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CriticalRoleTranscripts

Dataset card Data Studio Files
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this chamber.
LIAM: Simultaneously, Caleb will slap his hand
down on Keg’s shoulder and send Frumpkin on the
ceiling or on the first floor, towards the
stairwell at the front of the building.
MATT: Okay.
MARISHA: I’m going to go down with Clay, but just
at the stairs, since I also look like a guard.
MATT: Okay. So you stay at the stairs there,
Beau.
MARISHA: Yep.
MATT: All right. As you glance through, Clay, you
can see the faint light in here, you can see the
figure’s walking up to the cage, eyes still
trained on the door.
TALIESIN: I’m just tapping on the doors. All
clear. We got one, it’s Keg. We’ll handle it. I’m
going to head back upstairs.
MATT: Make a deception check.
TALIESIN: All right.
MARISHA: Does he have advantage?
MATT: No. It’s allowing him to do one–
TALIESIN: That’s cocked.
SAM: That was cocked.
MATT: I saw it.
TALIESIN: 18.
MATT: 18?
TALIESIN: I’m going to start heading back up.
MATT: “All right, I’ll get back to work.”
TALIESIN: We could use your help up here if you
got a second.
MATT: “I’m going to finish up.” As you turn around
and begin to ascend the stairs, you begin to hear
what sounds like a child beginning to scream.
(screams)
MARISHA: I tap on the bars with my staff, and I
go: Wait man, Phil, there’s something wrong with
Phil, I think he really needs our help. Fucking
Phil, am I right?
MATT: Make a deception check.
LIAM: Roll fucking high, Marisha.
MARISHA: I’m not gambling for torturing children.
LIAM: Oh my god.
(cheering)
MARISHA: 21!
SAM: Fucking Phil.
LIAM: Phil, am I right?
MATT: He pulls back. You can see there’s a heated
spike that’s orange at the tip that he pulls out
of the cage. He goes (growling).
TALIESIN: I’m going to head upstairs.
MARISHA: I hate it when Phil ruins torturing
hour.
MATT: He steps back towards the table at the back
and sets it down there, where you can see there are
other implements laid out. He comes back to the
cage and goes, “I’ll be back later,” and comes to
the door where you are.