. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Existenz | SPLICEDWire | Rob Blackwelder | Cronenberg slides between reality and virtual reality with such seamless morphing that it is sometimes intentionally unclear what world the characters are in. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Eyes Wide Shut | SPLICEDWire | Rob Blackwelder | Stanley Kubrick's infamously obsessive-compulsive direction pays off with Cruise and Kidman, inspiring fully-fleshed and manifold performances from his stars. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Flawless | SPLICEDWire | Rob Blackwelder | "Flawless" could have been a quality character piece if only writer-director Schumacher had written deeper characters or exercised even a modicum of self-restraint. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,113 |
For Love of the Game | SPLICEDWire | Rob Blackwelder | It's hard not to admire Kevin Costner for his stanch dedication to making old-fashioned movies that defy our acidic modern world. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
Galaxy Quest | SPLICEDWire | Rob Blackwelder | Six hilariously-scripted parts, but they run out of laugh material long before the movie ends, and Galaxy Quest must then limp to the closing credits supported by its actual plot, which is stupider than anything Star Trek ever devised. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,113 |
Groove | SPLICEDWire | Rob Blackwelder | What Groove lacks in personality it makes up for in breathless, cafeinated, fervid presentation. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,113 |
O Brother, Where Art Thou? | SPLICEDWire | Rob Blackwelder | The funniest, most inspired movie of Coen Brothers illustrious comedy careers. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,113 |
Pokémon the First Movie - Mewtwo vs. Mew | SPLICEDWire | Rob Blackwelder | Even the kindergarten target audience will be hard-pressed to sit still for this elementary and lumbering Saturday morning reject adventure. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,113 |
The Talented Mr. Ripley | SPLICEDWire | Rob Blackwelder | While The Talented Mr. Ripley may not quite qualify as a masterpiece of suspense, it certainly is the most skilled, engrossing homage to Alfred Hitchcock in ages. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,113 |
Fantasia 2000 | SPLICEDWire | Rob Blackwelder | Uneven but enjoyable... | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,114 |
The World Is Not Enough | SPLICEDWire | Rob Blackwelder | An assembly-line production, just a step or two above the series' Roger Moore nadir. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,114 |
Millions | Sacramento Bee | Carla Meyer | The picture about two motherless boys and their unexpected cash infusion is visually inventive, funny, fantastical, poignant and dark around the edges. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,115 |
Collateral Damage | Sacramento News & Review | Jim Lane | Even without the recent events that delayed its release (and even by the standards of Arnold's action movies), this movie is a disappointment. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Iris | Sacramento News & Review | Jim Lane | ... the film is cursory and shallow ... | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
16 Blocks | Sacramento News & Review | Jonathan Kiefer | The movie pays off generously and just as expected. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,116 |
All Eyez on Me | Sacramento News & Review | Jim Lane | It's strictly Amateur Night at the Biopic Factory. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
All The King's Men | Sacramento News & Review | Jim Lane | Zaillian's movie is bloated, literary and highfalutin, looking and sounding like it's been reverently adapted from the kind of novel Willie Stark's hicks would never read into the kind of movie they wouldn't be caught dead going to see. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,116 |
Bad Company | Sacramento News & Review | Jim Lane | This is producer Jerry Bruckheimer's film more than Schumacher's, and Bruckheimer ... reverts to his usual M.O. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
The Black Dahlia | Sacramento News & Review | Jim Lane | the convoluted story never really takes hold, and eventually it all dissolves into low camp and unintentional self-parody. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,116 |
Dave Chappelle's Block Party | Sacramento News & Review | Jim Lane | It looks like run-of-the-mill party videos shot by a drunk. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Captive | Sacramento News & Review | Jim Lane | They let the story, both fascinating and inspiring, speak for itself, and leave the rest to Mara and Oyelowo, each of them perfectly cast. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
Dark Blue World | Sacramento News & Review | Jim Lane | Between the complicated flashback structure and the hackneyed story (it's essentially the plot of Pearl Harbor), the Sveraks never get much momentum going, and the film becomes monotonous. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Everyone's Hero | Sacramento News & Review | Jim Lane | The setup of this computer-animated feature is strained, the story is contrived, and the ending is downright silly. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Grateful Dawg | Sacramento News & Review | Jim Lane | [W]hen your subject is as interesting as this, and when the music your camera catches is this lively and toe-tapping, you don't exactly have to be a brilliant or innovative filmmaker. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
Half Nelson | Sacramento News & Review | Jim Lane | Co-writers Anna Boden and Ryan Fleck (who also directed) expand their indie-circuit short to feature length, and a padded-out short is just what it looks and feels like. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Inside Man | Sacramento News & Review | Jim Lane | [Screenwriter Russel] Gewirtz and Lee cleverly build suspense with flash-forwards to police interviews after the incident, and Lee gets sharp performances from his high-pedigree cast. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
John Q | Sacramento News & Review | Jim Lane | Cassavettes wrings every maudlin drop out of the action, drawing tears with the ruthless ferocity of a vacuum cleaner sucking dirt out of a carpet. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
The Last Kiss | Sacramento News & Review | Jim Lane | At its basic level, it's yet another tale of post-adolescent boys who won't grow up and the women who try to love them... | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Men in Black II | Sacramento News & Review | Jim Lane | Robert Gordon and Barry Fanaro's script is so insubstantial it barely fills 80 minutes of running time. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
Mission: Impossible III | Sacramento News & Review | Jim Lane | [The filmmakers] deliver the goods, with a plot that's (just barely) coherent enough to keep us watching, a neat cliffhanger opening scene and the usual array of to-hell-with-the-laws-of-physics action set-pieces. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
Return to Never Land | Sacramento News & Review | Jim Lane | Amusing and enjoyable... | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
Rollerball | Sacramento News & Review | Jim Lane | McTiernan and company do take one more thing from Jewison's original: the game still doesn't make any sense, but now the plot doesn't either. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,116 |
Rough Night | Sacramento News & Review | Jim Lane | McKinnon sports the worst Australian accent in the history of the acting profession, but it's still one of the best things about this no-class female version of Weekend at Bernie's Meets The Hangover. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,116 |
Super Troopers | Sacramento News & Review | Jim Lane | These guys seem great to knock back a beer with but they're simply not funny performers. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,116 |
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