movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Janis: Little Girl Blue | Uncle Barky | Ed Bark | Janis: Little Girl Blue vividly and often poignantly revisits her short life -- and hard and fast times. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,451 |
Killing Kennedy | Uncle Barky | Ed Bark | Killing Kennedy easily could have been twice its length, the better to add both nuance and context. Instead it's a watchable film with many missing parts, a broadly drawn Classics Illustrated version of what happened and why. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,451 |
Method to the Madness of Jerry Lewis | Uncle Barky | Ed Bark | Method to the Madness is adroitly packaged and probably in roughly the same flattering mode of a PBS American Masters tribute. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,451 |
My Dinner with Hervé | Uncle Barky | Ed Bark | Dinklage excels in a very difficult role to pull off while Dornan keeps pace as his reluctant Boswell. Their love story, is both an entertaining romp and a cautionary tale. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Paterno | Uncle Barky | Ed Bark | The portrayal of Paterno is right up there with Pacino's very best work. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,451 |
Phil Spector | Uncle Barky | Ed Bark | In the end, Phil Spector succeeds on the strength of its two marquee thespians. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Philip Roth: Unmasked | Uncle Barky | Ed Bark | It's good that Philip Roth finally let others in during the waning years of an extraordinary writing life. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Sharknado 2: The Second One | Uncle Barky | Ed Bark | The overall effect isn't quite intoxicating, and it might be better if you're intoxicated in one form or another. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,451 |
Sharknado 3: Oh Hell No! | Uncle Barky | Ed Bark | Given the real-life shark attacks making big news this summer, Sharknado 3: Oh Hell No! may seem even more redundant than usual. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,451 |
Sing Your Song | Uncle Barky | Ed Bark | Abundant archival footage is in part a saving grace. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,451 |
Temple Grandin | Uncle Barky | Ed Bark | As noted, none of this seems like the stuff of riveting drama. It is, though. Still only 30, Danes shows she's now ready and able to take command of any acting challenge put in her path. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,451 |
The Girl | Uncle Barky | Ed Bark | It diminishes him and elevates her. Whether that's what he deserves is debatable. But real truths invariably come out, and this is a film that convincingly rings with them. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,451 |
The Highwaymen | Uncle Barky | Ed Bark | As a film, The Highwaymen has some potholes. But as an eye-catching, promotable and heavily watched attraction, it seems sure to go the extra mile. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,451 |
The Last Sharknado: It's About Time | Uncle Barky | Ed Bark | It's probably OK to say that airborne sharks again are key to the "story." | F | long_letter | null | null | false | 1 | 18 | 1 | 2,451 |
The Normal Heart | Uncle Barky | Ed Bark | The Normal Heart grows in poignancy as characters we've come to know are affected or afflicted by AIDS. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,451 |
Too Big to Fail | Uncle Barky | Ed Bark | Too Big to Fail effectively follows the money while humanizing most of the moneychangers. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,451 |
Tower | Uncle Barky | Ed Bark | Tower is a vivid snapshot of derangement, heroism, endurance and sometimes admitted cowardice on what remains the most traumatic day in University of Texas history. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,451 |
Reality (Réalité) | Under the Radar | Austin Trunick | Reality attempts to construct an unending story loop, but winds up more like a snake trying to devour its own tail. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 2,452 |
Halloween: Resurrection | United Press International | Joe Bob Briggs | He comes, he kills, he fries, he stirs again. He's about as scary as Perry Como. | 0/4 | 4 | 0 | 4 | true | 0 | 5 | 1 | 2,453 |
Scarlet Diva | United Press International | Joe Bob Briggs | I definitely want to watch it again. I'm not sure exactly what I saw the first time, but I loved it. | 4/4 | 4 | 4 | 4 | true | 4 | 5 | 1 | 2,453 |
Lower City (Cidade Baixa) | University City Review | Kam Williams | A gritty, Brazilian drama which called for Alice Braga to be naked and in heat nearly non-stop, whether in a bed with a boyfriend or one of her assortedy Johns. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 2,454 |
The Box | Unknown2 | Giles Hardie | The Box lacks the poetry and elegance of Darko, and at times mistakes randomness for mystery, however a good cast and pace mean those who enjoy debating what they just saw will have plenty to work over. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
Imagine That | Unknown2 | Giles Hardie | Imagine That is an embarrassment from which only Thomas Haden Church emerges unscathed, because he is the only one to commit fully to his eccentric character. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 2,455 |
Cloudy With a Chance of Meatballs | Unknown2 | null | The superb thing about Cloudy With A Chance Of Meatballs is that it never once shies away from its ludicrous premise. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
The Informant! | Unknown2 | Giles Hardie | Somewhere between the true story it is based on, and the gimmicks and gags brought to the tale by Damon and Sodeburgh The Informant! somehow falls between the cracks to result in only an ok movie. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 2,455 |
The Boys Are Back | Unknown2 | Giles Hardie | The Boys are Back deftly combines humour and heart in a well crafted tale of boys of all ages growing up, and if it helps, just think of it as a good film they happened to make in Australia. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
2012 | Unknown2 | Giles Hardie | With a planet sized disaster film, there are nation sized holes to pick at if you choose, but there's a world of fun to be had if you sit back and let the destruction wash over you in this fantastical, mind blowing visual feast. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
500 Days of Summer | Unknown2 | Giles Hardie | (500) Days of Summer is a classic independent film, taking a bunch of risks and trying to break as many rules as possible, yet it is in many ways a traditional ode to love, and it will leave you yearning for the opportunity to be dumped yourself. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 2,455 |
A Serious Man | Unknown2 | Giles Hardie | The talent of the Coens is such that they make this film eminently watchable, absolutely enjoyable and utterly engaging despite the fact that it's never entirely clear why we're seeing it in the first place. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
A Summer In Genoa | Unknown2 | Giles Hardie | An elegant, traumatic but ultimately rewarding tale that will leave you glad to have made the trip. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
All About Steve | Unknown2 | Giles Hardie | Sandra Bullock bulldozes the line between a socially awkward character and an annoying human being in a monstrous turkey that can genuinely make a claim to being the worst film of the year | 0.5/5 | 5 | 0.5 | 5 | true | 1 | 11 | 2 | 2,455 |
Amelia | Unknown2 | Giles Hardie | Much like one of Earhart's trans-Atlantic flights Amelia just goes on and on without deviation. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 2,455 |
An Education | Unknown2 | Giles Hardie | The most extraordinary thing about this engaging, hysterical and deeply moving film is how natural this supposedly inappropriate relationship feels. | 4.5/5 | 5 | 4.5 | 5 | true | 9 | 11 | 2 | 2,455 |
Astro Boy (AstroBoy) | Unknown2 | Giles Hardie | Like a pig-iron fisted metaphor, Astro Boy the film resembles the robot, in that it is cobbled together out of parts we recognise. And as much as they don't sound like they could all work in one film, they don't. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 2,455 |
The Brothers Bloom | Unknown2 | Giles Hardie | A tale full of heart, heroism and old school fun, that with the addition of just a few witty zingers could have been one of the great films of the year. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
Capitalism: A Love Story | Unknown2 | Giles Hardie | See Capitalism: A Love Story if you like to hear the sound of Michael Moore railing against 'the man', but if you're after a good documentary there's no love here for you. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 2,455 |
Case 39 | Unknown2 | Giles Hardie | Case 39 is slow, painful and one suspects for both Cooper and Renee Zellweger full of regrets. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 2,455 |
Cold Souls | Unknown2 | Giles Hardie | You'd say that Cold Souls is strange, but strange doesn't begin to describe this darkly humorous, concept film. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
Couples Retreat | Unknown2 | Giles Hardie | It's been 13 years since Swingers. Couples Retreat is a very different film from writers leading very different lives. It's fast paced. Its a bunch of skits book-ended with story. And it's a lot of fun. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
The Final Destination | Unknown2 | Giles Hardie | Where some of the previous installments have been quite clever, the focus here is entirely on angling the camera so that something else can rush at us. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 2,455 |
Julie & Julia | Unknown2 | Giles Hardie | Like a beautiful home cooked meal, Julie & Julia is not perfect by industry standards, just warm, comforting and very, very enjoyable. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
Looking for Eric | Unknown2 | Giles Hardie | Looking For Eric is a film of three halves, each almost a genre unto itself. | 4.5/5 | 5 | 4.5 | 5 | true | 9 | 11 | 2 | 2,455 |
Mao's Last Dancer | Unknown2 | Giles Hardie | Don't see Mao's Last Dancer if you want a perfectly structured film. See it if you want to experience a truly amazing story. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
Michael Jackson's This Is It | Unknown2 | Giles Hardie | This Is It is essentially one really big DVD Special Feature, yet it has a real humanity that is enlightening, endearing and surprisingly engaging. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
Moon | Unknown2 | Giles Hardie | Much more than simple escapism, Moon may not be for everyone, but it is certainly a very good film that will inspire intriguing post-cinema conversation. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
Paranormal Activity | Unknown2 | Giles Hardie | From the changing relationship dynamics to the various reveals, this is a maestro fright flick at its shocking best. And if you're after a film that goes bump in the night, this is the one for you. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
Stone Bros | Unknown2 | Giles Hardie | Stone Bros isn't a worthy or important, topical film. All it wants is for you to laugh, and there's no doubt that you will. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
The Imaginarium of Doctor Parnassus | Unknown2 | Giles Hardie | This is a wonderous, dark and opulent film, that captivates and moves the audience. Fans of Ledger or Gilliam will feel rewarded for their time in the Imaginarium. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
The Time Traveler's Wife | Unknown2 | Giles Hardie | A graceful, elegant love story, that carefully avoids quasi-science, time travelling philosophy or mills and boon style passionate embraces, focussing instead on the means by which two truly star crossed lovers cope with their unique lives together. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 2,455 |
The Twilight Saga: New Moon | Unknown2 | Giles Hardie | This is a film for the fans. Fans of the books. Fans of the first film. If you enjoyed that, you'll enjoy this. If you didn't, you have no chance here. It's a New Moon, not a new dawn. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
Valentino: The Last Emperor | Unknown2 | Giles Hardie | From naked models draped in fabric, to private jet passengers draped in dogs, Valentino is a warts and all, fly on the wall insight into the life of one of the great fashion designers. Unfortunately in this flick there are more warts than all. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 2,455 |
Whatever Works | Unknown2 | Giles Hardie | Whatever Works, like its lead character, takes a long while to draw us in, but once it does it is enjoyable, thoughtful and decidedly Woody. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 2,455 |
Whip It | Unknown2 | Giles Hardie | Whip It never quite finds its rhythm or energy and the actors all seem to be holding something back in a comic book tale that requires over exaggeration more than subtle nuance. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 2,455 |
Zombieland | Unknown2 | Giles Hardie | With its brain seeking tongue wedged firmly in its blood soaked cheek, Zombieland embraces its violence and language warnings to make a truly hysterical, enjoyable and mouth watering zom-com ride. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 2,455 |
A Bad Moms Christmas | Uproxx | Amy Nicholson | I found myself fixated on the lack of apostrophe in the title A Bad Moms Christmas. This isn't for moms-it's merely about them. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,456 |
Blockers | Uproxx | Amy Nicholson | Cannon is dialed into how a teen girl prepping for what's, till then, the most memorable night of her life is no passive victim - she's a peak control freak | B | long_letter | null | null | false | 13 | 18 | 1 | 2,456 |
Bloodshot | Uproxx | Vincent Mancini | Being able to actually see what's happening during the action scenes is my minimum requirement for goofy action movies. Why do filmmakers keep getting this so wrong? | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
Bright | Uproxx | Amy Nicholson | You can't spell "law force" without "orc." And you can't spell "David Ayer's twelfth cop movie??" without "Why develop? Is it a dare?" | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,456 |
Citizenfour | Uproxx | Heather Dockray | Citizenfour creates a powerful dystopia. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,456 |
Clear History | Uproxx | Alan Sepinwall | The revenge plot brings the characters together...and doesn't come together as satisfyingly as your average "Curb" episode... [but] the funny parts of "Clear History" are good enough to act as an acceptable 100-minute substitute. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,456 |
Coco | Uproxx | Amy Nicholson | Twin touchstones from two of the most famous all-American flicks of the '80s feel like Pixar ensuring that audiences will feel at home in this foreign land. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,456 |
Cop Car | Uproxx | Heather Dockray | Cop Car is a thriller, and a road thriller, but ultimately: a coming-of-age tale. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,456 |
Dude Bro Party Massacre III | Uproxx | Heather Dockray | Watch it and laugh, or watch it and don't laugh. Just try to make sure you think about it, and then when you're ready, forget. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
Girls Trip | Uproxx | Amy Nicholson | Each time the script wobbled into cliché, I cringed. The actresses are too talented to flail on hallucinogens. But they launch into idiocy with so much energy that even the dumbest scenes lift-off. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,456 |
Holy Motors | Uproxx | Drew McWeeny | I am refreshed by it, my faith in the unique power of film completely restored. I feel like I've just had my first drink of water after a drought, or my first bite of food after a fast. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,456 |
Home Again | Uproxx | Amy Nicholson | Home Again is a fascinating banality, the movie equivalent of a staring at a bucolic motel painting until you start to see skeletons in the haystacks. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
Insurgent | Uproxx | Heather Dockray | Insurgent has no qualms about its use of violence, or seemingly, anything at all. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,456 |
Kingsman: The Golden Circle | Uproxx | Amy Nicholson | Every scene feels like it takes the characters seriously while the story swings for the fences. I was having a blast even before Eggsy broke out the baseball-shaped grenades. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,456 |
Maps to the Stars | Uproxx | Heather Dockray | Maps to the Stars romanticizes the mentally ill and their darkness. Agatha and Benjie aren't real characters. They're incest victims, sexual predators, half-baked half-sketched people-types. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
Moms' Night Out | Uproxx | Heather Dockray | Moms' Night Out looks back nostalgically to a time when both gender roles and women's vaginas remained effortlessly tight. | F | long_letter | null | null | false | 1 | 18 | 1 | 2,456 |
Mute | Uproxx | Amy Nicholson | Mute is more interesting as a bullet-point list of absurdities than as a two-hour film. Yet, Jones continues to have my attention. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
Paper Towns | Uproxx | Heather Dockray | A healthy amount of self-deprecating humor and self-awareness would have saved this well-intentioned (if meek) script from eternal mediocrity. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,456 |
Red Sparrow | Uproxx | Amy Nicholson | By the end, you want to give every Bond villainess a hug. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,456 |
Spy | Uproxx | Heather Dockray | Spy, a summer action-comedy, might have been born in a lowly genre manger. But it transcends its crappy origin story simply by virtue of its character. | A- | long_letter | null | null | false | 15 | 18 | 1 | 2,456 |
Step Up: All In | Uproxx | Heather Dockray | Words like "dream," "hope" and "believe" resonate throughout All In, and while it seems cynical to discount them, it feels even more opportunistic to pretend they're real. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,456 |
Tammy | Uproxx | Heather Dockray | Only two people were asleep when I went to go see Tammy, but by the time I left, all of us were unconscious. Helpless dogs trapped in a dark purse of a movie. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,456 |
Teenage Mutant Ninja Turtles | Uproxx | Heather Dockray | Teenage Mutant Ninja Turtles could be worse, which - in a summer of Transformers and Behaving Badly - says nothing. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,456 |
The Duke Of Burgundy | Uproxx | Heather Dockray | There are so many thoughts in Burgundy, but humanity only comes out in glimpses. It's worth it to stay awake. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,456 |
The Fault In Our Stars | Uproxx | Heather Dockray | The Fault in Our Stars begs us to cry, and that's where it loses its composure. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
The Hunger Games: Mockingjay - Part 1 | Uproxx | Heather Dockray | [Mockingjay] is a strong story featuring a strong heroine, both trying to make their way through the ugly world that produced it. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,456 |
The Incredible Jessica James | Uproxx | Amy Nicholson | Jessica Williams fills up a space like the glow of a megawatt bulb. She transitions from TV to film at light-speed, glorying in the extra room. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,456 |
The Maze Runner | Uproxx | Heather Dockray | The Maze Runner isn't the birth or death of YA but rather, its extension. You travel through so many twists and tunnels only to end up exactly where you began. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,456 |
The Overnight | Uproxx | Heather Dockray | The Overnight is a funny, modern movie about boring, ancient anxieties. It's a big dick joke wrapped in a small story that's genuinely worth a listen. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,456 |
The Signal | Uproxx | Heather Dockray | The Signal feels like your standard side-of-the-highway fare. It's just not worth the mozzarella sticks. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,456 |
The Snowman | Uproxx | Amy Nicholson | There's a frozen loogie at the heart of The Snowman. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,456 |
Trust Me | Uproxx | Heather Dockray | If only Trust Me had confidence in its own comedy, it wouldn't have to borrow someone else's pain. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,456 |
Unsane | Uproxx | Amy Nicholson | Soderbergh's less interested in her diagnoses - may I suggest "pogonophobia," the fear of facial hair - then her plummet down the rabbit hole from office cubicle to basement padded cell. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,456 |
Yes, God, Yes | Uproxx | Vincent Mancini | A charming, funny movie while it lasts, full of great performances, though perhaps overly simplistic. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,456 |
Black Rain | Urban Cinefile | Urban Cinefile Critics | Dark and haunting | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,457 |
Brainstorm | Urban Cinefile | Urban Cinefile Critics | Beguiling premise and memorable execution | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,457 |
Funny Face | Urban Cinefile | Urban Cinefile Critics | I could watch this classic over and over again | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,457 |
The Return of Martin Guerre (Le Retour de Martin Guerre) | Urban Cinefile | Urban Cinefile Critics | A marvellous and haunting work. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,457 |
The Matrix | Urban Cinefile | Urban Cinefile Critics | It is escapist entertainment in the hottest, most illusion-driven, fastest, tumultuous action style, bridging genres with ease (one-against-the-system/sci fi/film noir/action/apocalyptic fable) and creating its own style in the process. | A | short_letter | null | null | false | 5 | 6 | 1 | 2,458 |
Star Wars: Episode II - Attack of the Clones | Urban Tulsa Weekly | Cory Cheney | It's an ambitious film, and as with all ambitious films, it has some problems. But on the whole, you're gonna like this movie. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 2,459 |
The Bourne Identity | Urban Tulsa Weekly | Cory Cheney | It's a smart, solid, kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn. Nothing overly original, mind you, but solidly entertaining. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,460 |
Confessions of a Dangerous Mind | Urban Tulsa Weekly | Cory Cheney | If for nothing else, go see Rockwell's performance. It's about time for him to bust out into bigger and better roles, and if it happens, this movie will be why. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,460 |
Eight Legged Freaks | Urban Tulsa Weekly | Cory Cheney | ...if you're just in the mood for a fun -- but bad -- movie, you might want to catch Freaks as a matinee. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 2,460 |
The Hours | Urban Tulsa Weekly | Cory Cheney | The Hours makes you examine your own life in much the same way its characters do, and the experience is profound. The Hours is what movies are supposed to be... | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,460 |
The Importance of Being Earnest | Urban Tulsa Weekly | Cory Cheney | "...something appears to have been lost in the translation this time. The Importance of Being Earnest movie seems to be missing a great deal of the acerbic repartee of the play." | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,460 |
King Kong | Urban Tulsa Weekly | Cory Cheney | Jackson's King Kong is a throwback film, depending on you to approach it with a sort of wide-eyed innocence you might've forgotten you had. It's loud and unbelievable. It's supposed to be. There aren't any 25-foot-tall gorillas in this world | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,460 |
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