movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Iron Man 3 | Shotgun Cinema | Patrick Kolan | 'Iron Man 3′ occasionally feels a little contrived - but then, if you're dealing with one of the best action directors around, you can expect him to draw on the style that he knows best. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Iron Sky | Shotgun Cinema | Patrick Kolan | To its credit, while routinely stupid, it is playfully so - and it gets over the line through sheer force of charm. A "triumph of the will", if you catch our drift. (Sorry.) | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,189 |
Lawless | Shotgun Cinema | Patrick Kolan | As you'd expect from that kind of artistic pedigree, 'Lawless' is a well-oiled production that knows exactly what kind of film it is: a classic revenge tragedy with Tommy-guns and fiddles in the dustbowl South. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
Live By Night | Shotgun Cinema | Patrick Kolan | There is a good movie somewhere in Live By Night - one with an engaging plot and characters you actually care about. It's very obvious just how thin Affleck was spreading himself. (Reviewer: Chris Neill) | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,189 |
Logan | Shotgun Cinema | Patrick Kolan | Mangold and Jackman bring integrity and ability to an increasingly stale and pandering genre, closing out Jackman's Wolverine with dignity and poise. That's more that most of us can hope for when we're 170-+ years old, right? | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,189 |
Men in Black III | Shotgun Cinema | Patrick Kolan | Too often sci-fi epics miss the balance between spectacle and storytelling. While Men in Black 3 isn't always consistent in humour and pace, Sonnenfeld, with a well-considered script from David Koepp, manages to make it work. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
Moonrise Kingdom | Shotgun Cinema | Patrick Kolan | How Wes Anderson stitches it all together is far beyond the reach of most filmmakers. His approach is artful without pretension, gorgeous and composed without feeling forced, charming and innocent but never trite. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,189 |
Mute | Shotgun Cinema | Patrick Kolan | If films like this stop being funded altogether in favour of crowd-pleasers rather than crowd-challengers, we're damned. That's your most plausible dystopian future, folks. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
On the Road | Shotgun Cinema | Patrick Kolan | "The final film holds true to the source material - but it's just not a journey everyone's going to want to take." | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
Painted Skin: The Resurrection | Shotgun Cinema | Patrick Kolan | More breathy outbursts from wronged lovers and strange pseudo-sexual and homoerotic encounters than a late-night soap opera, matched with a visual style that points to a level of artistry and invention that even western cinema struggles to match. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,189 |
Paterson | Shotgun Cinema | Patrick Kolan | Long-time fans won't be disappointed with Paterson; Jarmusch's trademark dry wit and attention to mood are all over it ... a beautifully modest movie and one of the best portraits of a working-class American you'll ever see. (Reviewer: Chris Neill) | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Prometheus | Shotgun Cinema | Patrick Kolan | Never quite matching Alien or Aliens for emotional authenticity - but definitely holding you in tow until the final moments. Ridley Scott isn't much for illustrating humanity, but he sure as hell knows how to craft aliens. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Pulp Fiction | Shotgun Cinema | Patrick Kolan | Its dedicated fan-base and the pop-culture reverberations that have flowed steadily from it, almost 20 years on, echo Tarantino's achievements with Pulp Fiction. Unassailable filmmaking. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,189 |
Ruby Sparks | Shotgun Cinema | Patrick Kolan | There's strong storytelling at the core here, backed by worthwhile performances - and this is a good movie - though, not quite the original masterpiece of love and creativity it clearly strives to be. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
Safety Not Guaranteed | Shotgun Cinema | Patrick Kolan | When a crew is given constraints like a miniscule budget, more emphasis rightly goes into tightening up things like scripting and performance. It's the 'Chasing Amy' phenomenon at work. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Searching for Sugar Man | Shotgun Cinema | Patrick Kolan | This is a fine documentary; insightful and entertaining with a genteel approach to uncovering a figure so close to the hearts of an unexpected fan base. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Shadow Dancer | Shotgun Cinema | Patrick Kolan | This is an uncomfortable movie; a tense and sometimes deliberately drawn out tale - but those who invest the time will uncover some excellent performances. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Skyfall | Shotgun Cinema | Patrick Kolan | A lot of critics are claiming this to be the best Bond film ever made; they may well be right-to some degree. It's certainly the most poignant-which, in what is ostensibly an action film, is a feather in Mendes' cap to be sure. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
Star Wars: The Last Jedi | Shotgun Cinema | Patrick Kolan | Where J.J. Abrams sought to give this new trilogy a firm but predictable foundation to build upon, Rian Johnson's The Last Jedi is a risk-taker. This is to be applauded absolutely. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
The Accountant | Shotgun Cinema | Patrick Kolan | "The American "R" rating is earned gleefully. If someone were to do the math on close-range headshots, this flick surely would go Top 5." - [Reviewed by Lachlan Marks] | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
The Amazing Spider-Man | Shotgun Cinema | Patrick Kolan | Not quite 'amazing' then, but there will always be a deserving audience for rock-solid superhero movies done with this kind of heart and care. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
The Bourne Legacy | Shotgun Cinema | Patrick Kolan | There's a lot to like about The Bourne Legacy, but it's hard not to feel a little worried that the rich complexity of Ludlum's past work might be lost in the transition-and that's a legacy that really needs to be upheld. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
The Dark Knight Rises | Shotgun Cinema | Patrick Kolan | The Dark Knight Rises succeeds in surpassing 2008's 'The Dark Knight' to become the best of his three films. Whether that will be enough to secure his Best Picture Oscar is frankly irrelevant - because what matters is that this is Batman's best picture. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,189 |
The Dark Tower | Shotgun Cinema | Patrick Kolan | As one patron put it, "Well, it's not the worst movie I've ever seen...". Yeah, but it's certainly one of the most disappointing in recent memory-- and it was wholly avoidable. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,189 |
The Grand Budapest Hotel | Shotgun Cinema | Patrick Kolan | Dense, energetically presented and wonderful - though as my friend suggested, for those first five minutes you'd be forgiven for thinking Anderson was retreading his old tropes a few too many times. Those feelings disappear by the sixth minute. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,189 |
The Hobbit: An Unexpected Journey | Shotgun Cinema | Patrick Kolan | 'The Hobbit' is another ambitious, gorgeous and faithful trip into JRR's writing - and because of this, it won't win any new fans if you had no patience ten years ago. For those who do, you'll definitely want to go there and back again. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
The Hobbit: The Desolation of Smaug | Shotgun Cinema | Patrick Kolan | In providing a wealth of content for Tolkein fans, Jackson's cup overfloweth. That's neither good nor bad - it's just more than we need in one sitting. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,189 |
The Master | Shotgun Cinema | Patrick Kolan | Those expecting to be shocked and charmed and pushed around will get it; everyone else might leave feeling winded and a little confused. Good. It's probably what you need. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,189 |
The Watch | Shotgun Cinema | Patrick Kolan | All of this builds a pretty catastrophic picture of The Watch - and I think, given how many other awesome, funny, gross and clever comedies are out there, I refuse to be an apologist. It's not an unmitigated disaster, but it's not good - or good enough. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,189 |
Total Recall | Shotgun Cinema | Patrick Kolan | Total Recall is it's own beast - one that needs to be caged off and held at arm's length. It is a mess, a wasteful rethink that was never needed and lousy movie at worst. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,189 |
Final Destination 2 | Showbizz.net | Nicolas Lacroix | Joyeusement morbide. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,190 |
A Man Apart | Showbizz.net | Nicolas Lacroix | Mauvais, ennuyant et prvisible. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,190 |
Robin's Wish | Shuffle Online | Rosa Parra | ...a documentary with a subject matter that is bound to resurface the sense of loss while informing how this disease took one of our most beloved entertainers. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,191 |
The Tax Collector | Shuffle Online | Rosa Parra | The quick editing and awkwardly shot angles make this film messy, and it takes away any emotional potential it had. Its one-dimensional villain, Conejo, comes off as a comical caricature that's frustrating to watch. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,191 |
A Simple Favor | Siftpop | Aaron Dicer | Though messy at times, with some hit or miss humor, the core cast is so engaging and the mystery is just compelling enough that the offbeat tone works perfectly. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,192 |
Ant-Man and the Wasp | Siftpop | Aaron Dicer | There is nothing ground breaking about what Marvel is doing here, but there is so much fun to be had with these people and this world that nothing was going to shrink the smile on my face. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
Avengers: Endgame | Siftpop | Aaron Dicer | The word epic gets thrown around so much that we've forgotten what it actually means. This movie is here to remind you. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
Bad Times at the El Royale | Siftpop | Aaron Dicer | Goddard somehow combines the visual suspense of Hitchcock, the musical mayhem of Tarantino, and the quirk of the Coens to produce his own unique meal. A bit long, but supremely entertaining. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
BlacKkKlansman | Siftpop | Aaron Dicer | Spike somehow juggles a sharp sense of humor with a sharp critique of racial politics, not only keeping every ball afloat, but mesmerizing us with both entertainment and impact. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
Captain Marvel | Siftpop | Aaron Dicer | Oh Captain, my Captain. Brie Larson brings humanity and depth to a role that could have been a typical super hero origin story but instead feels like Marvel is finding new ways to tell super stories. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
Crazy Rich Asians | Siftpop | Aaron Dicer | Sure, there are some unnecessary side characters and the wealth worship is a bit off putting, but the romance and humor are mostly on point, and the cultural nuance and themes are crazy good. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,192 |
Dumbo | Siftpop | Aaron Dicer | As brilliant as Burton's visual imagination is, it's practically equivalent to how dull the themes and characters in this movie are. The forced references and shoddy plotting make it too clunky to ever leave the ground. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,192 |
Eighth Grade | Siftpop | Aaron Dicer | Bo knows movies. Wonderful performances, a keen sense of humor, and most importantly a deep authenticity make Burnham's directorial debut a powerful look at modern adolescence. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
First Man | Siftpop | Aaron Dicer | Chazelle somehow tunes us in to not only the precarious trauma of mankind's first journey to the moon, but also the precarious trauma of mankind's shared journey through life. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,192 |
Halloween | Siftpop | Aaron Dicer | Unfortunately the pile of corpses isn't the only thing in this movie that is lifeless. Even with a few clever nods, there isn't enough to interest many beyond the horror faithful. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,192 |
Men in Black International | Siftpop | Aaron Dicer | A movie so relentlessly mediocre, predictable, and bland that you may end up checking your texts in the theater out of boredom, with the added bonus of possibly getting kicked out. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,192 |
Mission: Impossible - Fallout | Siftpop | Aaron Dicer | The very definition of what an action movie should be. Cruise and McQuarrie continue to prove that they are willing to do just about anything to superglue us to the edge of our theater seats. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,192 |
Pokémon Detective Pikachu | Siftpop | Aaron Dicer | Though more likely to please the Pokemon faithful, there's enough wit, charm, and world building here to catch a good time despite it's various flaws. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,192 |
Shazam! | Siftpop | Aaron Dicer | Zach Levi embodies the childlike wonder of this experience so well, you can't help but go along for the wish fulfillment ride. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
Sicario: Day of the Soldado | Siftpop | Aaron Dicer | Benicio is so good in this and the action so compelling that you almost forget how over the top and problematic the story is... Almost. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,192 |
Skyscraper | Siftpop | Aaron Dicer | Yes, it's ridiculous. Yes, it's full of impossible nonsense. And Yes, I loved just about every physics defying second of it. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,192 |
Star Wars: The Rise of Skywalker | Siftpop | Aaron Dicer | Though the movie doesn't have the courage to risk anything, it still finds itself in the enjoyable safe space of being a perfectly decent Star Wars movie. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,192 |
The Happytime Murders | Siftpop | Aaron Dicer | Unfortunately the movie seems to think that making a puppet show for adults means making a puppet show for adolescents, which might be ok, if it were actually ever the slightest bit funny. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,192 |
The Predator | Siftpop | Aaron Dicer | Though there are flashes of irreverent brilliance, the story is haphazard, the characters are unlikable, and the overall experience is akin to a film school project that values the inside joke over the outside result. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,192 |
Triple Frontier | Siftpop | Aaron Dicer | Chandor somehow takes the machismo of '80s action movies and inserts the moral compass of the 21st century. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,192 |
Us | Siftpop | Aaron Dicer | A movie that both rewards and punishes you for watching closely with an astonishing and necessary metaphor, brilliant visual and symbolic film making, but a world that doesn't quite hold together. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,192 |
Venom | Siftpop | Aaron Dicer | Though Tom Hardy is game and the "friends with Venefits" shtick is fun and clever, the overall story is too messy and cornball for the combination of the two to stick the landing. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,192 |
A Wrinkle in Time | Sight and Sound | Violet Lucca | There's something halting and overly cautious that prevents this bonkers kiddie fable from taking flight. | 4.7/10 | 10 | 4.7 | 10 | false | 37 | 91 | 10 | 2,193 |
12 Years a Slave | Sight and Sound | Calum Marsh | 12 Years a Slave proves McQueen's formal prowess and, more significantly, his utter seriousness as a dramatist. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 2,194 |
The Big Hit | Sight and Sound | Danny Leigh | ...vacant and ill-conceived... | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,195 |
Happy, Texas | Sight and Sound | Philip Kemp | ...although it reverts to slapstick for its set-piece chase finale, for most of its length Mark Illsley's debut film offers an unexpectedly gentle, even sentimental comedy of sexual identities... | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,195 |
Very Bad Things | Sight and Sound | Xan Brooks | The trouble is that Berg doesn't seem sure how to draw matters to a close. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,195 |
What Happens in Vegas | Sin Magazine | Austin Kennedy | From seeing this movie and talking to several moviegoers, I discovered that there are two kinds of people: people who like Ashton Kutcher, and people who don't. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,196 |
Step Up To The Plate | Sin Magazine | Austin Kennedy | There are some interesting father/son dynamic moments in the film that give it some merit. But I thought JIRO DREAMS OF SUSHI, which was released earlier this year, was much more focused and pretty much the same story. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,196 |
Little Women | Slant Magazine | Dan Jardine | One of Hollywood's original chick flicks by one of its original chick flick directors (George Cukor). | 77/100 | 100 | 77 | 100 | false | 76 | 100 | 1 | 2,197 |
Metropolis | Slant Magazine | Dan Jardine | Master cinematographer Karl Freund fills the screen with an array of stylized shadows, oblique camera angles, geometric images, and nightmarish labyrinths. | 87/100 | 100 | 87 | 100 | false | 86 | 100 | 1 | 2,197 |
City Lights | Slant Magazine | Dan Jardine | This is one of those rare creatures, the work of a master craftsman in full control of his craft. | 93/100 | 100 | 93 | 100 | false | 92 | 100 | 1 | 2,197 |
The Good Earth | Slant Magazine | Dan Jardine | Epic in scope, though intimate in effect. | 81/100 | 100 | 81 | 100 | false | 80 | 100 | 1 | 2,197 |
Young Frankenstein | Slant Magazine | Dan Jardine | This is a fine horror film that also turns (miraculously) into an existential tale of man's fear of abandonment | 87/100 | 100 | 87 | 100 | false | 86 | 100 | 1 | 2,197 |
Children of the Corn | Slant Magazine | Jeremiah Kipp | This lazy reimagining of a terse Stephen King short story drags itself through the horror paces, with a predictable slow build toward a couple of splashy gore sequences | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 2,198 |
Cronos | Slant Magazine | Glenn Heath Jr. | Guillermo del Toro says, "Cronos is an exploded view of my brain." | 4/5 | 5 | 4 | 5 | false | 30 | 41 | 10 | 2,198 |
Damsels in Distress | Slant Magazine | Miriam Bale | With Damsels in Distress, Whit Stillman takes a radical, maybe even method, approach to broad comedy. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 2,198 |
Dirty Wars | Slant Magazine | Tomas Hachard | Ably leads us through its extensive investigation, faltering only when the camera lingers on Jeremy Scahill for a touch too long at the expense of his interview subjects. | 3/5 | 5 | 3 | 5 | false | 20 | 41 | 10 | 2,198 |
Fifty Shades Darker | Slant Magazine | Christopher Gray | Fifty Shades Darker takes the Dark Knight approach to franchise maintenance, taking pains to assure you that its protagonists are serious about their passions. | 1/5 | 5 | 1 | 5 | false | 0 | 41 | 10 | 2,198 |
Gottfried Helnwein and the Dreaming Child | Slant Magazine | Abhimanyu Das | Much of the doc plays like a moderately well produced but tediously uncritical making-of feature that could easily have been included on the opera's DVD release. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 2,198 |
The Interpreter | Slant Magazine | Akiva Gottlieb | Subversive, maybe, but hardly explosive. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 2,198 |
It's Kind of a Funny Story | Slant Magazine | Nick Schager | Boden and Fleck's competent, bland aesthetics do little more than occasionally amplify their material's cloying sentimentality. | 1.4/5 | 5 | 1.4 | 5 | false | 4 | 41 | 10 | 2,198 |
Moonrise Kingdom | Slant Magazine | Andrew Schenker | For the first 15 minutes or so, Moonrise Kingdom feels like the movie Wes Anderson's detractors have always accused him of churning out. Then it finds its footing and becomes a film that only Anderson could have made. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 2,198 |
Rings | Slant Magazine | Chuck Bowen | Rings is unsure as to whether it's a sequel to the other entries in the series or a contemporary reboot. | 1/5 | 5 | 1 | 5 | false | 0 | 41 | 10 | 2,198 |
Run All Night | Slant Magazine | Carson Lund | This time around, in spotlighting Liam Neeson's fatigued charisma, Jaume Collet-Serra's formidable filmmaking chops have plateaued. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 2,198 |
Wanda Sykes: I'ma Be Me | Slant Magazine | Aaron Cutler | [Wanda] Sykes's concert act both provokes and stimulates, but nonetheless leaves much to be desired. | 2.5/5 | 5 | 2.5 | 5 | false | 15 | 41 | 10 | 2,198 |
Went the Day Well? | Slant Magazine | Jaime N. Christley | A sickeningly giddy action thriller that looks forward to Straw Dogs, Inglorious Basterds, and Red Dawn. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 2,198 |
April Fool's Day | Slasherpool | Andreas Samuelson | Compared to other similar 80s teen-flicks, this is a very fun and likable little film. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
Scream | Slasherpool | Andreas Samuelson | A fun, scary and entertaining movie | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,199 |
Amityville II: The Possession | Slasherpool | Andreas Samuelson | A dreadful sequel delivering more yawns and laughs rather than shocks and scares. | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 2,199 |
Bloody Birthday | Slasherpool | Andreas Samuelson | Dull and gore-free slasher-wannabe which could have been great but falls flat | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 2,199 |
Brain Damage | Slasherpool | Andreas Samuelson | A weird, oddball 80s horror film for anyone who liked and enjoyed the horror and humor of Basket case | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
Candyman | Slasherpool | Andreas Samuelson | Very clever, well-made and unpredictable. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,199 |
Creepshow | Slasherpool | Andreas Samuelson | Colorful, amusing, and awfully simple - just like a comic book. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,199 |
Deadly Blessing | Slasherpool | Andreas Samuelson | One of Wes Craven's best films, an oddball but often scary thriller mixing elements from religious, slasher, snake, spider and monster flicks | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,199 |
Demons 2: The Nightmare Returns | Slasherpool | Andreas Samuelson | ... often laughable and unintentionally funny, but also -- surprisingly quite scary in some scenes. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
Friday the 13th | Slasherpool | Andreas Samuelson | Classic but forgettable teen-camp slasher | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
Graduation Day (Día de Graduación) | Slasherpool | Andreas Samuelson | Clichd, forgettable 80s teen slasher lacking all kind of originality or characterization | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,199 |
He Knows You're Alone | Slasherpool | Andreas Samuelson | Like many horror films this starts out great but falls back on a disappointing climax | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
The Hidden | Slasherpool | Andreas Samuelson | What could have been a great sci-fi horror flick with awesome effects priorities talky buddy-cop thriller and alien comedy clichs | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,199 |
Idle Hands | Slasherpool | Andreas Samuelson | Stupid, silly fun with a decent amount of gore and heavy dose of teen humor | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,199 |
Innocent Blood | Slasherpool | Andreas Samuelson | Not for all tastes, but a wild ride if you get into it. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
The Lair of the White Worm | Slasherpool | Andreas Samuelson | Fun-filled, oddball British vampire flick | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,199 |
Leviathan | Slasherpool | Andreas Samuelson | Forgettable and predictable, but with a good cast and some fun special effects. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,199 |
The People Under The Stairs | Slasherpool | Andreas Samuelson | A very uneven but interesting horror thriller with a social message that's somewhat lost in a script with some effective terror and less working humour and slapstick. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,199 |
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