movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
You Can Count On Me | Seattle Post-Intelligencer | Sean Axmaker | A drama that embraces the ambiguities and contradictions of family ties and human nature in all its irrational glory. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,167 |
Barnyard | Seattle Post-Intelligencer | Sean Axmaker | [T]he culture of juvenile pranks and misdemeanors and a nightly hoedown that combines a Vegas casino and a cattle-town country bar is more appropriate for older kids... | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 2,168 |
Sugar | Seattle Times | Moira MacDonald | A sports movie that transcends its genre. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,169 |
Dance with Me | Seattle Times | Moira MacDonald | What is it about dance, that most joyous of arts, that inspires so many bad movies? | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,169 |
Last Holiday | Seattle Times | John Hartl | In its corny, cartoonish way, it even suggests a generosity of spirit that's faithful to the 1950 original. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,169 |
Ocean's Thirteen | Seattle Times | Moira MacDonald | The party may well be ending for these gentlemen, but it was fun while it lasted. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,169 |
Un Baiser s'il vous plaît (Shall We Kiss?) | Seattle Times | Ted Fry | [A] delightful and deeply satisfying French confection. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,169 |
The Death and Life of Marsha P. Johnson | Seattle Times | Brent McKnight | At times the narrative feels scattered, but this is heartbreaking, powerful and pressing, and an urgent must-see. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,169 |
Cannibal | Seattle Times | Brent McKnight | "Cannibal" is not your run of the mill human-flesh-eating film, more a slow burn thriller than exploitation style horror. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,170 |
Captain Marvel | Seattle Times | Brent McKnight | "Captain Marvel" has things going for it that elevate it a bit above the pack and provide more cultural oomph and import, but despite that, this is also a Marvel movie that feels like another Marvel movie. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,170 |
Carnage Park | Seattle Times | Brent McKnight | With a stark, spare style, and an almost unbearably stressful final 50 minutes, Carnage Park captures the look and feel of the back-end of a drive-in double feature. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,170 |
In the Heart of the Sea | Seattle Times | Brent McKnight | Thor and Spider-Man fight a whale. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,170 |
Ingrid Goes West | Seattle Times | Brent McKnight | Relevant, timely, and uncomfortably close to home, Ingrid Goes West delivers a quirky, fun, brutally awkward, legitimately unsettling cautionary tale about influencer culture and social media obsession. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,170 |
Jupiter Ascending | Seattle Times | Brent McKnight | No amount of visual pyrotechnics, no matter how spectacular, can save such a tired, weak story. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,170 |
Machete Kills | Seattle Times | Brent McKnight | "Machete Kills" takes on the madman taking over the world sub genre favored by middle-era James Bond films, mixes that with an excess of "Star Wars" jokes, and concocts a bland caricature. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,170 |
Oliver Twist | Seattle Weekly | Tim Appelo | Fails to topple Lean's untoppable version; still one of the best movies of 2005. Startlingly unemotional, but for the stormy torments behind Fagin's overhanging eyebrows. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Crash | Seattle Weekly | Tim Appelo | Though it lacks Magnolia's messy greatness, you won't hear more fiendishly articulate dialogue on-screen any time soon. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 2,171 |
Stealth | Seattle Weekly | Tim Appelo | For at least the first hour, Stealth is a SAEBCPSOS (Shockingly and Excruciatingly Boring Columbia Pictures Sack of S---). | 1/10 | 10 | 1 | 10 | false | 0 | 91 | 10 | 2,171 |
Rent | Seattle Weekly | Tim Appelo | Rent works best as a centaur creation: half-movie, half-play, plunging into theater world in all its mindless, cheesy, sentimental splendor. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 2,171 |
Pride and Prejudice | Seattle Weekly | Tim Appelo | The 1940 version had its flaws, too--who wants to **** Mrs. Miniver? Knightley is a Lizzie for our profane time. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,171 |
The 40 Year Old Virgin | Seattle Weekly | Tim Appelo | Even Keener transcends her famous ball-busting screen persona and registers real warmth. | 8.6/10 | 10 | 8.6 | 10 | false | 76 | 91 | 10 | 2,171 |
The Ballad of Jack and Rose | Seattle Weekly | Tim Appelo | Rebecca Miller is no tragedian like her dad. She's a lyrical poet with an elliptical turn of mind...despite moments of beauty and mystery, ultimately it's a muddle. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 2,171 |
Batman Begins | Seattle Weekly | Tim Appelo | Tim Burton's Batman could probably lick Nolan's Batman Begins. But in a fight between Nolan's Batman and Burton's, I know who'd kick whose cape-draped ***. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 2,171 |
De Battre mon Coeur s'est Arrêté (The Beat That My Heart Skipped) | Seattle Weekly | Tim Appelo | Compared to Keitel, he's a fluttery lightweight, whether banging the ivories or his victims. His nature isn't divided. He's no hoodlum--not even Belmondo impersonating Bogart. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Central Station (Central do Brasil) | Seattle Weekly | Sean Axmaker | Central Station tugs the heartstrings with the best of them. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,171 |
The Chronicles of Narnia: The Lion, The Witch and The Wardrobe | Seattle Weekly | Tim Appelo | The kids are disastrous, except for Henley. Her irresistible crooked grin is a triumph over British dentistry. She makes Dakota Fanning look like a calculating android. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Tim Burton's Corpse Bride | Seattle Weekly | Tim Appelo | It doesn't stink, but it's a mere technical advance that pales next to Nightmare. The maggot's a Jiminy Cricket manque. And it's just not very animated. | 4/10 | 10 | 4 | 10 | false | 30 | 91 | 10 | 2,171 |
Diary of a Mad Black Woman | Seattle Weekly | Tim Appelo | Helen's chaste swain wants intimacy, not sex. C'mon-even Baptists are interested in sex. They just don't do it standing up, because someone might think they were dancing. | 2/10 | 10 | 2 | 10 | false | 10 | 91 | 10 | 2,171 |
Elizabethtown | Seattle Weekly | Tim Appelo | Much of it is not half bad. Some moments achieve the transcendence they ache to find. But it's like a concept album with no concept, Singles with fewer hit singles. | 4/10 | 10 | 4 | 10 | false | 30 | 91 | 10 | 2,171 |
Finding Neverland | Seattle Weekly | Tim Appelo | Interestingly and movingly hints at the sad future fate of his Lost Boys, but it's too timid to follow up on those dark portents. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Hustle & Flow | Seattle Weekly | Tim Appelo | Djay is the Fezziwig of pimps. His hit tune, as catchy as "That Thing You Do," also wears out its welcome. But his quest for le mot juste and mo' bling is charming. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,171 |
Junebug | Seattle Weekly | Tim Appelo | If the Academy has any brains, heart, and balls, at least one Oscar will go to the quietly brilliant Junebug. | 9.5/10 | 10 | 9.5 | 10 | false | 85 | 91 | 10 | 2,171 |
Keane | Seattle Weekly | Tim Appelo | A psycho-underworld tour de force like Irreversible or The Machinist, impressive as far as it goes (not far), single-minded but without enough on its mind, a gimmick flick. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 2,171 |
Kingdom of Heaven | Seattle Weekly | Tim Appelo | As a war hero, Orlando Bloom reminds me of the nickname Truman Capote's father gave him: Little Miss Mouse Fart. | 4/10 | 10 | 4 | 10 | false | 30 | 91 | 10 | 2,171 |
Control (Kontroll) | Seattle Weekly | Tim Appelo | A frivolous fable and a fabulous frivol, a lighthearted romp and a dark night of the existential soul-Slacker meets Metropolis. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 2,171 |
Ladies in Lavender | Seattle Weekly | Tim Appelo | A rigorous test of cineaste sitzfleisch: to savor the Dames' deep acting, you have to endure a story that goes nowhere. You must suffer for this art. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 2,171 |
Lock, Stock and Two Smoking Barrels | Seattle Weekly | Sean Axmaker | A welcome entry in the flailing neo-noir tradition. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,171 |
The Longest Yard | Seattle Weekly | Tim Appelo | Sandler is trying to outrun his clownish boy-man past, but since everything about Yard is transparently fake, it loses him career yardage. | 3/10 | 10 | 3 | 10 | false | 20 | 91 | 10 | 2,171 |
Mad Max | Seattle Weekly | Sean Axmaker | It's a tough and grimy little piece of cinema, full of ambiance ... and attitude, with occasionally inspired flourishes. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,171 |
The Matrix | Seattle Weekly | Sean Axmaker | All style and no substance. So what? | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,171 |
Mrs. Henderson Presents | Seattle Weekly | Tim Appelo | In the annals of no-sex-please Brit nudie revues, this Oscar hopeful falls between the The Full Monty's Rabelaisian stew and Calendar Girls' charming but thin broth. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Pretty Persuasion | Seattle Weekly | Tim Appelo | Wood's not an interesting psycho-just numb, mumbling, and dull. Pretty unpersuasive. | 2.5/10 | 10 | 2.5 | 10 | false | 15 | 91 | 10 | 2,171 |
Proof | Seattle Weekly | Tim Appelo | Catherine is an infinitely less convincing version of Arcadia's girl genius; the proof is just a MacGuffin; it runs out of plot and has not one idea in its head. | 2/10 | 10 | 2 | 10 | false | 10 | 91 | 10 | 2,171 |
Run Lola Run | Seattle Weekly | Sean Axmaker | Run Lola Run is a high-octane pulse-pounder driven by style, speed, deviously clever flourishes, and a driving techno-beat--a film that moves so fast it almost breaks free of its limited orbit. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,171 |
The Talent Given Us | Seattle Weekly | Tim Appelo | The big problem with this verit film is that nothing in it is verified. Verily, a lot of it is just B.S. | 3.5/10 | 10 | 3.5 | 10 | false | 25 | 91 | 10 | 2,171 |
The Edukators | Seattle Weekly | Tim Appelo | The surprise ending is gimmicky, but the character study is consistently enthralling. The Edukators is educational-not intellectually, but emotionally. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,171 |
Videodrome | Seattle Weekly | Tim Appelo | Underbaked, but you can't argue with its otherworldly aura. One disappointment: we don't get to see the belly-slit sex organs Baker designed for the never-used orgy finale. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Wallace & Gromit: The Curse of the Were-Rabbit | Seattle Weekly | Tim Appelo | Nick Park is Tim Burton's opposite: his storytelling is smooth, his visual technique jerky. Go for the guy who can tell a story, as Burton has failed to do for 11 years now. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,171 |
Winter Solstice | Seattle Weekly | Tim Appelo | Anthony LaPaglia does understated wonders...He could beat David Duchovny in an underacting contest. Few movies score so many true moments. And few add up to less. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,171 |
Being Julia | Seattle Weekly | Tim Appelo | Thank God for Being Julia, an Oscar-worthy comeback role that may just save one of our most gifted actresses from a life of way too much leisure. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,172 |
Hotel Rwanda | Seattle Weekly | Tim Appelo | Don Cheadle's eyes have an openness and depth like Martin Sheen's in Apocalypse Now: they're the lens through which we can watch this incredible war. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,172 |
Inside Deep Throat | Seattle Weekly | Tim Appelo | A class act about a crass act. But how come porn persecutors keep turning out to be the biggest criminals in America? | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,172 |
Kinsey | Seattle Weekly | Tim Appelo | Throws lots of stylish light on sex. But he leaves too much of Kinsey's soul in the closet. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,172 |
The Machinist | Seattle Weekly | Tim Appelo | Mark Twain said that Wagner's music isn't as bad as it sounds. The Machinist isn't as good as it looks. But Bale's fever-dream performance is otherworldly great. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,172 |
The Passion of the Christ | Seattle Weekly | Tim Appelo | Might be mistaken for an instructional video on meat-tenderizing techniques for cannibal chefs. Mel's a muscular Christian without a philosophical bone in his head. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,172 |
The Squid and the Whale | Seattle Weekly | Tim Appelo | The most impressive debut at Sundance was Noah Baumbach's wickedly, heartbreakingly funny divorce drama, The Squid and the Whale. A time-capsule keeper. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,172 |
Thumbsucker | Seattle Weekly | Tim Appelo | Has the gentle off-kilter charm of early Cameron Crowe; Pucci's performance evokes early River Phoenix or Leo DiCaprio. Polyphonic Spree's harmonies are like choral hydrate. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,172 |
Undertow | Seattle Weekly | Tim Appelo | Bad in the worst way, yet it trails clouds of glory and authentic stink from a Georgia pigsty. Pretty, a legitimate auteurist statement. And a flop. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,172 |
Breaking In | Sensacine | Carlos Losilla | McTeigue doesn't deepen the story as much as is wanted, but, somehow, from the brutality of the prologue, is able to convey all necessary motivations in and out of action. [Full Review in Spanish] | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 2,173 |
Laura | Senses of Cinema | Matthew Sorrento | Preminger deals in facades, with how perception cheats us, right down to the ideal image of Laura as a portrait. (Cinmathque Annotations on Film) | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,174 |
La Bête Humaine (Judas Was a Woman)(The Human Beast) | Senses of Cinema | Matthew Sorrento | Renoir returns to the relle du train with little comfort for his 'human beast.' | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,174 |
Black Panther | Sequart | Zaki Hasan | Part political thriller, part palace intrigue, and part superhero epic, Ryan Coogler has made an early-year blockbuster that's both visually stunning and profoundly personal. | A | short_letter | null | null | false | 5 | 6 | 1 | 2,175 |
This Gun for Hire | Set the Tape | Kelechi Ehenulo | There's a lot to unpack...And perhaps this is the very reason why This Gun for Hire has endured for as long as it has. It's a complex noir where rooting for a 'hero' doesn't have a clear line of sight. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,176 |
A Private War | Set the Tape | Kelechi Ehenulo | ...somewhere out there, someone forgot to announce Pike's Oscar nomination. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,176 |
Beverly Hills Cop II | Set the Tape | Kelechi Ehenulo | Sometimes sequels never live up to the original. As much as Beverly Hills Cop II echoes that sentiment, the late, great director Tony Scott delivers a film that encapsulates the pinnacle of 80s films in terms of culture, style, fashion and action. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,176 |
Close Encounters of the Third Kind | Set the Tape | Kelechi Ehenulo | While other Spielberg films get recognisable attention (and rightly so), Close Encounters should be ranked amongst his greatest and underrated masterpieces. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,176 |
A Fish Called Wanda | Set the Tape | Kelechi Ehenulo | If anything, what Cleese and director Charles Crichton celebrate with A Fish Called Wanda is the art of the ensemble. Getting the pieces together is difficult, but when it works, it's a masterpiece. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,176 |
Greta | Set the Tape | Kelechi Ehenulo | Somewhere in its ninety-eight minute-runtime there's an outstanding film sparked by good intentions, but it's buried underneath some diabolical plotting. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,176 |
Miss Juneteenth | Set the Tape | Kelechi Ehenulo | Miss Juneteenth is a beautifully poignant and intimate journey of a Black woman's soul. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,176 |
Spider-Man: Into the Spider-Verse | Set the Tape | Kelechi Ehenulo | Universal in its approach by leaving a beaming smile across your face, Spider-Man: Into the Spider-Verse beautifully reminds you why you love Spider-Man in the first place. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,176 |
Tesla | Set the Tape | Kelechi Ehenulo | It's not to say Tesla's story shouldn't be told, but here you have to do a lot of compensating to find some level of compelling enjoyment. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 2,176 |
Tropic Thunder | Set the Tape | Kelechi Ehenulo | Tropic Thunder exaggerates on its eccentricity, but it's always dealt with a sense of satirical truth. That in itself develops the film beyond any throwaway comedy that is trying too hard to find that punchline. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,176 |
Vice | Set the Tape | Kelechi Ehenulo | Depending on your outlook will ultimately determine the enjoyment of Vice. If you can accept the tonal shifts with its Hollywood filmmaking conventions, Jesse Plemon's narration and fourth wall breaks, then Vice is a wildly inventive biopic. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,176 |
Young Frankenstein | Set the Tape | Kelechi Ehenulo | Young Frankenstein is sharply littered with slapstick humour, double entendre meanings and witty dialogue, thanks to the efforts of Wilder and Brooks. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,176 |
A Star Is Born | Seventh Art Studio | Victor Pineyro | Exceptional music, it's incredible that Bradley Cooper's best role yet comes from his directorial debut. Touching human story. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Avengers: Endgame | Seventh Art Studio | Victor Pineyro | Part of the journey is the end, and this one is perfect for certain characters. An unprecedented movie in film history, and a very difficult feat to repeat. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Bird Box | Seventh Art Studio | Victor Pineyro | With an extremely interesting premise, Bird Box becomes a meaningless film filled with disappointing moments. [Full review in Spanish] | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,177 |
BlacKkKlansman | Seventh Art Studio | Victor Pineyro | The chemistry between Washington and Driver is essential to maintaining the rythm of the film persistent and entertaining in a constant shift between crime and comedy. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
Bohemian Rhapsody | Seventh Art Studio | Victor Pineyro | Rami Malek is the movie and the only reason why it stands out, not much beyond his acting. [Full review in Spanish] | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,177 |
Captain Marvel | Seventh Art Studio | Victor Pineyro | It's far from being the best MCU film, but it does a decent job on introducing on of the most powerful characters of that universe. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
Dark Phoenix | Seventh Art Studio | Victor Pineyro | Close to non-existing action, it's incredible that at this point in the superhero genre, we still get floppy films like this one. [Full review in Spanish] | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,177 |
Everybody Knows (Todos lo saben) | Seventh Art Studio | Victor Pineyro | The incredible suspense builds up and puts too much weight into the final act of the film, which ends up being somewhat disappointing. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
Extraction | Seventh Art Studio | Victor Pineyro | Patterns are only good to a certain extent. The movie is hilariously predictable. The true and only star is it's stuntman made director Sam Hargrave. [Full review in Spanish] | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,177 |
Fantastic Beasts: The Crimes of Grindelwald | Seventh Art Studio | Victor Pineyro | It leaves a little too much for the sequels, but for any Wizarding World fan, it's great to experience nostalgia through the magic of Newt Scamander's briefcase. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
First Man | Seventh Art Studio | Victor Pineyro | Damien Chazelle does it again. With brush strokes of Kubrick, tension, suspense and intrigue are dealt enviably in this movie. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
First Reformed | Seventh Art Studio | Victor Pineyro | Noticeable effort for each frame to tell its own story. There are very perceptible shades of "Taxi Driver" in "First Reformed". [Full review in Spanish] | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,177 |
Green Book | Seventh Art Studio | Victor Pineyro | Mahershala Ali and Viggo Mortensen are a match made in heaven. In its political correctness, it finds moments of truth. [Full review in Spanish] | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,177 |
Joker | Seventh Art Studio | Victor Pineyro | A comic book movie with sufficient creative liberty to become a psychological thriller that talks about the darkest feelings of human reality. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Once Upon a Time In Hollywood | Seventh Art Studio | Victor Pineyro | A pure celebration to the Golden Age of Hollywood and all of Tarantino's experiences from film making. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Onward | Seventh Art Studio | Victor Pineyro | Predictable but not compliant, I really liked the the feeling of satisfaction controversy the ending brings. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
Pain and Glory (Dolor y gloria) | Seventh Art Studio | Victor Pineyro | Glory came accompanied by pain, feels absurd but, isn't reality absurd? An impecable work from both Banderas and Almodovar. [Full review in Spanish] | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,177 |
Rocketman | Seventh Art Studio | Victor Pineyro | In its music, drama, romance and fantasy, it never forgets the human side of the icon from which it's telling the story. Magnificent film. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Roma | Seventh Art Studio | Victor Pineyro | Cuarón's work as a writer, director and cinematographer are beyond perfection. His use of chaos to create the ordinary are the work of a genius. [Full review in Spanish] | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,177 |
Shazam! | Seventh Art Studio | Victor Pineyro | Shazam! shines light into the newly reborn DC Extended Universe. This is definitely the way to go. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
Shoplifters (Manbiki kazoku) | Seventh Art Studio | Victor Pineyro | Shoplifters tells a story about love, family, crime, and truth. It's life itself without the morality cloak. One of the best movies of 2018. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Sonic the Hedgehog | Seventh Art Studio | Victor Pineyro | I'm a 100% sure this is the best you can get out of a Sonic the Hedgehog movie. Hilarious. [Full review in Spanish] | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,177 |
Spider-Man: Far From Home | Seventh Art Studio | Victor Pineyro | This film has the best Spider-Man scene that has ever been filmed. It's not just visually stunning, but emotionally charged like no other. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
Spider-Man: Into the Spider-Verse | Seventh Art Studio | Victor Pineyro | This is not only the best Spider-Man movie that has ever been made, but it ranks on the top of the very own superhero genre. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
The Ballad of Buster Scruggs | Seventh Art Studio | Victor Pineyro | The Coen Brothers make the genre transitions seem easy. There is a little of everything we love about them in this unique piece. [Full review in Spanish] | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,177 |
The Christmas Chronicles | Seventh Art Studio | Victor Pineyro | The ultimate Christmas movie of 2018. [Full review in Spanish] | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,177 |
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