rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
happy_death_day | tt5308322 | Z_ltsOqSVXwQ | 1
00:00:08,220 --> 00:00:09,380
With a furrowed brow.
2
00:00:09,420 --> 00:00:10,900
Tree looks up from packing.
3
00:00:20,820 --> 00:00:22,300
She faces her roommate.
4
00:00:36,940 --> 00:00:39,980
A glimpse shows Tree dropping the cupcake on the floor.
5
00:00:48,660 --> 00:00:49,460
In the hospital.
6
00:00:... | 1
00:00:06,010 --> 00:00:07,310
Tree stops what she's doing
2
00:00:07,310 --> 00:00:08,680
suddenly lost in thought.
3
00:00:38,590 --> 00:00:41,220
She remembers one occasion where she dropped it on the floor.
4
00:00:52,560 --> 00:00:53,390
At the hospital.
5
00:00:53,440 --> 00:00:55,650
Tombs is wheeled past L... | 1
00:00:00,090 --> 00:00:02,400
Happy birthday.
2
00:00:02,430 --> 00:00:05,600
Thanks, but I already ate it
last night.
3
00:00:12,100 --> 00:00:14,850
Oh, my God.
4
00:00:14,870 --> 00:00:18,720
I died in my sleep.
5
00:00:18,740 --> 00:00:19,840
What?
6
00:00:23,610 --> 00:00:25,620
You killed me.
7
00:00:27,0... | 1
00:00:00,090 --> 00:00:02,400
Happy birthday.
2
00:00:02,420 --> 00:00:05,590
Thanks, but I already ate it
last night.
3
00:00:12,100 --> 00:00:14,850
Oh, my God.
4
00:00:14,870 --> 00:00:18,720
I died in my sleep.
5
00:00:18,740 --> 00:00:19,840
What?
6
00:00:23,610 --> 00:00:25,610
You killed me.
7
00:00:27,0... | {"screenplay_scene_101": "<scene>\n <stage_direction>INT. TREE'S BEDROOM - MORNING</stage_direction>\n <scene_description>We can HEAR the shower running through the bathroom door as a border-line hysterical Tree enters. She immediately begins pulling clothes from her drawer and tossing them on the bed. The water ... | 5771.39 | 4956.22 | 243.74 |
officer_and_a_gentleman | tt0084434 | 5OtR_0h3XQKr | 1
00:00:01,060 --> 00:00:03,070
Hi, son.
2
00:00:03,230 --> 00:00:05,860
How are you doing, sarge?
3
00:00:06,030 --> 00:00:08,450
What did you call me?
4
00:00:08,610 --> 00:00:11,200
- Pardon?
- What did you call me, boy?
5
00:00:11,370 --> 00:00:14,490
- I called you "sarge."
- Before that.
6
00:00:14,660 --> 0... | 1
00:00:01,080 --> 00:00:03,080
Hi, son.
2
00:00:03,250 --> 00:00:05,870
How are you doing, sarge?
3
00:00:06,040 --> 00:00:08,460
What did you call me?
4
00:00:08,630 --> 00:00:11,210
- Pardon?
- What did you call me, boy?
5
00:00:11,380 --> 00:00:14,510
- I called you "sarge."
- Before that.
6
00:00:14,670 --> 0... | null | 7450.80 | 751.39 | 55.36 | ||
officer_and_a_gentleman | tt0084434 | Xn7YxU10XRwV | 1
00:00:01,640 --> 00:00:03,440
Foley approaches Zack down the line
2
00:00:03,510 --> 00:00:05,030
and peers closely at him.
3
00:00:33,750 --> 00:00:35,190
He spots the bandage.
4
00:00:43,550 --> 00:00:44,710
Foley rips it off.
5
00:01:06,590 --> 00:01:08,230
Foley tosses the bandage,
| 1
00:00:08,700 --> 00:00:13,410
- Were you laughing at me, dick brain?
- No, sir!
2
00:00:13,620 --> 00:00:15,870
Better stop eyeballing me, boy.
3
00:00:16,040 --> 00:00:19,710
I'll rip your eyeballs out of the sockets
and skull fuck you to death.
4
00:00:19,880 --> 00:00:22,790
- Yes, sir!
- What's your name, boy?... | 1
00:00:00,370 --> 00:00:01,620
[SNICKERS]
2
00:00:08,710 --> 00:00:13,420
- Were you laughing at me, dick brain?
- No, sir!
3
00:00:13,630 --> 00:00:15,880
Better stop eyeballing me, boy.
4
00:00:16,050 --> 00:00:19,720
I'll rip your eyeballs out of the sockets
and skull fuck you to death.
5
00:00:19,890 --> 00:00... | null | 7450.80 | 812.16 | 68.82 | |
officer_and_a_gentleman | tt0084434 | wW9SCrWK_nz_ | 1
00:00:41,800 --> 00:00:42,920
The others turn away.
2
00:00:50,360 --> 00:00:50,880
Later.
3
00:00:50,920 --> 00:00:53,160
Zack does push ups on the muddy patch.
4
00:01:12,160 --> 00:01:13,800
Seeger hangs from a chin up bar.
5
00:02:11,590 --> 00:02:12,470
At dusk.
| 1
00:00:50,550 --> 00:00:52,380
Next press ups in the mud.
| 1
00:00:00,230 --> 00:00:05,650
- Drove his train in a 30-foot ditch
- Drove his train in a 30-foot ditch
2
00:00:05,820 --> 00:00:10,360
- Came on out with his dick in his hand
- Came on out with his dick in his hand
3
00:00:10,530 --> 00:00:15,240
- Said, "Listen, ladies, I'm a hell of a man"
- Said, "Listen, ladie... | 1
00:00:00,240 --> 00:00:05,660
- Drove his train in a 30-foot ditch
- Drove his train in a 30-foot ditch
2
00:00:05,830 --> 00:00:10,370
- Came on out with his dick in his hand
- Came on out with his dick in his hand
3
00:00:10,540 --> 00:00:15,250
- Said, "Listen, ladies, I'm a hell of a man"
- Said, "Listen, ladie... | {"screenplay_scene_71": "<scene>\n <stage_direction>EXT. THE BEACH - DAY</stage_direction>\n <scene_description>Foley is putting Zack through hell . With his heavy rifle raised overhead and a full pack on his back , he runs through the wet sand at the beach , to the cadence of his D.I. 's jody call . Foley runs w... | 7450.80 | 3514.66 | 132.94 |
officer_and_a_gentleman | tt0084434 | 4wWu8gTMMMTk | 1
00:01:04,960 --> 00:01:06,520
Zack clasps his head
| 1
00:00:04,290 --> 00:00:07,540
- I want to fly jets, sir.
- My grandmamma wants to fly jets.
2
00:00:07,710 --> 00:00:09,670
I wanted to since I was a kid!
3
00:00:09,840 --> 00:00:13,380
We're not talking about flying,
we're talking about character.
4
00:00:13,550 --> 00:00:16,680
- I've changed since I've been he... | 1
00:00:04,300 --> 00:00:07,560
- I want to fly jets, sir.
- My grandmamma wants to fly jets.
2
00:00:07,720 --> 00:00:09,680
I wanted to since I was a kid!
3
00:00:09,850 --> 00:00:13,390
We're not talking about flying,
we're talking about character.
4
00:00:13,560 --> 00:00:16,690
- I've changed since I've been he... | {"screenplay_scene_74": "<scene>\n <stage_direction>EXT. THE GUN EMPLACEMENT - THE NEXT DAY</stage_direction>\n <scene_description>Zack lies prone at the top of the bunker , his feet about six inches off the ground , Foley standing over him , smiling .</scene_description>\n <character>FOLEY</character>\n <d... | 7450.80 | 3718.59 | 67.71 | |
officer_and_a_gentleman | tt0084434 | ghNCQHmN4Fjz | 1
00:00:39,720 --> 00:00:41,240
Zack turns to look at Paula,
2
00:00:41,240 --> 00:00:42,560
who averts her gaze.
3
00:00:44,040 --> 00:00:45,240
He looks at Lynette.
4
00:00:49,200 --> 00:00:50,440
Zack strides out.
| 1
00:00:00,740 --> 00:00:05,950
I couldn't believe it.
He still wanted to marry me.
2
00:00:06,120 --> 00:00:10,080
- And what did you say?
- I said no, of course.
3
00:00:10,250 --> 00:00:16,000
I don't want no Okie from Muskogee.
I can get that right here.
4
00:00:16,220 --> 00:00:18,380
You little bitch.
5
00:00... | 1
00:00:00,250 --> 00:00:05,970
Heh, I couldn't believe it.
He still wanted to marry me.
2
00:00:06,130 --> 00:00:10,100
- And what did you say?
- I said no, of course.
3
00:00:10,260 --> 00:00:16,020
I don't want no Okie from Muskogee.
I can get that right here.
4
00:00:16,230 --> 00:00:18,400
You little bitch.
5
... | {"screenplay_scene_103": "<scene>\n <stage_direction>INT. LYNETTE'S HOUSE - DAY</stage_direction>\n <scene_description>They find her in the kitchen , sitting at the table , smoking a cigarette .</scene_description>\n <character>PAULA</character>\n <dialogue>Lynette, where's Sid?</dialogue>\n <character>L... | 7450.80 | 6288.29 | 50.90 | |
officer_and_a_gentleman | tt0084434 | lFk71cP2i8yE | 1
00:00:01,370 --> 00:00:03,290
Zack throws Paula up in his arms
2
00:00:03,290 --> 00:00:05,330
and carries her through the factory
3
00:00:05,330 --> 00:00:07,570
as the workers come forward clapping.
4
00:00:09,650 --> 00:00:10,530
Paula grins,
5
00:00:10,530 --> 00:00:12,810
then nuzzles her head against Zac's ... | 1
00:00:01,060 --> 00:00:02,190
In a wider gangway.
2
00:00:02,230 --> 00:00:02,610
Zack.
3
00:00:02,610 --> 00:00:04,190
Switch Paula up into his arms
4
00:00:04,190 --> 00:00:07,450
and carries her out past rows of smiling, clapping colleagues.
5
00:00:07,650 --> 00:00:09,360
She can't believe it's happening to h... | {"screenplay_scene_120": "<scene>\n <stage_direction>EXT. THE NATIONAL PAPER MILL - DAY</stage_direction>\n <scene_description>Zack carries Paula out into the sunshine and kisses her again . She 's like candy , all right , and he 'll never get enough . PULL BACK INTO HELICOPTER SHOT that dwarfs them far below us ... | 7450.80 | 7274.53 | 38.85 | ||
the_godfather | tt0068646 | nmTxpErcvKDd | 1
00:00:02,100 --> 00:00:04,340
Sunlight glints through the branches of a small tree
2
00:00:04,340 --> 00:00:05,700
as we rise to a window.
3
00:00:05,900 --> 00:00:07,980
An awning hangs over the window railing.
4
00:00:14,980 --> 00:00:18,260
In his room, Walt sleeps with his head on a satiny gold pillow,
5
00:0... | 1
00:00:01,280 --> 00:00:05,700
Then light from the slowly rising sun glints through the foliage of a tree.
2
00:00:08,410 --> 00:00:09,870
In his grand bedroom.
3
00:00:10,290 --> 00:00:16,130
Woltz lies sleeping beneath the sheets and Academy Award on a bedside table next to him.
4
00:00:19,840 --> 00:00:23,220
Sl... | 1
00:01:16,080 --> 00:01:17,700
(WOLTZ SCREAM ING)
2
00:01:26,040 --> 00:01:27,840
(SCREAM ING CONTINUES)
| null | 10659.03 | 1962.34 | 90.05 | |
the_godfather | tt0068646 | GvxoxhiqSP4U | 1
00:00:05,630 --> 00:00:08,230
With a thoughtful look, Michael gives a brief gesture.
2
00:00:38,180 --> 00:00:40,020
Our view slowly closes in on him.
3
00:01:01,260 --> 00:01:02,780
Michael locks eyes with Sonny.
4
00:01:05,220 --> 00:01:07,900
Clemenza laughs, and Tessio and Sonny join in.
5
00:01:08,180 --> 00... | 1
00:01:03,920 --> 00:01:06,630
Sonny looks at Clemenza, who started to laugh.
2
00:01:07,760 --> 00:01:09,630
Tessio and Sonny join in.
| 1
00:00:00,900 --> 00:00:05,490
What about this McCluskey?
What do we do with this cop?
2
00:00:10,660 --> 00:00:13,540
They want to have a meeting
with me, right?
3
00:00:14,420 --> 00:00:18,840
It will be me, McCluskey and Sollozzo.
4
00:00:20,840 --> 00:00:22,840
Let's set the meeting.
5
00:00:25,010 --> 00:00:2... | 1
00:00:00,940 --> 00:00:05,480
What about this McCluskey?
What do we do with this cop?
2
00:00:10,660 --> 00:00:13,490
They want to have a meeting
with me, right?
3
00:00:14,370 --> 00:00:18,830
It will be me, McCluskey and Sollozzo.
4
00:00:20,830 --> 00:00:22,840
Let's set the meeting.
5
00:00:25,000 --> 00:00:2... | {"screenplay_scene_92": "<scene>\n <stage_direction>INT. DAY: DON'S OFFICE (WINTER 1945)</stage_direction>\n <scene_description>SONNY is in the DON 's office ; he is excited and exuberant .</scene_description>\n <character>SONNY</character>\n <dialogue>I've got a hundred button men on the streets twenty - f... | 10659.03 | 4415.81 | 129.61 |
the_godfather | tt0068646 | 3_dOmqRLejAz | 1
00:00:04,880 --> 00:00:06,440
Michael walks away from the table.
2
00:00:10,800 --> 00:00:11,920
Entering the restroom.
3
00:00:11,920 --> 00:00:14,520
He steps through two swinging doors and into a stall.
4
00:00:14,720 --> 00:00:17,920
He reaches past the pull chain and behind the high mounted toilet tank,
5
00... | 1
00:00:12,290 --> 00:00:13,960
Michael goes into the restroom
2
00:00:13,960 --> 00:00:15,670
and enters a toilet cubicle.
3
00:00:18,300 --> 00:00:20,760
He thrusts a hand up behind the cistern
4
00:00:20,930 --> 00:00:22,090
and feels about.
5
00:00:24,550 --> 00:00:26,510
He can't seem to find the gun.
6
00:00... | 1
00:00:01,570 --> 00:00:03,490
He's clean.
2
00:00:03,570 --> 00:00:05,660
Don't take too long.
3
00:00:08,790 --> 00:00:10,580
I've frisked a thousand punks.
| 1
00:00:01,520 --> 00:00:03,480
He's clean.
2
00:00:03,570 --> 00:00:05,650
Don't take too long.
3
00:00:08,740 --> 00:00:10,530
I've frisked a thousand punks.
4
00:00:46,900 --> 00:00:48,530
(TOI LET FLUSHING)
5
00:01:26,770 --> 00:01:28,780
(SOLLOZZO SPEAKING ITALIAN)
6
00:02:02,770 --> 00:02:04,020
(CHOKING)
| {"screenplay_scene_103": "<scene>\n <stage_direction>INT. NITE: LUNA AZURA TOILET (WINTER 1945)</stage_direction>\n <scene_description>MICHAEL steps into the small bathroom ; he is breathing very hard . He actually uses the urinal . Then he washes his hands with the bar of pink soap ; and dries them thoroughly . ... | 10659.03 | 5238.88 | 133.56 |
the_godfather | tt0068646 | fZdFwES8mNYv | 1
00:00:02,870 --> 00:00:04,390
Sonny approaches a toll booth.
2
00:00:10,710 --> 00:00:12,310
Another car pulls ahead of him.
3
00:00:12,550 --> 00:00:15,710
It stops as Sonny drives up to the attendant window behind it.
4
00:00:18,660 --> 00:00:20,020
Sonny reaches into his pocket
5
00:00:20,020 --> 00:00:21,740
... | 1
00:00:00,050 --> 00:00:01,060
in another car.
2
00:00:02,560 --> 00:00:06,640
Sonny's car approaches some tollbooths on a quiet stretch of causeway.
3
00:00:08,900 --> 00:00:10,690
Another cars just ahead of him
4
00:00:10,690 --> 00:00:14,570
as he pulls up next to a booth to pay the uniformed collector.
5
00:00... | 1
00:00:26,140 --> 00:00:28,180
Son -of-a -bitch. Come on!
| 1
00:00:09,570 --> 00:00:11,160
(HORN HONKING)
2
00:00:15,500 --> 00:00:17,160
(TOLL BELL DINGS)
3
00:00:18,250 --> 00:00:20,250
(MAN CHATTERING ON RADIO)
4
00:00:26,090 --> 00:00:28,090
Son -of-a -bitch. Come on!
5
00:00:28,180 --> 00:00:29,800
(HORN BLARING)
6
00:00:29,890 --> 00:00:31,390
(COIN CLINKING)
7
00:... | null | 10659.03 | 7030.75 | 86.10 |
the_godfather | tt0068646 | a98aPKJ7bau6 | 1
00:00:00,720 --> 00:00:02,720
Young people don't respect anything anymore.
2
00:00:04,520 --> 00:00:06,000
Times are changing for the worse.
3
00:00:10,000 --> 00:00:12,120
This place has become too dangerous for you.
4
00:00:16,160 --> 00:00:19,160
I want you to move to a villa near Siracusa right now.
5
00:00:2... | 1
00:00:00,480 --> 00:00:04,530
And Tommasino replies, young people don't respect anything anymore.
2
00:00:04,940 --> 00:00:06,530
Times are changing for the worse.
3
00:00:10,160 --> 00:00:12,700
This place has become too dangerous for you.
4
00:00:16,460 --> 00:00:20,380
I want you to move to a villa near Siracus... | 1
00:00:03,840 --> 00:00:07,220
times are changing for the worse.
2
00:00:09,470 --> 00:00:12,890
This place has become
too dangerous for you.
3
00:00:15,600 --> 00:00:20,770
I want you to move to a villa
near Siracusa... right now.
4
00:00:26,780 --> 00:00:27,950
What's wrong?
5
00:00:29,070 --> 00:00:31,290
Bad n... | 1
00:00:03,880 --> 00:00:07,250
times are changing for the worse.
2
00:00:09,460 --> 00:00:12,930
This place has become
too dangerous for you.
3
00:00:15,600 --> 00:00:20,810
I want you to move to a villa
near Siracusa... right now.
4
00:00:26,770 --> 00:00:27,940
What's wrong?
5
00:00:29,110 --> 00:00:31,280
Bad n... | {"screenplay_scene_169": "<scene>\n <stage_direction>EXT. DAY: TOMMASSINO COURTYARD</stage_direction>\n <scene_description>HIGH ANGLE ON DON TOMMASSINO 'S VILLA We HEAR girlish laughter ; the little Alpha is driving erratically , knocking down an occasional wall , and almost hitting th inner court wall . APPOLONI... | 10659.03 | 7455.74 | 133.07 |
the_godfather | tt0068646 | EeX0_aB71Gnu | 1
00:00:36,730 --> 00:00:37,530
They stop.
2
00:01:17,480 --> 00:01:18,520
She shakes her head.
3
00:01:49,600 --> 00:01:50,600
Michael gazes at her,
4
00:01:50,600 --> 00:01:51,560
but she looks away.
5
00:01:53,360 --> 00:01:54,680
He gestures at his driver,
| 1
00:01:51,680 --> 00:01:52,970
He looks along the street
2
00:01:52,970 --> 00:01:54,430
and signals for his car.
| 1
00:00:02,410 --> 00:00:04,950
I'm working for my father now, Kay.
2
00:00:07,450 --> 00:00:10,460
He's been sick. Very sick.
3
00:00:12,000 --> 00:00:13,960
But you're not like him.
4
00:00:14,040 --> 00:00:17,840
You told me you weren't going to
become like your father.
5
00:00:19,760 --> 00:00:24,050
My father ... | 1
00:00:02,360 --> 00:00:04,900
working for my father now, Kay.
2
00:00:07,400 --> 00:00:10,410
He's been sick. Very sick.
3
00:00:11,950 --> 00:00:13,910
But you're not like him.
4
00:00:13,990 --> 00:00:17,790
You told me you weren't going to
become like your father.
5
00:00:19,750 --> 00:00:24,050
My father is n... | {"screenplay_scene_175": "<scene>\n <stage_direction>INT. DAY: THE OLIVE OIL FACTORY</stage_direction>\n <scene_description>DON CORLEONE leads MICHAEL through the corridors of the building .</scene_description>\n <character>DON CORLEONE</character>\n <dialogue>This old building has seen its day. No way to d... | 10659.03 | 8055.36 | 116.05 |
the_godfather | tt0068646 | NYXiJ1_2ijZw | 1
00:00:02,120 --> 00:00:03,080
He shakes his head.
2
00:00:04,360 --> 00:00:05,760
Smirking, Moe stands
3
00:00:05,760 --> 00:00:07,040
and slaps his hands together.
4
00:00:47,560 --> 00:00:48,680
Moe looks at Fredo.
5
00:01:15,640 --> 00:01:16,880
Michael stares at Moe,
6
00:01:17,120 --> 00:01:19,120
putting h... | 1
00:01:49,000 --> 00:01:50,330
Most storms out.
| 1
00:00:00,360 --> 00:00:04,230
- You think I'm skimming off the top?
- You're unlucky.
2
00:00:09,030 --> 00:00:11,450
You Guineas make me laugh.
3
00:00:11,570 --> 00:00:16,160
I took Freddy in when you had a bad
time, and now you try to push me out!
4
00:00:17,540 --> 00:00:20,960
You did that
because we bankroll... | 1
00:00:00,350 --> 00:00:04,230
- You think skimming off the top?
- You're unlucky.
2
00:00:08,980 --> 00:00:11,440
You Guineas make me laugh.
3
00:00:11,570 --> 00:00:16,160
I took Freddy in when you had a bad
time, and now you try to push me out!
4
00:00:17,490 --> 00:00:20,990
You did that
because we bankrolled y... | {"screenplay_scene_181": "<scene>\n <stage_direction>INT. NITE: FLAMINGO SUITE (1955)</stage_direction>\n <scene_description>They are seated around the lavish table in Michael 's suite . MICHAEL is speaking to JOHNNY .</scene_description>\n <character>MICHAEL</character>\n <dialogue>Johnny, the Corleone fam... | 10659.03 | 8620.64 | 132.52 |
the_godfather | tt0068646 | hoWXov3kmAGJ | 1
00:00:04,380 --> 00:00:07,900
Revealing a gun in the box, Clemenza shoots Victor Stracci and others
2
00:00:07,900 --> 00:00:08,820
in the elevator.
3
00:00:12,060 --> 00:00:12,220
Him.
4
00:00:12,260 --> 00:00:13,460
A man enters the parlour
5
00:00:13,460 --> 00:00:14,980
and Moe puts his glasses on.
6
00:00:1... | 1
00:00:05,610 --> 00:00:07,900
Clemenza pulls a shotgun from the box
2
00:00:07,900 --> 00:00:10,530
and shoots two men who are emerging from the lift.
3
00:00:13,410 --> 00:00:17,040
When a man enters the massage room, Moe Greene puts on his glasses
4
00:00:17,250 --> 00:00:18,790
and is shot in the face.
5
00:00... | 1
00:00:00,400 --> 00:00:04,740
Michael Francis Rizzi,
do you renounce Satan?
2
00:00:11,000 --> 00:00:12,250
I do renounce him.
3
00:00:21,920 --> 00:00:23,340
And all his works?
4
00:00:37,230 --> 00:00:38,270
I do renounce them.
5
00:00:40,030 --> 00:00:41,280
Oh, God!
6
00:00:44,200 --> 00:00:47,870
- And all ... | 1
00:00:00,440 --> 00:00:04,780
PRI EST: Michael Francis Rizzi,
do you renounce Satan?
2
00:00:11,070 --> 00:00:12,280
I do renounce him.
3
00:00:21,960 --> 00:00:23,420
And all his works?
4
00:00:31,800 --> 00:00:33,640
(MUFFLED SHOUTING)
5
00:00:37,270 --> 00:00:38,310
I do renounce them.
6
00:00:40,100 --> 00:0... | {"screenplay_scene_205": "<scene>\n <stage_direction>EXT. DAY: ROCKEFELLER CENTER (1955)</stage_direction>\n <scene_description>The DRIVER of the limousine in front of Rockefeller Center is arguing with NERI . Now the DRIVER looks up . TWO MEN in topcoats exit the building , through the revolving glass doors . NE... | 10659.03 | 9631.94 | 82.13 |
the_godfather | tt0068646 | Bt2BXb8V9GTo | 1
00:00:12,200 --> 00:00:15,000
Michael slams the desk with a worried expression.
2
00:00:15,000 --> 00:00:16,200
Kay drops her gaze.
3
00:00:19,000 --> 00:00:20,560
Michael slowly paces away.
4
00:00:20,920 --> 00:00:22,080
He pushes a chair.
5
00:00:27,040 --> 00:00:28,000
Heaving a sigh.
6
00:00:28,040 --> 00:0... | 1
00:00:13,370 --> 00:00:14,540
He glares at her
2
00:00:15,000 --> 00:00:16,960
and she finally averts her eyes.
3
00:00:20,290 --> 00:00:21,500
Pacing some more.
4
00:00:22,200 --> 00:00:24,000
He lets out a weary sigh.
5
00:01:00,410 --> 00:01:00,870
No.
6
00:01:04,950 --> 00:01:06,710
Kay smiles with relief,
... | 1
00:00:01,770 --> 00:00:03,480
Michael, is it true?
2
00:00:05,480 --> 00:00:09,150
- Don't ask me about my business, Kay.
- Is it true?
3
00:00:09,230 --> 00:00:11,990
Don't ask me about my business.
Enough!
4
00:00:32,050 --> 00:00:33,550
All right.
5
00:00:36,390 --> 00:00:38,140
This one time.
6
00:00:42,100 ... | 1
00:00:01,800 --> 00:00:03,510
Michael, is it true?
2
00:00:05,470 --> 00:00:09,190
- Don't ask me about my business, Kay.
- Is it true?
3
00:00:09,270 --> 00:00:11,980
Don't ask me about my business.
Enough!
4
00:00:32,080 --> 00:00:33,590
All right.
5
00:00:36,420 --> 00:00:38,170
This one time.
6
00:00:42,180 ... | null | 10659.03 | 10258.66 | 123.39 |
straight_outta_compton | tt1398426 | o_hPpXnrYL_Z | 1
00:00:00,580 --> 00:00:00,980
here.
2
00:00:08,900 --> 00:00:10,420
The bearded man glares at E.
3
00:00:17,260 --> 00:00:19,460
The short haired man looks out through the peephole.
4
00:00:22,300 --> 00:00:24,540
He and the bearded man step to either side of E.
5
00:00:28,580 --> 00:00:30,840
The young woman aim... | 1
00:00:09,850 --> 00:00:11,610
The man in the vest gets to his feet.
2
00:00:17,410 --> 00:00:18,730
The other man moves to the door
3
00:00:18,730 --> 00:00:19,610
and looks out.
4
00:00:22,090 --> 00:00:23,290
He steps close to Eazy-E
5
00:00:23,290 --> 00:00:24,730
and glares into his face.
6
00:00:27,930 --> ... | 1
00:00:00,360 --> 00:00:03,940
- Here.
- Bitch, I just said I wasn't thirsty!
2
00:00:03,970 --> 00:00:06,250
Hold up.
Why you gotta be so ruthless, Eric?
3
00:00:06,270 --> 00:00:09,670
I want my fucking money.
Where the money at?
4
00:00:11,470 --> 00:00:14,190
What the fuck you being so disrespectful
in my house... | 1
00:00:00,360 --> 00:00:03,940
- Here.
- Bitch, I just said
I wasn't thirsty!
2
00:00:03,960 --> 00:00:06,240
Hold up.
Why you gotta be
so ruthless, Eric?
3
00:00:06,260 --> 00:00:09,670
I want my fucking money.
Where the money at?
4
00:00:11,470 --> 00:00:14,180
What the fuck
you being so disrespectful
in my house... | {"screenplay_scene_3": "<scene>\n <stage_direction>INT. BROWN HOUSE - MINUTES LATER</stage_direction>\n <scene_description>It's not what you'd call \"cozy.\" The carpet is torn up, stained, cigarette-burnt. Walls covered in TAGS. A PITBULL stares menacingly from the kitchen. In addition to Eazy and Tone, there ar... | 8798.75 | 145.89 | 162.12 |
straight_outta_compton | tt1398426 | FG1r5bIqlhqe | 1
00:00:12,290 --> 00:00:13,850
Dre DJ's at the turntables.
2
00:00:21,130 --> 00:00:23,090
Yella quickly moves away from the woman.
3
00:00:23,450 --> 00:00:26,330
A man with a jerry curl hairstyle walks onto the stage
4
00:00:26,330 --> 00:00:27,930
as Yella hands Dre a record.
5
00:00:50,390 --> 00:00:51,590
Lon... | 1
00:00:05,640 --> 00:00:08,720
Antoine Carraby, aka DJ Yella.
2
00:00:21,440 --> 00:00:22,360
He jumps to his feet
3
00:00:22,360 --> 00:00:24,360
as a dark figure approaches the stage.
4
00:00:25,840 --> 00:00:27,560
Yella hands Dre a 12 inch.
5
00:00:51,610 --> 00:00:53,290
Dre takes a record off the deck.
6
00... | 1
00:00:02,750 --> 00:00:04,560
You're a Capricorn, right?
2
00:00:04,580 --> 00:00:09,830
I mean, I can look at a girl
and I know their sign. You know?
3
00:00:09,850 --> 00:00:12,400
It's just something I do.
Oh. Mm-hmm.
4
00:00:12,420 --> 00:00:17,000
Look, I hope I'm not disrespecting you, right?
Uh-uh. Not at a... | 1
00:00:02,740 --> 00:00:04,550
You're a Capricorn, right?
2
00:00:04,570 --> 00:00:09,820
I mean, I can look at a girl
and I know their sign. You know?
3
00:00:09,850 --> 00:00:12,390
It's just something I do.
Oh. Mm-hmm.
4
00:00:12,420 --> 00:00:17,000
Look, I hope I'm not
disrespecting you, right?
Uh-uh. Not at a... | {"screenplay_scene_16": "<scene>\n <stage_direction>A15 INT. DOO-TO'S CLUB - ENTRYWAY - MOMENTS LATER A15</stage_direction>\n <scene_description>Muffled MUSIC seeps into the area as SECURITY GUARDS thoroughly SEARCH everyone. One of them stares Eazy down.</scene_description>\n <character>SECURITY GUARD</charac... | 8798.75 | 1016.51 | 149.70 |
straight_outta_compton | tt1398426 | LhKx_JGcnzXq | 1
00:00:00,250 --> 00:00:01,290
He goes in the booth.
2
00:02:07,140 --> 00:02:08,540
He puts on sunglasses.
| 1
00:00:53,420 --> 00:00:55,620
Easy looks down nervously at the lyrics.
2
00:01:40,430 --> 00:01:42,030
Now, alone in the control room.
3
00:01:42,030 --> 00:01:43,230
Dre nods his head.
4
00:02:07,000 --> 00:02:07,320
Easy.
5
00:02:07,320 --> 00:02:08,360
Puts on sunglasses
6
00:02:08,360 --> 00:02:09,840
and ad... | 1
00:00:01,600 --> 00:00:05,570
- What are you doing?
- E, let me produce. Man.
2
00:00:07,070 --> 00:00:10,350
- Feel like it's getting weird.
- Man, shut up and get comfortable.
3
00:00:10,380 --> 00:00:12,010
Let's go.
4
00:00:14,720 --> 00:00:17,760
♪ Cruisin' down the street
in my 6-4 ♪
5
00:00:17,780 --> 00:0... | 1
00:00:00,090 --> 00:00:01,570
[Door Slides Closed]
2
00:00:01,600 --> 00:00:05,560
- What are you doing?
- E, let me produce. Man.
3
00:00:07,070 --> 00:00:10,350
- Feel like it's getting weird.
- Man, shut up
and get comfortable.
4
00:00:10,370 --> 00:00:11,980
[Tape Deck Whirring]
Let's go.
5
00:00:12,010 --> 0... | {"screenplay_scene_21": "<scene>\n <stage_direction>INT. LONZO'S STUDIO - LATER</stage_direction>\n <scene_description>ON EAZY, self-conscious in the booth, light beaming on him. Dre gets up from the board, DIMS THE LIGHTS way down low --</scene_description>\n <character>EAZY</character>\n <dialogue>Fuck yo... | 8798.75 | 1685.86 | 153.88 |
straight_outta_compton | tt1398426 | TYIwMK_1PZXZ | 1
00:00:05,060 --> 00:00:06,700
Dre and Yella work turntables.
2
00:00:09,580 --> 00:00:11,180
Facing the crowd with Cube and E.
3
00:00:11,220 --> 00:00:12,950
Ren brings the mic to his mouth.
4
00:00:23,670 --> 00:00:25,030
Cube lifts his microphone.
5
00:00:36,950 --> 00:00:40,790
Among the mostly African Americ... | 1
00:00:04,080 --> 00:00:06,720
Dressed all in black on stage NWA warm up
2
00:00:06,720 --> 00:00:09,440
while strobes flash beneath a gleaming disco ball.
3
00:00:37,130 --> 00:00:40,290
A middle aged man with Jerry turns around and leaves the crowd.
4
00:01:18,340 --> 00:01:22,100
Another man with Jerry smiles wi... | 1
00:00:13,530 --> 00:00:15,840
Now everybody say "Yeah!"
2
00:00:15,870 --> 00:00:17,310
Yeah!
3
00:00:17,330 --> 00:00:19,980
Hell yeah!
Hell yeah!
4
00:00:20,000 --> 00:00:24,210
Louder! Scream!
5
00:00:25,510 --> 00:00:28,250
♪ It was once said by a man
who couldn't quit ♪
6
00:00:28,280 --> 00:00:30,860
♪ "Do... | 1
00:00:00,010 --> 00:00:03,050
♪♪ [Scratching,
Rap Intro]
[Audience Cheering]
2
00:00:13,520 --> 00:00:15,840
[MC Ren]
Now everybody say "Yeah!"
3
00:00:15,860 --> 00:00:17,300
[Audience]
Yeah!
4
00:00:17,330 --> 00:00:19,970
Hell yeah!
Hell yeah!
5
00:00:20,000 --> 00:00:24,200
Louder! Scream!
[Cheering, Shouting... | {"screenplay_scene_33": "<scene>\n <stage_direction>INT. SKATELAND RINK - MAIN FLOOR - CONTINUOUS</stage_direction>\n <scene_description>We see the PACKED MASS of the CROWD, crammed together, hands in the air, SCREAMING, even though nothing's happened yet. The stage is pitch black as we see the silhouettes of NWA... | 8798.75 | 2319.07 | 171.76 |
straight_outta_compton | tt1398426 | S2KW6qNV3BE8 | 1
00:00:04,690 --> 00:00:05,650
Officers arrive.
2
00:00:30,290 --> 00:00:30,730
The cops.
3
00:00:30,730 --> 00:00:31,330
What's rents?
4
00:00:31,330 --> 00:00:31,570
Food.
5
00:01:49,420 --> 00:01:51,020
Jerry takes a couple steps back.
6
00:01:52,900 --> 00:01:55,280
Bits of smashed burger lie by his East Face... | 1
00:00:02,160 --> 00:00:02,760
The cops.
2
00:01:49,420 --> 00:01:52,540
The group lie on their chests, on the pavement, in the remains of their lunch,
3
00:01:52,540 --> 00:01:54,260
and Eazy-E glares at the concrete.
4
00:01:54,260 --> 00:01:54,350
Reat.
5
00:01:57,710 --> 00:02:00,630
Jerry stands over them, wa... | 1
00:00:00,140 --> 00:00:02,250
One time. One time.
2
00:00:02,280 --> 00:00:05,280
We cool.
We ain't even doin' shit.
We not doin' shit.
3
00:00:06,150 --> 00:00:07,930
You guys lost?
4
00:00:07,950 --> 00:00:10,950
Nah.
You niggas supposed to be somewhere?
5
00:00:12,090 --> 00:00:13,800
Yeah. Here.
6
00:00:13,8... | 1
00:00:00,140 --> 00:00:02,250
One time. One time.
2
00:00:02,270 --> 00:00:05,270
We cool.
We ain't even doin' shit.
We not doin' shit.
3
00:00:06,140 --> 00:00:07,920
You guys lost?
4
00:00:07,940 --> 00:00:10,950
[Eazy-E] Nah.
You niggas
supposed to be somewhere?
5
00:00:12,080 --> 00:00:13,790
Yeah. Here.
6
0... | {"screenplay_scene_39": "<scene>\n <stage_direction>EXT. AUDIO ACHIEVEMENTS STUDIO - CONTINUOUS</stage_direction>\n <scene_description>Parked along the curb, Dre's girl LaVetta sits in what we thought was Dre's DATSUN. It's filled to the brim with clothes and baby gear, hatchback tied down with bungee chord. Dre ... | 8798.75 | 2798.59 | 184.53 |
straight_outta_compton | tt1398426 | xT6FWnFvXJoj | 1
00:00:00,460 --> 00:00:02,660
Later, Cube joins the group with his notebook.
2
00:00:04,980 --> 00:00:05,980
He shows it to Dre.
3
00:00:13,540 --> 00:00:15,020
Dre hands The notebook to E,
4
00:00:16,220 --> 00:00:16,900
nodding.
5
00:00:16,940 --> 00:00:17,940
E looks at Cube.
6
00:00:33,340 --> 00:00:34,580
T... | 1
00:00:00,680 --> 00:00:03,000
Keith barges into the studio with a pad.
2
00:00:11,680 --> 00:00:12,160
Yo,
3
00:00:12,360 --> 00:00:13,520
Dre studies the pad,
4
00:00:13,560 --> 00:00:15,080
then passes it back to Eazy,
5
00:00:15,120 --> 00:00:16,640
who leans back and reads it.
6
00:00:53,490 --> 00:00:55,850... | 1
00:00:03,190 --> 00:00:05,630
I got something
for this beat.
2
00:00:07,130 --> 00:00:08,690
Hey, Yella, cut it.
3
00:00:09,860 --> 00:00:13,100
What is it lookin' like, Dre?
It's hard?
Yo.
4
00:00:18,340 --> 00:00:19,920
Hell yeah, Cube.
Yeah.
5
00:00:19,940 --> 00:00:22,790
This gon' start some shit,
but this w... | 1
00:00:00,080 --> 00:00:03,160
♪♪ [Drum Beats]
2
00:00:03,180 --> 00:00:05,620
I got something
for this beat.
3
00:00:07,120 --> 00:00:08,690
Hey, Yella, cut it.
♪♪ [Stops]
4
00:00:09,860 --> 00:00:13,090
What is it lookin' like, Dre?
It's hard?
Yo.
5
00:00:18,330 --> 00:00:19,910
Hell yeah, Cube.
Yeah.
6
00:00:1... | null | 8798.75 | 2983.23 | 102.49 |
straight_outta_compton | tt1398426 | XUKf68TnCrm0 | 1
00:00:10,970 --> 00:00:11,890
On the tour bus?
2
00:00:34,530 --> 00:00:35,530
Dre grabs a pager.
3
00:00:35,530 --> 00:00:38,770
It reads 911911911.
4
00:00:43,690 --> 00:00:44,530
At a rest stop.
5
00:00:44,530 --> 00:00:46,730
Dre sits on a concrete parking barrier.
6
00:00:46,770 --> 00:00:48,490
The group a... | 1
00:00:36,370 --> 00:00:39,170
Dre looks at his pager, which displays a number.
2
00:00:44,130 --> 00:00:46,450
In a dark car park, the group leave the bus
3
00:00:46,450 --> 00:00:47,650
and walk towards Dre,
4
00:00:47,690 --> 00:00:49,380
who slumps down onto a kerb.
5
00:00:53,300 --> 00:00:54,300
They gather ... | 1
00:00:02,100 --> 00:00:05,480
I'm telling you, that guy wants to be you
very frickin' badly.
2
00:00:05,500 --> 00:00:08,810
As if I ain't got enough fucking problems. Right?
Uh, I've got some problems.
3
00:00:08,840 --> 00:00:11,180
Excuse me.
Can I get another round?
4
00:00:11,200 --> 00:00:14,250
Nah, I just ... | 1
00:00:02,090 --> 00:00:05,470
I'm telling you,
that guy wants to be you
very frickin' badly.
2
00:00:05,490 --> 00:00:08,810
As if I ain't got enough
fucking problems. Right?
Uh, I've got some problems.
3
00:00:08,830 --> 00:00:11,170
Excuse me.
Can I get another round?
4
00:00:11,200 --> 00:00:14,240
[Dre]
Nah, I... | {"screenplay_scene_52": "<scene>\n <stage_direction>INT. TOUR BUS - MIDDLE OF NOWHERE, USA - NIGHT</stage_direction>\n <scene_description>Cube and Dre speak in hushed tones, everyone else asleep.</scene_description>\n <character>DRE</character>\n <dialogue>Nah, I think you over reacting. Eazy's one of us, C... | 8798.75 | 3622.46 | 148.19 |
straight_outta_compton | tt1398426 | 6StO1YD5WVvs | 1
00:00:35,980 --> 00:00:37,260
The audience complies.
2
00:00:41,260 --> 00:00:43,860
The lead officer watches with comrades at his sides.
3
00:00:45,900 --> 00:00:48,380
The group's security team extends their middle fingers.
4
00:00:49,100 --> 00:00:51,180
Jerry looks around them with a nervous grin.
5
00:00:52,... | 1
00:00:16,740 --> 00:00:19,140
Cube steps down from a raised platform.
2
00:00:42,260 --> 00:00:46,660
A line of cops watch with serious expressions while the audience hold up their middle fingers,
3
00:00:46,660 --> 00:00:49,820
along with D.O.C. and the security team surrounding Jerry.
4
00:00:52,060 --> 00:00:53... | 1
00:00:00,050 --> 00:00:03,660
Y'all know what the motherfuckin' police
tried to tell us backstage?
2
00:00:03,690 --> 00:00:05,700
What?
3
00:00:05,720 --> 00:00:09,160
They tried to tell us
what the fuck we can't play.
4
00:00:11,700 --> 00:00:14,640
Motherfuckers
tryin' to tell us...
5
00:00:14,670 --> 00:00:16... | 1
00:00:00,050 --> 00:00:03,660
Y'all know what
the motherfuckin' police
tried to tell us backstage?
2
00:00:03,680 --> 00:00:05,690
[Audience]
What?
3
00:00:05,720 --> 00:00:09,130
They tried to tell us
what the fuck we can't play.
4
00:00:09,150 --> 00:00:11,670
[Audience Booing,
Shouting]
5
00:00:11,690 --> 00:0... | {"screenplay_scene_58": "<scene>\n <stage_direction>INT. JOE LOUIS ARENA - STAGE - LATER</stage_direction>\n <scene_description>With Dre spinning, Cube, Ren and Yella hype the crowd as Eazy tears up the final bars of STRAIGHT OUTTA COMPTON --</scene_description>\n <character>EAZY</character>\n <dialogue>Thi... | 8798.75 | 3948.83 | 212.77 |
straight_outta_compton | tt1398426 | 421jfrD8UvkT | 1
00:00:49,590 --> 00:00:51,030
Jerry turns off the stereo.
2
00:00:55,590 --> 00:00:56,830
Ren glares at Yella.
3
00:01:53,290 --> 00:01:55,090
Facing E Jerry gives a nod.
4
00:02:03,570 --> 00:02:04,770
He glances at Yella.
5
00:02:11,460 --> 00:02:12,580
Jerry walks out.
6
00:02:13,180 --> 00:02:14,180
Ren look... | 1
00:00:49,310 --> 00:00:50,870
Jerry turns off the stereo.
2
00:00:55,750 --> 00:00:57,070
Ren glares at Yella.
3
00:01:52,400 --> 00:01:54,280
Eazy-E stands up in front of Jerry.
4
00:02:02,800 --> 00:02:04,040
Yella pours a drink.
5
00:02:11,570 --> 00:02:12,290
Jerry leaves
6
00:02:12,290 --> 00:02:13,650
and ... | 1
00:00:00,130 --> 00:00:02,240
♪ Who gives a fuck
about a punk-ass villain? ♪
2
00:00:02,260 --> 00:00:04,080
♪ You're getting fucked
real quick ♪
3
00:00:04,100 --> 00:00:06,850
♪ And Eazy's dick is smelling
like MC Ren's shit ♪
4
00:00:06,870 --> 00:00:08,910
♪ Tried to tell you
a year ago ♪
5
00:00:08,940 --> 0... | 1
00:00:00,120 --> 00:00:02,230
♪ Who gives a fuck
about a punk-ass villain? ♪
2
00:00:02,260 --> 00:00:04,070
♪ You're getting fucked
real quick ♪
3
00:00:04,090 --> 00:00:06,840
♪ And Eazy's dick is smelling
like MC Ren's shit ♪
4
00:00:06,860 --> 00:00:08,910
♪ Tried to tell you
a year ago ♪
5
00:00:08,930 --> 0... | {"screenplay_scene_84": "<scene>\n <stage_direction>INT. JERRY'S LIVING ROOM - DAY</stage_direction>\n <scene_description>NO VASELINE CONTINUES over -- Jerry and N.W.A., minus Dre and D.O.C., listen to the track, faces grimaced:</scene_description>\n <character>CUBE (ON TRACK)</character>\n <dialogue>Y'all ... | 8798.75 | 5175.65 | 148.61 |
straight_outta_compton | tt1398426 | rQmixAqC_8m2 | 1
00:00:00,750 --> 00:00:01,590
In a hospital.
2
00:00:01,630 --> 00:00:03,590
A balding doctor heads down a hallway.
3
00:00:05,790 --> 00:00:09,030
The doctor joins E and his straight haired girlfriend in an exam room.
4
00:01:00,210 --> 00:01:03,010
Distraught, the straight haired woman looks from the doctor to E... | 1
00:00:01,530 --> 00:00:04,690
A doctor enters a hospital room where Eazy-E lies in bed.
2
00:00:07,290 --> 00:00:08,810
Tomica sits beside him.
3
00:00:09,890 --> 00:00:10,290
Um.
4
00:00:22,090 --> 00:00:22,370
Yes.
5
00:00:23,050 --> 00:00:24,850
Um, it is those things and.
6
00:00:27,490 --> 00:00:28,610
Batt... | 1
00:00:15,310 --> 00:00:18,920
Wait. Ain't you
gonna say something?
2
00:00:18,940 --> 00:00:22,060
What is it?
A respiratory infection?
Pneumonia? What?
3
00:00:22,080 --> 00:00:26,260
Yes, well, um,
it is those things and more, I'm afraid.
4
00:00:26,280 --> 00:00:28,290
We ran a full blood battery.
5
00:00:28,3... | 1
00:00:09,730 --> 00:00:11,830
[Clears Throat]
2
00:00:15,300 --> 00:00:18,910
Wait. Ain't you
gonna say something?
3
00:00:18,940 --> 00:00:22,050
What is it?
A respiratory infection?
Pneumonia? What?
4
00:00:22,070 --> 00:00:26,250
Yes, well, um,
it is those things
and more, I'm afraid.
5
00:00:26,280 --> 00:00:... | null | 8798.75 | 7775.58 | 157.39 |
catch_me_if_you_can | tt0264464 | 7j_i4Q4wo5dN | 1
00:00:04,590 --> 00:00:07,670
A burly guy bumps in wearing a varsity jacket.
2
00:00:07,670 --> 00:00:10,390
The bully smiles and shakes hands with his bespectacled friend.
3
00:00:10,990 --> 00:00:12,950
Later, Frank enters a classroom.
4
00:00:19,280 --> 00:00:20,840
The guy with glasses faces him.
5
00:00:25,2... | 1
00:00:07,560 --> 00:00:10,400
A passing student shoves him against the lockers.
2
00:00:13,070 --> 00:00:15,030
Frank walks into a classroom.
3
00:00:26,670 --> 00:00:28,210
The same lad that pushed him.
4
00:00:28,250 --> 00:00:30,380
Takes a seat at the front of the class.
5
00:00:30,710 --> 00:00:31,880
Frank ... | 1
00:00:01,760 --> 00:00:03,310
- Excuse me.
- Yes?
2
00:00:03,390 --> 00:00:05,270
Do you know where room 17,
French is?
3
00:00:05,350 --> 00:00:06,480
Yeah...
4
00:00:21,120 --> 00:00:22,820
You selling encyclopedias?
5
00:00:22,910 --> 00:00:25,490
He looks like a substitute teacher.
6
00:00:41,220 --> 00:00:4... | 1
00:00:01,810 --> 00:00:02,890
Excuse me.
2
00:00:02,930 --> 00:00:03,890
Oh, yes?
3
00:00:03,930 --> 00:00:05,810
Do you know
where room 17 French is?
4
00:00:05,850 --> 00:00:07,580
GIRL:
Yeah, it's...
5
00:00:07,600 --> 00:00:09,400
(snickering)
6
00:00:13,320 --> 00:00:15,820
(school bell ringing)
7
00:00:15... | null | 8442.07 | 1145.79 | 164.12 |
catch_me_if_you_can | tt0264464 | to_9VScLzZ9z | 1
00:00:16,990 --> 00:00:17,710
At the airport.
2
00:00:17,750 --> 00:00:20,310
Frank watches three stewardesses walking ahead of him.
3
00:00:20,590 --> 00:00:22,510
He approaches a counter.
4
00:00:53,760 --> 00:00:54,680
On a plane?
5
00:00:54,720 --> 00:00:56,280
A stewardess escorts Frank.
6
00:01:22,840 --> ... | 1
00:00:17,690 --> 00:00:22,480
Frank strolls through a smart looking airport and up to the TWA desk.
2
00:00:54,560 --> 00:00:55,600
In the cockpit?
3
00:01:23,990 --> 00:01:26,280
The air hostess pulls Frank aside
4
00:01:26,280 --> 00:01:28,120
and extends the seat for him.
| 1
00:00:00,140 --> 00:00:04,430
I'm sorry, sir. We won't have any cash
until the banks open in an hour.
2
00:00:04,560 --> 00:00:08,060
But I'm sure they can cash your check
at the airport.
3
00:00:08,770 --> 00:00:10,060
The airport?
4
00:00:10,190 --> 00:00:12,440
Who cashes checks at the airport?
5
00:00:12,570 ... | 1
00:00:01,130 --> 00:00:05,010
We won't have any cash until
the banks open in an hour
2
00:00:05,050 --> 00:00:06,210
but, uh, I'm sure
3
00:00:06,300 --> 00:00:09,010
they can cash your check
at the airport.
4
00:00:09,050 --> 00:00:10,510
The airport?
5
00:00:10,550 --> 00:00:12,930
Who cashes checks
at the airp... | {"screenplay_scene_58": "<scene>\n <stage_direction>INT. -PLAZA HOTEL. - MORNING</stage_direction>\n <scene_description>Frank walks downstairs his uniform , CHECK IN HAND . The HOTEL MANAGER rushes over to greet him .</scene_description>\n <character>MANAGER</character>\n <dialogue>What can I do for y ou, M... | 8442.07 | 2298.94 | 119.07 |
catch_me_if_you_can | tt0264464 | vaBD1MkBxaN0 | 1
00:00:06,150 --> 00:00:06,630
Walking by.
2
00:00:06,670 --> 00:00:07,670
Teller stations.
3
00:00:07,670 --> 00:00:09,510
Frank reads the workers name cards.
4
00:00:12,390 --> 00:00:13,870
He passes a woman with glasses,
5
00:00:13,870 --> 00:00:15,230
then two middle aged women.
6
00:00:21,150 --> 00:00:23,12... | 1
00:00:00,380 --> 00:00:03,600
Varying sizes of dollar bills are counted out.
2
00:00:07,850 --> 00:00:12,060
Frank strolls through the bank in his uniform with his cap under his arm.
3
00:00:12,190 --> 00:00:15,480
Checking the names and faces of the female cashiers.
4
00:00:20,280 --> 00:00:22,450
He passes sever... | 1
00:00:28,510 --> 00:00:31,390
Welcome to Miami Mutual Bank.
How may I help you?
2
00:00:31,470 --> 00:00:34,100
My name is Frank Taylor.
I'm a copilot for Pan Am.
3
00:00:34,180 --> 00:00:37,310
I'd like to cash this check and then
4
00:00:38,310 --> 00:00:40,650
I'd like to take you out
for a steak dinner.
5
00:... | 1
00:00:11,340 --> 00:00:13,010
~ ~
2
00:00:17,640 --> 00:00:19,770
WOMAN:
I'd like to open a Money Market,
please.
3
00:00:19,810 --> 00:00:21,810
Okay.
4
00:00:27,940 --> 00:00:31,780
Welcome to Miami Mutual Bank.
How may I help you?
5
00:00:31,820 --> 00:00:35,150
My name is Frank Taylor.
I'm a copilot for Pan A... | {"screenplay_scene_75": "<scene>\n <stage_direction>INT. - DALLAS BANK. - DAY</stage_direction>\n <scene_description>Frank is wearing his pilot 's uniform as he walks up to LUCY , the pretty ASSISTANT MANAGER of a small Dallas bank .</scene_description>\n <character>LUCY</character>\n <dialogue>Welcome to D... | 8442.07 | 2482.24 | 104.35 |
catch_me_if_you_can | tt0264464 | VbTHsEYEojLr | 1
00:00:08,510 --> 00:00:09,430
Carl bumps a cart.
2
00:00:54,800 --> 00:00:56,160
Carl struggles with the wallet.
3
00:01:03,400 --> 00:01:05,680
The young man helps Mr. Murphy into a car.
4
00:01:12,040 --> 00:01:13,040
Frank looks out.
5
00:01:18,560 --> 00:01:20,000
He steps away from the window.
6
00:01:30,24... | 1
00:01:04,490 --> 00:01:05,570
The Blind Man.
2
00:01:31,140 --> 00:01:32,890
Frank drinks nervously,
3
00:01:32,890 --> 00:01:34,560
then calmly faces him.
4
00:02:05,830 --> 00:02:07,380
Frank turns around.
5
00:02:16,090 --> 00:02:18,760
He leaves with his machine and some checks.
6
00:02:19,140 --> 00:02:22,7... | 1
00:00:02,870 --> 00:00:05,580
- Hands on your head.
- That's the new IBM Selectric...
2
00:00:05,670 --> 00:00:07,900
- Put your hands on your head!
- ...print type in five seconds...
3
00:00:07,920 --> 00:00:09,170
Shut up!
4
00:00:09,250 --> 00:00:11,210
Put your hands on your head!
5
00:00:11,300 --> 00:00:15,... | 1
00:00:02,870 --> 00:00:03,920
Hands on your head.
2
00:00:03,960 --> 00:00:05,250
Oh, that's the new
IBM Selectric.
3
00:00:05,340 --> 00:00:06,460
Put your hands on your head.
4
00:00:06,540 --> 00:00:08,440
You can change the print type
in five seconds.
5
00:00:08,460 --> 00:00:09,860
- Shut up!
- Just pop out ... | {"screenplay_scene_86": "<scene>\n <stage_direction>INT. TROPICANA MOTEL - HALLWAY. - DAY 87</stage_direction>\n <scene_description>Carl walks through a fire door with his gun leading the way . CLOSE ON ROOM 212 at the end of the second floor hallway , the DO NOT DISTURB SIGN hanging off the door . Carl slowly ma... | 8442.07 | 3148.77 | 175.06 |
catch_me_if_you_can | tt0264464 | V_7XPU0qUKp1 | 1
00:00:00,190 --> 00:00:01,630
then gently pushes him away.
2
00:00:08,550 --> 00:00:11,150
Staring across the room, she walks to a table.
3
00:00:11,510 --> 00:00:14,350
The beads on her fitted black dress glimmer as she moves.
4
00:00:16,110 --> 00:00:17,390
Cheryl grabs a deck of cards
5
00:00:17,390 --> 00:00:... | 1
00:00:09,980 --> 00:00:13,070
She stands up from the corner of the bed where they're sitting,
2
00:00:13,360 --> 00:00:16,190
crosses the room to the table that she was looking at,
3
00:00:16,400 --> 00:00:18,320
and picks up a pack of cards.
4
00:01:15,700 --> 00:01:17,290
She walks towards him.
5
00:01:22,320 -... | 1
00:00:01,860 --> 00:00:03,150
Shh.
2
00:00:05,820 --> 00:00:08,660
A man like you can buy
anything he wants.
3
00:00:20,340 --> 00:00:23,510
He buys a deck of cards
at the hotel gift shop.
4
00:00:26,850 --> 00:00:28,680
You want to see a card trick?
5
00:00:30,310 --> 00:00:32,310
How much did these cards cost?
... | 1
00:00:02,450 --> 00:00:03,680
Shh.
2
00:00:03,700 --> 00:00:05,260
~... Be mine tonight... ~
3
00:00:05,290 --> 00:00:10,080
Man like you can buy
anything he wants.
4
00:00:10,120 --> 00:00:13,250
~... Let this be
just the start ~
5
00:00:13,290 --> 00:00:20,430
~ Of so many nights
like this... ~
6
00:00:20,470 ... | null | 8442.07 | 3612.99 | 178.84 |
catch_me_if_you_can | tt0264464 | qiBCDIkqXzL3 | 1
00:00:50,350 --> 00:00:53,030
Carl writes 3113S.
2
00:02:21,680 --> 00:02:22,760
Frank hangs up the phone
3
00:02:22,760 --> 00:02:23,720
and stares at it.
4
00:02:25,240 --> 00:02:26,640
Carl turns on his radio.
| 1
00:01:59,420 --> 00:02:01,380
Frank nods and falters.
| 1
00:00:00,500 --> 00:00:01,880
Hello, Carl.
2
00:00:02,670 --> 00:00:03,800
Hello.
3
00:00:06,050 --> 00:00:08,380
Barry Allen, Secret Service.
4
00:00:09,300 --> 00:00:13,140
I've been trying to track you down now
for the last couple of hours.
5
00:00:13,270 --> 00:00:14,390
What do you want?
6
00:00:15,230 --> ... | 1
00:00:00,820 --> 00:00:02,240
FRANK:
Hello, Carl.
2
00:00:02,280 --> 00:00:04,080
Hello.
3
00:00:04,120 --> 00:00:06,620
~... That we send to you,
from the land... ~
4
00:00:06,660 --> 00:00:08,620
Barry Allen, Secret Service.
5
00:00:08,660 --> 00:00:11,310
I've been trying
to track you down now
6
00:00:11,330 ... | null | 8442.07 | 3829.98 | 150.19 |
catch_me_if_you_can | tt0264464 | hXK8u0Cc0VjM | 1
00:00:16,790 --> 00:00:18,550
Frank moves on to the nurse's aides.
2
00:00:24,990 --> 00:00:26,030
Brenda smiles.
3
00:00:27,910 --> 00:00:29,030
She gazes at Frank.
4
00:00:30,710 --> 00:00:31,510
In his home.
5
00:00:31,510 --> 00:00:32,750
Frank watches TV.
6
00:00:48,150 --> 00:00:51,470
Brenda opens the doo... | 1
00:00:27,130 --> 00:00:28,010
Nurse Brown
2
00:00:28,930 --> 00:00:30,470
Frank watches TV.
3
00:00:48,450 --> 00:00:50,370
Frank's working in his office.
4
00:01:02,460 --> 00:01:06,090
She leans on the desk, grinning at him without her braces.
5
00:01:32,100 --> 00:01:34,890
Frank leans forward and kisses her.
... | 1
00:00:00,390 --> 00:00:01,680
Dr. Connelly.
2
00:00:03,180 --> 00:00:04,770
- Dr. Harris.
- Present.
3
00:00:05,850 --> 00:00:07,020
Dr. Ashland.
4
00:00:07,100 --> 00:00:08,520
Dr. Conners?
5
00:00:09,230 --> 00:00:11,190
You gonna take roll every night?
6
00:00:11,270 --> 00:00:13,230
Yes, I will, Dr. Ashland.... | 1
00:00:00,030 --> 00:00:02,740
Dr. Connelly?
2
00:00:02,780 --> 00:00:03,990
Dr. Harris?
3
00:00:04,030 --> 00:00:05,120
Present.
4
00:00:05,200 --> 00:00:06,910
Dr. Ashland?
5
00:00:06,950 --> 00:00:08,600
Dr. Conners...
6
00:00:08,620 --> 00:00:10,910
You gonna take roll every night?
7
00:00:10,960 --> 00:00:1... | {"screenplay_scene_115": "<scene>\n <stage_direction>INT. - HOSPITAL CORRIDOR. - NIGHT</stage_direction>\n <scene_description>Frank walks down along hospital corridor holding his clipboard , passing sever al NURSES in the hall .</scene_description>\n <character>NURSE</character>\n <parenthetical>( FLIRTING ... | 8442.07 | 4470.66 | 136.67 |
catch_me_if_you_can | tt0264464 | YClXY_zP7jXc | 1
00:00:01,910 --> 00:00:02,630
In the ER.
2
00:00:02,830 --> 00:00:04,030
Frank follows a nurse.
3
00:00:04,430 --> 00:00:09,230
He covers his mouth as he spots another nurse holding a blood covered sheet with a bloodied leg.
4
00:00:09,350 --> 00:00:10,950
The boy lies on a gurney nearby.
5
00:00:11,430 --> 00:00... | 1
00:00:03,710 --> 00:00:06,210
Frank walks nervously through the ward,
2
00:00:06,210 --> 00:00:09,960
gagging as a nurse carries a sheet stained with blood past him.
3
00:00:12,430 --> 00:00:15,760
A young boy is lying on a bed with a bloodied leg
4
00:00:15,760 --> 00:00:17,760
while two doctors examine him.
5
0... | 1
00:00:00,590 --> 00:00:02,340
In here, Dr. Conners.
2
00:00:19,480 --> 00:00:22,940
Gentlemen, what seems
to be the problem?
3
00:00:23,650 --> 00:00:28,200
Bicycle accident. A fractured tibia
about five inches below the patella.
4
00:00:28,780 --> 00:00:29,910
Hmm.
5
00:00:33,330 --> 00:00:34,790
Dr. Harris.
6
... | 1
00:00:00,260 --> 00:00:02,860
Oh. In here, Dr. Conners.
2
00:00:02,890 --> 00:00:04,930
(child sobbing)
3
00:00:14,400 --> 00:00:16,940
(sobbing)
4
00:00:19,190 --> 00:00:23,240
Gentlemen, what, uh...
what seems to be the problem?
5
00:00:23,280 --> 00:00:24,610
Bicycle accident.
6
00:00:24,660 --> 00:00:28,700
... | {"screenplay_scene_119": "<scene>\n <stage_direction>INT. EMERGENCY ROOM. - NIGHT</stage_direction>\n <scene_description>The elevator doors open , a nd Frank slowly walks into the EMERGENCY WARD , where Nurses are rushing toward a closed curtain .</scene_description>\n <character>EMERGENCY N URSE</character>\n... | 8442.07 | 4607.55 | 82.99 |
catch_me_if_you_can | tt0264464 | yrtFbdw2x5X6 | 1
00:00:43,300 --> 00:00:46,900
As Carl crosses the factory, Frank grabs checks off the floor.
2
00:00:48,540 --> 00:00:49,820
Carl answers the phone.
3
00:01:44,390 --> 00:01:46,870
Clutching an armful of checks, Frank faces him.
4
00:01:51,390 --> 00:01:52,630
Carl nods faintly.
5
00:01:56,990 --> 00:01:58,430
Fr... | 1
00:00:46,110 --> 00:00:49,330
Carl crosses the factory floor to a wall phone.
2
00:01:45,610 --> 00:01:47,620
Frank looks at him fearfully.
3
00:01:58,530 --> 00:02:00,160
He walks back to Carl.
4
00:02:15,090 --> 00:02:16,090
Carl nods.
5
00:02:16,220 --> 00:02:17,470
Frank drops the checks
6
00:02:17,470 --> 0... | 1
00:00:02,650 --> 00:00:04,210
I'm going to take a look
out the front door.
2
00:00:04,230 --> 00:00:05,230
No!
3
00:00:05,320 --> 00:00:09,320
I told them I'd walk out first
and give a signal. Put these on yourself.
4
00:00:09,410 --> 00:00:12,070
No, I can't do that! You know why?
5
00:00:13,580 --> 00:00:15,160... | 1
00:00:00,010 --> 00:00:01,760
Well, there's no windows here.
2
00:00:01,800 --> 00:00:04,350
I'm going to take a look
out the front door.
3
00:00:04,390 --> 00:00:05,530
No! No!
4
00:00:05,560 --> 00:00:08,270
I told them I'd walk out first
and give a signal.
5
00:00:08,310 --> 00:00:09,750
Here, you can
put thes... | null | 8442.07 | 6843.81 | 180.21 |
catch_me_if_you_can | tt0264464 | c67m9DEjzvZJ | 1
00:00:15,600 --> 00:00:16,920
Frank resumes walking.
2
00:00:55,320 --> 00:00:57,840
Frank stops and looks at the boarding pass in his hand.
3
00:01:10,000 --> 00:01:11,800
Carl gestures down at the empty hall.
4
00:01:18,640 --> 00:01:19,720
The men lock eyes.
5
00:01:20,600 --> 00:01:21,680
American Airlines
6... | 1
00:01:20,530 --> 00:01:21,580
American Airlines
2
00:01:21,990 --> 00:01:23,290
Carl walks away.
3
00:01:23,410 --> 00:01:26,500
Back up the wide, curved airport corridor.
4
00:01:31,000 --> 00:01:34,720
A clock in the FBI office shows 10:10.
5
00:01:34,840 --> 00:01:36,720
Carl stands and watches it.
6
00:01:44... | 1
00:00:01,000 --> 00:00:03,080
What are you doing here?
2
00:00:03,750 --> 00:00:04,960
Listen.
3
00:00:05,670 --> 00:00:07,590
I'm sorry I put you through all this.
4
00:00:07,670 --> 00:00:10,470
You go back to Europe,
you'll die in Perpignan Prison.
5
00:00:10,550 --> 00:00:11,570
You try to run here in the Sta... | 1
00:00:00,740 --> 00:00:03,160
What are you doing here?
2
00:00:03,240 --> 00:00:05,280
Listen...
3
00:00:05,320 --> 00:00:07,430
I'm sorry I put you
through all this.
4
00:00:07,450 --> 00:00:10,390
You go back to Europe, you're
gonna die in Perpignan Prison.
5
00:00:10,410 --> 00:00:11,960
You try to run
here in... | {"screenplay_scene_227": "<scene>\n <stage_direction>INT. - DALLAS AIRPORT COFFEE SHOP. - NIGHT</stage_direction>\n <scene_description>Frank sits alone at the airport coffee shop eating a hamburger and reading a COMIC BOOK . CARL HANRATTY walks into the restaurant and sits next to him .</scene_description>\n <... | 8442.07 | 7860.64 | 178.84 |
twilight_saga_new_moon | tt1259571 | x8bzFFIpxRhN | 1
00:00:01,660 --> 00:00:02,740
In slow motion.
2
00:00:02,780 --> 00:00:06,180
Edward strides toward her, the wind whipping at his unbuttoned shirt
3
00:00:06,180 --> 00:00:08,700
under which he sports a grey V-neck T-shirt.
4
00:00:09,820 --> 00:00:12,580
He glances down, smiling as he draws nearer.
5
00:00:17,90... | 1
00:00:02,730 --> 00:00:06,950
Bella lovingly watches Edward as he coolly strolls over to her in slow motion.
2
00:00:06,950 --> 00:00:08,210
He shyly smiles.
3
00:00:45,460 --> 00:00:46,290
They kiss.
| 1
00:00:15,270 --> 00:00:16,930
- Happy birthday.
- Don't remind me.
2
00:00:19,730 --> 00:00:22,270
Bella, your birth is definitely
something to celebrate.
3
00:00:22,360 --> 00:00:25,070
- Yeah, but my aging's not.
- Your aging?
4
00:00:27,400 --> 00:00:30,200
I think 18 is a little young
to start worrying about t... | 1
00:00:15,620 --> 00:00:16,760
- Happy birthday.
- Don't remind me.
2
00:00:16,780 --> 00:00:17,780
EDWARD: Mmm.
3
00:00:19,700 --> 00:00:22,580
Bella, your birth is definitely
something to celebrate.
4
00:00:22,620 --> 00:00:24,770
- Yeah, but my aging's not.
- Your aging?
5
00:00:25,660 --> 00:00:26,660
(CHUCKLE... | {"screenplay_scene_6": "<scene>\n <stage_direction>EXT. FORKS HIGH SCHOOL - PARKING LOT - DAY</stage_direction>\n <scene_description>Bella climbs out of her truck , shouldering her book bag . She looks around the parking lot , seeking Edward -</scene_description>\n <character>MIKE</character>\n <parenthetic... | 7831.98 | 303.94 | 143.96 |
twilight_saga_new_moon | tt1259571 | _Vr864SxsiBP | 1
00:00:06,890 --> 00:00:09,090
Alice pulls Edward over to Bella's side.
2
00:00:11,290 --> 00:00:12,490
She takes their picture,
3
00:00:12,490 --> 00:00:14,370
then picks up a box from a table.
4
00:00:16,610 --> 00:00:17,730
Bella shakes the box,
5
00:00:17,730 --> 00:00:18,730
then looks at him.
6
00:00:28,810... | 1
00:00:10,790 --> 00:00:13,130
A photo of Bella and Edward is taken.
2
00:00:17,230 --> 00:00:18,860
Bella shakes the rat box.
3
00:00:37,720 --> 00:00:38,850
Bella struggles.
4
00:00:44,150 --> 00:00:49,630
(Neighbor) blood drips from Bella's finger onto the floor in slow motion.
5
00:00:49,670 --> 00:00:53,940
E... | 1
00:00:02,090 --> 00:00:05,180
It's a necklace. Alice picked it out.
2
00:00:05,600 --> 00:00:06,810
Thanks.
3
00:00:09,560 --> 00:00:11,230
Show me the love.
4
00:00:14,940 --> 00:00:16,940
This one's from Emmett.
5
00:00:19,400 --> 00:00:21,910
Already installed it in your truck.
6
00:00:21,990 --> 00:00:23,410... | 1
00:00:01,790 --> 00:00:05,550
Is a necklace. Alice picked it out.
2
00:00:05,670 --> 00:00:06,710
Thanks.
3
00:00:09,670 --> 00:00:11,550
Show me the love.
4
00:00:14,750 --> 00:00:16,740
This one's from Emmett.
5
00:00:19,630 --> 00:00:21,750
Already installed it in your truck.
6
00:00:21,790 --> 00:00:23,620
... | {"screenplay_scene_13": "<scene>\n <stage_direction>INT. CULLEN HOUSE - SECOND FLOOR LANDING - NIGHT</stage_direction>\n <scene_description>Alice tugs Bella and Edward to the top of the landing , then skips down the stairs . They look down into - THE LIVING ROOM - Hundreds of pink candles and rose - filled crysta... | 7831.98 | 832.93 | 113.15 |
twilight_saga_new_moon | tt1259571 | kTiJFgFYEnD8 | 1
00:00:23,360 --> 00:00:24,680
Edward stares off.
2
00:00:32,200 --> 00:00:34,120
Edward gets out of the driver's seat.
3
00:00:37,200 --> 00:00:38,680
He walks around to Bella's door
4
00:00:38,680 --> 00:00:39,640
and opens it.
5
00:01:04,790 --> 00:01:06,550
He gazes impassively at her.
6
00:01:06,990 --> 00:0... | 1
00:00:33,200 --> 00:00:36,000
Edward walks round to open the truck door for Bella.
2
00:01:08,530 --> 00:01:10,070
Bella steps out of the truck.
3
00:01:10,070 --> 00:01:11,330
She faces Edward.
4
00:01:37,660 --> 00:01:42,170
Holding Bella's neck with his hand, Edward slowly leans in to kiss Bella intensely.
| 1
00:00:00,610 --> 00:00:02,480
You can't protect me
2
00:00:04,610 --> 00:00:06,280
from everything.
3
00:00:06,740 --> 00:00:09,700
At some point,
something's gonna separate us.
4
00:00:11,410 --> 00:00:14,040
It's gonna be an accident or illness
5
00:00:15,210 --> 00:00:16,620
or old age,
6
00:00:18,380 --> 00:... | 1
00:00:00,290 --> 00:00:02,240
You can't protect me
2
00:00:04,290 --> 00:00:06,200
from everything.
3
00:00:07,090 --> 00:00:10,050
At some point,
something's gonna separate us.
4
00:00:11,250 --> 00:00:14,130
Is gonna be an accident or illness
5
00:00:15,210 --> 00:00:17,040
or old age,
6
00:00:18,250 --> 00:0... | {"screenplay_scene_16": "<scene>\n <stage_direction>EXT. BELLA'S HOUSE/INT. BELLA'S TRUCK (CONTINUOUS) - NIGHT</stage_direction>\n <scene_description>The truck stops . Beat .</scene_description>\n <character>BELLA</character>\n <dialogue>You ca n't protect me from everything - something's going to separate ... | 7831.98 | 1054.43 | 131.87 |
twilight_saga_new_moon | tt1259571 | vaQCabPRGzg9 | 1
00:00:04,250 --> 00:00:05,290
He steps back.
2
00:00:07,290 --> 00:00:07,730
Edward.
3
00:00:07,730 --> 00:00:09,930
Zaporizhian places a hand on Bella's.
4
00:00:12,010 --> 00:00:13,410
The bike lurches forward.
5
00:00:14,890 --> 00:00:16,530
Jacob eyes her worriedly.
6
00:00:22,370 --> 00:00:26,090
Jacob watc... | 1
00:00:07,170 --> 00:00:08,930
She sees Edward for a moment.
2
00:00:23,980 --> 00:00:26,690
As she rides, Bella sees more visions of Edward.
3
00:00:26,690 --> 00:00:26,780
So
4
00:00:26,780 --> 00:00:28,320
she continues to ride on.
5
00:00:44,730 --> 00:00:47,120
Having lost control on the motorbike, Bella fall... | 1
00:00:00,700 --> 00:00:03,780
Now, slowly release the clutch.
2
00:00:05,790 --> 00:00:06,990
Bella.
3
00:00:10,540 --> 00:00:11,540
Stop.
4
00:00:13,420 --> 00:00:14,420
Whoa!
5
00:00:16,880 --> 00:00:18,460
You all right?
6
00:00:19,760 --> 00:00:21,550
I'm gonna go again.
7
00:00:21,970 --> 00:00:23,130
Okay... | 1
00:00:00,990 --> 00:00:03,980
Now, slowly release the clutch.
2
00:00:06,030 --> 00:00:07,070
EDWARD: Bella.
3
00:00:10,190 --> 00:00:11,190
Stop.
4
00:00:11,990 --> 00:00:12,990
(BELLA GASPS)
5
00:00:13,190 --> 00:00:14,190
Whoa!
6
00:00:17,030 --> 00:00:18,150
You all right?
7
00:00:19,990 --> 00:00:21,190
I'... | {"screenplay_scene_48": "<scene>\n <stage_direction>EXT. LA PUSH - CLEARING IN THE FOREST (CONTINUOUS) - DAY</stage_direction>\n <scene_description>The bike is aimed down a dirt road . Jacob runs through the instructions :</scene_description>\n <character>JACOB</character>\n <dialogue>Brake?</dialogue>\n ... | 7831.98 | 2698.53 | 125.46 |
twilight_saga_new_moon | tt1259571 | bpqsyD8Y1SR2 | 1
00:00:04,940 --> 00:00:05,980
He hurries off
2
00:00:05,980 --> 00:00:07,460
as he rushes into a bathroom.
3
00:00:07,500 --> 00:00:09,940
Bella and Jacob step out of the cinema hall.
4
00:00:30,930 --> 00:00:32,210
Jacob takes her hand,
5
00:00:32,210 --> 00:00:33,810
but she gently pulls away.
6
00:00:38,530 -... | 1
00:00:05,650 --> 00:00:07,360
Mike rushes out to the toilet.
2
00:00:07,360 --> 00:00:09,160
Jacob and Bella shortly follow.
3
00:00:53,030 --> 00:00:53,950
Bella nods.
4
00:02:09,980 --> 00:02:12,190
Jacob sits next to Bella on a step.
5
00:02:41,060 --> 00:02:42,610
Bella turns to look at Jacob.
6
00:02:42,610... | 1
00:00:01,810 --> 00:00:04,310
Okay, I think I'm gonna throw up.
2
00:00:10,530 --> 00:00:11,820
He's...
3
00:00:12,190 --> 00:00:13,990
What a marshmallow!
4
00:00:15,150 --> 00:00:18,570
You should hold out for someone
with a stronger stomach.
5
00:00:18,660 --> 00:00:22,120
Someone who laughs at the gore
that m... | 1
00:00:01,470 --> 00:00:04,310
Okay, I think I'm gonna throw up.
2
00:00:04,390 --> 00:00:05,390
(SCREAMING CONTINUES)
3
00:00:10,390 --> 00:00:11,460
He's...
4
00:00:12,310 --> 00:00:14,220
(SCOFFS) What a marshmallow!
5
00:00:15,310 --> 00:00:18,380
You should hold out for someone
with a stronger stomach.
6
00:... | null | 7831.98 | 3021.25 | 166.46 |
twilight_saga_new_moon | tt1259571 | sODCstkjwlsj | 1
00:00:14,240 --> 00:00:15,200
He tries to leave
2
00:00:15,200 --> 00:00:16,320
and she stops him.
3
00:00:32,920 --> 00:00:34,960
Bella stares at him with a furrowed brow.
4
00:00:35,160 --> 00:00:37,400
Blinking rapidly, she drops her gaze.
5
00:00:53,320 --> 00:00:56,360
Jacob Jacob eyes.
6
00:00:56,360 --> 0... | 1
00:00:54,850 --> 00:00:55,270
Sam.
2
00:00:55,390 --> 00:00:56,060
Bare chested.
3
00:00:56,060 --> 00:00:58,030
A muscular colt appeared from the woods.
| 1
00:00:00,370 --> 00:00:01,700
Go away.
2
00:00:03,040 --> 00:00:04,200
What?
3
00:00:05,870 --> 00:00:07,210
Go away.
4
00:00:09,170 --> 00:00:11,330
What happened to you? What's...
5
00:00:11,420 --> 00:00:13,710
Hey! What happened?
6
00:00:16,670 --> 00:00:19,720
Did Sam get to you?
Is that what's happening?
... | 1
00:00:00,180 --> 00:00:01,970
Go away.
2
00:00:03,100 --> 00:00:04,130
What?
3
00:00:06,060 --> 00:00:07,130
Go away.
4
00:00:09,140 --> 00:00:11,150
What happened to you? Whas...
5
00:00:11,180 --> 00:00:13,970
Hey! What happened?
6
00:00:17,020 --> 00:00:20,010
Did Sam get to you?
Is that whas happening?
7
... | null | 7831.98 | 3369.50 | 148.45 |
twilight_saga_new_moon | tt1259571 | okhtXY_qDxrY | 1
00:00:00,010 --> 00:00:01,330
Bella opens the window.
2
00:00:05,810 --> 00:00:06,850
He runs at the house,
3
00:00:06,850 --> 00:00:08,570
pushing off the wall onto a tree branch,
4
00:00:08,570 --> 00:00:10,730
from which he leaps onto Bella's second floor window
5
00:00:10,730 --> 00:00:12,570
and gracefully s... | 1
00:00:05,830 --> 00:00:08,090
Agile Jacob swiftly leaps from the ground,
2
00:00:08,090 --> 00:00:11,010
bouncing off the wall of Bella's house to land on a tree branch.
3
00:00:11,140 --> 00:00:13,360
He then speedily bounds into Bella's bedroom,
4
00:00:13,360 --> 00:00:14,480
then through her window.
5
00:00:2... | 1
00:00:01,180 --> 00:00:02,600
You scared me.
2
00:00:02,680 --> 00:00:06,140
- What the hell are you doing?
- Back up. I'm coming up.
3
00:00:18,410 --> 00:00:19,610
Hey.
4
00:00:21,780 --> 00:00:23,490
Look, I'm sorry.
5
00:00:30,540 --> 00:00:32,840
- For what?
- I wish I could explain.
6
00:00:32,920 --> 00:0... | 1
00:00:01,410 --> 00:00:02,480
You scared me.
2
00:00:02,530 --> 00:00:06,360
- What the hell are you doing?
- Back up. I'm coming up.
3
00:00:14,370 --> 00:00:15,370
(GASPS)
4
00:00:18,450 --> 00:00:19,480
Hey.
5
00:00:21,530 --> 00:00:23,440
Look, I'm sorry.
6
00:00:30,490 --> 00:00:32,520
- For what?
- I wish ... | {"screenplay_scene_65": "<scene>\n <stage_direction>EXT. BELLA'S HOUSE (CONTINUOUS) - NIGHT</stage_direction>\n <scene_description>Jacob , shirtless , clings to the top of a tree which bends with his weight . Bella opens the window , whisper - yelling -</scene_description>\n <character>BELLA</character>\n <... | 7831.98 | 3901.15 | 140.76 |
twilight_saga_new_moon | tt1259571 | aAQo_uxotc63 | 1
00:00:01,810 --> 00:00:02,170
now.
2
00:00:02,170 --> 00:00:04,050
She stands outside Jacob's house.
3
00:00:04,050 --> 00:00:05,290
Billy answers the door.
4
00:00:11,330 --> 00:00:13,210
She steps around Billy's wheelchair.
5
00:00:15,010 --> 00:00:18,330
Bella striding through a kitchen.
6
00:00:18,330 --> 00... | 1
00:00:16,090 --> 00:00:18,680
Bella barges past Billy and through Jacob's house.
2
00:00:18,680 --> 00:00:21,570
She finds Jacob fast asleep in his bed with relief.
3
00:00:21,610 --> 00:00:25,670
Bella smiles, noticing Sam's colt approaching by the house through the window.
4
00:00:25,670 --> 00:00:26,840
She hea... | 1
00:00:05,830 --> 00:00:07,080
Bella?
2
00:00:07,500 --> 00:00:09,250
I need to see him.
3
00:00:09,960 --> 00:00:11,500
He's not in.
4
00:00:13,170 --> 00:00:16,460
- Okay, I'm sorry, I really need to see him.
- Bella!
5
00:00:32,440 --> 00:00:34,100
What did you do?
6
00:00:35,110 --> 00:00:36,210
- Okay, what ... | 1
00:00:06,050 --> 00:00:07,080
Bella?
2
00:00:07,250 --> 00:00:09,160
I need to see him.
3
00:00:10,090 --> 00:00:11,200
He's not in.
4
00:00:13,130 --> 00:00:16,200
- OK, I'm sorry, I really need to see him.
- Bella!
5
00:00:32,210 --> 00:00:34,090
What did you do?
6
00:00:35,130 --> 00:00:36,140
- Okay, what di... | {"screenplay_scene_68": "<scene>\n <stage_direction>EXT. LA PUSH - CLEARING IN THE FOREST - NIGHT</stage_direction>\n <scene_description>Bella parks . Climbs out of her truck . The moon eerily illuminates the clearing . Forest NOISES encroach . She hears a RUSTLE amid the trees . Spooked , she freezes - then SEES... | 7831.98 | 4149.47 | 121.79 |
twilight_saga_new_moon | tt1259571 | Ax26ZQlp4UjY | 1
00:00:02,060 --> 00:00:04,340
She stops and glances back frantically,
2
00:00:04,340 --> 00:00:05,780
then hurries up the stairs.
3
00:00:06,260 --> 00:00:11,260
A view spirals down from the bright sky to another cobblestone street in slow motion.
4
00:00:11,260 --> 00:00:12,820
Bella pushes past people,
5
00:00:... | 1
00:00:04,530 --> 00:00:09,680
In despair, Bella continues to run up a hill, round the spiral paths and through small alleyways,
2
00:00:09,680 --> 00:00:11,270
pushing her way through the crowd.
3
00:00:11,310 --> 00:00:15,240
Bella suddenly stops, horrified to see the clock tower in the near distance.
4
00:00:15,... | 1
00:01:38,120 --> 00:01:39,450
Don't!
2
00:01:41,540 --> 00:01:42,660
Heaven.
3
00:01:42,750 --> 00:01:44,410
You have to move.
4
00:01:45,250 --> 00:01:48,040
Open your eyes. Look at me. I'm alive.
5
00:01:48,800 --> 00:01:50,550
You have to move.
6
00:01:51,380 --> 00:01:52,630
Bella.
7
00:02:00,100 --> 00:02:... | 1
00:00:12,740 --> 00:00:14,780
(CROWD CHANTING)
2
00:00:51,780 --> 00:00:53,740
(BELL TOLLS)
3
00:01:37,860 --> 00:01:39,660
Don't!
4
00:01:39,700 --> 00:01:40,740
(BELLA PANTING)
5
00:01:41,700 --> 00:01:42,700
Heaven.
6
00:01:42,780 --> 00:01:44,700
You have to move.
7
00:01:44,900 --> 00:01:47,820
Open your e... | {"screenplay_scene_109": "<scene>\n <stage_direction>EXT. PALAZZO DEI PRIORI (CONTINUOUS) - DAY</stage_direction>\n <scene_description>BELLA 'S POV - a sea of scarlet flags , dresses and jackets . On the other side of the crowded square - THE CLOCK TOWER ; it reads one minute before noon . Bella battles her way t... | 7831.98 | 5814.82 | 137.05 |
twilight_saga_new_moon | tt1259571 | ofvBLEj0jV4K | 1
00:00:10,770 --> 00:00:14,170
Without taking his eyes off Bella, Aro tilts his head.
2
00:00:14,810 --> 00:00:15,530
Felix
3
00:00:16,330 --> 00:00:19,530
James brother spins Bella around to face the tall guard.
4
00:00:21,690 --> 00:00:24,330
With a burst of speed, Edward flips Bella over his shoulder,
5
00:00:2... | 1
00:00:15,030 --> 00:00:15,790
Felix
2
00:00:17,330 --> 00:00:19,340
Felix prepares to use his power.
3
00:00:20,300 --> 00:00:20,720
No
4
00:00:21,600 --> 00:00:23,190
Edward rapidly gets to his feet,
5
00:00:23,190 --> 00:00:24,440
grabs Bella by the waist
6
00:00:24,440 --> 00:00:25,860
and flips her out of th... | 1
00:00:01,130 --> 00:00:02,960
She knows too much.
2
00:00:03,510 --> 00:00:05,300
She's a liability.
3
00:00:09,260 --> 00:00:10,800
That's true.
4
00:00:14,680 --> 00:00:15,980
Felix?
5
00:00:19,860 --> 00:00:20,940
No!
6
00:01:22,500 --> 00:01:25,590
Please! No! No! Please, please!
7
00:01:28,470 --> 00:01:31... | 1
00:00:00,810 --> 00:00:02,760
She knows too much.
2
00:00:03,650 --> 00:00:04,840
She's a liability.
3
00:00:06,690 --> 00:00:07,690
Hmm.
4
00:00:08,850 --> 00:00:10,730
Thas true.
5
00:00:14,730 --> 00:00:15,760
Felix?
6
00:00:19,770 --> 00:00:20,770
EDWARD: No!
7
00:00:53,730 --> 00:00:54,730
(GASPS)
8
00:0... | {"screenplay_scene_113": "<scene>\n <stage_direction>INT. CIRCULAR WHITE MARBLE HALL (CONTINUOUS) - DAY</stage_direction>\n <scene_description>Bella , Edward and Alice enter to face the three ancients : Aro , Marcus , Caius . Eight VOLTURI GUARDS -LRB- including Jane , Felix , Demetri -RRB- line the walls in a va... | 7831.98 | 6383.87 | 128.18 |
twilight_saga_new_moon | tt1259571 | k4zdiILvvJk_ | 1
00:00:21,150 --> 00:00:22,590
Edward shakes his head.
2
00:00:43,380 --> 00:00:44,580
He cups her cheek.
3
00:00:47,620 --> 00:00:49,980
Charlie opens the door to find Bella alone.
4
00:00:55,020 --> 00:00:56,660
Charlie leans on the door frame.
5
00:01:27,690 --> 00:01:28,690
Charlie turns away
6
00:01:28,690 -... | 1
00:00:48,260 --> 00:00:49,890
Edward appears to have vanished.
2
00:01:32,970 --> 00:01:34,730
Edward appears from behind the door.
3
00:01:34,730 --> 00:01:36,480
He crouches at Bella's bedside.
4
00:02:26,080 --> 00:02:27,550
They share a gentle kiss.
| 1
00:00:03,780 --> 00:00:06,690
was because I thought
I was protecting you.
2
00:00:08,570 --> 00:00:10,200
I needed you
3
00:00:10,280 --> 00:00:14,240
to have a chance at a normal, happy life.
4
00:00:18,330 --> 00:00:20,710
It was so easy for you to leave.
5
00:00:23,290 --> 00:00:26,960
Leaving you was the hard... | 1
00:00:03,460 --> 00:00:06,420
was because I thought
I was protecting you.
2
00:00:08,420 --> 00:00:10,300
I needed you
3
00:00:10,340 --> 00:00:14,300
to have a chance at a normal, happy life.
4
00:00:18,340 --> 00:00:20,410
It was so easy for you to leave.
5
00:00:23,340 --> 00:00:26,500
Leaving you was the hard... | {"screenplay_scene_117": "<scene>\n <stage_direction>INT. BELLA'S ROOM - NIGHT</stage_direction>\n <scene_description>ON BELLA 'S SLEEPING FACE as the SCREAMING CRESCENDOS - Bella sits bolt upright , yelling -</scene_description>\n <character>BELLA</character>\n <dialogue>- Stop!</dialogue>\n <scene_desc... | 7831.98 | 6697.22 | 154.20 |
twilight_saga_new_moon | tt1259571 | hf3T7GZCDVZi | 1
00:00:03,740 --> 00:00:05,380
She looks up into his eyes.
2
00:00:11,020 --> 00:00:12,660
Jacob eyes her miserably.
3
00:00:14,660 --> 00:00:15,100
Please.
4
00:00:16,980 --> 00:00:18,380
She closes her eyes.
5
00:00:37,250 --> 00:00:40,090
Jacob gazes at her with a heartbroken expression.
6
00:00:46,210 --> 00:... | 1
00:00:55,540 --> 00:00:58,090
Having grabbed Edward's arm, Jacob is pushed back.
2
00:00:58,130 --> 00:01:00,100
He flips over and morphs into a wolf.
3
00:01:04,990 --> 00:01:06,990
Bella stands between Jacob and Edward.
4
00:01:13,270 --> 00:01:15,820
Calming down Jacob, the wolf lowers his head.
5
00:01:15,860... | 1
00:00:00,230 --> 00:00:01,570
Jake,
2
00:00:07,990 --> 00:00:09,610
I love you.
3
00:00:14,330 --> 00:00:16,000
So, please,
4
00:00:20,540 --> 00:00:22,630
don't make me choose,
5
00:00:28,380 --> 00:00:30,340
'cause it'll be him.
6
00:00:33,680 --> 00:00:35,560
It's always been him.
7
00:00:43,030 --> 00:00:44... | 1
00:00:00,180 --> 00:00:01,250
Jake,
2
00:00:08,140 --> 00:00:09,260
I love you.
3
00:00:10,100 --> 00:00:11,250
(JACOB BREATHES DEEPLY)
4
00:00:14,220 --> 00:00:16,140
So, please,
5
00:00:20,260 --> 00:00:22,260
don't make me choose,
6
00:00:28,220 --> 00:00:30,180
'cause ill be him.
7
00:00:33,300 --> 00:00:3... | {"screenplay_scene_122": "<scene>\n <stage_direction>INT. WOODS - MORNING</stage_direction>\n <scene_description>Edward and Bella tramp through the woods to FIND - Jacob leaning against a tree . His expression is hard .</scene_description>\n <character>JACOB</character>\n <dialogue>You're still alive.</dial... | 7831.98 | 7096.42 | 203.29 |
cloverfield | tt1060277 | Ws0hQUFQgPR3 | 1
00:00:05,580 --> 00:00:07,300
An explosion erupts in the harbour.
2
00:00:08,860 --> 00:00:10,660
Chunks of debris fly through the air.
3
00:00:15,220 --> 00:00:18,340
As they rain down around the city, everyone flees to the stairwell.
4
00:00:19,420 --> 00:00:20,420
The camera tumbles.
5
00:00:23,620 --> 00:00:2... | 1
00:00:11,360 --> 00:00:13,370
Something explodes in the distance
2
00:00:13,370 --> 00:00:17,000
and huge fireballs soar through the sky towards the building.
3
00:00:17,040 --> 00:00:18,710
Everyone races back inside
4
00:00:18,710 --> 00:00:21,630
and the footage is interrupted as Hud scurries after them.
5
00:... | 1
00:00:02,520 --> 00:00:04,660
Maybe you should've left town
a little bit earlier, right?
2
00:00:04,680 --> 00:00:05,950
Shut up.
3
00:00:07,450 --> 00:00:08,820
Oh, my God!
4
00:00:11,020 --> 00:00:12,150
No, no, no.
5
00:00:12,930 --> 00:00:15,160
Go, go, go, go, go, go, go!
6
00:00:18,700 --> 00:00:20,760
Hud... | 1
00:00:02,540 --> 00:00:04,690
Maybe you should've left town
a little bit earlier, right?
2
00:00:04,710 --> 00:00:05,710
Shut up.
3
00:00:05,840 --> 00:00:07,340
(EXPLOSION SOUNDS)
4
00:00:07,420 --> 00:00:08,840
ROB: Oh, my God!
5
00:00:11,010 --> 00:00:12,180
No, no, no.
6
00:00:12,890 --> 00:00:15,180
Go, go,... | {"screenplay_scene_47": "<scene>\n <stage_direction>EXT. APARTMENT BUILDING - ROOF - NIGHT</stage_direction>\n <scene_description>Hud's moved closer to the edge of the building. We hear OUR PEOPLE talking over one another. Hud tries to ZOOM IN ON THE HARBOR with the camera --</scene_description>\n <character>M... | 5113.76 | 1188.70 | 133.03 |
cloverfield | tt1060277 | TXv5_lAhnb7m | 1
00:00:14,360 --> 00:00:17,560
As the bridge shakes, the people all stop and look over the side.
2
00:00:20,960 --> 00:00:23,680
On a lower deck, motorists abandoned their vehicles
3
00:00:23,680 --> 00:00:25,480
and flee back toward Manhattan.
4
00:00:31,400 --> 00:00:35,040
The camera zooms in on Lily and Marlena... | 1
00:00:17,440 --> 00:00:18,770
The bridge shudders,
2
00:00:18,820 --> 00:00:21,900
and the friends have become separated by the swelling crowd.
3
00:00:22,530 --> 00:00:25,330
Jason has been taken ahead on the turned.
4
00:00:29,880 --> 00:00:33,510
Hud swings the camera around and focuses on Marlena.
5
00:00:52,... | 1
00:00:01,660 --> 00:00:03,250
Rob's got Beth on the phone!
2
00:00:03,360 --> 00:00:06,190
Okay, Beth, you're gonna
have to calm down, okay?
3
00:00:06,300 --> 00:00:09,490
Where are you?
What do you mean, you can't move?
4
00:00:10,000 --> 00:00:12,440
- What?
- I repeat, no panicking.
5
00:00:17,980 --> 00:00:1... | 1
00:00:01,600 --> 00:00:03,230
Rob's got Beth on the phone!
2
00:00:03,350 --> 00:00:06,150
Okay, Beth, you're gonna
have to calm down, okay?
3
00:00:06,230 --> 00:00:09,530
Where are you?
What do you mean, you can't move?
4
00:00:09,940 --> 00:00:12,400
- What?
- MAN: (ON PA) I repeat, no panicking.
5
00:00:12,70... | {"screenplay_scene_65": "<scene>\n <stage_direction>EXT. BROOKLYNBRIDGE - PEDESTRIAN WALKWAY- NIGHT</stage_direction>\n <scene_description>FROM A DISTANCE -- we're looking out at New York Harbor. As we ZOOM IN, we realize we're looking at what's left of the Statue of Liberty. Her head has been torn clean off -- c... | 5113.76 | 1648.35 | 89.51 |
cloverfield | tt1060277 | Ut7_Xx2dFVK2 | 1
00:00:08,070 --> 00:00:09,590
A leg stomps down ahead of them
2
00:00:09,590 --> 00:00:10,950
and a missile flies at it.
3
00:00:17,630 --> 00:00:21,430
The camera view jumps behind a car as a firing battalion advances up the street,
4
00:00:21,430 --> 00:00:23,430
along with a tank blasting its cannon.
5
00:00:2... | 1
00:00:11,560 --> 00:00:14,350
A rookie screams above the friends heads,
2
00:00:14,390 --> 00:00:16,730
and soldiers play with guns blazing.
3
00:00:17,230 --> 00:00:21,910
The friends race out of their way as they close in on the creature at the end of the floor.
4
00:00:25,290 --> 00:00:27,370
A tank fires anoth... | 1
00:00:01,610 --> 00:00:03,420
- see if somebody else can get there?
- Yeah, I tried!
2
00:00:03,440 --> 00:00:05,770
Okay, well. I mean, what about police?
Fire department?
3
00:00:05,880 --> 00:00:08,970
- I couldn't get through! I tried, l...
- Okay, it just seems a little...
4
00:00:10,880 --> 00:00:13,410
- Oh... | 1
00:00:01,620 --> 00:00:03,430
- see if somebody else can get there?
- Yeah, I tried!
2
00:00:03,450 --> 00:00:05,790
Okay, well. I mean, what about police?
Fire department?
3
00:00:05,870 --> 00:00:07,810
- I couldn't get through! I tried, I...
- Okay, it just seems a little...
4
00:00:07,830 --> 00:00:09,210
(SCR... | {"screenplay_scene_80": "<scene>\n <stage_direction>EXT. ALLEYWAY- NIGHT</stage_direction>\n <scene_description>As they move, we UPCUT into Rob and Hud's conversation --</scene_description>\n <character>HUD (O.S.)</character>\n <dialogue>... tried calling 911, see if someone else can get there?</dialogue>\n... | 5113.76 | 2094.78 | 132.94 |
cloverfield | tt1060277 | p3cjsd_uxGVF | 1
00:00:21,180 --> 00:00:23,020
Marlena cringes comically at him.
2
00:00:32,670 --> 00:00:36,150
Rats scurry past their feet, darting in the same direction they're walking.
3
00:00:43,630 --> 00:00:45,950
The camera turns back to face the way they came.
4
00:00:45,950 --> 00:00:48,150
Rats streaming forward out of ... | 1
00:00:33,460 --> 00:00:35,040
Dozens of rats.
2
00:00:45,870 --> 00:00:49,670
Hud points the camera down the dark tunnel behind them.
3
00:01:35,290 --> 00:01:40,490
In Mark's vision, footage revealed huge, spider like creatures crawling after them in the deep tunnel.
4
00:01:40,780 --> 00:01:42,910
The group grow... | 1
00:00:00,220 --> 00:00:03,090
Hey, do you guys remember
a couple of years ago, when that guy
2
00:00:03,190 --> 00:00:05,290
was lighting homeless people
on fire in the subways?
3
00:00:05,390 --> 00:00:06,880
- Jesus, Hud.
- What?
4
00:00:07,000 --> 00:00:09,760
It's maybe not the best topic
for conversation down... | 1
00:00:00,190 --> 00:00:03,110
HUD: Hey, do you guys remember
a couple of years ago, when that guy
2
00:00:03,190 --> 00:00:05,320
was lighting homeless people
on fire in the subways?
3
00:00:05,400 --> 00:00:06,900
- Jesus, Hud.
- What?
4
00:00:06,990 --> 00:00:09,780
It's maybe not the best topic
for conversation... | {"screenplay_scene_95": "<scene>\n <stage_direction>INT. SUBWAYTUNNELS - NIGHT</stage_direction>\n <scene_description>Moments later. Everyone's stopped, looking down in disgust as EVEN MORE RATS race past. The rats all seem to be coming from the tunnel behind our people.</scene_description>\n <character>HUD (O... | 5113.76 | 2585.82 | 133.03 |
cloverfield | tt1060277 | pN7PMCUWY_5W | 1
00:00:05,800 --> 00:00:07,520
The men hurry them toward the light.
2
00:00:09,800 --> 00:00:11,680
They march past the cosmetics department,
3
00:00:11,680 --> 00:00:13,640
then speed through white plastic tunnels.
4
00:00:27,810 --> 00:00:30,810
They shove through white flaps to a makeshift field hospital.
5
00:... | 1
00:00:29,820 --> 00:00:34,780
The group passed through plastic curtains into an area set up as triage.
2
00:01:54,920 --> 00:01:57,220
Marlena is bleeding from her eyes.
3
00:01:57,680 --> 00:02:00,520
She's dragged away by people wearing hazard suits
4
00:02:00,560 --> 00:02:03,940
and Hud films as she's hurried ... | 1
00:00:00,240 --> 00:00:01,730
We got four civilians here.
2
00:00:02,350 --> 00:00:04,210
- Okay, bring them in.
- Roger.
3
00:00:04,320 --> 00:00:06,510
- Let's go, move. Move it.
- Okay, okay.
4
00:00:08,450 --> 00:00:10,850
- Let's go!
- Okay, okay.
5
00:00:13,560 --> 00:00:16,650
Excuse me, sir? Sir? Excuse m... | 1
00:00:00,270 --> 00:00:01,770
PRYCE: We got four civilians here.
2
00:00:02,310 --> 00:00:04,190
- MAN: (ON RADIO) Okay, bring them in.
- Roger.
3
00:00:04,270 --> 00:00:06,570
- PRYCE: Let's go, move. Move it.
- LILY: Okay, okay.
4
00:00:08,450 --> 00:00:10,910
- Let's go!
- Okay, okay.
5
00:00:13,580 --> 00:00:... | {"screenplay_scene_105": "<scene>\n <stage_direction>INT. DEPARTMENT STORE - NIGHT</stage_direction>\n <scene_description>ON THE MOVE. The soldiers lead our group through Bloomingdales. Our group's still stunned -- not sure what's happening here. We cut into their conversation --</scene_description>\n <charact... | 5113.76 | 2994.94 | 133.72 |
cloverfield | tt1060277 | VzrU29ZRBWYP | 1
00:00:02,700 --> 00:00:04,900
A parasite drops from the landing ceiling.
2
00:00:06,620 --> 00:00:08,340
Rob grabs a fire axe from the wall
3
00:00:08,340 --> 00:00:09,900
and slams it into the beast.
4
00:00:12,180 --> 00:00:12,980
He grabs Beth
5
00:00:12,980 --> 00:00:14,940
and pulls her past the flailing cre... | 1
00:00:01,680 --> 00:00:03,060
As they reach the end of the.
2
00:00:03,890 --> 00:00:06,850
One of the parasites drops down from the ceiling.
3
00:00:07,400 --> 00:00:09,940
Rob clatters and disables it.
4
00:00:28,810 --> 00:00:30,850
The group make it onto street level
5
00:00:30,890 --> 00:00:34,770
and start ... | 1
00:00:13,100 --> 00:00:14,440
Oh, my God.
2
00:00:15,370 --> 00:00:17,430
- What the hell was that?
- I don't know.
3
00:00:17,540 --> 00:00:19,810
Something else also terrible.
4
00:00:20,510 --> 00:00:22,070
Rob, what time
do the choppers take off?
5
00:00:22,150 --> 00:00:23,980
- 0600.
- What time is that?
6... | 1
00:00:02,190 --> 00:00:04,020
(CREATURE CHITTERING)
2
00:00:10,360 --> 00:00:12,110
(CREATURE SQUEALING)
3
00:00:13,070 --> 00:00:14,450
HUD: Oh, my God.
4
00:00:15,370 --> 00:00:17,450
- BETH: What the hell was that?
- HUD: I don't know.
5
00:00:17,530 --> 00:00:19,870
Something else also terrible.
6
00:00:20,5... | {"screenplay_scene_124": "<scene>\n <stage_direction>EXT. STREETS - NIGHT</stage_direction>\n <scene_description>Moments later -- we keep running -- BOOM. Hud risks a glance, swings the camera behind him -- OVER THE ROOFTOPS -- we catch a glimpse of THE MONSTER. It's FOCUSED on the FIGHTERS. It lets out a PIERCIN... | 5113.76 | 3796.83 | 126.55 |
cloverfield | tt1060277 | Js9FBEXdkROD | 1
00:00:04,230 --> 00:00:05,070
They buckle up.
2
00:00:12,070 --> 00:00:13,470
A soldier slides the door shut
3
00:00:13,470 --> 00:00:14,230
and runs off
4
00:00:14,230 --> 00:00:16,270
as the craft rises up from the ground.
5
00:00:16,270 --> 00:00:18,030
Out the window, a truck flies past,
6
00:00:18,030 --> 0... | 1
00:00:13,220 --> 00:00:14,510
The chopper takes off
2
00:00:14,760 --> 00:00:18,810
and Hud films the action taking place below them through the window.
3
00:00:36,280 --> 00:00:40,280
A stealth bomber drops a multitude of bombs onto the creature.
4
00:01:05,530 --> 00:01:07,200
The creature suddenly rears up
5
0... | 1
00:00:00,030 --> 00:00:02,190
Stay low. Stay low.
Come on, come on, come on.
2
00:00:03,030 --> 00:00:04,030
Thank you.
3
00:00:06,070 --> 00:00:09,700
- They're starting the bomb run.
- Get them out of here. Get going.
4
00:00:19,880 --> 00:00:21,910
Oh, shit. Oh, my God.
5
00:00:24,350 --> 00:00:26,980
Oh, my G... | 1
00:00:02,990 --> 00:00:04,030
Thank you.
2
00:00:04,160 --> 00:00:05,950
(MONSTER GROWLING)
3
00:00:06,030 --> 00:00:09,700
- PILOT: They're starting the bomb run.
- Get them out of here. Get going.
4
00:00:19,840 --> 00:00:21,920
HUD: Oh, shit. Oh, my God.
5
00:00:24,340 --> 00:00:26,970
Oh, my God.
Are you guys... | {"screenplay_scene_132": "<scene>\n <stage_direction>INT. HELICOPTER/ EXT. CITY - NIGHT</stage_direction>\n <scene_description>Hud angles the camera OUT THE WINDOW. As the helicopter rises in the air, Hud angles the camera down -- BELOW US -- DEBRIS and THICK BLACK SMOKE from the missile strikes fills the streets... | 5113.76 | 3928.16 | 88.14 |
cloverfield | tt1060277 | LJC4B9RHPVvC | 1
00:00:03,180 --> 00:00:04,380
Hud grabs Rob's arms
2
00:00:04,380 --> 00:00:06,980
and drags him from the fuselage into the morning light.
3
00:00:10,140 --> 00:00:11,460
He pulls him over grass,
4
00:00:11,460 --> 00:00:13,100
stopping when they're clear of the wreck.
5
00:00:17,620 --> 00:00:18,580
Hud drops th... | 1
00:00:06,760 --> 00:00:08,970
Hud resumes his role as cameraman
2
00:00:08,970 --> 00:00:12,060
as he and Beth pull an injured Rob clear of the wreckage.
3
00:00:27,790 --> 00:00:31,050
Jets fly overhead as they tend to Rob.
4
00:00:51,330 --> 00:00:59,610
Having returned for the camera, Hud finds himself turning ... | 1
00:00:00,010 --> 00:00:01,750
- Here, take his hand. Take his hand.
- Good luck.
2
00:00:01,780 --> 00:00:04,370
Hold on, I got it. I got it. I got it.
Come on, come on.
3
00:00:08,450 --> 00:00:10,180
I got his legs, go!
4
00:00:14,960 --> 00:00:18,520
- My leg!
- I know. I know, I know. I know.
5
00:00:18,630 -... | 1
00:00:00,020 --> 00:00:01,740
- Here, take his hand. Take his hand.
- Good luck.
2
00:00:01,770 --> 00:00:04,390
HUD: Hold on, I got it. I got it. I got it.
Come on, come on.
3
00:00:04,480 --> 00:00:05,850
(SCREAMING)
4
00:00:08,440 --> 00:00:10,190
BETH: I got his legs, go!
5
00:00:11,610 --> 00:00:13,110
(HUD ... | {"screenplay_scene_135": "<scene>\n <stage_direction>INT. HELICOPTER - DAWN</stage_direction>\n <scene_description>A static image. We're not even sure what we're looking at, exactly. We see BITS OF GREEN, FRAGMENTS OF METAL.</scene_description>\n <character>CONTINUED</character>\n <dialogue>6/8/07 CLOVERFIE... | 5113.76 | 4080.03 | 104.40 |
cloverfield | tt1060277 | OXitrO6_jpNe | 1
00:00:00,260 --> 00:00:01,140
then pauses.
2
00:00:47,630 --> 00:00:50,030
He moves the camera, aiming it at Beth's face.
3
00:00:53,830 --> 00:00:54,990
She shakes her head.
4
00:01:13,950 --> 00:01:14,270
Is
5
00:01:15,430 --> 00:01:16,950
she convulses in tears?
6
00:01:20,510 --> 00:01:22,630
A bomb explodes... | 1
00:01:25,600 --> 00:01:27,810
Debris showers onto the camera.
2
00:01:36,240 --> 00:01:37,780
The camera freezes.
3
00:01:58,110 --> 00:02:02,370
On their Coney Island trip, Rob and Beth smile into the camera.
| 1
00:00:04,660 --> 00:00:06,820
My name is Robert Hawkins.
2
00:00:06,930 --> 00:00:11,690
It's 6:42 a.m. on Saturday, May 23.
3
00:00:12,400 --> 00:00:16,330
Approximately seven hours ago,
something attacked the city.
4
00:00:17,370 --> 00:00:18,770
I don't know what it is.
5
00:00:19,600 --> 00:00:22,180
If you f... | 1
00:00:04,630 --> 00:00:06,840
My name is Robert Hawkins.
2
00:00:06,930 --> 00:00:11,720
It's 6:42 a. m. on Saturday, May 23.
3
00:00:12,390 --> 00:00:16,350
Approximately seven hours ago,
something attacked the city.
4
00:00:17,350 --> 00:00:18,770
I don't know what it is.
5
00:00:19,560 --> 00:00:22,170
If you ... | {"screenplay_scene_140": "<scene>\n <stage_direction>A160 EXT. CENTRAL PARK - UNDER BRIDGE - MORNING A160</stage_direction>\n <scene_description>Moments later. Rob and Beth have shifted position. We can't see their faces, but we get the sense they've sat up, moved closer to one another. Their voices are still PAN... | 5113.76 | 4295.14 | 125.85 |
manchurian_candidate | tt0368008 | dQzLihbd_TWW | 1
00:00:04,010 --> 00:00:05,010
Marco embraces him.
2
00:00:05,010 --> 00:00:06,410
Melvin cocks an eyebrow.
3
00:00:41,300 --> 00:00:43,620
Melvin makes spastic facial gestures.
4
00:00:53,940 --> 00:00:55,740
Melvin reveals a ragged notebook.
5
00:01:15,700 --> 00:01:16,660
He drops the notebook
6
00:01:16,660 -... | 1
00:00:03,430 --> 00:00:04,600
Marco hugs him.
2
00:00:41,680 --> 00:00:43,560
Melvin has a crazed look.
3
00:00:54,440 --> 00:00:55,910
He holds up a scrap book.
4
00:01:16,020 --> 00:01:17,150
He drops his scrapbook
5
00:01:17,190 --> 00:01:18,530
and bends to pick it up.
6
00:02:07,150 --> 00:02:11,790
With a ... | 1
00:00:00,450 --> 00:00:03,580
Corporal Melvin. How you doing?
2
00:00:06,120 --> 00:00:08,450
I have these dreams, sir.
3
00:00:08,960 --> 00:00:11,250
- Dreams?
- Yes, sir.
4
00:00:12,660 --> 00:00:15,990
Kuwait. It's you and me,
5
00:00:16,200 --> 00:00:19,390
Ingram and Baker and...
6
00:00:21,030 --> 00:00:2... | 1
00:00:00,530 --> 00:00:03,870
Corporal Melvin. How you doing?
2
00:00:06,210 --> 00:00:08,750
I have these dreams, sir.
3
00:00:09,040 --> 00:00:11,550
- Dreams?
- Yes, sir.
4
00:00:12,750 --> 00:00:16,270
Kuwait. It's you and me,
5
00:00:16,300 --> 00:00:19,680
Ingram and Baker and...
6
00:00:21,140 --> 00:00:2... | {"screenplay_scene_15": "<scene>\n <stage_direction>INT. H.S. AUDITORIUM ENTRANCE - LATER</stage_direction>\n <scene_description>The luncheon is breaking up. A couple of scouts chase each other through the clusters of men. Marco's leaving. Men stop him to shake his hand and thank him for coming.</scene_descriptio... | 7818.27 | 563.04 | 133.14 |
manchurian_candidate | tt0368008 | w7jU9uWLch13 | 1
00:00:16,630 --> 00:00:18,590
Marco reaches behind his left shoulder.
2
00:00:18,590 --> 00:00:20,350
He feels something, a bump.
3
00:00:20,350 --> 00:00:21,390
He grows concerned
4
00:00:21,390 --> 00:00:22,950
and struggles to get a better feel.
5
00:00:23,190 --> 00:00:24,070
He cranes his neck.
6
00:00:24,0... | 1
00:00:00,410 --> 00:00:03,010
as he rubs soap and water over his body.
2
00:00:03,050 --> 00:00:04,380
A neatly cropped hair.
3
00:00:04,550 --> 00:00:05,930
He makes a discovery.
4
00:00:06,640 --> 00:00:10,320
He feels a small lump just beneath his left shoulder blade.
5
00:00:10,910 --> 00:00:13,370
He fingers... | 1
00:00:29,900 --> 00:00:33,390
Jesus. Where's the lemon? Okay.
2
00:00:34,100 --> 00:00:37,800
- You okay in there?
- Yeah, I'm fine.
3
00:00:38,410 --> 00:00:41,700
You know, I left you some towels
in there, did you see them?
4
00:00:45,680 --> 00:00:47,810
- What was that?
- Dropped my bag.
5
00:00:55,420 --> 00... | 1
00:00:29,870 --> 00:00:33,580
Jesus. Where's the lemon? Okay.
2
00:00:34,080 --> 00:00:37,960
- You okay in there?
- Yeah, I'm fine.
3
00:00:38,380 --> 00:00:41,880
You know, I left you some towels
in there, did you see them?
4
00:00:43,590 --> 00:00:45,510
MARCO:
Uh-huh.
5
00:00:45,630 --> 00:00:47,970
- ROSIE: ... | null | 7818.27 | 2882.72 | 133.61 |
manchurian_candidate | tt0368008 | R3Exv0Dxpz9E | 1
00:00:18,820 --> 00:00:18,980
Ben.
2
00:00:19,020 --> 00:00:20,380
Marco wrestles him down.
3
00:00:49,950 --> 00:00:51,910
Marco has bitten a chunk of Shaw shoulder.
4
00:00:52,150 --> 00:00:52,950
Agents cuff him
5
00:00:52,950 --> 00:00:53,830
and he has hauled away
6
00:00:53,830 --> 00:00:54,190
at Shaw.
7... | 1
00:00:24,190 --> 00:00:25,230
Marco grabs him
2
00:00:25,230 --> 00:00:27,410
and propels him headfirst onto the desk.
3
00:00:27,490 --> 00:00:28,700
He forces his shirt up
4
00:00:28,700 --> 00:00:30,580
and squeezes the flesh on his back.
5
00:00:30,630 --> 00:00:33,180
He bites into his back, drawing blood.
... | 1
00:00:01,070 --> 00:00:05,870
Somebody got into our heads
with big steel-toe boots,
2
00:00:06,070 --> 00:00:08,540
cable cutters and a chainsaw
and they went to town.
3
00:00:08,740 --> 00:00:12,200
Neurons got... Got...
Got exposed and circuits got rewired.
4
00:00:12,410 --> 00:00:15,140
Our brain cells got
obl... | 1
00:00:01,050 --> 00:00:06,030
Somebody got into our heads
with big steel-toe boots,
2
00:00:06,050 --> 00:00:08,700
cable cutters and a chainsaw
and they went to town.
3
00:00:08,720 --> 00:00:12,370
Neurons got... Got...
Got exposed and circuits got rewired.
4
00:00:12,390 --> 00:00:15,290
Our brain cells got
obl... | null | 7818.27 | 3626.46 | 83.34 |
manchurian_candidate | tt0368008 | tMu55A9zlluF | 1
00:00:00,010 --> 00:00:01,330
In the interrogation room.
2
00:00:01,650 --> 00:00:04,970
Marco has shown photos of Melvin's dead and decomposing body.
3
00:00:05,730 --> 00:00:07,690
Close up photos of a decayed hand,
4
00:00:07,690 --> 00:00:11,010
Melvin's greyed, lifeless face, one eye, partially open,
5
00:00... | 1
00:00:04,790 --> 00:00:07,220
The hands are clenched on silt and mud.
2
00:00:07,510 --> 00:00:10,770
Dried blood is on the left eye and around the mouth.
3
00:00:11,020 --> 00:00:14,530
Some of the photos bear a red stamp saying evidence.
4
00:00:14,570 --> 00:00:16,710
Marco gulps at the sight of them.
5
00:00:... | 1
00:00:16,690 --> 00:00:18,420
We fished him out of
the Potomac River
2
00:00:18,630 --> 00:00:21,530
about 4:45 yesterday afternoon.
3
00:00:22,630 --> 00:00:25,500
What were you doing
in Al Melvin's apartment?
4
00:00:26,670 --> 00:00:28,190
I went to talk to him.
He wasn't home.
5
00:00:28,400 --> 00:00:31,390
... | 1
00:00:16,620 --> 00:00:18,520
MAN:
We fished him out of the Potomac River
2
00:00:18,540 --> 00:00:21,670
about 4:45 yesterday afternoon.
3
00:00:22,540 --> 00:00:25,630
What were you doing
in Al Melvin's apartment?
4
00:00:26,590 --> 00:00:28,320
I went to talk to him.
He wasn't home.
5
00:00:28,340 --> 00:00:31... | {"screenplay_scene_73": "<scene>\n <stage_direction>EXT. FEDERAL BUILDING (MANHATTAN) - DAY</stage_direction>\n <scene_description>Establishing -- PHOTOGRAPHS - SCENE PHOTOS - AL MELVIN'S DEAD BODY being pulled from the chilly waters of the Potomac. Some clinical AUTOPSY glossies.</scene_description>\n <charac... | 7818.27 | 3710.24 | 130.59 |
manchurian_candidate | tt0368008 | GsGQOBUOoJAh | 1
00:00:28,790 --> 00:00:29,830
Shaw grabs the gun
2
00:00:29,830 --> 00:00:31,030
and hands it to Marco.
3
00:00:32,430 --> 00:00:36,390
Captain Marco checks the cylinder on the loaded revolver.
4
00:00:40,670 --> 00:00:42,150
Marco cocks the gun and aims.
5
00:00:47,750 --> 00:00:49,030
The shot hits Senator fore... | 1
00:00:42,120 --> 00:00:43,330
He points the handgun
2
00:00:43,330 --> 00:00:46,720
and, devoid of emotion, he shoots the private who stands facing him.
3
00:00:50,020 --> 00:00:51,650
The bullet hits above the eyes.
4
00:00:58,970 --> 00:01:03,030
Marco sits back in a wheelchair and eats pot noodles with chopstic... | 1
00:00:00,870 --> 00:00:02,900
A kid named Eddie Ingram,
2
00:00:03,110 --> 00:00:05,870
Private Ingram, stand up.
3
00:00:06,080 --> 00:00:09,200
Walk a few steps, please.
4
00:00:10,710 --> 00:00:14,050
And if you could secure the door,
please, Chris.
5
00:00:15,050 --> 00:00:16,580
Captain Marco.
6
00:00:16,79... | 1
00:00:00,820 --> 00:00:03,010
A kid named Eddie Ingram.
2
00:00:03,030 --> 00:00:05,970
NOYLE:
Private Ingram, stand up.
3
00:00:05,990 --> 00:00:09,330
Walk a few steps, please.
4
00:00:10,660 --> 00:00:14,170
And if you could secure the door,
please, Chris.
5
00:00:15,000 --> 00:00:16,690
Captain Marco.
6
00:0... | null | 7818.27 | 4543.78 | 82.90 |
manchurian_candidate | tt0368008 | AARIjNpdU982 | 1
00:00:22,170 --> 00:00:23,210
Shaw tips the kayak
2
00:00:23,210 --> 00:00:24,690
and holds Jordan underwater.
3
00:00:28,650 --> 00:00:31,410
Jocelyne drinks from the mug as she walks up to the window.
4
00:00:32,290 --> 00:00:33,570
She furrows her brow,
5
00:00:33,930 --> 00:00:36,210
noticing the tipped canoe... | 1
00:00:00,570 --> 00:00:02,120
Shaw was wading in the water.
2
00:00:22,310 --> 00:00:23,060
Waist deep.
3
00:00:23,110 --> 00:00:24,490
Shaw grabs the paddle
4
00:00:24,490 --> 00:00:26,160
and upturns the kayak,
5
00:00:26,200 --> 00:00:27,830
holding it upside down,
6
00:00:27,870 --> 00:00:28,830
still in his... | 1
00:00:02,050 --> 00:00:03,570
Raymond.
2
00:00:05,320 --> 00:00:07,450
I came to apologize, sir.
3
00:00:08,460 --> 00:00:10,790
Raymond, what are you doing?
4
00:00:10,990 --> 00:00:13,460
- I'm sorry.
- We'll get some help for you, son.
5
00:00:13,890 --> 00:00:16,800
It's not your fault, Raymond.
It's not your... | 1
00:00:01,980 --> 00:00:03,740
Raymond.
2
00:00:05,240 --> 00:00:07,570
I came to apologize, sir.
3
00:00:08,410 --> 00:00:10,880
Raymond, what are you doing?
4
00:00:10,910 --> 00:00:13,580
- I'm sorry.
- We'll get some help for you, son.
5
00:00:13,830 --> 00:00:16,920
It's not your fault, Raymond.
It's not your... | {"screenplay_scene_102": "<scene>\n <stage_direction>EXT. JORDAN'S HOUSE - DAWN</stage_direction>\n <scene_description>Jocie sprints down toward the water, screaming --</scene_description>\n <character>JOCELYN</character>\n <dialogue>DADDY!</dialogue>\n <scene_description>-- Raymond turns and sees her ru... | 7818.27 | 5556.54 | 130.94 |
manchurian_candidate | tt0368008 | ynDRHH_nWxgy | 1
00:00:00,960 --> 00:00:03,480
Soon after Marco enters Eugénie's apartment,
2
00:00:03,480 --> 00:00:04,760
she is asleep in bed.
3
00:00:05,120 --> 00:00:06,160
Marco chokes her.
4
00:00:25,410 --> 00:00:26,650
She points a gun at Marco.
5
00:00:36,770 --> 00:00:37,730
He backs away.
6
00:00:38,050 --> 00:00:39,... | 1
00:00:30,840 --> 00:00:32,970
As she lies in her bed, Rosie pulls a gun
2
00:00:32,970 --> 00:00:34,220
and points it at Marco.
3
00:00:38,030 --> 00:00:38,740
He backs off
4
00:00:38,740 --> 00:00:40,040
as she scrambles out of bed,
5
00:00:40,040 --> 00:00:42,080
wearing a vest and pyjama bottoms.
6
00:00:42,0... | 1
00:00:00,250 --> 00:00:04,310
It is a move that could save the
Defense Department billions of dollars,
2
00:00:06,250 --> 00:00:07,480
How does Arthur die?
3
00:00:07,850 --> 00:00:09,810
You know who I'm talking about,
the new president.
4
00:00:09,950 --> 00:00:12,430
If he dies, Raymond Shaw becomes
the new pre... | 1
00:00:00,190 --> 00:00:04,450
It is a move that could save the
Defense Department billions of dollars.
2
00:00:06,200 --> 00:00:07,620
How does Arthur die?
3
00:00:07,740 --> 00:00:09,890
You know who I'm talking about,
the new president.
4
00:00:09,910 --> 00:00:12,390
If he dies, Raymond Shaw becomes
the new pre... | null | 7818.27 | 5759.62 | 121.67 |
manchurian_candidate | tt0368008 | 9r_qbX_4SZ8M | 1
00:00:00,970 --> 00:00:03,300
Was exceptionally clear
and simple.
2
00:00:03,510 --> 00:00:06,140
A stronger, safer,
more profitable world
3
00:00:06,340 --> 00:00:09,180
through uncorruptible
top-level management.
4
00:00:09,450 --> 00:00:11,110
We trust you with our technology
5
00:00:11,320 --> 00:00:13,200
an... | 1
00:00:00,890 --> 00:00:03,410
DONOVAN:
Was exceptionally clear and simple.
2
00:00:03,430 --> 00:00:06,250
A stronger, safer,
more profitable world
3
00:00:06,270 --> 00:00:09,320
through uncorruptible
top-level management.
4
00:00:09,400 --> 00:00:11,130
We trust you with our technology
5
00:00:11,150 --> 00:00:... | {"screenplay_scene_105": "<scene>\n <stage_direction>EXT. GROUNDS OF ELLIE'S MANSION - DAY</stage_direction>\n <scene_description>Donovan walking beside Senator Eleanor Prentiss Shaw. Whiting just behind them.</scene_description>\n <character>DONOVAN</character>\n <dialogue>You trusted us to bring your son ... | 7818.27 | 5890.72 | 82.76 | ||
manchurian_candidate | tt0368008 | HGTAkDzM5HkF | 1
00:00:01,850 --> 00:00:03,930
Shaw pauses and looks up towards the booth.
2
00:00:06,250 --> 00:00:07,170
Eugene follows.
3
00:00:12,250 --> 00:00:13,490
She speaks into her headset
4
00:00:13,490 --> 00:00:14,330
and rushes away.
5
00:00:16,370 --> 00:00:16,730
Mother
6
00:00:16,730 --> 00:00:17,610
as she shru... | 1
00:00:03,190 --> 00:00:06,860
Holding his mother's hand, Shaw again stares towards Marco.
2
00:00:07,160 --> 00:00:08,700
Rosie picks up the stare
3
00:00:08,700 --> 00:00:10,500
and follows Shore's gaze.
4
00:00:10,670 --> 00:00:14,520
She looks wide eyed as a dawn of realisation sweeps over her.
5
00:00:14,720 ... | 1
00:01:22,860 --> 00:01:25,220
AOP! AOP!
2
00:01:25,430 --> 00:01:26,950
Up there!
3
00:01:52,520 --> 00:01:53,520
Ben!
4
00:01:57,090 --> 00:01:58,090
Ben!
| 1
00:00:12,470 --> 00:00:13,810
[SPEAKS INDISTINCTLY]
2
00:01:22,790 --> 00:01:25,350
AOP! AOP!
3
00:01:25,380 --> 00:01:27,090
Up there!
4
00:01:33,760 --> 00:01:36,020
[SPEAKING INDISTINCTLY]
5
00:01:48,650 --> 00:01:50,910
[PANTING]
6
00:01:52,450 --> 00:01:53,660
ROSIE:
Ben!
7
00:01:57,040 --> 00:01:58,250
Be... | {"screenplay_scene_138": "<scene>\n <stage_direction>INT. BALLROOM - SAME TIME</stage_direction>\n <scene_description>Music swelling, the room exploding with color and celebration, lights flaring, side walls alive with iconic American images -- The raucous crowd starting to CLAP in rhythm -- people CROONING along... | 7818.27 | 6965.06 | 133.61 |
nobody_2021 | tt7888964 | CSbHVNbCkkM5 | 1
00:00:09,320 --> 00:00:10,960
The man with braids punches him.
2
00:00:12,400 --> 00:00:13,240
Hutch staggers,
3
00:00:13,240 --> 00:00:14,360
then punches him back.
4
00:00:15,600 --> 00:00:17,480
A man in a black hat joins in.
5
00:00:17,680 --> 00:00:18,560
Hutch takes a punch,
6
00:00:18,560 --> 00:00:19,320... | 1
00:00:09,320 --> 00:00:10,400
The braided guy grins
2
00:00:10,400 --> 00:00:12,160
and punches Hutch hard in the face.
3
00:00:12,200 --> 00:00:13,960
Hutch staggers backwards.
4
00:00:16,520 --> 00:00:17,480
Hutch gets in a shot,
5
00:00:17,480 --> 00:00:19,200
then gets hit in the gut in the face.
6
00:00:19,... | 1
00:00:00,220 --> 00:00:02,620
I'm gonna fuck you up.
2
00:00:06,860 --> 00:00:10,060
Yo. I got it. I got it.
3
00:00:23,740 --> 00:00:25,210
Come on!
4
00:01:10,520 --> 00:01:12,230
Shit.
5
00:01:34,880 --> 00:01:36,680
Oh, fuck!
6
00:01:57,740 --> 00:01:59,410
...nose!
7
00:01:59,440 --> 00:02:01,310
What the ... | 1
00:00:00,210 --> 00:00:02,610
I'm gonna fuck you up.
2
00:00:04,580 --> 00:00:06,820
(laughter)
3
00:00:06,850 --> 00:00:10,050
Yo. I got it. I got it.
4
00:00:10,650 --> 00:00:12,320
(grunting)
5
00:00:13,320 --> 00:00:14,290
(laughter)
6
00:00:14,320 --> 00:00:17,330
(grunting and groaning)
7
00:00:19,730 -->... | {"screenplay_scene_63": "<scene>\n <stage_direction>INT. A BUS - NIGHT - CONTINUOUS (MUSIC ONLY)</stage_direction>\n <scene_description>-to stare through DONNA -fifties, black, rotund, hard but quick to smile- who says little as he taps his METRO CARD to gain entry. Hutch offers a silent, half-hearted wave before... | 5501.18 | 1670.37 | 260.09 |
nobody_2021 | tt7888964 | kKbGNntt9QJd | 1
00:00:22,120 --> 00:00:23,040
Hutch sports cars.
2
00:00:23,040 --> 00:00:28,040
Arriving outside in one vehicle, Pavel and other members of Yulian crew put on black masks.
3
00:00:28,240 --> 00:00:30,480
The cars stop across the street from the house.
4
00:00:32,440 --> 00:00:33,840
Hutch faces his family.
5
00:... | 1
00:00:24,220 --> 00:00:27,460
Hutch notices headlights approaching down the street in an SUV.
2
00:00:27,460 --> 00:00:29,380
The gang put on balaclavas and masks.
3
00:00:29,380 --> 00:00:31,260
Three vehicles switch off their headlights.
4
00:00:31,460 --> 00:00:32,700
Hutch stares tight lipped,
5
00:00:32,700 ... | 1
00:00:00,660 --> 00:00:03,790
Hey, how about we all head
to Italy this summer?
2
00:00:03,830 --> 00:00:06,200
We've always talked
about going back.
3
00:00:06,230 --> 00:00:08,100
Oh, I'd love that.
4
00:00:08,130 --> 00:00:10,670
But, um, can we afford it?
5
00:00:10,700 --> 00:00:13,740
I guess the real questi... | 1
00:00:00,650 --> 00:00:03,780
Hey, how about we all head
to Italy this summer?
2
00:00:03,820 --> 00:00:06,190
We've always talked
about going back.
3
00:00:06,220 --> 00:00:08,090
Oh, I'd love that.
4
00:00:08,120 --> 00:00:10,660
But, um, can we afford it?
5
00:00:10,690 --> 00:00:13,730
I guess the real questi... | null | 5501.18 | 2864.19 | 68.11 |
nobody_2021 | tt7888964 | zh5_eIu6RQDN | 1
00:00:02,510 --> 00:00:04,750
The cars stop across the street from the house.
2
00:00:06,710 --> 00:00:08,110
Hutch faces his family.
3
00:00:26,070 --> 00:00:28,630
Becca looks bewildered as he pulls down a light switch panel
4
00:00:28,630 --> 00:00:30,550
and types a code into a hidden keypad
5
00:00:30,830 --... | 1
00:00:01,730 --> 00:00:03,650
The gang put on balaclavas and masks.
2
00:00:03,650 --> 00:00:05,530
Three vehicles switch off their headlights.
3
00:00:05,730 --> 00:00:06,970
Hutch stares tight lipped,
4
00:00:06,970 --> 00:00:07,850
then frowns.
5
00:00:26,290 --> 00:00:27,770
Behind fake light switches?
6
00:... | 1
00:00:09,930 --> 00:00:11,970
Everybody, get to the basement.
2
00:00:12,000 --> 00:00:13,830
- What?
- Right now.
3
00:00:13,870 --> 00:00:15,150
- Let's go. Move.
- What's going on?
4
00:00:15,170 --> 00:00:16,510
- What is happening?
- Move! - Dad, what...
5
00:00:16,540 --> 00:00:17,910
- What-What's happenin... | 1
00:00:07,920 --> 00:00:09,890
(Becca speaking indistinctly)
2
00:00:09,920 --> 00:00:11,960
Everybody, get to the basement.
3
00:00:11,990 --> 00:00:13,820
- BECCA: What?
- Right now.
4
00:00:13,860 --> 00:00:15,140
- Let's go. Move.
- What's going on?
5
00:00:15,160 --> 00:00:16,500
- What is happening?
- Move! ... | {"screenplay_scene_103": "<scene>\n <stage_direction>104A INT. A SUBURBAN HOME - THE BASEMENT - NIGHT - MOMENTS LATER</stage_direction>\n <character>104A \\*</character>\n <dialogue>Abby follows down the stairs- \\*</dialogue>\n <character>ABBY \\*</character>\n <dialogue>Is this a game? I like games! \\... | 5501.18 | 2889.92 | 148.54 |
nobody_2021 | tt7888964 | u0ch4i4ta4yR | 1
00:00:01,180 --> 00:00:02,620
They toss Hutch inside,
2
00:00:04,380 --> 00:00:05,420
lowering his mask.
3
00:00:05,460 --> 00:00:07,260
Pavel spits and shuts the trunk.
4
00:00:09,460 --> 00:00:12,020
In the city, the sedan speeds over a bridge.
5
00:00:12,300 --> 00:00:13,860
Pavel sits in the back seat.
6
00:... | 1
00:00:01,060 --> 00:00:01,420
Out.
2
00:00:01,460 --> 00:00:02,020
Cold.
3
00:00:02,220 --> 00:00:03,940
Hutch is bundled into a boot.
4
00:00:04,860 --> 00:00:07,540
Pavel spits and closes the boot.
5
00:00:10,900 --> 00:00:12,140
A view of Night-Time.
6
00:00:12,140 --> 00:00:12,620
Lights.
7
00:00:12,660 -->... | 1
00:00:00,140 --> 00:00:02,440
(lock beeps)
2
00:00:03,910 --> 00:00:05,480
(gasps)
3
00:00:06,920 --> 00:00:08,850
(spits)
4
00:00:08,890 --> 00:00:11,030
("Funky Music Sho Nuff Turns
Me On" by Edwin Starr playing)
5
00:00:11,050 --> 00:00:13,960
♪ Oh ♪
6
00:00:13,990 --> 00:00:16,760
♪ I like the sound ♪
7
00:... | {"screenplay_scene_109": "<scene>\n <stage_direction>EXT. A SUBURBAN HOME - NIGHT - MOMENTS LATER 109 \\*</stage_direction>\n <scene_description>Half-conscious, Hutch is carried to one of the Sedans at the \\* curb. \\* The trunk is opened and he is unceremoniously dumped inside. \\* As they close the trunk, we- ... | 5501.18 | 3048.48 | 130.75 | |
nobody_2021 | tt7888964 | qlY_3ry_imzj | 1
00:00:05,480 --> 00:00:07,400
Hutch drops his gaze briefly.
2
00:00:13,680 --> 00:00:15,120
He sets down his drink.
3
00:00:17,440 --> 00:00:19,120
He removed the record from the player
4
00:00:19,120 --> 00:00:20,640
and returns it to his shelf.
5
00:00:21,120 --> 00:00:23,840
Hutch selects a different record fr... | 1
00:00:18,060 --> 00:00:20,060
Hutch puts the record back on her shelf
2
00:00:20,660 --> 00:00:21,940
and looks for another one.
3
00:00:28,140 --> 00:00:29,380
He picks a record
4
00:00:29,780 --> 00:00:31,060
and studies the cover.
5
00:00:36,660 --> 00:00:39,180
He bends to put the record on the turntable.
6
... | 1
00:00:00,690 --> 00:00:02,820
I am not a jealous guy,
2
00:00:02,860 --> 00:00:06,190
but in that moment,
I wanted what Alan had.
3
00:00:08,400 --> 00:00:12,130
So I told my bosses
I was out of the game.
4
00:00:12,170 --> 00:00:14,170
They were not happy to hear it.
5
00:00:15,340 --> 00:00:17,840
They didn't b... | 1
00:00:00,680 --> 00:00:02,810
I am not a jealous guy,
2
00:00:02,850 --> 00:00:06,180
but in that moment,
I wanted what Alan had.
3
00:00:08,390 --> 00:00:12,120
So I told my bosses
I was out of the game.
4
00:00:12,160 --> 00:00:14,160
They were not happy to hear it.
5
00:00:15,330 --> 00:00:17,830
They didn't b... | {"screenplay_scene_123": "<scene>\n <stage_direction>INT. A SUBURBAN HOME - BASEMENT - NIGHT - LATER 127 \\*</stage_direction>\n <scene_description>Hutch removes the suppressor from a pistol which he then shoves into a pair of garbage bags, each full of weapons, magazines, and knives.</scene_description>\n <ch... | 5501.18 | 3579.74 | 184.53 |
nobody_2021 | tt7888964 | TJJ5AuP_N5kN | 1
00:00:01,930 --> 00:00:04,290
At the Club), Yulian stands on stage.
2
00:00:05,010 --> 00:00:08,610
Security camera feeds show the room containing Julian's art collection
3
00:00:08,610 --> 00:00:10,530
and armed men guarding the (Obshak.
4
00:00:12,010 --> 00:00:14,410
Hutch sits in the challenger, gazing at the ... | 1
00:00:02,040 --> 00:00:03,240
Hutch drives in the Dodge
2
00:00:03,280 --> 00:00:05,000
Yulian is on stage at the club.
3
00:00:05,040 --> 00:00:06,720
CCTV shows Julian's office,
4
00:00:06,720 --> 00:00:09,520
then the huge stash of (Obshak cash being moved,
5
00:00:09,560 --> 00:00:11,360
guards outside sharin... | 1
00:00:02,510 --> 00:00:04,780
("The Impossible Dream"
by Andy Williams playing)
2
00:00:10,950 --> 00:00:15,590
♪ To dream
the impossible dream ♪
3
00:00:17,390 --> 00:00:22,390
♪ To fight the unbeatable foe ♪
4
00:00:23,660 --> 00:00:25,800
- ♪ To bear ♪
- (heavy gunfire)
5
00:00:25,830 --> 00:00:29,630
♪ With u... | null | 5501.18 | 4015.52 | 124.48 | |
nobody_2021 | tt7888964 | T7NeAi7zpwZG | 1
00:00:02,480 --> 00:00:03,840
Hutch glances up at him.
2
00:00:05,200 --> 00:00:07,040
Yulian gestures to his plate.
3
00:00:14,160 --> 00:00:17,160
You smiling?
4
00:00:17,160 --> 00:00:18,680
Yulian stares downward.
5
00:00:19,560 --> 00:00:20,440
He shrugs.
6
00:00:30,120 --> 00:00:31,280
Hutch moves his hand... | 1
00:00:19,490 --> 00:00:21,130
Yulian compresses his lips
2
00:00:21,130 --> 00:00:21,970
and shrugs.
3
00:00:31,330 --> 00:00:32,450
Guns are levelled at him
4
00:00:32,450 --> 00:00:33,690
as he raises a hand.
5
00:00:34,130 --> 00:00:42,650
He lifts up a napkin, revealing a Claymore anti-personnel mine embossed... | 1
00:00:01,070 --> 00:00:03,070
Mr. Mansell.
2
00:00:04,070 --> 00:00:05,740
Hey.
3
00:00:07,340 --> 00:00:09,670
Enjoying the meal?
4
00:00:10,810 --> 00:00:13,480
Oh. I came for the show.
5
00:00:13,510 --> 00:00:15,150
Cute.
6
00:00:21,490 --> 00:00:26,820
You have some nerve
to be here like this.
7
00:00:27,9... | 1
00:00:01,060 --> 00:00:03,060
Mr. Mansell.
2
00:00:04,060 --> 00:00:05,730
Hey.
3
00:00:07,330 --> 00:00:09,660
Enjoying the meal?
4
00:00:10,800 --> 00:00:13,470
Oh. I came for the show.
5
00:00:13,500 --> 00:00:15,140
Cute.
6
00:00:15,170 --> 00:00:17,140
(laughter)
7
00:00:21,480 --> 00:00:26,810
You have so... | {"screenplay_scene_144": "<scene>\n <stage_direction>INT. A SUPPER CLUB - NIGHT - CONTINUOUS</stage_direction>\n <scene_description>-to take a seat across from Hutch with his men surrounding them. The other patrons look on, more than a bit perplexed as the song continues to play.</scene_description>\n <charact... | 5501.18 | 4154.24 | 214.14 |
nobody_2021 | tt7888964 | MUnMPJgD0G68 | 1
00:00:36,840 --> 00:00:38,280
Yulian looks puzzled.
2
00:00:39,840 --> 00:00:42,480
Hutch drops a charred stack of cash on the table.
| 1
00:00:39,940 --> 00:00:42,860
Hutch drops a singed wad of cash on the table.
| 1
00:00:01,150 --> 00:00:03,250
Now, on the one hand,
2
00:00:03,290 --> 00:00:06,820
there's a long-dormant
piece of me now awake
3
00:00:06,860 --> 00:00:10,590
that wants so very badly
to play this out.
4
00:00:11,790 --> 00:00:13,630
The other,
more reasonable piece of me...
5
00:00:13,660 --> 00:00:15,660
what... | 1
00:00:01,140 --> 00:00:03,240
Now, on the one hand,
2
00:00:03,280 --> 00:00:06,810
there's a long-dormant
piece of me now awake
3
00:00:06,850 --> 00:00:10,580
that wants so very badly
to play this out.
4
00:00:11,780 --> 00:00:13,620
The other,
more reasonable piece of me...
5
00:00:13,650 --> 00:00:15,650
what... | {"screenplay_scene_144": "<scene>\n <stage_direction>INT. A SUPPER CLUB - NIGHT - CONTINUOUS</stage_direction>\n <scene_description>-to take a seat across from Hutch with his men surrounding them. The other patrons look on, more than a bit perplexed as the song continues to play.</scene_description>\n <charact... | 5501.18 | 4226.50 | 58.24 |
nobody_2021 | tt7888964 | IA1Bc0UzcCPa | 1
00:00:02,140 --> 00:00:03,620
He gets into the driver's seat
2
00:00:03,620 --> 00:00:06,220
and peers at the club entrance through the rear view mirror.
3
00:00:06,580 --> 00:00:08,540
Crossing his fingers, Hutch shuts his eyes
4
00:00:08,540 --> 00:00:09,980
and grips the steering wheel.
5
00:00:13,980 --> 00:0... | 1
00:00:06,700 --> 00:00:07,420
Hutch gets in
2
00:00:07,420 --> 00:00:09,820
and looks in the rear view mirror towards the club.
3
00:00:10,220 --> 00:00:11,300
He closes his eyes,
4
00:00:11,540 --> 00:00:15,060
crosses the fingers of both hands as he looks again.
5
00:00:15,340 --> 00:00:17,180
Yulian bursts out... | 1
00:01:22,130 --> 00:01:23,660
Fuck it!
| 1
00:00:17,250 --> 00:00:19,690
(engine starts, revs)
2
00:00:19,720 --> 00:00:21,560
("Heartbreaker" by Pat Benatar
playing)
3
00:00:21,590 --> 00:00:23,660
(tires squeal)
4
00:00:31,270 --> 00:00:34,170
♪ Your love is like
a tidal wave ♪
5
00:00:34,200 --> 00:00:37,670
♪ Spinning over my head ♪
6
00:00:37,710 --... | {"screenplay_scene_149": "<scene>\n <stage_direction>151D INT. A MASERATI - NIGHT - CONTINUOUS 151D \\*</stage_direction>\n <scene_description>Hutch drives with eyes set upon the road, fingers relaxed \\* upon the wheel. \\* A beat... and he glances over to find an open, 8-TRACK TAPE \\* HOLDER (encased in pleath... | 5501.18 | 4386.62 | 143.83 |
nobody_2021 | tt7888964 | S6Rda_CCCZ5T | 1
00:00:04,870 --> 00:00:05,990
He snipes gunman.
2
00:00:13,230 --> 00:00:14,870
David kicks open the workshop door
3
00:00:14,870 --> 00:00:16,070
and fires a shotgun.
4
00:00:18,750 --> 00:00:20,910
Son Hutch hurries inside.
5
00:00:22,390 --> 00:00:23,670
His dad follows.
6
00:00:28,230 --> 00:00:31,030
Yulian... | 1
00:00:13,360 --> 00:00:16,160
David armed to the teeth, kicks open the front door.
2
00:00:28,600 --> 00:00:31,120
Yulian changes mags as he and his mob advance.
3
00:00:31,160 --> 00:00:32,720
Hutch puts the painting on a chair.
4
00:00:53,240 --> 00:00:54,200
I feel
5
00:00:54,760 --> 00:00:57,240
a shadow appr... | 1
00:00:00,340 --> 00:00:02,610
Hey, Hutchie!
2
00:00:02,640 --> 00:00:05,080
Remember when I said
don't do nothing stupid?
3
00:00:06,450 --> 00:00:08,410
Because I wouldn't come save
your white ass?
4
00:00:09,950 --> 00:00:11,550
Well, here I fucking am!
5
00:00:11,580 --> 00:00:13,090
Now!
6
00:00:16,160 --> 0... | 1
00:00:00,330 --> 00:00:02,600
HARRY:
Hey, Hutchie!
2
00:00:02,630 --> 00:00:05,070
Remember when I said
don't do nothing stupid?
3
00:00:05,100 --> 00:00:06,400
(groans)
4
00:00:06,440 --> 00:00:08,400
Because I wouldn't come save
your white ass?
5
00:00:08,440 --> 00:00:09,910
(groans)
6
00:00:09,940 --> 00:00:... | {"screenplay_scene_156": "<scene>\n <stage_direction>155D INT. A TOOL AND DIE SHOP - NIGHT - CONTINUOUS 155D \\*</stage_direction>\n <scene_description>Suddenly, as pieces of glass fall all around Hutch, the doors \\* of the building behind him swing outward- \\* -before DAVID- \\* -who fires a sawed-off, lever-a... | 5501.18 | 4561.44 | 151.86 |
nobody_2021 | tt7888964 | FR4QUcDO7IVo | 1
00:00:03,250 --> 00:00:04,760
Hutch guns down the man by the door,
2
00:00:04,760 --> 00:00:07,480
and more of his mouse trap devices fire into the break room.
3
00:00:07,680 --> 00:00:10,480
Hutch charges in and takes down the remaining assailants.
4
00:00:12,840 --> 00:00:14,200
He uses a man as a shield
5
00:0... | 1
00:00:02,600 --> 00:00:03,920
A tripwire sets off a banger.
2
00:00:03,960 --> 00:00:04,760
Hutch steps forward
3
00:00:04,760 --> 00:00:06,270
and shoots the lead goon in the head.
4
00:00:06,270 --> 00:00:07,190
More bangers go off
5
00:00:07,190 --> 00:00:08,590
and Hutch shoots more in the head.
6
00:00:08,5... | 1
00:00:47,530 --> 00:00:49,560
Do svidaniya.
| 1
00:00:02,180 --> 00:00:03,840
(grunts)
2
00:00:23,100 --> 00:00:24,800
(man groaning)
3
00:00:47,520 --> 00:00:49,550
Do svidaniya.
4
00:00:52,230 --> 00:00:54,190
(men yell)
5
00:00:54,230 --> 00:00:56,930
♪ When you walk ♪
6
00:00:56,960 --> 00:01:00,670
♪ Through a storm ♪
7
00:01:00,700 --> 00:01:06,210
♪ H... | {"screenplay_scene_163": "<scene>\n <stage_direction>162B INT. A TOOL AND DIE SHOP - NIGHT - CONTINUOUS 162B \\*</stage_direction>\n <scene_description>As they move towards the counter, machine gun fire erupts \\* from behind him, shattering glass. Hutch leaps over counter and dives down behind it as David calmly... | 5501.18 | 4735.10 | 114.13 |
nobody_2021 | tt7888964 | mr2eoPAja70o | 1
00:00:04,280 --> 00:00:08,040
As Yulian returns fire, the three men take cover, shooting back.
2
00:00:08,080 --> 00:00:09,240
Hutch runs out of ammo.
3
00:00:34,680 --> 00:00:37,280
As Yulian fires, Hutch pulls out the claymore
4
00:00:37,280 --> 00:00:38,600
and grabs a roll of tape.
5
00:00:46,640 --> 00:00:48... | 1
00:00:00,380 --> 00:00:01,970
Hutch fires at Yulian
2
00:00:02,810 --> 00:00:04,050
and they take cover
3
00:00:04,050 --> 00:00:05,530
as the mobster shoots back.
4
00:00:34,330 --> 00:00:35,610
Hutch takes out the claymore
5
00:00:35,610 --> 00:00:36,850
and finds a roll of tape.
6
00:00:36,850 --> 00:00:38,17... | 1
00:00:12,340 --> 00:00:13,480
You out?
2
00:00:13,510 --> 00:00:14,510
Yeah.
3
00:00:14,540 --> 00:00:15,710
Dad?
4
00:00:15,750 --> 00:00:17,510
- You out?
- Yeah.
5
00:00:17,550 --> 00:00:20,620
Had you just stolen the Obshak,
6
00:00:20,650 --> 00:00:23,690
we could have found a way out,
7
00:00:23,720 --> 0... | 1
00:00:04,660 --> 00:00:06,530
(Hutch groans)
2
00:00:08,730 --> 00:00:12,300
(panting)
3
00:00:12,330 --> 00:00:13,470
You out?
4
00:00:13,500 --> 00:00:14,500
Yeah.
5
00:00:14,530 --> 00:00:15,700
Dad?
6
00:00:15,740 --> 00:00:17,500
- You out?
- Yeah.
7
00:00:17,540 --> 00:00:20,610
YULIAN:
Had you just stole... | {"screenplay_scene_166": "<scene>\n <stage_direction>INT. A TOOL AND DIE SHOP - LOBBY - NIGHT - LATER</stage_direction>\n <scene_description>Seeking to join David and Harry, Hutch is suddenly shot in the back by Yulian. Hutch drops hard, crawling for cover, as Yulian continues to fire, hitting Hutch in the leg an... | 5501.18 | 4856.54 | 112.83 |
bad_words | tt2170299 | 0OBj7rF0SnwE | 1
00:00:06,920 --> 00:00:08,920
Guy opens his eyes, staring at the boy.
2
00:00:50,650 --> 00:00:53,410
Chaitanya watches his Guy holds his eyes closed.
3
00:00:54,730 --> 00:00:58,010
He opens his eyes for a moment to give the boy an irritated look.
4
00:01:19,810 --> 00:01:21,570
Guy opens his eyes and glowers.
5... | 1
00:00:02,060 --> 00:00:03,860
A kid in front of him turns round.
2
00:00:07,150 --> 00:00:09,030
Guy stares back at him, deadpan.
3
00:00:50,520 --> 00:00:52,440
Chaitanya continues to smile at guy
4
00:00:52,480 --> 00:00:54,440
who sits there with his eyes closed.
5
00:01:42,260 --> 00:01:44,720
Chaitanya grins... | 1
00:00:03,860 --> 00:00:05,740
Hi. I'm
Chaitanya Chopra.
2
00:00:10,500 --> 00:00:11,540
Was that English?
3
00:00:12,040 --> 00:00:13,610
My name is Chaitanya.
4
00:00:13,700 --> 00:00:14,770
Oh.
5
00:00:14,870 --> 00:00:16,010
Congratulations.
6
00:00:16,510 --> 00:00:17,750
What's yours?
No.
7
00:00:17,840 --... | 1
00:00:03,860 --> 00:00:05,730
Hi. I'm
Chaitanya Chopra.
2
00:00:10,500 --> 00:00:11,530
Was that English?
3
00:00:12,030 --> 00:00:13,600
My name is Chaitanya.
4
00:00:13,700 --> 00:00:14,770
Oh.
5
00:00:14,870 --> 00:00:16,010
Congratulations.
6
00:00:16,500 --> 00:00:17,740
What's yours?
No.
7
00:00:17,840 --... | {"screenplay_scene_10": "<scene>\n <stage_direction>INT. PLANE, FLYING - MUCH LATER</stage_direction>\n <scene_description>Guy sits with his eyes shut tight. Jenny sits next to him. She lowers Guy's tray and places a tape recorder on it in front of him. Guy opens his eyes.</scene_description>\n <character>GUY<... | 5367.82 | 595.36 | 106.07 |
bad_words | tt2170299 | 75B9_NQamCH6 | 1
00:00:05,440 --> 00:00:06,360
She puts it away.
2
00:00:25,040 --> 00:00:28,400
Guy calmly gazes up at the TV with a wry half smile.
3
00:00:28,400 --> 00:00:29,840
Jenny adjusts her glasses,
4
00:00:29,840 --> 00:00:31,640
then rests her hand behind her head.
5
00:00:44,960 --> 00:00:46,680
He throws her a dubio... | 1
00:00:25,610 --> 00:00:27,150
He puts his nose in the air.
2
00:00:28,070 --> 00:00:29,110
She leans on the bar
3
00:00:29,110 --> 00:00:30,740
and straightens her Glasses.
4
00:00:58,130 --> 00:00:59,050
He frowns.
5
00:01:08,060 --> 00:01:09,020
He smiles.
6
00:01:09,600 --> 00:01:10,690
In the closet?
7
00:0... | 1
00:00:01,220 --> 00:00:05,800
Okay. Wild Turkey,
olive green and 32-A.
2
00:00:06,890 --> 00:00:11,810
Favorite drink, color and breast
size are first date questions.
3
00:00:11,870 --> 00:00:14,680
But maybe you've never
been on one of those.
4
00:00:14,730 --> 00:00:18,050
Can you leave me alone? I've asked
you ... | 1
00:00:01,220 --> 00:00:05,790
Okay. Wild Turkey,
olive green and 32-A.
2
00:00:06,890 --> 00:00:11,810
Favorite drink, color and breast
size are first date questions.
3
00:00:11,860 --> 00:00:14,670
But maybe you've never
been on one of those.
4
00:00:14,730 --> 00:00:18,040
Can you leave me alone? I've asked
you ... | null | 5367.82 | 1125.76 | 140.06 |
bad_words | tt2170299 | 2ZgBhML4qceU | 1
00:00:19,870 --> 00:00:22,270
Guy studies Braden who stares straight ahead.
2
00:00:28,590 --> 00:00:29,790
Guy nods thoughtfully,
3
00:00:29,790 --> 00:00:31,630
then reaches into his pants pocket.
4
00:00:40,030 --> 00:00:40,990
Jenny's panties.
5
00:00:49,550 --> 00:00:51,190
Braden clutches the underwear.
6
... | 1
00:00:19,670 --> 00:00:20,880
Guy nods slowly.
2
00:00:29,560 --> 00:00:30,310
Guy nods again,
3
00:00:30,350 --> 00:00:31,270
then looks down.
4
00:01:36,310 --> 00:01:37,730
It's Jenny's knickers.
5
00:01:40,100 --> 00:01:42,680
Braden looks at his smiling mother in the audience.
6
00:01:53,280 --> 00:01:54,82... | 1
00:00:01,420 --> 00:00:05,240
I'm Guy. And you're Braden, right'?
Braden Aftergood?
2
00:00:07,000 --> 00:00:09,000
I'm not supposed to talk to you.
3
00:00:10,070 --> 00:00:11,170
Why not?
4
00:00:11,570 --> 00:00:12,810
Because my dad says
5
00:00:12,900 --> 00:00:15,320
you're probably just
some unemployed bum... | 1
00:00:01,420 --> 00:00:05,230
I'm Guy. And you're Braden, right'?
Braden Aftergood?
2
00:00:07,000 --> 00:00:09,000
I'm not supposed to talk to you.
3
00:00:10,060 --> 00:00:11,170
Why not?
4
00:00:11,570 --> 00:00:12,810
Because my dad says
5
00:00:12,900 --> 00:00:15,310
you're probably just
some unemployed bum... | {"screenplay_scene_37": "<scene>\n <stage_direction>INT. HOTEL AUDITORIUM, STAGE</stage_direction>\n <character>PROCTOR</character>\n <dialogue>Noctivagant.</dialogue>\n <scene_description>Baxter looks out to his parents. His FATHER watches sternly while his MOTHER offers a hopeful thumbs-up.</scene_descrip... | 5367.82 | 1744.61 | 158.08 |
bad_words | tt2170299 | d4qYa6ZlNbw_ | 1
00:00:01,500 --> 00:00:03,180
Chaitanya sits outside his room.
2
00:00:56,430 --> 00:00:57,710
Guy shuts his menu.
3
00:01:03,430 --> 00:01:04,790
Guy points at Chaitanya.
4
00:01:24,950 --> 00:01:26,750
The high strung mother stares at him.
5
00:01:36,830 --> 00:01:40,470
As she leaves, Guy grimaces at Chaitanya... | 1
00:00:02,010 --> 00:00:02,880
In the corridor.
2
00:00:18,040 --> 00:00:18,880
In a restaurant.
3
00:01:25,180 --> 00:01:26,730
She stares in horror.
4
00:01:36,740 --> 00:01:38,110
The woman marches away.
| 1
00:00:03,520 --> 00:00:05,230
Did you get locked out?
2
00:00:05,320 --> 00:00:07,230
I was wondering if
you wanted to grab
3
00:00:07,360 --> 00:00:09,340
some alimentation
for our hyperphagia.
4
00:00:09,490 --> 00:00:10,700
I'm hungry.
5
00:00:10,760 --> 00:00:14,500
Oh, I just got pretty hungry myself.
Sure, ... | 1
00:00:03,520 --> 00:00:05,230
Did you get locked out?
2
00:00:05,320 --> 00:00:07,230
I was wondering if
you wanted to grab
3
00:00:07,360 --> 00:00:09,340
some alimentation
for our hyperphagia.
4
00:00:09,490 --> 00:00:10,700
I'm hungry.
5
00:00:10,760 --> 00:00:14,500
Oh, I just got pretty hungry myself.
Sure, ... | {"screenplay_scene_47": "<scene>\n <stage_direction>INT. HOTEL RESTAURANT - MOMENTS LATER</stage_direction>\n <scene_description>Guy slouches across the table from Chaitanya, completely lost in thought and fiddling with the salt shaker.</scene_description>\n <character>CHAITANYA</character>\n <dialogue>With... | 5367.82 | 2192.13 | 113.20 |
bad_words | tt2170299 | GTPhDAKYqR62 | 1
00:00:12,430 --> 00:00:13,590
Guy hands him a napkin.
2
00:00:13,590 --> 00:00:14,030
Funny.
3
00:00:14,070 --> 00:00:15,670
Chaitanya wipes off his face.
4
00:00:27,990 --> 00:00:29,510
The boy sips a soft drink.
5
00:00:34,390 --> 00:00:36,070
Chaitanya smiles and nods.
6
00:00:37,950 --> 00:00:40,990
With a s... | 1
00:00:02,280 --> 00:00:03,910
They're outside a fast food joint.
2
00:00:27,660 --> 00:00:28,200
Chaitanya.
3
00:00:28,240 --> 00:00:29,160
Drink some pop.
4
00:00:34,870 --> 00:00:36,000
Chaitanya nods.
5
00:00:39,210 --> 00:00:41,170
Guy smiles with disbelief.
6
00:00:41,590 --> 00:00:42,010
Thanks.
7
00:01:1... | 1
00:00:01,140 --> 00:00:03,590
Aren't these fries incredible?
2
00:00:03,680 --> 00:00:05,160
And was I right about the chili?
3
00:00:05,210 --> 00:00:06,850
Love it.
4
00:00:07,380 --> 00:00:09,230
You might want to slow down
a little bit, Slummy.
5
00:00:09,250 --> 00:00:11,700
Looks like you got into
the wrong... | 1
00:00:01,140 --> 00:00:03,590
GUY: Aren't these
fries incredible?
2
00:00:03,680 --> 00:00:05,150
And was I right about the chili?
3
00:00:05,210 --> 00:00:06,850
CHAITANYA: Love it.
4
00:00:07,380 --> 00:00:09,220
You might want to slow down
a little bit, Slummy.
5
00:00:09,250 --> 00:00:11,690
Looks like you go... | {"screenplay_scene_57": "<scene>\n <stage_direction>EXT. LINCOLN MEMORIAL STEPS - LATER</stage_direction>\n <scene_description>Guy takes a swig of the Mickeys. Hands it to Chaitanya. Chaitanya takes a swig. And chokes. COUGH! COUGH! COUGH!</scene_description>\n <character>GUY</character>\n <dialogue>Easy th... | 5367.82 | 2552.83 | 196.95 |
bad_words | tt2170299 | spQwPGZ3b_OR | 1
00:00:15,780 --> 00:00:16,620
She leaves her seat.
2
00:00:19,100 --> 00:00:20,980
Guy empties the ketchup packet on it.
3
00:00:23,660 --> 00:00:24,420
Joyce sits.
4
00:01:02,100 --> 00:01:05,060
With a meaningful nod, he glances toward her seat,
5
00:01:05,060 --> 00:01:06,260
sighing worriedly.
6
00:01:06,260... | 1
00:00:47,160 --> 00:00:48,700
He's put ketchup on her seat.
2
00:01:01,840 --> 00:01:03,710
He frowns and looks down at her crotch.
3
00:01:03,750 --> 00:01:04,590
She stares at him
4
00:01:04,590 --> 00:01:05,760
and he does it again
5
00:01:07,130 --> 00:01:07,840
with a sigh.
6
00:01:07,880 --> 00:01:10,930
S... | 1
00:00:01,600 --> 00:00:02,910
Joyce?
2
00:00:03,610 --> 00:00:07,710
Wondering if that's your hair
clip or somethin' over there?
3
00:00:07,880 --> 00:00:09,290
Where? Underneath that
seat right there.
4
00:00:09,310 --> 00:00:11,760
Can you see it?
It's certainly not mine.
5
00:00:11,810 --> 00:00:13,690
I just ... | 1
00:00:01,600 --> 00:00:02,910
Joyce?
2
00:00:03,600 --> 00:00:07,710
Wondering if that's your hair
clip or somethin' over there?
3
00:00:07,870 --> 00:00:09,290
Where? Underneath that
seat right there.
4
00:00:09,310 --> 00:00:11,760
Can you see it?
It's certainly not mine.
5
00:00:11,810 --> 00:00:13,690
I just ... | {"screenplay_scene_69": "<scene>\n <stage_direction>INT. HOTEL AUDITORIUM, BROADCAST BOOTH</stage_direction>\n <character>PETE</character>\n <dialogue>Annnnd end scene! Unbelievable! Joyce Sacks flames out without misspelling a single word!</dialogue>\n <character>CHUCK</character>\n <dialogue>Pete, she ... | 5367.82 | 3015.23 | 167.46 |
bad_words | tt2170299 | s8vvH5bfVMWx | 1
00:00:22,880 --> 00:00:24,520
Chaitanya faces his father.
2
00:00:43,600 --> 00:00:44,280
Guys, guys!
3
00:00:44,280 --> 00:00:45,080
Darts to the boys!
4
00:00:45,080 --> 00:00:45,640
Father!
5
00:01:02,520 --> 00:01:03,880
He throws down the toy car
6
00:01:03,880 --> 00:01:05,320
and crushes it under his shoe... | 1
00:00:22,970 --> 00:00:24,680
Chaitanya turns to his dad.
2
00:00:44,240 --> 00:00:44,870
Chaitanya.
3
00:00:45,040 --> 00:00:46,080
Dad scowls.
4
00:01:02,720 --> 00:01:04,390
Guy takes out the toy police car.
5
00:01:04,390 --> 00:01:05,640
He throws it on the floor,
6
00:01:05,680 --> 00:01:06,770
stomps on i... | 1
00:00:01,510 --> 00:00:03,680
You're pretending to be my
friend just to My to win?
2
00:00:03,770 --> 00:00:04,780
What? No, no!
3
00:00:04,940 --> 00:00:05,940
No, no?
4
00:00:05,980 --> 00:00:08,290
I just heard you
and your dad talking,
5
00:00:08,350 --> 00:00:09,790
just outside the door there.
6
00:00:10,1... | 1
00:00:01,500 --> 00:00:03,680
You're pretending to be my
friend just to My to win?
2
00:00:03,770 --> 00:00:04,770
What? No, no!
3
00:00:04,940 --> 00:00:05,940
No, no?
4
00:00:05,970 --> 00:00:08,280
I just heard you
and your dad talking,
5
00:00:08,340 --> 00:00:09,790
just outside the door there.
6
00:00:10,1... | null | 5367.82 | 3702.02 | 195.26 |
bad_words | tt2170299 | veumB6nZbIvG | 1
00:00:14,640 --> 00:00:16,120
The high strung mother nods.
2
00:00:55,800 --> 00:00:57,280
Security carries her out.
3
00:01:27,720 --> 00:01:29,330
Bowman sternly lifts his brow
4
00:01:29,330 --> 00:01:31,010
and wags his microphone at Guy.
5
00:01:33,890 --> 00:01:35,610
He angrily throws down the mic.
6
00:0... | 1
00:01:06,050 --> 00:01:08,260
Guy pretends to conduct the chant.
2
00:01:28,620 --> 00:01:30,200
Doctor Bowman tends to Guy
3
00:01:30,200 --> 00:01:32,080
and brandishes the mic at him.
4
00:01:35,040 --> 00:01:36,120
He throws the mic down
5
00:01:36,120 --> 00:01:37,960
and guy's eyes light up with glee.
6
00... | 1
00:00:04,080 --> 00:00:05,250
Slubberdegullion.
2
00:00:06,350 --> 00:00:07,490
Slubberdegullion?
3
00:00:07,580 --> 00:00:08,930
Slubberdegullion.
4
00:00:09,920 --> 00:00:11,260
Perfect.
S...
5
00:00:11,490 --> 00:00:12,990
I know the definition of that.
6
00:00:13,090 --> 00:00:14,830
"A dirty, wretched slob.... | 1
00:00:04,080 --> 00:00:05,250
Slubberdegullion.
2
00:00:06,350 --> 00:00:07,480
Slubberdegullion?
3
00:00:07,580 --> 00:00:08,920
PROCTOR: Slubberdegullion.
4
00:00:09,920 --> 00:00:11,260
WOMAN: Perfect.
S...
5
00:00:11,480 --> 00:00:12,990
I know the definition of that.
6
00:00:13,090 --> 00:00:14,830
"A dirty... | {"screenplay_scene_106": "<scene>\n <stage_direction>INT. HOTEL AUDITORIUM, STAGE</stage_direction>\n <scene_description>Tamara rushes off the stage in tears.</scene_description>\n <character>GUY</character>\n <dialogue>She spelled it Zitgeist! What a retard!</dialogue>\n <scene_description>Guy is next. ... | 5367.82 | 4227.90 | 130.43 |
bad_words | tt2170299 | 2A_8zepfM8NJ | 1
00:00:12,520 --> 00:00:14,680
Chaitanya stares at Guy, who smiles.
2
00:00:20,080 --> 00:00:21,200
Chaitanya is wide eyed.
3
00:00:21,200 --> 00:00:23,640
Gaze lingers on Guy as he leaves his seat.
4
00:00:24,480 --> 00:00:26,240
The young boy steps up to the microphone
5
00:00:26,240 --> 00:00:27,960
and positio... | 1
00:00:12,390 --> 00:00:14,020
Chaitanya gawps at him.
2
00:00:20,990 --> 00:00:22,610
Chaitanya steps up to the mic
3
00:00:22,660 --> 00:00:24,320
and lowers it to his height.
4
00:01:01,310 --> 00:01:03,730
Chaitanya stops and turns back to look at Guy.
5
00:01:06,270 --> 00:01:08,570
His parents watch with fur... | 1
00:00:00,230 --> 00:00:03,980
The rules dictate...
Thank you. Quiet, please.
2
00:00:04,070 --> 00:00:07,110
The rules dictate that because
he's one of the final two,
3
00:00:07,170 --> 00:00:09,590
he remains onstage
until his opponent
4
00:00:09,740 --> 00:00:12,090
correctly spells the next word.
5
00:00:14,68... | 1
00:00:00,230 --> 00:00:03,970
The rules dictate...
Thank you. Quiet, please.
2
00:00:04,070 --> 00:00:07,110
The rules dictate that because
he's one of the final two,
3
00:00:07,170 --> 00:00:09,580
he remains onstage
until his opponent
4
00:00:09,740 --> 00:00:12,090
correctly spells the next word.
5
00:00:12,64... | null | 5367.82 | 4461.31 | 185.74 |
bad_words | tt2170299 | nv_gMLMfHgMb | 1
00:00:09,870 --> 00:00:11,070
Bowman shakes his head.
2
00:00:12,350 --> 00:00:13,630
Guy retakes his seat.
3
00:00:14,310 --> 00:00:15,750
Chaitanya walks downstage
4
00:00:15,750 --> 00:00:18,270
and lowers the microphone to his unsmiling face.
5
00:00:25,230 --> 00:00:27,390
Chaitanya blinks and takes a steady... | 1
00:00:12,420 --> 00:00:13,470
He sits down.
2
00:00:15,430 --> 00:00:17,470
Chaitanya goes up and lowers the mic.
3
00:00:27,670 --> 00:00:29,130
It's a
4
00:00:30,500 --> 00:00:32,090
Chaitanya s dad stands up.
5
00:00:34,340 --> 00:00:36,300
His dad gazes at him gravely.
6
00:00:38,600 --> 00:00:41,140
Guy tur... | 1
00:00:00,480 --> 00:00:01,650
And continuing...
2
00:00:01,740 --> 00:00:03,420
Yeah. My turn.
3
00:00:05,010 --> 00:00:06,010
Unguent.
4
00:00:06,080 --> 00:00:09,250
Unguent?
A-N-G-U-E-N-T. Ding it.
5
00:00:11,190 --> 00:00:12,460
I can do this all night.
6
00:00:13,420 --> 00:00:14,420
Go ahead.
7
00:00:19,0... | 1
00:00:00,470 --> 00:00:01,650
PROCTOR: And continuing...
2
00:00:01,740 --> 00:00:03,410
Yeah. My turn.
3
00:00:05,010 --> 00:00:06,010
Unguent.
4
00:00:06,080 --> 00:00:09,250
Unguent?
A-N-G-U-E-N-T. Ding it.
5
00:00:09,320 --> 00:00:10,450
(AUDIENCE MUTTERING)
6
00:00:11,180 --> 00:00:12,460
I can do this all ... | {"screenplay_scene_126": "<scene>\n <stage_direction>INT. HOTEL AUDITORIUM, STAGE</stage_direction>\n <scene_description>Chaitanya's parents run up on stage to hug and kiss him amongst the growing crowd as balloons shower down in the auditorium. A giant check and trophy table are whisked in from the wings as Guy ... | 5367.82 | 4727.90 | 158.13 |
dracula_untold | tt0829150 | MrCnsA1Yv295 | 1
00:00:07,440 --> 00:00:09,270
It connects to a shackled boy.
2
00:00:16,670 --> 00:00:19,390
Frozen in time, the boy cowers beneath a whip.
3
00:00:23,150 --> 00:00:24,310
Two boys battle.
4
00:00:33,190 --> 00:00:37,070
With their mouths agape, helmeted soldiers stand frozen in battle.
5
00:00:37,270 --> 00:00:4... | 1
00:00:35,420 --> 00:00:38,930
Crusader warriors are shown frozen in Mid-battle.
| 1
00:00:04,100 --> 00:00:08,180
In the year of our Lord, 1442,
2
00:00:09,270 --> 00:00:14,020
the Turkish sultan enslaved
1,000 Transylvanian boys
3
00:00:14,190 --> 00:00:16,180
to fill the ranks of his army.
4
00:00:19,620 --> 00:00:23,150
These child slaves
were beaten without mercy,
5
00:00:24,790 --> 00:00:27... | 1
00:00:04,150 --> 00:00:08,250
INGERAS: In the year
of our Lord, 1442,
2
00:00:09,330 --> 00:00:14,080
the Turkish sultan enslaved
1,000 Transylvanian boys
3
00:00:14,250 --> 00:00:16,250
to fill the ranks
of his army.
4
00:00:16,330 --> 00:00:18,300
(WHIP LASHING)
(BOY WAILS)
5
00:00:19,670 --> 00:00:23,220
These... | null | 5533.73 | 51.36 | 85.43 |
dracula_untold | tt0829150 | gWmnUGGH6oSp | 1
00:00:19,850 --> 00:00:21,610
He shatters a skull on a rock.
2
00:00:25,730 --> 00:00:28,490
He brings his own wrist up to his mouth and bites
3
00:00:28,530 --> 00:00:33,450
Vlad winces as dark blood pours from the creature's arm into the shallow, split skull.
4
00:02:03,230 --> 00:02:04,790
The ghoul holds the s... | 1
00:00:26,390 --> 00:00:28,980
The demon smashes a skull to form a bowl,
2
00:00:28,980 --> 00:00:30,400
then bites its own wrist
3
00:00:30,400 --> 00:00:33,360
and allows blood to flow into the upturned cranium.
4
00:02:29,430 --> 00:02:33,690
Vlad hesitates while the demon fixes him with an intent gaze.
5
00:02... | 1
00:00:00,600 --> 00:00:04,620
For centuries, these moldering
walls have been my gallows.
2
00:00:04,730 --> 00:00:08,810
For I'm bound to this cave,
condemned by one who turned me.
3
00:00:09,380 --> 00:00:13,360
Oh, and I have waited an eternity
for a man of your strength,
4
00:00:13,550 --> 00:00:18,110
your gif... | 1
00:00:00,550 --> 00:00:04,800
For centuries,
these moldering walls
have been my gallows.
2
00:00:05,130 --> 00:00:06,480
For I'm bound to this cave,
3
00:00:06,550 --> 00:00:08,770
condemned by
one who turned me.
4
00:00:09,470 --> 00:00:11,850
Oh, and I have
waited an eternity
5
00:00:11,930 --> 00:00:13,310
for... | null | 5533.73 | 1629.79 | 161.12 |
dracula_untold | tt0829150 | N9arPSo3sBi7 | 1
00:00:26,410 --> 00:00:28,290
Turkish soldiers light a cannon.
2
00:00:29,090 --> 00:00:32,050
Our view hurtles through the air toward Castle Dracula.
3
00:00:32,290 --> 00:00:35,210
We tear through smoke and debris at immense speed,
4
00:00:35,210 --> 00:00:38,890
then crash through stone and wreckage as the smok... | 1
00:00:26,780 --> 00:00:31,030
A cannonball is fired from the lion headed muzzle of a Turkish gun.
2
00:00:31,370 --> 00:00:37,770
It speeds through the smoke and confusion of the battlefield towards the Castle out now.
3
00:00:37,770 --> 00:00:40,940
Through the gate steps the defiant figure of Vlad.
4
00:00:47,57... | 1
00:00:02,510 --> 00:00:05,470
- They wanted our sons!
- We can't fight.
2
00:00:05,580 --> 00:00:08,220
A good prince would have given them up.
3
00:00:09,250 --> 00:00:12,020
A good prince would have
paid that price for peace.
4
00:00:13,460 --> 00:00:15,640
But I give you my word,
5
00:00:16,380 --> 00:00:18,70... | 1
00:00:02,560 --> 00:00:04,360
VLAD: They wanted our sons!
2
00:00:04,440 --> 00:00:05,440
We can't fight.
3
00:00:05,520 --> 00:00:08,070
A good prince would
have given them up.
4
00:00:09,190 --> 00:00:11,950
A good prince would have
paid that price for peace.
5
00:00:12,070 --> 00:00:13,320
(RUMBLING)
(WOMAN WH... | {"screenplay_scene_25": "<scene>\n <stage_direction>EXT. OUTSIDE CASTLE DRACULA - NIGHT</stage_direction>\n <scene_description>Ismail's Turks surround the castle gate... ...yet as we scan their faces, we see Vlad's campaign of terror has taken its toll. AT THE CANNONS, General Ismail lurks. Eyes glassy. His mind ... | 5533.73 | 2029.76 | 158.18 |
dracula_untold | tt0829150 | Io5Gc_Z4Tz7P | 1
00:00:02,890 --> 00:00:04,330
Sweat glistens on his face
2
00:00:04,330 --> 00:00:06,290
and he runs his hand over his mouth.
3
00:00:09,410 --> 00:00:12,610
He sits beside Mirena, who watches him with concern.
4
00:00:20,930 --> 00:00:22,370
She approaches him tenderly
5
00:00:22,370 --> 00:00:23,570
and they be... | 1
00:00:07,570 --> 00:00:09,030
He calms his breathing.
2
00:00:09,280 --> 00:00:12,660
Mirena is reclining on a sumptuous couch in the corner.
3
00:00:12,860 --> 00:00:14,600
He sits down on the bed.
4
00:00:15,140 --> 00:00:18,060
She draws close, gazing at him voluptuously,
5
00:00:18,060 --> 00:00:20,850
and th... | 1
00:01:05,430 --> 00:01:07,030
Feed.
2
00:01:13,980 --> 00:01:15,020
What is it?
3
00:01:18,090 --> 00:01:20,130
I need some air.
4
00:01:20,780 --> 00:01:21,920
I'm sorry.
| 1
00:00:00,520 --> 00:00:01,740
(BREATHING HEAVILY)
2
00:00:40,650 --> 00:00:42,240
(BREATHING HEAVILY)
3
00:00:58,710 --> 00:01:00,460
(HEART BEATING)
4
00:01:05,380 --> 00:01:06,880
MASTER VAMPIRE: Feed.
5
00:01:12,680 --> 00:01:13,800
(GASPS)
6
00:01:13,890 --> 00:01:14,940
MIRENA: What is it?
7
00:01:18,100 -... | {"screenplay_scene_32": "<scene>\n <stage_direction>INT. MIRENA'S TENT - NIGHT</stage_direction>\n <scene_description>Vlad and Mirena kiss as they pull each other's clothes off. They fall on a bed of furs... People can be heard milling about the campsite through the tent's thin canvas walls... Shhh...</scene_desc... | 5533.73 | 2354.50 | 85.64 |
dracula_untold | tt0829150 | MME05kcfGeJE | 1
00:00:14,810 --> 00:00:17,730
The monk slashes a gaping hole in a curtain behind him.
2
00:00:19,330 --> 00:00:22,010
The sunlight fries the skin on Vlad's face.
3
00:00:29,130 --> 00:00:29,530
He's a
4
00:00:30,570 --> 00:00:34,130
Mirena runs toward a torch wielding mob outside the workshop.
5
00:00:50,560 --> ... | 1
00:00:15,140 --> 00:00:15,560
Brother.
2
00:00:15,560 --> 00:00:18,730
Lucian slashes through the curtain, covering the doorway.
3
00:00:18,770 --> 00:00:23,650
Light floods in, causing the skin of Vlad's face to bubble and flake off.
4
00:00:31,830 --> 00:00:34,790
Mirena hurries through the panicking villagers.
... | 1
00:00:00,080 --> 00:00:02,760
Let me kill you now, My Prince.
2
00:00:03,500 --> 00:00:06,650
Please. Before your people do.
3
00:00:06,760 --> 00:00:09,430
Rumor has spread of
what you have become.
4
00:00:09,720 --> 00:00:11,960
You can still repent.
5
00:00:13,100 --> 00:00:15,590
You'd do well to run, Lucian.... | 1
00:00:00,030 --> 00:00:02,580
Let me kill you now,
My Prince.
2
00:00:03,410 --> 00:00:04,500
Please.
3
00:00:04,740 --> 00:00:06,540
Before your people do.
4
00:00:06,700 --> 00:00:09,370
Rumor has spread of
what you have become.
5
00:00:09,660 --> 00:00:11,880
You can still repent.
6
00:00:13,040 --> 00:00:15,... | {"screenplay_scene_50": "<scene>\n <stage_direction>INT. SMITHY - DAY</stage_direction>\n <scene_description>The BLACKSMITH MONKS curiously look up from their work... Vlad knows he's trapped in here. He plays for time, examining weapons laid out to cool...</scene_description>\n <character>VLAD</character>\n ... | 5533.73 | 3279.04 | 175.52 |
dracula_untold | tt0829150 | xl0WYoowH9Jr | 1
00:00:23,610 --> 00:00:26,490
With his face fully healed, the prince hangs his head.
2
00:00:27,210 --> 00:00:28,890
He turns to the rear of the chapel
3
00:00:28,890 --> 00:00:30,770
and finds Ingeras standing there.
4
00:00:31,170 --> 00:00:33,350
The boy slowly approaches his father.
5
00:00:50,630 --> 00:00:5... | 1
00:00:25,280 --> 00:00:29,250
He turns slowly to see that Ingeras has come to stand in the nave.
2
00:00:29,910 --> 00:00:33,000
The boy advances slowly towards his father.
3
00:00:50,680 --> 00:00:53,440
Vlad pulls something out from the cloth wrapped bundle.
4
00:00:53,440 --> 00:00:54,650
Ingeras hands him.
5
... | 1
00:00:02,700 --> 00:00:07,190
Lord, if you've not yet forsaken me,
2
00:00:07,290 --> 00:00:10,980
grant me your strength
that I may resist the darkness.
3
00:00:11,960 --> 00:00:16,200
Allow me to endure
this test one more day.
4
00:00:18,430 --> 00:00:20,320
I beg you.
5
00:00:21,890 --> 00:00:23,510
Please.
6... | 1
00:00:02,650 --> 00:00:07,030
Lord, if you've
not yet forsaken me,
2
00:00:07,200 --> 00:00:10,830
grant me your strength that
I may resist the darkness.
3
00:00:11,870 --> 00:00:16,040
Allow me to endure
this test one more day.
4
00:00:18,370 --> 00:00:19,920
I beg you.
5
00:00:21,840 --> 00:00:23,050
Please.
6... | {"screenplay_scene_56": "<scene>\n <stage_direction>INT. CHAPEL - MONASTARY - NIGHT</stage_direction>\n <scene_description>Vlad stands alone in the chapel. Chastened. His eyes raised to the crucified Christ.</scene_description>\n <character>VLAD</character>\n <dialogue>I can't save them. I've tried everythi... | 5533.73 | 3461.73 | 106.16 |
dracula_untold | tt0829150 | W3o2qoS4hUo2 | 1
00:00:05,530 --> 00:00:09,570
Vlad soldiers clear a path for the prince as he walks along the battlement.
2
00:00:09,810 --> 00:00:12,330
They stare at him with impassive expressions,
3
00:00:12,610 --> 00:00:14,290
his breath forming a mist.
4
00:00:14,290 --> 00:00:16,530
The prince lays his hands upon the stone... | 1
00:00:01,220 --> 00:00:07,220
They march along a broad valley, the far end of which is dominated by the monastery on its high crag.
2
00:00:07,930 --> 00:00:12,140
The Transylvanian troops part warily to allow Vlad through.
3
00:00:12,690 --> 00:00:18,690
He walks slowly up to join his older counsellor, standing, g... | 1
00:02:42,750 --> 00:02:43,750
No!
| 1
00:00:25,820 --> 00:00:27,080
(BAT SCREECHING)
2
00:00:37,960 --> 00:00:39,300
(SCREECHING)
3
00:00:54,810 --> 00:00:55,860
(SCREECHING LOUDLY)
4
00:02:12,760 --> 00:02:13,980
(SOLDIERS SCREAMING)
5
00:02:36,790 --> 00:02:37,790
(YELLING)
6
00:02:40,330 --> 00:02:41,460
(SCREAMING)
7
00:02:42,540 --> 00:02:43,5... | {"screenplay_scene_58": "<scene>\n <stage_direction>EXT. MONASTERY BATTLEMENTS - PRE-DAWN</stage_direction>\n <scene_description>The Turkish Army enters the pass... Across the sky, dawn ticks ever closer... Vlad walks the BATTLEMENTS... His motley group of Fighters jump to attention. This war will be decided here... | 5533.73 | 3651.81 | 165.84 |
dracula_untold | tt0829150 | jo7JpO3AGvvu | 1
00:00:01,770 --> 00:00:03,010
Mirena falls.
2
00:00:04,930 --> 00:00:09,410
Vlad jumps over the side with his lower half comprised of a trail of bats.
3
00:00:09,450 --> 00:00:13,330
He reaches for his wife as she plummets himself.
4
00:00:18,930 --> 00:00:22,090
Vlad's mouth opens, revealing long white fangs.
5
... | 1
00:00:01,510 --> 00:00:02,510
then falling.
2
00:00:08,270 --> 00:00:10,610
He flings himself off after her.
3
00:00:15,570 --> 00:00:18,700
She falls, her blonde hair billowing around her face.
4
00:00:18,700 --> 00:00:22,370
He pursues her desperately, his vampire fangs bared.
5
00:00:24,240 --> 00:00:30,210
Th... | 1
00:00:03,260 --> 00:00:04,650
Vlad!
2
00:00:06,680 --> 00:00:08,030
No!
3
00:00:54,100 --> 00:00:55,750
No, Mirena.
4
00:00:55,850 --> 00:00:58,670
Please, stay with me.
5
00:00:58,770 --> 00:01:01,120
I cannot do this without you.
6
00:01:14,850 --> 00:01:16,390
Mirena.
7
00:01:25,240 --> 00:01:26,980
There's ... | 1
00:00:03,160 --> 00:00:04,660
Vlad!
2
00:00:06,580 --> 00:00:07,830
No!
3
00:00:40,910 --> 00:00:42,120
(INAUDIBLE)
4
00:00:54,040 --> 00:00:55,670
No, Mirena.
5
00:00:55,750 --> 00:00:58,630
Please, stay with me.
6
00:00:58,720 --> 00:01:00,930
I cannot do this
without you.
7
00:01:14,690 --> 00:01:16,030
Mire... | {"screenplay_scene_62": "<scene>\n <stage_direction>..exposing the CRUCIFIX that hangs from Mirena's neck.</stage_direction>\n <scene_description>The CROSS GLOWS WITH WHITE LIGHT in Vlad's presence. A light Vlad cannot bear. The power of God repels him.</scene_description>\n <character>MIRENA</character>\n ... | 5533.73 | 3959.42 | 191.59 |
dracula_untold | tt0829150 | nvDnBnM1bE0d | 1
00:00:00,840 --> 00:00:02,640
Vlad stumbles behind a screen.
2
00:00:11,480 --> 00:00:13,390
Vlad shares a glance with his son.
3
00:00:17,110 --> 00:00:18,270
The prince charges.
4
00:00:20,230 --> 00:00:22,790
Mehmed sends a spray of coins into the air.
5
00:00:27,070 --> 00:00:29,830
The foes spin and twirl as... | 1
00:00:19,660 --> 00:00:21,290
Vlad gathers his strength
2
00:00:21,390 --> 00:00:23,190
and lunges at Mehmed.
3
00:00:32,070 --> 00:00:32,490
Are
4
00:00:34,280 --> 00:00:38,080
Mehmed slashes at more and more suspended sacks of silver,
5
00:00:38,080 --> 00:00:40,910
showering Vlad with it and weakening him furt... | 1
00:00:02,690 --> 00:00:04,520
You grow more weary by the moment.
2
00:00:06,610 --> 00:00:08,410
Tell me,
3
00:00:08,950 --> 00:00:11,420
how long can you bear it in here?
4
00:00:13,890 --> 00:00:17,470
Long enough to strike your name
from the history books.
5
00:00:51,430 --> 00:00:52,430
Papa!
6
00:00:58,120 ... | 1
00:00:02,640 --> 00:00:04,480
You grow more
weary by the moment.
2
00:00:06,970 --> 00:00:08,230
Tell me,
3
00:00:08,850 --> 00:00:11,440
how long can you
bear it in here? Huh?
4
00:00:13,900 --> 00:00:15,400
Long enough to
strike your name
5
00:00:15,480 --> 00:00:17,320
from the history books.
6
00:00:17,650 -... | {"screenplay_scene_66": "<scene>\n <stage_direction>EXT. TURKISH ENCAMPMENT - DANUBE PLAIN - NIGHT</stage_direction>\n <scene_description>The WAR TENTS of the Turkish encampment spike the sky. A stronghold of canvas and silk. The Sultan's Tent is pitched on a rise. his new possession: Transylvania.</scene_descrip... | 5533.73 | 4471.58 | 143.83 |
dracula_untold | tt0829150 | P3RUJwP2krSx | 1
00:00:08,960 --> 00:00:10,120
The older man lunges,
2
00:00:10,120 --> 00:00:12,280
but Vlad stabs him with a flagpole.
3
00:00:20,510 --> 00:00:22,390
The adviser's eyes flash red
4
00:00:22,390 --> 00:00:24,590
and the prince lifts his impaled body.
5
00:00:25,430 --> 00:00:27,510
Vlad plants the pole in the gr... | 1
00:00:08,640 --> 00:00:11,890
Vlad presses the end of a pike into the old man's chest.
2
00:00:24,150 --> 00:00:27,780
Vlad upends the pike, impaling the old man in mid-air.
3
00:00:28,070 --> 00:00:30,580
Blood and flesh explode from his body
4
00:00:30,580 --> 00:00:34,060
until all that is left is a quivering, ... | 1
00:00:00,250 --> 00:00:02,460
They're all our enemies now.
2
00:00:03,400 --> 00:00:06,720
When he's gone, you'll be free.
3
00:00:14,540 --> 00:00:17,970
You forget who I am.
4
00:00:56,140 --> 00:00:57,250
Leave him.
5
00:01:03,790 --> 00:01:06,850
Come with me, child. Come.
6
00:01:09,760 --> 00:01:11,050
Ple... | 1
00:00:00,260 --> 00:00:02,510
They're all our enemies now.
2
00:00:03,340 --> 00:00:04,850
When he's gone,
3
00:00:05,300 --> 00:00:06,650
you'll be free.
4
00:00:06,720 --> 00:00:07,720
(GROWLING)
5
00:00:14,440 --> 00:00:18,030
You forget who I am.
6
00:00:19,280 --> 00:00:20,490
(GROWLING)
7
00:00:21,440 -->... | {"screenplay_scene_67": "<scene>\n <stage_direction>EXT. TURKISH ENCAMPMENT - CONTINUOUS</stage_direction>\n <scene_description>Brother Lucian leads Ingeras OUTSIDE... The sky is BLACK as night. The last Turks fight in vain. Vampires released from their prisons of shadow move like a plague of locusts, leaving not... | 5533.73 | 4703.78 | 199.16 |
italian_job | tt0317740 | 0rLWWQ3cc4G6 | 1
00:00:02,540 --> 00:00:03,420
Underwater.
2
00:00:03,420 --> 00:00:05,260
Charlie sets a countdown on his watch.
3
00:00:05,540 --> 00:00:06,900
Also in full scuba gear.
4
00:00:07,060 --> 00:00:07,340
Left.
5
00:00:07,380 --> 00:00:08,900
Ear pushes a platform over.
6
00:00:09,060 --> 00:00:10,900
John turns th... | 1
00:00:04,290 --> 00:00:08,300
Left Ear pulls up alongside John and Charlie on an underwater vehicle.
2
00:00:09,180 --> 00:00:11,400
John's still working on cracking the lock.
3
00:00:16,580 --> 00:00:21,340
The speedboat chase is still continuing along the narrow waterways and under low bridges.
4
00:00:26,310 --... | 1
00:00:00,230 --> 00:00:01,810
Seven minutes and counting.
2
00:00:01,850 --> 00:00:03,150
Let's go.
3
00:01:22,980 --> 00:01:25,820
We got four minutes
to load and leave. Let's go.
4
00:02:00,730 --> 00:02:01,770
Whoa! Whoa!
| 1
00:00:02,060 --> 00:00:05,480
Let's go.
2
00:00:17,500 --> 00:00:20,750
[Man Shouting In Italian]
3
00:00:37,270 --> 00:00:41,310
- [Gasps]
- [Gasps, Screams]
4
00:01:22,770 --> 00:01:25,940
We got four minutes to load and leave.
Let's go!
5
00:01:25,980 --> 00:01:28,730
[Chattering]
6
00:01:28,770 --> 00:01:31,... | null | 6663.20 | 773.47 | 129.59 |
italian_job | tt0317740 | N37epsjRWKk8 | 1
00:00:17,040 --> 00:00:18,000
John drinks.
| 1
00:00:00,120 --> 00:00:01,910
You know, Charlie,
2
00:00:01,950 --> 00:00:05,080
there are two kinds of thieves
in this world:
3
00:00:05,120 --> 00:00:07,750
the ones who steal
to enrich their lives,
4
00:00:07,790 --> 00:00:11,750
and the ones who steal
to define their lives.
5
00:00:11,800 --> 00:00:13,760
Don... | 1
00:00:00,550 --> 00:00:05,260
You know, Charlie, there are two
kinds of thieves in this world:
2
00:00:05,310 --> 00:00:08,430
The ones who steal
to enrich their lives...
3
00:00:08,480 --> 00:00:11,940
and the ones who steal
to define their lives.
4
00:00:11,980 --> 00:00:17,610
Don't be the latter. Makes you mis... | {"screenplay_scene_23": "<scene>\n <stage_direction>INT. HUMVEE (MOVING)</stage_direction>\n <scene_description>The gold is in three crates in the cargo bay . Handsome Rob and Steve are still up front . The others are in the back seats , the divers out of their scuba gear . They are pouring champagne into paper c... | 6663.20 | 1173.79 | 37.97 |
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