movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Bloody Nose, Empty Pockets | Spectrum Culture | Pat Padua | The perfect distillation of bar life. | 85/100 | 100 | 85 | 100 | false | 84 | 100 | 1 | 2,212 |
Pariah Dog | Spectrum Culture | Pat Padua | The cinematic craft behind its tales of man's best friends-and the humans who care for them - raises this well above the level of your typical Animal Planet crowd-pleaser. | 84/100 | 100 | 84 | 100 | false | 83 | 100 | 1 | 2,212 |
Life During Wartime | Spin | Troy Patterson | Life During Wartime presents scenes that feel as authentic as bad dreams, and sometimes that's happiness enough. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,213 |
A Serious Man | Spin | Troy Patterson | The movie develops into a pretty good rabbi joke about the meaninglessness of the universe. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,213 |
An Education | Spin | Troy Patterson | Nick Hornby wrote the screenplay by inflating a fragment of Lynn Barber's memoir, failing to disguise the thinness of the material. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,213 |
Black Sheep | Spin | Troy Patterson | A genre mash-up... director Jonathan King's first feature doubles as a fable about two grown brothers and triples as a fresh national myth for his native New Zealand. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,213 |
Black Snake Moan | Spin | Troy Patterson | Writer/director Craig Brewer has whipped up a controversy magnet that will make some fans of his first film, Hustle & Flow, retract anything they said in defense of its depiction of women. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,213 |
Brief Interviews with Hideous Men | Spin | Troy Patterson | The urgency of the tales gets lost along the way, weighed down by staginess and an inconsistent tone, although Krasinski's ambition suggests a noble failure. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,213 |
Crazy Love | Spin | Troy Patterson | Dan Klores shapes their tale into a documentary as arresting as a Weegee crime-scene photo. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,213 |
The Disappearance of Alice Creed | Spin | Troy Patterson | After meticulously rigging a combination of claustrophobic suspense drama and icy procedural, director J Blakeson allows his movie to fall apart. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,213 |
The Extra Man | Spin | Troy Patterson | Extra Man's superfluous oddities threaten to obscure its peculiar charms. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,213 |
Juno | Spin | Troy Patterson | As directed by Jason Reitman, the movie builds from sitcom setups to wistful payoffs. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,213 |
Knocked Up | Spin | Troy Patterson | Knocked Up must be the funniest Hollywood romantic comedy since Apatow's 40-Year-Old Virgin. Granted, there are higher compliments, but the movie undeniably offers audiences many abdomen-impairing moments they'll talk (and talk and talk) about. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,213 |
Middle Men | Spin | Troy Patterson | If you're not turned off by a standard-issue subplot about the Valley of temptation, then click ENTER to watch some hot and witty business thriller action. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,213 |
Paprika | Spin | Troy Patterson | Though Kon sometimes hits on startling visions ripped straight from your head last night, he's ultimately more interested in film theory than the Freudian sort, evoking dreams in a way that's most faithful to dream sequences. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,213 |
Reno 911!: Miami | Spin | Troy Patterson | Maddeningly hit-or-miss, Reno 911! plays as if the filmmakers were aiming simply to outclass Police Academy 5. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,213 |
Starter for 10 | Spin | Troy Patterson | Adhering to every convention of the coming-of-age film in a sneakily alluring way and flirting with cliche without slobbering all over it, this sweet little date-night flick is built to charm everyone's inner 18-year-old. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,213 |
The Diving Bell and the Butterfly | Spin | Troy Patterson | Its flow of memory and imagination transforms the hero's nightmare into a dream, where a glance at the radiance of sunlight in a curtain is an elemental vision of what it means to be alive. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,213 |
There Will Be Blood | Spin | Troy Patterson | Though Day-Lewis seethes juicily, under the weight of all that allegory, Plainview steadily grows more vicious and less fascinating, wasting away to just a cackle and an empty leer. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,213 |
Whip It | Spin | Troy Patterson | Though Whip It celebrates risk-taking ladies, its plot turns gently from one formulaic moment to the next. The only surprise is just how much silliness Barrymore is willing to commit. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,213 |
Youth Without Youth | Spin | Troy Patterson | The first half of Youth has the tension of a crack thriller. But director Francis Ford Coppola has rigged things so that the suspense story melts into a New Age puddle. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,213 |
Clara | Spirituality & Practice | Frederic and Mary Ann Brussat | A close encounter with the ineffable mysteries of both human relationships and the universe. | 4.5/10 | 10 | 4.5 | 10 | true | 9 | 21 | 2 | 2,214 |
Disconnect | Spirituality & Practice | Frederic and Mary Ann Brussat | Three compelling dramas about lives shattered by thieves using the tools of technology to steal things of great value to their victims. | 4.5/10 | 10 | 4.5 | 10 | true | 9 | 21 | 2 | 2,214 |
Long Shot | Spirituality & Practice | Frederic and Mary Ann Brussat | A raucous and rambunctious rom-com that makes some good points about gender equality. | 4.5/10 | 10 | 4.5 | 10 | true | 9 | 21 | 2 | 2,214 |
Pirates of the Caribbean: At Worlds End | Spirituality & Practice | Frederic and Mary Ann Brussat | A bloated, repetitive sea saga that is the cinematic equivalent of pigging out at a fast food franchise. | 0.5/10 | 10 | 0.5 | 10 | true | 1 | 21 | 2 | 2,214 |
Resurrecting the Champ | Spirituality & Practice | Frederic and Mary Ann Brussat | The screenplay writers have created a confused mess that travels down far too many different thematic paths. | 2/10 | 10 | 2 | 10 | true | 4 | 21 | 2 | 2,214 |
Crown Heights | Splice Today | Stephen Silver | A captivating story that's well-told. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,215 |
Rough Night | Splice Today | Stephen Silver | Does the plot resolve itself too nicely? Probably. Do the character relationships delve into cliché? Sure. But the film does so much right that I didn't mind. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,215 |
Shock and Awe | Splice Today | Stephen Silver | Harrelson's a joy to watch, as usual, as are Marsden and Jones, although Jessica Biel is given little to do as Marsden's love interest, and Milla Jovovich plays a nagging-wife role best left in another decade. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,215 |
Sorry to Bother You | Splice Today | Stephen Silver | Sorry to Bother You works on so many different levels. It's a trenchant, timely satire about race relations, labor relations, late capitalism and much more. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,215 |
A Wrinkle in Time | Spoiler TV | Brent Hankins | The young adult audience at which the film is squarely aimed will surely spark to Meg, the awkward outcast who becomes a hero not because of a magic spell or a mystical artifact, but rather because she learns to believe in herself. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,216 |
American Animals | Spoiler TV | Brent Hankins | That the crime is ultimately unsuccessful isn't a shocker - the film acknowledges this within the first few moments - but this detail hardly matters, because what's so intriguing is why the boys chose to attempt this crime in the first place. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
Avengers: Infinity War | Spoiler TV | Brent Hankins | This is the kind of film that comic book fans have spent their entire lives dreaming about, one that breathes life into events that heretofore could only have existed on the page, or in the imagination. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,216 |
Blindspotting | Spoiler TV | Brent Hankins | Blindspotting explores and articulates numerous issues which feel particularly relevant in today's sociopolitical climate, while also serving as a love letter to Diggs and Casal's native Oakland. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 2,216 |
Bodied | Spoiler TV | Brent Hankins | Bodied is a fearless firecracker of a film, dishing out a steady stream of laugh-out-loud sequences and "did they really just go there?" moments while challenging perceptions every step of the way. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,216 |
Buffalo Boys | Spoiler TV | Brent Hankins | Wiluan fully embraces the genre's numerous tropes and uses them to his advantage, subverting expectations when appropriate while still delivering the type of shoot-em-up action that audiences will expect. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
CAM | Spoiler TV | Brent Hankins | There's more than a little David Lynch influence at play here, but Goldhaber handles the material expertly, as evidenced by his award for Best First Feature at Fantasia 2018 (not to be outdone, Isa Mazzei's screenplay also received honors). | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,216 |
Deadpool 2 | Spoiler TV | Brent Hankins | Deadpool 2 should be exactly what fans expect from a sequel, an ambitious upgrade that offers more jokes, more violence, more action and more vulgarity. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,216 |
Fantastic Beasts: The Crimes of Grindelwald | Spoiler TV | Brent Hankins | Nearly everything that occurs here is just to lay the groundwork for events yet to come, leaving this reviewer to ponder how a film with so much talking can actually say so very little. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,216 |
Halloween | Spoiler TV | Brent Hankins | With its tough-as-nails leading lady, clever setpieces (a sequence involving motion-activated lights is superb), and significantly higher body count, Green's Halloween will appeal to longtime fans and franchise novices alike. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,216 |
Incredibles 2 | Spoiler TV | Brent Hankins | Returning director Brad Bird continues to showcase an eye for exciting and unique action while further endearing us to the Parr family by ensuring that each character is multi-layered and fully realized. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
Jurassic World: Fallen Kingdom | Spoiler TV | Brent Hankins | An offensively stupid film packed with too many undeveloped ideas, too many genetically-enhanced dinosaurs (seriously, didn't we get enough of this in the last film?), and too many characters that behave in ways that defy logic or reason. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 2,216 |
Leave No Trace | Spoiler TV | Brent Hankins | Quiet and somber, with long stretches of little to no dialogue, Leave No Trace isn't likely to appeal to everyone, especially with its purposefully vague approach to storytelling and deliberate obfuscation of details. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
Mega Time Squad | Spoiler TV | Brent Hankins | Clever, goofy and incredibly fun, this is one of the hidden gems of this year's Fantasia Festival, and while it may be a bit too weird to find mainstream success, it's a perfect offering for genre fans. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
Operation Finale | Spoiler TV | Brent Hankins | Operation Finale's climax, while offering a fair amount of excitement and anxiety, feels as though it borrows a bit too heavily from Argo, a better film whose final moments are more engaging and more nerve-wracking. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
Ralph Breaks the Internet | Spoiler TV | Brent Hankins | While the overall allegory, about a father figure coming to grips with the idea of his child heading out into the world on their own, is a powerful and resonant message, the uneven storytelling muddies the waters a bit. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,216 |
Solo: A Star Wars Story | Spoiler TV | Brent Hankins | Fans hoping to experience some of the most important parts of Han's legacy will have plenty to look forward to here, including the genesis of his lifelong friendship with Chewbacca, and an infamous game of sabacc against Lando. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,216 |
The Catcher Was A Spy | Spoiler TV | Brent Hankins | Rudd is no stranger to dramatic material, but he comes across as a bit too charming to be truly believable in this sort of role. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,216 |
The Man Who Killed Hitler and Then The Bigfoot | Spoiler TV | Brent Hankins | This film isn't so much about the hunt itself, but rather the broken man behind it, and as a more contemplative character study, it's commendable. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,216 |
The Miseducation of Cameron Post | Spoiler TV | Brent Hankins | The Miseducation of Cameron Post asks a lot from its star, and Moretz is more than up to the task, showcasing a heartbreaking amount of vulnerability in a performance that is not only her best work in years, but possibly her best work, period. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 2,216 |
Tomb Raider | Spoiler TV | Brent Hankins | The core elements - Lara using a combination of intelligence and athleticism to solve puzzles, outwit adversaries and navigate thrilling action beats - are superbly entertaining. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,216 |
Venom | Spoiler TV | Brent Hankins | It often feels like the bad ideas are methodically consuming the good ones - not unlike the symbiotes themselves - but if you can stay awake through the dreadful first hour, there's definitely some fun to be had. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,216 |
Cool World | Spokesman-Review (Washington) | Dan Webster | A combination of Ghostbusters and Roger Rabbit, Cool World, unfortunately, plays more like the lamentable Howard the Duck. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,217 |
Street Fighter | Spokesman-Review (Washington) | Dan Webster | It's too bad that the late Raul Julia had to finish his career with this dreck. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,217 |
To Die For | Spokesman-Review (Washington) | Dan Webster | To Die For is a slickly savage look at contemporary life and the power of the media manipulators all around us. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Heat | Spokesman-Review (Washington) | Dan Webster | If, overall, Mann stretches a bit, the numerous successes are nevertheless worth watching. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
The Rock | Spokesman-Review (Washington) | Dan Webster | San Francisco is awesomely beautiful, Connery is his traditionally comforting self and Cage is typically eccentric -- especially for an action hero. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
A Smile Like Yours | Spokesman-Review (Washington) | Dan Webster | It's as compelling as a car commercial, as deep as a diaper pail. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,217 |
Bad Boys II | Spokesman-Review (Washington) | Dan Webster | It's only when Bay turns serious in the final 20 minutes that the movie founders, and then sinks, under the weight of his Pearl Harbor-type pretentiousness. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,217 |
Bad News Bears | Spokesman-Review (Washington) | Dan Webster | If you're looking for another Adam Sandler/Jack Black comic masterpiece, this isn't it. It is, though, Billy Bob Thornton at his best, dropping analogies that would make a Hooters waitress blush. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
The Blair Witch Project | Spokesman-Review (Washington) | Dan Webster | It is a triumph of intelligence over special effects, guerrilla filmmaking over Hollywood spectacle. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Bugsy | Spokesman-Review (Washington) | Dan Webster | Oh, it's not that they cover up Siegel's brutal side, it's just that they undercut it by making the man just a victim of his own appetites, which is sort of like saying Charles Manson was just a little too enthusiastic about a certain Beatles tune. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,217 |
Chasing Amy | Spokesman-Review (Washington) | Dan Webster | Slowly, like a latent teen pulled against his will into adulthood, Kevin Smith is growing up. But he's not growing quietly. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Chicago | Spokesman-Review (Washington) | Dan Webster | Instead of aping the likes of Oklahoma, [Marshall] takes what Fosse did in his 1972 adaptation of Cabaret and pushes it even further into the realm of originality. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
The City of Lost Children (La Cité des Enfants Perdus) | Spokesman-Review (Washington) | Dan Webster | The look of The City of Lost Children is worthy of a dropped jaw or three. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Cry-Baby | Spokesman-Review (Washington) | Dan Webster | John Waters progressed from the truly disgusting ("Pink Flamingoes") to the truly funny ("Hair Spray") only to now hit the mainstream wall. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,217 |
Dance Me Outside | Spokesman-Review (Washington) | Dan Webster | Dance Me Outside offers an inside look at a culture that, all too often, has been either ignored or portrayed with halo-wearing political correctness. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,217 |
Dances With Wolves | Spokesman-Review (Washington) | Dan Webster | [Costner] makes it a true human story, portraying the range of emotions from tragedy to joy. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Drop Dead Fred | Spokesman-Review (Washington) | Dan Webster | Just a strident celebration of booger jokes. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 2,217 |
The English Patient | Spokesman-Review (Washington) | Dan Webster | This World War II romantic drama has the epic feel of classic cinema. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Fever Pitch | Spokesman-Review (Washington) | Dan Webster | Fever Pitch is funny, romantic and it makes even the by-now-very-tired story of the Sox's 2004 World Series win seem fresh. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,217 |
The First Wives Club | Spokesman-Review (Washington) | Dan Webster | And as just this, a simple vehicle for feminist rage, "The First Wives Club" is effective. The trouble is that the opportunity was here to say so much more. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,217 |
Harry Potter and the Prisoner of Azkaban | Spokesman-Review (Washington) | Dan Webster | You could call this one Harry Potter Grows Up. At the very least, the transition from Chris Columbus to Alfonso Cuaron has helped propel J.K. Rowling's hero from childhood into the difficult teen years. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Hype! | Spokesman-Review (Washington) | Dan Webster | An edifying, enjoyable and ultimately light-hearted look at the way that things have always gone. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
I Know What You Did Last Summer | Spokesman-Review (Washington) | Dan Webster | Scream and the even better Scream 2 have intelligence, humor and an undercurrent of self-knowing satire that shows I Know What You Did... to be a passe bit of Hollywood formula. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,217 |
The Life Aquatic with Steve Zissou | Spokesman-Review (Washington) | Dan Webster | Much of what happens feels rough, as if Anderson never completed his shooting script... But individual moments... just might keep you entertained throughout the film's near-two-hour running time | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Mars Attacks! | Spokesman-Review (Washington) | Dan Webster | [Mars Attacks!] works well enough, though never well enough to make up for the fact that Burton ultimately settles for less. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,217 |
Million Dollar Baby | Spokesman-Review (Washington) | Dan Webster | [Features] three of the best performances of 2005. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Monsoon Wedding | Spokesman-Review (Washington) | Dan Webster | Nair and screenwriter Sabrina Dhawan deserve credit for wrapping up this big bundle in such a likeable package backed by such a great musical score. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Rushmore | Spokesman-Review (Washington) | Dan Webster | Just when you expect the film to do something normal, it takes off like Murray -- riffing on reality as only he, and filmmaker Anderson, can. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
The Sandlot | Spokesman-Review (Washington) | Dan Webster | Several of the hard issues involving childhood -- getting accepted in a new neighborhood, getting accepted buy a new stepdad -- are handled with sensitivity. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,217 |
Shaun of the Dead | Spokesman-Review (Washington) | Dan Webster | The success has much to do with director Edgar Wright, who co-wrote the film with comic Pegg, but Pegg is who brings the film to life -- along with Nick Frost as Ed, the dimmest best friend a guy can have. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
Shrek 2 | Spokesman-Review (Washington) | Dan Webster | It's not often that a sequel is richer and deeper than the original creation, especially when we're talking about the offerings of Hollywood. But Shrek 2 is the exception. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
The Silence of the Lambs | Spokesman-Review (Washington) | Dan Webster | Foster follows up her Oscar-winning role in The Accused by playing a determined young woman with an unhappy past from West Virginia, and Hopkins is a sight: This guy is so scary he even hisses with style. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
The Sixth Sense | Spokesman-Review (Washington) | Dan Webster | Osment is heartbreakingly true to his character as a boy at a crossroads. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Speed 2 - Cruise Control | Spokesman-Review (Washington) | Dan Webster | De Bont's annoyingly jerky camera seldom stays still, the personable and appealing Bullock is given virtually nothing to do, [and] the plot twists range from the incredible to the absurd. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,217 |
Striptease | Spokesman-Review (Washington) | Dan Webster | Moore doesn't realize that she's supposed to be making a dark comedy; instead, she seems to be auditioning for the role of Mrs. Cleaver. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,217 |
The Lion King | Spokesman-Review (Washington) | Dan Webster | A majestic achievement. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,217 |
The Lord of the Rings: The Return of the King | Spokesman-Review (Washington) | Dan Webster | By this point, Jackson has proven himself a master at wielding both a huge story line and cast, not to mention overseeing special effects that must make George Lucas take pause. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Ulee's Gold | Spokesman-Review (Washington) | Dan Webster | Writer/director Nunez holds the threat of danger over all that happens, but the film is less a study of violence than it is a look at how one makes hard decisions in the face of harsh circumstances. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,217 |
The Usual Suspects | Spokesman-Review (Washington) | Dan Webster | Singer, like Tarantino, is less into mining new film themes than in re-inventing old ones. And the way he does so shows full well that there is still a bit of life in the old mob movie yet. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,217 |
While You Were Sleeping | Spokesman-Review (Washington) | Dan Webster | While You Were Sleeping may not be a film for the ages. It likely won't even rank among the presummer season's biggest hits. But it is worth noting, for it may mark the birth of a star. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,217 |
Manhunter | SpookyAstronauts | Emma Wolfe | Overall I think William Peterson did really well as the detective. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,218 |
Scanners | SpookyAstronauts | Emma Wolfe | I like the thought of it I just didn't like the execution... I am a fan of David Cronenberg don't get me wrong but this is probably the film I like the least of his. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,218 |
Antrum: The Deadliest Film Ever Made | SpookyAstronauts | Emma Wolfe | All of these themes are so powerful yet the storyline is so simple and that's the genius of it but unfortunately I find the film does a disservice by hyping itself. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,218 |
The Last Circus | SpookyAstronauts | Emma Wolfe | I don't even know what I just watched. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,218 |
Becky | SpookyAstronauts | Emma Wolfe | Wilson was amazing and James was really surprisingly scary. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,218 |
Black Christmas | SpookyAstronauts | Emma Wolfe | I know how hard people work on films... [but] Lord it went downhill real fast. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 2,218 |
Bliss | SpookyAstronauts | Emma Wolfe | [Dora Madison] is amazing in this performance. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,218 |
Brahms: The Boy II | SpookyAstronauts | Emma Wolfe | Trope after trope after trope. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,218 |
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