movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Escape from New York | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Gloriously cheesy post-apocalyptic fun with Kurt Russell at his grizzled best. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,444 |
Gung Ho | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Ron Howard has as much business lamenting the death of the Rust Belt as Russ Meyer adapting Shakespeare -- and it shows. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
The Killer Elite | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Shoe-leather tough but refreshingly low key for Peckinpah. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,444 |
A Man for All Seasons | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Grandiose storytelling with peerless performances. Why couldn't Fred Zinneman direct every historical drama in the '60s? | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Scarface | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The quintessential crime thriller. One of the few perfect films. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Singles | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | As meandering and ultimately clueless as the post-collegiate coffeehouse crowd at its core ... that's why it works. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,444 |
The Crush | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Yeah, Alicia Silverstone's a fetching little Lolita. But there's no excuse for this depressing 'Play Misty for Me' in spandex. | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 2,444 |
High Noon | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | THE great American Western. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
The Three Musketeers | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Audaciously limpid Disney swill that's so slick it almost convinces us Dumas had an MTV attention span. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
Committed | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The lethargic script could benefit from its heroine's singularity of purpose. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
Beverly Hills Cop II | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | This ultraslick, laughless sequel suffers from Axel Foley's personality overhaul into a complete jerk. | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 2,444 |
Beverly Hills Cop III | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | There's absolutely no excuse for this. | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 2,444 |
Bonnie and Clyde | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The bloody, baroque godfather of post-modern American cinema. One of the ten greatest films ever made. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Bringing Up Baby | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The gold standard of screwball comedy. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Burden of Dreams | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | A searing voyeur's peek at two of cinema's most audacious talents -- and megalomaniacs. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
The Client | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | An engrossing potboiler ... if you don't think too hard. But when you need a pot-smoking Lez Zeppelin-enslaved swamp rat-with-a-brain to plead your case, you call the pitch-perfect Susan Sarandon. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,444 |
The Conversation | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | A masterpiece of mounting paranoia. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Double Indemnity | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Indelible, coal-black noir that any self-respecting studio wouldn't have the audacity to finance today. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Down to You | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Julia Stiles is fetching, but no surprises rain on the limpid parade of familiar post-adolescent love. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
Dr. No | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Not the gold standard of the Bond franchise, but still preversely entertaining after 40 years. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,444 |
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Frightening, hilarious -- and indelible. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
The Greatest Show on Earth | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Bloated, hopelessly creaky spectacle that's as boring now as it was irrelevant in 1952. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
Harold and Maude | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Dark, lovably eccentric tale of platonic love that works on logic uniquely its own. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,444 |
Hell Comes to Frogtown | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | If you rent a film with this title, you deserve whatever you get. Utter crapola. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 2,444 |
House II: The Second Story | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | If fewer critics were to decry how bad it is, this in-name-only sequel would succumb to the obscurity it deserves. | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 2,444 |
Indiana Jones and the Temple of Doom | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The darker side of Spielberg. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,444 |
Jaws: The Revenge | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | A franchise sinks in this sequel's endless sea of incompetence. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 2,444 |
Jo Jo Dancer, Your Life Is Calling | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The sorrow is real, the pity is palpable - but Richard Pryor should have let someone else film his life story. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,444 |
Kalifornia | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | A gritty, haunting voyeur's peek into the human condition. | 4/5 | 5 | 4 | 5 | true | 4 | 6 | 1 | 2,444 |
Lost in America | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | New Yorkers have Woody Allen. Middle America has Albert Brooks. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Man Bites Dog | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Joins I Stand Alone and Funny Games on the list of maddeningly recondite European films that exploit the violence-in-media subtext to hide their sick, voyeuristic fantasies. | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 2,444 |
Mommie Dearest | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Nightmarishly inept, inutterably depressing, but so campy it's compulsively watchable. | 1/5 | 5 | 1 | 5 | true | 1 | 6 | 1 | 2,444 |
A New Life | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Beautifully understated work by Hal Linden and John Shea suffocated by Alda's self-indulgent, surface-dwelling fortysomething angst. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
The Outlaw Josey Wales | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Eastwood's brooding, bloody masterpiece. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
The Searchers | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | THE great American western. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Shane | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The indelible, mythic granddaddy of post-modern Westerns. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Star Trek III - The Search for Spock | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | The Enterprise crew blasts us with existential phaser hits, but this third series entry betrays its western roots so badly the spurs are showing. Glorious - if derivative - fun. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,444 |
The Bachelor and the Bobby-Soxer | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Anachronstic -- if sexist -- fun. | 3/5 | 5 | 3 | 5 | true | 3 | 6 | 1 | 2,444 |
The Low Life | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Preternaturally sleazy but strangely watchable. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
The Road to Wellville | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Even a stellar cast can't save this meandering farce from a script that needs a high colonic. | 2/5 | 5 | 2 | 5 | true | 2 | 6 | 1 | 2,444 |
The Times of Harvey Milk | Tyler Morning Telegraph (Texas) | Jonathan R. Perry | Melodramatically one-sided, but compelling -- and indelible just the same. El Presidente could benefit from a look. | 5/5 | 5 | 5 | 5 | true | 5 | 6 | 1 | 2,444 |
Igor | UGO | Jenna Busch | I have been singing 'Tomorrow' from Annie for a few days now. Someone is going to murder me or I'm going to have to smack myself in the head and I blame it all on Igor. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,445 |
Zack and Miri Make a Porno | UGO | Jenna Busch | I've never seen a film where people look like they're having more fun together. If you don't offend easily, Zack and Miri is a riot. And Seth Rogen as a porn star is no worse than Ron Jeremy, right? | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,445 |
Lakeview Terrace | UGO | Jenna Busch | Aside from the uneven pacing, it's a thought-provoking film and pretty entertaining. I just don't think it needed to be a thriller. It just seemed like an excuse to start people talking. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,445 |
Bolt | UGO | Jenna Busch | I'm never a big fan of animal films and I admit it's because, though I am by no means a crier, pets losing their friends or getting lost gets me all choked up. Frankly, it's embarrassing. But if you can make me sniffle, you've won me over. Bolt...sniff | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,445 |
Bruno | UGO | Jenna Busch | Unless you are really, really, really, really difficult to offend, you will be upset by something in this film. Seriously, count the "really"s. Do the math. Prepare yourself. Sacha Baron Cohen does not pull punches. If you were disturbed by BORAT, you are | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,445 |
Eagle Eye | UGO | Jenna Busch | It's worth a look for the effects, or if you just want to scare yourself into throwing out your cellphone and living off the grid. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,445 |
Flash of Genius | UGO | Jenna Busch | If you spend the entire movie making sure I'm aware that someone is socially awkward, he shouldn't turn into Henry Drumond from Inherit t the Wind during the closing argument. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,445 |
Four Christmases | UGO | Jenna Busch | Must everyone make a Christmas film every year? Must it be the same story over and over again? This is why we have the Hallmark Channel. Listen, if your film is not Elf or Bad Santa, I've seen it. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 2,445 |
Let the Right One In | UGO | Jenna Busch | I don't care how cold it is in Sweden, I'm not Ok with twelve-year-olds who don't wipe their noses. That being said, I just saw something completely unique and surprising. Who knew the vampire genre wasn't over and done with? | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,445 |
Madagascar: Escape 2 Africa | UGO | Jenna Busch | I am tired of the same story lines in animated films. Be unique, not part of the herd. Be yourself and your Daddy will eventually be proud of you. Monkeys and penguins can fix planes with spit...Ok, that one is new. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,445 |
Max Payne | UGO | Jenna Busch | There were moments that needed some explanation and characters that needed a quite a bit of fleshing out. But it was violent and fun and since that's why I played the game, I left the theater satisfied. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,445 |
Nothing But the Truth | UGO | Jenna Busch | If you think you know the premise or believe that this is just a fictional retelling of the Judith Miller scandal from a few years back, I beg you to leave those preconceptions at the door. I know I went in with my own. Nothing But the Truth is none of | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,445 |
Quantum of Solace | UGO | Jenna Busch | Since this is really the origin story of a man who kills people for a living, a darker tone makes total sense. I mean, really...do you want to go back to jet-packs? | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,445 |
Special | UGO | Jenna Busch | A beautiful metaphor for the desperate need to be important in a world where we rarely make personal connections any more, Special deserves to be seen. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 2,445 |
Twilight | UGO | Jenna Busch | And in this world, vampires have no fangs, they don't sleep and they...well, they sparkle in the sun. Sigh. Glittery vampires. Pretty sparkly ones that don't have fangs. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,445 |
What Doesn't Kill You | UGO | Jenna Busch | The film is well done, gritty and raw, clearly showing the desperation in a city where opportunities are limited and crime is just another job. Ethan Hawke is a pretty risky choice as he just screams supermodel, not gangster, but after a bit of drooling, | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,445 |
The Incredibles | UGO | Sean Chavel | Deliriously funny and exciting. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 2,446 |
O | UK Critic | Ian Mantgani | The camera is subtle but insistent in how it views characters with darkness, pity and suspicion. | 70/100 | 100 | 70 | 100 | false | 69 | 100 | 1 | 2,447 |
A Civil Action | UK Critic | Ian Mantgani | Travolta may not be perfectly cast as jaded attorney Jan, and does not make this role his own, but still carries the film rather well, and I can't complain. | 3.5/5 | 5 | 3.5 | 5 | false | 25 | 41 | 10 | 2,448 |
Coyote Ugly | UK Critic | Ian Mantgani | Simple-minded, trashy, and a masterpiece. | 4.4/5 | 5 | 4.4 | 5 | false | 34 | 41 | 10 | 2,448 |
D-Tox (Eye See You) | UK Critic | Ian Mantgani | It's one pussy-ass world when even killer-thrillers revolve around group therapy sessions. | 1.4/5 | 5 | 1.4 | 5 | false | 4 | 41 | 10 | 2,448 |
The Visitor | UR Chicago Magazine | Mark Dujsik | Focused entirely on these people and how the unplanned relationships affect their lives. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Definitely, Maybe | UR Chicago Magazine | Mark Dujsik | Short on mystery and long on testing our patience for obligatory coincidence. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,449 |
Broken | UR Chicago Magazine | Mark Dujsik | Says nothing new in a familiar way. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,449 |
Deal | UR Chicago Magazine | Mark Dujsik | Cares about poker just a bit more than it cares about the characters, and the movie doesn't give a shit about its characters. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,449 |
Chapter 27 | UR Chicago Magazine | Mark Dujsik | Enter Mark David Chapman's mind and prepare to be bored out of yours. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,449 |
4 Months, 3 Weeks and 2 Days | UR Chicago Magazine | Mark Dujsik | A wearing examination. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
The Brave One | UR Chicago Magazine | Mark Dujsik | Has neither the depth of character nor of theme to justify the condoning of her actions. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 2,449 |
Cidade dos Homens (City of Men) | UR Chicago Magazine | Mark Dujsik | Works pretty well as melodrama against a legitimately dramatic backdrop. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
In the Valley of Elah | UR Chicago Magazine | Mark Dujsik | Neither affecting nor cerebral; it's a case of going through the motions. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,449 |
Lions for Lambs | UR Chicago Magazine | Mark Dujsik | An openly and specifically political, intelligent and refined call against apathy. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Michael Clayton | UR Chicago Magazine | Mark Dujsik | Broad in its characterizations and message but subdued in presenting them through a complex plot. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Miss Pettigrew Lives for a Day | UR Chicago Magazine | Mark Dujsik | Director Bharat Nalluri keeps the misunderstandings and ruses of Miss Pettigrew Lives for a Day going at a quick tempo. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Reservation Road | UR Chicago Magazine | Mark Dujsik | Never cloys about the grief process. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Son of Rambow | UR Chicago Magazine | Mark Dujsik | A really sweet film about growing up weird. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Waiting for Superman | UR Chicago Magazine | John Esther | 'Waiting for Superman' is an important yet definitely flawed discourse on the current courses America's public educational system is taking, making, faking and breaking. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,449 |
Young@Heart | UR Chicago Magazine | Mark Dujsik | We get to know these folks, their love for life and performing -- and yes, we even start to see them as more than a mere novelty act. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,449 |
Chloe | Ultra Culture | Charlie Lyne | While the performances are top notch, the film itself balances uncomfortably between being a quasi-European arthouse affair about repressed sexuality and a fairly boring and formulaic Hollywood thriller. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,450 |
The Crazies | Ultra Culture | Charlie Lyne | The Crazies is 101 minutes long and about 87 minutes of that is crap. The characters are lifeless, the scares are predictable and the allusions to the Iraq War are even more fucking mad than you'd expect. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 2,450 |
Everybody's Fine | Ultra Culture | Charlie Lyne | That's not to say that it's not unbearably sentimental and formulaic at times, but the cast is fairly solid and it's nice to see DeNiro back in a role that's, if not exactly challenging, at least dignified. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 2,450 |
Buried | Ultra Culture | Charlie Lyne | It's too long, it loses all sense of direction at the 60 minute mark, and so much of the action is phone-based that after a while it starts to feel like an audiobook. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 2,450 |
A Nightmare on Elm Street | Ultra Culture | Charlie Lyne | Bayer's Nightmare is 95 minutes of non-stop crap dialogue, crapper acting and the crappest expositional nonsense I've seen since The Lovely Bones. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 2,450 |
24: Redemption | Uncle Barky | Ed Bark | A serviceable although not exceptional place-setter. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,451 |
All the Way | Uncle Barky | Ed Bark | This is a riveting film with a bravura performance by Cranston, who's been the signature television actor of the past decade. All the Way again shows there's nothing he can't do -- with the exception of giving a bad performance. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,451 |
Behind the Candelabra | Uncle Barky | Ed Bark | A film that could have been so very bad turns out to be pretty mah-velous. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Bessie | Uncle Barky | Ed Bark | It fleshes out Bessie Smith to a degree but certainly not in full measure. Latifah and Rainey can sure sing out, though. It's a pleasure to watch and hear them wail in a film that otherwise doesn't quite cut it. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,451 |
Bright Lights: Starring Carrie Fisher and Debbie Reynolds | Uncle Barky | Ed Bark | Bright Lights is a much better way to remember them. It wasn't supposed to double as a requiem, but who knew at the time? | A | long_letter | null | null | false | 16 | 18 | 1 | 2,451 |
Burton And Taylor | Uncle Barky | Ed Bark | It's a film that asks a lot from West and Bonham Carter, who deliver time and again in roles that could have eaten them alive. Instead we feast. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,451 |
Cinema Verite | Uncle Barky | Ed Bark | Cinema Verite's strength is in dramatizing the off-camera seductions and betrayals that led to the Louds being vilified in many quarters. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Clear History | Uncle Barky | Ed Bark | Clear History is amusing enough to pull a viewer through it, although those who haven't yet acquired a taste for Curb might find it the equivalent of a pricey two-drink minimum without enough payback. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,451 |
Confirmation | Uncle Barky | Ed Bark | Confirmation connects most of the dots of those times while falling short of the dramatic impact left by FX's O.J. Simpson miniseries. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,451 |
Dirty Dancing | Uncle Barky | Ed Bark | The new Dirty Dancing, cast with an eye toward diversity, ends up being neither disastrous or necessary. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,451 |
Elf: Buddy's Musical Christmas | Uncle Barky | Ed Bark | As holiday newcomers go, this is much better than socks and underwear from Grandma. Just don't expect a shiny new train set. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,451 |
Évocateur: The Morton Downey Jr. Movie | Uncle Barky | Ed Bark | There's no revisionist lionizing here, but plenty of perspective. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Flowers in the Attic | Uncle Barky | Ed Bark | It all seems fairly preposterous until one takes into account that stranger things have happened in real life. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,451 |
Game Change | Uncle Barky | Ed Bark | As an entertaining, briskly paced political yarn, it's right up there with HBO's Emmy-winning Recount. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,451 |
George Harrison: Living In The Material World | Uncle Barky | Ed Bark | A film that sheds a lot of light on its subject but at times can be a little too blissed out for its own good. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Hemingway & Gellhorn | Uncle Barky | Ed Bark | Kidman is a certain Emmy nominee and probable winner for this role while Owen might well be invited along for the ride. But she's the one who steels and steals this picture. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
How Murray Saved Christmas | Uncle Barky | Ed Bark | It's way short on charm, labors to be amusing and runs out of gas well before its hour is up. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,451 |
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