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Heinrich Christian Wilhelm Busch ( 15 April 1832 – 9 January 1908 ) was a German humorist , poet , illustrator and painter . He published comic illustrated cautionary tales from 1859 , achieving his most notable works in the 1870s . Busch 's illustrations used wood engraving , and later , zincography .
Busch drew on contemporary parochial and city life , satirizing Catholicism , Philistinism , strict religious morality and bigotry . His comic text was colourful and entertaining , using onomatopoeia , neologisms and other figures of speech , and led to some work being banned by the authorities .
Busch was influential in both poetry and illustration , and became a source for future generations of comic artists . The Katzenjammer Kids was inspired by Busch 's Max and Moritz , one of a number of imitations produced in Germany and the United States . The Wilhelm Busch Prize and the Wilhelm Busch Museum help maint...
= = Family background = =
In the late 18th century Johann Georg Kleine , Wilhelm Busch 's maternal grandfather , settled in the small village of Wiedensahl . There , in 1817 , he bought a thatched half @-@ timbered house , where Wilhelm Busch was to be born about 15 years later . Amalie Kleine , Johann 's wife and Wilhelm Busch 's grandmother ...
At the age of 19 Henriette Kleine married surgeon Friedrich Wilhelm Stümpe . Henriette became widowed at the age of 26 , with her three children to Stümpe dying as infants . About 1830 Friedrich Wilhelm Busch , the illegitimate son of a farmer , settled in Wiedensahl after completing a business apprenticeship in the n...
= = Life = =
= = = Childhood = = =
Wilhelm Busch was born on 15 April 1832 , the first of seven children to the marriage of Henriette Kleine and Friedrich Wilhelm Busch . His six siblings followed shortly after : Fanny ( 1834 ) , Gustav ( 1836 ) , Adolf ( 1838 ) , Otto ( 1841 ) , Anna ( 1843 ) and Hermann ( 1845 ) ; all survived childhood . His parents...
The young Wilhelm Busch was a tall child , but with a rather delicate and graceful physique . The coarse boyishness of his later protagonists " Max and Moritz " was rare in his childhood . He described himself in autobiographical sketches and letters as sensitive and timid , as someone who " carefully studied apprehen...
In the autumn of 1841 , after the birth of his brother Otto , Busch 's education was entrusted to the 35 @-@ year @-@ old clergyman Georg Kleine , his maternal uncle at Ebergötzen , this probably through lack of space in the Busch family home , and his father 's desire for a better education than the small local schoo...
Kleine 's private lessons for Busch were also attended by Erich Bachmann , the son of a wealthy Ebergötzen miller . Both became friends , according to Busch the strongest friendship of his childhood . This friendship was echoed in the 1865 story Max and Moritz . A small pencil portrait by the 14 @-@ year @-@ old Busch...
Kleine was a philologist , his lessons not held in contemporary language , and it is not known for certain all subjects Busch and his friend were taught . Busch did learn elementary arithmetic from his uncle , although science lessons might have been more comprehensive , as Kleine , like many other clergymen , was a b...
Busch had little contact with his natural parents during this period . At the time , the 165 km ( 103 mi ) journey between Wiedensahl and Ebergötzen took three days by horse . His father visited Ebergötzen two to three times a year , while his mother stayed in Wiedensahl to look after the children . The 12 @-@ year @-...
= = = Study = = =
In September 1847 Busch began studying mechanical engineering at Hanover Polytechnic . Busch 's biographers are not in agreement as to why his Hanover education ended ; most believe that his father had little appreciation of his son 's artistic inclination . Biographer Eva Weissweiler suspects that Kleine played a maj...
Busch studied for nearly four years at Hanover , despite initial difficulties in understanding the subject matter . A few months before graduation he confronted his parents with his aspiration to study at the Düsseldorf Art Academy . According to Bush 's nephew Hermann Nöldeke , his mother supported this inclination ....
= = = Munich = = =
Busch was ravaged by disease , and for five months spent time painting and collecting folk tales , legends , songs , ballads , rhymes and fragments of regional superstitions . Busch 's biographer Joseph Kraus saw these collections as useful additions to folklore , as Busch noted the narrative background to tales and t...
After Busch had spent six months with his uncle Kleine at Lüthorst , he expressed an aim to continue study in Munich . This request caused a rift with his father who , however , eventually funded this move ; - see for comparison Busch 's illustrated story of Painter Klecksel . Busch 's expectations of the Munich Acade...
Busch made contact with the artist association Jung München ( Young Munich ) , met several notable Munich artists , and wrote and provided cartoons for the Jung München newspaper . Kaspar Braun , who published the satirical newspapers Münchener Bilderbogen ( Picture Sheets from Munich ) and Fliegende Blätter ( Flying ...
In his early Munich years Busch 's attempt to write libretti , which are almost forgotten today , were unsuccessful . Up to 1863 he worked on two or three major works ; the third was composed by Georg Kremplsetzer . Busch 's Liebestreu und Grausamkeit , a romantic opera in three acts , Hansel und Gretel and Der Vetter...
In 1873 Busch returned several times to Munich , and took part in the intense life of the Munich Art Society as an escape from provincial life . In 1877 , in a last attempt to be a serious artist , he took a studio in Munich . He left Munich abruptly in 1881 , after he disrupted a variety show and subsequently made a ...
= = = Publication of Max and Moritz = = =
Between 1860 and 1863 Busch wrote over one hundred articles for the Münchener Bilderbogen and Fliegende Blätter , but he felt his dependence on publisher Kaspar Braun had become constricting . Busch appointed Dresden publisher Heinrich Richter , the son of Saxon painter Ludwig Richter , as his new publisher — Richter ...
For Braun the manuscript was fortuitous . Initially the sales of Max and Moritz were slow , but sales figures improved after the 1868 second edition . Overall there were 56 editions and more than 430 @,@ 000 copies sold up to Busch 's death in 1908 . Despite at first being ignored by critics , teachers in the 1870s de...
= = = Frankfurt = = =
Increasing economic success allowed Busch to visit Wiedensahl more frequently . Busch had decided to leave Munich , as only few relatives lived there , and the artists ' association was temporarily disbanded . In June 1867 Busch met his brother Otto for the first time , in Frankfurt . Otto was working as a tutor to th...
Busch did not remain in Frankfurt . Towards the end of the 1860s he alternated between Wiedensahl and Lüthorst , and Wolfenbüttel where his brother Gustav lived . The association with Johanna Kessler lasted five years , and after his return to Wiedensahl in 1872 they communicated by letter . This contact was interrupt...
= = = Later life = = =
Biographer Weissweiler does not dismiss the possibility that Busch 's increasing alcohol dependence hindered self @-@ criticism . He refused invitations to parties , and publisher Otto Basserman sent him to Wiedensahl to keep his alcohol problem undetected from those around him . Busch was also a heavy smoker , result...
Dutch writer Marie Anderson corresponded with Busch . More than fifty letters were exchanged between January and October 1875 in which they discussed philosophy , religion and ethics . Although only one Anderson letter survives , Busch 's letters are in manuscripts . They met in Mainz in October 1875 , after which he ...
Busch lived with his sister Fanny 's family after her husband Pastor Hermann Nöldeke 's death in 1879 . His nephew Adolf Nöldeke remembers that Busch wanted to move back to Wiedensahl with the family . Busch renovated the house , which Fanny looked after even though he was a rich man , and became " father " to his thr...
Busch stopped painting in 1896 and signed @-@ over all publication rights to Bassermann Verlag for 50 @,@ 000 gold marks . Busch , now aged 64 , felt old . He needed spectacles for writing and painting , and his hands trembled slightly . In 1898 , together with his aging sister Fanny Nöldeke , he accepted Bassermann '...
= = Work = =
During the Frankfort period Busch published three self @-@ contained illustrated satires . Their anti @-@ clerical themes proved popular during the Kulturkampf . Busch 's satires typically did not address political questions , but exaggerated churcheyness , superstition and philistine double @-@ standards . This exagg...
= = = Max and Moritz = = =
In German Eine Bubengeschichte in sieben Streichen , Max and Moritz is a series of seven illustrated stories concerning the mischievous antics of two boys , who are eventually ground @-@ down and fed to ducks .
= = = Saint Antonius of Padua and Helen Who Couldn 't Help It = = =
In Saint Antonius of Padua ( Der Heilige Antonius von Padua ) Busch challenges Catholic belief . It was released by the publisher Moritz Schauenburg at the time Pope Pius IX proclaimed the dogma of papal infallibility that was harshly criticized by Protestants . The publisher 's works were heavily scrutinized or censo...
Busch 's following work , Helen Who Couldn 't Help It ( Die fromme Helene ) , was published by Otto Friedrich Bassermann , a friend whom Busch met in Munich . Helen Who Couldn 't Help It , which was soon translated into other European languages , satirizes religious hypocrisy and dubious morality :
Many details from Helen Who Couldn 't Help It criticizes the way of life of the Kesslers . Johanna Kessler was married to a much older man and entrusted her children to governesses and tutors , while she played an active role in the social life of Frankfurt .
The character of Mr. Schmock — the name based on the Yiddish insult " schmuck " — shows similarities with Johanna Kessler 's husband , who was uninterested in art and culture .
In the second part of Helen Who Couldn 't Help It Busch attacks Catholic pilgrimages . The childless Helen goes on a pilgrimage , accompanied by her cousin and Catholic priest Franz . The pilgrimage is successful as later Helen gives birth to twins , who resemble Helen and Franz . Franz is later killed by a jealous va...
Pater Filucius ( Father Filucius ) is the only illustrated satire of this period suggested by the publisher . Also aimed at anti @-@ Catholic taste and buyers , it criticizes the Jesuit Order . Kraus felt it was the weakest of all three anti @-@ clerical works . Some satires refer to contemporary events , such as Mons...
= = = Critique of the Heart = = =
Busch did not write further illustrated tales for a while , and focused on the literary Kritik des Herzens ( Critique of the Heart ) , wanting to appear more serious to his readers . Contemporary reception for the collection of 81 poems was mainly poor ; it was criticized for its focus on marriage and sexuality . His ...
= = = Adventures of a Bachelor = = =
Notwithstanding the hiatus after moving from Frankfurt , the 1870s were one of Busch 's most productive decades . In 1874 he produced the short illustrated tale Diddle @-@ Boom ! ( Dideldum ! ) .
Following , in 1875 , was the Knopp Trilogy , about the life of Tobias Knopp : Adventures of a Bachelor ( Abenteuer eines Junggesellen ) , Mr. and Mrs. Knopp ( Herr und Frau Knopp ) ( 1876 ) , and " Julie " ( Julchen ) ( 1877 ) . The antagonists of the trilogy are not pairs of nuisances as with Max and Moritz or Jack ...
In the first part of the trilogy , Knopp is depressed and will look for a wife . He visits his old friends and their wives who he finds in unenviable relationships . Still not convinced that the life of a bachelor is one for him , he returns home , and without further ado proposes to his housekeeper . The following ma...
According to Wessling , Busch became skeptical of marriage after writing the story . To Marie Anderson he wrote : " I will never marry ( ... ) I am already in good hands with my sister " .
= = = Last works = = =
Among Busch 's last works were the stories Clement Dove , the Poet Thwarted ( Balduin Bählamm , der verhinderte Dichter ) ( 1883 ) and Painter Squirtle ( Maler Klecksel ) ( 1884 ) , both of which focus on artistic failure , and indirectly his own failure . Both stories begin with a preface , which , for biographer Jos...
The prose play Edwards Dream ( Eduards Traum ) was released in 1891 , composed of several small grouped episodes , rather than one linear storyline . The work received mixed reception . Joseph Kraus felt it was the peak of Busch 's life 's work , his nephews called it a masterwork of world literature , and the publish...
= = = Painting = = =
Busch felt his painting skills could not compete with those of the Dutch masters . He regarded few of his paintings as finished , often stacking them one on top of the other in damp corners of his studio , where they stuck together . If the pile of paintings became too high , he burnt some in his garden . Since only a...
Many pictures depict the countryside at Wiedensahl and Lüthorst . They include pollarded willows , cottages in cornfields , cowherds , autumn landscapes and meadows with streams . A particular feature is the use of red jackets , found in about 280 of 1000 Busch paintings and drawings . The muted or bright red coats ar...
The influence of Dutch painters is clearly visible in Busch 's work . " Hals diluted and shortened ( ... ) but still Halsian " , wrote Paul Klee after visiting a Busch memorial exhibition in 1908 . A strong influence on Busch was Adriaen Brouwer , whose themes were farming and inn life , rustic dances , card players ,...
= = Themes , technique and style = =
Busch biographer Joseph Kraus divided his work into three periods . He points out , however , that this classification is a simplification , as some works by their nature can be of a later or earlier period . All three periods show Busch 's obsession with German middle class life . His peasants are devoid of sensitivi...
From 1858 to 1865 Busch chiefly worked for the Fliegenden Blätter and the Münchener Bilderbogen . The period from 1866 to 1884 is characterized by his major illustrated stories , such as Helen Who Couldn 't Help It . These stories are different in theme from works of his earlier period . The life of his characters sta...
From 1885 until his death in 1908 his work was dominated by prose and poems . The 1895 prose text Der Schmetterling contains autobiographical accounts . Peter 's enchantment by the witch Lucinde , of whom he regards himself a slave , is possibly in reference to Johanna Kessler . Peter , like Busch , returns to his bir...
= = = Technique = = =
Publisher Kaspar Braun , who commissioned Busch 's first illustrations , had established the first workshop in Germany to use wood engraving . This letterpress printing technique was developed by English graphic artist Thomas Bewick near the end of the 18th century and became the most widely used reproduction system f...
From the mid @-@ 1870s Busch 's illustrations were printed using zincography . With this technique there was no longer any danger that a wood engraver could change the character of his drawings . The originals were photographed and transferred onto a photosensitive zinc plate . This process allowed for the application...