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You Can Count On Me
Seattle Post-Intelligencer
Sean Axmaker
A drama that embraces the ambiguities and contradictions of family ties and human nature in all its irrational glory.
9/10
10
9
10
false
8
10
1
2,167
Barnyard
Seattle Post-Intelligencer
Sean Axmaker
[T]he culture of juvenile pranks and misdemeanors and a nightly hoedown that combines a Vegas casino and a cattle-town country bar is more appropriate for older kids...
2/4
4
2
4
false
1
4
1
2,168
Sugar
Seattle Times
Moira MacDonald
A sports movie that transcends its genre.
3.5/5
5
3.5
5
false
5
9
2
2,169
Dance with Me
Seattle Times
Moira MacDonald
What is it about dance, that most joyous of arts, that inspires so many bad movies?
2.5/5
5
2.5
5
false
3
9
2
2,169
Last Holiday
Seattle Times
John Hartl
In its corny, cartoonish way, it even suggests a generosity of spirit that's faithful to the 1950 original.
2.5/5
5
2.5
5
false
3
9
2
2,169
Ocean's Thirteen
Seattle Times
Moira MacDonald
The party may well be ending for these gentlemen, but it was fun while it lasted.
2.5/5
5
2.5
5
false
3
9
2
2,169
Un Baiser s'il vous plaît (Shall We Kiss?)
Seattle Times
Ted Fry
[A] delightful and deeply satisfying French confection.
3.5/5
5
3.5
5
false
5
9
2
2,169
The Death and Life of Marsha P. Johnson
Seattle Times
Brent McKnight
At times the narrative feels scattered, but this is heartbreaking, powerful and pressing, and an urgent must-see.
3.5/5
5
3.5
5
false
5
9
2
2,169
Cannibal
Seattle Times
Brent McKnight
"Cannibal" is not your run of the mill human-flesh-eating film, more a slow burn thriller than exploitation style horror.
B
long_letter
null
null
false
13
18
1
2,170
Captain Marvel
Seattle Times
Brent McKnight
"Captain Marvel" has things going for it that elevate it a bit above the pack and provide more cultural oomph and import, but despite that, this is also a Marvel movie that feels like another Marvel movie.
B
long_letter
null
null
false
13
18
1
2,170
Carnage Park
Seattle Times
Brent McKnight
With a stark, spare style, and an almost unbearably stressful final 50 minutes, Carnage Park captures the look and feel of the back-end of a drive-in double feature.
B
long_letter
null
null
false
13
18
1
2,170
In the Heart of the Sea
Seattle Times
Brent McKnight
Thor and Spider-Man fight a whale.
C
long_letter
null
null
false
10
18
1
2,170
Ingrid Goes West
Seattle Times
Brent McKnight
Relevant, timely, and uncomfortably close to home, Ingrid Goes West delivers a quirky, fun, brutally awkward, legitimately unsettling cautionary tale about influencer culture and social media obsession.
B+
long_letter
null
null
false
14
18
1
2,170
Jupiter Ascending
Seattle Times
Brent McKnight
No amount of visual pyrotechnics, no matter how spectacular, can save such a tired, weak story.
C-
long_letter
null
null
false
9
18
1
2,170
Machete Kills
Seattle Times
Brent McKnight
"Machete Kills" takes on the madman taking over the world sub genre favored by middle-era James Bond films, mixes that with an excess of "Star Wars" jokes, and concocts a bland caricature.
C-
long_letter
null
null
false
9
18
1
2,170
Oliver Twist
Seattle Weekly
Tim Appelo
Fails to topple Lean's untoppable version; still one of the best movies of 2005. Startlingly unemotional, but for the stormy torments behind Fagin's overhanging eyebrows.
7/10
10
7
10
false
60
91
10
2,171
Crash
Seattle Weekly
Tim Appelo
Though it lacks Magnolia's messy greatness, you won't hear more fiendishly articulate dialogue on-screen any time soon.
8.5/10
10
8.5
10
false
75
91
10
2,171
Stealth
Seattle Weekly
Tim Appelo
For at least the first hour, Stealth is a SAEBCPSOS (Shockingly and Excruciatingly Boring Columbia Pictures Sack of S---).
1/10
10
1
10
false
0
91
10
2,171
Rent
Seattle Weekly
Tim Appelo
Rent works best as a centaur creation: half-movie, half-play, plunging into theater world in all its mindless, cheesy, sentimental splendor.
7.5/10
10
7.5
10
false
65
91
10
2,171
Pride and Prejudice
Seattle Weekly
Tim Appelo
The 1940 version had its flaws, too--who wants to **** Mrs. Miniver? Knightley is a Lizzie for our profane time.
8/10
10
8
10
false
70
91
10
2,171
The 40 Year Old Virgin
Seattle Weekly
Tim Appelo
Even Keener transcends her famous ball-busting screen persona and registers real warmth.
8.6/10
10
8.6
10
false
76
91
10
2,171
The Ballad of Jack and Rose
Seattle Weekly
Tim Appelo
Rebecca Miller is no tragedian like her dad. She's a lyrical poet with an elliptical turn of mind...despite moments of beauty and mystery, ultimately it's a muddle.
5/10
10
5
10
false
40
91
10
2,171
Batman Begins
Seattle Weekly
Tim Appelo
Tim Burton's Batman could probably lick Nolan's Batman Begins. But in a fight between Nolan's Batman and Burton's, I know who'd kick whose cape-draped ***.
8.5/10
10
8.5
10
false
75
91
10
2,171
De Battre mon Coeur s'est Arrêté (The Beat That My Heart Skipped)
Seattle Weekly
Tim Appelo
Compared to Keitel, he's a fluttery lightweight, whether banging the ivories or his victims. His nature isn't divided. He's no hoodlum--not even Belmondo impersonating Bogart.
7/10
10
7
10
false
60
91
10
2,171
Central Station (Central do Brasil)
Seattle Weekly
Sean Axmaker
Central Station tugs the heartstrings with the best of them.
9/10
10
9
10
false
80
91
10
2,171
The Chronicles of Narnia: The Lion, The Witch and The Wardrobe
Seattle Weekly
Tim Appelo
The kids are disastrous, except for Henley. Her irresistible crooked grin is a triumph over British dentistry. She makes Dakota Fanning look like a calculating android.
7/10
10
7
10
false
60
91
10
2,171
Tim Burton's Corpse Bride
Seattle Weekly
Tim Appelo
It doesn't stink, but it's a mere technical advance that pales next to Nightmare. The maggot's a Jiminy Cricket manque. And it's just not very animated.
4/10
10
4
10
false
30
91
10
2,171
Diary of a Mad Black Woman
Seattle Weekly
Tim Appelo
Helen's chaste swain wants intimacy, not sex. C'mon-even Baptists are interested in sex. They just don't do it standing up, because someone might think they were dancing.
2/10
10
2
10
false
10
91
10
2,171
Elizabethtown
Seattle Weekly
Tim Appelo
Much of it is not half bad. Some moments achieve the transcendence they ache to find. But it's like a concept album with no concept, Singles with fewer hit singles.
4/10
10
4
10
false
30
91
10
2,171
Finding Neverland
Seattle Weekly
Tim Appelo
Interestingly and movingly hints at the sad future fate of his Lost Boys, but it's too timid to follow up on those dark portents.
7/10
10
7
10
false
60
91
10
2,171
Hustle & Flow
Seattle Weekly
Tim Appelo
Djay is the Fezziwig of pimps. His hit tune, as catchy as "That Thing You Do," also wears out its welcome. But his quest for le mot juste and mo' bling is charming.
8/10
10
8
10
false
70
91
10
2,171
Junebug
Seattle Weekly
Tim Appelo
If the Academy has any brains, heart, and balls, at least one Oscar will go to the quietly brilliant Junebug.
9.5/10
10
9.5
10
false
85
91
10
2,171
Keane
Seattle Weekly
Tim Appelo
A psycho-underworld tour de force like Irreversible or The Machinist, impressive as far as it goes (not far), single-minded but without enough on its mind, a gimmick flick.
5/10
10
5
10
false
40
91
10
2,171
Kingdom of Heaven
Seattle Weekly
Tim Appelo
As a war hero, Orlando Bloom reminds me of the nickname Truman Capote's father gave him: Little Miss Mouse Fart.
4/10
10
4
10
false
30
91
10
2,171
Control (Kontroll)
Seattle Weekly
Tim Appelo
A frivolous fable and a fabulous frivol, a lighthearted romp and a dark night of the existential soul-Slacker meets Metropolis.
7.5/10
10
7.5
10
false
65
91
10
2,171
Ladies in Lavender
Seattle Weekly
Tim Appelo
A rigorous test of cineaste sitzfleisch: to savor the Dames' deep acting, you have to endure a story that goes nowhere. You must suffer for this art.
5/10
10
5
10
false
40
91
10
2,171
Lock, Stock and Two Smoking Barrels
Seattle Weekly
Sean Axmaker
A welcome entry in the flailing neo-noir tradition.
9/10
10
9
10
false
80
91
10
2,171
The Longest Yard
Seattle Weekly
Tim Appelo
Sandler is trying to outrun his clownish boy-man past, but since everything about Yard is transparently fake, it loses him career yardage.
3/10
10
3
10
false
20
91
10
2,171
Mad Max
Seattle Weekly
Sean Axmaker
It's a tough and grimy little piece of cinema, full of ambiance ... and attitude, with occasionally inspired flourishes.
9/10
10
9
10
false
80
91
10
2,171
The Matrix
Seattle Weekly
Sean Axmaker
All style and no substance. So what?
9/10
10
9
10
false
80
91
10
2,171
Mrs. Henderson Presents
Seattle Weekly
Tim Appelo
In the annals of no-sex-please Brit nudie revues, this Oscar hopeful falls between the The Full Monty's Rabelaisian stew and Calendar Girls' charming but thin broth.
7/10
10
7
10
false
60
91
10
2,171
Pretty Persuasion
Seattle Weekly
Tim Appelo
Wood's not an interesting psycho-just numb, mumbling, and dull. Pretty unpersuasive.
2.5/10
10
2.5
10
false
15
91
10
2,171
Proof
Seattle Weekly
Tim Appelo
Catherine is an infinitely less convincing version of Arcadia's girl genius; the proof is just a MacGuffin; it runs out of plot and has not one idea in its head.
2/10
10
2
10
false
10
91
10
2,171
Run Lola Run
Seattle Weekly
Sean Axmaker
Run Lola Run is a high-octane pulse-pounder driven by style, speed, deviously clever flourishes, and a driving techno-beat--a film that moves so fast it almost breaks free of its limited orbit.
9/10
10
9
10
false
80
91
10
2,171
The Talent Given Us
Seattle Weekly
Tim Appelo
The big problem with this verit film is that nothing in it is verified. Verily, a lot of it is just B.S.
3.5/10
10
3.5
10
false
25
91
10
2,171
The Edukators
Seattle Weekly
Tim Appelo
The surprise ending is gimmicky, but the character study is consistently enthralling. The Edukators is educational-not intellectually, but emotionally.
8/10
10
8
10
false
70
91
10
2,171
Videodrome
Seattle Weekly
Tim Appelo
Underbaked, but you can't argue with its otherworldly aura. One disappointment: we don't get to see the belly-slit sex organs Baker designed for the never-used orgy finale.
7/10
10
7
10
false
60
91
10
2,171
Wallace & Gromit: The Curse of the Were-Rabbit
Seattle Weekly
Tim Appelo
Nick Park is Tim Burton's opposite: his storytelling is smooth, his visual technique jerky. Go for the guy who can tell a story, as Burton has failed to do for 11 years now.
9/10
10
9
10
false
80
91
10
2,171
Winter Solstice
Seattle Weekly
Tim Appelo
Anthony LaPaglia does understated wonders...He could beat David Duchovny in an underacting contest. Few movies score so many true moments. And few add up to less.
7/10
10
7
10
false
60
91
10
2,171
Being Julia
Seattle Weekly
Tim Appelo
Thank God for Being Julia, an Oscar-worthy comeback role that may just save one of our most gifted actresses from a life of way too much leisure.
4.5/5
5
4.5
5
false
7
9
2
2,172
Hotel Rwanda
Seattle Weekly
Tim Appelo
Don Cheadle's eyes have an openness and depth like Martin Sheen's in Apocalypse Now: they're the lens through which we can watch this incredible war.
4/5
5
4
5
false
6
9
2
2,172
Inside Deep Throat
Seattle Weekly
Tim Appelo
A class act about a crass act. But how come porn persecutors keep turning out to be the biggest criminals in America?
3.5/5
5
3.5
5
false
5
9
2
2,172
Kinsey
Seattle Weekly
Tim Appelo
Throws lots of stylish light on sex. But he leaves too much of Kinsey's soul in the closet.
3.5/5
5
3.5
5
false
5
9
2
2,172
The Machinist
Seattle Weekly
Tim Appelo
Mark Twain said that Wagner's music isn't as bad as it sounds. The Machinist isn't as good as it looks. But Bale's fever-dream performance is otherworldly great.
3/5
5
3
5
false
4
9
2
2,172
The Passion of the Christ
Seattle Weekly
Tim Appelo
Might be mistaken for an instructional video on meat-tenderizing techniques for cannibal chefs. Mel's a muscular Christian without a philosophical bone in his head.
2/5
5
2
5
false
2
9
2
2,172
The Squid and the Whale
Seattle Weekly
Tim Appelo
The most impressive debut at Sundance was Noah Baumbach's wickedly, heartbreakingly funny divorce drama, The Squid and the Whale. A time-capsule keeper.
5/5
5
5
5
false
8
9
2
2,172
Thumbsucker
Seattle Weekly
Tim Appelo
Has the gentle off-kilter charm of early Cameron Crowe; Pucci's performance evokes early River Phoenix or Leo DiCaprio. Polyphonic Spree's harmonies are like choral hydrate.
4/5
5
4
5
false
6
9
2
2,172
Undertow
Seattle Weekly
Tim Appelo
Bad in the worst way, yet it trails clouds of glory and authentic stink from a Georgia pigsty. Pretty, a legitimate auteurist statement. And a flop.
2/5
5
2
5
false
2
9
2
2,172
Breaking In
Sensacine
Carlos Losilla
McTeigue doesn't deepen the story as much as is wanted, but, somehow, from the brutality of the prologue, is able to convey all necessary motivations in and out of action. [Full Review in Spanish]
3/4
4
3
4
false
2
4
1
2,173
Laura
Senses of Cinema
Matthew Sorrento
Preminger deals in facades, with how perception cheats us, right down to the ideal image of Laura as a portrait. (Cinmathque Annotations on Film)
10/10
10
10
10
false
9
10
1
2,174
La Bête Humaine (Judas Was a Woman)(The Human Beast)
Senses of Cinema
Matthew Sorrento
Renoir returns to the relle du train with little comfort for his 'human beast.'
10/10
10
10
10
false
9
10
1
2,174
Black Panther
Sequart
Zaki Hasan
Part political thriller, part palace intrigue, and part superhero epic, Ryan Coogler has made an early-year blockbuster that's both visually stunning and profoundly personal.
A
short_letter
null
null
false
5
6
1
2,175
This Gun for Hire
Set the Tape
Kelechi Ehenulo
There's a lot to unpack...And perhaps this is the very reason why This Gun for Hire has endured for as long as it has. It's a complex noir where rooting for a 'hero' doesn't have a clear line of sight.
4/5
5
4
5
false
6
9
2
2,176
A Private War
Set the Tape
Kelechi Ehenulo
...somewhere out there, someone forgot to announce Pike's Oscar nomination.
4/5
5
4
5
false
6
9
2
2,176
Beverly Hills Cop II
Set the Tape
Kelechi Ehenulo
Sometimes sequels never live up to the original. As much as Beverly Hills Cop II echoes that sentiment, the late, great director Tony Scott delivers a film that encapsulates the pinnacle of 80s films in terms of culture, style, fashion and action.
4/5
5
4
5
false
6
9
2
2,176
Close Encounters of the Third Kind
Set the Tape
Kelechi Ehenulo
While other Spielberg films get recognisable attention (and rightly so), Close Encounters should be ranked amongst his greatest and underrated masterpieces.
5/5
5
5
5
false
8
9
2
2,176
A Fish Called Wanda
Set the Tape
Kelechi Ehenulo
If anything, what Cleese and director Charles Crichton celebrate with A Fish Called Wanda is the art of the ensemble. Getting the pieces together is difficult, but when it works, it's a masterpiece.
4.5/5
5
4.5
5
false
7
9
2
2,176
Greta
Set the Tape
Kelechi Ehenulo
Somewhere in its ninety-eight minute-runtime there's an outstanding film sparked by good intentions, but it's buried underneath some diabolical plotting.
2.5/5
5
2.5
5
false
3
9
2
2,176
Miss Juneteenth
Set the Tape
Kelechi Ehenulo
Miss Juneteenth is a beautifully poignant and intimate journey of a Black woman's soul.
4/5
5
4
5
false
6
9
2
2,176
Spider-Man: Into the Spider-Verse
Set the Tape
Kelechi Ehenulo
Universal in its approach by leaving a beaming smile across your face, Spider-Man: Into the Spider-Verse beautifully reminds you why you love Spider-Man in the first place.
5/5
5
5
5
false
8
9
2
2,176
Tesla
Set the Tape
Kelechi Ehenulo
It's not to say Tesla's story shouldn't be told, but here you have to do a lot of compensating to find some level of compelling enjoyment.
1/5
5
1
5
false
0
9
2
2,176
Tropic Thunder
Set the Tape
Kelechi Ehenulo
Tropic Thunder exaggerates on its eccentricity, but it's always dealt with a sense of satirical truth. That in itself develops the film beyond any throwaway comedy that is trying too hard to find that punchline.
4/5
5
4
5
false
6
9
2
2,176
Vice
Set the Tape
Kelechi Ehenulo
Depending on your outlook will ultimately determine the enjoyment of Vice. If you can accept the tonal shifts with its Hollywood filmmaking conventions, Jesse Plemon's narration and fourth wall breaks, then Vice is a wildly inventive biopic.
4/5
5
4
5
false
6
9
2
2,176
Young Frankenstein
Set the Tape
Kelechi Ehenulo
Young Frankenstein is sharply littered with slapstick humour, double entendre meanings and witty dialogue, thanks to the efforts of Wilder and Brooks.
5/5
5
5
5
false
8
9
2
2,176
A Star Is Born
Seventh Art Studio
Victor Pineyro
Exceptional music, it's incredible that Bradley Cooper's best role yet comes from his directorial debut. Touching human story. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Avengers: Endgame
Seventh Art Studio
Victor Pineyro
Part of the journey is the end, and this one is perfect for certain characters. An unprecedented movie in film history, and a very difficult feat to repeat. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Bird Box
Seventh Art Studio
Victor Pineyro
With an extremely interesting premise, Bird Box becomes a meaningless film filled with disappointing moments. [Full review in Spanish]
4/10
10
4
10
false
3
10
1
2,177
BlacKkKlansman
Seventh Art Studio
Victor Pineyro
The chemistry between Washington and Driver is essential to maintaining the rythm of the film persistent and entertaining in a constant shift between crime and comedy. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
Bohemian Rhapsody
Seventh Art Studio
Victor Pineyro
Rami Malek is the movie and the only reason why it stands out, not much beyond his acting. [Full review in Spanish]
6/10
10
6
10
false
5
10
1
2,177
Captain Marvel
Seventh Art Studio
Victor Pineyro
It's far from being the best MCU film, but it does a decent job on introducing on of the most powerful characters of that universe. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
Dark Phoenix
Seventh Art Studio
Victor Pineyro
Close to non-existing action, it's incredible that at this point in the superhero genre, we still get floppy films like this one. [Full review in Spanish]
5/10
10
5
10
false
4
10
1
2,177
Everybody Knows (Todos lo saben)
Seventh Art Studio
Victor Pineyro
The incredible suspense builds up and puts too much weight into the final act of the film, which ends up being somewhat disappointing. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
Extraction
Seventh Art Studio
Victor Pineyro
Patterns are only good to a certain extent. The movie is hilariously predictable. The true and only star is it's stuntman made director Sam Hargrave. [Full review in Spanish]
6/10
10
6
10
false
5
10
1
2,177
Fantastic Beasts: The Crimes of Grindelwald
Seventh Art Studio
Victor Pineyro
It leaves a little too much for the sequels, but for any Wizarding World fan, it's great to experience nostalgia through the magic of Newt Scamander's briefcase. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
First Man
Seventh Art Studio
Victor Pineyro
Damien Chazelle does it again. With brush strokes of Kubrick, tension, suspense and intrigue are dealt enviably in this movie. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
First Reformed
Seventh Art Studio
Victor Pineyro
Noticeable effort for each frame to tell its own story. There are very perceptible shades of "Taxi Driver" in "First Reformed". [Full review in Spanish]
8/10
10
8
10
false
7
10
1
2,177
Green Book
Seventh Art Studio
Victor Pineyro
Mahershala Ali and Viggo Mortensen are a match made in heaven. In its political correctness, it finds moments of truth. [Full review in Spanish]
8/10
10
8
10
false
7
10
1
2,177
Joker
Seventh Art Studio
Victor Pineyro
A comic book movie with sufficient creative liberty to become a psychological thriller that talks about the darkest feelings of human reality. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Once Upon a Time In Hollywood
Seventh Art Studio
Victor Pineyro
A pure celebration to the Golden Age of Hollywood and all of Tarantino's experiences from film making. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Onward
Seventh Art Studio
Victor Pineyro
Predictable but not compliant, I really liked the the feeling of satisfaction controversy the ending brings. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
Pain and Glory (Dolor y gloria)
Seventh Art Studio
Victor Pineyro
Glory came accompanied by pain, feels absurd but, isn't reality absurd? An impecable work from both Banderas and Almodovar. [Full review in Spanish]
8/10
10
8
10
false
7
10
1
2,177
Rocketman
Seventh Art Studio
Victor Pineyro
In its music, drama, romance and fantasy, it never forgets the human side of the icon from which it's telling the story. Magnificent film. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Roma
Seventh Art Studio
Victor Pineyro
Cuarón's work as a writer, director and cinematographer are beyond perfection. His use of chaos to create the ordinary are the work of a genius. [Full review in Spanish]
10/10
10
10
10
false
9
10
1
2,177
Shazam!
Seventh Art Studio
Victor Pineyro
Shazam! shines light into the newly reborn DC Extended Universe. This is definitely the way to go. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
Shoplifters (Manbiki kazoku)
Seventh Art Studio
Victor Pineyro
Shoplifters tells a story about love, family, crime, and truth. It's life itself without the morality cloak. One of the best movies of 2018. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Sonic the Hedgehog
Seventh Art Studio
Victor Pineyro
I'm a 100% sure this is the best you can get out of a Sonic the Hedgehog movie. Hilarious. [Full review in Spanish]
7/10
10
7
10
false
6
10
1
2,177
Spider-Man: Far From Home
Seventh Art Studio
Victor Pineyro
This film has the best Spider-Man scene that has ever been filmed. It's not just visually stunning, but emotionally charged like no other. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
Spider-Man: Into the Spider-Verse
Seventh Art Studio
Victor Pineyro
This is not only the best Spider-Man movie that has ever been made, but it ranks on the top of the very own superhero genre. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
The Ballad of Buster Scruggs
Seventh Art Studio
Victor Pineyro
The Coen Brothers make the genre transitions seem easy. There is a little of everything we love about them in this unique piece. [Full review in Spanish]
9/10
10
9
10
false
8
10
1
2,177
The Christmas Chronicles
Seventh Art Studio
Victor Pineyro
The ultimate Christmas movie of 2018. [Full review in Spanish]
8/10
10
8
10
false
7
10
1
2,177