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Dataset card Data Studio Files
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You hear the vibrations in the wire. There's a magnetic pulse in the wires, you feel it. I could test it.
Test it.
Yes, this is Doctor Marrow.
How'd I know it was for you?
Because it's my phone. Yes... Mrs. Dudley, just leave the boxes inside, thank you. See you soon. Thank you.
Here's how they're organized. Groups of five, very different personalities: scored all over the Kiersey Temperament Sorter just like you asked for. And they all score high on the insomnia charts.
Good.
What's this? What's this... this picture?
That? That's Hill House.
This is where we're going?
Yes. It's perfect, isn't it?
What happened?
There were no children. Rene died, and <u>then</u> Hugh Crain built all of this, and then he died. His heart was broken.
Eleanor, how was the drive?
You can call me Nell, Dr. Marrow.
Nell. Good enough. And I'm Jim.
I'm really... honored to be part of this study, Jim.
Well... we're glad to have you.
You wrote that you had trouble sleeping.
Yes, because someone was always keeping me awake. Ever since I was little. That was my job. I took care of my mother and I had to be there for her all night long, and she woke up all the time. And after she died, well, it's been a few months, but I still, I still wake up, it's... a habit. I know we've only known each o...
All the carvings.
But there's a sad catch to the story.
The cold sensation. Who felt it first?
Theo I think. You've asked us that three times, Doctor Marrow. What's going on?
How do you feel about Luke's suggestion that it was just the old plumbing? Water hammer, something like that?
Sorry.
For an American you do a good imitation of the British at their most apologetic. Pardon me. Excuse me, sorry, sorry...
Nell! What's wrong?
That smell... oh, God.
What did it smell like?
It was very specific.
All right...
In the bathroom in my mother's room, the toilet was next to an old wooden table. It smelled like that wood.
So... smell... is... Smell is the sense that triggers the most powerful memories. And a memory can trigger a smell.
I wasn't thinking about my mother's bathroom.
What happened after you smelled it?
I looked at Theo. She had a look on her face.
Like she smelled it too?
Yes.
And then what happened?
I got more scared.
Hmm.
I'm sorry. I'm messing up the study.
No you're not. Something moved you. You saw something.
Are you coming to confess?
I wish I were. I wish I had done it, then I could confess and you'd be at peace. That great moral philosopher Frank Sinatra once said to someone he loved, I wish you had an enemy, so I could beat him up.
Let's say it wasn't you. Who did it?
I don't know.
It was a stupid thing to do.
It was.
Welcome Home.
You'll never see it again. Mr. Dudley's taking care of it. I'm sorry, Nell. Can I show you something you'd like to see?
Sure.
Someone is playing with you.
Why?
I don't know.
It doesn't matter. Even if they're tormenting me, someone wants me. What I do with this is up to me. I can be a victim, or I can be a volunteer. And I want to be the volunteer.
What is that tune?
I don't know. A lullaby I guess. My mother used to hum it to me. And her mother before that, and so on. Hugh Crain, would you care to dance?
Nell... please, Nell... take a deep breath...
And they're all locked together in here... and he won't let go of them!
I hadn't done a study of how group fear affects individual performance. Mass hysteria is like a story, Nell. A communal story. Someone starts it. Then we all add a little more to it. And then for some reason no one knows how we start believing it. This story shapes what we see and hear. We interpret everything throug...
It's not real? Crain? He's not real?
Why would we want to do that, Nell?
Because that's where he burned them up, the child laborers from his mills! Because that's where their bones are! He killed <i>hundreds</i>. He took them here and he killed them. Their bones are in the fireplace!
The children want me. They're calling me. They need me.
Nell. You will come here now.
But you told me to look in the paper! You told me I'd be perfect!
Nell, the first time I ever spoke with you in person was the night we met here.
Then who called me?
No.
My mother used to hum this to me. Like her mother hummed it to her. And my great grandmother Carolyn hummed it to her.
Come on.
No
What'll happen to us, Nell?
Nothing, if you leave right now. There's a war going on all around us. Don't get in the way, please.
It's still an electric shock!
Come on Malcolm, it's only seven ohms, it's nothing, it's like a joy buzzer! And it's not about the pain, it's about the interference with concentration...
Malcolm, this is essential work I'm doing. Just think what my research can do for education. Elementary school classrooms near train tracks or airports, where loud noise is random; this helps to prove the need for sound insulation if the children are ever going to learn to read.
And that will be a good place to end this study.
No, Malcolm! Individual performance is only part of it. I know why baseball players choke for no reason, I know why violinists throw up with fear before every concert, and need to, to give a great performance, but what I want to know is, how fear works in a group...
Not the way you've constructed your group, it's just not ethical!
But if the group knows it's being studied as a group, you contaminate the results. The deception is minor.
Are you working with her?
Mary, I'll meet you outside.
Why are you working with her? Mary Lambretta was thrown out of the department for trying to get a Ph.D. in psychic studies.
And after she was thrown out, she needed a job.
You don't believe in the paranormal.
No, but she does, and that's all that matters.
Does she know that's why you're using her?
No.
I, I just can't...
She needed a job, Malcolm. And she's smart. And she helps me.
I have a bad feeling about what you're doing.
This is the last chapter. Please, please give me clearance. It's for science.
The rest of you may hate your insomnia, but I find it the best time of the day for me. I'm alone. Nobody's talking to me but myself. My mind is racing with ideas, and I can think.
Nah, you're going crazy with doubt, all of your mistakes are coming back up the pipes, and it's worse than a nightmare.
He said that Hugh Crain... Hugh Crain was a monster. He said that he was a brutal, horrible man. He told me that Crain drove his workers to early deaths. Crain had children chained to the looms in his mill. And listen to this: his beautiful Rene killed herself.
And why didn't Marrow tell <u>us</u>? Doesn't he trust women? That fuck.
Hey! I heard screaming...