Datasets:
frankier
/
processed_multiscale_rt_critics

Dataset card Data Studio Files
xet
 Community
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Lost Girls
Tell-Tale TV
Cristina Iskander
Despite some strong performances and a compelling message, it does come off a little underbaked at times.
3/5
5
3
5
false
20
41
10
2,277
Sierra Burgess Is a Loser
Tell-Tale TV
Tamar Barbash
[It's] a love story that should never be celebrated and, thirty years after Sixteen Candles, another movie I don't want to share with my daughter.
1.5/5
5
1.5
5
false
5
41
10
2,277
The Christmas Chronicles
Tell-Tale TV
Nick Hogan
The Christmas Chronicles, despite my initial reservations, turns out to be an emotional yet family-friendly holiday film that should hold up for many years to come.
4.5/5
5
4.5
5
false
35
41
10
2,277
The Irishman
Tell-Tale TV
Erin Allen
It's incredible when something can live up to and surpass the hype-The Irishman is already a classic, instantly time-honored, and will pass through that slightly open door into the annals of great American cinema.
5/5
5
5
5
false
40
41
10
2,277
The Knight Before Christmas
Tell-Tale TV
Alicia Gilstorf
The Knight Before Christmas isn't perfect but it comes as close as a Christmas rom-com about a knight and science teacher can.
4/5
5
4
5
false
30
41
10
2,277
The Princess Switch
Tell-Tale TV
Esme Mazzeo
I find these twin-switch type movies fascinating when one actress is doing all of the work. I'm not saying Hudgens in a Netflix movie full of tropes is Emmy worthy, but it takes a lot of work.
4/5
5
4
5
false
30
41
10
2,277
The Silence
Tell-Tale TV
Lauren Busser
Though it all, The Silence never loses its tension and the plot unfolds in a natural progression leading to an ending that feels perfectly deserved and fulfilling.
3/5
5
3
5
false
20
41
10
2,277
The Wrong Missy
Tell-Tale TV
Lauren Busser
This movie is enjoyable, and it's definitely something I recommend watching if you want some lighter fare.
3/5
5
3
5
false
20
41
10
2,277
To All the Boys: P.S. I Still Love You
Tell-Tale TV
Alicia Gilstorf
The first half of this sequel is brimming with adorable little moments that instantly pull us back into the warm fever dream of teenage love that is Lara Jean's life.
3/5
5
3
5
false
20
41
10
2,277
Unicorn Store
Tell-Tale TV
Lauren Busser
Unicorn Store is a fanciful movie steeped with some magical rainbow elements, but its strength lies in the overarching message and the amazing performances.
3.5/5
5
3.5
5
false
25
41
10
2,277
Marriage Story
That Shelf
Colin Biggs
Driver and Johansson truly make the most of their performances, creating real, flesh and blood characters that are as definitive to cinema as Meryl Streep and Dustin Hoffman in Kramer vs. Kramer.
9/10
10
9
10
false
8
10
1
2,278
Richard Jewell
That Shelf
Colin Biggs
Jonah Hill was originally slated to play Jewell, but Hauser's anonymity allows him to disappear into the character. A recognizable star would've felt too fake. And considering how many fabrications Richard Jewell weaves already, that's saying a lot.
6/10
10
6
10
false
5
10
1
2,278
Swallow
That Shelf
Kevin L. Lee
Swallow is a confident, uncomfortable, and nasty little film that will make you think twice about what it truly means to have agency.
8/10
10
8
10
false
7
10
1
2,278
Tesla
That Shelf
Kevin L. Lee
Tesla feels like a grad student's thesis film for their history class. It's an interesting little experiment with moments of spark, even if it lacks a current, a driving story, to keep me compelled.
5/10
10
5
10
false
4
10
1
2,278
The Hunt
That Shelf
Colin Biggs
As effective as any satire can be, the story will fall flat without a compelling protagonist to lead the way through. And Betty Gilpin (GLOW) is more than capable of putting the film on her back.
7/10
10
7
10
false
6
10
1
2,278
The Way Back
That Shelf
Colin Biggs
After his well-publicized departure from Batman, The Way Back is a welcome reminder that Ben Affleck is capable of greatness with the right material.
7/10
10
7
10
false
6
10
1
2,278
True History of the Kelly Gang
That Shelf
Colin Biggs
While True History of the Kelly Gang defiantly lacks historical accuracy, it's filled to the brim with a fiery punk pathos essential to a film about an outlaw.
7/10
10
7
10
false
6
10
1
2,278
Uncut Gems
That Shelf
Colin Biggs
The Safdie brothers - whose last film, Good Time, redefined Robert Pattinson for a lot of moviegoers - are prepared to show you a new side of Adam Sandler.
9/10
10
9
10
false
8
10
1
2,278
Blinded by the Light
That Shelf
Robert Daniels
Blinded By the Light is one of the most flawed films that still manages to be a great feel-good musical.
3/4
4
3
4
false
2
4
1
2,279
Captain Marvel
That Shelf
Joe Lipsett
It's a shame that Larson isn't given more opportunities to lend the character some heft, especially since Captain Marvel works best when it's focusing on its characters, not its intergalactic war.
3.5/5
5
3.5
5
false
5
9
2
2,280
The Hunt
That Shelf
Joe Lipsett
The Hunt thinks it is a clever and pointed film about contemporary America, but in reality, it's little more than a pig dressed up in human clothes.
2/5
5
2
5
false
2
9
2
2,280
The Hustle
That Shelf
Joe Lipsett
If you've seen the original film, there's no reason to watch this new one; aside from a few modern updates, it's the exact same movie.
2/5
5
2
5
false
2
9
2
2,280
30 Miles from Nowhere
The Abstract
Kellie Haulotte
It's a film that is shot simplistic with still a pretty unnerving plot.
4/5
5
4
5
false
6
9
2
2,281
Escape Room
The Abstract
Kellie Haulotte
I felt that this film from Adam Robitel was a lot better than his other films like Insidious: The Last Key.
4/5
5
4
5
false
6
9
2
2,281
Godzilla Resurgence (Shin Godzilla)
The Abstract
Kellie Haulotte
Movie Review: Shin Godzilla
4/5
5
4
5
false
6
9
2
2,281
They're Watching
The Abstract
Kellie Haulotte
For those who watch HGTV's House Hunters International will find They're Watching a pretty funny and (sometimes spooky) spoof.
3.5/5
5
3.5
5
false
5
9
2
2,281
Wild Child
The Age (Australia)
Jake Wilson
The screenplay by Lucy Dahl (daughter of Roald) dwells unpleasantly on cruelty and humiliation, and finally Poppy does little more than exchange one form of snobbery for another.
2/4
4
2
4
false
2
7
2
2,282
Step Brothers
The Age (Australia)
Jake Wilson
One thing spoils the mood: for all the joy that Ferrell and Reilly take in brawling or whimpering like two-year-olds, immaturity is still seen as something to be overcome.
3/4
4
3
4
false
4
7
2
2,282
Space Chimps
The Age (Australia)
Jake Wilson
A movie called Space Chimps ought to be cheap, crude and silly, and this computer-animated lark delivers on all fronts.
2.5/4
4
2.5
4
false
3
7
2
2,282
The Eclipse
The Age (Australia)
Jake Wilson
While McPherson may have an extensive reputation as a playwright, as a filmmaker he's one step up from a total amateur.
1.5/4
4
1.5
4
false
1
7
2
2,282
Baby Mama
The Age (Australia)
Philippa Hawker
An under-achieving, lightweight movie that settles for a few competent gags and doesn't bother to take risks.
2/4
4
2
4
false
2
7
2
2,282
The Black Balloon
The Age (Australia)
Jake Wilson
A writer-director portrays life with an autistic brother to heartwarming effect.
2/4
4
2
4
false
2
7
2
2,282
Bonneville
The Age (Australia)
Jim Schembri
A film full of emotional false notes, bad dialogue and cardboard characters...
1/4
4
1
4
false
0
7
2
2,282
Caramel
The Age (Australia)
Philippa Hawker
Labaki, who co-wrote the film and also stars, maintains a knowing comic tone throughout.
3.5/4
4
3.5
4
false
5
7
2
2,282
The Edge of Love
The Age (Australia)
Jim Schembri
Solid, if melodramatic...
3/4
4
3
4
false
4
7
2
2,282
Fly Me to the Moon
The Age (Australia)
Jim Schembri
3-D has yet to shake its cheese factor, though, to the credit of director Ben Stassen, an Imax movie pioneer, the new digital process often works with popcorn-dropping effect.
3.5/4
4
3.5
4
false
5
7
2
2,282
In Search of Beethoven
The Age (Australia)
Philippa Hawker
Beethoven's creative life, with all its achievements, cannot easily be reconciled with the image of a difficult, solitary figure, shadowed by depression. Grabsky, to his credit, doesn't try to make one life fit the other, but manages to illuminate both.
3/4
4
3
4
false
4
7
2
2,282
Man on Wire
The Age (Australia)
Jake Wilson
It's a hell of a story, and Petit is a mesmerising storyteller, with an extravagantly poetic turn of phrase and the glittering eye of the Ancient Mariner.
4/4
4
4
4
false
6
7
2
2,282
Man on Wire
The Age (Australia)
Sandra Hall
Marsh stitches his story together with a seamless melding of interviews, stills, re-enactments and archival footage augmented by a wonderful score by Michael Nyman and the New York composer J. Ralph.
4/4
4
4
4
false
6
7
2
2,282
My Blueberry Nights
The Age (Australia)
Philippa Hawker
As visually lush and distinctive and enveloping as you would expect from a Wong Kar-wai film, with space for performances that have impact.
3/4
4
3
4
false
4
7
2
2,282
Persepolis
The Age (Australia)
Jim Schembri
An uplifting, funny, moving fable about the difference between the ideal of freedom and the real thing...
4/4
4
4
4
false
6
7
2
2,282
Sideways
The Age (Australia)
Philippa Hawker
A study of friendship, disappointment and self-deception, Sideways, directed by Alexander Payne, has at its centre the most leisurely of bachelor parties: it's a road movie that stops off at vineyards.
3/4
4
3
4
false
4
7
2
2,282
The Book of Eli
The Age (Australia)
Jim Schembri
Directors Allen and Albert Hughes stage some impressive set-pieces, including intricately choreographed fights and a stunning shoot-out covered by a single rotating camera.
3/4
4
3
4
false
4
7
2
2,282
War of the Worlds
The Age (Australia)
Philippa Hawker
Bewildered, mildly optimistic, holding out the hope of salvation in spite of everything in a blasted, empty landscape, War of the World is, in the end, and perhaps despite its intentions, a fairly tentative assertion of hope for the future.
3.5/4
4
3.5
4
false
5
7
2
2,282
Whaledreamers
The Age (Australia)
Jim Schembri
The September 11 segment is one of the clumsiest works of montage you're likely to see.
1.5/4
4
1.5
4
false
1
7
2
2,282
Ad Astra
The Armchair Auteur
Dominic Griffin
This is one of the year's best thus far, but it is also plagued by a few truly irritating weaknesses that hold it back from true greatness.
7.5/10
10
7.5
10
false
13
19
2
2,283
Antebellum
The Armchair Auteur
Dominic Griffin
A movie that wants so desperately to be as good as 'Get Out' but offers nothing more than gesturing broadly at Black pain to illicit a trauma response. A truly embarrassing film to release in 2020.
3/10
10
3
10
false
4
19
2
2,283
Butt Boy
The Armchair Auteur
Dominic Griffin
It may seem like a completely absurd, "bad on purpose" exploitation flick, but Butt Boy has some genuine pathos at its core.
7/10
10
7
10
false
12
19
2
2,283
Capone
The Armchair Auteur
Dominic Griffin
Is this film the unique and original piece of cinema Trank has been implying he's capable of giving to audiences, or is this even further proof that maybe this dude should just hang it up and move aside? (Spoiler alert: it's the former.)
2/10
10
2
10
false
2
19
2
2,283
Fast Color
The Armchair Auteur
Dominic Griffin
Fast Color, a low-budget, sci-fi indie drama (...) operates within the superhero sub-genre, but without the plastic, toy-selling bombast these films have become known for.
6.5/10
10
6.5
10
false
11
19
2
2,283
Fighting with My Family
The Armchair Auteur
Dominic Griffin
It doesn't suck!
5.5/10
10
5.5
10
false
9
19
2
2,283
Hustlers
The Armchair Auteur
Dominic Griffin
Hustlers is a movie about strippers stealing money from finance bros so OF COURSE Dom loved it, but does that make it the best movie of 2019?
8/10
10
8
10
false
14
19
2
2,283
Irresistible
The Armchair Auteur
Dominic Griffin
Irresistible is little more than a cinematic monument to how much the current movement has passed Jon Stewart and his obsession with media failings by. He is still focusing on the symptoms of society's ills instead of the disease itself.
4/10
10
4
10
false
6
19
2
2,283
It Chapter Two
The Armchair Auteur
Dominic Griffin
A little scattered, bloated and too long, but (...) not a great horror movie in my opinion. but a pretty good movie movie overall.
7/10
10
7
10
false
12
19
2
2,283
John Wick: Chapter 3 - Parabellum
The Armchair Auteur
Dominic Griffin
We may not have gotten the John Wick sequel we wanted, but it's entirely possible it's the one we need for now.
7.5/10
10
7.5
10
false
13
19
2
2,283
Joker
The Armchair Auteur
Dominic Griffin
{Joker} is one of Joaquin Phoenix's top five performances ever, one that is interesting, compelling and capable of carrying the entire film on its back...
6/10
10
6
10
false
10
19
2
2,283
Once Upon a Time In Hollywood
The Armchair Auteur
Dominic Griffin
Is nostalgic indulgence so bad?
8.5/10
10
8.5
10
false
15
19
2
2,283
Scoob!
The Armchair Auteur
Dominic Griffin
It's a big budget, modern animation reboot of the beloved franchise (...) but is it any good? Is it on par with the great tradition of Scooby flicks and would anyone care about it if it did actually make it to the big screen?
6/10
10
6
10
false
10
19
2
2,283
Spider-Man: Far From Home
The Armchair Auteur
Dominic Griffin
Watching Spider-Man: Far From Home, I finally realized what was wrong with the MCU Spidey movies...
6/10
10
6
10
false
10
19
2
2,283
The Fanatic
The Armchair Auteur
Dominic Griffin
This movie is neither good enough to be genuinely watchable, nor bad enough to be entertaining ironically.
3.5/10
10
3.5
10
false
5
19
2
2,283
The King of Staten Island
The Armchair Auteur
Dominic Griffin
Unfortunately, this is easily the worst movie Judd Apatow has ever made. Even worse, the writing has been on the wall for this kind of failure for some time.
4/10
10
4
10
false
6
19
2
2,283
The Lion King
The Armchair Auteur
Dominic Griffin
...it just feels so hollow and so boring and so bland. There's a really strange pace to the film that I just cannot comprehend.
3/10
10
3
10
false
4
19
2
2,283
The Main Event
The Armchair Auteur
Dominic Griffin
The WWE & Netflix have teamed up for a co-production and it's...basically a Disney TV movie rehash of the wrestling portion of Spider-Man's origin? And that's not even a bad thing!?
6.5/10
10
6.5
10
false
11
19
2
2,283
Tyler Perry's A Madea Family Funeral
The Armchair Auteur
Dominic Griffin
Basically, I watched all 11 Madea movies for no reason...
4/10
10
4
10
false
6
19
2
2,283
Last Flag Flying
The Arts Desk
Markie Robson-Scott
This is a darker story, but not dark enough, and you wish it could have been less conventional and harder-hitting.
3/4
4
3
4
false
2
4
1
2,284
Afternoon Delight
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
As a first film, Afternoon Delight is worth exploring -- perhaps mostly to see what film Soloway does next.
2.5/4
4
2.5
4
false
3
7
2
2,285
Bridge of Spies
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Director Steven Spielberg gives audiences a meticulously composed espionage thriller, which establishes a tense atmosphere from the start and keeps the viewer engaged throughout. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
Brooklyn
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Brooklyn is one of the best films ever made about leaving one's homeland in search of a better life, and forging a new path. [Full review in Japanese]
4/4
4
4
4
false
6
7
2
2,285
Café Society
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Caf Society aims to be light and frothy, but feels more like a stale cream puff. It looks enticing, but lacks anything fresh or substantial. [Full review in Japanese]
2/4
4
2
4
false
2
7
2
2,285
Chronic
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The daily care of the terminally ill is portrayed powerfully in the low-key and clear-eyed Chronic. [Full review in Japanese]
3/4
4
3
4
false
4
7
2
2,285
Coming Through The Rye
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The film is undermined by distracting elements, like scenes in which Jamie breaks the fourth wall and addresses the camera directly with snarky asides. [Full review in Japanese]
2/4
4
2
4
false
2
7
2
2,285
Get Out
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Kudos to Peele for tackling a painful subject in such a massively entertaining and thoroughly memorable fashion. [Full review in Japanese]
4/4
4
4
4
false
6
7
2
2,285
Green Book
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Green Book is a glib, caricatured and insensitive movie that reduces an enduring, dangerous societal problem to a calculated fable with a happy ending. [Full review in Japanese]
1.5/4
4
1.5
4
false
1
7
2
2,285
Ixcanul
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Ixcanul is a mesmerizing, intimate and meditative coming-of- age tale that explores a culture rarely seen in films. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
Leviathan
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
A palpable and melancholy aura of resignation fills the masterful Leviathan the fourth feature from Russian director Andrey Zvyagintsev. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
Loving
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The film shines a light on how far the U.S. has come in its views of equality, but also how far it has still to go. A true story that is still very relevant, Loving is understated, compelling and deeply affecting.
3/4
4
3
4
false
4
7
2
2,285
Paddington 2
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The way Paddington embraces his fellow outsiders, like the inmates in Portobello Prison, subtly reminds viewers that even those without Paddington's good manners have kindness in their hearts.
3/4
4
3
4
false
4
7
2
2,285
She's Funny That Way
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
She's Funny That Way is trying very hard to be a sexy screwball comedy. It tries so hard, with such a contrived and silly story, that it only succeeds in wearing the audience down. [Full review in Japanese]
1.5/4
4
1.5
4
false
1
7
2
2,285
Silence
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
While the craftsmanship is undeniable and the themes of spiritual belief, betrayal and redemption are laudable, the film feels flat and not as emotional or moving as it should be.
2.5/4
4
2.5
4
false
3
7
2
2,285
The Gift
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The Gift is a tense, unsettling and expertly crafted psychological thriller that keeps the audience consistently on edge. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
The Hateful Eight
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The Hateful Eight often feels more like a sadistic stage play than a movie. [Full review in Japanese]
2.5/4
4
2.5
4
false
3
7
2
2,285
The Insult (L'insulte)
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
The Insult provides a valuable, fascinating and hard-hitting history lesson on Middle East politics, particularly the plight of Palestinians. It instructs, but offers no easy answers. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
The Jungle Book
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
It's the very rare remake that's actually better than the original. The Jungle Book is that rarity. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
Toni Erdmann
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
An offbeat and sometimes off-putting German farce/drama hybrid that features a father-daughter pair that are two of the most fully realized characters in recent memory. [Full review in Japanese]
3/4
4
3
4
false
4
7
2
2,285
Unbroken
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
Unbroken is an odyssey detailing a harrowing ordeal and insurmountable odds. But this polished story feels conventional, overly long and not sufficiently involving. [Full review in Japanese]
2/4
4
2
4
false
2
7
2
2,285
Wonder Woman
The Asahi Shimbun GLOBE (Japan)
Claudia Puig
As befitting the genre, Wonder Woman is heroic and spirited. The fighting sequences are spectacular, and the story is engrossing, uplifting and fun. There's even a bit of romance and humor amid all the action. [Full review in Japanese]
3.5/4
4
3.5
4
false
5
7
2
2,285
Bully
The Atlantic
Ian Buckwalter
What Bully does is offer viewers the potential to connect a growing network of like-minded people, and does so with elegant storytelling.
8/10
10
8
10
false
70
91
10
2,286
Carnage
The Atlantic
Ian Buckwalter
Where previously we felt as trapped in Polanski's apartments as his characters, in Carnage we only ever peek in through the window.
4.9/10
10
4.9
10
false
39
91
10
2,286
Casa de mi padre
The Atlantic
Ian Buckwalter
As a low-budget independent not necessarily intended for a broad audience, Casa doesn't have to bow to the middle-of-the-road multiplex appeal that handcuffs many SNL-pedigreed films. That works to the film's great benefit.
7/10
10
7
10
false
60
91
10
2,286
Chernobyl Diaries
The Atlantic
Ian Buckwalter
This is a standard-issue slasher movie without much slashing, substituting the Chernobyl-workers' ghost town of Pripyat for the likes of Friday the 13th's Camp Crystal Lake.
3/10
10
3
10
false
20
91
10
2,286
De rouille et d'os (Rust and Bone)
The Atlantic
Ian Buckwalter
Demonstrates that one can take a pat inspirational story and infuse it with the hardship required to make that inspiration feel earned.
8.5/10
10
8.5
10
false
75
91
10
2,286
Fast & Furious 6
The Atlantic
Ian Buckwalter
Furious Six continues on in the same vein as its predecessor, and may just be my favorite of the lot.
6.8/10
10
6.8
10
false
58
91
10
2,286
God Bless America
The Atlantic
Ian Buckwalter
This is no simple wish-fulfillment revenge fantasy. It's an indictment of us as viewers and tacit supporters of the cultural trash heap.
7/10
10
7
10
false
60
91
10
2,286
Insidious: Chapter 2
The Atlantic
Ian Buckwalter
Though there's some admirably clever plotting to interweave the film's second half with events in the original, it's simply not as scary.
5/10
10
5
10
false
40
91
10
2,286
Safe
The Atlantic
Ian Buckwalter
The thoroughly mediocre Safe provides little more than an excuse for Statham to do what Statham does better than anyone else: look stern while punishing bad guys. That's just not enough.
3.5/10
10
3.5
10
false
25
91
10
2,286
Searching for Sugar Man
The Atlantic
Ian Buckwalter
A fantastic music doc with a surprising twist; which, when done as well as it is here, works just as effectively whether you know what's coming or not.
8/10
10
8
10
false
70
91
10
2,286
Seeking a Friend for the End of the World
The Atlantic
Ian Buckwalter
The genuine sweetness of the friendship that develops between these two wins out over any of the movie's failings.
7/10
10
7
10
false
60
91
10
2,286
Side Effects
The Atlantic
Ian Buckwalter
Soderbergh is less interested in making statements than he is in skillfully fulfilling genre expectations.
7.9/10
10
7.9
10
false
69
91
10
2,286
Silent House
The Atlantic
Ian Buckwalter
The camera's unblinking eye constantly stays with Olsen, and we feel in as much danger as she is.
7/10
10
7
10
false
60
91
10
2,286
The Conjuring
The Atlantic
Ian Buckwalter
...there were moments where it seemed the entire theater was holding its breath. We were united in one feeling: terror.
8/10
10
8
10
false
70
91
10
2,286