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You're on your own. Stop being chickenhearted and write that story. |
Honest to goodness, I hate you. |
And don't make it too dreary. How about this for a situation: she teaches daytimes. He teaches at night. Right? They don't even know each other, but they share the same room. It's cheaper that way. As a matter of fact, they sleep in the same bed in shifts, of oourse. |
Are you kidding? Because I think it's good. |
So do I. |
Came on back. Let me show you where it fits in. |
Oh, you |
And here's a title: AN APPLE FOR THE TEACHER. |
Good. |
What's good about it? I miss him something fierce. |
I mean this is good dialogue along in here. It'll play. |
It will? |
Sure. Especially with lots of music underneath, drowning it out. |
Don't you sometimes hate yourself? |
Constantly. No, in all serious ness, it's really good. It's fun writing again. I'm happy here, honest I am. |
Who's Norma? |
Who's who? |
I'm sorry. I don't usually read private cigarette cases. |
Oh, that. It's from a friend of mine. A middleaged lady, very foolish and very generous. |
I'll say. This is solid gold. |
I gave her some advice on an idiotic script. |
It's that old familiar story, you help a timid little soul across a crowded street. She turns out to be a multimillionaire and leaves you all her money. |
That's the trouble with you readers. You know all the plots. Now suppose you proofread page ten while the water boils. |
Look at this street. All card board, all hollow, all phoney. All done with mirrors. I like it better than any street in the world. Maybe because I used to play here when I was a kid. |
What were you a child actress? |
I was born just two blocks from this studio. Right on Lemon Grove Avenue. Father was head elec trician here till he died. Mother still works in Wardrobe. |
Second generation, huh? |
Third. Grandma did stunt work for Pearl White. I come from a picture family. Naturally they took it for granted I was to become a great star. So I had ten years of dramatic lessons, diction, dancing. Then the studio made a test. Well, they didn't like my nose it slanted this way a little. I went to a doctor and had it fixed. They made more tests, and they were crazy about my nose only they didn't like my acting. |
Nice job. |
Should be. It cost three hundred dollars. |
Saddest thing I ever heard. |
Not at all. It taught me a little sense. I got me a job in the mail room, worked up to the Stenographic. Now I'm a reader... |
Come clean, Betty. At night you weep for those lost closeups, those gala openings... |
Not once. What's wrong with being on the other side of the cameras? It's really more fun. |
Three cheers for Betty Schaefer! I will now kiss that nose of yours. |
If you please. |
May I say you smell real special. |
It must be my new shampoo. |
That's no shampoo. It'smore like a pile of freehly laundred hand kerchiefs, like a brand new auto mobile. How old are you anyway? |
Twentytwo. |
That's it there's nothing like being twentytwo. Now may I suggest that if we're ever to finish this story you keep at least two feet away from me ... Now back to the typewriter. |
Hey, what's the matter... Betty, wake up! Why are you staring at me like that? |
Was I? I'm sorry. |
What's wrong with you tonight? What is it, Betty? |
Something came up. I don't want to talk about it. |
Why not? |
I just don't. |
What is it you've heard. Come on, let's have it. |
Betty, there's no use running out on it. Let's face it, what ever it is. |
It's nothing. I got a telegram from Artie. |
From Artie. What's wrong? |
He wants me to come on to Arizona. He says it only oosts two dollars to get married there. It would kind of save us a honeymoon. |
Why don't you? We can finish the script by Thursday. |
Stop crying. You're getting married. That's what you've always wanted. |
I don't want it now. |
Why not? Don't you love Artie? |
Of course I love him. I always will. I'm just not in love with him any more. |
What happened? |
You did. |
Hello, Betty. |
I don't know why I'm so scared, Joe. Is it something awful? |
Come on in, Betty, |
Ever been in one of these old Hollywood palazzos? That's from when they were making eighteen thou sand a week, and no taxes. Careful of these tiles, they're slippery. Valentino used to dance here. |
This is where you live? |
You bet. |
Whose house is it? |
Hers. |
Whose? |
Just look around. There's a lot of her spread about. If you don't remember the face, you must have heard the name of Norma Desmond. |
That was Norma Desmond on the phone? |
Want something to drink? There's always champagne on ice, and plenty of caviar. |
Why did she call me? |
Jealous. Ever see so much junk? She had the ceiling brought from Portugal. Look at this. |
Her own movie theatre. |
I didn't come here to see a house. What about Norma Desmond? |
I'm trying to tell you. This is an enormous place. Eight master bedrooms. A sunken tub in every bathroom. There's a bowling alley in the cellar. It's lonely here, so she got herself a companion. A very simple setup: An older woman who is welltodo. A younger man who is not doing too well ... Can you figure it out yourself? |
No. |
All right. I'll give you a few more clues. |
No, no! I haven't heard any of this. I never got those telephone calls. I've never been in this house ... Get your things together. Let's get out of here. |
All my things? All the eighteen suits, all the custommade shoes and the eighteen dozen shirts, and the cufflinks and the platinum key chains, and the cigarette cases? |
Come on, Joe. |
Come on where? Back to a oneroom apartment that I can't pay for? Back to a story that may sell and very possibly will not? |
If you love me, Joe. |
Look, sweetie be practical. l've got a good thing here. A longterm contract with no options. I like it that way. Maybe it's not very admirable. Well, you and Artie can be admirable. |
Joe, I can't look at you any more. |
Nobody asked you to. |
Hello, Mr. Sheldrake. On that Bases Loaded. I covered it with a 2page synopsis. But I wouldn't bother. |
What's wrong with it? |
It's from hunger. |
Nothing for Ladd? |
Just a rehash of something that wasn't very good to begin with. |
I'm sure you'll be glad to meet Mr. Gillis. He wrote it. |
This is Miss Kramer. |
Schaefer. Betty Schaefer. And right now I wish I could crawl into a hole and pull it in after me. |
Name dropper. |
I just think pictures should say a little something. |
Carefull Those are dirty words! You sound like a bunch of New York critics. Thank you, Miss Schaefer. |
Goodbye, Mr. Gillis. |
Well, what do you know ! Joe Gillis ! |
Hi, Artie. |
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