movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
We Were Soldiers | Sacramento News & Review | Jim Lane | ... Wallace shows a lazy tendency to rely on the time-tested conventions (which is the polite way of saying 'cliches') of war movies of yore. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,116 |
Rocky Balboa | Sacramento News & Review | Jonathan Kiefer | This might be the best Rocky movie since the first Rocky movie. But if that sounds like a rave, just think of all the others. | C | short_letter | null | null | false | 3 | 6 | 1 | 2,117 |
Hamlet | Salon.com | Stephanie Zacharek | Oddly enough it's the picture's visuals -- its mournful, glassy Manhattan high-rises; its limos and Town Cars with their mirrorlike flanks -- that make it feel most like Hamlet. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,118 |
All About My Mother (Todo sobre mi madre) | Salon.com | Stephanie Zacharek | All About My Mother is a movie so intrinsically rich that it doesn't need any metaphors. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,118 |
The Beach | Salon.com | Stephanie Zacharek | Lacks imagination and energy. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 2,118 |
Cecil B. Demented | Salon.com | Stephanie Zacharek | [Waters] piles on one wacky notion after another, and somehow they stack without toppling. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,118 |
The Perfect Storm | Salon.com | Stephanie Zacharek | The Perfect Storm shook me, and the feeling lingered. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,118 |
Sleepy Hollow | Salon.com | Stephanie Zacharek | Danny Elfman's music is haunting and jaggedly elegiac, the perfect underpinning to the movie's look. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,118 |
The Virgin Suicides | Salon.com | Stephanie Zacharek | Sofia Coppola's adaptation of The Virgin Suicides ... captures the loveliest visuals and bits of language from Eugenides' book and faithfully, but not slavishly, transfers them to the screen. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,118 |
A Perfect Murder | Salon.com | Stephanie Zacharek | ...snoozy, slack... | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,119 |
Conspiracy Theory | Salon.com | Charles Taylor | ...listening to Gibson's Jerry try to communicate what he's been through isn't suspenseful; it's exhausting. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,119 |
The Edge | Salon.com | Gary Kamiya | ...a solid man-against-nature tale... | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,119 |
Happy, Texas | Salon.com | Mary Elizabeth Williams | ...if the world is not exactly aching from a lack of fish-out-of-water criminal capers, Happy, Texas nevertheless pleasingly proves that even a shtick we've seen before can charm when it's done well. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,119 |
The Horse Whisperer | Salon.com | Stephanie Zacharek | Redford seems to have fooled himself into thinking the story of The Horse Whisperer runs much deeper than it does. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,119 |
Small Soldiers | Salon.com | Scott Rosenberg | Fortunately, it's possible to ignore the morals entirely and simply enjoy the filmmakers' skill at creating carefully contained mayhem in a microcosm. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,119 |
Wild Things | Salon.com | Michelle Goldberg | Sure it's an exploitation movie, but this twisted Technicolor orgy is also a thriller in the original sense of that word. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,119 |
The A-Team | Salon.com | Andrew O'Hehir | The A-Team is reasonably good fun. If you're a 12-year-old boy riding an intense Cherry Pepsi buzz and totally devoted to destroying some brain cells, that is. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,120 |
Best Worst Movie | Salon.com | Sam Adams | You might assume "Troll 2" aficionados are sarcasm-drenched hipsters, but "Best Worst Movie" argues that their appreciation is far less convoluted. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,120 |
Jackass 3 | Salon.com | Sam Adams | For the most part, the dumber the stunt, the funnier it is. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,120 |
MacGruber | Salon.com | Sam Adams | The bibs and bobs are all in place, but the life-saving device never quite works as planned. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,120 |
Micmacs (Micmacs à tire-larigot) | Salon.com | Sam Adams | There are sections of "Micmacs" that express the joy of a certain kind of moviemaking so vividly you can't help bursting into a grin. But the movie leaves you with a hollow feeling, like the crash that comes after a sugar binge. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,120 |
The American | Salon.com | Sam Adams | What redeems the movie, and then some, is the soulful weariness of Clooney's performance. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,120 |
Trash Humpers | Salon.com | Sam Adams | For the brave souls who make it to the end, there should at least be no question of the movie's sincerity. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,120 |
A Most Wanted Man | Salt Lake City Weekly | Scott Renshaw | [Bovell's screenplay] effectively strips down le Carré's narrative to a tense exploration of espionage in a world of constant fear, where the appearance of keeping people safer may be more important than actually keeping people safer. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,121 |
Cosmopolis | Salt Lake City Weekly | Scott Renshaw | If Cosmopolis remains chilly and remote, it does so in a way that often feels unsettlingly familiar. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,121 |
Selma | Salt Lake City Weekly | Scott Renshaw | DuVernay's film is too effective on its own dramatic terms for it to be reduced simply to an allegory for Where We Are Today, yet it's also tremendously encouraging for anyone who wonders if there's any hope for change. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,121 |
A Star Is Born | Salt Lake Magazine | Richard Bonaduce | A... love story? | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,122 |
Adrift | Salt Lake Magazine | Richard Bonaduce | A well-crafted film with great performances and convincing effects that brings home a powerful true story of young love and iron will. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,122 |
Ant-Man and the Wasp | Salt Lake Magazine | Richard Bonaduce | Small but mighty | B | long_letter | null | null | false | 13 | 18 | 1 | 2,122 |
Avengers: Endgame | Salt Lake Magazine | Richard Bonaduce | Game over man, game over! | A | long_letter | null | null | false | 16 | 18 | 1 | 2,122 |
BlacKkKlansman | Salt Lake Magazine | Richard Bonaduce | Going for the throat | B | long_letter | null | null | false | 13 | 18 | 1 | 2,122 |
Captain Marvel | Salt Lake Magazine | Richard Bonaduce | Thanos on notice! | B | long_letter | null | null | false | 13 | 18 | 1 | 2,122 |
Halloween | Salt Lake Magazine | Richard Bonaduce | Michael deserves better | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,122 |
John Wick: Chapter 3 - Parabellum | Salt Lake Magazine | Richard Bonaduce | Don't mess with people's dogs. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,122 |
Mamma Mia! Here We Go Again | Salt Lake Magazine | Richard Bonaduce | Fans will suck it up the way Julie Walters' Rose eats her emotions with a heaping helping of cake. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,122 |
Maze Runner: The Death Cure | Salt Lake Magazine | Richard Bonaduce | A mercy killing | D+ | long_letter | null | null | false | 8 | 18 | 1 | 2,122 |
Mission: Impossible - Fallout | Salt Lake Magazine | Richard Bonaduce | The action event of the summer | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,122 |
Paddington 2 | Salt Lake Magazine | Richard Bonaduce | A tenderhearted whimsical delight for all | A | long_letter | null | null | false | 16 | 18 | 1 | 2,122 |
Peppermint | Salt Lake Magazine | Richard Bonaduce | Because Taken, But With A Woman" wouldn't fit on the marquee | D+ | long_letter | null | null | false | 8 | 18 | 1 | 2,122 |
The Sunlit Night | Salt Lake Magazine | Richard Bonaduce | If you're going to ask me to consume your slice of life story, at least make that slice part of a satisfying sandwich. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,122 |
Mustang | Salt Lake Tribune | Sean P. Means | Ergven's luckiest break was finding the five charismatic young women to portray these powerful and truly individual characters. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,123 |
Solo: A Star Wars Story | Salt Lake Tribune | Sean P. Means | Solo: A Star Wars Story works both on its own merits as an exciting action spectacle and as an origin story for the franchise's favorite scoundrel. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,123 |
Sully | Salt Lake Tribune | Sean P. Means | Faithfully recaptures the events of the "Miracle on the Hudson." | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,123 |
Carnage | San Diego Reader | David Elliott | The acting marathon is adroitly blocked and paced by Polanski and impeccably shot by Pawel Edelman. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 2,124 |
Crime After Crime | San Diego Reader | David Elliott | Despite its plodding tactics, the movie is an alarming witness. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 2,124 |
G.B.F. | San Diego Reader | Scott Marks | Director Darren Stein's frequently on-target satire had me laughing enough to keep it interesting. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 2,124 |
Moneyball | San Diego Reader | David Elliott | Brad Pitt is at the top of his own game as Beane. Cocky and often nonchalant, he is gnawed by doubts that he tries to cover by grabbing a snack or pitching a grin. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 2,124 |
The Interview | San Diego Reader | Scott Marks | The suffocating level of redundancy on display kneecaps any legitimate chance the film had at embracing social satire. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 2,124 |
Under the Skin | San Diego Reader | Matthew Lickona | Glacial in pace, skeletal in plot, and generally nasty, Jonathan Glazer's Under the Skin is a repetitive nightmare of drear and dread punctuated by moments of queasy-making horror. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 2,124 |
The Devil's Miner | San Francisco Bay View | Kam Williams | This documentary which exposes the twin evils of child labor and silver mining, is a most powerful expose' of an ongoing, mass-scale human tragedy. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 2,125 |
Shivers (They Came from Within) (The Parasite Murders) | San Francisco Chronicle | Mick LaSalle | Shivers, written and directed by Cronenberg, is a paranoid, prurient sexual nightmare. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,126 |
Touch of Evil | San Francisco Chronicle | Bob Graham | The film has always been full of reckless energy, and now it is, as they say, better than ever. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
The Rock | San Francisco Chronicle | Peter Stack | Cage steals the show, adding a touch of wimpiness to the high-decibel bravado. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
Grind | San Francisco Chronicle | Peter Hartlaub | Attempts to combine the extreme sports visuals of a good Warren Miller ski film with the plot of a bad Tom Green picture and doesn't come close to landing on four wheels. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 2,126 |
The Rape of Europa | San Francisco Chronicle | Kenneth Baker | Fortunately, historical facts far outweigh psychological speculation in The Rape of Europa. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,126 |
Air Force One | San Francisco Chronicle | Mick LaSalle | It's a gamble. Air Force One goes against the current grain of presenting presidents in movies as evil or idiotic, or mock heroic, as in last year's 'Independence Day.' | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
Beverly Hills Ninja | San Francisco Chronicle | Mick LaSalle | A silly movie, with silly jokes and a silly story. But the talents at work in it are not silly. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
The Descent | San Francisco Chronicle | Peter Hartlaub | Do we even need men in horror films any more? They're bound to do something stupid, they almost always get killed in the end and don't look as good covered in sweat and blood. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
Face/Off | San Francisco Chronicle | Mick LaSalle | This is grand moviemaking with grand acting. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
The Ice Storm | San Francisco Chronicle | Edward Guthmann | [An] impressive adaptation of the Rick Moody novel. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
Lock, Stock and Two Smoking Barrels | San Francisco Chronicle | Bob Graham | Even if flashy Ritchie's tall tale about the East End underworld starts to run out of steam, the punch line is so good that it makes up for a lot. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
The Night of the Hunter | San Francisco Chronicle | Edward Guthmann | Laughton creates terrific tension between Mitchum and his prey, turning the preacher into a bloodthirsty wolf and Willa's children into tender lambs. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
Sharknado 2: The Second One | San Francisco Chronicle | David Wiegand | Usually, follow-ups to goofy films like the first Sharknado suffer because the makers are too conscious of the original. In this case, though, they just don't seem to give a shark. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 2,126 |
Showgirls | San Francisco Chronicle | Mick LaSalle | Think of Flashdance but with an unappealing leading lady playing a woman whose fierce ambition is to do something not admirable, just ridiculous. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,126 |
Sleuth | San Francisco Chronicle | Ruthe Stein | Shaffer, who adapted the 1972 version himself, surely would be less than thrilled by the post-modern, minimalist interpretation given to his best-known work, and understandably so. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,126 |
Sling Blade | San Francisco Chronicle | Edward Guthmann | All the actors in Sling Blade do magnificent work, but it's Thornton who stays with you for days. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
Star Wars: Episode IV - A New Hope | San Francisco Chronicle | John L. Wasserman | If anybody wondered where Lucas has been since the release nearly four years ago of American Graffiti, the answer is at hand. Star Wars... is the most exciting picture to be released this year -- exciting as theater and exciting as cinema. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
Starship Troopers | San Francisco Chronicle | Mick LaSalle | Manages to be both fun and shocking -- sometimes in the same shot. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
L'Heure d'été (Summer Hours) | San Francisco Chronicle | Mick LaSalle | You won't find filmmaking more assured, commanding and evocative than that of Summer Hours in its opening scenes. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,126 |
Taxi to the Dark Side | San Francisco Chronicle | Tamara Straus | Will go down in film history as a damning historical document of the Bush administration's wartime expansion of executive powers. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
Teeth | San Francisco Chronicle | Peter Hartlaub | Extremely funny, very clever and still packs some cover-your-face bloody thrills that top any Saw or Hostel movie. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
Three Kings | San Francisco Chronicle | Mick LaSalle | It's George Clooney's best showcase to date -- a picture that is as strong as the war itself was dubious and one-sided. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,126 |
Trainspotting | San Francisco Chronicle | Mick LaSalle | This is not dour social realism. It's a shot- from-a-cannon youth movie, with likable young people sticking needles in their arms in working-class Edinburgh. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,126 |
Persuasion | San Francisco Examiner | Barbara Shulgasser | Austen was always fun to read, and known for her candid insight into human affairs, but somehow Michell and Dear seem to have left these basic ingredients out. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,127 |
Emma | San Francisco Examiner | Barbara Shulgasser | It is necessary to report that Paltrow is the biggest drawback of Douglas McGrath's Jane Austen adaptation Emma. | D- | long_letter | null | null | false | 6 | 18 | 1 | 2,127 |
The Enigma of Kaspar Hauser (Jeder für sich und Gott gegen alle)(Every Man for Himself and God Against All) | San Francisco Examiner | Walter V. Addiego | Kaspar Hauser is one of the purest film examples I know of in which an artist of Romantic sensibility puts society to the test and finds it wanting. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,127 |
Julien Donkey-Boy | San Francisco Examiner | Wesley Morris | Julien feels like it could go blow up at any time. It implodes instead, and the meltdown, though visible in one of the final sequences, is still corrosive. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,127 |
The Lost World - Jurassic Park | San Francisco Examiner | Barbara Shulgasser | Most of the writing is the blandest sort of twaddle, jokes you can practically recite along with actors. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,127 |
White Squall | San Francisco Examiner | Barbara Shulgasser | The storm sequence is worth the wait, as scary and dramatically filmed as any ocean disaster you've seen in the movies, but the tribunal that follows is so muddled as to end the film in a great big anti-climax. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,127 |
Alex & Emma | San Jose Mercury News | Bruce Newman | The perfect date movie for pseudo-literary half-wits. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,128 |
Definitely, Maybe | San Jose Mercury News | Bruce Newman | The picture does have a certain unimpeachable charm. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,129 |
Coraline | San Jose Mercury News | Randy Myers | All involved in this production deserve praise for turning Coraline into a triumph of storytelling and cinematic technology. Whether you're young, middle-age or older, you'll adore it. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,129 |
Inception | San Jose Mercury News | Randy Myers | Inception is the blockbuster we've all been thirsting for, a sleek brain-twister that makes the other 2010 mainstream releases look puny, drab and empty-headed in comparison. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,129 |
Shrek Forever After | San Jose Mercury News | Charlie McCollum | There is no happy ending for the Shrek franchise. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,129 |
Taking Woodstock | San Jose Mercury News | Charlie McCollum | The characters are all representative of the period but they come off as one-dimensional, more symbols than individuals. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,129 |
The King's Speech | San Jose Mercury News | Randy Myers | Firth makes us feel his alienation, his self-loathing and his sense of privilege. He gives the film its full-bodied voice, one that's perfect in tone, perfect in pitch. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,129 |
One Fine Day | Santa Cruz Sentinel | Peggy Fernandez | If you're a big Pfeiffer fan, you'll be horribly disappointed. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,130 |
Anna and the King | Santa Cruz Sentinel | Peggy Fernandez | Filmed in Malaysia, with an elaborate reconstruction of the original royal palace, it's gorgeous enough to make you want to visit your travel agent right after closing credits. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,130 |
Mansfield Park | Santa Cruz Sentinel | Catherine Graham | It's hard to imagine a more delightful time spent at the movies this holiday season than with this adaptation of Austen's Mansfield Park. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,130 |
Tumbleweeds | Santa Cruz Sentinel | Wallace Baine | Given its obviousness, Tumbleweeds is still worthy of attention thanks principally to the queenly Janet McTeer. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,130 |
Addicted to Love | Santa Cruz Sentinel | Peggy Fernandez | But if a twisted stew of retaliation and romance tickle your taste buds, you'll find it's an amusing little treat. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,130 |
American History X | Santa Cruz Sentinel | Wallace Baine | One of the year's more absorbing films. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,130 |
A Beautiful Mind | Santa Cruz Sentinel | Catherine Graham | Granted, it's uplifting to see mental illness portrayed on the screen in a humane fashion and world-class intellectuals elevated to heroic status. But A Beautiful Mind feels contrived from beginning to end, a paint-by-the-numbers biography. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,130 |
Better than Chocolate | Santa Cruz Sentinel | Catherine Graham | Better Than Chocolate depicts the universal humor in the acts of seduction and coupling. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,130 |
Bicentennial Man | Santa Cruz Sentinel | Catherine Graham | Chris Columbus -- who is undeniably skilled at making funny movies -- has the deft touch of a steamroller when it comes to serious matters of the heart, mechanical or otherwise. | F | long_letter | null | null | false | 1 | 18 | 1 | 2,130 |
Breaking the Waves | Santa Cruz Sentinel | Wallace Baine | Emily Watson gives this musty spiritualism a flesh and-blood sympathetic center. Her purity of emotion, be it bliss, fear or sorrow, are convincingly unactorly and the camera -- even Von Trier's handheld pseudo-documentary one -- loves her face. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,130 |
The Cable Guy | Santa Cruz Sentinel | Wallace Baine | Those who like enjoy seeing performers open up their ids in the name of comedy might get a kick out of Carrey's spooky malevolence. Others, however, enter at their own risk. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,130 |
The Cooler | Santa Cruz Sentinel | Wallace Baine | Makes some daring artistic risks and largely succeeds. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,130 |
Daylight | Santa Cruz Sentinel | Adam Sandel | As Daylight and other recent thrillers prove, it's much easier to create synthetic disasters, tornadoes, dinosaurs and dragons than it is to create sympathetic, believable human beings. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,130 |
Enemy of the State | Santa Cruz Sentinel | Michael Gaither | Scott creates suspense by utilizing believable technology and realistic, well-grounded characters. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,130 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.