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= = = Language = = =
The effect of Busch 's illustrations are enhanced by his forthright verse , with taunts , derision , ironic twists , exaggeration , ambiguity and startling rhymes . His language had an influence on the humorous poetry of Erich Kästner , Kurt Tucholsky , Joachim Ringelnatz and Christian Morgenstern . The contrast in hi...
Many of Brusch 's couplets , part of contemporary common usage , give the impression of weighty wisdom , but in his hands become only apparent truths , hypocrisy or platitudes . His use of onomatopoeia is a characteristic of his work : " Allez @-@ oop @-@ da " — Max and Moritz steal fried chickens with a fishing rod d...
Many of his picture stories use verses with trochee structure :
The overweighting of the stressed syllables strengthens the humour of the lines . Busch also uses dactyls , where one accented syllable is followed by two unaccented syllables , as in his Plisch und Plum , where they underline the pedantic and solemn words with which teacher Bokelmann educates his pupils . They create...
In both his illustrations and poems Busch uses familiar fables , occasionally appropriating their morality and stories , spinning them to illustrate a very different and comic " truth " , and bringing to bear his pessimistic view of the world and human condition . While traditional fables follow the typical philosophy...
= = = Canings and other cruelties = = =
It is not unusual to see thrashing , tormenting and caning in Busch 's works . Sharp pencils pierced through models , housewives fall onto kitchen knives , thieves are spiked by umbrellas , tailors cut their tormentors with scissors , rascals are ground in corn mills , drunkards burn , and cats , dogs and monkeys defe...
Caning , a common aspect of 19th @-@ century teaching , is prevalent in many of his works , for example Meister Druff in Adventures of a Bachelor and Lehrer Bokelmann in Plish and Plum , where is shown an almost sexual pleasure in applying punishment . Beatings and humiliation are found in his later work too ; biograp...
In the estate of Busch there is the note " Durch die Kinderjahre hindurchgeprügelt " ( Beaten through the childhood years ) , however there is no evidence that Busch was referring to himself . He couldn 't recall any beating from his father . His uncle Kleine beat him once , not with the conventional rattan stick , bu...
= = = Antisemitism = = =
The Panic of 1873 led to growing criticism of high finance and the spread of radical Antisemitism , which in the 1880s became a broad undercurrent . These criticisms saw a separation of capital into what was construed as " raffendes " ( speculative capital ) , and what constituted " constructive " creative production ...
Robert Gernhardt defended Busch by stating that Jews are satirized only in three passages , of which the oldest is an illustration of a text by another author , published in 1860 . He stated that Busch 's Jewish figures are merely stereotypical , one of a number of stereotypes , such as the " limited Bavarian farmer "...
Although Gernhardt felt that Jews for Busch were alien , the Jewish conductor Hermann Levi befriended him , suggesting that Busch had a slight bias towards Jews .
= = Biographies = =
The first biography on Busch , Über Wilhelm Busch und seine Bedeutung ( About Wilhelm Busch and His Importance ) , was released in 1886 . The publisher Eduard Daelen , also an artist and writer , echoed Busch 's anti @-@ Catholic bias , putting him on equal footing with Leonardo da Vinci , Peter Paul Rubens and Gottfr...
= = Legacy = =
Busch celebrated his 70th anniversary at his nephew 's house in Hattorf am Harz . Over 1 @,@ 000 congratulatory messages were sent to Mechtshausen from around the world . Wilhelm II praised the poet and artist , whose " exquisite works are full of genuine humour and are everlasting for the German people " . The Austri...
Since then , on the dates of his birth and death , he has been celebrated frequently . During the 175th anniversary in 2007 , there were numerous re @-@ publications of Busch works . Deutsche Post issued stamps depicting the Busch character Hans Huckebein — itself the inspiration for the nickname of the never @-@ buil...
The Wilhelm Busch Prize is awarded annually for satirical and humorous poetry . The Wilhelm Busch Society , active since 1930 , aims to " ( ... ) collect , scientifically revise and promote Wilhelm Busch 's works with the public " . It supports the development of caricature and satirical artwork as a recognized branch...
= = = Influence on comics = = =
Andreas C. Knigge described Busch as the " first virtuoso " of illustrated stories . From the second half of the 20th century he was considered the " Forefather of Comics " . His early illustrations differ from those of the colleagues of Kaspar Braun . They show an increasing focus on protagonists , are less detailed ...
One of Busch 's notable stories is Der Virtuos ( 1865 ) , which describes the life of a pianist who plays privately for an excited listener . Satirizing the self @-@ publicizing artist 's attitude and his overblown adoration , it varies from Busch 's other stories as each scene does not contain prose , but is defined ...
= = = " Moritzian " influence = = =
Busch 's greatest success , both within Germany and internationally , was with Max and Moritz : Up to the time of his death it was translated into English , Danish , Hebrew , Japanese , Latin , Polish , Portuguese , Russian , Hungarian , Swedish and Walloonian . Several countries banned the story – about 1929 the Styr...
Some early " Moritzian " comic strips were heavily influenced by Busch in plot and narrative style . Tootle and Bootle ( 1896 ) , borrowed so much content from Max and Moritz that it was described as a pirate edition . The true " Moritzian " recreation is The Katzenjammer Kids by German artist Rudolph Dirks , publishe...
German " Moritzian " -inspired stories include Lies und Lene ; die Schwestern von Max und Moritz ( Hulda Levetzow , F. Maddalena , 1896 ) , Schlumperfritz und Schlamperfranz ( 1922 ) , Sigismund und Waldemar , des Max und Moritz Zwillingspaar ( Walther Günther , 1932 ) and Mac und Mufti ( Thomas Ahlers , Volker Dehs ,...
= = Partial list of works = =
= Crown Fountain =
Crown Fountain is an interactive work of public art and video sculpture featured in Chicago 's Millennium Park , which is located in the Loop community area . Designed by Catalan artist Jaume Plensa and executed by Krueck and Sexton Architects , it opened in July 2004 . The fountain is composed of a black granite refl...
Residents and critics have praised the fountain for its artistic and entertainment features . It highlights Plensa 's themes of dualism , light , and water , extending the use of video technology from his prior works . Its use of water is unique among Chicago 's many fountains , in that it promotes physical interactio...
Crown Fountain has been one of the most controversial of all the Millennium Park features . Before it was even built , some were concerned that the sculpture 's height violated the aesthetic tradition of the park . After construction , surveillance cameras were installed atop the fountain , which led to a public outcr...
However , the fountain has survived its contentious beginnings to find its way into Chicago pop culture . It is a popular subject for photographers and a common gathering place . While some of the videos displayed are of scenery , most attention has focused on its video clips of local residents ; hundreds of Chicagoan...
= = Concept and design = =
Grant Park , which is between Lake Michigan and the central business district , is commonly called " Chicago 's Front Yard " . Its northwest corner had been Illinois Central rail yards and parking lots until 1997 , when it was made available for development by the city as Millennium Park . Millennium Park was conceive...
= = = Selection of artist = = =
In December 1999 , Lester Crown and his family agreed to sponsor a water feature in Millennium Park . Unlike other park feature sponsors , the Crowns acted independently of Millennium Park officials ; they conducted independent surveys of water technologies , held their own informal design contest , and stayed active ...
The Crowns were open @-@ minded about the choice of artist ; wanting a modern work , they solicited proposals from a list of prospective artists and architects . Jaume Plensa researched the traditions and history of fountains and studied anthropomorphism in fountain imagery . Some of his early ideas for the project re...
= = = Artistic design = = =
Prior to Crown Fountain , Plensa 's dominant theme had been dualism , which he had expanded to artworks in which the viewers are outside , and the visible subjects of the art are inside containers and hollow spaces . In the 1990s , he completed several outdoor sculptures in which he explored the use of light ( The Sta...
Plensa explores dualism with Crown Fountain , where he has two randomly selected faces " conversing " with each other . Plensa feels that by using faces , he can represent the diversity of the city both in ethnicity and in age . The artist intends to portray the sociocultural evolution of the city by updating the coll...
Plensa feels that the challenge in the creation of successful work of public art is to integrate the viewer into an interactive relationship with the art . The fountain is known for encouraging its visitors to splash and slide in the reflecting pool , jostle for position under the water spout and place themselves unde...
= = = Video production = = =
Approximately 75 ethnic , social , and religious Chicago organizations were asked to provide candidates whose faces would be photographed for integration into the fountain . The subjects were chosen from local schools , churches and community groups , and filming began in 2001 at the downtown campus of the School of t...
Each face appears on the sculpture for a total of 5 minutes using various parts of individual 80 @-@ second videos . A 40 @-@ second section is played at one @-@ third speed forward and backward , running for a total of 4 minutes . Then , there is a subsequent segment , where the mouth is puckering , that is stretched...
To achieve the effect in which water appears to be flowing from subjects ' mouths , each video has a segment where the subject 's lips are puckered , which is then timed to correspond to the spouting water , reminiscent of gargoyle fountains . Each face is cropped so that no hair and usually no ears are visible . Sinc...
= = Construction and engineering = =
The Crown family , for whom the fountain is named , donated $ 10 million of the $ 17 million construction and design cost . The Goodman family , known for funding the Goodman Theatre , was also a large contributor ; the entire $ 17 million cost was provided by private donations . The initial proposed cost for the foun...
After two architectural firms refused the contract to make Plensa 's design a reality , the firm Krueck and Sexton Architects accepted . Public art was a departure from Krueck & Sexton 's residential and corporate office @-@ dominated portfolio , which includes buildings like the Spertus Institute . Collaboration betw...
After several dozen glass manufacturing firms were interviewed , L. E. Smith Glass Company emerged as the company to produce 22 @,@ 500 glass blocks near the upper limit of the size of press glass formed from hand @-@ poured molten glass and cast iron molds . The process used sand and soda ash heated to a temperature ...
The glass was custom @-@ made at a factory in Mount Pleasant , Pennsylvania , and shipped to the structural glass panel manufacturer in Melbourne , Florida . The panels were then shipped by truck to Chicago . The glass is white glass , rather than the usual green glass that results from iron impurities . This has the ...
The structure for the blocks was a challenge . At first , the design team had considered switching to plastic blocks , until the team found Circle Redmont Inc . , a prefabricated glass panel company in Melbourne , Florida which specializes in structural glass panel systems . Circle Redmont came up with the plan of tur...
The fountain uses 11 @,@ 000 imperial gallons ( 50 @,@ 000 L ) per hour , 97 % of which is recycled back into the system . Getting the water to the spout took ingenuity . Although consideration was given to omitting a LED tile , it was determined that the images would then look as though they were each missing a tooth...
The fountains use over one million LEDs . The inner surface of each tower uses 147 smaller screens with a total of 264 @,@ 480 LED points ( each with two red , one blue and two green LEDs ) . The physical demands of LED screens , in particular the red , green , and blue long @-@ life light bulbs and the requisite circ...
LEDs were chosen because they were viewed as the lowest maintenance option of the possible color changing fixtures . LEDs fit into an electrical circuit , causing illumination by the movement of electrons in the semiconductor material and making a filament unnecessary , so the bulbs never burn out and do not get too h...
The 9 @,@ 423 @-@ square @-@ foot ( 875 @.@ 4 m2 ) pool used 3 by 3 feet ( 0 @.@ 91 by 0 @.@ 91 m ) pavers that weigh 250 pounds ( 110 kg ) . The pavers were rested on screw jack pedestals in order to be leveled and shimmed . The pavers had to be perfectly leveled for the water to work correctly because the fountain i...
During construction the underground parking garage remained open . An additional challenge was designing the structure to facilitate interior access for ongoing maintenance and repairs , while accommodating two levels of underground parking underneath . The challenge was solved by combining a T @-@ bar grid to absorb ...
= = Dedication and operation = =
= = = Unveiling = = =
Construction of the video sculpture was completed for testing without the fountain 's water features on May 18 , 2004 . Originally , Plensa had planned to have each face appear for 13 minutes , and this continued to be the targeted duration when the testing of the sculpture occurred . Eventually , professors at the Sc...
Plensa 's design of Crown Fountain was unveiled to the public on July 16 – 18 , during the 2004 grand opening celebrations for Millennium Park , which was sponsored by J.P. Morgan Chase & Co . At the time of the unveiling , Crown Fountain , like the nearby Cloud Gate , was incomplete because only 300 of the videos had...
= = = Operation = = =
The control center for the synchronization of images , water flow , and lighting color and intensity is beneath one of the towers , in a room that covers 550 square feet ( 51 m2 ) . The room houses high @-@ definition video servers and equipment temperature sensors . Hard drives contain all the individual electronic c...
= = = = Video sculpture = = = =