rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
jaws | tt0073195 | aKEpEjEnDoBQ | 1
00:00:01,940 --> 00:00:03,780
The door swings shut behind Brody,
2
00:00:03,820 --> 00:00:04,900
who struggles to his feet
3
00:00:04,900 --> 00:00:06,140
in the flooded cabin.
4
00:00:06,260 --> 00:00:07,700
He makes his way past the windows
5
00:00:07,700 --> 00:00:10,220
just before the shark's head crashes th... | 1
00:00:02,500 --> 00:00:05,130
He closes the door of the water filled cabin.
2
00:00:06,680 --> 00:00:10,230
The shark surges in through one of the cabin windows.
3
00:00:22,320 --> 00:00:26,500
Brody flailing in the water as the snapping jaws get closer and closer,
4
00:00:26,540 --> 00:00:29,840
grabs the nearest... | 1
00:01:56,380 --> 00:01:59,090
All right, come on.
2
00:01:59,170 --> 00:02:00,720
Show me the tank.
3
00:02:19,190 --> 00:02:20,530
Blow up!
4
00:02:23,700 --> 00:02:25,490
Smile, you son of a bitch!
| 1
00:00:54,310 --> 00:00:56,520
(MENACING INSTRUMENTAL MUSIC
PLAYING)
2
00:01:10,160 --> 00:01:12,500
(ADVENTUROUS INSTRUMENTAL
MUSIC PLAYING)
3
00:01:26,300 --> 00:01:28,390
(TENSE INSTRUMENTAL MUSIC
PLAYING)
4
00:01:56,370 --> 00:01:59,090
All right, come on.
5
00:01:59,170 --> 00:02:00,710
Show me the tank.
6
0... | {"screenplay_scene_241": "<scene>\n <stage_direction>NIGHTMARE ANGLE - BRODY</stage_direction>\n <scene_description>The Orca is tipping backwards , sinking stern first , tipping Brody toward the gaping thrusting jaws . Deck chairs , irons , spent cartridges , thermos , beer cans all pour into the vacuum of the op... | 7452.71 | 7076.67 | 180.03 |
vampires_assistant | tt0450405 | UQjbRg0_ZO2_ | 1
00:00:01,390 --> 00:00:03,070
the Tall man stands before it.
2
00:00:22,390 --> 00:00:25,790
Gestures with a flourish to a crouching, furry humanoid with a wolfish face.
3
00:00:26,430 --> 00:00:28,550
The tall man beckons him into the light.
4
00:00:28,590 --> 00:00:30,670
Flies buzz around the wolfman's muzzle.
... | 1
00:00:01,960 --> 00:00:02,920
on stage.
2
00:00:23,710 --> 00:00:26,100
A snarling, hairy creature with fangs.
3
00:00:36,260 --> 00:00:39,560
The Wolfman scratches his bottom with his long claws.
4
00:00:45,620 --> 00:00:47,630
On hand signals from Mr. Tall.
5
00:00:47,670 --> 00:00:52,020
The Wolfman stalks on ... | 1
00:00:03,950 --> 00:00:05,450
Welcome.
2
00:00:05,540 --> 00:00:08,000
Welcome to the
Cirque du Freak,
3
00:00:08,080 --> 00:00:12,960
the oldest continuously operating
freak show in the Western hemisphere.
4
00:00:13,040 --> 00:00:14,880
We have toured
for 500 years,
5
00:00:14,960 --> 00:00:18,920
bringing the ... | 1
00:00:03,950 --> 00:00:05,450
Welcome.
2
00:00:05,540 --> 00:00:08,000
Welcome to the
Cirque du Freak,
3
00:00:08,080 --> 00:00:12,960
the oldest continuously
operating freak show
in the Western hemisphere.
4
00:00:13,040 --> 00:00:14,880
We have toured
for 500 years,
5
00:00:14,960 --> 00:00:18,920
bringing the ... | {"screenplay_scene_8": "<scene>\n <stage_direction>INT. ZEITERION LOBBY - NIGHT</stage_direction>\n <scene_description>Paint peeling. The walls scribbled on. Most of all - it's dark. Darren and Steve head toward a glow coming from...</scene_description>\n <character>A HALLWAY</character>\n <dialogue>They mo... | 6532.75 | 709.41 | 152.60 |
vampires_assistant | tt0450405 | bApLDbnmnIEj | 1
00:00:01,150 --> 00:00:01,910
then halts,
2
00:00:01,950 --> 00:00:03,950
wearing a scarlet suit and black top hat.
3
00:00:03,950 --> 00:00:05,950
The bulbous nosed man bows.
4
00:00:51,860 --> 00:00:53,500
He finds a spider in his hat.
5
00:00:53,860 --> 00:00:55,300
It's the size of his palm.
6
00:00:55,300 -... | 1
00:00:00,560 --> 00:00:03,360
Crepsley zips onto the stage at incredible speed.
2
00:00:53,110 --> 00:00:55,160
It's not a rabbit, but his tarantula.
3
00:00:55,160 --> 00:00:55,790
Spider?
4
00:01:18,830 --> 00:01:20,550
Spider hops about on the stage,
5
00:01:20,550 --> 00:01:21,720
avoiding his foot
6
00:01:2... | 1
00:00:06,430 --> 00:00:07,670
Thank you,
ladies and gentlemen.
2
00:00:07,720 --> 00:00:10,100
I am so excited to be here
in anonymous small town
3
00:00:10,190 --> 00:00:12,460
which used to have character
but is now just a bland suburb
4
00:00:12,480 --> 00:00:14,980
filled with chain stores
and surrounded by sl... | 1
00:00:00,760 --> 00:00:02,050
(PEOPLE EXCLAIMING)
2
00:00:06,430 --> 00:00:07,670
Thank you,
ladies and gentlemen.
3
00:00:07,730 --> 00:00:10,100
l am so excited to be here
in anonymous small town
4
00:00:10,190 --> 00:00:12,460
which used to have character
but is now just a bland suburb
5
00:00:12,480 --> 00:00... | {"screenplay_scene_8": "<scene>\n <stage_direction>INT. ZEITERION LOBBY - NIGHT</stage_direction>\n <scene_description>Paint peeling. The walls scribbled on. Most of all - it's dark. Darren and Steve head toward a glow coming from...</scene_description>\n <character>A HALLWAY</character>\n <dialogue>They mo... | 6532.75 | 1026.08 | 169.85 |
vampires_assistant | tt0450405 | bl1YEJECfXr6 | 1
00:00:03,300 --> 00:00:04,460
Steve holds up the cage
2
00:00:04,460 --> 00:00:06,420
and stares at the massive spider.
3
00:00:08,820 --> 00:00:09,820
Octa bridles.
4
00:00:11,860 --> 00:00:12,740
The spider jumps
5
00:00:12,740 --> 00:00:14,140
and Steve drops the cage.
6
00:00:14,260 --> 00:00:15,300
The cage... | 1
00:00:04,350 --> 00:00:06,190
Steve stares at the tarantula.
2
00:00:13,670 --> 00:00:14,800
Steve drops the cage
3
00:00:14,800 --> 00:00:16,230
and the spider escapes.
4
00:00:16,230 --> 00:00:18,620
It scurries and hops along the locker room
5
00:00:18,620 --> 00:00:20,420
as a party of students enter.
6
00:0... | 1
00:00:06,680 --> 00:00:09,600
This thing's even
more hideous close up.
2
00:00:09,680 --> 00:00:11,120
Can you just put it
back now, please?
3
00:00:25,660 --> 00:00:27,530
Okay,
I need the pipe.
4
00:00:29,080 --> 00:00:31,200
GIRL: I got a B-minus
in history.
5
00:00:32,210 --> 00:00:33,210
No!
6
00:00:36,380 ... | 1
00:00:05,180 --> 00:00:06,600
(DARREN CLEARS THROAT)
2
00:00:06,680 --> 00:00:09,600
This thing's even
more hideous close up.
3
00:00:09,690 --> 00:00:10,790
Can you just put it
back now, please?
4
00:00:10,810 --> 00:00:11,810
(SCHOOL BELL RINGING)
5
00:00:11,850 --> 00:00:13,020
(BOTH EXCLAIMING)
6
00:00:25,66... | null | 6532.75 | 1929.02 | 142.94 |
vampires_assistant | tt0450405 | brwYWTFSyd5T | 1
00:00:03,040 --> 00:00:04,240
Darren takes the shovel.
2
00:00:11,960 --> 00:00:13,280
Crepsley pushes Darren in,
3
00:00:13,320 --> 00:00:15,560
then turns Murlaugh lunges at him.
4
00:00:15,560 --> 00:00:16,760
They crash through a gravestone
5
00:00:16,760 --> 00:00:17,840
and land on the ground.
6
00:00:17,8... | 1
00:00:12,400 --> 00:00:14,200
He pushes down and into the grave.
2
00:00:14,410 --> 00:00:17,750
The figure dives at Crepsley, sweeping him off his feet.
3
00:00:17,750 --> 00:00:20,720
Both flit through the air, demolishing tombstones.
4
00:00:22,600 --> 00:00:23,190
Friend.
5
00:00:29,040 --> 00:00:30,460
It's ... | 1
00:00:01,800 --> 00:00:04,180
Do you smell
a rotting corpse?
2
00:00:04,260 --> 00:00:05,640
Ha, ha, very funny.
3
00:00:06,510 --> 00:00:08,060
Get back in the grave.
4
00:00:08,140 --> 00:00:09,460
I'm not getting
back in the grave.
5
00:00:09,520 --> 00:00:11,230
Don't argue
with me. Get in.
6
00:00:11,310 --... | 1
00:00:00,340 --> 00:00:01,720
(SNIFFING)
2
00:00:01,800 --> 00:00:04,180
Do you smell
a rotting corpse?
3
00:00:04,260 --> 00:00:05,640
Ha, ha, very funny.
4
00:00:06,510 --> 00:00:08,060
Get back in the grave.
5
00:00:08,140 --> 00:00:09,460
l'm not getting
back in the grave.
6
00:00:09,520 --> 00:00:11,230
Don... | null | 6532.75 | 2915.55 | 170.83 |
vampires_assistant | tt0450405 | JDURtwvsjYKH | 1
00:00:09,900 --> 00:00:10,940
Corma approaches.
2
00:00:31,970 --> 00:00:32,890
What now?
3
00:00:32,930 --> 00:00:35,930
Dirt, food and faeces cover the bottom of the Wolfman cage.
4
00:00:35,930 --> 00:00:36,330
Rebecca.
5
00:00:36,370 --> 00:00:38,410
Darren and Evra stand outside.
6
00:00:41,690 --> 00:00:43... | 1
00:00:33,540 --> 00:00:35,830
The Wolfman perches in his dirty cage
2
00:00:35,830 --> 00:00:38,380
as Evra arrives with Darren and Rebecca.
3
00:00:42,150 --> 00:00:44,070
Evra hands them a brush and shovel.
4
00:00:44,110 --> 00:00:47,830
Darren plucks flies from a sticky strip to feed the tarantula.
5
00:00:47... | 1
00:00:00,020 --> 00:00:01,640
We know
what you are.
2
00:00:02,480 --> 00:00:04,270
You're bad news.
That's what.
3
00:00:05,480 --> 00:00:09,820
But nothing I couldn't deal
with in just about two bites.
4
00:00:11,240 --> 00:00:14,240
Don't mind him. He
just needs some Ex-Lax.
5
00:00:14,320 --> 00:00:15,780
Wel... | 1
00:00:00,020 --> 00:00:01,650
We know
what you are.
2
00:00:02,480 --> 00:00:04,270
You're bad news.
That's what.
3
00:00:04,360 --> 00:00:05,400
(SCOFFS)
4
00:00:05,480 --> 00:00:09,820
But nothing l couldn't
deal with in just
about two bites.
5
00:00:09,900 --> 00:00:11,110
(CHOMPING)
6
00:00:11,240 --> 00:00:... | null | 6532.75 | 3712.13 | 165.21 |
vampires_assistant | tt0450405 | 9bT23u_oa1FI | 1
00:00:19,740 --> 00:00:21,820
Darren gapes, is clueless, gaze wandering.
2
00:00:21,820 --> 00:00:23,220
He finds himself alone.
3
00:00:25,740 --> 00:00:27,740
He glances around the dark forest.
4
00:00:29,660 --> 00:00:34,620
The teen shifts nervously in the shadows, absently
5
00:00:35,020 --> 00:00:36,940
as ... | 1
00:00:20,920 --> 00:00:22,260
Darren looks fearful.
2
00:00:22,260 --> 00:00:23,430
Crepsley vanishes.
3
00:00:30,410 --> 00:00:32,580
Darren stands alone in the dark forest.
4
00:00:36,850 --> 00:00:39,940
As he stares around, Crepsley grabs him around the neck.
5
00:00:47,090 --> 00:00:49,180
He throws the teen... | 1
00:00:00,220 --> 00:00:02,770
When was the last time
you were in a fight?
2
00:00:02,850 --> 00:00:04,100
Uh...
Second grade.
3
00:00:05,150 --> 00:00:07,120
Steve's usually the one
that gets in all the fights.
4
00:00:07,150 --> 00:00:09,730
Well, Steve's not
here to fight for you.
5
00:00:09,820 --> 00:00:11,98... | 1
00:00:00,220 --> 00:00:02,770
CREPSLEY: When was
the last time you
were in a fight?
2
00:00:02,850 --> 00:00:04,100
DARREN: Uh...
Second grade.
3
00:00:05,150 --> 00:00:07,120
Steve's usually
the one that gets
in all the fights.
4
00:00:07,150 --> 00:00:09,730
Well, Steve's not
here to fight for you.
5
00:00:09,8... | {"screenplay_scene_42": "<scene>\n <stage_direction>EXT. FIELD - NOT FAR OFF - NIGHT</stage_direction>\n <scene_description>Darren and Gavner Purl walk. Gavner looks him over.</scene_description>\n <character>GAVNER PURL</character>\n <dialogue>You look sick. Doesn't Larten feed you?</dialogue>\n <charac... | 6532.75 | 4303.26 | 110.95 |
vampires_assistant | tt0450405 | lbV362BqCcx3 | 1
00:00:03,730 --> 00:00:04,050
Now.
2
00:00:04,050 --> 00:00:08,040
A gang of dark clad vampaneze flit up to the encampments arched entryway
3
00:00:08,040 --> 00:00:09,360
and march inside.
4
00:00:09,560 --> 00:00:11,240
A rogue tiny person spots them
5
00:00:11,240 --> 00:00:12,560
and points them forward.
6
0... | 1
00:00:05,060 --> 00:00:09,740
Mr. Tiny's vampire heavies flit into the entrance to the encampment.
2
00:00:09,740 --> 00:00:15,300
As they march on, one of the tiny people points the menacing figures towards Evra's tent.
3
00:00:15,510 --> 00:00:17,520
Alexander Ribs puts down a book
4
00:00:17,560 --> 00:00:20,66... | 1
00:00:02,840 --> 00:00:03,970
They're here.
2
00:01:02,400 --> 00:01:03,730
Watch out!
3
00:01:19,370 --> 00:01:21,130
That's not fair.
Back!
4
00:01:21,210 --> 00:01:23,290
Darren,
get out of here!
5
00:01:23,920 --> 00:01:25,000
Duck!
6
00:01:30,680 --> 00:01:31,800
Move.
7
00:01:36,520 --> 00:01:37,730
Get i... | 1
00:00:02,840 --> 00:00:03,970
They're here.
2
00:00:51,720 --> 00:00:53,100
(EXCLAIMS)
3
00:00:55,230 --> 00:00:57,480
(GRUNTING)
4
00:01:02,400 --> 00:01:03,730
REBECCA: Watch out!
5
00:01:04,650 --> 00:01:05,650
(GASPING)
6
00:01:09,280 --> 00:01:10,280
(GRUNTS)
7
00:01:19,380 --> 00:01:21,130
That's not fair... | null | 6532.75 | 4661.22 | 166.19 |
vampires_assistant | tt0450405 | _2vk1A69SI33 | 1
00:00:15,960 --> 00:00:17,960
Murlaugh proudly spins Mrs. Shan.
2
00:00:24,960 --> 00:00:26,720
Steve offers Darren a dagger.
3
00:00:26,760 --> 00:00:28,480
The half vampire takes the blade,
4
00:00:28,480 --> 00:00:31,360
then glances at Rebecca, who eyes him pleadingly.
5
00:00:31,520 --> 00:00:33,640
He shove... | 1
00:00:25,940 --> 00:00:27,280
Steve holds out a knife.
2
00:00:27,280 --> 00:00:28,910
Darren reluctantly takes it
3
00:00:28,910 --> 00:00:31,630
and glances at Rebecca, who's tied by a rope.
4
00:00:31,880 --> 00:00:33,300
Darren grabs Steve,
5
00:00:33,340 --> 00:00:35,390
who tosses him through the air down
... | 1
00:00:00,370 --> 00:00:02,780
If you kill your family,
I'll let the freak go.
2
00:00:04,700 --> 00:00:07,080
Wait. My bad,
that's backwards.
3
00:00:07,160 --> 00:00:09,670
If you kill the freak,
I'll let your family live.
4
00:00:09,750 --> 00:00:12,250
What? Let the
juicy one go?
5
00:00:12,540 --> 00:00:16,05... | 1
00:00:00,370 --> 00:00:02,780
lf you kill your family,
l'll let the freak go.
2
00:00:04,700 --> 00:00:07,080
Wait. My bad,
that's backwards.
3
00:00:07,160 --> 00:00:09,670
lf you kill the freak,
l'll let your family live.
4
00:00:09,750 --> 00:00:12,250
What? Let the
juicy one go?
5
00:00:12,540 --> 00:00:16,05... | {"screenplay_scene_51": "<scene>\n <stage_direction>INT. BOILER ROOM - NIGHT</stage_direction>\n <scene_description>The old power plant. Pipes and catwalks. Murlough and Darren here. A chain hangs from the ceiling. Murlough lifts Darren, wraps it around his ankle. Hangs Darren upside down! CREPSLEY!</scene_descri... | 6532.75 | 5349.38 | 124.44 |
vampires_assistant | tt0450405 | 2zF6VTFWcNvD | 1
00:00:00,160 --> 00:00:01,400
The Vampaneze catches up
2
00:00:01,400 --> 00:00:02,680
and clings to his back.
3
00:00:02,880 --> 00:00:06,040
Crepsley propels himself into his foe, backwards off the curtain,
4
00:00:06,040 --> 00:00:07,840
and they land hard in a balcony.
5
00:00:08,000 --> 00:00:09,760
Crepsley... | 1
00:00:04,220 --> 00:00:07,440
Both men crash down onto seats in the circle.
2
00:00:07,520 --> 00:00:10,280
Crepsley throws broken seats at Murlaugh.
3
00:00:10,450 --> 00:00:16,640
Debris lands on the stage where Darren's terrified parents and sister are trussed up and hanging.
4
00:00:16,640 --> 00:00:20,440
Cre... | 1
00:00:28,550 --> 00:00:29,630
No.
2
00:01:17,970 --> 00:01:19,260
He's all yours, lad.
3
00:01:39,740 --> 00:01:42,580
Good.
Right in the heart.
4
00:01:44,410 --> 00:01:47,420
So fair and foul a day
I have not seen.
5
00:01:51,090 --> 00:01:53,710
My people aren't
weak like yours.
6
00:01:54,760 --> 00:01:57,01... | 1
00:00:13,910 --> 00:00:14,990
(BOTH EXCLAIMING)
2
00:00:19,410 --> 00:00:20,660
(EXCLAIMS)
3
00:00:28,550 --> 00:00:29,630
No.
4
00:00:39,600 --> 00:00:41,850
(GROANING)
5
00:00:47,480 --> 00:00:48,480
(GROANS)
6
00:01:09,380 --> 00:01:10,710
(GROANING)
7
00:01:17,970 --> 00:01:19,260
He's all yours, lad.
8
00... | {"screenplay_scene_56": "<scene>\n <stage_direction>INT. UPPER FLOOR - FACTORY - NIGHT</stage_direction>\n <scene_description>Debbie backing into a corner. The wolfman almost on her... Murlough arrives! Pure animal action as he tears into wolfie, sends him retreating, licking his wounds into the darkness. Murloug... | 6532.75 | 5563.52 | 121.26 |
vampires_assistant | tt0450405 | asDY_fBjftrK | 1
00:00:01,710 --> 00:00:02,350
Steve eyes!
2
00:00:02,350 --> 00:00:02,870
Darren!
3
00:00:04,820 --> 00:00:06,100
Darren lowers his gaze.
4
00:00:06,100 --> 00:00:07,820
Crepsley grimly looks on.
5
00:00:13,780 --> 00:00:15,340
The teens charge each other,
6
00:00:15,340 --> 00:00:16,780
meeting in a vicious cli... | 1
00:00:15,650 --> 00:00:18,370
Darren and Steve charge towards each other.
2
00:00:24,970 --> 00:00:25,810
Not together.
3
00:00:25,810 --> 00:00:31,160
In fighting mode, Steve and Darren flit around the theatre so fast their images are blurred.
4
00:00:31,290 --> 00:00:33,540
Crepsley pulls out the second knife.
... | 1
00:00:00,580 --> 00:00:04,870
It's just like you said.
We started the war.
2
00:00:09,710 --> 00:00:13,840
It won't start a war if
nobody hears about it.
3
00:00:19,470 --> 00:00:23,310
Young people today are
so difficult to control.
4
00:00:35,360 --> 00:00:36,360
I hate you.
5
00:00:36,450 --> 00:00:37,490
I ha... | 1
00:00:00,580 --> 00:00:04,870
lt's just like you said.
We started the war.
2
00:00:09,710 --> 00:00:13,840
lt won't start a war if
nobody hears about it.
3
00:00:16,010 --> 00:00:17,970
(BOTH YELLING)
4
00:00:19,470 --> 00:00:23,310
Young people today
are so difficult
to control.
5
00:00:35,360 --> 00:00:36,360
l... | {"screenplay_scene_56": "<scene>\n <stage_direction>INT. UPPER FLOOR - FACTORY - NIGHT</stage_direction>\n <scene_description>Debbie backing into a corner. The wolfman almost on her... Murlough arrives! Pure animal action as he tears into wolfie, sends him retreating, licking his wounds into the darkness. Murloug... | 6532.75 | 5712.19 | 158.85 |
good_boys_2019 | tt6977338 | zA4RdlRcVXb4 | 1
00:00:00,720 --> 00:00:02,720
At Thor's house type kissing.
2
00:00:05,000 --> 00:00:06,320
Thor types on a tablet.
3
00:00:12,920 --> 00:00:15,120
A close view shows letters being typed out.
4
00:00:15,160 --> 00:00:19,760
P o r b the b gets deleted and changed to an n
5
00:00:19,800 --> 00:00:20,920
a website a... | 1
00:00:00,470 --> 00:00:02,230
Daytime at Thor's type
2
00:00:02,230 --> 00:00:02,750
Kissing.
3
00:00:13,070 --> 00:00:15,550
Thor types and the letters appear big and bold.
4
00:00:16,510 --> 00:00:18,950
Porb then changed to porn.
5
00:00:53,940 --> 00:00:55,660
They all died at the keyboard.
6
00:01:09,060 --... | 1
00:00:01,630 --> 00:00:02,630
Type "kissing."
2
00:00:03,130 --> 00:00:04,550
Oh. No, no! "Boobs"!
3
00:00:06,970 --> 00:00:08,090
"Breast cancer research.
4
00:00:08,510 --> 00:00:09,850
How to find a bra that fits."
5
00:00:10,890 --> 00:00:12,430
I have an idea.
6
00:00:20,980 --> 00:00:22,360
"Are you 18 or ... | 1
00:00:01,620 --> 00:00:02,620
[Max] Type "kissing."
2
00:00:03,120 --> 00:00:04,540
Oh. No, no! "Boobs"!
3
00:00:06,960 --> 00:00:08,090
"Breast cancer research.
4
00:00:08,510 --> 00:00:09,840
How to find a bra that fits."
5
00:00:10,880 --> 00:00:12,430
[gasps] I have an idea.
6
00:00:20,980 --> 00:00:22,350
"... | null | 5377.18 | 908.83 | 135.26 |
good_boys_2019 | tt6977338 | UDGKtKnwCwr4 | 1
00:00:17,380 --> 00:00:18,820
Thor holds up a hand bag.
2
00:00:20,980 --> 00:00:23,620
At home, they empty the bag's contents on a coffee table.
3
00:00:23,660 --> 00:00:24,900
Thor holds up a tampon.
4
00:00:40,140 --> 00:00:41,940
Lucas picks up the vitamin bottle.
5
00:00:47,760 --> 00:00:49,360
Lucas strains... | 1
00:00:17,410 --> 00:00:18,810
A basketweave handbag.
2
00:00:22,130 --> 00:00:23,490
They tip the contents on a table
3
00:00:23,490 --> 00:00:24,850
and Thor finds a tampon.
4
00:00:40,170 --> 00:00:41,850
Lucas picks up the pill bottle.
5
00:00:47,240 --> 00:00:49,640
The bottles marked children's Chewable vita... | 1
00:00:00,560 --> 00:00:02,400
Oh, God! I'm so fucked.
2
00:00:02,480 --> 00:00:03,860
My dad's gonna kill me.
3
00:00:04,400 --> 00:00:06,950
You had to snoop on them.
You're such a feminist.
4
00:00:07,030 --> 00:00:09,530
I'm not a feminist! I love women.
5
00:00:09,620 --> 00:00:12,030
And my parents are defin... | 1
00:00:00,560 --> 00:00:02,390
Oh, God! I'm so fucked.
2
00:00:02,480 --> 00:00:03,850
My dad's gonna kill me.
3
00:00:04,400 --> 00:00:06,940
You had to snoop on them.
You're such a feminist.
4
00:00:07,020 --> 00:00:09,530
I'm not a feminist! I love women.
5
00:00:09,610 --> 00:00:12,030
And my parents are defin... | null | 5377.18 | 1360.26 | 134.47 |
good_boys_2019 | tt6977338 | pmgklcVdzgg2 | 1
00:01:41,720 --> 00:01:43,760
Max uses his phone behind Lucas.
2
00:01:51,360 --> 00:01:53,840
The drone flies out of Hannah's hand and into the air.
3
00:01:54,920 --> 00:01:57,360
The girls fall on the ground as the drone swoops over them.
4
00:01:59,500 --> 00:02:00,900
The drone flies into the street.
5
00:02... | 1
00:00:02,510 --> 00:00:04,950
The boys wait in a line as the girls approach.
2
00:00:44,630 --> 00:00:46,070
Lily touches her forehead.
3
00:00:55,030 --> 00:00:56,750
Max points his finger like a gun.
4
00:01:54,270 --> 00:01:55,670
The drone shoots up into the air,
5
00:01:55,670 --> 00:01:57,030
then swoops to... | 1
00:00:06,330 --> 00:00:07,580
Don't come any closer.
2
00:00:08,540 --> 00:00:10,460
- Why?
- 'Cause you could overpower us.
3
00:00:11,670 --> 00:00:13,670
So, put the drone on the slide,
4
00:00:13,760 --> 00:00:16,420
and count back from 100,
and close your eyes.
5
00:00:16,590 --> 00:00:18,220
And don't try a... | 1
00:00:06,320 --> 00:00:07,580
Don't come any closer.
2
00:00:08,530 --> 00:00:10,450
- Why?
- 'Cause you could overpower us.
3
00:00:10,540 --> 00:00:11,580
[chuckles]
4
00:00:11,660 --> 00:00:13,670
So, put the drone on the slide,
5
00:00:13,750 --> 00:00:16,420
and count back from 100,
and close your eyes.
6
0... | null | 5377.18 | 1518.62 | 127.76 |
good_boys_2019 | tt6977338 | FZu_Xp7_mMb_ | 1
00:00:00,010 --> 00:00:00,690
At Thor's.
2
00:00:09,490 --> 00:00:13,210
They've used sex toys, including a mask, whips, dildos, and anal beads.
3
00:00:20,290 --> 00:00:21,890
Max wears a serious look.
4
00:00:22,050 --> 00:00:23,970
Lucas grabs the anal beads package.
5
00:00:29,970 --> 00:00:31,250
Thor spins ... | 1
00:00:09,320 --> 00:00:12,640
Whips, dildos, furry handcuffs, a paddle and a leather mask.
2
00:00:21,960 --> 00:00:24,360
Lucas' picks up a box of anal beads.
3
00:00:29,440 --> 00:00:30,960
Thor spins them around.
4
00:00:32,840 --> 00:00:34,320
He hits himself in the head.
5
00:00:37,040 --> 00:00:38,120
Lucas... | 1
00:00:00,610 --> 00:00:03,780
PeterPan69 is gonna be here
in five minutes to buy the card.
2
00:00:03,870 --> 00:00:05,490
Well, let's get ready.
3
00:00:05,660 --> 00:00:08,830
I found all of these weapons
in the back of my parents' closet.
4
00:00:13,170 --> 00:00:15,090
I still don't get why we need weapons.
5... | 1
00:00:00,610 --> 00:00:03,780
PeterPan69 is gonna be here
in five minutes to buy the card.
2
00:00:03,860 --> 00:00:05,490
[Thor] Well, let's get ready.
3
00:00:05,650 --> 00:00:08,820
I found all of these weapons
in the back of my parents' closet.
4
00:00:13,160 --> 00:00:15,080
I still don't get why we need weap... | {"screenplay_scene_29": "<scene>\n <stage_direction>INT. FABRIZIO'S FRONT HALL - MOMENTS LATER</stage_direction>\n <scene_description>The boys are weaponed up: Max holds a broomstick. Quentin has a tennis racket. X-Ray enters with a PAINTBALL GUN.</scene_description>\n <character>X-RAY</character>\n <dialog... | 5377.18 | 1885.86 | 220.01 |
good_boys_2019 | tt6977338 | UgCHVW3YLkQY | 1
00:00:00,860 --> 00:00:02,140
Hannah and Lily drive up.
2
00:00:19,140 --> 00:00:20,410
The boys turn off the road,
3
00:00:20,410 --> 00:00:22,410
biking down a footpath past a fountain.
4
00:00:22,530 --> 00:00:23,970
They approach a large building.
5
00:00:26,490 --> 00:00:27,490
Hannah pulls over.
6
00:00:28... | 1
00:00:20,330 --> 00:00:23,250
The boys ride through ornamental gardens with fountains.
2
00:00:29,410 --> 00:00:30,210
Billy unbuckles
3
00:00:30,210 --> 00:00:31,090
and gets out of the car,
4
00:00:31,090 --> 00:00:32,730
her trainers landing on the tarmac.
5
00:00:32,970 --> 00:00:33,930
She watches the boys
... | 1
00:00:02,070 --> 00:00:03,400
Just give us the drugs.
2
00:00:03,570 --> 00:00:05,450
Fuck! How'd you find us?
3
00:00:05,620 --> 00:00:07,120
Her phone. They tracked us.
4
00:00:07,280 --> 00:00:09,700
We're not giving you these drugs.
5
00:00:09,870 --> 00:00:11,910
We're giving them to firefighters.
6
00:00:1... | 1
00:00:02,060 --> 00:00:03,400
Just give us the drugs.
2
00:00:03,570 --> 00:00:05,440
Fuck! How'd you find us?
3
00:00:05,610 --> 00:00:07,110
Her phone. They tracked us.
4
00:00:07,280 --> 00:00:09,700
We're not giving you these drugs.
5
00:00:09,860 --> 00:00:11,910
We're giving them to firefighters.
6
00:00:1... | {"screenplay_scene_34": "<scene>\n <stage_direction>INT. HIGH SCHOOL - BATHROOM - MOMENTS LATER</stage_direction>\n <scene_description>Lily holds out her phone to Hannah and Jaslyn, who's also joined. A map with a blinking, moving cursor is on the screen.</scene_description>\n <character>LILY</character>\n ... | 5377.18 | 2142.59 | 120.16 |
good_boys_2019 | tt6977338 | RRyiLQ3yp2kg | 1
00:00:01,090 --> 00:00:02,450
Thor stares at beer bottles,
2
00:00:02,450 --> 00:00:03,450
then looks around.
3
00:00:03,650 --> 00:00:05,010
A police officer enters.
4
00:00:15,730 --> 00:00:17,930
Cop looking terrified.
5
00:00:17,930 --> 00:00:18,730
Lucas' and Max.
6
00:00:18,730 --> 00:00:19,530
Step aside.... | 1
00:00:00,010 --> 00:00:01,930
Thor is standing by the drinks fridges.
2
00:00:03,250 --> 00:00:05,610
He looks around furtively as a policeman enters.
3
00:00:14,610 --> 00:00:16,450
Max and Lucas stare at the cop,
4
00:00:16,450 --> 00:00:18,090
then move away from the counter.
5
00:01:07,240 --> 00:01:10,120
Th... | 1
00:00:06,120 --> 00:00:07,500
Hey, Miles.
2
00:00:07,660 --> 00:00:09,330
Hey, man. Coming in or coming off?
3
00:00:09,500 --> 00:00:12,000
Just got off a triple.
Yeah, I don't care if I get mugged.
4
00:00:12,170 --> 00:00:14,130
I'm not typing up
any more paperwork today.
5
00:00:15,460 --> 00:00:16,460
Cop.
... | 1
00:00:06,110 --> 00:00:07,490
Hey, Miles.
2
00:00:07,660 --> 00:00:09,320
Hey, man. Coming in or coming off?
3
00:00:09,490 --> 00:00:11,990
Just got off a triple.
Yeah, I don't care if I get mugged.
4
00:00:12,160 --> 00:00:14,120
I'm not typing up
any more paperwork today.
5
00:00:15,460 --> 00:00:16,460
[gasps... | null | 5377.18 | 2424.77 | 164.91 |
good_boys_2019 | tt6977338 | 30cau21KNIMZ | 1
00:00:00,020 --> 00:00:01,860
The boys start walking through the traffic.
2
00:00:15,730 --> 00:00:16,810
They stop at the divider.
3
00:00:41,970 --> 00:00:43,770
Cars speed by on both sides.
4
00:00:49,730 --> 00:00:51,490
The boys fearfully cling to each other.
5
00:01:02,240 --> 00:01:04,600
Max runs across t... | 1
00:00:01,460 --> 00:00:03,380
They start to cross between the cars.
2
00:00:41,620 --> 00:00:43,300
The traffic is now rushing by
3
00:00:44,660 --> 00:00:48,420
there on the central reservation as traffic speeds by in both directions.
4
00:01:09,610 --> 00:01:10,010
Max.
5
00:01:10,010 --> 00:01:11,010
Sprint th... | 1
00:00:01,770 --> 00:00:03,610
Get off the freeway!
2
00:00:03,770 --> 00:00:07,030
Children crossing.
Please, children are crossing.
3
00:00:08,320 --> 00:00:10,490
What are you guys doing?
Get back to the side!
4
00:00:10,660 --> 00:00:11,950
- Go! Now!
- Go, go, go.
5
00:00:12,120 --> 00:00:13,740
Fucking idiot... | 1
00:00:01,770 --> 00:00:03,600
[woman] Get off the freeway!
2
00:00:03,770 --> 00:00:07,020
Children crossing.
Please, children are crossing.
3
00:00:07,100 --> 00:00:08,230
- [horn honking]
- [screaming]
4
00:00:08,310 --> 00:00:10,480
What are you guys doing?
Get back to the side!
5
00:00:10,650 --> 00:00:11,940... | {"screenplay_scene_41": "<scene>\n <stage_direction>EXT. THE 101 - SAME</stage_direction>\n <scene_description>Bumper to bumper traffic. Cars honk. On the edge of the southbound side -- MAX, QUENTIN, X-RAY, and FABRIZIO.</scene_description>\n <character>X-RAY</character>\n <dialogue>This is genius.</dialogu... | 5377.18 | 2686.02 | 149.91 |
good_boys_2019 | tt6977338 | pbfhg9sA4JvB | 1
00:00:19,350 --> 00:00:20,070
He fist bumps.
2
00:00:20,070 --> 00:00:20,670
Lucas'.
3
00:00:25,150 --> 00:00:26,750
Grinning Benji stares at them.
4
00:00:31,730 --> 00:00:33,170
Benji chuckles and nods.
5
00:00:40,290 --> 00:00:41,410
Benji steps away.
6
00:00:41,850 --> 00:00:43,690
The Frat Brother takes a h... | 1
00:00:25,030 --> 00:00:26,670
Benji grins thoughtfully.
2
00:00:39,340 --> 00:00:42,260
He goes back upstairs in a t shirt with a cartoon rat.
3
00:00:43,380 --> 00:00:45,340
The passed out guy picks up a bong.
4
00:00:50,140 --> 00:00:51,660
The guy beckons to Lucas,
5
00:00:51,660 --> 00:00:53,420
then blows sm... | 1
00:00:00,500 --> 00:00:01,500
Can I help you?
2
00:00:01,580 --> 00:00:02,790
Good afternoon.
3
00:00:02,870 --> 00:00:05,380
We would like to buy
two pieces of molly, please.
4
00:00:10,260 --> 00:00:12,550
Did Rafi from Sigma Nu send you?
5
00:00:12,630 --> 00:00:15,600
He did, that fucker.
You guys are, like, ... | 1
00:00:00,490 --> 00:00:01,490
Can I help you?
2
00:00:01,570 --> 00:00:02,790
Good afternoon.
3
00:00:02,870 --> 00:00:05,370
We would like to buy
two pieces of molly, please.
4
00:00:07,670 --> 00:00:09,710
[laughs]
5
00:00:10,250 --> 00:00:12,550
Did Rafi from Sigma Nu send you?
6
00:00:12,630 --> 00:00:15,590... | {"screenplay_scene_67": "<scene>\n <stage_direction>EXT. HAZELTINE AVENUE - DUSK</stage_direction>\n <scene_description>Streetlights hum to life as the sun sets. Max's phone RINGS. He stops and pulls his phone from his backpack. Checks the caller ID: QUENTIN. Max answers.</scene_description>\n <character>MAX</... | 5377.18 | 3186.37 | 216.81 |
good_boys_2019 | tt6977338 | nP9Jw_km9tqj | 1
00:00:01,500 --> 00:00:02,820
Max takes out his phone.
2
00:00:18,660 --> 00:00:19,740
Max hangs up.
3
00:00:37,240 --> 00:00:39,400
Max stares at Lucas' now.
4
00:00:39,440 --> 00:00:41,160
Max takes the drone out of its box.
5
00:00:42,160 --> 00:00:42,800
He sets it down
6
00:00:42,800 --> 00:00:44,080
and co... | 1
00:00:38,180 --> 00:00:40,500
Max solemnly unboxes the drone.
2
00:00:47,420 --> 00:00:49,180
Max controls it with his phone.
3
00:00:55,580 --> 00:00:57,100
It flies through a bandstand.
4
00:01:02,380 --> 00:01:04,020
It follows dad's Taxi.
5
00:01:10,580 --> 00:01:12,020
The drone shoots up vertically,
6
00:0... | 1
00:00:05,460 --> 00:00:06,710
Guys, it's my dad.
2
00:00:08,300 --> 00:00:09,130
Hey, Dad!
3
00:00:09,220 --> 00:00:10,220
Hey, buddy!
4
00:00:10,300 --> 00:00:12,850
I got on the early flight,
so I'll be home in 15 minutes.
5
00:00:13,220 --> 00:00:15,350
Fifteen minutes from now
or 15 minutes from later?
6
00:... | 1
00:00:02,290 --> 00:00:03,870
[cell phone ringing]
2
00:00:05,460 --> 00:00:06,710
Guys, it's my dad.
3
00:00:08,290 --> 00:00:09,130
Hey, Dad!
4
00:00:09,210 --> 00:00:10,210
Hey, buddy!
5
00:00:10,300 --> 00:00:12,840
I got on the early flight,
so I'll be home in 15 minutes.
6
00:00:13,220 --> 00:00:15,340
Fif... | {"screenplay_scene_73": "<scene>\n <stage_direction>EXT. VENTURA BOULEVARD - SAME</stage_direction>\n <scene_description>We HEAR a sputtering hum. ON an OLDER COUPLE -- SOMETHING comes right at them. They duck out of the way. ON A CAR -- The bored DRIVER's eyes suddenly go wide and she REAR-ENDS the car in front ... | 5377.18 | 3474.59 | 124.79 |
good_boys_2019 | tt6977338 | eX91j7ITT1Nc | 1
00:00:09,090 --> 00:00:09,810
Hannah and Lily.
2
00:00:09,810 --> 00:00:10,970
Pusher Thor in front of them.
3
00:00:11,730 --> 00:00:12,690
Thor glances at them,
4
00:00:12,690 --> 00:00:14,370
then hangs his head with a nervous look.
5
00:00:47,150 --> 00:00:47,870
Daytime
6
00:00:48,110 --> 00:00:51,310
in hi... | 1
00:00:08,760 --> 00:00:09,320
On a sofa.
2
00:00:09,360 --> 00:00:10,440
The girls look dazed.
3
00:00:10,480 --> 00:00:10,760
Hannah.
4
00:00:10,800 --> 00:00:11,920
Sucking on a lollipop.
5
00:00:12,080 --> 00:00:18,200
Thor stands nervously with his hands in his pockets, in front of a huge TV screen with a New... | 1
00:00:01,300 --> 00:00:03,010
- No.
- Oh, my God! Sing for us!
2
00:00:03,090 --> 00:00:04,640
You're a baby bird. Sing for us!
3
00:00:04,800 --> 00:00:06,260
So, no grilled cheese?
4
00:00:06,430 --> 00:00:08,680
- No.
- Sing for us, be our concert.
5
00:03:47,880 --> 00:03:49,420
My masterpiece.
| 1
00:00:01,290 --> 00:00:03,000
- No.
- Oh, my God! Sing for us!
2
00:00:03,090 --> 00:00:04,630
You're a baby bird. Sing for us!
3
00:00:04,800 --> 00:00:06,260
So, no grilled cheese?
4
00:00:06,420 --> 00:00:08,670
- [Hannah] No.
- Sing for us, be our concert.
5
00:00:19,390 --> 00:00:21,810
♪ I gotta take a litt... | null | 5377.18 | 4568.93 | 231.53 |
intolerable_cruelty | tt0138524 | U1_YAtaJZvB1 | 1
00:00:01,560 --> 00:00:02,600
Bonnie looks at him.
2
00:00:02,960 --> 00:00:04,120
She holds a tissue.
3
00:00:04,440 --> 00:00:05,800
Her eyebrows furrow.
4
00:01:06,850 --> 00:01:07,770
She looks at him.
| 1
00:00:00,010 --> 00:00:03,150
Miles, in a smart navy blue suit, stares pensively at Bonnie.
2
00:00:03,200 --> 00:00:04,200
Her eyes are tearful
3
00:00:04,200 --> 00:00:06,470
and she's clasping a rumpled, soggy handkerchief.
4
00:00:07,300 --> 00:00:08,730
He raises his eyebrows.
5
00:01:06,570 --> 00:01:08,330... | 1
00:00:01,150 --> 00:00:03,620
Hmm
2
00:00:06,590 --> 00:00:09,030
Mm-hmm
3
00:00:09,100 --> 00:00:11,530
Hmm
4
00:00:11,600 --> 00:00:15,400
Yes, your husband did show remarkable
foresight in taking those pictures,
5
00:00:15,500 --> 00:00:18,900
and, yes,
absent a swimming pool,
6
00:00:18,970 --> 00:00:21,870
... | 1
00:00:06,980 --> 00:00:08,140
Mmm-hmm.
2
00:00:11,520 --> 00:00:15,360
Yes, your husband did show remarkable
foresight in taking those pictures.
3
00:00:15,440 --> 00:00:19,070
And, yes, absent a swimming pool,
4
00:00:19,160 --> 00:00:21,990
the presence of a pool man
would appear to be suspicious.
5
00:00:22,08... | null | 5975.84 | 596.67 | 127.43 |
intolerable_cruelty | tt0138524 | b7Rn1AVSkwUj | 1
00:00:09,200 --> 00:00:10,540
Gus picks up the remote.
| 1
00:00:00,140 --> 00:00:04,180
Mm-hmm, yeah, I'm gon' nail yo' ass.
I'm gon' nail yo' ass.
2
00:00:04,280 --> 00:00:06,580
I'm gon'nail yo' ass.
3
00:00:06,650 --> 00:00:08,910
Yep, I nailed his ass
4
00:00:09,990 --> 00:00:11,850
I thought he'd outgrown trains
5
00:00:11,950 --> 00:00:14,520
They never grow up, l... | 1
00:00:00,110 --> 00:00:01,230
Get that thing off me now!
2
00:00:01,320 --> 00:00:06,450
Yeah, I'm gonna nail your ass. I'm gonna
nail your ass. I'm gonna nail your ass!
3
00:00:06,530 --> 00:00:08,820
Yep. I nailed his ass.
4
00:00:10,030 --> 00:00:11,780
I thought he'd outgrown trains.
5
00:00:11,870 --> 00:00:... | null | 5975.84 | 1028.80 | 77.04 | |
intolerable_cruelty | tt0138524 | LvL6EJ25S7N4 | 1
00:00:25,640 --> 00:00:27,000
Marylin looks at Freddy.
2
00:00:45,560 --> 00:00:46,600
She shakes her head.
3
00:01:18,240 --> 00:01:19,320
Miles' spits.
4
00:01:42,840 --> 00:01:44,440
Freddy packs his briefcase.
5
00:01:55,040 --> 00:01:56,800
Freddy Miles stance.
6
00:01:59,960 --> 00:02:02,120
Marylin walks ... | 1
00:00:02,020 --> 00:00:03,650
They will rise as Freddy and Marylin.
2
00:00:03,650 --> 00:00:04,070
Enter.
3
00:00:15,940 --> 00:00:18,330
Miles gives her a gleaming white smile.
4
00:00:22,220 --> 00:00:24,430
Pastry Wrigley stifles a giggle.
5
00:00:25,680 --> 00:00:27,020
Freddy turns to Marylin.
6
00:00:45,6... | 1
00:00:00,230 --> 00:00:03,060
Freddy
2
00:00:04,070 --> 00:00:07,230
Freddy Bender,
this is Rex Rexroth
3
00:00:07,310 --> 00:00:09,210
And you are the lovely Marylin
4
00:00:09,310 --> 00:00:11,290
Please, Ms Rexroth
5
00:00:11,310 --> 00:00:13,310
And you must be Mr Massey
6
00:00:13,410 --> 00:00:15,390
Pleas... | 1
00:00:00,580 --> 00:00:01,840
MILES: Freddy.
2
00:00:04,210 --> 00:00:09,340
Freddy Bender, this is Rex Rexroth.
And you are the lovely Marylin.
3
00:00:09,430 --> 00:00:13,260
Please, Ms. Rexroth.
And you must be Mr. Massey.
4
00:00:13,350 --> 00:00:15,970
Please, Miles. Sit. Sit down.
5
00:00:18,310 --> 00:00:2... | null | 5975.84 | 1447.62 | 130.10 |
intolerable_cruelty | tt0138524 | BUgPX9SU_3ME | 1
00:00:08,760 --> 00:00:09,760
She smiles.
2
00:00:17,280 --> 00:00:18,720
He leans onto his hand.
3
00:01:27,800 --> 00:01:28,720
She shrugs.
4
00:01:37,760 --> 00:01:38,760
She leans in.
| 1
00:00:08,780 --> 00:00:10,620
Marylin smiles dubiously.
2
00:00:17,500 --> 00:00:19,130
Miles' thinks for a moment.
3
00:00:50,160 --> 00:00:50,790
A menu?
4
00:00:54,180 --> 00:00:55,110
The waiter goes.
5
00:01:28,250 --> 00:01:29,550
She shrugs coolly.
6
00:01:38,310 --> 00:01:39,400
She leans forward.
7
00:... | 1
00:00:00,670 --> 00:00:05,940
Your husband had told me you were the
most beautiful woman that he'd ever met
2
00:00:06,040 --> 00:00:10,420
I didn't expect the most
beautiful woman I'd ever met...
3
00:00:10,450 --> 00:00:13,950
'Dismiss your vows,
your feigned tears, your flattery,
4
00:00:14,050 --> 00:00:17,960... | 1
00:00:00,650 --> 00:00:01,940
Your husband had told me
2
00:00:02,020 --> 00:00:06,150
you were the most beautiful woman
that he'd ever met.
3
00:00:06,230 --> 00:00:10,320
I didn't expect
the most beautiful woman I'd ever met.
4
00:00:10,410 --> 00:00:14,280
"Dismiss your vows, your feigned tears,
your flattery.
... | null | 5975.84 | 1655.68 | 114.75 |
intolerable_cruelty | tt0138524 | 1_3EXqm1Lkbw | 1
00:00:03,950 --> 00:00:05,870
The sonographer looks at her notes.
2
00:01:55,370 --> 00:01:56,210
He points.
3
00:02:18,610 --> 00:02:20,130
Rex jumps on heights.
4
00:02:32,210 --> 00:02:34,290
Wrigley and the bailiff, pull Rex off.
5
00:02:34,290 --> 00:02:34,770
Heinz,.
| 1
00:00:01,450 --> 00:00:02,870
Ma stops and thinks.
2
00:00:04,130 --> 00:00:07,190
An elderly red headed Court Reporter reads a transcript.
3
00:02:13,720 --> 00:02:16,320
Rex wildly scrambles over the table in front of him.
4
00:02:19,000 --> 00:02:19,380
Wrecks.
5
00:02:19,380 --> 00:02:20,510
Leaps into the wi... | 1
00:00:00,540 --> 00:00:02,370
Now, Baron...
2
00:00:02,470 --> 00:00:04,600
Where were we?
3
00:00:07,210 --> 00:00:09,620
'She said that she required a husband...
4
00:00:09,720 --> 00:00:11,620
'Oh, do you want some bones?
5
00:00:11,720 --> 00:00:13,590
'Does Elsbieta want some bones?
6
00:00:13,690 --> 00:00... | 1
00:00:00,550 --> 00:00:03,350
Now, Baron... Where were we?
2
00:00:07,690 --> 00:00:09,650
"She said that she required a husband.
3
00:00:09,730 --> 00:00:13,020
"Do you want some bones?
Does Elsbieta want some bones?
4
00:00:13,110 --> 00:00:15,650
"Has anyone any bones?
Hard, crunchy bones for the..."
5
00:00:1... | null | 5975.84 | 2350.05 | 155.20 |
intolerable_cruelty | tt0138524 | shpeFsGguKmv | 1
00:00:03,860 --> 00:00:05,180
He grabs a magazine
2
00:00:05,660 --> 00:00:07,500
living without intestines.
3
00:00:12,220 --> 00:00:13,340
He flips through it.
4
00:00:13,900 --> 00:00:15,220
He holds it sideways.
5
00:00:15,860 --> 00:00:17,180
His jaw drops.
6
00:00:22,580 --> 00:00:23,660
In a Dark Room.
7... | 1
00:00:04,520 --> 00:00:06,530
He pulls out a magazine at random,
2
00:00:06,530 --> 00:00:07,830
looks around tensely,
3
00:00:07,830 --> 00:00:09,130
then examines the cover.
4
00:00:09,170 --> 00:00:12,020
It's called living without intestines.
5
00:00:12,190 --> 00:00:15,840
He opens it and winces, as if walki... | 1
00:00:19,080 --> 00:00:22,770
Fourteen summaryjudgments sought
2
00:00:24,020 --> 00:00:26,020
Thirteen granted
3
00:00:28,290 --> 00:00:32,490
Eighteen movements to void
for respondent's prejudice
4
00:00:32,590 --> 00:00:34,570
Eighteen granted
5
00:00:34,590 --> 00:00:38,420
Twelve court days
on the Rexroth ca... | 1
00:00:17,800 --> 00:00:18,840
Oh!
2
00:00:19,390 --> 00:00:22,810
HERB: Fourteen summary judgments sought.
3
00:00:23,930 --> 00:00:25,180
Thirteen granted.
4
00:00:25,270 --> 00:00:26,600
(WHEEZES)
5
00:00:27,480 --> 00:00:32,060
Eighteen movements to void
for respondent's prejudice.
6
00:00:32,150 --> 00:00:33... | {"screenplay_scene_9": "<scene>\n <stage_direction>INT. OFFICE</stage_direction>\n <scene_description>Slatted shades are drawn against the sun . It is dim , gloomy . We can just make out the shape of an ancient man - small , hunched - seated behind an enormous desk . A gallows shape next to him is hard to make ou... | 5975.84 | 2674.98 | 89.05 |
intolerable_cruelty | tt0138524 | Dfp8Es0hGQ7_ | 1
00:00:06,480 --> 00:00:08,720
She enters with a man in a cowboy hat.
2
00:01:19,090 --> 00:01:20,170
Miles' looks at her.
3
00:01:20,450 --> 00:01:22,330
She smiles and bites her lip.
| 1
00:00:07,630 --> 00:00:10,180
Marilyn's accompanied by a man in a Stetson.
2
00:01:20,390 --> 00:01:21,480
Miles' is stunned.
3
00:01:21,520 --> 00:01:22,020
Smiling.
4
00:01:22,020 --> 00:01:23,570
Marylin bites her bottom lip.
| 1
00:00:02,410 --> 00:00:04,750
- Who the hell are you?
- Hello, Miles
2
00:00:04,850 --> 00:00:07,580
So nice of you to see us
3
00:00:09,450 --> 00:00:12,810
May I introduce Howard
D Doyle of Doyle Oil
4
00:00:12,890 --> 00:00:14,790
I'm goddamn pleased to meet you
5
00:00:14,890 --> 00:00:17,360
Marylin here, sh... | 1
00:00:00,360 --> 00:00:02,320
Marylin, what a...
2
00:00:02,410 --> 00:00:06,240
- Who the hell are you?
- Hello, Miles. So nice of you to see us.
3
00:00:09,580 --> 00:00:12,880
May I introduce Howard D. Doyle
of Doyle Oil.
4
00:00:12,960 --> 00:00:14,880
I'm goddamn pleased to meet you.
5
00:00:14,960 --> 00:00... | {"screenplay_scene_11": "<scene>\n <stage_direction>INT. PRIVATE BATHROOM</stage_direction>\n <scene_description>Miles runs his fingers through his hair , carefully examining himself in the mirror . Suavely smiling .</scene_description>\n <character>MILES</character>\n <dialogue>Marylin! How nice.</dialogue... | 5975.84 | 2810.66 | 174.94 |
intolerable_cruelty | tt0138524 | ME2ZBPtji7_e | 1
00:00:01,190 --> 00:00:02,270
Miles runs over.
2
00:00:13,750 --> 00:00:15,430
He pushes her against a wall.
3
00:00:53,430 --> 00:00:54,830
He looks her up and down.
4
00:00:55,270 --> 00:00:56,190
He kisses her.
5
00:01:22,990 --> 00:01:24,910
She smiles and walks off.
6
00:01:28,270 --> 00:01:29,390
She looks... | 1
00:00:00,340 --> 00:00:01,100
Goofily
2
00:00:01,100 --> 00:00:02,370
in a corridor outside.
3
00:00:02,370 --> 00:00:03,630
The pair are about to kiss.
4
00:00:14,660 --> 00:00:16,590
Miles' pins Marylin to a wall.
5
00:00:54,950 --> 00:00:59,600
Miles leans in and plants a lingering kiss on her mouth, which Mar... | 1
00:00:02,040 --> 00:00:04,020
Excuse me, Mr Doyle
2
00:00:04,040 --> 00:00:06,940
Could I just borrow your
charming fiancée for a moment?
3
00:00:07,040 --> 00:00:10,100
Well, okay You gon' leave a deposit?
4
00:00:15,620 --> 00:00:18,050
What are you up to?
5
00:00:18,120 --> 00:00:21,080
Something you won't und... | 1
00:00:02,320 --> 00:00:03,490
Excuse me, Mr. Doyle.
2
00:00:03,570 --> 00:00:06,740
Could I just borrow your charming fiancée
for a moment?
3
00:00:06,820 --> 00:00:09,700
Well, okay. You gonna leave a deposit?
4
00:00:09,780 --> 00:00:11,080
(ALL LAUGHING)
5
00:00:16,080 --> 00:00:18,250
What are you up to?
6
0... | {"screenplay_scene_11": "<scene>\n <stage_direction>INT. PRIVATE BATHROOM</stage_direction>\n <scene_description>Miles runs his fingers through his hair , carefully examining himself in the mirror . Suavely smiling .</scene_description>\n <character>MILES</character>\n <dialogue>Marylin! How nice.</dialogue... | 5975.84 | 3060.70 | 90.67 |
intolerable_cruelty | tt0138524 | Oiz3H0VTrDdq | 1
00:00:39,810 --> 00:00:41,850
He pulls the prenup from his pocket.
2
00:00:45,130 --> 00:00:46,930
He tears a piece of the prenup
3
00:00:46,930 --> 00:00:49,170
and dips it in the barbecue sauce.
4
00:00:50,170 --> 00:00:51,090
He eats it.
5
00:01:08,740 --> 00:01:10,660
Marylin smiles and shakes her head.
6
00... | 1
00:00:22,690 --> 00:00:23,950
Now a napkin.
2
00:00:33,400 --> 00:00:34,110
Howard nods
3
00:00:34,110 --> 00:00:36,630
and takes some folded paper from his jacket pocket.
4
00:00:39,230 --> 00:00:39,940
He unfolds it
5
00:00:39,940 --> 00:00:41,370
and tears off one sheet.
6
00:00:43,970 --> 00:00:45,640
He rip... | 1
00:00:01,450 --> 00:00:03,780
Now, I know it's not common
practice for the groom...
2
00:00:03,880 --> 00:00:05,890
...to give his bride a
gift on their weddin' day,
3
00:00:05,990 --> 00:00:08,870
but ever since I met Marylin there
4
00:00:08,890 --> 00:00:12,380
I can't seem to quit givin' her things...
5
00:00... | 1
00:00:00,640 --> 00:00:02,770
Now, I know it's not common practice
2
00:00:02,850 --> 00:00:06,520
for the groom to give his bride a gift
on their wedding day.
3
00:00:06,610 --> 00:00:10,820
But ever since I met Marylin there,
I can't seem to quit givin' her things.
4
00:00:10,940 --> 00:00:12,490
(PEOPLE LAUGHIN... | {"screenplay_scene_13": "<scene>\n <stage_direction>EXT. A WEDDING BOWER - AKA CHUPPA</stage_direction>\n <scene_description>From behind the bower , RABBI BOLENSKY emerges , strumming his guitar and singing :</scene_description>\n <character>BOLENSKY</character>\n <dialogue>Parsley sage, rosemary and thyme ... | 5975.84 | 3402.72 | 94.44 |
intolerable_cruelty | tt0138524 | VWOaTZ6YrdG5 | 1
00:00:18,710 --> 00:00:19,750
A man frowns,
2
00:00:19,750 --> 00:00:20,710
looks around,
3
00:00:20,710 --> 00:00:22,270
then back at Miles.
4
00:00:26,030 --> 00:00:27,350
Another man gulps.
5
00:02:04,720 --> 00:02:07,200
The Convention Secretary covers his face.
6
00:02:11,520 --> 00:02:13,280
He walks away ... | 1
00:00:18,000 --> 00:00:20,350
A bespectacled man in the audience knits his brow
2
00:00:20,350 --> 00:00:22,360
and glances sceptically at his neighbour.
3
00:00:25,420 --> 00:00:28,360
Her balding delegate shifts uncomfortably in his seat.
4
00:01:32,690 --> 00:01:36,170
A white haired man sits rigidly upright, s... | 1
00:00:01,510 --> 00:00:04,580
Well, today Miles Massey
is here to tell you...
2
00:00:04,680 --> 00:00:08,780
...that love need cause us no fear
3
00:00:11,220 --> 00:00:14,160
Love need cause us no shame
4
00:00:14,230 --> 00:00:16,420
Love is...
5
00:00:16,490 --> 00:00:18,490
...good
6
00:00:24,570 --> 00:00:... | 1
00:00:01,760 --> 00:00:08,390
Well, today Miles Massey is here to tell you
that love need cause us no fear.
2
00:00:11,520 --> 00:00:15,520
Love need cause us no shame. Love is...
3
00:00:17,440 --> 00:00:18,530
Good.
4
00:00:24,450 --> 00:00:25,580
Love is good.
5
00:00:25,660 --> 00:00:27,240
(AUDIENCE MURMURIN... | {"screenplay_scene_25": "<scene>\n <stage_direction>EXT. MASSEY MYERSON - CONFERENCE ROOM - DAY</stage_direction>\n <scene_description>Miles is addressing the young associates .</scene_description>\n <character>MILES</character>\n <dialogue>For the first time in my life, I stand before you naked. vulnerable... | 5975.84 | 4412.74 | 177.89 |
intolerable_cruelty | tt0138524 | LlWKN2dPIbr6 | 1
00:00:28,340 --> 00:00:29,720
Herb bounces around.
2
00:00:33,120 --> 00:00:35,170
His tubes and drips rattle as he moves.
3
00:00:35,170 --> 00:00:36,800
Wrigley and Miles' look glum.
4
00:00:49,420 --> 00:00:49,890
Miles'.
5
00:00:49,890 --> 00:00:50,560
Cowards.
| 1
00:00:01,420 --> 00:00:04,910
This woman has humbled,
2
00:00:04,990 --> 00:00:09,790
Shamed and disgraced the entire firm...
3
00:00:09,860 --> 00:00:13,390
Yes, Herb
Counselor...
4
00:00:13,460 --> 00:00:17,520
...this firm deals in power
5
00:00:17,600 --> 00:00:20,160
This firm deals in perception
6
00:00:21... | 1
00:00:01,600 --> 00:00:03,680
This woman has humbled,
2
00:00:03,760 --> 00:00:04,930
(WHEEZES)
3
00:00:05,390 --> 00:00:09,520
shamed, and disgraced the entire firm.
4
00:00:10,520 --> 00:00:15,440
- Yes, Herb.
- Counselor, this firm deals in power.
5
00:00:17,490 --> 00:00:19,990
This firm deals in perception.
... | {"screenplay_scene_39": "<scene>\n <stage_direction>INT. MASSEY HOUSE - DAY</stage_direction>\n <scene_description>Miles opens the door . Marylin is standing there .</scene_description>\n <character>MILES</character>\n <dialogue>Well. Well. Well. Look who made bail!</dialogue>\n <character>MARYLIN</chara... | 5975.84 | 4817.06 | 88.89 | |
intolerable_cruelty | tt0138524 | Jn9epbw_37sf | 1
00:00:00,540 --> 00:00:01,580
In a restaurant.
2
00:00:02,460 --> 00:00:06,500
A bald man in a red sweatshirt sits Wrigley and Miles'.
3
00:00:06,500 --> 00:00:07,260
Look at him.
4
00:00:07,820 --> 00:00:10,060
The bald man pulls from an inhaler.
| 1
00:00:00,580 --> 00:00:06,190
Miles and Wrigley are sitting at a restaurant table opposite a burly, bald bloke with a breathing problem.
2
00:00:06,400 --> 00:00:07,870
He sucks on an inhaler.
3
00:01:16,520 --> 00:01:16,900
Ugly.
4
00:01:16,900 --> 00:01:19,290
Wheezy Joe sucks on his inhaler again.
5
00:01:21,0... | 1
00:00:11,090 --> 00:00:14,350
Are you WheezyJoe?
2
00:00:14,430 --> 00:00:16,690
Which of youse is Smith?
3
00:00:16,760 --> 00:00:20,860
Well, uh, we're here
representing Mr Smith...
4
00:00:20,930 --> 00:00:23,200
...on a matter of some delicacy...
5
00:00:23,300 --> 00:00:26,200
- Who's the pigeon?
- The what?... | 1
00:00:02,360 --> 00:00:03,690
(WHEEZING)
2
00:00:10,990 --> 00:00:14,410
Are you Wheezy Joe?
3
00:00:15,000 --> 00:00:17,580
Which of you is Smith?
4
00:00:17,670 --> 00:00:23,550
Well, we're here representing Mr. Smith
on a matter of some delicacy.
5
00:00:23,630 --> 00:00:26,010
- Who's the pigeon?
- The what?
... | {"screenplay_scene_40": "<scene>\n <stage_direction>INT. BEDROOM - MASSEY HOUSE</stage_direction>\n <scene_description>Miles is in bed , morosely watching Court TV . TV SCREEN Close on NIKKI ROSEN - A COURT TV ANCHOR</scene_description>\n <character>NIKKI</character>\n <dialogue>We are interrupting our sche... | 5975.84 | 4906.05 | 94.48 |
interpreter | tt0373926 | WB84f2rU5n8g | 1
00:00:38,670 --> 00:00:41,310
The Matoban Ambassador glances at Silvia.
2
00:01:15,140 --> 00:01:16,180
He stands up.
3
00:01:33,220 --> 00:01:36,860
Silvia is talking with two members of the UN security personnel.
| 1
00:00:38,880 --> 00:00:41,720
Silvia stares intently at the Matoban Ambassador.
2
00:01:15,050 --> 00:01:17,270
He stands before his shocked observers.
3
00:01:31,890 --> 00:01:33,350
Silvia glances down.
4
00:01:36,030 --> 00:01:37,910
Sylvia's with Wu and Robb.
5
00:02:06,060 --> 00:02:07,810
She looks between ... | 1
00:00:00,690 --> 00:00:03,990
Let's be clear, Mr. Ambassador.
2
00:00:04,220 --> 00:00:08,250
The United States may not recognize the ICC
as a legitimate court,
3
00:00:08,500 --> 00:00:13,900
but we do not condone the methods President
Zuwanie uses against his own people.
4
00:00:17,900 --> 00:00:20,500
Dr. Zuwan... | 1
00:00:00,640 --> 00:00:03,940
- Let's be clear, Mr Ambassador.
- [Silvia translates into Ku]
2
00:00:04,180 --> 00:00:08,210
The United States may not recognise the ICC
as a legitimate court,
3
00:00:08,450 --> 00:00:13,890
but we do not condone the methods
President Zuwanie uses against his people.
4
00:00:15,390... | {"screenplay_scene_30": "<scene>\n <stage_direction>INT. SECURITY COUNCIL (CONFERENCE BUILDING)</stage_direction>\n <scene_description>The Diplomats and Silvia as before.</scene_description>\n <character>MATOBEANAMBASSADOR</character>\n <dialogue>President Zuwanie will exercise his right to speak before the... | 7699.49 | 946.40 | 158.57 |
interpreter | tt0373926 | 8qGyC99fybAL | 1
00:00:14,350 --> 00:00:14,910
Dot
2
00:00:14,910 --> 00:00:16,150
standing farther away.
3
00:00:24,430 --> 00:00:26,510
Tobin stares back impassively.
4
00:00:51,870 --> 00:00:53,230
Tobin keeps staring.
5
00:01:00,750 --> 00:01:01,870
They share a smile.
6
00:03:04,220 --> 00:03:06,420
Stunned, she hands him b... | 1
00:00:12,860 --> 00:00:14,200
Silvia looks him up and down
2
00:00:14,200 --> 00:00:16,960
and glances over at Woods, standing by a plant.
3
00:00:24,320 --> 00:00:26,160
Keller studies Silvia's face.
4
00:00:26,410 --> 00:00:28,000
She takes her glasses off.
5
00:00:50,010 --> 00:00:51,810
She turns her bright b... | 1
00:00:00,180 --> 00:00:03,480
Secret Service Dignitary Protection Squad.
2
00:00:03,720 --> 00:00:07,080
We're responsible for
visiting heads of state.
3
00:00:07,320 --> 00:00:12,590
- I don't recall seeing you around.
- They hire us for our forgettable faces.
4
00:00:16,790 --> 00:00:19,320
- Is she on guard?
- ... | 1
00:00:00,130 --> 00:00:03,430
Secret Service Dignitary Protection Squad.
2
00:00:03,670 --> 00:00:07,040
We're responsible for visiting heads of state.
3
00:00:07,270 --> 00:00:12,540
- I don't recall seeing you around.
- They hire us for our forgettable faces.
4
00:00:16,750 --> 00:00:19,270
- Is she on guard?
- ... | {"screenplay_scene_62": "<scene>\n <stage_direction>EXT. UN ROSE GARDEN - DAY</stage_direction>\n <scene_description>The garden is adjacent to the East River. The Queensboro Bridge sits majestically in front of it. The Secretariat rises stoically behind it. Tobin and Silvia sit on a bench. Dot stands out of earsh... | 7699.49 | 1297.76 | 192.61 |
interpreter | tt0373926 | jZAFfzZ9IwlP | 1
00:00:04,880 --> 00:00:07,280
She grabs the photo to take a closer look.
2
00:00:47,040 --> 00:00:48,240
She puts down the photo
3
00:00:48,240 --> 00:00:49,680
and he heaves a sigh.
4
00:01:03,920 --> 00:01:05,440
He steps closer to her.
5
00:01:26,470 --> 00:01:28,470
She holds her hand to his mouth.
6
00:02:4... | 1
00:00:00,890 --> 00:00:02,360
Silvia stares at it.
2
00:00:05,220 --> 00:00:06,810
Silvia flashes a look at Keller
3
00:00:06,810 --> 00:00:08,020
and grabs the picture.
4
00:00:46,500 --> 00:00:48,010
She drops it onto the desk.
5
00:00:48,470 --> 00:00:50,100
Keller throws out his hand.
6
00:01:03,770 --> 00:0... | 1
00:00:02,910 --> 00:00:04,430
Is that you?
2
00:00:10,310 --> 00:00:11,940
Tell me what someone like you
3
00:00:12,220 --> 00:00:15,710
who uses the word "diplomacy"
like she's chastising me
4
00:00:15,950 --> 00:00:17,780
is doing at a rebel rally?
5
00:00:18,020 --> 00:00:21,620
- A peace rally.
- I don't want... | 1
00:00:02,860 --> 00:00:04,390
Is that you?
2
00:00:10,270 --> 00:00:11,900
Tell me what someone like you
3
00:00:12,170 --> 00:00:15,660
who uses the word "diplomacy"
like she's chastising me
4
00:00:15,910 --> 00:00:17,740
is doing at a rebel rally?
5
00:00:17,980 --> 00:00:21,570
- A peace rally.
- I don't want... | null | 7699.49 | 2366.37 | 212.46 |
interpreter | tt0373926 | BxUwobV8ZTh5 | 1
00:00:01,700 --> 00:00:03,100
Silvia lowers her flute
2
00:00:03,100 --> 00:00:06,580
and as she gazes at the African artefacts around her flat,
3
00:00:06,580 --> 00:00:11,100
she notices an empty space on a wall where one of the masks should be hanging.
4
00:00:14,860 --> 00:00:15,620
Her phone rings
5
00:00:15... | 1
00:00:00,270 --> 00:00:01,400
In her apartment.
2
00:00:01,400 --> 00:00:02,820
Silvia lowers her flute
3
00:00:02,820 --> 00:00:04,500
and looks at the wall of masks.
4
00:00:04,710 --> 00:00:09,270
Her gaze hardens when she notices something at the end of the line of wooden carvings.
5
00:00:09,270 --> 00:00:12... | 1
00:00:21,090 --> 00:00:22,890
Hello?
2
00:00:23,130 --> 00:00:26,830
Hello, Philippe? Hello?
3
00:00:48,020 --> 00:00:51,850
No prints on the door
and negative for latex dust.
4
00:00:52,090 --> 00:00:54,350
- Nothing on the door?
- No.
5
00:00:56,660 --> 00:00:59,130
- No forced entry.
- Did Doug not see him?
6... | 1
00:00:13,240 --> 00:00:15,170
[phone rings]
2
00:00:21,050 --> 00:00:22,840
Hello?
3
00:00:23,080 --> 00:00:26,780
- [line crackles - no voice]
- Hello, Philippe? Hello?
4
00:00:30,820 --> 00:00:32,820
[she screams]
5
00:00:47,970 --> 00:00:51,810
No prints on the door
and negative for latex dust.
6
00:00:52,050... | null | 7699.49 | 2679.68 | 149.44 |
interpreter | tt0373926 | bAw7LkDugy3d | 1
00:00:25,290 --> 00:00:26,610
He turns to face her.
2
00:01:26,050 --> 00:01:27,690
They hold each other's gaze.
3
00:01:34,730 --> 00:01:37,330
They keep staring at each other until he looks away.
| 1
00:00:05,560 --> 00:00:06,850
He holds his head up.
2
00:00:24,110 --> 00:00:25,610
Keller steels himself,
3
00:00:25,650 --> 00:00:26,910
turns to face Silvia
4
00:00:26,910 --> 00:00:29,540
and leans against the wall with his hand on his hip.
5
00:00:40,960 --> 00:00:42,590
He nods ruefully.
6
00:01:12,240 -->... | 1
00:00:01,060 --> 00:00:04,300
My wife was killed two weeks ago.
2
00:00:08,140 --> 00:00:11,010
She... she'd left me.
3
00:00:14,580 --> 00:00:18,450
She'd left me before,
but she'd always come back.
4
00:00:18,680 --> 00:00:21,150
She was going to come back this time.
5
00:00:21,390 --> 00:00:23,380
She said.
6... | 1
00:00:01,020 --> 00:00:04,250
My wife was killed two weeks ago.
2
00:00:08,090 --> 00:00:10,960
She... she'd left me.
3
00:00:14,530 --> 00:00:18,400
She'd left me before,
but she'd always come back.
4
00:00:18,640 --> 00:00:21,100
She was going to come back this time.
5
00:00:21,340 --> 00:00:23,330
She said.
6... | null | 7699.49 | 3026.37 | 107.86 |
interpreter | tt0373926 | Kktbn7OhyFLX | 1
00:00:01,400 --> 00:00:04,760
Gamba boards the 133 bus, followed by Doug.
2
00:00:06,720 --> 00:00:09,520
Mo reacts with surprise at Gamba's appearance.
3
00:00:11,510 --> 00:00:13,350
Gamba spots cumin first,
4
00:00:13,390 --> 00:00:15,470
then notices Silvia with dismay.
5
00:00:15,590 --> 00:00:17,310
He sits... | 1
00:00:00,940 --> 00:00:02,990
Gamba gets in line to board the bus.
2
00:00:03,360 --> 00:00:04,780
Doug is two behind him.
3
00:00:05,370 --> 00:00:07,080
Mo looks up from her seat near the front
4
00:00:07,080 --> 00:00:08,970
and sees Gamba followed by Doug.
5
00:00:09,470 --> 00:00:11,730
Gamba walks on past K... | 1
00:00:22,580 --> 00:00:27,180
- What do you do so far away from home?
- I work. And I hope.
2
00:00:27,420 --> 00:00:30,860
- Same as me, then.
- I doubt it.
3
00:00:34,660 --> 00:00:36,720
You work for...?
4
00:00:36,960 --> 00:00:39,900
I'm an interpreter at the UN.
5
00:00:40,170 --> 00:00:44,260
So like the U... | 1
00:00:22,620 --> 00:00:27,220
- What do you do so far away from home?
- I work. And I hope.
2
00:00:27,460 --> 00:00:30,920
- Same as me, then.
- I doubt it.
3
00:00:34,700 --> 00:00:36,760
You work for...?
4
00:00:37,000 --> 00:00:39,970
I'm an interpreter at the UN.
5
00:00:40,210 --> 00:00:44,300
So like the U... | null | 7699.49 | 4364.22 | 217.90 |
interpreter | tt0373926 | yTso_lRSOgvs | 1
00:00:20,610 --> 00:00:23,330
Having poured himself a drink, he sits on the sofa.
2
00:02:41,430 --> 00:02:43,110
She's now sitting next to him.
3
00:02:46,350 --> 00:02:47,590
He puts down his drink
4
00:02:47,590 --> 00:02:48,590
and stands up.
| 1
00:00:22,630 --> 00:00:24,590
He sits and sips a glass of water.
2
00:00:30,910 --> 00:00:32,290
She walks to a window.
3
00:01:25,670 --> 00:01:27,590
She's moved closer to Keller
4
00:01:27,590 --> 00:01:28,840
and looks down at him.
5
00:01:44,990 --> 00:01:46,240
She walks round the sofa
6
00:01:46,240 --> 0... | 1
00:00:03,920 --> 00:00:06,910
That isn't me.
2
00:00:07,150 --> 00:00:08,950
Don't be ridiculous.
3
00:00:10,390 --> 00:00:13,520
- It isn't me.
- No, that is you.
4
00:00:13,760 --> 00:00:16,130
And I know, because I drive you home,
5
00:00:16,400 --> 00:00:21,560
and I look at you through the binoculars,
and ev... | 1
00:00:03,950 --> 00:00:06,950
That isn't me.
2
00:00:07,190 --> 00:00:08,990
Don't be ridiculous.
3
00:00:10,430 --> 00:00:13,550
- It isn't me.
- No, that is you.
4
00:00:13,800 --> 00:00:16,160
And I know, because I drive you home,
5
00:00:16,430 --> 00:00:21,600
and I look at you through the binoculars,
and ev... | null | 7699.49 | 4752.93 | 180.98 |
interpreter | tt0373926 | xD9Rpj9re9ha | 1
00:00:02,970 --> 00:00:04,690
Tobin peers out into the rain
2
00:00:04,690 --> 00:00:07,090
and sees a black car parked on the street.
3
00:00:10,050 --> 00:00:12,890
Grabbing the binoculars, he looks into Sylvia's apartment
4
00:00:12,890 --> 00:00:14,690
and sees Gamba walking through it.
5
00:00:20,890 --> 00:... | 1
00:00:00,940 --> 00:00:04,740
He sees a black Mercedes parked up outside Sylvia's apartment block.
2
00:00:05,250 --> 00:00:06,370
He gets to his feet
3
00:00:06,370 --> 00:00:08,420
and puts the binoculars to his eyes.
4
00:00:13,820 --> 00:00:16,710
He raises his line of vision and then Sylvia's apartment.
5
00... | 1
00:00:19,580 --> 00:00:21,070
Russell!
2
00:01:03,790 --> 00:01:04,790
Hey!
3
00:01:07,660 --> 00:01:10,390
- What the hell's going on?
- Close the door!
4
00:01:15,230 --> 00:01:17,100
Silvia!
5
00:01:18,170 --> 00:01:20,830
Silvia!
6
00:01:50,670 --> 00:01:52,360
Silvia!
7
00:01:54,170 --> 00:01:56,260
Keller... | 1
00:00:00,090 --> 00:00:03,150
[thunder continues]
2
00:00:19,610 --> 00:00:21,140
Russell!
3
00:00:22,580 --> 00:00:25,210
[shower still running]
4
00:01:03,820 --> 00:01:04,850
[neighbour] Heyl
5
00:01:07,690 --> 00:01:10,420
- [neighbours] - What the hell's going on?
- Close the doorl
6
00:01:15,270 --> 00:01:... | {"screenplay_scene_179": "<scene>\n <stage_direction>INT. SILVIA'S BATHROOM</stage_direction>\n <scene_description>Inside the shower, Silvia waits and listens. She hears footsteps, soft, furtive. She realizes they are creeping toward her. Silvia looks around in desperation. The footsteps move closer. Closer. She ... | 7699.49 | 5603.20 | 136.88 |
interpreter | tt0373926 | _5USVJ7Oib5V | 1
00:00:13,770 --> 00:00:15,130
Zuwanie gets to his feet
2
00:00:15,130 --> 00:00:16,650
and stands at the podium,
3
00:00:16,650 --> 00:00:20,090
while Marcus unscrews a pen to extract a hidden bullet.
4
00:00:52,370 --> 00:00:54,490
Lud joins Marcus in the booth.
5
00:01:13,650 --> 00:01:15,050
Tobin looks up at ... | 1
00:00:13,860 --> 00:00:15,200
As the one who gets to his feet
2
00:00:15,200 --> 00:00:16,410
and moves towards a podium.
3
00:00:16,410 --> 00:00:19,050
Facing the delegates, Marcus prepares a bullet
4
00:00:19,510 --> 00:00:23,240
Zuwanie has faced lined stares out at the people sitting in front of him.
5
00:00... | 1
00:00:00,470 --> 00:00:03,140
I have the honor to welcome
to the United Nations
2
00:00:03,380 --> 00:00:08,680
His Excellency Dr. Edmond Zuwanie,
President of the Republic of Matobo,
3
00:00:08,920 --> 00:00:12,210
and to invite him to address the Assembly.
4
00:00:23,930 --> 00:00:27,230
Mr. President, Mr. Secre... | 1
00:00:00,510 --> 00:00:03,170
I have the honour to welcome
to the United Nations
2
00:00:03,410 --> 00:00:08,720
His Excellency Dr Edmond Zuwanie,
President of the Republic of Matobo,
3
00:00:08,950 --> 00:00:12,250
and to invite him to address the Assembly.
4
00:00:12,490 --> 00:00:14,290
[smattering of applause]... | {"screenplay_scene_221": "<scene>\n <stage_direction>INT. SECRETARY GENERAL'S LOUNGE (GA BUILDING)</stage_direction>\n <scene_description>Lud looks from the second hand on the wall clock to Silvia. Her gun is still aimed inside her purse. She forces herself to step closer to Zuwanie. His head still rests against ... | 7699.49 | 6420.80 | 234.06 |
interpreter | tt0373926 | f7W4y_6wTXtx | 1
00:00:38,730 --> 00:00:42,890
Tobin opens the door and sees Silvia pressing the gun to Zuwanie head.
2
00:01:44,690 --> 00:01:46,290
Zuwanie stares at Tobin.
3
00:01:46,570 --> 00:01:48,370
Silvia cocks the gun's hammer.
4
00:01:50,810 --> 00:01:52,890
She keeps the gun to Zuwanie head.
5
00:02:11,690 --> 00:02:1... | 1
00:00:18,700 --> 00:00:20,460
Keller sees a camera outside the room.
2
00:00:20,460 --> 00:00:21,800
He turns to Woods.
3
00:00:23,180 --> 00:00:24,560
He presses an intercom.
4
00:00:31,330 --> 00:00:32,710
She sees him on a monitor.
5
00:00:39,280 --> 00:00:40,530
Wu takes a pace forward
6
00:00:40,530 --> 00:... | 1
00:00:00,040 --> 00:00:04,300
How could someone so good, so...
2
00:00:05,440 --> 00:00:08,070
How could you give us so much,
3
00:00:09,250 --> 00:00:10,650
so much...
4
00:00:12,620 --> 00:00:14,680
then take away more?
5
00:00:16,150 --> 00:00:19,250
- He in there?
- Yeah.
6
00:00:21,260 --> 00:00:23,560
Keep... | 1
00:00:00,080 --> 00:00:04,340
How could someone so good, so...
2
00:00:05,480 --> 00:00:08,110
How could you give us so much,
3
00:00:09,290 --> 00:00:10,680
so much...
4
00:00:12,660 --> 00:00:14,710
then take away more?
5
00:00:16,190 --> 00:00:19,290
- He in there?
- Yeah.
6
00:00:21,300 --> 00:00:23,600
Keep... | {"screenplay_scene_221": "<scene>\n <stage_direction>INT. SECRETARY GENERAL'S LOUNGE (GA BUILDING)</stage_direction>\n <scene_description>Lud looks from the second hand on the wall clock to Silvia. Her gun is still aimed inside her purse. She forces herself to step closer to Zuwanie. His head still rests against ... | 7699.49 | 6748.13 | 134.40 |
men_in_black_iii | tt1409024 | NHbRC1U_NSO8 | 1
00:00:03,490 --> 00:00:05,570
The chain steel breastplate restrains him.
2
00:00:12,650 --> 00:00:15,610
Boris' lips part revealing jagged compound teeth.
3
00:00:15,730 --> 00:00:18,330
He sticks out his tongue more than six inches.
4
00:00:18,370 --> 00:00:19,850
The woman opens her mouth for it
5
00:00:19,850 ... | 1
00:00:03,770 --> 00:00:05,060
He's chained to the wall.
2
00:00:13,530 --> 00:00:14,860
Boris' curls his lip,
3
00:00:14,860 --> 00:00:17,740
and she opens her mouth to accept his freakishly long tongue.
4
00:00:17,780 --> 00:00:21,250
As they kiss, her cheek bulges as he explores her mouth.
5
00:00:21,700 --> 00... | 1
00:00:00,110 --> 00:00:02,980
Your letters have been
a soul-nourishing...
2
00:00:03,140 --> 00:00:04,140
...tonic.
3
00:00:05,750 --> 00:00:08,770
And you are much more...
4
00:00:08,950 --> 00:00:13,480
...unconventionally handsome
than your photos.
5
00:00:23,500 --> 00:00:25,260
This ain't a conjugal visit.
... | 1
00:00:03,010 --> 00:00:04,010
tonic.
2
00:00:05,610 --> 00:00:08,650
And you are much more
3
00:00:08,810 --> 00:00:13,350
unconventionally handsome
than your photos.
4
00:00:18,550 --> 00:00:20,930
[BOTH MOANING]
5
00:00:23,360 --> 00:00:25,130
GUARD:
This ain't a conjugal visit.
6
00:00:25,290 --> 00:00:26,670... | null | 6354.46 | 140.03 | 184.65 |
men_in_black_iii | tt1409024 | CJRqCFa8SuNo | 1
00:00:12,620 --> 00:00:13,100
Listening
2
00:00:13,100 --> 00:00:14,820
J wears an expectant smile
3
00:00:14,820 --> 00:00:15,620
from the podium.
4
00:00:15,620 --> 00:00:17,660
K maintains a pensive gaze.
5
00:00:20,420 --> 00:00:21,100
Thank you.
6
00:00:21,140 --> 00:00:22,060
J stares.
7
00:00:22,060 --> ... | 1
00:00:15,360 --> 00:00:17,200
In the front row, J grins.
2
00:00:17,240 --> 00:00:18,950
K stares solemnly.
3
00:00:21,660 --> 00:00:22,710
He joins J.
4
00:01:02,720 --> 00:01:03,850
J frowns.
5
00:01:04,020 --> 00:01:05,810
An alien with a bulbous head blinks.
6
00:01:05,810 --> 00:01:07,560
Agent O smiles and... | 1
00:00:00,220 --> 00:00:03,090
I worked with Zed for over 40 years,
and in all that time...
2
00:00:03,260 --> 00:00:04,890
...he never invited me to dinner.
3
00:00:05,230 --> 00:00:08,820
He never asked me to his house
to watch a game.
4
00:00:09,660 --> 00:00:13,070
He never shared a single detail
of his persona... | 1
00:00:00,080 --> 00:00:02,960
I worked with Zed for over 4O years,
and in all that time
2
00:00:03,120 --> 00:00:04,760
he never invited me to dinner.
3
00:00:05,090 --> 00:00:08,700
He never asked me to his house
to watch a game.
4
00:00:09,530 --> 00:00:12,940
He never shared a single detail
of his personal life... | null | 6354.46 | 505.98 | 72.47 |
men_in_black_iii | tt1409024 | gbB1S_myejtT | 1
00:00:05,090 --> 00:00:08,970
The two intergalactic agents look down at him with wry, weary expressions.
2
00:00:09,010 --> 00:00:10,490
Wu's smile falters.
3
00:00:10,490 --> 00:00:12,330
He nervously tries again.
4
00:00:26,090 --> 00:00:28,970
The proprietor looks to K, who sighs grimly.
5
00:00:33,810 --> 00:... | 1
00:00:05,670 --> 00:00:06,750
They stare at him blankly
2
00:00:06,750 --> 00:00:08,290
and he gives them a searching look.
3
00:00:08,340 --> 00:00:09,800
They remain stony faced
4
00:00:09,800 --> 00:00:11,210
and he cracks a smile.
5
00:00:26,730 --> 00:00:27,770
K sighs.
6
00:00:33,880 --> 00:00:36,050
In th... | 1
00:00:00,460 --> 00:00:01,460
K, J!
2
00:00:01,620 --> 00:00:05,150
So happy to see you.
Mr. Wu get you your regular table?
3
00:00:12,700 --> 00:00:13,730
You no hungry?
4
00:00:13,900 --> 00:00:15,000
Show us the tanks, Wu.
5
00:00:15,370 --> 00:00:18,400
Oh, sure, sure. You look.
Very fresh.
6
00:00:18,610 --... | 1
00:00:01,490 --> 00:00:05,030
So happy to see you.
Uh, Mr. Wu get you your regular table?
2
00:00:12,570 --> 00:00:13,600
You no hungry?
3
00:00:13,770 --> 00:00:14,870
Show us the tanks, Wu.
4
00:00:15,230 --> 00:00:18,270
Oh, sure, sure. You look.
Very fresh.
5
00:00:18,470 --> 00:00:20,210
Show us the tanks in... | null | 6354.46 | 700.54 | 105.88 |
men_in_black_iii | tt1409024 | cxqwgNWMTFlP | 1
00:00:00,360 --> 00:00:03,800
K slams the cook's head through a row of dangling pots and pans.
2
00:00:03,840 --> 00:00:07,160
Grabbing an iron skillet, the Agent beats the chef unconscious.
3
00:00:07,840 --> 00:00:10,480
Turning warily, he finds a corridor to his right.
4
00:00:10,520 --> 00:00:14,560
A lifeless... | 1
00:00:00,620 --> 00:00:03,040
In the kitchen, K shoves the cook across the room
2
00:00:03,040 --> 00:00:06,620
and whacks him on the head with a frying pan until he sprawled on the floor.
3
00:00:09,670 --> 00:00:10,840
He throws down the pan
4
00:00:10,840 --> 00:00:11,840
and looks round.
5
00:00:11,880 --> 00... | 1
00:01:27,300 --> 00:01:28,560
Hello, K.
2
00:01:31,910 --> 00:01:32,910
Boris the Animal.
3
00:01:33,410 --> 00:01:35,570
It's just Boris.
4
00:01:35,740 --> 00:01:39,840
You haven't changed very much.
I see the arm I shot off is still shot off.
5
00:01:40,550 --> 00:01:42,410
Yes, my arm.
6
00:01:44,950 --> 00:... | 1
00:00:13,450 --> 00:00:15,590
♫
2
00:00:16,390 --> 00:00:17,390
[CREATURE SNARLING]
3
00:00:29,200 --> 00:00:30,410
Hi-yah!
4
00:00:32,710 --> 00:00:33,710
[GRUNTS]
5
00:00:35,340 --> 00:00:36,340
♫
6
00:00:39,810 --> 00:00:40,850
[ALIEN ROARING]
7
00:00:50,430 --> 00:00:51,900
♫
8
00:01:01,200 --> 00:01:02,55... | {"screenplay_scene_2": "<scene>\n <stage_direction>INT. CHINESE RESTAURANT - CONTINUOUS</stage_direction>\n <scene_description>Wu walks them to a table, seats them. MR. WU (for benefit of customers) Allow me most honorable benefit of get you noodles.</scene_description>\n <character>(FOR GUYS)</character>\n ... | 6354.46 | 933.15 | 152.56 |
men_in_black_iii | tt1409024 | TtX6ajOuovI8 | 1
00:00:05,880 --> 00:00:07,360
A girl extends a flower.
2
00:00:10,840 --> 00:00:13,720
Frowning, Boris' scrutinises the amused Hippie couple.
3
00:00:17,600 --> 00:00:19,040
The couple stops smiling.
4
00:00:23,840 --> 00:00:25,960
With the cheerless face, he drives off.
5
00:00:26,000 --> 00:00:28,600
Meanwhile,... | 1
00:00:06,230 --> 00:00:07,520
The girl has flowers.
2
00:00:14,150 --> 00:00:15,440
Boris stares at them.
3
00:00:18,240 --> 00:00:21,450
Boris' mouth gapes as he laughs, exposing his spiky teeth.
4
00:00:21,700 --> 00:00:23,120
The couple looked disturbed.
5
00:00:23,580 --> 00:00:25,450
Boris' rides off down an... | 1
00:00:01,580 --> 00:00:04,310
If you want to keep that, I wouldn't.
2
00:00:04,480 --> 00:00:06,080
Make love, not war.
3
00:00:07,590 --> 00:00:09,610
I prefer to do both.
4
00:00:45,330 --> 00:00:47,350
How are you, officers?
What can I do you for?
5
00:00:47,530 --> 00:00:50,620
Well, look at this.
Power windo... | 1
00:00:01,440 --> 00:00:04,180
If you want to keep that,
I wouldn't.
2
00:00:04,340 --> 00:00:05,940
Make love, not war.
3
00:00:07,440 --> 00:00:09,480
I prefer to do both
4
00:00:10,310 --> 00:00:12,020
[BOTH LAUGHING]
5
00:00:15,680 --> 00:00:16,720
[LAUGHING]
6
00:00:27,000 --> 00:00:29,030
♫
7
00:00:30,370 ... | null | 6354.46 | 2384.74 | 117.75 |
men_in_black_iii | tt1409024 | EBWNbQ_dSUX8 | 1
00:00:08,960 --> 00:00:10,760
K cuffs him to the steering wheel.
2
00:00:15,440 --> 00:00:16,520
K climbs out.
3
00:00:19,440 --> 00:00:21,960
Entering the bowling alley, he waves at two men.
4
00:00:23,640 --> 00:00:24,440
Their shirts read.
5
00:00:24,480 --> 00:00:25,600
Tony and Lam.
6
00:00:31,720 --> 00:00... | 1
00:00:19,580 --> 00:00:21,330
K leaves J handcuffed to the wheel
2
00:00:21,330 --> 00:00:22,410
and goes inside.
3
00:00:23,830 --> 00:00:25,080
Two thuggish aliens.
4
00:00:31,880 --> 00:00:35,300
One of the aliens points for guns at K with his four hands.
5
00:00:35,340 --> 00:00:37,260
K aims his gun back at ... | 1
00:00:00,340 --> 00:00:03,040
- How well do you know this place?
- I know its reputation.
2
00:00:03,510 --> 00:00:07,180
I don't like it. I hate going in blind.
I'm gonna need my gun.
3
00:00:07,850 --> 00:00:09,580
Sure thing, slick.
4
00:00:09,750 --> 00:00:12,190
K! Wait, no, I gotta go in
with you!
5
00:00:1... | 1
00:00:00,200 --> 00:00:02,910
How well do you know this place?
I know its reputation.
2
00:00:03,370 --> 00:00:07,050
I don't like it. I hate going in blind.
I'm gonna need my gun.
3
00:00:07,710 --> 00:00:09,450
Sure thing, slick.
4
00:00:09,610 --> 00:00:12,060
Whoa, K! Wait, no,
I gotta go in with you!
5
00:00... | null | 6354.46 | 3055.01 | 123.83 |
men_in_black_iii | tt1409024 | hcxzykTB56ih | 1
00:00:01,590 --> 00:00:03,470
Boris' turns down a narrow street.
2
00:00:12,390 --> 00:00:14,350
J pulls ahead enthusiastically
3
00:00:14,350 --> 00:00:17,390
and K smiles after him from Boris motorcycle.
4
00:00:17,390 --> 00:00:19,710
Griffin watches J circle his captor
5
00:00:19,910 --> 00:00:22,430
as Boris... | 1
00:00:01,980 --> 00:00:03,190
They tear around the corner.
2
00:00:12,950 --> 00:00:14,530
They hit a straight and Jay accelerates,
3
00:00:14,530 --> 00:00:16,990
overtaking Boris and looping round in front of him.
4
00:00:17,080 --> 00:00:18,500
Boris takes aim, distracted.
5
00:00:18,560 --> 00:00:21,100
just ... | 1
00:00:00,300 --> 00:00:01,790
We gotta stop this guy!
2
00:00:04,070 --> 00:00:05,070
I've been trying!
3
00:00:05,140 --> 00:00:06,470
You haven't been trying?
4
00:00:07,040 --> 00:00:08,020
Hey, slick.
5
00:00:08,040 --> 00:00:11,070
In the future,
we ever do the Texas two-step?
6
00:00:11,240 --> 00:00:12,90... | 1
00:00:00,410 --> 00:00:01,910
We gotta stop this guy!
2
00:00:04,180 --> 00:00:05,180
J:
I've been trying!
3
00:00:05,250 --> 00:00:06,590
You haven't been trying?
4
00:00:07,150 --> 00:00:07,790
K:
Hey, slick.
5
00:00:08,150 --> 00:00:11,190
In the future,
we ever do the Texas two-step?
6
00:00:11,360 --> 00:00... | null | 6354.46 | 4254.05 | 61.07 |
men_in_black_iii | tt1409024 | ldBh1mhcgbrm | 1
00:00:04,330 --> 00:00:05,130
J beckons,
2
00:00:05,130 --> 00:00:09,210
then races down the walkway toward the Boglodite, aiming his palm at J.
3
00:00:09,250 --> 00:00:10,570
Boris shoots a quill.
4
00:00:10,570 --> 00:00:12,450
It hits J in the left shoulder.
5
00:00:12,490 --> 00:00:14,450
A second quill hits... | 1
00:00:04,920 --> 00:00:07,130
J begins to Boris' and moves towards him.
2
00:00:07,590 --> 00:00:08,880
Boris' holds up his hand
3
00:00:08,880 --> 00:00:10,050
and shoots acrylic J.
4
00:00:10,090 --> 00:00:11,220
It hits him in the shoulder.
5
00:00:11,680 --> 00:00:12,720
He shoots another.
6
00:00:17,140 -->... | 1
00:00:00,740 --> 00:00:01,900
Hey!
2
00:00:02,940 --> 00:00:04,570
Boris the Animal!
3
00:00:14,550 --> 00:00:15,550
Right.
4
00:00:16,190 --> 00:00:17,190
Left.
5
00:00:44,920 --> 00:00:45,920
You're gonna lose.
6
00:00:45,980 --> 00:00:48,040
Let's agree to disagree.
7
00:00:56,930 --> 00:00:58,290
Hey!
8
00... | 1
00:00:00,860 --> 00:00:02,030
Hey!
2
00:00:03,060 --> 00:00:04,700
Boris the Animal!
3
00:00:07,530 --> 00:00:08,840
[GROWLING AND ROARING]
4
00:00:14,670 --> 00:00:15,670
Right.
5
00:00:16,310 --> 00:00:17,310
Left.
6
00:00:17,340 --> 00:00:18,380
[SCREAMS]
7
00:00:34,920 --> 00:00:35,990
[$CREAMING]
8
00:00:... | null | 6354.46 | 5337.02 | 187.11 |
men_in_black_iii | tt1409024 | W5HCzXF8QVHM | 1
00:00:05,140 --> 00:00:07,140
The Colonel faces K wistfully.
2
00:00:07,740 --> 00:00:08,060
Could.
3
00:00:08,100 --> 00:00:09,460
The men shake hands.
4
00:00:10,100 --> 00:00:11,140
J watches.
5
00:00:12,940 --> 00:00:14,380
The access door opens.
6
00:00:14,940 --> 00:00:15,460
Look out!
7
00:00:15,500 --> ... | 1
00:00:05,510 --> 00:00:06,800
Edward smiles.
2
00:00:12,730 --> 00:00:14,400
The door in the bunker opens.
3
00:00:15,940 --> 00:00:17,480
It's Boris' from 1969.
4
00:00:17,480 --> 00:00:19,320
He shoots Edwards in the heart with a quill.
5
00:00:19,360 --> 00:00:20,570
K points his gun.
6
00:00:24,320 --> 00:00... | 1
00:00:00,420 --> 00:00:01,750
You ever want to see more...
2
00:00:01,950 --> 00:00:05,250
...I know a top-secret organization
that could use a man like you.
3
00:00:07,190 --> 00:00:08,850
I wish I could.
4
00:00:09,430 --> 00:00:10,430
Thank you.
5
00:00:11,030 --> 00:00:12,890
I'll see you around, K.
6
00:00:... | 1
00:00:00,530 --> 00:00:01,870
You ever want to see more,
2
00:00:02,070 --> 00:00:05,380
I know a top-secret organization
that could use a man like you.
3
00:00:07,300 --> 00:00:08,980
I wish I could.
4
00:00:09,540 --> 00:00:10,540
Thank you.
5
00:00:11,140 --> 00:00:13,020
I'll see you around, K.
6
00:00:14,75... | {"screenplay_scene_21": "<scene>\n <stage_direction>EXT. MISSION CONTROL STRUCTURE ENTRANCE</stage_direction>\n <scene_description>The same guards who stopped Jay and Kay are back on duty. They hear something -- they draw weapons -- And it's Yaz. Still looking like evil incarnate. The guards take in this unholy p... | 6354.46 | 5561.57 | 168.04 |
men_in_black_iii | tt1409024 | btRDcQoevXfV | 1
00:00:00,720 --> 00:00:04,880
A slice of strawberry rhubarb pie waits at the empty spot next to him.
2
00:00:09,240 --> 00:00:11,240
K drums his fingers on the counter.
3
00:00:11,280 --> 00:00:13,280
J gives an amazed shake of the head,
4
00:00:13,280 --> 00:00:14,840
then sits down next to him.
5
00:00:48,080 -... | 1
00:00:08,700 --> 00:00:11,200
He drums his fingers on the counter as he sings.
2
00:00:11,410 --> 00:00:13,240
Jay shakes his head in disbelief
3
00:00:13,240 --> 00:00:14,870
and sits down beside him.
4
00:00:19,830 --> 00:00:21,500
Jay shoots him a quizzical look.
5
00:00:48,490 --> 00:00:51,300
He lays his dad... | 1
00:00:15,920 --> 00:00:17,540
You're late.
2
00:00:17,720 --> 00:00:19,980
Sorry. Lost track of time.
3
00:00:21,960 --> 00:00:23,150
How do you know that song?
4
00:00:23,520 --> 00:00:25,550
Drink your coffee.
We got work to do.
5
00:00:26,460 --> 00:00:28,220
What do you know and what do you don't?
6
00:00:28... | 1
00:00:00,150 --> 00:00:01,790
K:
♪ Feel brand-new ♪
2
00:00:02,890 --> 00:00:04,420
♪ Inspire you ♪
3
00:00:05,890 --> 00:00:07,600
♪ New York ♪
4
00:00:08,730 --> 00:00:10,930
♪ New York ♪
5
00:00:11,960 --> 00:00:13,600
♪ New York ♪ ♪
6
00:00:16,030 --> 00:00:17,670
You're late.
7
00:00:17,840 --> 00:00:20,11... | null | 6354.46 | 5748.67 | 136.49 |
the_purge | tt2184339 | TvDzm1Wick_7 | 1
00:00:09,640 --> 00:00:12,200
He glances at Mary, who shakes her head uncertainly.
2
00:00:23,960 --> 00:00:25,960
James inputs a code and a keypad.
3
00:00:26,000 --> 00:00:26,840
Turning a handle.
4
00:00:26,880 --> 00:00:30,040
He opens a door, revealing a collection of mounted guns.
5
00:00:32,680 --> 00:00:3... | 1
00:00:09,960 --> 00:00:11,370
Mary shakes her head.
2
00:00:24,610 --> 00:00:26,730
He walks away from the CCTV screens
3
00:00:26,730 --> 00:00:28,070
and opens a gun cupboard.
4
00:00:34,120 --> 00:00:35,490
He takes out a handgun
5
00:00:35,490 --> 00:00:37,540
and tucks it into the back of his trousers,
6
00... | 1
00:00:00,930 --> 00:00:02,170
Hey, look at this.
2
00:00:02,850 --> 00:00:05,210
Mr. Sabian and Mr. Barbero
are going hunting.
3
00:00:05,290 --> 00:00:06,700
That's daring.
4
00:00:07,130 --> 00:00:08,420
I didn't know they were
going to Purge together.
5
00:00:08,450 --> 00:00:09,450
Are they friends?
6
00:00:... | 1
00:00:00,920 --> 00:00:02,160
Hey, look at this.
2
00:00:02,840 --> 00:00:05,200
Mr. Sabian and Mr. Barbero
are going hunting.
3
00:00:05,280 --> 00:00:06,690
That's daring.
4
00:00:07,120 --> 00:00:08,410
I didn't know they were
going to Purge together.
5
00:00:08,440 --> 00:00:09,440
Are they friends?
6
00:00:... | {"screenplay_scene_13": "<scene>\n <stage_direction>INT. SANDIN DEN/SECURITY ROOM - NIGHT FALL</stage_direction>\n <scene_description>A ROOM with a BANK OF 12 HI-TECH COMPUTER SCREENS - SET UP LIKE SECURITY MONITORS ON A WALL. They are not on. MARY, ZOEY AND CHARLIE are ALL INSIDE THIS ROOM now. Charlie is holdin... | 5110.43 | 828.86 | 162.33 |
the_purge | tt2184339 | jM5__SkXX9DX | 1
00:00:06,540 --> 00:00:08,100
Charlie inputs the security code
2
00:00:08,100 --> 00:00:09,380
and disarms the system
3
00:00:10,420 --> 00:00:11,700
in his parents bedroom.
4
00:00:12,620 --> 00:00:14,300
Mary springs up from the bed
5
00:00:14,300 --> 00:00:15,030
in the hallway.
6
00:00:15,070 --> 00:00:16,39... | 1
00:00:08,000 --> 00:00:10,960
Charlie keys in the code to open the shutters and presses.
2
00:00:10,960 --> 00:00:11,630
Disarm.
3
00:00:11,920 --> 00:00:13,630
His parents look alarmed.
4
00:00:13,630 --> 00:00:16,760
Henry is wandering through the house looking for Zoe's father.
5
00:00:19,350 --> 00:00:21,680
... | 1
00:00:00,220 --> 00:00:02,620
Somebody, please, just
open the door for me.
2
00:00:02,780 --> 00:00:04,990
They're coming, they're coming.
Somebody, please!
3
00:00:05,380 --> 00:00:06,540
They're gonna kill me!
4
00:00:11,740 --> 00:00:13,350
What the hell?
5
00:00:23,740 --> 00:00:24,740
Come here!
6
00:00:25,... | 1
00:00:00,210 --> 00:00:02,610
Somebody, please, just open the door for me.
(GUNS FIRING)
2
00:00:02,770 --> 00:00:04,980
They're coming, they're coming.
Somebody, please!
3
00:00:05,370 --> 00:00:06,530
They're gonna kill me!
4
00:00:06,850 --> 00:00:08,300
(BEEPING)
5
00:00:09,730 --> 00:00:11,220
(WINDOWS UNSEA... | {"screenplay_scene_38": "<scene>\n <stage_direction>INT. SANDIN MANSION - FRONT ENTRANCE - NIGHT - SAME</stage_direction>\n <scene_description>Charlie stands under the threshold of the front door. The Bloody Stranger just TEN FEET AWAY NOW. The SECURITY DOOR between them is NOW CLOSING. IN TWO MORE SECONDS the BL... | 5110.43 | 1553.57 | 124.81 |
the_purge | tt2184339 | ZGK4D0T9YmsT | 1
00:00:00,740 --> 00:00:03,580
Her husband joins them in front of the security monitors.
2
00:00:05,020 --> 00:00:10,380
A view angled down from above the front door shows a man in a smiling mask staring directly at us.
3
00:00:10,580 --> 00:00:14,860
He removes the mask, revealing a young, fair skinned man with flo... | 1
00:00:06,130 --> 00:00:07,930
A girl in a smock is behind him.
2
00:00:07,970 --> 00:00:10,180
Other figures are standing around the front garden.
3
00:00:10,180 --> 00:00:12,890
James, Mary and Charlie watch them on the CCTV.
4
00:00:13,060 --> 00:00:15,270
The man at the front door removes his mask.
5
00:00:18,... | 1
00:00:27,340 --> 00:00:29,150
That one is saying something.
2
00:00:30,980 --> 00:00:32,790
...and Mrs. Sandin.
3
00:00:33,620 --> 00:00:36,430
Your home tells me you're
good folk, just like us.
4
00:00:36,500 --> 00:00:37,830
One of the "haves."
5
00:00:38,060 --> 00:00:41,750
And your blue flowers tell me
that ... | 1
00:00:03,450 --> 00:00:04,780
(DOORBELL RINGS)
2
00:00:27,330 --> 00:00:29,140
That one is saying something.
3
00:00:30,970 --> 00:00:32,780
...and Mrs. Sandin.
4
00:00:33,610 --> 00:00:36,420
Your home tells me you're
good folk, just like us.
5
00:00:36,490 --> 00:00:37,820
One of the "haves."
6
00:00:38,050 --... | {"screenplay_scene_46": "<scene>\n <stage_direction>INT. PLAY ROOM - NIGHT</stage_direction>\n <scene_description>James paces back and forth, mind racing, still in shock. CONTINUED: Charlie's just watching his father, when THE DOOR SWINGS OPENS - father and son both tense up as MARY enters in a burst, carrying th... | 5110.43 | 1978.85 | 166.56 |
the_purge | tt2184339 | zrOMpPamp9Po | 1
00:00:11,160 --> 00:00:14,280
The blonde man stares through the narrow window of the metal barricade
2
00:00:14,280 --> 00:00:16,200
as James opens the inner front door.
3
00:00:58,850 --> 00:01:01,330
The leader shoots his overzealous companion in the forehead
4
00:01:01,330 --> 00:01:02,810
and the masked man fa... | 1
00:00:10,070 --> 00:00:11,870
James goes to the front door.
2
00:00:11,910 --> 00:00:15,040
The blonde man stares at him through the slot in the shutter.
3
00:00:58,910 --> 00:01:01,080
The blonde man shoots his companion.
4
00:01:16,520 --> 00:01:18,230
He smiles menacingly.
5
00:01:31,240 --> 00:01:32,660
The b... | 1
00:00:01,670 --> 00:00:04,800
Sorry to interrupt, but
I'd love to have a word.
2
00:00:06,150 --> 00:00:09,520
Meet me by your front door. I
just need a moment, good sir.
3
00:00:18,630 --> 00:00:20,360
There you are.
4
00:00:21,750 --> 00:00:24,070
Thank you for accepting
my invitation.
5
00:00:24,990 --> 00:00:... | 1
00:00:01,660 --> 00:00:04,790
Sorry to interrupt, but
I'd love to have a word.
2
00:00:06,140 --> 00:00:09,510
Meet me by your front door. I
just need a moment, good sir.
3
00:00:10,300 --> 00:00:11,460
(BANGING CONTINUES)
4
00:00:18,620 --> 00:00:20,350
There you are.
5
00:00:21,740 --> 00:00:24,060
Thank you fo... | null | 5110.43 | 2687.20 | 118.05 |
the_purge | tt2184339 | Sj7aRSp9WK60 | 1
00:00:00,970 --> 00:00:01,850
He rounds a corner
2
00:00:01,850 --> 00:00:03,850
and creeps toward Charlie's dark bedroom.
3
00:00:05,370 --> 00:00:07,570
He cautiously enters and scans the room.
4
00:00:10,130 --> 00:00:14,410
Facing the closet, he finds the homeless man behind Zoey with a pistol to her head.
5
... | 1
00:00:00,870 --> 00:00:02,830
He enters Charlie's bedroom.
2
00:00:06,000 --> 00:00:08,090
He shines the torch around the room.
3
00:00:08,250 --> 00:00:10,920
The stranger is holding a gun to Zoe's head.
4
00:01:11,500 --> 00:01:12,830
Mary is behind him.
5
00:01:40,740 --> 00:01:42,000
He throws Zoey to the flo... | 1
00:00:15,930 --> 00:00:17,010
Don't.
2
00:00:17,650 --> 00:00:18,650
Zoey.
3
00:00:19,810 --> 00:00:21,330
Get back.
4
00:00:22,690 --> 00:00:24,530
Into the hall.
Let's go.
5
00:00:24,810 --> 00:00:26,490
Drop your gun.
6
00:00:27,210 --> 00:00:28,570
Dad, please.
7
00:00:32,530 --> 00:00:34,020
Drop it.
8
00... | 1
00:00:15,920 --> 00:00:17,000
Don't.
2
00:00:17,640 --> 00:00:18,640
Zoey.
3
00:00:19,800 --> 00:00:21,320
Get back.
4
00:00:22,680 --> 00:00:24,520
Into the hall.
Let's go.
5
00:00:24,800 --> 00:00:26,480
Drop your gun.
6
00:00:27,200 --> 00:00:28,560
ZOEY: Dad, please.
7
00:00:32,520 --> 00:00:34,010
Drop it.... | {"screenplay_scene_62": "<scene>\n <stage_direction>INT. CHARLIE'S ROOM - CONTINUOUS</stage_direction>\n <scene_description>As James enters - finger on the trigger - flashlight covers the room, and to James' utter surprise it unexpectedly illuminates: THE BLOODY STRANGER - in front of the closet now. James freeze... | 5110.43 | 2879.90 | 144.03 |
the_purge | tt2184339 | IadDemHFHWLX | 1
00:00:00,700 --> 00:00:03,380
Charlie bright light shines into the house,
2
00:00:03,500 --> 00:00:04,740
rushing to the front door.
3
00:00:04,910 --> 00:00:09,630
Mary peers through the small window as the masked purgers drag chains from large trucks.
4
00:00:16,230 --> 00:00:17,430
Mary hurries away
5
00:00:17... | 1
00:00:02,500 --> 00:00:05,710
She runs over to look through the slot in the front door shutter.
2
00:00:05,750 --> 00:00:08,040
Two men are attaching chains to it.
3
00:00:17,050 --> 00:00:19,010
Mary finds James in the hall.
4
00:01:00,110 --> 00:01:02,280
James gives Mary two guns.
5
00:01:19,580 --> 00:01:21,1... | 1
00:00:10,060 --> 00:00:13,150
I want all
these barricades down!
2
00:00:13,220 --> 00:00:16,830
Get chains on every
door and every window!
3
00:00:20,980 --> 00:00:22,060
James, where's Zoey?
4
00:00:22,140 --> 00:00:23,160
I don't know, she ran out here.
5
00:00:23,180 --> 00:00:24,790
Those freaks outside
are c... | 1
00:00:02,330 --> 00:00:03,980
(HORNS BLARING)
2
00:00:07,290 --> 00:00:08,530
(ENGINES REVVING)
3
00:00:10,050 --> 00:00:13,140
POLITE LEADER: I want all
these barricades down!
4
00:00:13,210 --> 00:00:16,820
Get chains on every
door and every window!
5
00:00:20,970 --> 00:00:22,050
James, where's Zoey?
6
00:00:... | {"screenplay_scene_71": "<scene>\n <stage_direction>INT. SANDIN MANSION - HALLWAY - NIGHT</stage_direction>\n <scene_description>A FLASHLIGHT BEAM dances through dark. In the minimal light we see CHARLIE AND MARY - running hand in hand. DOWN STAIRS. MAKING THEIR WAY TOWARD THE BASEMENT. AS THEY RUN - THE O.S. RUM... | 5110.43 | 3363.01 | 173.22 |
the_purge | tt2184339 | mE4tZ1cLQs2Z | 1
00:00:01,520 --> 00:00:03,640
and casually aims into the first doorway.
2
00:00:06,000 --> 00:00:08,640
Holding two pistols, Mary quivers against the wall.
3
00:00:09,400 --> 00:00:12,240
She startles and turns her terrified gaze to the doorway.
4
00:00:13,520 --> 00:00:15,160
Darkness conceals the hall.
5
00:00:... | 1
00:00:00,900 --> 00:00:02,060
and starts shooting.
2
00:00:10,110 --> 00:00:12,660
Mary flinches at the sound of breaking glass.
3
00:00:12,660 --> 00:00:15,030
She starts to creep out from behind the chair,
4
00:00:15,130 --> 00:00:17,010
watching the doorway all the time.
5
00:00:24,470 --> 00:00:27,890
A long ... | 1
00:02:06,040 --> 00:02:07,530
Are you okay?
Are you okay?
2
00:02:07,600 --> 00:02:09,680
Are you hurt?
No, I'm okay.
3
00:02:10,160 --> 00:02:11,650
We've got to get out of here.
| 1
00:00:06,430 --> 00:00:07,630
(MACHINE GUN FIRE CONTINUES)
2
00:00:07,710 --> 00:00:08,990
(GLASS SHATTERS)
3
00:00:12,470 --> 00:00:13,910
(FOOTSTEPS APPROACHING)
4
00:01:06,430 --> 00:01:07,430
(THUD)
5
00:01:07,470 --> 00:01:08,670
(FEMALE FREAK LAUGHING)
6
00:01:08,790 --> 00:01:09,870
(GLASS SHATTERING)
7
... | null | 5110.43 | 3572.51 | 132.26 |
the_purge | tt2184339 | YLPLApR9lBRf | 1
00:00:00,680 --> 00:00:02,720
The injured man opens his eyes as the purge.
2
00:00:02,720 --> 00:00:05,200
Leader appears in the doorway holding his shotgun.
3
00:00:14,040 --> 00:00:16,280
James holds up his hand, shielding his family.
4
00:00:18,720 --> 00:00:20,000
He covers Mary's head.
5
00:00:23,960 --> 00:... | 1
00:00:19,200 --> 00:00:20,290
Mary cowers.
2
00:00:20,490 --> 00:00:22,200
Blonde man is shot by Zoey.
3
00:00:22,410 --> 00:00:23,290
He falls.
4
00:00:28,670 --> 00:00:29,840
Zoey drops the gun
5
00:00:29,840 --> 00:00:31,760
and runs to the bottom of the stairs.
6
00:00:31,800 --> 00:00:34,300
James reaches o... | 1
00:00:06,050 --> 00:00:07,540
Thank you for your sacrifice.
2
00:00:08,930 --> 00:00:11,250
You got a lot
of heart, Mr. Sandin.
3
00:00:12,450 --> 00:00:14,050
Blessed be America...
4
00:00:16,090 --> 00:00:18,610
A nation reborn.
5
00:00:39,010 --> 00:00:43,170
I'm so sorry.
6
00:01:27,450 --> 00:01:29,020
Than... | 1
00:00:06,040 --> 00:00:07,530
Thank you for your sacrifice.
2
00:00:08,920 --> 00:00:11,240
You got a lot
of heart, Mr. Sandin.
3
00:00:12,440 --> 00:00:14,040
Blessed be America...
4
00:00:16,080 --> 00:00:18,600
A nation reborn.
(GUN COCKS)
5
00:00:39,000 --> 00:00:43,160
I'm so sorry.
6
00:00:43,720 --> 00:00... | null | 5110.43 | 4189.82 | 138.53 |
halloween_kills | tt10665338 | du0z9sphB4Lr | 1
00:00:00,270 --> 00:00:02,350
A firefighter breaks away from the others
2
00:00:02,350 --> 00:00:04,150
and looks around the smoky house.
3
00:00:05,830 --> 00:00:07,510
He pauses in front of the stairs
4
00:00:07,510 --> 00:00:09,350
and the floor collapses beneath him.
5
00:00:13,550 --> 00:00:14,950
He plummet... | 1
00:00:06,220 --> 00:00:06,980
He scans around
2
00:00:06,980 --> 00:00:08,900
on the floor, suddenly gives way beneath him.
3
00:00:14,420 --> 00:00:16,790
He lands on his back with considerable effort.
4
00:00:16,830 --> 00:00:19,070
The firefighter activates a distress alarm.
5
00:00:37,590 --> 00:00:40,390
The... | 1
00:00:20,390 --> 00:00:23,220
Mayday. Mayday.
2
00:00:24,890 --> 00:00:26,680
Radio silence.
We have a Mayday alert.
3
00:00:26,730 --> 00:00:28,480
This is Benton
with Engine Eight.
4
00:00:28,520 --> 00:00:30,770
There's been
a structural collapse.
5
00:00:30,810 --> 00:00:33,190
My air supply has been
compromi... | 1
00:00:09,570 --> 00:00:10,570
[WOOD CREAKING]
2
00:00:10,650 --> 00:00:11,650
[SCREAMING]
3
00:00:13,200 --> 00:00:14,070
[GASPING]
4
00:00:14,160 --> 00:00:16,160
[COUGHING]
5
00:00:21,540 --> 00:00:23,460
- [DISTRESS BEACON WAILING]
- Mayday! Mayday!
6
00:00:23,540 --> 00:00:24,880
[COUGHING]
7
00:00:24,960 -... | null | 6307.94 | 1183.46 | 148.03 |
halloween_kills | tt10665338 | XoyKx_X4vBBI | 1
00:00:00,820 --> 00:00:02,140
Michael smashes the light
2
00:00:02,140 --> 00:00:03,420
and the man shuts the door.
3
00:00:13,380 --> 00:00:14,940
Michael's hand bursts through a window
4
00:00:14,940 --> 00:00:16,620
and grabs the white haired man's head.
5
00:00:16,940 --> 00:00:19,740
He repeatedly slams the ... | 1
00:00:18,430 --> 00:00:19,910
Having smashed his hand through the window,
2
00:00:19,950 --> 00:00:22,910
Michael repeatedly slams the man's head against the wall.
3
00:00:25,750 --> 00:00:27,750
A shard of glass is thrust through his neck
4
00:00:27,750 --> 00:00:29,710
and his body dragged through the window.
5... | 1
00:00:03,600 --> 00:00:05,560
Hey, Sondra. Sondra.
2
00:00:05,600 --> 00:00:06,960
There's a big fella
in our bathroom,
3
00:00:06,980 --> 00:00:08,980
and he's wearing a monster mask.
4
00:00:09,020 --> 00:00:10,650
Well, what the fuck
does he want?
5
00:00:10,690 --> 00:00:13,110
Who gives a shit?
Call the cops... | 1
00:00:01,750 --> 00:00:02,750
[SCREAMS]
2
00:00:03,460 --> 00:00:05,420
Hey, Sondra! Sondra!
3
00:00:05,500 --> 00:00:08,920
There's a big fella in our bathroom,
and he's wearing a monster mask.
4
00:00:09,010 --> 00:00:10,470
Well, what the fuck does he want?
5
00:00:10,550 --> 00:00:12,720
Who gives a shit? Cal... | null | 6307.94 | 1582.62 | 150.51 |
halloween_kills | tt10665338 | 0VQ0JjyFvAmt | 1
00:00:04,320 --> 00:00:05,840
She gets in the driver's seat.
2
00:00:12,320 --> 00:00:15,440
Turning, she finds a shadowy figure rising in the back seat.
3
00:00:18,720 --> 00:00:20,000
She hurries out of the car.
4
00:00:30,880 --> 00:00:32,400
She runs inside the bar.
5
00:00:40,800 --> 00:00:44,080
Tommy grabs... | 1
00:00:00,380 --> 00:00:01,540
Vanessa opens the door
2
00:00:01,540 --> 00:00:02,700
and climbs inside.
3
00:00:11,100 --> 00:00:12,340
She fumbles with the keys,
4
00:00:12,340 --> 00:00:13,980
then turns to the back seat.
5
00:00:31,100 --> 00:00:32,300
Leaving him in the car park?
6
00:00:32,340 --> 00:00:33,... | 1
00:00:17,350 --> 00:00:18,600
What?
2
00:00:20,520 --> 00:00:22,020
What's wrong?
3
00:00:22,060 --> 00:00:23,350
Baby. Baby, baby.
4
00:00:23,400 --> 00:00:24,670
- What? What? What's wrong?
- He's in the car.
5
00:00:24,690 --> 00:00:25,980
- What?
- He's in the car.
6
00:00:26,020 --> 00:00:27,330
- Who? What... | 1
00:00:09,740 --> 00:00:10,790
[KEYS JINGLING]
2
00:00:16,170 --> 00:00:17,170
[SCREAMS]
3
00:00:17,920 --> 00:00:18,920
What?
4
00:00:20,130 --> 00:00:21,420
- [SCREAMS]
- What's wrong?
5
00:00:22,130 --> 00:00:23,130
Baby. Baby, baby.
6
00:00:23,210 --> 00:00:24,630
- What's wrong?
- He's in the car.
7
00:00:2... | null | 6307.94 | 1992.80 | 170.34 |
halloween_kills | tt10665338 | D5FaAwfT4jCq | 1
00:00:32,260 --> 00:00:35,220
Turning Lindsey spots Michael standing behind her car.
2
00:00:35,620 --> 00:00:39,620
He holds a bloody kitchen knife in one hand and the boy's skeleton mask in the other.
3
00:00:49,850 --> 00:00:52,650
All the kids run in the SUV.
| 1
00:00:35,730 --> 00:00:40,060
He stands by the car, holding a dripping skull mask and a bloodstained blade.
2
00:00:51,090 --> 00:00:51,650
In the car.
| 1
00:00:00,620 --> 00:00:02,330
Hey.
2
00:00:02,370 --> 00:00:04,290
What are you guys
doing out here?
3
00:00:04,330 --> 00:00:06,130
It's Halloween.
We've been trick-or-treating.
4
00:00:06,170 --> 00:00:07,730
- We got a whole bag of candy.
- You guys should not be
5
00:00:07,750 --> 00:00:09,110
out here right ... | 1
00:00:00,650 --> 00:00:01,650
Hey!
2
00:00:02,480 --> 00:00:04,230
What are you guys doing out here?
3
00:00:04,320 --> 00:00:06,690
It's Halloween.
We've been trick-or-treating.
4
00:00:06,780 --> 00:00:08,700
You shouldn't be out here. It's not safe.
5
00:00:08,780 --> 00:00:12,160
- You gonna kill me? Satan, n... | null | 6307.94 | 2878.69 | 53.13 |
halloween_kills | tt10665338 | xkagI7lxyHdD | 1
00:00:00,520 --> 00:00:03,480
Turning Lindsey spots Michael standing behind her car.
2
00:00:03,880 --> 00:00:07,880
He holds a bloody kitchen knife in one hand and the boy's skeleton mask in the other.
3
00:00:18,110 --> 00:00:20,910
All the kids run in the SUV.
4
00:00:20,910 --> 00:00:23,110
Marion spots Michae... | 1
00:00:03,990 --> 00:00:08,320
He stands by the car, holding a dripping skull mask and a bloodstained blade.
2
00:00:19,350 --> 00:00:19,910
In the car.
3
00:00:19,910 --> 00:00:21,910
Marion spots him in the rear view mirror.
4
00:00:29,190 --> 00:00:31,510
The skull mask slaps against the windscreen.
5
00:00:37,... | 1
00:00:01,160 --> 00:00:03,160
What the hell are you doing?
2
00:00:04,960 --> 00:00:07,120
You want some candy?
3
00:00:09,790 --> 00:00:11,670
Is that Dennis's mask?
4
00:00:11,710 --> 00:00:13,380
Run. Go home now.
5
00:00:13,420 --> 00:00:15,420
Before he kills us all!
Get out of here!
6
00:00:15,470 --> 00:0... | 1
00:00:01,730 --> 00:00:03,980
- What the hell are you doing?
- [KIDS LAUGHING]
2
00:00:04,650 --> 00:00:06,020
[BOY] You want some candy?
3
00:00:09,610 --> 00:00:11,400
Is that Dennis's mask?
4
00:00:11,950 --> 00:00:15,280
Run! Go home now!
Before he kills us all! Get out of here!
5
00:00:15,370 --> 00:00:18,70... | null | 6307.94 | 2910.43 | 159.94 |
halloween_kills | tt10665338 | gReidPkKvD0W | 1
00:00:31,550 --> 00:00:32,630
The nurse leaves.
| 1
00:00:00,180 --> 00:00:01,520
Laurie!
2
00:00:01,560 --> 00:00:03,120
- Tommy, you can't go in there!
- Tommy?
3
00:00:03,140 --> 00:00:04,830
- Tommy, you can't go in there!
- Laurie. Laurie.
4
00:00:04,850 --> 00:00:06,400
- Tommy!
- Tommy.
5
00:00:06,440 --> 00:00:08,360
- Laurie. He killed Marion.
- Tommy.
6... | 1
00:00:00,160 --> 00:00:01,330
- [GROANS]
- [TOMMY] Laurie!
2
00:00:01,420 --> 00:00:02,790
- [KAREN] You can't go in!
- Tommy?
3
00:00:02,880 --> 00:00:05,170
- [KAREN] You can't go in there!
- Laurie. Laurie.
4
00:00:05,250 --> 00:00:07,170
- Tommy. Tommy.
- Laurie.
5
00:00:07,250 --> 00:00:09,800
He killed Mari... | null | 6307.94 | 3723.26 | 41.77 | |
halloween_kills | tt10665338 | akVR7eMgHxAa | 1
00:00:15,900 --> 00:00:17,540
Laurie turns to Hawkin's.
2
00:00:25,500 --> 00:00:28,780
Glimpses show Michael attacking McCabe in the Myers house.
3
00:00:32,380 --> 00:00:33,580
Hawkin's shoots.
4
00:00:56,740 --> 00:00:59,290
As Loomis aims to shoot Michael in the yard.
5
00:00:59,330 --> 00:01:01,170
The Young... | 1
00:00:02,140 --> 00:00:03,300
Laurie in the ward.
2
00:00:05,700 --> 00:00:06,180
Hawkins.
3
00:00:06,180 --> 00:00:06,740
Allyson's.
4
00:00:16,020 --> 00:00:17,300
Laurie turns to him.
5
00:00:25,620 --> 00:00:28,780
A flashback to Hawkin's and McCabe searching the Myers house.
6
00:00:56,660 --> 00:00:58,280
... | 1
00:00:00,860 --> 00:00:03,820
It's all happening.
2
00:00:03,860 --> 00:00:06,530
Michael's masterpiece.
3
00:00:06,570 --> 00:00:09,570
He created this chaos, but...
4
00:00:09,610 --> 00:00:13,200
I'm the one that brought it all
onto Haddonfield.
5
00:00:13,240 --> 00:00:16,580
I could have made
all this go awa... | 1
00:00:00,880 --> 00:00:01,960
It's all happening.
2
00:00:03,720 --> 00:00:05,470
Michael's masterpiece.
3
00:00:07,220 --> 00:00:08,640
He created this chaos,
4
00:00:08,720 --> 00:00:12,310
but I'm the one
that brought it all on Haddonfield.
5
00:00:13,730 --> 00:00:15,770
I could have made all this go away.
6... | null | 6307.94 | 4437.89 | 111.43 |
halloween_kills | tt10665338 | aj9ABUSlgh_s | 1
00:00:00,280 --> 00:00:04,900
...there's nothing
inside that man but pure evil.
2
00:00:04,950 --> 00:00:07,030
It's not just Michael.
3
00:00:07,070 --> 00:00:10,240
It's what he's done
to this town, these people.
4
00:00:11,370 --> 00:00:13,660
Decent people.
5
00:00:13,710 --> 00:00:15,500
You're a good man, F... | 1
00:00:00,840 --> 00:00:03,970
there's nothing inside that man
but pure evil.
2
00:00:04,510 --> 00:00:05,890
It's not just Michael.
3
00:00:07,010 --> 00:00:09,680
It's what he's done to this town,
these people.
4
00:00:11,060 --> 00:00:12,390
Decent people.
5
00:00:13,560 --> 00:00:16,980
You're a good man, Fran... | null | 6307.94 | 4515.30 | 35.25 | ||
halloween_kills | tt10665338 | Fsepu9L_znsZ | 1
00:00:00,340 --> 00:00:01,980
The Mob rushes upstairs.
2
00:00:06,940 --> 00:00:09,420
Karen runs to lock the doors at the end of the hall.
3
00:00:12,380 --> 00:00:14,380
She steps through the doors at the other end.
4
00:00:16,300 --> 00:00:18,860
She locks the escapee into the hallway behind her.
5
00:00:19,30... | 1
00:00:06,580 --> 00:00:08,180
She secures him in a corridor.
2
00:00:17,380 --> 00:00:19,340
Are led by Tommy.
3
00:00:19,340 --> 00:00:19,860
The Mob.
4
00:00:19,900 --> 00:00:20,740
Get closer.
5
00:00:22,580 --> 00:00:24,900
Karen stands guard at the secure passage.
6
00:00:30,740 --> 00:00:33,900
Raging with... | 1
00:00:02,240 --> 00:00:03,570
Let go of my hand.
2
00:00:03,610 --> 00:00:04,860
That's good.
3
00:00:04,910 --> 00:00:06,570
I'm gonna lock these doors.
4
00:00:09,410 --> 00:00:10,540
Okay.
5
00:00:10,580 --> 00:00:12,250
Okay. Lock this behind me.
6
00:00:13,370 --> 00:00:14,920
They're coming.
7
00:00:15,58... | 1
00:00:02,590 --> 00:00:04,760
Let go of my hand. That's good.
2
00:00:04,850 --> 00:00:06,100
I'm gonna lock these doors.
3
00:00:09,480 --> 00:00:11,890
Okay! Okay. Lock this behind me.
4
00:00:13,480 --> 00:00:14,480
They're coming!
5
00:00:15,190 --> 00:00:16,190
They're coming.
6
00:00:17,070 --> 00:00:18,07... | null | 6307.94 | 4632.70 | 183.60 |
halloween_kills | tt10665338 | JldHZikpBGPF | 1
00:00:00,360 --> 00:00:03,280
He pauses as blood drips onto his hands from the ceiling.
2
00:00:07,440 --> 00:00:12,600
Looking up, he spots his father's bloody body partially hanging out of the attic's cracked open door.
3
00:00:18,190 --> 00:00:19,870
Michael bursts from the closet.
4
00:00:19,910 --> 00:00:20,7... | 1
00:00:04,370 --> 00:00:07,130
He notices blood dripping on his hands from above.
2
00:00:10,130 --> 00:00:12,640
A corpse hangs out from the ceiling hatch.
3
00:00:17,720 --> 00:00:19,280
Michael bursts from the closet
4
00:00:19,280 --> 00:00:22,320
and attacks Cameron.
5
00:00:23,440 --> 00:00:25,200
Cameron sh... | 1
00:00:00,670 --> 00:00:05,390
♪ You're all I'll ever need... ♪
2
00:00:14,770 --> 00:00:16,610
Dad.
3
00:00:21,650 --> 00:00:22,650
Cameron?
4
00:00:49,260 --> 00:00:51,680
Allyson!
5
00:00:51,720 --> 00:00:52,720
Cameron!
6
00:01:00,860 --> 00:01:02,730
Cameron!
7
00:01:03,990 --> 00:01:05,440
No!
8
00:01:06,... | 1
00:00:00,360 --> 00:00:05,120
- [SOFT DRIPPING]
- ♪ You're all I'll ever need ♪
2
00:00:07,700 --> 00:00:11,410
♪ Could I have this dance ♪
3
00:00:11,500 --> 00:00:13,790
♪ For the rest of my life? ♪
4
00:00:13,880 --> 00:00:16,000
[GASPS] Dad.
5
00:00:18,550 --> 00:00:19,550
[SCREAMING]
6
00:00:21,340 --> 00:0... | null | 6307.94 | 5358.78 | 134.00 |
halloween_kills | tt10665338 | RaqDAcq9PMke | 1
00:00:01,110 --> 00:00:02,510
Allyson backs against a wall
2
00:00:02,510 --> 00:00:03,590
and raises the knife.
3
00:00:03,790 --> 00:00:04,830
She stabs at Michael,
4
00:00:04,830 --> 00:00:06,110
but he grabs her wrist.
5
00:00:07,590 --> 00:00:08,950
She sinks to her knees.
6
00:00:09,390 --> 00:00:11,550
Mi... | 1
00:00:00,530 --> 00:00:02,930
As he nears her, she raises the blade to strike.
2
00:00:07,010 --> 00:00:09,810
He grabs her leading hand, forcing her to her knees
3
00:00:09,810 --> 00:00:11,450
and turns the blade in on her.
4
00:00:20,530 --> 00:00:21,730
Karen appears from behind
5
00:00:21,730 --> 00:00:24,29... | 1
00:00:12,780 --> 00:00:15,320
Do it. Do it.
2
00:00:16,110 --> 00:00:17,570
Do it!
3
00:00:37,760 --> 00:00:39,430
Mom.
4
00:00:52,570 --> 00:00:54,530
Mom.
5
00:01:01,030 --> 00:01:02,330
No, Mom.
6
00:01:02,370 --> 00:01:03,830
You want your mask?
7
00:01:03,870 --> 00:01:05,290
Come and get it!
8
00:01:05,3... | 1
00:00:06,000 --> 00:00:07,000
[GRUNTING]
2
00:00:09,420 --> 00:00:10,420
[WHIMPERS]
3
00:00:12,800 --> 00:00:14,470
Do it. Do it.
4
00:00:15,800 --> 00:00:17,100
Do it!
5
00:00:18,600 --> 00:00:20,600
[SCREAMS]
6
00:00:22,940 --> 00:00:24,060
[GRUNTS]
7
00:00:28,230 --> 00:00:29,230
[PITCHFORK CLATTERS]
8
00:0... | null | 6307.94 | 5492.99 | 164.49 |
halloween_kills | tt10665338 | 8pTz2fSYSVrU | 1
00:00:04,600 --> 00:00:06,200
Michael picks up his mask.
2
00:00:08,080 --> 00:00:11,240
A partial glimpse shows his disfigured face as he puts it on.
3
00:00:13,400 --> 00:00:15,680
Standing in the street, Karen watches him.
4
00:00:15,920 --> 00:00:18,520
Michael looks around at the surrounding townspeople.
5
0... | 1
00:00:02,260 --> 00:00:03,860
Michael picks up the mask.
2
00:00:08,140 --> 00:00:10,820
He places it over his pale, blood obscured face.
3
00:00:15,540 --> 00:00:17,580
Karen looks on nervously from afar.
4
00:00:21,700 --> 00:00:24,660
As the men and women move in, Michael studies their advance.
5
00:00:29,260 ... | 1
00:00:33,720 --> 00:00:36,930
- Light him up.
- Let's take him.
2
00:01:18,220 --> 00:01:19,810
We got this, Karen.
3
00:01:21,230 --> 00:01:23,480
Go be with your daughter.
4
00:01:47,460 --> 00:01:49,460
I always thought Michael Myers
5
00:01:49,500 --> 00:01:53,550
was flesh and blood,
just like you and me,
6... | 1
00:00:37,160 --> 00:00:40,000
- [INDISTINCT SHOUTING]
- [GRUNTING]
2
00:00:43,750 --> 00:00:45,000
- [GUN FIRES]
- [MAN SCREAMS]
3
00:00:56,560 --> 00:00:58,430
- [BREATHING HEAVILY]
- [PEOPLE GRUNTING]
4
00:01:08,940 --> 00:01:10,320
[ALL PANTING]
5
00:01:18,410 --> 00:01:19,410
We got this, Karen.
6
00:01:21,2... | null | 6307.94 | 5664.99 | 139.30 |
halloween_kills | tt10665338 | dEpG5WC4FvBZ | 1
00:00:01,860 --> 00:00:03,340
Brackett approaches Michael.
2
00:00:10,700 --> 00:00:14,620
As Brackett aims his gun, Michael quickly reaches up and pulls out the knife.
3
00:00:15,500 --> 00:00:17,420
He slashes Brackett's throat with it.
4
00:00:18,100 --> 00:00:20,980
The man in the tiger costume pulls the trigg... | 1
00:00:11,650 --> 00:00:13,530
Michael springs back to life.
2
00:00:16,890 --> 00:00:18,370
He slashes Brackett's throat.
3
00:00:20,850 --> 00:00:22,450
Stabs a man under the chin,
4
00:00:24,050 --> 00:00:26,730
then slashes someone's heel and another throat.
5
00:00:29,010 --> 00:00:34,560
Slowly and deliberat... | 1
00:00:04,090 --> 00:00:06,380
You can't defeat it
with brute force.
2
00:00:07,880 --> 00:00:11,010
If we only knew then
what we know now.
3
00:00:49,130 --> 00:00:51,380
It is the essence of evil.
4
00:00:53,470 --> 00:00:55,390
The anchor that divides us.
5
00:00:56,720 --> 00:01:00,430
It is the terror that gr... | 1
00:00:03,650 --> 00:00:06,030
You can't defeat it with brute force.
2
00:00:07,990 --> 00:00:10,570
If we only knew then what we know now.
3
00:00:18,750 --> 00:00:19,750
[GUN CLICKING]
4
00:00:24,670 --> 00:00:26,010
- [BONE CRACKS]
- [SCREAMS]
5
00:00:41,650 --> 00:00:42,980
[SCREAMS]
6
00:00:49,490 --> 00:00:... | null | 6307.94 | 5804.74 | 146.94 |
other_guys | tt1386588 | A4_p9er_1ovo | 1
00:01:49,940 --> 00:01:52,060
Allen smugly faces his computer.
2
00:01:56,460 --> 00:01:57,940
Terry regards him shrewdly,
3
00:01:57,940 --> 00:02:00,180
then throws a mug of coffee at his chest.
4
00:02:01,220 --> 00:02:02,780
Now, on a TV news report.
| 1
00:00:02,160 --> 00:00:03,830
Terry leans in towards him.
2
00:01:50,140 --> 00:01:51,940
Allen turns back to his computer.
3
00:01:54,560 --> 00:01:55,520
He shakes his head.
4
00:01:57,020 --> 00:01:58,190
Terry considers,
5
00:01:58,190 --> 00:01:59,650
then throws coffee over him.
| 1
00:00:04,780 --> 00:00:06,530
You know what I just did?
2
00:00:06,610 --> 00:00:08,910
I just walked out that door,
saw a couple detectives,
3
00:00:08,990 --> 00:00:11,490
and I was about to start bad mouthing you
behind your back,
4
00:00:11,620 --> 00:00:13,790
but I stopped myself,
because my pops taught me
... | 1
00:00:04,780 --> 00:00:06,530
You know what
I just did?
2
00:00:06,610 --> 00:00:08,900
I just walked out that door,
saw a couple detectives,
3
00:00:08,990 --> 00:00:11,490
and l was about to start bad
mouthing you behind your back,
4
00:00:11,620 --> 00:00:13,780
but I stopped myself,
because my pops taught me
... | null | 6452.77 | 432.22 | 123.39 |
other_guys | tt1386588 | xkpWu_l4VCVe | 1
00:00:12,040 --> 00:00:13,640
Terry kicks over a water cooler,
2
00:00:13,640 --> 00:00:15,760
then shoves a cart bearing a typewriter.
3
00:00:15,760 --> 00:00:16,840
It rolls lazily
4
00:00:16,840 --> 00:00:18,040
and he storms out.
5
00:00:20,840 --> 00:00:21,040
Now.
6
00:00:21,080 --> 00:00:23,800
A shiny b... | 1
00:00:11,820 --> 00:00:14,160
Terry kicks the bottle off the top of a water cooler,
2
00:00:14,200 --> 00:00:16,370
pulls a typewriter trolley away from the wall,
3
00:00:16,370 --> 00:00:17,490
and storms out.
4
00:00:17,990 --> 00:00:18,410
You just.
5
00:00:20,910 --> 00:00:23,330
Danson and Highsmith screech ... | 1
00:00:02,640 --> 00:00:03,980
You cream puffs, sit tight.
2
00:00:04,060 --> 00:00:05,390
You gotta be shitting me!
3
00:00:05,890 --> 00:00:08,560
You can't keep me cooped up in here, okay?
4
00:00:08,650 --> 00:00:11,730
I am a peacock! You gotta let me fly!
5
00:00:17,910 --> 00:00:20,120
Did he just...
Did he... | 1
00:00:02,640 --> 00:00:03,980
You cream puffs,
sit tight.
2
00:00:04,060 --> 00:00:05,390
You gotta be shitting me!
3
00:00:05,890 --> 00:00:08,560
You can't keep me
cooped up in here, okay?
4
00:00:08,650 --> 00:00:11,730
I am a peacock!
You gotta let me fly!
5
00:00:12,400 --> 00:00:13,820
(GRUNTS ANGRILY)
6
0... | {"screenplay_scene_31": "<scene>\n <stage_direction>INT. PRECINCT - LATER THAT DAY</stage_direction>\n <scene_description>Allen and Terry are working at their desks.</scene_description>\n <character>FOSSE</character>\n <dialogue>Hey Allen, all this month, flash your badge at any pizzeria, free pizza.</dialo... | 6452.77 | 846.69 | 102.15 |
other_guys | tt1386588 | td1DqFPqsN_Z | 1
00:00:31,920 --> 00:00:33,680
The burly Cop tackles Terry.
2
00:00:34,840 --> 00:00:37,120
The other precinct detectives rush over to watch.
3
00:00:40,880 --> 00:00:41,440
A woman.
4
00:00:48,360 --> 00:00:49,480
The two resume fighting.
5
00:00:49,480 --> 00:00:50,720
The captain notices.
6
00:00:51,880 --> 00... | 1
00:00:31,260 --> 00:00:32,680
Martin wrestles him down.
2
00:00:34,510 --> 00:00:36,560
They have a hushed wrestle on the floor.
3
00:00:39,020 --> 00:00:40,770
The spectators turn to a widow.
4
00:00:47,940 --> 00:00:48,950
They resume fighting.
5
00:00:48,990 --> 00:00:50,240
The captain spots them.
6
00:00:54... | 1
00:00:00,670 --> 00:00:03,630
Well, well, well. What do we got here?
2
00:00:03,710 --> 00:00:07,800
Look at these two jamokes, would you?
One shot Jeter and the other shot an office.
3
00:00:11,100 --> 00:00:13,810
Have some decorum. We're at a funeral.
4
00:00:13,890 --> 00:00:16,100
You wanna dance, brolio?
5
... | 1
00:00:00,670 --> 00:00:03,630
Well, well, well.
What do we got here?
2
00:00:03,710 --> 00:00:04,820
Look at these two
jamokes, would you?
3
00:00:04,840 --> 00:00:07,760
One shot Jeter and the
other shot an office.
4
00:00:07,840 --> 00:00:09,680
(CACKLING)
5
00:00:11,100 --> 00:00:13,810
Have some decorum.
We'r... | {"screenplay_scene_37": "<scene>\n <stage_direction>INT. ITALIAN AMERICAN HALL - AN HOUR LATER</stage_direction>\n <scene_description>MUSIC: TASTEFUL STRING VERSION OF Bruce Springsteen's \"Glory Days.\" It's the Memorial Service following the funeral. A lot of people are eating baked ziti off of paper plates.</s... | 6452.77 | 1038.43 | 100.54 |
other_guys | tt1386588 | hxfnsOlqBpRM | 1
00:00:58,780 --> 00:01:00,820
Allen struts and chains and sunglasses.
2
00:01:29,020 --> 00:01:31,060
Now he scrapes a knife down his cheek.
| 1
00:00:07,090 --> 00:00:08,630
Allen adjusts his glasses.
2
00:01:29,300 --> 00:01:30,630
A pimp with gold teeth.
3
00:02:05,250 --> 00:02:06,580
Terry furrows his brow.
| 1
00:00:00,950 --> 00:00:02,700
What are you afraid of, man?
2
00:00:03,830 --> 00:00:08,330
I'm your partner. You can tell me.
What the hell are you hiding from?
3
00:00:09,120 --> 00:00:11,460
I was a sophomore in college.
4
00:00:12,840 --> 00:00:16,960
The university I went to
decided they needed to raise tuitio... | 1
00:00:00,950 --> 00:00:02,700
What are you
afraid of, man?
2
00:00:03,830 --> 00:00:05,010
I'm your partner.
You can tell me.
3
00:00:05,040 --> 00:00:08,330
What the hell
are you hiding from?
4
00:00:09,120 --> 00:00:11,460
I was a sophomore
in college.
5
00:00:12,840 --> 00:00:16,960
The university I went to de... | null | 6452.77 | 2993.44 | 133.79 |
other_guys | tt1386588 | VDHGCpzNUsV_ | 1
00:00:19,840 --> 00:00:21,120
In Ershon's office.
2
00:00:42,120 --> 00:00:42,240
Here!
3
00:00:42,280 --> 00:00:43,760
Ershon makes a phone call.
4
00:01:02,720 --> 00:01:03,400
Grabs Ershon.
5
00:01:12,600 --> 00:01:12,920
Allen.
6
00:01:13,320 --> 00:01:13,840
Terry his.
7
00:01:15,200 --> 00:01:16,080
He gr... | 1
00:00:06,140 --> 00:00:07,270
He holds up tickets.
2
00:00:12,560 --> 00:00:16,440
Terry and Allen sit near the front girl.
3
00:00:20,110 --> 00:00:20,820
To David.
4
00:00:43,510 --> 00:00:45,010
David talks on his phone.
5
00:01:16,380 --> 00:01:18,170
Allen pins David to his desk.
6
00:01:23,470 --> 00:01:24... | 1
00:00:00,380 --> 00:00:05,710
Gentlemen, you have a choice.
Mamma Mia or Jersey Boys.
2
00:00:09,050 --> 00:00:12,100
Fantastic! You're so unbelievable!
3
00:00:16,600 --> 00:00:18,560
Damn it. He did it again.
4
00:00:19,480 --> 00:00:21,770
- Excuse me.
- No more tickets.
5
00:00:21,900 --> 00:00:23,880
Mr. Ers... | 1
00:00:00,380 --> 00:00:05,710
Gentlemen, you have a choice.
Mamma Mia or Jersey Boys.
2
00:00:07,300 --> 00:00:08,970
(SINGING BIG GIRLS DON'T CRY)
3
00:00:09,050 --> 00:00:12,100
Fantastic! You're
so unbelievable!
4
00:00:16,600 --> 00:00:18,560
Damn it.
He did it again.
5
00:00:19,480 --> 00:00:21,770
- Excuse ... | null | 6452.77 | 3241.76 | 154.58 |
other_guys | tt1386588 | Nswzb_L9ysTa | 1
00:01:32,380 --> 00:01:32,900
Standing.
2
00:01:32,900 --> 00:01:35,060
She lays his head against her breast.
3
00:01:49,820 --> 00:01:51,740
She tenderly strokes his hair.
4
00:01:52,820 --> 00:01:54,140
She kisses his head.
5
00:02:26,730 --> 00:02:28,530
Allen leaves her mouth agape.
6
00:02:28,570 --> 00:02:... | 1
00:00:52,060 --> 00:00:52,810
Allen frowns
2
00:00:52,810 --> 00:00:54,270
and leans back in his chair.
3
00:01:50,160 --> 00:01:51,410
She strokes his hair.
4
00:02:27,280 --> 00:02:29,290
Allen grabs his jacket from the back of a chair
5
00:02:29,290 --> 00:02:30,040
and leaves,
6
00:02:30,330 --> 00:02:30,870... | 1
00:00:02,370 --> 00:00:04,960
These braised short ribs taste
like a dog's asshole.
2
00:00:05,040 --> 00:00:06,850
- Sweetie.
- You know what, I'm sitting here thinking,
3
00:00:06,880 --> 00:00:10,010
"Who in the world
would slow roast a dog's asshole
4
00:00:10,090 --> 00:00:12,050
"and serve it to their husband... | 1
00:00:02,370 --> 00:00:04,960
These braised short ribs taste
like a dog's asshole.
2
00:00:05,040 --> 00:00:06,850
- Sweetie.
- You know what, I'm sitting here thinking,
3
00:00:06,880 --> 00:00:10,010
"Who in the world would
slow roast a dog's asshole
4
00:00:10,090 --> 00:00:11,800
"and serve it
to their husband... | null | 6452.77 | 3693.22 | 154.32 |
other_guys | tt1386588 | 0JW35J1Ctshl | 1
00:00:01,600 --> 00:00:03,280
each typing at their computer.
2
00:00:04,840 --> 00:00:07,000
Terry stands and picks up his monitor.
3
00:00:07,040 --> 00:00:11,480
The keyboard and mouse dangle by their cables as he carries it to an aisle between desks.
4
00:00:11,600 --> 00:00:13,480
He smashes the computer on th... | 1
00:00:03,050 --> 00:00:05,670
Terry and Allen sit typing at their desks.
2
00:00:10,300 --> 00:00:12,260
Terry picks up his flat screen monitor,
3
00:00:12,260 --> 00:00:14,100
takes a few steps away from his desk,
4
00:00:14,100 --> 00:00:16,100
and smashes the monitor on the floor.
5
00:01:20,330 --> 00:01:21,4... | 1
00:00:18,590 --> 00:00:19,960
What are you doing?
2
00:00:20,630 --> 00:00:23,920
We just handed all of our evidence over
to the bad guy's lawyer!
3
00:00:24,010 --> 00:00:26,260
Are you a big man, huh?
4
00:00:26,340 --> 00:00:27,800
- I'm talking to you.
- What?
5
00:00:27,930 --> 00:00:30,610
You wake up in th... | 1
00:00:18,590 --> 00:00:19,960
What are you doing?
2
00:00:20,630 --> 00:00:23,920
We just handed all of our evidence
over to the bad guy's lawyer!
3
00:00:24,010 --> 00:00:26,260
Are you a big man, huh?
4
00:00:26,340 --> 00:00:27,800
- I'm talking to you.
- What?
5
00:00:27,930 --> 00:00:30,610
You wake up in th... | {"screenplay_scene_106": "<scene>\n <stage_direction>EXT. WORLD FINANCIAL CENTER - FIVE MINUTES LATER</stage_direction>\n <scene_description>Terry and Allen pull in front of the building. A crowd has gathered. They look up 23 floors sure enough, a figure is there. It's Don Beamen. A uniform cop is holding back a ... | 6452.77 | 4090.21 | 164.58 |
other_guys | tt1386588 | ENf_gTS3oukW | 1
00:00:20,870 --> 00:00:23,230
Their doughy colleague smiles up from the table.
2
00:00:38,390 --> 00:00:41,030
As Allen reads a funds transfer disclosure agreement.
3
00:00:41,030 --> 00:00:41,470
Wesley
4
00:00:41,470 --> 00:00:44,950
his associates, the Nigerians and the Chechens draw guns.
5
00:00:55,030 --> 0... | 1
00:00:21,670 --> 00:00:23,840
Seated at the table is Bob.
2
00:00:39,690 --> 00:00:42,440
Wesley's team draw their guns, as do the Nigerians.
3
00:00:42,690 --> 00:00:44,280
Terry raises his pistol.
4
00:00:52,370 --> 00:00:54,000
Allen is holding the paperwork.
5
00:00:54,120 --> 00:00:55,080
He nods at Terry,
... | 1
00:00:01,900 --> 00:00:04,210
I can feel that tingling in my balls
you were talking about.
2
00:00:04,240 --> 00:00:05,280
Beautiful.
3
00:00:05,410 --> 00:00:06,780
All right, listen up.
4
00:00:06,910 --> 00:00:09,780
I am Detective Gamble.
This is Detective Hoitz.
5
00:00:09,910 --> 00:00:12,040
We need your c... | 1
00:00:01,900 --> 00:00:04,210
I can feel that tingling in my balls
you were talking about.
2
00:00:04,240 --> 00:00:05,280
TERRY: Beautiful.
3
00:00:05,410 --> 00:00:06,780
All right, listen up.
4
00:00:06,910 --> 00:00:09,780
I am Detective Gamble.
This is Detective Hoitz.
5
00:00:09,910 --> 00:00:12,040
We need... | null | 6452.77 | 4879.87 | 117.66 |
other_guys | tt1386588 | QnHNaVbwwmty | 1
00:01:10,150 --> 00:01:12,470
Mama Ramos glances away irritably.
2
00:01:28,550 --> 00:01:29,430
Back in the house.
3
00:01:39,300 --> 00:01:41,220
Allen eagerly watches through the bushes
4
00:01:41,220 --> 00:01:45,860
as Mama Ramos, clad in a scarf and hat, wheels her walker across the street again.
5
00:01:48... | 1
00:01:11,080 --> 00:01:12,240
She rolls her eyes.
2
00:01:39,810 --> 00:01:41,860
Allen watches expectantly from the bushes
3
00:01:41,860 --> 00:01:44,360
as Sheila's mum hobbles out on her zimmerframe again.
4
00:01:45,070 --> 00:01:46,200
He looks down at her.
5
00:01:48,740 --> 00:01:50,070
Revealing her face... | 1
00:00:01,130 --> 00:00:02,550
Hello, Allen.
2
00:00:02,630 --> 00:00:05,220
Hello, Mama Ramos.
What are you doing out here?
3
00:00:05,300 --> 00:00:09,640
Sheila said she doesn't know what happened
and she wants you back.
4
00:00:09,720 --> 00:00:11,560
- She also says...
- Yes.
5
00:00:11,640 --> 00:00:15,480
.... | 1
00:00:01,130 --> 00:00:02,550
Hello, Allen.
2
00:00:02,630 --> 00:00:05,220
Hello, Mama Ramos.
What are you doing out here?
3
00:00:05,300 --> 00:00:09,640
Sheila said she doesn't know what
happened and she wants you back.
4
00:00:09,720 --> 00:00:11,560
- She also says...
- Yes.
5
00:00:11,640 --> 00:00:15,480
.... | {"screenplay_scene_145": "<scene>\n <stage_direction>EXT. LOFT - NIGHT</stage_direction>\n <scene_description>Sheila is now just in her bra. She and Allen are kissing.</scene_description>\n <character>ALLEN</character>\n <dialogue>You know I love you honey. But we got to talk about some stuff that's really ... | 6452.77 | 5251.68 | 143.78 |
other_guys | tt1386588 | 9wLZ1g672xfx | 1
00:00:10,760 --> 00:00:11,240
Approve it.
2
00:00:11,280 --> 00:00:12,400
Wesley and his team enter.
3
00:00:12,440 --> 00:00:13,680
Guns drawn now.
4
00:00:21,760 --> 00:00:23,440
The Brazilian disarms Terry.
5
00:00:29,480 --> 00:00:30,920
Wesley is his cell phone.
6
00:00:43,240 --> 00:00:43,640
The Clerk.
7... | 1
00:00:11,680 --> 00:00:12,180
Wesley!
2
00:00:12,180 --> 00:00:12,930
He's armed.
3
00:00:38,120 --> 00:00:39,210
Terry's disarmed.
4
00:00:44,040 --> 00:00:45,130
The Clerk frowns.
5
00:00:52,800 --> 00:00:55,180
Terry strikes, knocking down both of Wesley's goons
6
00:00:55,180 --> 00:00:57,020
and putting an ... | 1
00:00:01,990 --> 00:00:03,530
Do not authorize that transfer.
2
00:00:03,610 --> 00:00:05,260
This is David Ershon. The transfer is for him.
3
00:00:05,280 --> 00:00:07,700
He will tell you not to authorize it, okay?
Tell him.
4
00:00:07,780 --> 00:00:10,410
- Tell him!
- Yeah, do as they say. Stop the transfer.
... | 1
00:00:01,990 --> 00:00:03,530
Do not authorize
that transfer.
2
00:00:03,610 --> 00:00:05,260
This is David Ershon.
The transfer is for him.
3
00:00:05,280 --> 00:00:07,620
He will tell you not to authorize
it, okay? Tell him.
4
00:00:07,700 --> 00:00:08,740
Tell him!
5
00:00:08,830 --> 00:00:10,410
Yeah, do as t... | {"screenplay_scene_159": "<scene>\n <stage_direction>EXT. HELIPAD - CONTINUOUS</stage_direction>\n <scene_description>They're seconds too late. Ershon is GETTING IN the HELICOPTER. The Brazilians are pulling up. The Helicopter's blades spin, Ershon climbs in. Allen drives his Tesla, skids to a stop.</scene_descri... | 6452.77 | 5804.54 | 161.82 |
yesterday_2019 | tt8079248 | _Q6tGQqMnMRB | 1
00:00:02,770 --> 00:00:02,870
Nick
2
00:00:03,190 --> 00:00:04,790
Rocky sits down with a beer.
3
00:00:32,670 --> 00:00:34,190
Jack looks up from the guitar.
4
00:00:34,190 --> 00:00:35,310
He stares at Ellie.
5
00:00:58,070 --> 00:01:00,030
A wide view shows the nearby river
6
00:01:00,670 --> 00:01:01,270
in ... | 1
00:01:16,060 --> 00:01:19,530
Ellie, Carol and Nick are visibly moved as Jack finishes.
| 1
00:00:00,840 --> 00:00:02,810
- He's gonna play a song.
- Ow. - ROCKY: Epic.
2
00:00:05,280 --> 00:00:08,220
A great guitar
requires a great song.
3
00:00:15,820 --> 00:00:18,940
♪ Yesterday ♪
4
00:00:18,960 --> 00:00:23,170
♪ All my troubles
seemed so far away ♪
5
00:00:23,200 --> 00:00:26,650
♪ Now it seems as ... | 1
00:00:01,060 --> 00:00:02,110
- He's gonna play a song.
- Ow.
2
00:00:02,140 --> 00:00:03,140
[Rocky] Epic.
3
00:00:06,100 --> 00:00:08,130
A great guitar requires a great song.
4
00:00:15,700 --> 00:00:17,260
♪ Yesterday ♪
5
00:00:18,740 --> 00:00:21,890
♪ All my troubles seemed so far away ♪
6
00:00:23,340 -->... | {"screenplay_scene_16": "<scene>\n <stage_direction>INT. REHEARSAL ROOM - NIGHT</stage_direction>\n <scene_description>Absent-mindedly strumming his guitar, Dan starts to play \"Yesterday,\" by the Beatles. It's a relief not to be playing \"Leaden Sky,\" and he drifts into reverie, HUMMING the lyrics. In the back... | 6974.18 | 811.07 | 161.82 |
yesterday_2019 | tt8079248 | apPCkY_9JxbR | 1
00:00:02,940 --> 00:00:04,260
Jack checks his watch.
2
00:00:13,970 --> 00:00:17,170
As Jack sets down the guitar case, his parents settle on the couch.
3
00:00:18,210 --> 00:00:20,090
Jack opens the piano and sits.
4
00:00:26,890 --> 00:00:28,010
He hesitates,
5
00:00:28,010 --> 00:00:29,090
then turns around.
... | 1
00:00:14,860 --> 00:00:18,590
Jack lifts the lid of an upright piano and purchase on a stall.
2
00:00:27,510 --> 00:00:30,730
Mum and dad sit on a sofa, smiling indulgently.
3
00:01:12,930 --> 00:01:13,310
Oh, really?
4
00:01:13,310 --> 00:01:13,560
I thought
5
00:01:13,560 --> 00:01:14,440
I thought he'd given u... | 1
00:00:00,110 --> 00:00:02,140
why don't you play one for us?
2
00:00:04,010 --> 00:00:05,220
Okay.
3
00:00:05,250 --> 00:00:07,190
- You sure?
- Y-Yeah, of course.
4
00:00:07,210 --> 00:00:09,690
Me and your dad
love hearing your... things.
5
00:00:09,720 --> 00:00:10,930
Don't we, darling?
6
00:00:10,950 --> 00... | 1
00:00:00,460 --> 00:00:02,050
why don't you play one for us?
2
00:00:04,140 --> 00:00:05,860
Okay. You sure?
3
00:00:05,940 --> 00:00:07,260
Yeah, of course.
4
00:00:07,340 --> 00:00:10,730
Me and your dad love hearing your things.
Don't we, darling?
5
00:00:11,060 --> 00:00:13,650
- We do.
- Okay. Okay, good.
6... | {"screenplay_scene_23": "<scene>\n <stage_direction>INT. DAN'S GARAGE - NIGHT</stage_direction>\n <scene_description>The band are setting up. The atmosphere is tense; someone needs to break the ice. Ella catches Dan's eye and nods to him: \"Go on, like we said...\"</scene_description>\n <character>DAN</charact... | 6974.18 | 1383.71 | 198.53 |
yesterday_2019 | tt8079248 | 3lUJvWtZdufZ | 1
00:00:13,540 --> 00:00:15,220
She hands him the business card.
2
00:00:20,860 --> 00:00:22,740
Jack and Ellie run down a street together
3
00:00:22,980 --> 00:00:23,700
and a cafe.
4
00:00:23,700 --> 00:00:26,060
They sit with Gavin, who gestures excitedly.
5
00:00:35,080 --> 00:00:36,360
Jack and Ellie nod
6
00... | 1
00:00:13,770 --> 00:00:14,560
The card.
2
00:00:21,570 --> 00:00:24,240
And you with Gavin in a cafe.
3
00:00:49,280 --> 00:00:53,910
Gavin motions Jack to wait while a train rumbles past his recording studio,
4
00:00:54,160 --> 00:00:55,960
then cues him to carry on.
5
00:01:30,120 --> 00:01:34,500
Jack and Elli... | 1
00:00:00,420 --> 00:00:02,130
Jack Malik's the problem.
2
00:00:02,150 --> 00:00:03,660
- That's not true.
- It is.
3
00:00:03,690 --> 00:00:05,270
I just don't have the "it"
that's the difference
4
00:00:05,290 --> 00:00:07,970
between Jay-Z and...
5
00:00:07,990 --> 00:00:11,070
Jay-Y.
6
00:00:11,100 --> 00:00... | 1
00:00:00,710 --> 00:00:01,860
Jack Malik's the problem.
2
00:00:01,950 --> 00:00:03,430
- [Ellie] That's not true.
- It is.
3
00:00:03,510 --> 00:00:06,550
I just don't have the "it"
that's the difference between Jay-Z and...
4
00:00:08,270 --> 00:00:09,830
- [scoffs] Jay-Y.
- [chuckles]
5
00:00:11,470 --> 00:00:... | null | 6974.18 | 1656.58 | 155.62 |
yesterday_2019 | tt8079248 | _OcxqSKaZpch | 1
00:00:00,280 --> 00:00:02,400
Glimpses show people entering a venue.
2
00:00:03,200 --> 00:00:06,480
In Russian, the word Moscow slides across our view.
3
00:00:06,880 --> 00:00:07,560
At the venue.
4
00:00:07,560 --> 00:00:10,240
Jack plays guitar and sings for a lively crowd.
5
00:00:19,320 --> 00:00:22,920
Bac... | 1
00:00:25,250 --> 00:00:27,130
The Muscovites go wild.
2
00:00:44,790 --> 00:00:52,050
Videos taken by the audience in the crowded venue are trending on social media, accompanied by messages in English and Russian.
3
00:00:52,220 --> 00:00:55,100
Jack Malik hashtags and smiley emojis.
4
00:01:13,990 --> 00:01:15,62... | 1
00:00:00,300 --> 00:00:02,640
♪ Back in the US,
back in the US ♪
2
00:00:02,670 --> 00:00:05,150
♪ Back in the USSR ♪
3
00:00:05,170 --> 00:00:06,680
All right!
4
00:00:06,710 --> 00:00:10,250
♪ Well, the Ukraine girls
really knock me out ♪
5
00:00:10,280 --> 00:00:13,420
♪ They leave the West behind ♪
6
00:00:1... | 1
00:00:02,430 --> 00:00:04,700
♪ Back in the USSR ♪
2
00:00:06,470 --> 00:00:09,820
♪ Well, the Ukraine girls
Really knock me out ♪
3
00:00:09,910 --> 00:00:13,020
♪ They leave the West behind ♪
4
00:00:13,150 --> 00:00:16,420
♪ And the Moscow girls
Make me sing and shout ♪
5
00:00:16,510 --> 00:00:21,220
♪ Georgi... | null | 6974.18 | 2335.10 | 118.91 |
yesterday_2019 | tt8079248 | 18yLS1h2VUWN | 1
00:00:37,960 --> 00:00:39,400
As workers clean the venue.
2
00:00:39,440 --> 00:00:42,620
The tall, bearded man stares at the stage with a troubled expression.
3
00:00:43,020 --> 00:00:44,820
Jack and Ed prepare their songs.
4
00:00:53,100 --> 00:00:54,140
Ed performs.
5
00:01:09,580 --> 00:01:10,620
Jack looks w... | 1
00:00:39,050 --> 00:00:43,100
The big man Leo is still standing at the concert hall, crestfallen.
2
00:02:32,390 --> 00:02:39,590
Leo finds images of Jack on the internet, including the cover of his giveaway CD featuring Beatles song titles.
3
00:03:00,900 --> 00:03:04,110
Everyone's been listening to Jack with rap... | 1
00:00:02,140 --> 00:00:04,950
Everyone, I think we can all
agree that we're impressed
2
00:00:04,980 --> 00:00:06,350
with Jack's songwriting talent,
right?
3
00:00:06,380 --> 00:00:08,060
- Whoo-hoo!
- - So, here's the plan.
4
00:00:08,080 --> 00:00:11,060
I'm gonna go out that door,
Jack's gonna go out this door... | 1
00:00:00,230 --> 00:00:01,830
Right, I've got an idea.
2
00:00:02,350 --> 00:00:04,030
Everyone, I think we can all agree
3
00:00:04,110 --> 00:00:06,090
that we're impressed with
Jack's songwriting talent, right?
4
00:00:06,110 --> 00:00:07,230
[whooping]
5
00:00:07,310 --> 00:00:09,430
So here's the plan.
I'm g... | null | 6974.18 | 2458.66 | 238.28 |
yesterday_2019 | tt8079248 | 3q7UKlzQd1rw | 1
00:00:00,160 --> 00:00:02,680
In his room, Jack picks up mini bottles of liquor.
2
00:00:03,120 --> 00:00:04,200
He gives one to Ellie
3
00:00:04,200 --> 00:00:07,080
and sits beside her on the bed as they drink.
4
00:00:07,120 --> 00:00:08,640
Our view lowers to the floor.
5
00:00:13,280 --> 00:00:17,320
Our vie... | 1
00:00:03,730 --> 00:00:06,940
Jack produces a couple of miniatures from the minibar.
2
00:00:07,150 --> 00:00:12,240
They sit side by side on the edge of his luxurious bed, facing a blank TV screen,
3
00:00:12,240 --> 00:00:13,320
and knock them back.
4
00:00:13,570 --> 00:00:17,120
Later, Jack and Ellie are gazin... | 1
00:00:01,650 --> 00:00:03,630
Do-na-noo-na-noo-na.
2
00:00:03,650 --> 00:00:05,890
- Da-na-na-do...
- Do-na-noo-na.
3
00:00:09,090 --> 00:00:12,070
Da-da-da-da-da-da-da-da-da-da.
4
00:00:12,090 --> 00:00:14,530
Hmm.
5
00:00:19,300 --> 00:00:21,570
- Long pause.
- Yeah.
6
00:00:23,670 --> 00:00:26,420
Have I mess... | 1
00:00:01,560 --> 00:00:03,390
- [humming]
- [laughs]
2
00:00:03,840 --> 00:00:05,830
[both vocalizing]
3
00:00:05,920 --> 00:00:08,390
[both chuckling]
4
00:00:08,480 --> 00:00:10,280
[gulping]
5
00:00:10,920 --> 00:00:12,910
[vocalizing]
6
00:00:13,320 --> 00:00:14,390
[chuckles]
7
00:00:19,480 --> 00:00:21,47... | null | 6974.18 | 3627.65 | 182.39 |
yesterday_2019 | tt8079248 | Ph2KiDqQnn6K | 1
00:01:48,120 --> 00:01:50,240
They share a long, sad gaze.
2
00:01:52,920 --> 00:01:57,120
Rocky holds up his phone, which shows Debra Jack Jack.
3
00:02:29,100 --> 00:02:30,260
Jack gazes at Ellie.
4
00:02:30,300 --> 00:02:30,980
Sombrely.
5
00:02:31,260 --> 00:02:32,380
He rubs his face,
6
00:02:32,380 --> 00:... | 1
00:01:48,490 --> 00:01:50,780
He stares at her with an anxious frown.
2
00:01:50,780 --> 00:01:54,160
Then Rocky's back with a video call from Debra on his phone.
3
00:02:30,340 --> 00:02:31,390
Looking crushed.
4
00:02:31,390 --> 00:02:32,310
Jack gets up
5
00:02:32,310 --> 00:02:33,720
and leaves with Rocky.
| 1
00:00:03,080 --> 00:00:06,900
Well, I couldn't exactly make
my move when I was seven.
2
00:00:06,920 --> 00:00:09,830
Then you've had ten years.
3
00:00:09,850 --> 00:00:12,930
Right. Well, we've always been
like brother and sister.
4
00:00:12,960 --> 00:00:16,900
It's very bad indeed for...
5
00:00:16,930 --> 00... | 1
00:00:00,020 --> 00:00:02,170
[exhales] You've had 20 years
to make your move.
2
00:00:03,940 --> 00:00:05,970
I couldn't exactly make my move
when I was seven.
3
00:00:07,100 --> 00:00:09,820
[stammers] Then you've had ten years.
4
00:00:09,900 --> 00:00:12,570
Right, but we've always been
like brother and sister... | null | 6974.18 | 3990.11 | 163.21 |
yesterday_2019 | tt8079248 | Fiq3mPKUqSAx | 1
00:00:00,430 --> 00:00:03,550
Jack steps out and spots the massive crowd on the beach below.
2
00:00:03,790 --> 00:00:04,910
Rocky smiles.
3
00:00:09,650 --> 00:00:11,250
Jack gives two thumbs up,
4
00:00:11,250 --> 00:00:13,370
then heads down some stairs to the rooftop.
5
00:00:13,370 --> 00:00:13,930
Stage
6
... | 1
00:00:01,130 --> 00:00:05,050
Rocky throws open a door, revealing the cheering throng on the beach.
2
00:00:05,380 --> 00:00:09,370
Jack heads down to a first floor roof surrounded by a balustrade or
3
00:00:09,370 --> 00:00:10,950
a backing band is waiting.
4
00:00:10,950 --> 00:00:13,200
His parents and friends ... | 1
00:00:13,890 --> 00:00:15,600
Jack!
2
00:00:15,620 --> 00:00:17,430
Jack! Jack! Jack!
Jack! Jack! Jack!
3
00:00:17,460 --> 00:00:19,960
Jack! Jack! Jack!
4
00:00:22,530 --> 00:00:24,330
Thank you, Gorleston!
5
00:00:27,370 --> 00:00:30,910
Jack! Jack! Jack!
6
00:00:30,940 --> 00:00:32,040
Come on, Jack!
7
00:00... | 1
00:00:05,630 --> 00:00:07,620
[helicopter whirring]
2
00:00:12,270 --> 00:00:15,380
Jack! Jack!
3
00:00:15,470 --> 00:00:18,340
[crowd chanting] Jack! Jack! Jack!
4
00:00:20,430 --> 00:00:22,260
[whooping]
5
00:00:23,150 --> 00:00:24,780
[Rocky] Thank you, Gorleston!
6
00:00:24,910 --> 00:00:27,060
[cheering con... | null | 6974.18 | 5164.22 | 120.77 |
yesterday_2019 | tt8079248 | 9vB4SrE3Irzq | 1
00:00:04,520 --> 00:00:06,800
Jack walks away from the parked taxi.
2
00:00:07,360 --> 00:00:09,120
He approaches the modest house.
3
00:00:13,080 --> 00:00:18,720
Inside, painting supplies and simple artwork sits on a table with his back turned.
4
00:00:18,760 --> 00:00:21,520
A man with long grey hair sits acros... | 1
00:00:00,350 --> 00:00:02,520
Leaving the cab at a fork in the lane,
2
00:00:02,520 --> 00:00:05,360
Jack goes the rest of the way to the building on foot.
3
00:00:09,940 --> 00:00:14,950
A table is littered with artist materials and a selection of paintings and sketches.
4
00:00:14,950 --> 00:00:19,580
Inside the... | 1
00:00:28,680 --> 00:00:31,430
Hello.
2
00:00:31,450 --> 00:00:33,120
Can I help?
3
00:00:35,220 --> 00:00:38,270
I don't know.
4
00:00:38,290 --> 00:00:39,800
Are you John?
5
00:00:39,830 --> 00:00:43,440
That's right.
6
00:00:43,460 --> 00:00:46,630
- From Liverpool?
- That's right.
7
00:00:47,730 --> 00:00:50... | 1
00:00:03,730 --> 00:00:05,400
[wind whistling]
2
00:00:21,650 --> 00:00:22,800
[knocking on door]
3
00:00:29,330 --> 00:00:30,330
Hello.
4
00:00:31,650 --> 00:00:32,880
Can I help?
5
00:00:35,130 --> 00:00:36,200
I don't know.
6
00:00:38,570 --> 00:00:39,570
Are you John?
7
00:00:40,530 --> 00:00:41,600
That's ... | null | 6974.18 | 5554.40 | 194.49 |
yesterday_2019 | tt8079248 | lSuKfRtP5cks | 1
00:00:04,540 --> 00:00:06,220
Rocky taps on his tablet.
2
00:00:06,820 --> 00:00:09,860
The large screen behind Jack shows live video of Ellie.
3
00:00:14,820 --> 00:00:16,540
Jack smiles at the screen.
4
00:00:18,340 --> 00:00:20,620
She looks surprised and turns to Rocky.
5
00:00:41,650 --> 00:00:44,010
Standin... | 1
00:00:05,510 --> 00:00:10,010
Dad points as the image of Ellie's face appears on a giant screen behind Jack.
2
00:00:18,790 --> 00:00:20,040
Ellie looks stunned.
3
00:01:58,200 --> 00:01:59,120
On the screen.
4
00:01:59,160 --> 00:02:00,790
Ellie's eyes are shining
5
00:02:00,790 --> 00:02:01,790
in the audience.... | 1
00:00:00,050 --> 00:00:02,490
there's someone I'd like
to introduce you to.
2
00:00:02,520 --> 00:00:04,400
If we could just switch on
the backstage camera.
3
00:00:09,620 --> 00:00:12,060
- Oh!
- Oh! It's Ellie!
4
00:00:16,660 --> 00:00:18,040
This is Ellie.
5
00:00:18,060 --> 00:00:20,610
Hi, Ellie!
6
00:00:20... | 1
00:00:00,780 --> 00:00:02,310
There's someone
I'd like to introduce you to,
2
00:00:02,340 --> 00:00:04,220
if we could just switch on
the backstage camera.
3
00:00:06,380 --> 00:00:07,810
[cheering]
4
00:00:09,540 --> 00:00:11,180
- Oh! [laughing]
- Oh! [laughing]
5
00:00:11,580 --> 00:00:12,770
It's Ellie.
6
0... | null | 6974.18 | 6007.39 | 178.05 |
beverly_hills_cop_2 | tt0092644 | _HFb_OpSt8AZ | 1
00:00:01,820 --> 00:00:03,740
Vinnie's partner removes his sunglasses.
2
00:00:34,620 --> 00:00:34,940
Axel.
3
00:01:09,340 --> 00:01:09,660
Axel?
4
00:01:09,660 --> 00:01:10,300
Walks off
| 1
00:00:00,300 --> 00:00:03,620
Hey, man, take off your glasses.
2
00:00:03,720 --> 00:00:05,910
I thought that was you, man.
3
00:00:06,020 --> 00:00:09,040
I did get busted
and I lost my whole investment!
4
00:00:09,140 --> 00:00:12,500
What's wrong with you?
You know I'm a businessman.
5
00:00:12,610 --> 00:00:1... | 1
00:00:00,420 --> 00:00:02,670
Hey, man, take off your glasses.
2
00:00:04,340 --> 00:00:07,760
I thought that was you, man!
You almost got busted, I did get busted!
3
00:00:07,930 --> 00:00:10,620
I lost my whole investment because
of you! Vinnie, what's wrong with you?
4
00:00:10,640 --> 00:00:12,270
- You know I... | null | 6228.90 | 1014.18 | 72.26 | |
beverly_hills_cop_2 | tt0092644 | NhFMpet4v8Hw | 1
00:00:06,970 --> 00:00:08,770
Todd snatches a paper from Axel.
2
00:00:18,130 --> 00:00:19,810
Todd reads other papers.
3
00:01:07,000 --> 00:01:08,440
Axel stares up at Todd.
4
00:02:17,400 --> 00:02:18,320
Todd glares.
| 1
00:00:06,490 --> 00:00:07,780
His smile fades.
| 1
00:00:02,310 --> 00:00:04,340
Inspector T, how you doing?
2
00:00:04,450 --> 00:00:06,730
Where the fuck you been, Foley?
3
00:00:08,730 --> 00:00:11,850
- And what the fuck is this?
- It's a blue slip.
4
00:00:11,950 --> 00:00:14,480
Why the hell you need $1,000?
5
00:00:14,580 --> 00:00:18,270
- A little flash ... | 1
00:00:01,930 --> 00:00:06,520
- Inspector T, how you doing?
- Where the fuck you been, Foley?
2
00:00:08,860 --> 00:00:12,190
- And what the fuck is this?
- It's a blue slip.
3
00:00:12,440 --> 00:00:14,280
What in the hell
you need $1,000 for?
4
00:00:14,450 --> 00:00:18,200
- A little flash money...
- Flash mone... | {"screenplay_scene_13": "<scene>\n <stage_direction>INT. CAPTAIN TODD'S OFFICE</stage_direction>\n <scene_description>Big city cop's place. Wife and kids in a frame on the desk, overflowing waste basket, grimy Venetian blinds and monkey-puke walls. Leaning over a filing cabinet, rummaging for a file: CAPTAIN TODD... | 6228.90 | 1173.82 | 157.62 |
beverly_hills_cop_2 | tt0092644 | 43CPZxfU9utr | 1
00:00:57,370 --> 00:00:58,370
Axel walks out.
| 1
00:00:00,130 --> 00:00:02,110
What's going on? Who are you?
2
00:00:02,210 --> 00:00:05,160
- Uh, chief, this is...
- Shut up, Rosewood.
3
00:00:06,460 --> 00:00:09,330
Uh, my name is
Johnny Wish... Wishbone.
4
00:00:09,430 --> 00:00:12,330
I'm a psychic from
the island of St Croix.
5
00:00:12,440 --> 00:00:15,34... | 1
00:00:00,500 --> 00:00:02,380
What the hell is going on?
Who the hell are you?
2
00:00:02,830 --> 00:00:05,040
- Uh, Chief, this is...
- Shut up, Rosewood!
3
00:00:06,300 --> 00:00:10,090
Uh, my name is Johnny... Wishbone.
Johnny Wishbone.
4
00:00:10,260 --> 00:00:12,680
I'm a psychic
from the island of St. Croix.... | null | 6228.90 | 1704.29 | 65.16 | |
beverly_hills_cop_2 | tt0092644 | f3EjuTqEzLCJ | 1
00:00:05,740 --> 00:00:07,980
Axel douses his own face with ice water.
2
00:00:08,140 --> 00:00:10,580
Squinting, he holds up the paper bag from Billy.
3
00:00:10,580 --> 00:00:12,860
He places it gingerly on the reception desk
4
00:00:12,860 --> 00:00:14,220
and sits before her.
5
00:00:14,420 --> 00:00:15,500
A... | 1
00:00:05,350 --> 00:00:07,350
I know this face dripping.
2
00:00:07,350 --> 00:00:10,890
He carefully holds on to the brown paper bag containing Billy's vitamins.
3
00:00:11,100 --> 00:00:12,930
He creeps towards the receptionist
4
00:00:12,930 --> 00:00:13,970
and sits down.
5
00:02:00,470 --> 00:02:01,800
She g... | 1
00:00:01,750 --> 00:00:02,790
'73.
2
00:00:04,200 --> 00:00:06,280
- Yes. It is '73.
- I know.
3
00:00:18,720 --> 00:00:22,620
Ahem. Uh, may I help you?
4
00:00:22,730 --> 00:00:25,960
I'm from
Medalux Explosive Research Company.
5
00:00:26,070 --> 00:00:28,510
Does Russell Fielding work here?
6
00:00:28,610 -->... | 1
00:00:01,820 --> 00:00:03,910
Seventy-three.
2
00:00:04,080 --> 00:00:06,120
- Yes. It is '73.
- I know.
3
00:00:15,340 --> 00:00:17,760
[Dramatic panting]
4
00:00:18,550 --> 00:00:20,340
[clearing throat]
5
00:00:21,180 --> 00:00:22,390
Uh, may I help you?
6
00:00:22,550 --> 00:00:26,020
Yes. I'm from Metalux
E... | null | 6228.90 | 1902.91 | 128.96 |
beverly_hills_cop_2 | tt0092644 | biM4e0bYcep8 | 1
00:00:00,050 --> 00:00:01,290
The tall blonde enters.
2
00:00:09,370 --> 00:00:11,410
Axel stands on his toes to match her height.
3
00:00:16,490 --> 00:00:17,810
Russ and Karla leave.
4
00:00:21,650 --> 00:00:23,850
Axel takes an empty spot in the shooting area.
5
00:00:23,890 --> 00:00:25,090
He picks up a prac... | 1
00:00:09,350 --> 00:00:11,220
He stands on his tiptoes to reach her.
2
00:00:20,260 --> 00:00:21,680
Karla and Russ leave.
3
00:00:21,720 --> 00:00:23,300
Axel walks over to the shooting gallery
4
00:00:23,300 --> 00:00:25,800
and picks up a laser gun like the other members in the museum.
5
00:00:25,970 --> 00:00... | 1
00:00:03,440 --> 00:00:06,670
How are you?
Beautiful place you have here.
2
00:00:06,780 --> 00:00:09,850
My name's Richard James.
Very nice to meet you.
3
00:00:11,100 --> 00:00:13,300
Russ, could I see you for a minute?
4
00:00:13,410 --> 00:00:16,480
- Be right back.
- Take your time, Russ.
5
00:00:18,190 --> ... | 1
00:00:01,050 --> 00:00:02,890
Hi, I'm Karla Fry, assistant manager.
2
00:00:03,260 --> 00:00:06,010
How are you, Karla? Nice to meet you.
Beautiful place you have here.
3
00:00:06,180 --> 00:00:09,690
My name's Richard James.
Very nice to meet you.
4
00:00:11,440 --> 00:00:13,900
Russ, could I see you for a minute... | null | 6228.90 | 2162.94 | 49.55 |
beverly_hills_cop_2 | tt0092644 | s0g9YOnw9e5q | 1
00:01:17,620 --> 00:01:19,020
Axel glances at Billy.
2
00:02:05,740 --> 00:02:06,700
Sidney leaves.
| 1
00:01:16,740 --> 00:01:18,490
Axel looks at Billy and Taggart.
2
00:02:04,860 --> 00:02:05,900
They usher him out.
| 1
00:00:00,300 --> 00:00:02,410
Naturally, I can see... Yeah...
2
00:00:02,520 --> 00:00:05,170
I mean, I understand.
Somebody... Wait...
3
00:00:05,270 --> 00:00:08,830
Come right in! Don't let the fact
that my door's closed
4
00:00:08,940 --> 00:00:11,420
dissuade you from entering my office.
5
00:00:11,520 --> 0... | 1
00:00:00,130 --> 00:00:01,460
[Indistinct conversation]
2
00:00:01,630 --> 00:00:04,920
Naturally, I can see... I mean,
I understand. Somebody... Wait...
3
00:00:05,090 --> 00:00:08,930
Oh, oh, oh. Come right in!
Don't let the fact that my door's closed
4
00:00:09,090 --> 00:00:11,180
dissuade you in any way
from ... | null | 6228.90 | 4574.53 | 130.10 |
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