movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Gatekeepers | The Atlantic | Ian Buckwalter | The subjects' openness is refreshing - and sometimes frightening. | 9.5/10 | 10 | 9.5 | 10 | false | 85 | 91 | 10 | 2,286 |
The Good Doctor | The Atlantic | Ian Buckwalter | Wants to be a twisty nail-biter, but never creates much suspense or surprise. | 5.5/10 | 10 | 5.5 | 10 | false | 45 | 91 | 10 | 2,286 |
The Imposter | The Atlantic | Ian Buckwalter | Centered on a 15-year-old cold case, there should be no real surprises here. Why, then, is the experience of watching The Imposter one of edge-of-the-seat disbelief and nerve-jangling thrills? | 8.8/10 | 10 | 8.8 | 10 | false | 78 | 91 | 10 | 2,286 |
The Inbetweeners | The Atlantic | Ian Buckwalter | Plenty of funny bits, and apart from some fairly appalling underlying sexism -- guys, screw up all you like, the movie says, because the nice, pretty girls will forgive any transgression -- it actually attempts to have heart as well. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 2,286 |
The Innkeepers | The Atlantic | Ian Buckwalter | We can't dissociate ourselves from the evil because, as in much of the best horror, what's scaring us isn't external; it's everything we fear seeing when we look in the mirror. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,286 |
The Lords of Salem | The Atlantic | Ian Buckwalter | It's a credit to Zombie's interest in growing as an artist that he's drawing from more mature inspirations here, but it's also part of why the movie doesn't work. | 4.5/10 | 10 | 4.5 | 10 | false | 35 | 91 | 10 | 2,286 |
The Perks of Being a Wallflower | The Atlantic | Ian Buckwalter | Perks seems like the work of a much more experienced director, maintaining fidelity to the source material without sacrificing any cinematic qualities, triggering genuine sentimentality and nostalgia through interaction between sound and image. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,286 |
The Secret World of Arrietty | The Atlantic | Ian Buckwalter | Yonebayashi gives Arrietty an excellent sense of balance, with the adventure aspects of the story, which feel legitimately dangerous providing well-paced contrast the film's more placid moments. | 7.8/10 | 10 | 7.8 | 10 | false | 68 | 91 | 10 | 2,286 |
The Sessions | The Atlantic | Ian Buckwalter | Achieves its sunny disposition by pulling punches. | 5.8/10 | 10 | 5.8 | 10 | false | 48 | 91 | 10 | 2,286 |
Universal Soldier: Day of Reckoning | The Atlantic | Ian Buckwalter | Day of Reckoning is somehow not just the best film in the series, but a damn fine piece of action filmmaking by any measure. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 2,286 |
Upstream Color | The Atlantic | Ian Buckwalter | Carruth may be something that the movies haven't yet seen, perhaps the first great realization of the democratization of filmmaking that digital technology and the Internet promised. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,286 |
V/H/S | The Atlantic | Ian Buckwalter | The mostly played-out found footage aesthetic has its limitations, and V/H/S doesn't escape all of them. But the collected directors do manage to make many of those limitations into the films' strengths. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 2,286 |
We Need to Talk About Kevin | The Atlantic | Ian Buckwalter | Kevin is an extraordinary work from Ramsay, a filmmaker with an uncommon gift for getting at the inner psychology of her characters through striking visuals. | 10/10 | 10 | 10 | 10 | false | 90 | 91 | 10 | 2,286 |
Your Sister's Sister | The Atlantic | Ian Buckwalter | Effective evidence that the emotional immediacy in the halting rhythms of extemporaneous speech can often trump the art of the well-chosen word. A film that is both warmly and naturally funny as well as uncomfortable and awkward. | 8.4/10 | 10 | 8.4 | 10 | false | 74 | 91 | 10 | 2,286 |
A Dangerous Method | The Atlantic | Robert Levin | It's a smart study of the root causes of destructive human behavior, but there's a flat quality to the dark impulses on display. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,287 |
A Glimpse Inside the Mind of Charles Swan III | The Atlantic | Robert Levin | The film reveals a depth and weight to the Charlie Sheen archetype that we haven't experienced before. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,287 |
Beasts of the Southern Wild | The Atlantic | Robert Levin | A love letter to the people of the Bayou State, who have persevered in the face of apocalyptic tragedy. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,287 |
Extremely Loud & Incredibly Close | The Atlantic | Robert Levin | The movie successfully reflects turmoil, looking at the world from the specific standpoint of a child who's ill-equipped to comprehend it, trying to survive as best he can. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,287 |
My Week with Marilyn | The Atlantic | Robert Levin | The truth, of course, is that Marilyn Monroe is what you make of her. Still, Michelle Williams offers a powerful way in. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,287 |
Red Hook Summer | The Atlantic | Robert Levin | This is an illustrated lecture - a jumbled, rushed cinematic rant. The ideas are there. The story is not. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,287 |
The Iron Lady | The Atlantic | Robert Levin | The film views Thatcher with sympathy and admiration; the effect is a strange movie that manages to compel while also coming off as shortsighted. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,287 |
The Undefeated | The Atlantic | Robert Levin | This Sarah Palin hosanna is done in by the simple fact that its director needs to go back to film school. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 2,287 |
Tower Heist | The Atlantic | Robert Levin | This is, of course, Hollywood schlock, directed by shlock-master Brett Ratner. But it's also a surprisingly effective social drama. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,287 |
Young Adult | The Atlantic | Robert Levin | It trades in discomfort and unease, not catharsis. That's an achievement worthy of admiration, if you can endure it. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,287 |
Wild Child | The Australian | null | It's an unoriginal story but one with potential, and the actors who play Poppy's school chums are lively company. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,288 |
Body of Lies | The Australian | David Stratton | Body of Lies may not tell us anything we didn't already know about the way the US does business in the Middle East, but it's compelling nonetheless. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,288 |
The Burning Plain | The Australian | David Stratton | When so many cinema releases are instantly forgettable, The Burning Plain clings to the memory... | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,288 |
Dark Waters | The Australian | David Stratton | Ruffalo's performance alone is worth the price of a ticket... | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,288 |
Friends With Benefits | The Australian | Evan Williams | The film is touching and funny, and Timberlake proves again that he's a better actor than most pop stars. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,288 |
Hot Tub Time Machine | The Australian | David Stratton | Hot Tub Time Machine is an amiable time-waster but, given the concept, it could have been rather more than that. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,288 |
In Search of Beethoven | The Australian | Evan Williams | There are too many snippets of music, too many talking heads, too little to define that great arc of the composer's life and spiritual development. But no one who cares about the man and his music will miss it. For that I give credit to its subject. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,288 |
Man on Wire | The Australian | Evan Williams | Marsh uses a combination of interviews, film of Petit as a young man, authentic newsreels and enacted reconstructions to produce an unforgettable experience. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,288 |
The Invisible Man | The Australian | Stephen Romei | Moss is terrific as a woman who believes (or says she believes) her not-dead husband has come back, masked by an invisibility he has created... | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,288 |
The Last Full Measure | The Australian | David Stratton | One of the strengths of Todd Robinson's film lies in the casting of a gallery of fine actors in almost every role. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,288 |
WALL-E | The Australian | Evan Williams | A rich and provocative work of art that manages to be fun. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,288 |
Amanda Knox | The Babbling Blonde | Beth McDonough | No extra fluff is added to the re-examination of this story, from the simple stills of the apartment to the frank discussions each person involved has with the camera. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Blackhat | The Babbling Blonde | Beth McDonough | It's still early in the year, but Blackhat's careless, convoluted script and lazy performances could easily earn it a spot on the list of worst movies of 2015. | F | long_letter | null | null | false | 1 | 18 | 1 | 2,289 |
Bridget Jones's Baby | The Babbling Blonde | Beth McDonough | Bridget Jones's Baby is a hilariously satisfying revisit to franchise that pays equal parts homage and parody to the rom com genre. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,289 |
Cake | The Babbling Blonde | Beth McDonough | Cake is mostly a melancholy, tragically stunning film, with a groundbreaking performance by Aniston and enough biting humor and heart to create the perfect balance it needs to make a lasting impression. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Captain America: Civil War | The Babbling Blonde | Beth McDonough | The action and the introduction of some pivotal new characters are enough to satisfy most expectations. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,289 |
Child 44 | The Babbling Blonde | Beth McDonough | Although the muddled, complicated subplots spin the film in too many directions to make Child 44 a truly successful adaptation of its source material, the allure of its leading performances are enough to make it worth a watch. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,289 |
Cinderella | The Babbling Blonde | Beth McDonough | Director Kenneth Branagh updates this Disney favorite not to spin it on its head, but rather to lovingly present it for a new generation to appreciate. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Confirmation | The Babbling Blonde | Beth McDonough | The cast of Confirmation is solid all around, but it's led by a particularly outstanding performance by Kerry Washington as Anita Hill. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,289 |
Everly | The Babbling Blonde | Beth McDonough | Everly is a loud joyous, proud celebration of its genre, and frankly, it's just a hell of a fun thing to watch. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,289 |
Fifty Shades of Grey | The Babbling Blonde | Beth McDonough | Most of the actual sex has less erotic value than what can be found on late night HBO, and it certainly doesn't hold a candle to the graphic content of the novels or the erotic-charged hype surrounding the film. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 2,289 |
Joker | The Babbling Blonde | Beth McDonough | Joker is a visual feast about mental illness, the crumbling of an unstable economic system, and toxic masculinity that thinks it has something groundbreaking to add to the comic book universe, but merely adds an obtuse reflection. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,289 |
Miss Peregrine's Home for Peculiar Children | The Babbling Blonde | Beth McDonough | With only a slight misstep along the way, the whimsy and occasional grimness use to send a message about celebrating our differences makes Miss Peregrine's Home for Peculiar Children is one of Tim Burton's best films in recent memory. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,289 |
Mr. Holmes | The Babbling Blonde | Beth McDonough | Mr. Holmes is an exceptional and unique addition to the vast collection of Sherlock Holmes' journeys, rich with respect for its predecessors and bold in its thoughtful and reflective approach. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Nasty Baby | The Babbling Blonde | Beth McDonough | Although occasionally trying and failing to balance the array of stories it aims to tell, Nasty Baby's performances and conclusion provide a method to the madness as it reminds us of the constant state of the human condition. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,289 |
Our Brand is Crisis | The Babbling Blonde | Beth McDonough | Although the conclusion all but abandons the goals the film sets out to achieve, Our Brand Is Crisis is a smart, timely satire that addresses the state of politics today with a healthy mix of criticism and comedy. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,289 |
Pan | The Babbling Blonde | Beth McDonough | Keep calm and don't go see Pan, but cross your fingers that Levi Miller will get a role worthy of his talent. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 2,289 |
Pitch Perfect 2 | The Babbling Blonde | Beth McDonough | Pitch Perfect 2 is a witty, fun celebration of women who empower both themselves and other women. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Portrait of a Lady on Fire (Portrait de la jeune fille en feu) | The Babbling Blonde | Beth McDonough | Portrait of a Lady on Fire feels like a flawless film. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Room | The Babbling Blonde | Beth McDonough | A restrained, unique prospective, coupled with honest storytelling and emotionally raw performances make Room not only a stellar literary adaptation, but one of the best films of the year. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Star Wars: Episode VII - The Force Awakens | The Babbling Blonde | Beth McDonough | [It's] an end product that caters to the generation who grew up with the original films and inspires them to fall in love with a series all over again while their kids discover it for the first time. The Force is strong with this one. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Still Alice | The Babbling Blonde | Beth McDonough | Julianne Moore's performance as Dr. Alice Howland is, simply put, one of the best I've ever seen. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
The Diary Of A Teenage Girl | The Babbling Blonde | Beth McDonough | It's honest, unapologetic, flawlessly performed, and a complex, unflinching look at female sexuality, which is no different in 2015 than it was in 1976. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
The Girl on the Train | The Babbling Blonde | Beth McDonough | The Girl on the Train spends so much time on shock value, it neglects the aspects of fluid, substantial storytelling. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,289 |
The Lord of the Rings: The Two Towers | The Babbling Blonde | Beth McDonough | The Two Towers succeeds like few other middle installments do in serving as both a satisfying benchmark that ties the introduction and conclusion to this trilogy together. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
The Man From U.N.C.L.E. | The Babbling Blonde | Beth McDonough | Although The Man from U.N.C.L.E. doesn't break any new ground and might not be everyone's mission of choice, it's stylish, fun, and an entertaining enough entry in a crowded lineup of spy-thriller fare. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,289 |
The Martian | The Babbling Blonde | Beth McDonough | The Martian is the unique kind of blockbuster that you can marvel at in awe while still maintaining an emotional connection. It truly does have it all. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
Toy Story 4 | The Babbling Blonde | Beth McDonough | The message it sends to a generation of young girls of benevolence, bravery, and independence, is what makes Toy Story 4 a truly great addition to an already stellar trilogy of films for everyone of every age and gender. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,289 |
True Story | The Babbling Blonde | Beth McDonough | [The film's] minor misstep does little to take away from the film's impact on its viewers. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,289 |
Whiskey Tango Foxtrot | The Babbling Blonde | Beth McDonough | The balance of this self awareness and the weight of its message are the biggest reasons Whiskey Tango Foxtrot works, and it doesn't hurt that viewers get to laugh some along the way. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,289 |
A Million Ways to Die in the West | The Backlot | Brian Juergens | Tumbleweeds literally blow between the laughs of this lackluster comedy. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,290 |
The D Train | The Backlot | Brian Juergens | The frank execution of the film's surprisingly bold premise is just enough to outweigh the fact that it's not funny enough as a comedy and too unfocused as a drama. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,290 |
Fifty Shades of Grey | The Backlot | Brian Juergens | For a movie that traffics in the promise of sexual adventure, it's founded upon a woefully conservative narrative. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,290 |
Neighbors | The Backlot | Brian Juergens | This frat comedy is just as profane and fluid-filled as the great popped-collar romps of yore; the absence of queasiness about affection between men makes it decidedly modern. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,290 |
Pride | The Backlot | Brian Juergens | By living by the tenets of its characters the film overcomes any genre trappings, delivering a resounding and irresistible call to action. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,290 |
The Boxtrolls | The Backlot | Brian Juergens | Laika's simplest story to date, a lean bedtime story dressed up to the nines in their trademark swooping, spiraling visual wizardry. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,290 |
The Imitation Game | The Backlot | Brian Juergens | An entertaining thriller, but a miscalculated biopic. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,290 |
Anger Management | The Badger Herald | Mac Verstandig | [Nicholson and Sandler] put forth fine efforts in this entirely performance-driven film, but save for a few memorable scenes, the oil and vinegar simply don't mix. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,291 |
American Wedding | The Badger Herald | Mac Verstandig | ...hopefully there will be more to come; it would be a shame if this really is 'Bye bye, Miss American Pie.' | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,291 |
Anything Else | The Badger Herald | Mac Verstandig | Allen creates one of his finer films, with a delicately intricate plot, phenomenal acting and delightfully cynical humor. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,291 |
Bulletproof Monk | The Badger Herald | Mac Verstandig | Bulletproof Monk has a snide confidence that its petty jokes of culture shock will actually elicit laughs while altogether failing to realize that the punch lines weren't that funny the first time, let alone this time. | F | long_letter | null | null | false | 1 | 18 | 1 | 2,291 |
Dickie Roberts: Former Child Star | The Badger Herald | Mac Verstandig | ...the sort of B-actor-driven comedic train wreck that David Spade used to dryly mock while doing his 'Hollywood Minute' on Saturday Night Live | C | long_letter | null | null | false | 10 | 18 | 1 | 2,291 |
Duplex | The Badger Herald | Mac Verstandig | ...other than a few shining moments, 'Duplex' relies entirely upon juvenile sight gags to generate jokes that really aren't all that amusing. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,291 |
Gods and Generals | The Badger Herald | Mac Verstandig | A repulsive combination of dry textbook history and pandering melodrama. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,291 |
Harold & Kumar Go to White Castle | The Badger Herald | Mac Verstandig | Nearly every gut-wrenching turn is somehow derived from an ethnic slur, juvenile sight gag, or the glorification of an illegal substance and its side effects. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,291 |
Head of State | The Badger Herald | Mac Verstandig | Delightfully hilarious yet awkwardly toothless | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,291 |
How to Lose a Guy in 10 Days | The Badger Herald | Mac Verstandig | It is exceedingly difficult to classify How to Lose a Guy in 10 Days as a romantic comedy given that the film is about as romantic as a punch to the face -- literally. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,291 |
Intolerable Cruelty | The Badger Herald | Mac Verstandig | ...an uproariously quirky story about romance in the very unromantic field of matrimonial law. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,291 |
Matchstick Men | The Badger Herald | Mac Verstandig | ...has so much sheer style and class that it more closely resembles an old Rat Pack project than a modern-day popcorn dud. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,291 |
Munich | The Badger Herald | Mac Verstandig | Despite being nearly three hours long, the movie is among the finest to grace the silver screen in some time and should be able to work over any intelligent audience not bothered by a level of blood, gore and even nudity traditionally reserved for either | A | long_letter | null | null | false | 16 | 18 | 1 | 2,291 |
Phone Booth | The Badger Herald | Mac Verstandig | A riveting tale of morality in a city noted for its sinful characters, "Phone Booth" is that rare edge-of-your-seat movie that is as cerebral as it is thrilling. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,291 |
Radio | The Badger Herald | Mac Verstandig | ...a stellar work of poignant cinema. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,291 |
Runaway Jury | The Badger Herald | Mac Verstandig | ...Far-fetched, poorly crafted, but very entertaining. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,291 |
School of Rock | The Badger Herald | Mac Verstandig | Jack Black... deftly guides the family film away from the genre's usual mawkishness and into a sort of Bad-Company-meets-Peter-Pan Rock 'n' Roll Never Never Land. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,291 |
Tron Legacy | The Baltic Times | Laurence Boyce | If you examine it closely then the entire film falls apart. But if you go along to enjoy the thrills (especially when it's showing in 3D) and cool action sequences, then you should be thoroughly entertained. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
Puss in Boots | The Baltic Times | Laurence Boyce | "Puss in Boots" shows that there's certainly enough in him to create a new hero beloved by both children and merchandise executives. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
The Rum Diary | The Baltic Times | Laurence Boyce | There are some good things including a great soundtrack and strong performances from the likes of Giovanni Ribisi and Michael Rispoli, but it is a disappointing and overlong affair. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,292 |
Bad Teacher | The Baltic Times | Laurence Boyce | Kadan's direction is adequate with everything competently done, but there's nothing here that manages to make you laugh out loud. Could someone tell the current crop of Hollywood filmmakers to find some new jokes? | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,292 |
Bridesmaids | The Baltic Times | Laurence Boyce | There are things to like here and the idea is a noble one. But in execution, "Bridesmaids" is a typical chick flick just with some extra rude words and vomit. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,292 |
Casino Jack | The Baltic Times | Laurence Boyce | Rather flat, but for Spacey's performance alone this is a fine examination of the U.S. political system and its inherent problems. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
The Chronicles of Narnia: The Voyage of the Dawn Treader | The Baltic Times | Laurence Boyce | This is designed to keep the children happy over the Christmas period and fans of CS Lewis will enjoy the fact that it's a pretty faithful adaptation. But those wanting something different from the usual CGI extravaganza would do well to look elsewher | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,292 |
Cowboys & Aliens | The Baltic Times | Laurence Boyce | Not the Boys Own Adventure it could have been, but a fun - if often flawed - romp. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
Fast Five | The Baltic Times | Laurence Boyce | It's about cars, girls and fighting and doesn't pretend to be anything else. For sheer gall alone, "Fast Five" provides much entertainment. Just not much intellect. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
Friends With Benefits | The Baltic Times | Laurence Boyce | If it displayed more courage, this could have been a fascinating modern American movie. Instead it's a smart but still rather ordinary comedy that is entertaining but not ground-breaking. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
The Green Hornet | The Baltic Times | Laurence Boyce | There are some good ideas here but they're buried under masses of conventional superhero dross and half hearted execution. This is one vigilante who should really just leave all the hard work to the police. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,292 |
Harry Potter and the Deathly Hallows - Part 2 | The Baltic Times | Laurence Boyce | This is exactly what you would expect - a perfect and exciting ending for those who have been following the franchise. Those who couldn't care less probably stopped reading ages ago. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,292 |
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