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= = = Language = = = |
The effect of Busch 's illustrations are enhanced by his forthright verse , with taunts , derision , ironic twists , exaggeration , ambiguity and startling rhymes . His language had an influence on the humorous poetry of Erich Kästner , Kurt Tucholsky , Joachim Ringelnatz and Christian Morgenstern . The contrast in hi... |
Many of Brusch 's couplets , part of contemporary common usage , give the impression of weighty wisdom , but in his hands become only apparent truths , hypocrisy or platitudes . His use of onomatopoeia is a characteristic of his work : " Allez @-@ oop @-@ da " — Max and Moritz steal fried chickens with a fishing rod d... |
Many of his picture stories use verses with trochee structure : |
The overweighting of the stressed syllables strengthens the humour of the lines . Busch also uses dactyls , where one accented syllable is followed by two unaccented syllables , as in his Plisch und Plum , where they underline the pedantic and solemn words with which teacher Bokelmann educates his pupils . They create... |
In both his illustrations and poems Busch uses familiar fables , occasionally appropriating their morality and stories , spinning them to illustrate a very different and comic " truth " , and bringing to bear his pessimistic view of the world and human condition . While traditional fables follow the typical philosophy... |
= = = Canings and other cruelties = = = |
It is not unusual to see thrashing , tormenting and caning in Busch 's works . Sharp pencils pierced through models , housewives fall onto kitchen knives , thieves are spiked by umbrellas , tailors cut their tormentors with scissors , rascals are ground in corn mills , drunkards burn , and cats , dogs and monkeys defe... |
Caning , a common aspect of 19th @-@ century teaching , is prevalent in many of his works , for example Meister Druff in Adventures of a Bachelor and Lehrer Bokelmann in Plish and Plum , where is shown an almost sexual pleasure in applying punishment . Beatings and humiliation are found in his later work too ; biograp... |
In the estate of Busch there is the note " Durch die Kinderjahre hindurchgeprügelt " ( Beaten through the childhood years ) , however there is no evidence that Busch was referring to himself . He couldn 't recall any beating from his father . His uncle Kleine beat him once , not with the conventional rattan stick , bu... |
= = = Antisemitism = = = |
The Panic of 1873 led to growing criticism of high finance and the spread of radical Antisemitism , which in the 1880s became a broad undercurrent . These criticisms saw a separation of capital into what was construed as " raffendes " ( speculative capital ) , and what constituted " constructive " creative production ... |
Robert Gernhardt defended Busch by stating that Jews are satirized only in three passages , of which the oldest is an illustration of a text by another author , published in 1860 . He stated that Busch 's Jewish figures are merely stereotypical , one of a number of stereotypes , such as the " limited Bavarian farmer "... |
Although Gernhardt felt that Jews for Busch were alien , the Jewish conductor Hermann Levi befriended him , suggesting that Busch had a slight bias towards Jews . |
= = Biographies = = |
The first biography on Busch , Über Wilhelm Busch und seine Bedeutung ( About Wilhelm Busch and His Importance ) , was released in 1886 . The publisher Eduard Daelen , also an artist and writer , echoed Busch 's anti @-@ Catholic bias , putting him on equal footing with Leonardo da Vinci , Peter Paul Rubens and Gottfr... |
= = Legacy = = |
Busch celebrated his 70th anniversary at his nephew 's house in Hattorf am Harz . Over 1 @,@ 000 congratulatory messages were sent to Mechtshausen from around the world . Wilhelm II praised the poet and artist , whose " exquisite works are full of genuine humour and are everlasting for the German people " . The Austri... |
Since then , on the dates of his birth and death , he has been celebrated frequently . During the 175th anniversary in 2007 , there were numerous re @-@ publications of Busch works . Deutsche Post issued stamps depicting the Busch character Hans Huckebein — itself the inspiration for the nickname of the never @-@ buil... |
The Wilhelm Busch Prize is awarded annually for satirical and humorous poetry . The Wilhelm Busch Society , active since 1930 , aims to " ( ... ) collect , scientifically revise and promote Wilhelm Busch 's works with the public " . It supports the development of caricature and satirical artwork as a recognized branch... |
= = = Influence on comics = = = |
Andreas C. Knigge described Busch as the " first virtuoso " of illustrated stories . From the second half of the 20th century he was considered the " Forefather of Comics " . His early illustrations differ from those of the colleagues of Kaspar Braun . They show an increasing focus on protagonists , are less detailed ... |
One of Busch 's notable stories is Der Virtuos ( 1865 ) , which describes the life of a pianist who plays privately for an excited listener . Satirizing the self @-@ publicizing artist 's attitude and his overblown adoration , it varies from Busch 's other stories as each scene does not contain prose , but is defined ... |
= = = " Moritzian " influence = = = |
Busch 's greatest success , both within Germany and internationally , was with Max and Moritz : Up to the time of his death it was translated into English , Danish , Hebrew , Japanese , Latin , Polish , Portuguese , Russian , Hungarian , Swedish and Walloonian . Several countries banned the story – about 1929 the Styr... |
Some early " Moritzian " comic strips were heavily influenced by Busch in plot and narrative style . Tootle and Bootle ( 1896 ) , borrowed so much content from Max and Moritz that it was described as a pirate edition . The true " Moritzian " recreation is The Katzenjammer Kids by German artist Rudolph Dirks , publishe... |
German " Moritzian " -inspired stories include Lies und Lene ; die Schwestern von Max und Moritz ( Hulda Levetzow , F. Maddalena , 1896 ) , Schlumperfritz und Schlamperfranz ( 1922 ) , Sigismund und Waldemar , des Max und Moritz Zwillingspaar ( Walther Günther , 1932 ) and Mac und Mufti ( Thomas Ahlers , Volker Dehs ,... |
= = Partial list of works = = |
= Crown Fountain = |
Crown Fountain is an interactive work of public art and video sculpture featured in Chicago 's Millennium Park , which is located in the Loop community area . Designed by Catalan artist Jaume Plensa and executed by Krueck and Sexton Architects , it opened in July 2004 . The fountain is composed of a black granite refl... |
Residents and critics have praised the fountain for its artistic and entertainment features . It highlights Plensa 's themes of dualism , light , and water , extending the use of video technology from his prior works . Its use of water is unique among Chicago 's many fountains , in that it promotes physical interactio... |
Crown Fountain has been one of the most controversial of all the Millennium Park features . Before it was even built , some were concerned that the sculpture 's height violated the aesthetic tradition of the park . After construction , surveillance cameras were installed atop the fountain , which led to a public outcr... |
However , the fountain has survived its contentious beginnings to find its way into Chicago pop culture . It is a popular subject for photographers and a common gathering place . While some of the videos displayed are of scenery , most attention has focused on its video clips of local residents ; hundreds of Chicagoan... |
= = Concept and design = = |
Grant Park , which is between Lake Michigan and the central business district , is commonly called " Chicago 's Front Yard " . Its northwest corner had been Illinois Central rail yards and parking lots until 1997 , when it was made available for development by the city as Millennium Park . Millennium Park was conceive... |
= = = Selection of artist = = = |
In December 1999 , Lester Crown and his family agreed to sponsor a water feature in Millennium Park . Unlike other park feature sponsors , the Crowns acted independently of Millennium Park officials ; they conducted independent surveys of water technologies , held their own informal design contest , and stayed active ... |
The Crowns were open @-@ minded about the choice of artist ; wanting a modern work , they solicited proposals from a list of prospective artists and architects . Jaume Plensa researched the traditions and history of fountains and studied anthropomorphism in fountain imagery . Some of his early ideas for the project re... |
= = = Artistic design = = = |
Prior to Crown Fountain , Plensa 's dominant theme had been dualism , which he had expanded to artworks in which the viewers are outside , and the visible subjects of the art are inside containers and hollow spaces . In the 1990s , he completed several outdoor sculptures in which he explored the use of light ( The Sta... |
Plensa explores dualism with Crown Fountain , where he has two randomly selected faces " conversing " with each other . Plensa feels that by using faces , he can represent the diversity of the city both in ethnicity and in age . The artist intends to portray the sociocultural evolution of the city by updating the coll... |
Plensa feels that the challenge in the creation of successful work of public art is to integrate the viewer into an interactive relationship with the art . The fountain is known for encouraging its visitors to splash and slide in the reflecting pool , jostle for position under the water spout and place themselves unde... |
= = = Video production = = = |
Approximately 75 ethnic , social , and religious Chicago organizations were asked to provide candidates whose faces would be photographed for integration into the fountain . The subjects were chosen from local schools , churches and community groups , and filming began in 2001 at the downtown campus of the School of t... |
Each face appears on the sculpture for a total of 5 minutes using various parts of individual 80 @-@ second videos . A 40 @-@ second section is played at one @-@ third speed forward and backward , running for a total of 4 minutes . Then , there is a subsequent segment , where the mouth is puckering , that is stretched... |
To achieve the effect in which water appears to be flowing from subjects ' mouths , each video has a segment where the subject 's lips are puckered , which is then timed to correspond to the spouting water , reminiscent of gargoyle fountains . Each face is cropped so that no hair and usually no ears are visible . Sinc... |
= = Construction and engineering = = |
The Crown family , for whom the fountain is named , donated $ 10 million of the $ 17 million construction and design cost . The Goodman family , known for funding the Goodman Theatre , was also a large contributor ; the entire $ 17 million cost was provided by private donations . The initial proposed cost for the foun... |
After two architectural firms refused the contract to make Plensa 's design a reality , the firm Krueck and Sexton Architects accepted . Public art was a departure from Krueck & Sexton 's residential and corporate office @-@ dominated portfolio , which includes buildings like the Spertus Institute . Collaboration betw... |
After several dozen glass manufacturing firms were interviewed , L. E. Smith Glass Company emerged as the company to produce 22 @,@ 500 glass blocks near the upper limit of the size of press glass formed from hand @-@ poured molten glass and cast iron molds . The process used sand and soda ash heated to a temperature ... |
The glass was custom @-@ made at a factory in Mount Pleasant , Pennsylvania , and shipped to the structural glass panel manufacturer in Melbourne , Florida . The panels were then shipped by truck to Chicago . The glass is white glass , rather than the usual green glass that results from iron impurities . This has the ... |
The structure for the blocks was a challenge . At first , the design team had considered switching to plastic blocks , until the team found Circle Redmont Inc . , a prefabricated glass panel company in Melbourne , Florida which specializes in structural glass panel systems . Circle Redmont came up with the plan of tur... |
The fountain uses 11 @,@ 000 imperial gallons ( 50 @,@ 000 L ) per hour , 97 % of which is recycled back into the system . Getting the water to the spout took ingenuity . Although consideration was given to omitting a LED tile , it was determined that the images would then look as though they were each missing a tooth... |
The fountains use over one million LEDs . The inner surface of each tower uses 147 smaller screens with a total of 264 @,@ 480 LED points ( each with two red , one blue and two green LEDs ) . The physical demands of LED screens , in particular the red , green , and blue long @-@ life light bulbs and the requisite circ... |
LEDs were chosen because they were viewed as the lowest maintenance option of the possible color changing fixtures . LEDs fit into an electrical circuit , causing illumination by the movement of electrons in the semiconductor material and making a filament unnecessary , so the bulbs never burn out and do not get too h... |
The 9 @,@ 423 @-@ square @-@ foot ( 875 @.@ 4 m2 ) pool used 3 by 3 feet ( 0 @.@ 91 by 0 @.@ 91 m ) pavers that weigh 250 pounds ( 110 kg ) . The pavers were rested on screw jack pedestals in order to be leveled and shimmed . The pavers had to be perfectly leveled for the water to work correctly because the fountain i... |
During construction the underground parking garage remained open . An additional challenge was designing the structure to facilitate interior access for ongoing maintenance and repairs , while accommodating two levels of underground parking underneath . The challenge was solved by combining a T @-@ bar grid to absorb ... |
= = Dedication and operation = = |
= = = Unveiling = = = |
Construction of the video sculpture was completed for testing without the fountain 's water features on May 18 , 2004 . Originally , Plensa had planned to have each face appear for 13 minutes , and this continued to be the targeted duration when the testing of the sculpture occurred . Eventually , professors at the Sc... |
Plensa 's design of Crown Fountain was unveiled to the public on July 16 – 18 , during the 2004 grand opening celebrations for Millennium Park , which was sponsored by J.P. Morgan Chase & Co . At the time of the unveiling , Crown Fountain , like the nearby Cloud Gate , was incomplete because only 300 of the videos had... |
= = = Operation = = = |
The control center for the synchronization of images , water flow , and lighting color and intensity is beneath one of the towers , in a room that covers 550 square feet ( 51 m2 ) . The room houses high @-@ definition video servers and equipment temperature sensors . Hard drives contain all the individual electronic c... |
= = = = Video sculpture = = = = |
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