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"content": "[TOMT][Movie][Unknown Year].\nI’m trying to find a movie from my childhood. I believe I saw this movie sometime between 2004 and 2008 but it could have been older. I only remember a few things from the movie. A man in the movie could move things with a certain power. I believe he could only move metal objects. (Not X-men) The man went to a place that could have been a bank. He talked to the man inside and showed him the powers by making a pen spin in circles. Before the man left, the bank teller said “show it to me again”. Sorry I don’t have any more information.",
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"content": "Phenomenon (film).\nGeorge Malley is a kind but average auto mechanic in a small town in Northern California. While celebrating his 37th birthday at a local bar with his best friend, Nate, and father figure, Doc Brunder, he steps outside while drunk. A ball of shining bright white lights moves around in the sky, grows closer and hits him in the head, making a loud sound and knocking him down. When he comes to and re-enters the bar, he learns that nobody else saw the lights nor did they hear the sound. Doc notices something is amiss when George quickly achieves a checkmate in their chess game.\nGeorge begins to exhibit remarkable levels of intelligence. He easily absorbs vast amounts of information, formulates new, revolutionary ideas, as well as developing psychokinesis. Not needing sleep, he spends each night reading multiple books.\nGeorge tries to use his new intelligence for the good of his community. He correctly predicts an earthquake without any equipment. When Doc is called to aid a sick Portuguese man, George learns the language in minutes and helps translate. He then uses his telekinesis to rescue the man's young relative. Visiting Nate, George decodes and responds to a signal on Nate's shortwave radio, though Nate asks him to forget about it out of fear that they might be picking up information from a nearby air force base.\nDuring this time of upheaval, the townsfolk become wary, but George finds support from Doc, Nate and from a growing relationship with a single mother, Lace, and her children, Al and Glory. George also sets a plan in place to help Nate get together with the mother of the Portuguese boy he rescued.\nGeorge invites Lace to join him on a trip to UC Berkeley to meet with seismologist Professor Ringold about George's earthquake prediction. Instead, the FBI takes George and Nate into custody over his code-breaking. He breaks more codes, then astounds Dr. Nierdof by easily answering a series of difficult quizzes and exams. When George threatens to talk to the press, he is finally released.\nReturning to the local bar, George becomes frustrated with friends' questions about his abilities, and he causes a large mirror to break via telekinesis. Al buys a piece of the mirror at school where it's all being sold. Lace visits him to provide a shave and a haircut. Their innocent intimacy scares her since she has tried so hard to not like him, but it encourages him to stop avoiding the townsfolk. He goes to the county fair to ease fear with a demonstration of his powers, but the crowd goes into a frenzy, demanding his attention and his perceived healing powers. George is knocked to the ground, where he again sees the balls of light, before losing consciousness.\nGeorge awakens in a hospital. With Lace and Nate there for support, Doc explains that George has a deadly brain tumor. This has caused the lights and stimulated George's phenomenal brain functions. They have called Dr. Wellin, a leading brain surgeon, to see if an operation can save George's life. Dr. Wellin later determines there is only a 1 in 500 chance of survival but wants to proceed with an invasive operation solely to do research on George's living brain. When George refuses, saying he still has work to do, the doctor has him declared mentally unfit and held against his will.\nGeorge escapes from the hospital and returns home. He spends time with Nate, then goes to Lace's to spend time with her and her children. The FBI agent shows up, but Lace persuades him to let George die in peace. George and Lace share a romantic and intimate time, but he informs her that he is about to die and she cries as she holds him.\nProfessor Ringold arrives at Lace's house, only to learn that he is too late. Lace gives him George's research materials, so he can finish George's breakthrough work.\nA year later, George's friends are gathered for what would have been his 38th birthday. Nate, now fluent in Portuguese, is married to a visibly pregnant Ella. Other signs of George's phenomenal impact on the town and its people are seen all around.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE] Guy sets up cable service with huge antenna, him and his wife get sucked into it and become part of the programming..\nI remember there was an animated bit where they become cartoon mice in a Tom and Jerry spoof, a game show, and some sort of drama program. The parents' kids eventually find out about their parents' situation while watching TV. \n\nThe antenna was massive, way bigger than a standard antenna, and was placed in the back of the backyard. \n\nMost likely a 90s movie.",
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"content": "Stay Tuned (film).\nStruggling Seattle plumbing salesman, former fencing athlete, and couch potato Roy Knable (John Ritter) lives with his neglected wife Helen (Pam Dawber), a vitamin product senior manager. After a fight (which involved Helen smashing the family television screen with one of Roy's fencing trophies as a wake-up call to reality), Mr. Spike (Jeffrey Jones), a mysterious salesman, appears at the couples' door, offering them a new high-tech satellite dish system filled with 666 channels of programs one cannot view on the four big networks (CBS, NBC, ABC, and Fox). Unbeknownst to Roy, Spike (later referred to as \"Mephistopheles of the Cathode Ray\") is an emissary from hell who wants to boost the influx of souls by arranging for TV junkies to be killed in the most gruesome and ironic situations imaginable. The 'candidates' are sucked into a hellish television world, called Hellevision, and put through a gauntlet where they must survive a number of demonic satirical versions of sitcoms and movies. If they can survive for 24 hours, they are free to go, but if they get killed, then their souls will become the property of Satan (the latter usually happens).\nThe dish eventually sucks Roy and Helen into this warped world. Spike pursues them, entering some shows along with the Knables to halt their advance. Roy and Spike continue to fight throughout several shows, even in a cloak-and-dagger scenario where Roy displays his long-buried talent as a fencer. Through tenacity, improvisation, and sheer luck, the Knables stay alive, and their young son Darryl (David Tom) recognizes his parents fighting for their lives on the TV set. He and his older sister Diane (Heather McComb) are able to provide important assistance from the real world. This infuriates Spike to the point that he makes good on Roy's contract, releasing him, but not Helen, as she was not in the system under contract.\nHaving no choice, Roy re-enters the system to save Helen while bringing his own remote control with him, allowing them to control their journey. After being pursued by Spike through several more channels, Roy finally confronts his enemy in a Salt-N-Pepa music video, manages to get hold of Spike's remote, and uses it to save Helen from being run over by a train in a Western movie. By pressing the \"off\" button on the remote, they are evicted from the dish moments before it sucks their neighbor's abusive Rottweiler into the TV. The dish destroys itself, leaving the Rottweiler trapped in the TV world forever. In the end, Spike gets eliminated by the Rottweiler on the command of Crowley (Eugene Levy), a vengeful employee he banished to the system earlier, and is then succeeded in his executive position by Pierce (Erik King), a younger upstart employee. Having learned a valuable lesson after his adventure, Roy dramatically cuts back on his TV viewing, quits his job as a plumbing salesman, and opens his own fencing school, in which he advises one of his students that watching too much TV can get you into trouble.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE][1980s-1990s] Horror movie about a goth villain with stitches around his neck.\nBack from the past when I was switching TV channels, there's a scene from a movie caught me off guard. It was some horror (I think?) movie released somewhere around the late 80s or early-mid 90s, taking place probably at New York City, and what I watched was a climax fight scene between the protagonist and some gothic-looking dude antagonist with long black hair, \"shadings\" around the eyes, and wears an black outfit in a style to a death metal band member. When the both stops fighting, the goth guy maliciously grins as he shows his big iron stitches around his neck, which undo by themselves to decapitate himself, releasing dark magic by emitting illuminating, lightning-based energy auras (color based on every different shades of purplish-pink) out of his throat, then suddenly vanished away. Few moments later, the lightning aura came back and confronts the protagonist, making him float off to the air from the floor several feet away and get attacked by horde of shape-shifting evil spirits in forms of dragons, demons, and skulls (all were made out of illuminating mist-like energy) as the protagonist's lover watches in horror.",
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"content": "Highlander (film).\nIn 1985, Connor MacLeod is confronted by an old enemy, Iman Fasil, in the parking garage of Madison Square Garden. After a sword duel, MacLeod beheads Fasil and triggers a powerful energy release—known as a Quickening—that affects the immediate surroundings, destroying many cars. After Connor hides his sword in the garage's ceiling, NYPD officers detain him for murder but later release him due to lack of evidence.\nConnor's history is revealed through a series of flashbacks. In the Scottish Highlands in 1536, Connor is about to enter his first battle as the Fraser Clan is at war with the MacLeod Clan. The Frasers are aided by an outlander warrior, the Kurgan, in exchange for his right to slay Connor. In battle, the Kurgan stabs Connor fatally, but is driven off before he can finish him. Inexplicably, Connor makes a complete recovery, compelling his lover Kate and his cousin Dougal to accuse him of witchcraft. The clan wishes to kill him, but his other cousin, chieftain Angus, mercifully exiles him. Banished, Connor wanders the highlands, becomes a blacksmith and marries a woman named Heather MacDonald.\nJuan Sánchez-Villalobos Ramírez, a swordsman from Spain, finds Connor after tracking his old foe, the Kurgan, to Scotland. He explains that he, Connor, the Kurgan and others like them were born immortals and are destined to battle each other, save on holy ground. Under the overriding belief of all immortals (\"In the end, there can be only one\"), the few who shall be left will be drawn to a faraway land for the Gathering, the final battle for the Prize, the power of all the immortals through time. Ramírez reveals that immortals cannot have children and believes they must ensure evil people like the Kurgan do not win the Prize, or else humanity will suffer an eternity of darkness.\nRamírez trains MacLeod, and the two become friends. One night, while Connor is away, the Kurgan finds his home and duels Ramírez. Kurgan decapitates Ramirez, rapes Heather (who never tells Connor about this), and leaves the area. Years later, Heather dies of old age, prompting Connor to wander the Earth, adopting Ramírez's katana as his own.\nIn 1985, the time of the Gathering approaches, and the Kurgan is compelled to come to New York, where Connor now lives as an antique dealer under the alias \"Russell Nash,\" working with his confidant and adopted daughter Rachel Ellenstein. Brenda Wyatt, a metallurgy expert working for the police as a forensic scientist, finds shards of Connor's sword at Fasil's murder scene and is puzzled they come from a Japanese sword dated around 600 B.C. but made with medieval-era methods. Brenda witnesses the Kurgan attack Connor before police arrive, forcing them to flee. She meets with Connor twice afterward, hoping to learn about the paradoxical sword. Connor likes her, but tells her to leave him alone.\nConnor briefly reunites with fellow Immortal Sunda Kastagir; after they part ways, the Kurgan duels and beheads Kastagir. However, the Kurgan leaves a witness behind who describes him as the killer, concentrating the NYPD's search on him. Brenda investigates Connor and finds evidence that he has lived for centuries. On Heather's birthday, Connor lights a candle for her in a church, as he has done every year. The Kurgan arrives and confirms that he and Connor are now the last remaining Immortals, and also reveals he raped Heather. Disgusted, but prohibited from fighting on holy ground, Connor leaves.\nBrenda confronts Connor, who explains his true identity. After spending the night together, they part company, but the Kurgan finds out about their newfound intimacy and kidnaps Brenda to draw Connor out. Connor decides it is time to leave behind the Russell Nash identity, says goodbye to Rachel and confronts the Kurgan at Silvercup Studios in Queens, rescuing Brenda in the process. After a long duel, Connor outfights and decapitates the Kurgan, absorbing his massive power and winning the Prize. Connor returns to Scotland with Brenda and reveals that he is now a mortal man who can age and have children. He is also now able to read the thoughts and feelings of people all around the world, and remembering Ramirez's lessons, he hopes to encourage cooperation, understanding, and peace among humanity.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE][80's or 90's Probably] About new guy in boarding school..\nI watched this movie at TV like 14-15 years ago and I think the movie from 80's or 90's. Because of that images are not clear on my mind. But i remember some specific things, first of all, the main character is a newcomer to the boarding school, and other boys bully him. The characters in the movie are not children, they are more like young adults. Also school is a private school for high society and just for boys. Other boys in school probably part of a club like \"dead poets society\". I remember just one scene clearly, the main character is a swimmer and school has a olympic pool, he bullied in pool.\n\nI have not too much informations, but if I remember, I'll add more infos. Thanks for helps.",
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"content": "Evil.\nA teenage boy expelled from school for fighting arrives at a boarding school where the systematic bullying of younger students is encouraged as a means to maintain discipline, and decides to fight back.::TompaDompa\n\nErik is expelled from school for fighting. He ends up at a private boarding school where the senior students control the young ones. Erik finds a friend in Pierre, his room mate. The story revolves around Erik who just wishes to be left alone and graduate. He doesn't listen to what the seniors have to say and they don't like it.::Mikael",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE] seen in the uk on tv in the early 2000s, futuristic movie about a family getting a mysterious package that had an android/robot in it..\nI'm from the UK and saw the movie in the early 2000s on tv. I dont remember the channel. I just remember there being a big wooden package in the post/mail and they didnt know who sent it. There was an android/robot inside, it think it needed to be built. I remember one other scene where the family's daughter let the robot play with a glass unicorn or horse, and the robot breaks it in his hands.The girl gets upset with the robot so the robot works through the night to make a new one out of wood and gives it to the girl.\n\nThat's really all I remember. I appreciate any reply!",
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"content": "Bicentennial Man (film).\nThe NDR series robot \"Andrew\" is introduced in 2005 into the Martin family home to perform housekeeping and maintenance duties, and introduces himself by showing a presentation of the Three Laws of Robotics. Grace the eldest daughter despises Andrew but her younger sister Amanda is sympathetic to him, and Andrew discovers he feels emotions, and is drawn to spend more time with his \"Little Miss\". He accidentally breaks one of her glass figurines and is able to carve a new one out of wood, which surprises Richard, her father. Richard takes Andrew to NorthAm Robotics to inquire if Andrew's creativity was part of his programming. NorthAm's CEO Dennis Mansky claims this is a problem and offers to scrap Andrew, but instead Richard takes Andrew back home and encourages him to continue his creativity and explore other humanities. Andrew becomes a clockmaker and earns a sizable fortune managed by Richard after they find that robots have no rights under current laws.\nTime passes, and Richard encourages Dennis to give Andrew the ability to present facial expressions to match his emotions. About two decades from being awoken, Andrew presents Richard with all the money he has made to ask for his freedom. Richard refuses to accept it but does grant Andrew his independence, on the condition he may no longer reside at the Martin home. Andrew builds his own home by the beach. In 2048, Richard is on his death bed, and apologizes to Andrew for banishing him before he dies.\nFollowing Richard's death, Andrew goes on a quest to find other NDR robots that are like him, frequently communicating back to Amanda, who has since married and divorced, and has a son Lloyd and granddaughter Portia. Twenty years into Andrew's quest, he discovers Galatea, an NDR robot that has been modified with female personality and traits. Andrew becomes interested in how Galatea was modified by Rupert Burns, the son of the original NDR designer, and finds he has a number of potential ideas to help make robots appear more human-like. Andrew agrees to fund Rupert's work and to be a test subject, and is soon given a human-like appearance. Twenty years later, Andrew finally returns to the Martin home and finds that Amanda has grown old while Portia looks much like her grandmother at her age. Portia is initially cautious of Andrew, but soon accepts him as part of the Martin family.\nAmanda eventually dies, making Andrew realize that all those he cares for will also pass on. He presents ideas to Rupert to create artificial organs that not only can be used in humans to prolong their lives but also to replace Andrew's mechanical workings. Andrew gains the ability to eat, feel emotions and sensations, and even have sexual relationships, resulting in him and Portia falling in love. Andrew petitions the World Congress to recognize him as a human as to allow him to marry Portia, but the body expresses concern that an immortal human will cause jealousy from others. Andrew returns to Rupert for one last operation: to change the artificial fluids driving his body into a blood equivalent. Rupert cautions him that the blood will not last forever, causing his body to age, and Andrew will die in several more decades, a fate Andrew accepts.\nDecades later, in 2205, Andrew again approaches the World Congress to appeal their past decision, wanting to be able to die with dignity. Later, with Andrew's body deteriorating, he and Portia are both under life support monitored by Galatea, now with a human appearance. They hold hands and watch the World Congress as they recognize Andrew as a human being, the world's oldest at 200 years, and giving all rights confirmed by that, including validating his marriage to Portia. Andrew dies during the broadcast, which is confirmed by Galatea. Portia asserts that Andrew already knew the answer to whether he was human and then, after ordering Galatea to turn off her life support, she soon dies, hand-in-hand with Andrew as she whispers to him \"See you soon.\"",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie][2000s -2010s] British movie where an old man helps a young lady and her daughter.\nI watched this movie probably 2 or 3 years ago, I've been trying to find it the past 6 months but no success. \n\n\nit is a British movie (I am pretty sure it is British) where an old and retired man 60yo+ helps a young lady (probably 20yo - 25yo) and her daughter 10yo\\~ \n\n\nThe daughter and her mom were having difficulties to rent a house as they recently moved to a new city and even though this old man has money problems he helps them a lot, he did a lot of repairs in her new house and also advised her to not work as a prostitute when her and the daughter were almost starving, he bought them some food. \nI remember the young lady and the daughter went to a building to get some free food and she was so hungry that she started eating canned food (probably canned beans) right in this building as she would cry because of all of this situation. \n\n\nI also remember he went to the bank by the middle of the movie and had a discussion with the bank employees because they were refusing to pay him, I think it's the retirement, i'm not sure, then he sprayed graffiti on the walls of this bank (sadly I don't remember what did he wrote) \n\n\n(spoiler) \nI don't remember much more than that, but I know that by the end of the movie this old man dies, he had no family that I remember and the only persons who went to his funeral were the young lady and her daughter. \n\n\nSorry for my grammar, I'm not an English native speaker, hope some of you can help me finding this movie.",
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"content": "I, Daniel Blake.\nWidower Daniel Blake, a 59-year-old joiner living in Newcastle, has had a heart attack at work.\nThough his cardiologist has advised him not to return to work, Daniel is deemed fit to do so after a work capability assessment and denied employment and support allowance.\nHe is frustrated to learn that his doctor was not contacted about the decision, and applies for an appeal, a process he finds difficult because he is not computer literate.\nDaniel befriends a single mother, Katie, after she is sanctioned for arriving late for a jobcentre appointment.\nKatie and her children have moved to Newcastle from a London homeless persons' hostel, with no affordable accommodation available in the capital.\nDaniel helps the family by repairing objects, teaching them how to heat rooms without electricity, and crafting wooden toys for the children.\nDuring a visit to a food bank, Katie is overcome by hunger and breaks down.\nAfter she is caught shoplifting, a security guard offers her work as an escort.\nDaniel surprises her at the brothel, where he begs her to give up the job, but she tearfully insists she has no choice to feed her children.\nAs a condition for receiving jobseeker's allowance, Daniel searches for work on an industrial estate.\nHe is offered a job in a scrapyard, but has to turn it down for health reasons.\nWhen Daniel's work coach tells him he must work harder to find a job, Daniel spraypaints \"I, Daniel Blake, demand my appeal date before I starve\" on the building.\nHe earns the support of passersby, including other benefits claimants, but is arrested and given a police warning.\nDaniel sells most of his belongings and becomes withdrawn.\nOn the day of Daniel's appeal, Katie accompanies him to court.\nA welfare adviser tells Daniel that his case looks sound.\nOn glimpsing the judge and doctor who will decide his case, Daniel becomes anxious and visits the lavatory, where he suffers a fatal heart attack.\nAt his \"pauper's funeral\", Katie reads the eulogy, including a speech Daniel had intended to read at his appeal.\nDaniel's speech describes his feelings about how the welfare system failed him, treating him like a number and not a man who was proud to say he had paid his dues to society.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE] An anime movie similar in style to Ghibli studio films about a girl moving from Tokyo to the countryside and working with the forest monsters there to prevent the construction of a dam?.\nThe girl had brown hair, was kind of violent, and she hated it in the countryside. Her grandma was some kind of witch who could see the forest spirits. She learns that contractors are planning to turn the small village and the surrounding forest into a dam (or something involving water) and she tries to stop them. At first they try to prove that there were endangered birds in the area, but the workers killed the bird to destroy evidence. Then she discovered some spirit outfit thing in her grandma's attic and she rallied the forest spirits to scare the shit out of workers in the forest. Also she smacked a boy with a volleyball somewhere in the film.",
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[
{
"content": "Miyori no Mori.\nThe movie begins with a flashback, from when Miyori is a baby. While on a family visit to her grandparents in Komori Village, she goes missing while her mother and father fight over being so far away from the city. The whole family searches while her grandparents dog, Kuro (meaning black) follows a trail to a massive cherry tree only to find baby Miyori playing with a bear cub. When the dog barks the bear suddenly grows to a massive size and roars, causing Kuro to turn completely white. In the meantime, a myriad of forest spirits appear; and in particular the spirit of the cherry tree (who resembles a heavenly maiden) picks Miyori up and tells her that it is her forest. We find out afterward that her parents found her in that tree and got her down.\nThe story then jumps ten years in the future. Miyori has become a moody, cynical ten-year-old. Her mother has recently left the family and her father is taking her to live with her grandparents as he feels he cannot take care of Miyori and work at the same time. Miyori considers herself a modern city girl from Tokyo and so resents being abandoned in the boonies. Although her grandparents are very nice, Miyori is dour and generally standoffish. Almost immediately though, strange things start to happen. On a walk she sees a massive tiger and finds her way to the old cherry tree, which was snapped in half in a bad storm in the last year. Falling asleep, she has a bad dream about her past (in the movie it's about her parents marriage failing and being bullied; while in the manga she has a sort of film noir dream about shooting her parents with a gun). The dream is consumed by a friendly forest spirit (Moguri). As more and more spirits introduce themselves to an incredulous, but increasingly surprised Miyori; she also finds out her grandmother is considered a wise woman (although also called a witch) by the locals and is considered the current human guardian of the forest.\nMiyori starts school but has difficulty adjusting as she has no idea how to deal with the mix of younger and same age children who are much more sincere and direct than her Tokyo classmates; she also runs afoul of Daisuke, the class clown/bully. Her frustration grows as the forest spirits continue to pester her, and in an attempt to be left alone, finds a fresh spring that's haunted by the ghost of a woman who committed suicide. The ghost shows Miyori that a dam will soon be built, submerging everything. Miyori then uses that information to taunt Daisuke, who insists on going to the spring to find out for himself. However, Daisuke does not return and feeling guilty, Miyori goes to look for him. She finds him in the clutches of the ghost with a demon form (who hates men) and the two of them fight. During this fight, Miyori faces up to the fact that she has been blaming others for her situation and chooses to start moving forward again. This revelation allows her to exorcise the ghost (which was possessing a stoat) and save Daisuke. The two become friends; and Miyori resolves to take her job as guardian seriously and try to prevent the dam from being built.\nPeople from the dam project show up and start \"scouting the area\", looking for an endangered species of eagle. They explain that if the species is found then the dam cannot be built as the land would then be eligible to become a preserve. Miyori and the other children, thinking it will help; try to find them first, but Miyori realizes soon that they will need more help. To make matters more complicated, Miyori's mother suddenly shows up because she's lonely(in the manga she shows up with her new beau who is unstable and kidnaps Miyori briefly. She escapes unharmed with help from the spirits). Miyori's mom offers to take her back to Tokyo so they can live together. Miyori is not very interested in this offer as she knows her mother's habits and general selfish character. During the night, Miyori calls a meeting of the spirits to ask them for help finding the eagles, but none of them have any idea how to find them. On a suggestion, she turns to the spirit of the wind (Fukurin) for help, and he in turn agrees to ask any eagles he comes across to consider living in the forest. The next day, Miyori's mom heads home but not before repeating her offer; which Miyori turns down saying that unless her mother gets back together with her father, she won't consider it. Her mother agrees to at least talk to her father (while in the manga she's much less sympathetic and says since Miyori is her daughter, she won't be able to survive in the country).\nWorried that the eagles will not move to the forest before it's too late, one of the spirits (Bokuriko) shapeshifts to appear as an eagle, only for him (and the children) to discover that the dam people are actually looking to kill the eagles and thus smooth the way for the dam to be built. Bokuriko escapes, but is injured. He is healed thanks to the spirit of the cherry tree. Miyori is given a greater understanding of her and the forest's place in the world and vows to protect it, even if she must sacrifice herself. She then gathers a great number of spirits together and they agree to help her chase the dam people away.\nThe following day, many, many more hunters show up to try and hunt down the \"injured eagle\". Miyori and the spirits scare the living daylights out of them while the other village children prevent them from escaping after they are chased from the forest. Soon after the police arrive to take them into custody and Daisuke and the others get a glimpse of Miyori riding one of the forest spirits. A month later things have calmed down and the local paper reports that a family of eagles has likely moved into the area, thus ending the dam's chance of being built. Miyori joyously tells all the spirits that they are safe and reaffirms her desire to stay and continue to protect the forest. The movie ends with Miyori in the cherry tree, which is recovering and will bloom the next year.\nThe later volumes of manga continue to follow Miyori's exploits in the village and the forest.",
"label": 1,
"id": "tt1092385",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie] Movie with disease outbreak.\nI saw this one movie that had a disease that wiped out mankind. At the beginning of the movie, there was a screen that said something along the lines of 'War won't end mankind, but the disease will' or something and it begins with a governmental research facility and the situation is breaking down. Staff are dying from the uncontained disease, and the guy who's supposed to close a gate to somehow stop the disease doesn't do his job, and instead waits for his family to evacuate, so he waits, hops into his family car after activating the gate, his family flees, infected with the disease. Later, he and his family die at the wheel or something, so the car crashes at a gas stop and catches on fire. That's all I remember.",
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"content": "The Stand (1994 miniseries).\nOn June 13, at a top-secret government laboratory in rural California, a weaponized version of influenza, called Project Blue, is accidentally released. A U.S. Army soldier, Charlie Campion, escapes the lab and flees across the country with his wife and daughter, unintentionally spreading the virus. On June 17, Campion crashes his car into a gas station in Arnette, Texas where Stu Redman and some friends are gathered. With his wife and child already dead from the superflu, Campion warns Redman that he had been pursued by a \"Dark Man\" since they left the lab, before he succumbs to the virus as well. The next day, the U.S. military arrives to quarantine the town on orders from General Starkey, commander of Project Blue. \nThe townspeople are taken to a CDC facility in Stovington, Vermont. All but Stu succumb to the superflu, called \"Captain Trips\" by the populous, which kills 99.4% of the world's population in two weeks. General Starkey commits suicide, and it is implied that the rest of his team are killed by the superflu. The scattered survivors include would-be rock star Larry Underwood, deaf mute Nick Andros, Frannie Goldsmith and her unborn child, her teenaged neighbor Harold Lauder, imprisoned criminal Lloyd Henreid, and \"Trashcan Man\", a mentally ill arsonist and scavenger. The survivors begin having visions, either from kindly Mother Abagail, or from the demonic \"Dark Man\" Randall Flagg. The dreams counsel the survivors to either travel to Nebraska to meet Abagail, or to Las Vegas to join Flagg. \nLloyd is freed from prison by Flagg in exchange for becoming his second in command. Trashcan Man destroys fuel tanks across the Midwest and is directed to Las Vegas. Larry escapes New York City with a mysterious woman named Nadine Cross. Despite their mutual attraction, Nadine is unable to consummate a relationship with Larry because of her visions of Flagg, who commands her to join him; she leaves Larry to travel on her own. Larry then meets a young school teacher named Lucy, and a traumatized boy she calls Joe, outside Des Moines, Iowa, which has been burned to the ground, most likely by \"Trashcan Man\", who is seen blowing up a petroleum refinery. After escaping the CDC facility, Stu gathers a group of survivors, including Frannie, Harold, and former college professor Glen Bateman. They are joined by various other immune survivors. \nHarold is consumed with jealousy over Stu's leadership of the group and his growing relationship with Frannie, on whom Harold has an unrequited crush. Nick barely escapes an attempt on his life in Shoyo, Arkansas by the bigoted town bully, and makes his way across the Mid-South. Nick ends up in May, Oklahoma where he meets Tom Cullen, a large mentally challenged man who spells every meaningful word he utters as M-O-O-N. The two men travel into Kansas, and encounter Julie Lawry, a vicious girl who vows to kill them when they refuse to let her join them. Nick and Tom then meet kindly farmer Ralph Brentner, and the three head west together in Ralph's pickup truck. Nick's group reaches Abagail's farm in Hemingford Home, Nebraska. She warns that a great conflict is imminent and they must travel to Boulder, Colorado. The survivors form a community called the Boulder Free Zone and begin restoring civilization. \nFlagg sets up a brutal autocratic regime in Las Vegas, with the intent of defeating the Boulder survivors using salvaged nuclear weapons, which he sends \"Trashcan Man\" out to find. Harold's resentment toward Stu and Frannie intensifies, causing him to be seduced by Nadine and join forces with Flagg. Abagail, convinced that she has fallen into the sin of pride, leaves Boulder to walk in the wilderness in an act of atonement. Three Boulder survivors are chosen by the Free Zone Committee to infiltrate Las Vegas as spies: Tom, Dayna Jurgens, and Judge Farris. Glen hypnotizes Tom to follow a specific set of instructions, including that he leave Las Vegas at the next full moon. \nHarold and Nadine plant a bomb in Frannie and Stu's home using demolition dynamite, planning to set it off during a meeting of the Free Zone Committee. A weakened Abagail returns to town, and gives a psychic warning to the council members. The warning allows most of the council to escape the explosion, but Nick and a few others are killed. Before she passes away, Abagail tells Stu, Larry, Glen, Ralph, and Frannie that the men must travel by foot to Las Vegas to confront Flagg. When Nadine and Harold flee Boulder, Flagg causes Harold to be crippled in a motorcycle accident. Nadine leaves him in a ravine, and he kills himself with a gun the next day. Once Nadine reaches the desert, Flagg calls her to him. She realizes that she has made a terrible mistake and tries to escape, but Flagg forces himself on her, revealing his true demonic form. Nadine is catatonic following the sexual attack by Flagg, and her hair has turned white. Flagg's men intercept Judge Farris, who is accidentally killed by one of his henchmen, Bobby Terry, before he can be tortured. Flagg tears Bobby to pieces for not following instructions. Upon returning to Las Vegas, Flagg has Dayna brought to him. He plans to torture her for information about the identity of the third spy. Flagg could see Judge Farris and Dayna with his powers, but whenever he tried to see the third spy, all he could see was the moon. After a failed attempt to kill Flagg, Dayna kills herself before he can extract any useful information from her. \nTom leaves Las Vegas when the moon is full, but Julie Lawry recognizes him; she tries to alert Flagg, but Tom escapes into the desert and hides from Flagg and his men. A crazed Nadine taunts Flagg, and she commits suicide by jumping off the hotel balcony with the baby he conceived in her. With winter approaching, Stu, Larry, Glen, and Ralph leave Boulder to set out on their quest. Stu breaks his leg when he falls in a dry riverbed, and must be left behind with Glen's dog, Kojak. The remaining three are captured by Flagg's forces a few days later, and Glen is separated from Larry and Ralph. Flagg orders Lloyd to kill Glen after he taunts Flagg. As Larry and Ralph endure a show trial on Fremont Street, Flagg uses his powers to silence a dissenter, striking him with a ball of plasma energy emitted from his fingers. \"Trashcan Man\" arrives towing a stolen nuclear weapon with an ATV and showing signs of radiation poisoning, so Flagg orders Lloyd to kill him. Flagg is unable to stop the energy ball from transforming into a spectral hand, the Hand of God, and it detonates the nuclear bomb as the voice of Mother Abagail declares that God's promise has been kept, and she welcomes Larry and Ralph into heaven. Las Vegas is destroyed by the nuclear blast, and Flagg is apparently killed along with all of his followers. \nStu is rescued by Tom, and they witness the nuclear explosion together. Tom takes Stu to a nearby cabin to set his leg as winter arrives, but Stu has contracted the flu. In a dream, Nick comes to Tom and tells him which medicine to give him. Stu recovers from the infection, and the two of them return to Boulder in a snow storm via a Snowcat. Stu finds that Frannie has given birth to a daughter, whom she has named Abagail. The baby has contracted the superflu, but she is able to fight off the virus. Lucy reveals that she is pregnant with Larry's child, and Joe sees a spectral image of Mother Abagail, as she blesses the newborn baby. Assured that the immune survivors can safely reproduce, the inhabitants of Boulder set to work rebuilding the world.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] [1990's-2000]. Cartoon movie where evil in the form of a black blob was released and swallowed the king, who could only be released by a spell using the king's scepter..\nHi guys,\n\nThis has been bumming me out for years. When I was young (mid 1990's, maybe around 2000) I watched a cartoon movie (think 'Once upon o Forrest') about a small boy who entered a strange land with high buildings through some door (i guess). Here he met a black kid who became his friend and together, they explored this new found kingdom. The king of this kingdom had a scepter and said they could explore all they want but never go into this kind of dungeon thing where 'the evil' was locked up. Eventually the kids stole the key and opened the dungeon, releasing the evil, which had the form of a kind of black liquid goop. The evil then attacked the king and swallowed him, where after it was up to the kids to free the king again. This could only be done using his scepter and saying some sort of spell.\n\nCan anyone remember what this movie was?",
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"content": "Little Nemo: Adventures in Slumberland.\nThe film opens with the young boy Nemo experiencing a nightmare in which he is pursued by a locomotive. Upon awakening the next day, he goes with his pet flying squirrel, Icarus to see a parade welcoming a traveling circus. However, Nemo is unable to see the circus since his parents are too busy to take him. Later that night, Nemo imitates sleepwalking in an attempt to sneak some pie away, which acts against a promise he had made earlier to his mother, who catches him in the act and makes him run back to his room empty-handed. Upon actually falling asleep later that night, Nemo is approached by figures from the circus parade. The circus organist introduces himself as Professor Genius and claims that they had been sent on a mission by King Morpheus, the king of a realm named Slumberland. The mission involves Nemo becoming the playmate of the princess, Camille. Although Nemo initially has reservations about interacting with royalty of the opposite gender, he and Icarus decide to set off to fulfill his mission after being persuaded with a gift box of cookies from the princess.\nNemo is taken to Slumberland in a dirigible which he is allowed to drive, causing some chaos, and is introduced to King Morpheus, who doubles as the circus ringmaster on Earth. Morpheus reveals that he summoned Nemo to become his heir to the throne. Morpheus gives Nemo a golden key that opens every door in the kingdom and warns him of a door with a dragon insignia that must never be opened. Nemo is introduced to Princess Camille and the pair roam the entirety of Slumberland together. Afterward, Nemo meets the mischievous clown, Flip, who angers a group of cops and forces him and Nemo to hide out in a cave. There, Nemo discovers the door that Morpheus warned him not to open. Flip tempts Nemo into unlocking the door, which unleashes the dreaded Nightmare King. Nemo rushes back to Morpheus' castle in time for his coronation ceremony, where Nemo is handed the royal scepter, the only thing capable of defeating the Nightmare King should he ever return to Slumberland. In the middle of a dance session between Morpheus and Genius, the Nightmare King reaches the castle and steals Morpheus away. As the partygoers search for a scapegoat, Flip and Nemo reveal each other responsible for the Nightmare King's escape, since Morpheus gave Nemo the key and it was Flip's idea to open the door.\nNemo awakens in his home, which floods with seawater and ejects him into the ocean. Genius discovers Nemo and tells him not to blame himself for all that has happened and that Flip is to blame. When the two return to Slumberland, Flip reveals that he has a map to Nightmare Land, where Morpheus is currently being held. Nemo, Icarus, Camille, Flip, and Genius set off in a tugboat in search of Morpheus. They are soon sucked into a whirlpool and find themselves in the monster-infested Nightmare Land. The five come across a group of shapeshifting goblins who wish to aid in the quest to rescue Morpheus. The Nightmare King sends a flock of fearsome and gigantic bats to seize the rescue party. Nemo attempts to use the scepter but awakens in his bed instead. The goblins appear in Nemo's room and the group travels to Nightmare Castle by flying through a hole in the sky. However, they are subsequently imprisoned in the castle, where the Nightmare King demands possession of the scepter. Nemo soon uses the scepter to finally eliminate and defeat the Nightmare King. Slumberland celebrates the fall of the Nightmare Kingdom. Camille escorts Nemo home on the dirigible. The two share a kiss after which Nemo awakens in his room, where he apologizes to his mother for breaking his promise and trying to take the pie. Nemo's parents also agree to take Nemo to the circus. Nemo stares out the window as he reflects on his adventure.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [Movie] character changes sex/gender every time they orgasm.\nAbout teens, but obscure and R rated. Main character discovers that they body swap every time they have sex. As in starts out as a straight male, orgasms, becomes straight female. They worry that they’ll never be able to find love because of this, but eventually discovers that the two crushes they have, a boy and a girl, is actually one person with the same condition.",
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"content": "Zerophilia.\n\"Zerophilia\" is a fictional condition that affects an unknown number of people with an extra \"Z\" chromosome.\nFollowing their first full sexual experience, zerophiliacs begin to change sex after experiencing an orgasm.\nLuke (Taylor Handley), a young man somewhat insecure about his masculinity, begins to exhibit zerophilia following an encounter with a woman (Kelly Le Brock).\nHe meets Michelle (Rebecca Mozo) and experiences partial transformations when they go out together.\nHe confides with his best friend Keenan (Dustin Seavey) about his partial transformations, who in turn contacts dr Sydney Catchadourian (Gina Bellman).\ndr Catchadourian persuades Luke to go through a full transformation.\nLuke does this by masturbating, becoming female, and subsequently calling herself \"Luca\".\nLuca has difficulty achieving an orgasm to change back, even with coaching from Keenan's girlfriend Janine (Alison Folland).\nHowever, a visit by Michelle's attractive brother, Max (Kyle Schmid), who flirts with \"Luke's cousin\", enables her to get sufficiently aroused to complete the transformation back to Luke.\nLuke is threatened by his sex transformation, his arousal by an attractive male, and the questions of sexual identity it raises; he seeks help from Sydney.\nShe tells him that a zerophiliac can become \"a-morphic\" and stop changing sex only by having sex with another zerophiliac.\nsuch as herself.\nHe reluctantly agrees to do it, but discovers afterward that she was not telling him the full truth: an a-morphic zerophiliac can still change by having sex with another zerophiliac, and dr Catchadourian was using Luke to change herself one last time (into a man), leaving Luca as a woman in the process.\nComic tensions arise from Luke's efforts to keep Michelle at a distance, Max's defensiveness about his sister, Luca's half-hearted resistance to Max's affections, and Luke's confused aggression toward Max.\nWhen Michelle discovers that Luke had sex with dr Catchadourian, she feels betrayed.\nHoping to find Michelle, Luca seeks out Max to profess deep affection for Michelle and remorse for betraying her.\nMax is touched by the apology, and reveals that he is actually Michelle, also a zerophiliac.\nThey make love repeatedly, changing sex mostly in sync with each other, but occasionally finding themselves the same sex.\nIt ends with the happy couple apparently resolved to their 'condition' and past any questions of their gender and sexual identity.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [Movie] Some sort of rainbow rock..\nIt's about a rainbow rock that can grant your wishes. There's this huge book of rules that goes with it and I think there are aliens that carry out the wishes. I remember the aliens making food for this kid who had the rock. It'd be great if anyone could find it!",
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"content": "Shorts (2009 film).\nThe film starts with a very busy suburban town in Austin, Texas called Black Falls Community, where every adult always works and citizens and children use the companies famous product \"The Black Box\" a technological device that can turn into almost any gadget imaginable. (Some of the events will be considered as \"episodes\" and will be randomized due to the narrator being unable to correctly remember the order of events.)\nEpisode One\nA rainbow colored Wishing Rock appears at the home of Loogie (Trevor Gagnon), Laser (Leo Howard), and Lug (Rebel Rodriguez) Short, and they eventually wish that one of them was very smart. However, the power is given to their infant sister (portrayed by Bianca Rodriguez and voiced by Elizabeth Avellan). She convinces the boys to dispose of the rock, which Cole finds the next day to throw at Toby.\nEpisode Two\nToby Thompson (Jimmy Bennett) is bullied by Helvetica Black (Jolie Vanier) and her brother Cole (Devon Gearhart) on the way to school. Toby speculates that Helvetica has feelings for him, infuriating Helvetica and leading Cole and his gang to start throwing rocks at Toby. One of the rocks they throw is the wishing rock, which Toby uses to wish for friends, which come in the form of small aliens. Toby takes the aliens to school, but their presence causes Toby and Helvetica to fall from the school's roof. This results in both Toby and Helvetica having casts put on both arms. The aliens leave, but Toby keeps the rock.\nEpisode Three\nToby parents, Bill and Jane Thompson (Leslie Mann and Jon Cryer), like all adults in the town, work for Black Box Unlimited Worldwide Industries Incorporated, which manufactures the \"Black Box\" universal gadget. They are assigned by Mr. Carbon Black (James Spader), owner of Black Box, to compete to create a new marketing strategy. Jane finds the rock in Toby’s room and takes it. She and Mr. Thompson go to a Black Box costume party. Since they were having trouble with their relationship, she wishes that she and her husband were closer. They become merged into a two-headed person, but Carbon thinks that they're wearing a costume.\nMeanwhile, Toby realizes that his mother took the rock and rushes to the costume party, but runs into Helvetica and Cole, who take the rock and dump him in the garbage. Hel wishes that Cole would turn into a dung beetle and then loses the rock. The rock is found by Carbon who, unaware of its power, accidentally wishes for all of the employees to go for each other's throats. In the chaos, Toby retrieves the rock and wishes everyone back to normal. Helvetica takes the rock, wishes off her casts, and escapes before Toby throws the rock as far as he can, where it lands at the Noseworthy's house.\nEpisode Four\nToby’s older sister Stacey (Kat Dennings) arrives to tutor \"Nose\" Noseworthy (Jake Short), Toby’s old, germaphobic friend. Nose picks his nose against his father's wishes and accidentally flicks the booger into his father's radioactive work study. Toby and Loogie, now friends, arrive at Nose's house in time to see Nose's booger mutate into a giant monster. After helping Nose's father (William H. Macy) capture the monster outside, Toby and Loogie take the rock and leave.\nEpisode Five\nAs Toby and Loogie contemplate what to do with the rock,Toby wishes his casts on his arm are off. ambushed by the rest of the kids and fight until the rock winds up in the hands of Carbon. Carbon wishes that he was the most powerful thing in the world and turns into a giant Black Box robot. The infant tells them that the rock is starting to feel misused, as shown by the fact that the rock starts undoing all of their wishes. She also tells them the rock could destroy the Earth because of all of the petty wishes they make. Together they get rid of the rock and all of its effects are undone. Toby’s parents decide to work on the marketing plan together and Carbon agrees. Carbon changes the Black Box into the more environmentally friendly Green Box. The Noseworthys lose their germaphobia, Toby’s parents become closer, and it is suggested that Helvetica and Toby will marry in the future. All the children become friends and wished that their story would become a Hollywood movie, breaking the 4th wall.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] A movie I remember watching on either the sci-fi or Chiller channel..\nThe only scene I vaguely remember was the ending. There was a weird looking dead body on a huge table and a lady holding a gun is forcing a man to eat it, he is shaking really bad as he takes a bite and then a gunshot goes off. I know this isn't a lot but thanks!",
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"content": "The Cook, the Thief, His Wife & Her Lover.\nEnglish gangster Albert Spica has taken over the high-class Le Hollandais restaurant, managed by French chef Richard Boarst. Spica makes nightly appearances at the restaurant with his retinue of thugs. His oafish behavior causes frequent confrontations with the staff and his own customers, whose patronage he loses, but whose money he seems not to miss.\nForced to accompany Spica is his reluctant, well-bred wife, Georgina, who soon catches the eye of a quiet regular at the restaurant, bookshop owner Michael. Under her husband's nose, Georgina carries on an affair with Michael with the help of the restaurant staff. Ultimately Spica learns of the affair, forcing Georgina to hide out at Michael's book depository. Boarst sends food to Georgina through his young employee Pup, a boy soprano who sings while working. Spica tortures the boy before finding the bookstore's location written in a book the boy is carrying. Spica's men storm Michael's bookshop while Georgina is visiting the boy in hospital. They torture Michael to death by force-feeding him pages from his books. Georgina discovers his body when she returns.\nOvercome with rage and grief, she begs Boarst to cook Michael's body, and he eventually complies. Together with all the people that Spica wronged throughout the film, Georgina confronts her husband finally at the restaurant and forces him at gunpoint to eat a mouthful of Michael's cooked body. Spica obeys, gagging. Georgina then shoots him in the head, calling him a cannibal.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie] 1980s? aliens control minds of humans and you can tell by a dot on the back of their neck.\nBig alien can take them over with something on a long appendage that is like a needle that injects into the back of the neck of humans, hence the dot to tell that they have been taken over.\n\nMain character is a child and he finds his parents have been taken over (that might have been the ending).\n\nThis is all very vague in my memory and some of these details could be wrong.",
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"content": "Invaders from Mars (1986 film).\nOn the night of a meteor shower, young David Gardner sees an alien spacecraft land in a sand quarry behind his house.\nThis is the beginning of an alien invasion that sees David's parents (George and Ellen Gardner), his teachers and the townspeople slowly assimilated by the alien life forms, returning with less emotions.\nThe only one who believes David is the school nurse, Linda Magnuson.\nTogether, David and Linda enlist the aid of theS.\nMarines to help save the world.\nAt the end, David awakes in his bed and tells his parents about the events, all being a nightmare.\nAfter he and his parents return to sleep, he is suddenly reawakened by the alien spacecraft beginning to land.\nRunning to his parent's bedroom, the film ends with him screaming as an alien noise can be heard, leaving David's fate unknown.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Cartoon] A kids tv show with a \"9 dimensional man\"....\nI don't remember much about it but I watched it as a kid around 2006-2010.\n\nIt had a human child as the protagonist who I believe was a part of an intergalactic team of superheroes. There was a character (I think his name was Ray) who was apparently a \"9 Dimensional Man\" who could split his body parts... although I could have misunderstood. I also remember there being a brown butler like robot with a mustache and a monocle. And two twin aliens (maybe as the pilots of the ship).\n\nI don't remember much about the plot. But I remember they used to teach you about all sorts of scientific stuff at the end of the show. Like wormholes and stuff. Clearly remember that they were explaining the different dimensions (like 1D,2D, 3D etc.) and ended it with something like:\n\nKid: \"Ohhh! so that's why Ray(?) is so weird...\"\nRobot Butler: \"...Ray(?) is weird in all dimensions.\"",
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"content": "Cosmic Quantum Ray.\nThe story is about the teenager Robbie Shipton, who has a shoe box leading to the ninth dimension, home of Quantum Ray. Together with Team Quantum, Robbie is taking on bad guys spread over the whole universe, but also goes to school. There he is bullied all the time, like being slammed in his locker. Sometimes it can come out good, because his locker is leading to Cosmic Quantum Ray's universe. He has to face numerous enemies like Doctor Brainhead and Mother, one of the main villains.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [TV] Which Simpsons episode is Homer wearing black clothes at dinner table?.\nI can't remember which episode Homer is at the dinner table, wearing a black clothes to go out at night for some scheme. Marge asks him why he's wearing all black, he gets nervous. Any ideas?",
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[
{
"content": "Dumbbell Indemnity.\nAt Moe's Tavern, Homer notices that Moe is depressed because he cannot get a date. Homer decides to take Moe out to meet a woman. The trip to a disco proves to be unsuccessful, but on their way home, a flower vendor named Renee starts a conversation with Moe, and he ends up asking her out.\nMoe and Renee seem to form a strong relationship, but Moe is insecure about his hold on her and he feels he must spend large amounts of money so she will stay with him. Upon maxing out his credit card, Moe comes up with a scheme to commit insurance fraud by having Homer steal his car and park it on train tracks so it would be destroyed. The night the scheme is supposed to take place, Moe and Renee attend a police charity event aboard a yacht; the event's attendance by all the officers in town ensures Homer will not get caught perpetrating the scheme, and gives Moe an alibi so that no one will suspect he was behind the act. Homer botches the plan by stopping to watch a drive-in movie, while the train they were counting on to destroy Moe's car passes by. Deciding all is not lost, Homer drives the car over a cliff — but his attempt to exit the car before it sinks into the water below fails. The car ends up sinking just near the yacht where the police charity event is taking place, and when Homer swims to the surface, he is arrested.\nMoe speaks to Homer through the bars of his jail cell window and promises to bail him out, but changes his mind when Renee talks about wanting to vacation in Hawaii. While packing for the trip, Moe is confronted by his own conscience, in the form of Homer, who makes him feel bad for his betrayal. Moe ends up telling Renee the truth about the insurance fraud scheme, and she is at first happy he was honest. However, when Moe starts scheming again for a way to get Homer out of jail without paying the bail, Renee is disgusted and leaves him.\nMoe's idea involved setting his bar on fire, which he ends up doing by accident as he realizes Renee has left. Meanwhile, Homer escapes jail by attacking Hans Moleman, who was delivering books to the inmates. He enters the burning bar to confront Moe, and the two start fighting. They are both soon rendered unconscious from smoke inhalation, but Barney appears and rescues them. The bar is completely destroyed, and during their reconciliation Homer promises to help Moe get back on his feet. In the final scene, Homer has allowed Moe to temporarily relocate his bar to the Simpsons' home.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][Film] Film about detective trying to hunt down a pedophile..\nThe scene I remember specifically was near the end of the film, the cops are using a little girl as bait, surrounding the area waiting for him to show up. But he doesn't, the mother of the child does, slaps the cop and scolds him before dragging her away. A cute a moment later reveals the pedophile was killed in a car crash and was on fire. Film was watched, I think, around the early 2000s.",
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{
"content": "The Pledge (film).\nAging police detective Jerry Black (Nicholson) attends a retirement party hosted by his department, at which Captain Pollack (Shepherd) presents Jerry tickets to a fishing trip in Mexico as a gift. The celebration is interrupted by the discovery of a murdered child, Ginny Larsen. Jerry decides to go with another detective, Stan Krolak (Eckhart), to the scene of the crime.\nJerry delivers the bad news to Ginny’s parents, and the mother, Margaret Larsen (Patricia Clarkson), makes Jerry swear on a cross, made by their daughter, that he will find the killer. A suspect, Toby Jay Wadenah (del Toro), a Native American man with mental retardation, is found the next day. Stan uses Toby’s disorder to his advantage, convincing him that he killed Ginny. After having confessed to doing so, Toby steals a deputy’s gun and commits suicide. An autopsy on Ginny proves that she had consumed chocolate before she died; wrappers found in Toby’s red truck solidify the likelihood that he killed the little girl, and the case is closed, despite Jerry’s suspicions. \nStill adamant about his pledge to find the killer, Jerry chooses not to go to Mexico and misses his flight. Instead, he visits Ginny’s grandmother, Annalise Hansen (Vanessa Redgrave), who tells him of the many stories that she and Ginny used to read; one tells of an Angel who descends from Heaven in order to fly a deceased child over all the places they loved in life, before delivering them to God. Jerry then visits one of Ginny’s friends, who reveals that she had made friends with a man she called \"The Giant\" shortly before she was killed. Jerry finds a picture Ginny drew of \"The Giant\", but it does not resemble Toby, and features a black station wagon and not the red truck driven by Toby. He takes the drawing with him.\nJerry goes to Stan and asks him to reopen the case. Stan refuses but gets Jerry more information about similar cases in the area. Jerry's investigations reveal three local, unsolved cases that bear the same M.O. as seen with Ginny’s, and which Toby could not have possibly committed because he was incarcerated at the time. Jerry presents his research and Ginny's drawing to Captain Pollack and Stan, who are doubtful.\nWhile fishing, Jerry notices a gas station that is located near the center of the cases. After buying the station, Jerry moves into the house behind it and meets local waitress/bartender Lori (Wright Penn), and her daughter, Chrissy. He takes an interest in Chrissy and becomes friends with the small family. One night, Lori shows up at Jerry's house, bruised and battered, and explains that her ex (who has a restraining order) attacked her. Jerry, out of concern for the their safety, suggests that Lori and Chrissy move in with him temporarily; she agrees. Jerry slowly develops a fatherly relationship with Chrissy, and even begins a romance with Lori herself.\nOne day, local pastor Gary Jackson (Noonan) visits Chrissy outside the station. Jerry suspects that Jackson is Ginny's killer after he invites Chrissy to his church. Jerry rushes to the church after Jackson picks her up one day while he was fishing, but finds it was nothing more than a close-call, and that Jackson is in reality not the killer. \nMeanwhile, Chrissy begins meeting with a man who drives a black car with a toy porcupine hanging on the rear mirror; porcupines were another aspect of Ginny's drawing that have set Jerry off. At night, while reading her a bed-time story, Chrissy tells Jerry that she met a 'wizard' who gave her porcupine candies and told her not to tell her parents of their correspondence. Chrissy alerts Jerry to a meeting that will happen between her and the ‘wizard’ the next day. Using Chrissy as bait, Jerry stages an operation with Stan's help to catch the killer. However, as they await his arrival, the ‘wizard’ dies in a car accident; hours later, Stan gives up and tells Lori what happened. She confronts Jerry angrily about putting Chrissy in danger, and breaks up with him.\nSome time later, Jerry sits alone on a bench in front of the ruined gas station. Despondent, destitute, and drunk, Jerry ends up all alone, mumbling to himself that the killer is still out there, unaware that he is actually dead.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [Movie] Vacation Turns Into MLM.\nBasically what I have been told is this guy goes on a vacation, as the people are being bussed in they have to turn in their phones, and then it becomes like multi-level/time share/cult thing possibly based around people buying cleaning products.",
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"content": "Rebirth.\nHe's a family man headed for a weekend of self-discovery. But it's about to turn into a nightmare with no escape.::qwig-67\n\nA white-collar suburban father Kyle (Fran Kranz) who is surprised at his office by long-lost college buddy Zack (Adam Goldberg). Zack is as wild and crazy as ever, brimming with excitement about the self-actualization program he's just finished called _Rebirth_ (qv). He talks Kyle into going on a weekend-long _Rebirth_ (qv) retreat,handing over his keys, wallet, and phone. Thus begins his journey down a bizarre rabbit hole of psychodrama, seduction, and violence.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE][2010s] Thriller movie about a man who takes a family or couple hostage.\nI've been trying for weeks to remember the name of a hostage/kidnapping movie that I watched on TV several years ago (it was not a dated movie so I'm quite sure it came out after 2010, but I saw it at least 4 or 5 years ago).\n\nI only remember the plot vaguely, but it involved a family or couple who I think had bought a house in a new neighbourhood (a somewhat isolated / forested area), and a man (who I think was their neighbour) who starts off being very friendly to them and then starts to get weird. I remember that the man was middle-aged, had brown hair and was slim. He eventually takes them hostage and/or tortures them. That's about all I remember.\n\nI don't think it was a particularly good movie, but I was talking to someone about hostage movies the other day and realized that I couldn't for the life of me remember this one's name, and google couldn't help.",
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"content": "In Their Skin.\nA family escapes their busy lifestyles to their upscale suburban cottage.\nWedded couple, Mary Hughes (Selma Blair), a real estate developer and Mark Hughes (Joshua Close), a lawyer, have an 8-year-old son, Brendon Hughes (Quinn Lord), but grieve over their recently dead 6-year-old daughter, Tess, who died in an accident.\nThey also have a dog named Harris.\nOne night while out for a walk, they come across a vehicle, appearing as if they were being watched.\nThe next day, they meet their neighbors, Jane Sakowski (Rachel Miner), Bobby Sakowski (James D'Arcy) and their 9-year-old son, Jared Sakowski (Alex Ferris), inviting them over for afternoon lunch.\nThat afternoon, the mood becomes unsettling when the Sakowskis bombard the Hughes with endless questions about their lives and overstay their welcome, envying their \"perfect\" wealthy living.\nAfter Brendon invites Jared to his room to defeat him playing games, Jared threatens him with a knife to his neck.\nThis instills panic into Brendon, who flees to alert his parents.\nJared pretends to his parents that he was punched by Brendon, to which Brendon denies.\nAfter Mary finds marks on Brendon's neck, the Hughes dismiss the Sakowskis.\nMark is furious about what they encountered.\nHe smashes a vase of flowers given to him by Jane, as it is witnessed by her husband Bobby through the kitchen window.\nWhen their dog, Harris, sets off into the woods for a walk, the Hughes hear the dog get shot and see a shooter emerge.\nThey shift into lock down mode and Mark arms himself, while Mary searches for her phone to call the police.\nMark soon finds his family vehicle has its tires punctured.\nStepping outside, he sees Jared, who tells him Bobby is burying the dog.\nJared runs off after using rocks to smash two windows of the Hughes cottage and almost hits Mark with one as well.\nMark gives his hand gun to Mary and instructs her and Brendon to lock themselves in the bathroom while he goes out to search for their dog.\nTaking a kitchen knife, Mark searches through the woods, but he is captured by Bobby and returned to the cottage where the rest of Sakowski members turn up.\nBobby, carrying a shotgun, manipulates Mary and Brendon out of the bathroom, taking the hand gun from Mary.\nMary pleads to take care of Jane if they let her family loose.\nHowever, Jane concedes to the family that Jared is her younger brother and they were removed out of a dark family life by Bobby, whose wife died of cancer, as Jane refuses to betray him.\nBobby also reveals he raised his family in a run down station wagon and plans to assume the lives of the Hughes.\nAbruptly, Mark's brother Toby (Matt Bellefleur) shows up to the cottage.\nThe Hughes and Sakowskis put up a pretentious act of harmony.\nJared holds Brendon hostage upstairs.\nAfter an awkward meeting with the Sakowskis, Toby goes to retrieve his bags from the car, and Bobby shoots him dead in the head, leaving Mark and Mary emotional.\nThe Sakowskis take control of the house, ordering Mark and Mary around, forcing them to perform sex in front of them.\nAs Mary is forced to dry hump on top of Bobby, she stabs him with a knife, rendering him weak.\nThe Hughes gain control shortly, but then Jared threatens Brendon at gun point.\nLater, Mark grabs his gun from Jared.\nA weakened Bobby says he wants to live the life of perfection, but Mark reveals his family is not perfect and that he killed his daughter in an accident.\nAs Bobby tries to attack him, Mark shoots him dead.\nMark consoles his family, and the rest of Sakowskis are taken into custody by the police.\nIn the final scene, Mark and Mary are interviewed, showing they've drawn closer as a couple.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][cartoon] 3D cell shaded cartoon with floating islands and \"force\" power..\nI've been searching, asking around, nothing. I really want to see it again because i remember it was quite unique.\n\nThe graphics were cell-shaded 3D characters, Set in a world with floating islands (probably?) and had to use vehicles to go from place to place. The lead character was a girl, vague memory of orange and white clothes, her brother wich had red clothes, both black hair. They both lived on a farm or something, and when a certain authority came to arrest them, their mother sacrificed herself. It was because the mother and the daughter both had a certain power that could be compared to the Force. The authority wanted that power. The head of the orgenisation and villain was a bald guy who also had that power.\n\nOne of the ending eps had something like a big floating set of cubes that were prisons, and the girl had a showdown vs the bald guy. The bald guy got, presumably, crushed when the cubes rearranged themselves.\n\nI hope this is enough information!\nIt aired on either nickelodeon or cartoon network. It was before 2010 (can't give precise year bc europe airs shows differently)",
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"content": "Skyland.\nPrior to the beginning of the story, the Earth has shattered into billions of pieces which orbit around a central core.\nIn this new world, named Skyland, an evolved form of human has appeared: Seijins, who absorb energy from sunlight and use it to fuel special abilities such as telekinesis, telepathy, mental control, astral projection, energy balls or blasts, and electric rays.\nThe Skyland is ruled by the Sphere: an organization which controls the water supplies, and maintains its power by Guardians trained from childhood.\nThis dictatorship is fought by pirates.\nAfter the capture of their mother by the Sphere, protagonists Mahad and Lena, a young Seijin still learning to control her powers, are rescued by a group of pirates, and join the pirate rebellion.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE][2000-2016] Very Cartoonesk & Dark Fantasy movie about an Amusement Park ... Testing a new ride, they end up far under the ground.\nRather new fantasy-movie in an absurd ish style ... about a not very bright duo trying to make their awful amusement park (in a creepy dark place close to the sea, where a sort of a witch lives) profitable by trying to make some haunted housework work. They end up far under the ground. After some very strange adventures they manage to get back. Very strange movie, dark humor. Loved it.\nReminds me of some Terry Gilliam stuff, but I don't think it's one of his movies.",
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"content": "Hell and Back (film).\nYoung Audie Murphy (Gordon Gebert) grows up in a large, poor sharecropper family in Texas. His father deserts them around 1939–40, leaving his mother (Mary Field) barely able to feed her nine children. As the eldest son, Murphy works from an early age for his neighbor, Mr. Houston, a local farmer, to help support his siblings. Murphy and Mr. Houston are interrupted while working and listen to the radio announcement about the attack on Pearl Harbor. When his mother dies in 1941, Audie becomes head of the family. His brothers and sisters are sent to an elder sister, Corrine. Murphy is then convinced by Mr. Houston to enlist in the military to support himself.\nMurphy is rejected by the Marines, the Navy and the Army paratroopers due to his small size and youthful appearance. Finally, the Army accepts him as an ordinary infantryman. After basic training and infantry training, Murphy is shipped to the 3rd Infantry Division in North Africa, as a replacement. Because of his youthful appearance, he endures jokes about \"infants\" being sent into combat. His squad mates include: Johnson, a man who claims to be a womanizer; Brandon, a man who ran out on his wife and daughter; Kerrigan a man who jokes at unusual times; Kovak, a Polish immigrant who wants to become an American citizen; Swope (called \"Chief\" by his squad mates) a Native American who smokes cigars a lot, and Valentino who has relatives in Naples.\nAfter the 3rd Infantry Division lands in Sicily, Murphy and his men come under attack by a German machine gun position. Murphy and his men assault the position and kill the Germans. After fighting in Sicily, Murphy is then promoted to corporal. After Sicily, Murphy and his squad receive a new platoon leader, Lt. Manning. During a diversionary attack on German forces, Lt. Manning is wounded and Sgt. Klasky, his platoon sergeant, dies. This results in Murphy taking command of the platoon. After proving himself in leading his platoon while fighting in Italy, he is then promoted to sergeant. Murphy and his men are then sent to Naples on R&R.\nMurphy and his men later take part in Operation Shingle. After landing on the beach, Murphy and his men fight around an abandoned farmhouse. This battle results in Lt. Manning, Kovak and Johnson being killed. After the Allied breakout of Operation Shingle, Murphy eventually receives a battlefield commission to the rank of second lieutenant.\nThe action for which Murphy was awarded the Medal of Honor is depicted near the end of the film. In January 1945, near Holtzwihr, France, Murphy's company is forced to retreat in the face of a fierce German attack. However, Murphy remains behind, at the edge of a forest, to direct artillery fire on the advancing enemy infantry and armor. As the Germans close on his position, Murphy jumps onto an abandoned M4 Sherman tank (he actually performed this action atop an M10 tank destroyer) and uses its .50-caliber machine gun to hold the enemy at bay, even though the vehicle is on fire and may explode at any moment. Although wounded and dangerously exposed to enemy fire, Murphy single-handedly turns back the German attack, thereby saving his company. After a period of hospitalization, he is returned to duty. The film concludes with Murphy's Medal of Honor ceremony shortly after the war ends, as Murphy remembers Kovak, Johnson and Brandon, who were killed in action.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie] A movie about people living on a train going around the world.\nI've been trying to remember this movie for days but I can't seem to remember it for the life of me\n\nThe movie had a bunch of slaves all the way in the back of the train (age and colors vary) that worked to keep the train running and all the other parts of the train were for the rich (I guess). They stayed on the train and all that for the entire movie and towards the end they passed this one place with a plane buried in snow and it somehow crashed. \n\nSorry for being so vague I tried to remember as much as I could. Thanks in advance :)",
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"content": "Snowpiercer.\nIn 2014, an attempt to counteract global warming through climate engineering backfires catastrophically, unintentionally causing an ice age that extinguishes all life except the inhabitants of the Snowpiercer, a massive train powered by a perpetual motion engine that travels a circumnavigational track, created by the transportation magnate Wilford.\nBy 2031, elites inhabit the extravagant front cars and the \"scum\" inhabit the tail in squalid and brutal conditions.\nUnder watch by Wilford's guards, they are brought only gelatinous protein bars to eat and kept in their place in the social order by Minister Mason, while sometimes small children are taken away.\nConspiring with his mentor Gilliam, Curtis Everett leads the tail passengers in a revolt that he plans will take them all the way up to the engine.\nOverpowering the guards, they release security expert Namgoong Minsu and his clairvoyant daughter Yona from the prison car so as to disable the locks between cars.\nThey take the car where insects are ground up to make their protein bars, and Gilliam suggests that if they take the subsequent water supply car, they will control any negotiation with Wilford.\nInstead, they are ambushed by a mass of masked men with hatchets led by Franco the Elder under Mason's orders; after a bloody battle Curtis sacrifices his second-in-command Edgar to win the fight.\nMason is taken captive and Curtis, Namgoong, Yona, and three other rebels: Gilliam's bodyguard Grey, and Andrew and Tanya who have had their respective children Andy and Timmy taken away continue on with her as a hostage.\nThey travel through several luxurious cars and arrive at a classroom, where the teacher expounds to the children and the rebels on the greatness of Wilford and the \"sacred engine\".\nWhile distracted by the celebration of the New Year marking one circumnavigation of the globe, the teacher ambushes them, killing Andrew before Grey kills her.\nFurther back, Franco and Mason's soldiers use the same distraction to kill the rebel army and many of the tail passengers.\nFranco executes Gilliam, and Curtis kills Mason in revenge.\nCurtis' group continues forward, followed by Franco, leading to a violent fight in a sauna car during which Franco kills Grey and Tanya before Curtis and Namgoong seemingly kill him.\nAt the gate to the engine, Namgoong reveals that he plans to use Kronole, a hallucinogen he has gathered from the elites they passed, as an explosive to blow a hatch to the outside, as he observed signs the world outside is thawing.\nCurtis confesses to him that shortly after boarding the train, the tail passengers resorted to cannibalism to survive, and he is haunted by his part in it.\nHe was nearly ready to kill infant Edgar when Gilliam offered his own arm instead.\nAfter years of disdain for Wilford, Curtis seeks to learn what Wilford's intentions were.\nFranco is revealed to have survived and makes his way toward the engine.\nWilford's assistant Claude emerges from the engine, shoots Namgoong, and invites Curtis inside where he meets an aging Wilford.\nWilford reveals to Curtis that his revolution was actually orchestrated by himself and Gilliam to reduce the population and maintain the balance of the sealed ecosystem, and subsequently orders the elimination of 74% of the remaining tail passengers.\nHe explains the importance of using fear and chaos to maintain a necessary order and leadership on the train.\nAfter letting Curtis experience being alone for the first time in seventeen years, Wilford asks Curtis to replace him.\nCurtis appears ready to accept, when Yona runs in and pulls up a floorboard, showing Curtis that small children from the tail section are being trapped as replacement parts for \"extinct\" machinery; the tail section only serves to provide this resource to the engine.\nCurtis subdues Wilford and sacrifices an arm to save Timmy from this work.\nNamgoong revives and as he is overrun by Franco and the front sectioners, Yona lights the fuse on the Kronole.\nCurtis and Namgoong tightly embrace Yona and Timmy, protecting them from the blast.\nThe explosion triggers an avalanche that derails the train.\nYona and Timmy, apparently the only survivors, emerge from the wreckage and see a polar bear, proof that life exists outside the train.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] [90s-2000s.] French Film.\nI saw this movie as a kid, but I can't quite remember when. Late 90s, possibly very early 2000s. It was a French film. This woman is trying to find a man for her friend, so she places a personal ad and pretends to be her friend until she finds a guy she thinks would be a good match for her friend. But she kind of seems to fall for him too. She tells the guy, the guy meets her friend and they seem to hit it off. I remember one scene where there are nuclear towers that they can see from their backyard and someone says something like, \"I wish they hadn't cut down the hedges, now we have to look at those.\" I can't remember how it all ends up. I'd love to see it again if anyone can help me remember what it was called.",
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"content": "Autumn Tale.\nA widow's best friend tries to find her a new husband, but the ad posted in the newspaper attracts more than one possibility.::Will S\n\nMagali, 45, is a wine producer in the south of France. She's a widow, and her best friend, Isabelle, decides to find her a new husband. She puts an ad in the local newspaper and finds a nice man, Gérald. At Isabelle's daughter's wedding, Magali eventually meets Gérald. But there's another man around, Etienne...::G.A. <pitcairn@wanadoo.fr>",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [MOVIE].\n Sorry if the details are a bit vague but the movie is really fuzzy in my head.\n\nIt's a French movie that takes place in either an orphanage or like a school for boys with behavioural problems, (I know those aren't very similar but it's the best way I can think to describe it) and a music teacher wants teach to all the boys who are at the school (or whatever) to sing and at the end the teacher leaves the school, or is fired (I can't remember) and takes one of the younger boys with him and adopts him.\n\nSorry the description is a bit of word soup but it's the easiest way I could describe it.",
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"content": "The Chorus (2004 film).\nIn 2003, Pierre Morhange (Jacques Perrin), a French conductor performing in the United States, is informed before a concert that his mother has died. After the performance he returns to his home in France for her funeral. An old friend named Pépinot (Didier Flamand) arrives at his door with a diary which belonged to their teacher, Clément Mathieu. They proceed to read it together.\nIn 1949, fifty-four years earlier, Clément Mathieu (Gérard Jugnot), a failed musician, arrives at Fond de l'Étang (\"Bottom of the Pond\"), a French boarding school for troubled boys, to work as a supervisor and teacher. At the gate, he sees a very young boy, Pépinot (Maxence Perrin), waiting for Saturday, when he says his father will pick him up. The viewers later learn that his parents were killed in the Second World War during the Nazi occupation of France, but Pépinot does not know this.\nMathieu discovers the boys being ruthlessly punished by the headmaster Rachin (François Berléand) and attempts to use humour and kindness to win them over. When a booby trap set by one of the boys, Le Querrec, injures the school's elderly caretaker Maxence (Jean-Paul Bonnaire), Mathieu keeps the culprit's identity from the headmaster, while encouraging Le Querrec to nurse Maxence during his recovery.\nOn discovering the boys singing rude songs about him, Mathieu forms a plan: he will teach them to sing and form a choir as a form of discipline. He groups the boys according to their voice types, but one student, Pierre Morhange (Jean-Baptiste Maunier), refuses to sing. Mathieu catches Morhange singing to himself, discovers he has a wonderful singing voice and awards him solo parts on the condition that he behaves.\nMorhange's single mother, Violette (Marie Bunel), arrives at the school. When Mathieu goes to explain that Morhange cannot be visited because he has been locked up as a punishment, he finds himself pitying and being attracted to the boy's beleaguered mother and instead tells her that Morhange is at the dentist. Meanwhile, a cruel, uncontrollable boy named Mondain (Grégory Gatignol) arrives and begins causing trouble by bullying the others and generally being rebellious. After stealing a watch, he is locked up for two weeks.\nThe choir is improving rapidly with Morhange as its lead soloist; the children are happier, and the faculty less strict—even Rachin begins to loosen up, playing football with the boys and making a paper aeroplane. After Mondain is released from lock-up, he runs away and seemingly steals all the school's money. After Mondain is captured, Rachin beats him, and Mondain in turn attempts to strangle Rachin. Rachin hands him over to the police, still not knowing the location of the stolen money, and disbands the choir. This causes Mathieu to teach his choir \"underground\", practising at night in their dormitory.\nMathieu continues to meet Morhange's mother, who is unaware of his attraction to her. He plans to help her son win a scholarship to the music conservatory in Lyon. One day she blithely informs him that she has met someone: an engineer. Mathieu is dejected but expresses his feigned happiness and watches her leave in the engineer's car.\nThe Countess, a sponsor of the school, finds out about the choir; they perform before her and others, and Morhange enchants the audience with his solo. Mathieu discovers that another boy, Corbin, stole the money that Mondain was accused of taking. Despite this, Rachin refuses to accept Mondain back at the school.\nWhen Rachin departs to accept an award from the board after taking credit for the choir, Mathieu and Maxence suspend classes and take the boys on an outing. While they are out, Mondain returns and sets fire to the school. Mathieu is fired for breaking the rules, even though he saved the boys' lives, and Maxence is suspended. As Mathieu leaves, the boys—forbidden to say goodbye—lock themselves in their classroom, sing and throw farewell messages out of the window on paper planes. Touched, Mathieu walks away, musing about how he has failed and nobody knows of his existence.\nBack in the present, the adult Morhange finishes reading the diary and recounts what happened afterwards: he won his scholarship to the conservatory, and Rachin was fired after his fellow teachers exposed his abuse towards the students. Mathieu, Pépinot relates, continued to give music lessons quietly for the rest of his life.\nThe final scene (in the past again) shows Mathieu waiting for his bus after being fired. As he boards it, he looks back and finds Pépinot running after him, insisting that he come too. Initially, Mathieu refuses because it is not allowed, and he leaves Pépinot behind. Suddenly, the bus stops and Mathieu gives in: the two board the bus together. Pépinot finally got his wish, for he and Mathieu left on a Saturday, and Mathieu raised him.",
"label": 1,
"id": "tt0372824",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][Movie] Movie with suicidal guy and Morgan Freeman?.\nI remember walking in on my dad watching it when I was pretty young, so I can’t remember much, but I believe it was Morgan Freeman who played the secondary main character. He’s trying to talk a stranger out of killing himself, and the ending is ambiguous I think. That’s all I remember, though.",
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[
{
"content": "The Sunset Limited (film).\nBlack and White converse about White's attempted suicide. White feels as though everything ends up in death, and that his life is minuscule in the throes of time.\nFrom White's point of view, no matter how great someone or something is, all that is created eventually fades away. This is the opposite of what Black believes. He believes that there is a God and that we all must go through the troubles of life to get to paradise (Heaven). By his own account, his story is that of a man who has committed murder and was far away from God, but has now changed.\nBlack feels that he can dissuade White from committing suicide. With Black stopping White right before he was about to kill himself, Black feels that this is destiny. In the end, Black is not able to dissuade White from suicide; he lets him leave the apartment. When White leaves, Black is left pondering why God would put him in a position to save this man's life knowing that there is nothing that he can do to stop White from going through with the suicide.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][TV SHOW][2010s] Looking for a Sci-Fi Television series with time travel and Post apocalyptic setting..\n Looking for a post-apocalyptic sci-fi show from the last 5ish years. I can only barely remember this series, and I'm almost certain it didnt come to me in a fever dream. This is what I remember: \n\n\\-There was a group of people trying to go through a portal to the past on earth. \n\n \\-Something had happened to humanity and they were being selected by an specific individual to go back in time to help save the planet. \n\n\\-The show jumped between people trying to get selected, and a small group that was already in the past living in the woods being investigated by the police/local sheriffs who still didnt know what to do with these people \n\n \\-I remember there being a mother/daughter issue...and some of the people were hesitant about explaining everything that was going to happen in the future. \n\n Thats pretty much all I got...hopefully someone else saw this show before it got likely canceled. Cheers.",
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"content": "The Crossing (TV series).\nRefugees from a war-torn country 180 years in the future start showing up in the present to seek asylum in an American town.::vhavnal; Edited by Peter Victor\n\nRefugees who've traveled back from a war-torn United States 180 years in the future seek asylum in an American town. Driving this conspiracy-centered story are a local sheriff, a federal agent, and a mother in search of her missing daughter.::Podsto; Edited by Peter Victor\n\n_The Crossing_ (qv) revolves around refugees from a war torn country who start showing up seeking asylum in a small fishing town on the Oregon coast. Only the country these people are from is America and the war they are fleeing is 180 years in the future.::ahmetkozan",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Cartoon] cartoon character from Cartoon Network in the 90s.\nThere was a cartoon character I remember from the CN promos in the late 90s maybe early 2000s. I don’t remember what cartoon he was from but he was red and had pointy different colored eyebrows. And I think he had fangs? I think maybe his name started with A or R? That’s literally all I remember, and it wasn’t red guy from cow and chicken",
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"content": "Brak (character).\nJo Jones, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.::Jack McKillop <jem3@donuts0.bellcore.com>",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie] Reclusive/isolated guy who works with computers in an abandoned building.\nMy wife claims I made her watch this movie several years ago, but the way she describes it is not familiar to me at all.\n\nShe does not remember much of a plot, but claims it didn't really seem like there was much of one. She remembers it having like a campy, 80s kind of tone/theme. Definitely a sci-fi/futuristic movie...the people have weird outfits, haircuts, etc.\n\nThe main character works on computers in a massive old building (she says it reminds her of \"Dracula's castle\"). She can't remember if he's naturally reclusive or if he's held there against his will, but he's alone a lot. Apparently there is a food delivery guy that he talks to/is friends with.\n\nThat's all she can give me/remember and now this is driving me nuts. I took a sci fi course in college, and had to watch some weird movies...but I don't have the syllabus anymore so I can't really go investigate.",
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"content": "The Zero Theorem.\nQohen Leth, an eccentric programmer who refers to himself in the plural, is assigned to \"crunch entities\" for a company named Mancom.\nFinding himself suffering existential angst, Qohen constantly waits for a phone call, hoping that it might bring him happiness or the answers he seeks.\nWhen Quohen requests a \"disability\" evaluation, three company doctors determine that he is physically healthy, but request he have therapy from Dr Shrink-ROM, an AI therapist designed to provide mental evaluation.\nWanting to meet with \"Management\", Qohen attends a party held by his supervisor, Joby.\nStumbling into an empty room, Qohen finds Management and requests to work from home, as he would be more productive and would no longer risk missing his call; Management simply notes he finds Qohen \"quite insane\".\nAttempting to leave the party, Qohen is pressed into staying by Joby and, when Qohen starts choking on an olive, he is rescued by partygoer Bainsley.\nHis request granted by Management, Qohen is informed he is to start working from home, and is shown a massive supercomputer dubbed \"The Neural Net Mancive\"; containing all of the entities crunched by workers, Qohen is required to order its data to solve the \"Zero Theorem\", a mysterious mathematical formula.\nSpending months as a hermit whilst working on the program, he is diagnosed with numerous conditions by Shrink-ROM, and begins suffering nightmares involving a black hole.\nFrustrated with his work, Qohen smashes his computer with a hammer, and is soon visited by Bainsley.\nQohen confides in Bainsley that he believes he accidentally hung up a call that would have given him the meaning of life, and has desperately been waiting for a call-back ever since.\nQohen is then visited by Bob, the teenage son of Management.\nBob repairs his computer, reveals Management is spying on him, and suggests that Bainsley is only interested in Qohen because she is paid to be.\nAfter Qohen insists he will cease working on the Zero Theorem, Bob promises to get him his call if he continues.\nHaving received a VR suit from Bainsley, Qohen interacts with her through virtual reality, which makes them both appear on a beach together.\nWhen Qohen asks if the sun in the horizon ever sets, Bainsley responds it is not programmed to do so.\nThey soon kiss one another.\nVisited again by Bob, Qohen, to his distaste, learns the Zero Theorem aims to prove life is meaningless through the Big Crunch theory.\nDigitally connecting to Bainsley again, Qohen is comforted by her, but when he denounces Management and suggests eloping together, she forcefully disconnects, damaging Qohen's suit.\nWhen Bob then takes his suit to repair it, Qohen connects to Bainsley unannounced, only to discover she is a webcam stripper.\nBob returns with Qohen's suit, now repaired, and reveals his phone call is only a delusion, and admits his dr Shrink-ROM was only designed to identify his pathology rather than treat it.\nQohen is visited by Bainsley, who apologizes for deceiving him, but claims she truly fell in love with him; despite Bainsley's offer to elope, which is encouraged by Bob, Qohen turns her down.\nQohen, discussing his problems with Bob, discovers Bob's health is radically declining.\nCaring for Bob, Qohen finds a hidden camera in his bathroom mirror, and begins to uncover and smash Management's cameras.\nDespite barricading his home, Management employees break in and take Bob away.\nVisited by Joby, Qohen is berated by him, as his actions got Joby fired.\nQohen dons his now \"repaired\" virtual reality suit and connects to his computer, but is nearly electrocuted.\nAppearing at the Neural Net Mancive, Qohen is greeted by an image of Management, who notes that Bob is hospitalized because of his declining health, which is due to a chronic illness.\nManagement explains Qohen is now part of the Neural Net and, when Qohen asks questions about the meaning of his life, Management explains that there is none, and that he was never a higher power able to grant Qohen his call.\nManagement explains that while the Zero Theorem would prove that everything is meaningless, the entire purpose of Mancom in \"crunching entities\" was to bring order to disorder, finding meaning in some form that he could sell.\nManagement explains he chose Qohen to solve the Zero Theorem as he was its effective antithesis, since he had faith in finding meaning, waiting endlessly for his phone call.\nManagement then disappears, apologizing as he no longer needs Qohen; angered, Qohen smashes the Neural Net, collapsing it and revealing a black hole inside.\nSmiling, Qohen jumps into it, only to appear back on the virtual beach.\nResigned, calm and alone, Qohen stands in front of the sea and, after interacting with the sun, watches the sunset he causes.\nAs the credits roll, Bainsley is heard calling Qohen, hinting that either Bainsley has joined him or he has conjured her up in his virtual world.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [MOVIE] 2 guys in a coastal city (maybe L. A. ?) are hired to find a girl with a birthmark..\nOkay folks, I’ve had this in me for a pretty long time. First saw it on TV around midnight and was pleasantly surprised. \n\n2 guys on the beach are hired by a lady. Lady wants them to find a girl with a birthmark, because the girl is supposed to receive a large inheritance. \n\nSo the guys start looking - this consists of them basically cooking up schemes to look at naked women, such as - looking at cameras in woman’s bath houses, conducting naked photo shoots etc. \n\nIn the end the chick turned out to be the friend (maybe girlfriend?) of one of the main characters and they lived happily ever after.\n\nPlease help, I’m bored.",
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"content": "Can It Be Love.\nTim and David want to have fun during vacation so they join a private detective agency. Their first job is to find a delta girl who has inherited a fortune. But the job seems easier than it turned out to be...::Volker Boehm",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][TV][2000s] A children's TV show of a group of different colored elephants and the show takes place in this nicely decorated room.\nI remember watching this show around the year 2004-2006. So, the TV show mostly shows these elephant characters playing around in this jungle-like decorated room. For the elephants, I guess there were people wearing those elephant costumes (think Barney or Sesame Street). And from what I can remember, they were all walking on two legs. As for their appearance, I remember the elephants having a little hair on top of their heads, and one elephant had a pink body with purple stripes, another had a light green body with dark green stripes. I don't remember what the others looked like.\n\nThe room had rocks and grass/weeds or something to resemble a jungle or a seabed lol. And there were bubbles too. That's all I can remember",
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"content": "Fimbles.\nThe latest BBC pre-school offering is for 2-4 year olds (so sits neatly between Teletubbies and Tweenies) centres around the characters Fimbo, Florrie & Baby Pom (\"_Fimbles_ (qv)\") and their lives/adventures in Fimble Valley.::Ben Norwood",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Series][2000s] TV series about US cop transferred to the UK for a specific assignment.\nHey there.\n\nThe TV series is about a cop who needs to work with UK police to track down someone, with all the cultural clash you'd expect. His assigned partner was a blonde man who went on swinger parties with a female friend who pretended she was his wife. I really liked it, but lasted only a single season if I remember correctly.\n\nThanks!",
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"content": "Keen Eddie.\nAfter his investigation into an oxycodone ring results in a botched drug bust, New York police Detective Eddie Arlette is sent to London to assist Scotland Yard with its work on the same case.\nEddie and his British police partner, Inspector Monty Pippin, help crack the case, and Eddie is asked to stay on at Scotland Yard.\nHe initially declines but suddenly changes his mind to the surprise of those around him.\nIn addition to his work, Eddie has an adversarial relationship with Fiona, who occupies the flat he is renting from her parents; she begrudgingly puts up with him (and his Bull Terrier, Pete), because he has threatened to reveal to her parents that she is not actually enrolled at university.\nEddie frequently tries to make Fiona question her relationship with her boyfriend, Nigel.\nIt is possible that he would like them to break up so he might be able to date Fiona.\nIn the final episodes of the series, Eddie and Fiona seem to be forming a deeper connection with each other, while still maintaining their teasing relationship.\nIn the final episode, it is predicted that Eddie will fall in love with a woman on a red bus.\nIn the last moments of the episode, Eddie sees Fiona get off a red bus.\nHe clearly notices this fact but chooses not to tell Fiona.\nEddie's other influential relationship, while in England, is with his friend and co-worker Monty Pippin.\nOn his first day in London, Pippin takes Eddie to a swingers club.\nPippin explains that he is not actually married but he and a friend pretend to be, so they can take part in the club.\nPippin has many other strange sexual habits.\nIn one episode, Pippin joins a support group for \"sexaholics\" (nymphomaniacs) but tells the group his name is Eddie Arlett.\nHe also drops his English accent and takes on an American one.\nHe never takes the support group seriously and promptly attempts to seduce one of his group members.\nWhile Eddie puts up with Pippin's antics, he frequently tries to encourage Pippin to change.\nEddie also states that Pippin's personality is not natural as everything Pippin does contradicts something he did previously.\nEddie also has a flirtatious, albeit a seemingly imaginary, relationship with Carol Ross (Superintendent Nathanial Johnson's assistant), whom he calls \"Ms.\nMoneypenny\" and with whom he banters using double entendres.\nWhen he asks her seemingly innocent questions, she gives a sexual reply (\"How are you, Miss Moneypenny.\n\" \"Completely.\nshaved\".\nor \"What's new, Miss Moneypenny.\n\" \"Crotchless panties\".\nor \"What's your position, Miss Moneypenny.\n\" \"On.\nall.\nfours\".\n).\nEddie frequently asks those around him if they heard her response.\nExcepting a single incident in the episode Keeping Up Appearances, no one ever appears to have heard her sexual response but simply hear a neutral comment (when he asks her how she's doing, he hears her say \"Terribly horny\", but anyone he asks heard \"Terribly well\").\nEddie owns a bull terrier named Pete, who is extremely ill-tempered.\nEddie attempts to leave him in quarantine at the airport when he arrives in England but Pippin rescues Pete, by claiming Pete is a police dog.\nPete chews on everything and frequently destroys TV remote controls and cellphones.\nHe also has strange sexual appetites, from Fiona's cat Princess to a fur coat to sleeping humans.\nMore than once, he has aggressively cornered visitors at the apartment and forced them to stand motionless for hours until Fiona or Eddie come home.\nEddie also has a catchphrase when introduced to a villain or upon making an arrest: \"Hi, I'm Eddie.\nhow do you like me so far.\n\".",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie] Looking for movie about releases prison inmate.\n[TOMT][Movie]\n\nColleague of mine is looking for a movie. She remembers this:\n\nThe MC was an Prison Inmate who was recently released and returned home, he could however not get used to civilian life.\nHe had a wife and child, to help him getting used they moved.\nEventually he started an Welfare Organization to support victims of an Civil War in Africa.\n\nDoes this ring any bells?",
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"content": "Machine Gun Preacher.\nAlthough the film centers on Childers, it starts off with a scene in South Sudan, where the LRA are attacking a village.\nThis opening scene is placed into context later in the film.\nSam Childers (Gerard Butler) is an alcoholic drug-using biker from Pennsylvania.\nOn his release from prison, he finds that his wife (Michelle Monaghan) has given up her job as a stripper, because she has since accepted Christ as her savior.\nInitially infuriated by his wife's decision, he returns to his routine of partying and using drugs like heroin with his fellow biker friend Donnie (Michael Shannon).\nOne night while on a bender with Donnie, he almost kills a vagrant.\nHe is shaken by the experience, and the day after allows his wife to persuade him to go to church with her, where he is eventually baptized and offered salvation.\nSam soon finds a stable job as a construction worker and later starts his own construction company.\nLater, on a missionary trip to Uganda to build homes for refugees, he asks one of the SPLA soldiers watching over them to take him on a trip to the north, to Sudan.\nThe soldier warns him that it is a war zone, but upon Sam's insistence they go.\nThey arrive at a medical tent in Sudan.\nAs the soldier moves off to talk to some people, Sam is roped in by a female doctor to help lift a lipless Sudanese woman onto the examination table.\nThat night as they lay on their beds at the relief station, they hear noises outside, and when they look out, Sam and the soldier see large numbers of Sudanese children swarming around to sleep outside the building.\nThe soldier explains that their parents send them to sleep over here because it is safer than staying in their own village.\nSam wakes up the children and gets as many as he can fit to sleep in their room for the night.\nThe next day Sam and the soldier follow the children back to their village only to find that the LRA has burnt it down and killed their parents.\nOne of the children runs after his dog and is killed by a hidden landmine.\nSam cradles the dead child and cries, the experience traumatizes and changes Sam.\nAfter returning home, Sam has a \"vision from God\" and decides to build an orphanage for the children of South Sudan, as well as a church in his own neighborhood that will be \"open to all\" without judgement.\nAfter its completion he begins preaching at his church, and helps his old friend Donnie get sober and find God as well.\nHe soon returns to Africa and despite vocal opposition, builds the orphanage.\nOne night after it is built, the LRA attack it and burn it to the ground.\nSam then phones home, telling his wife what has happened and that he is giving up.\nShe reminds him that the orphans have been through worse but they have not given up, and that he should not give up and tells him to rebuild the orphanage.\nAfter the orphanage has been rebuilt, he and his friends from the SPLA are attacked on the road by the LRA, they manage to chase off the small force of the LRA that attacked them.\nThey search the area and discover a large group of Sudanese children hiding in a ditch not far from the road.\nSince they can not take all the children in one trip, Sam chooses to take the ones who need medical attention along with a few others on their first trip back to the orphanage.\nHowever, upon returning to the spot as quickly as he could, he finds that the LRA killed and burnt those he had left behind.\nThis causes Childers to lead armed raids to rescue children from the LRA.\nHe returns home to theS.\ndisgruntled and exasperated about the lack of money for the project.\nHe also feels disconnected from his community; he is disgusted by the excess displayed and petty \"problems\" of his family and friends, as well as their apparent apathy toward the children of Sudan.\nMeanwhile his friend Donnie breaks his sobriety and ends up dying from an overdose, this pushes Sam further into negativity and despair.\nHe sells his business and boards a plane for Sudan.\nHis faith and mission is revitalised when an orphan boy tells his personal story to Sam.\nThe boy tells him that if he allows hatred to fester in his heart, his fight against injustice fails.\nSam also rekindles his emotional attachment with his family over the phone.\nThe next day he engages with the camp actively.\nLater he goes out with SPLA and rescues a caravan full of children who were kidnapped by LRA.\nThe end credits include black and white pictures of the real Sam Childers, his wife, daughter, and his orphanage in Sudan.\nThe pictures are followed by a short black and white home video clip of Sam talking about his work, while the credits roll on the left side of the screen.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [TV SHOW] A doctor recruits superheroes to run tests.\nOkay this is for my fiancé, this is what he remembers: The main character is a plain white guy with a military haircut with darker hair, and has a short beard. He was a sniper in the military and his power is super accuracy so he never misses a shot. \n\nIn the show he throws a coin into a vending machine. He misses the first time just barely, but sinks it the second time. He also has a 10-year-old son who might also have the accuracy power and he plays baseball or something similar. The doctor isn’t evil and wears a lab coat.\n\nHe saw this over 6 years ago, we’re guessing like late 2000s or early 2010s. It was a series but didn’t last long",
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"content": "Alphas.\nThe series follows five people, known as \"Alphas\", led by noted neurologist and psychiatrist Dr. Lee Rosen (David Strathairn), as they investigate criminal cases involving other suspected Alphas.\nRosen and his team operate under the auspices of the Defense Criminal Investigative Service, the criminal investigative arm of the U.S. Department of Defense. While investigating these crimes, it does not take the team too long to discover that a group known as \"Red Flag\", which was thought defeated and eliminated long ago, is using other Alphas to commit crimes.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [MOVIE] World War 2, small group of US soldiers against Germans..\nI recall quite a few scenes but haven't had any luck finding this. I remember it was no more than 50-100 US soldiers with a limited amount of supply and were begging to get ammo/supplied. There was one \"runner\" who was a guy in a jeep (I think that was the only vehicle the whole group had, just the one jeep - possibly because no other vehicles or they had to scrap other vehicles for parts). Jeep guy was also a mechanic and thus was ordered by the NCO (or CO I really don't know) to do something with the engine that made it sound like a tank, not a jeep. During the night, they had a code (like in Saving Private Ryan, Thunder -> Flash), except they had \"APPLE!\" - > \"COBBLER!\" (there was even a scene where a German patrol yells out \"PIE!\" instead and are shot at). If I recall, there actually wasn't all that much fighting shown, it was more just the Americans trying to deceive the Germans into thinking that there were more of them than the Germans' initial intelligence suggested (e.g. making the jeep sound like a tank). Not a new movie by any means, definitely before or during 1980s I'd guess. I believe the Americans also had a control room that was underground or something.",
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[
{
"content": "Hell Is for Heroes (film).\nMontigny, Meurthe-et-Moselle, 1944: Squad leader Sergeant Larkin (Harry Guardino) and his men are taking a well-deserved rest behind the lines after conducting front-line combat operations for several weeks. Rumor has it the unit will be rotated state-side and the men are almost giddy in anticipation. During an interlude at a church and later at a tavern, the senior non-commissioned officer, Platoon Sergeant Pike (Fess Parker), happens upon acquaintance Private John Reese (Steve McQueen) who has been assigned to his platoon. Reese was a former master sergeant, demoted to private after a court martial, who walks about armed with a distinctive M3 submachine gun. Reese is the quintessential troubled loner, managing to alienate almost everyone in the squad right from the beginning. Unlike his jubilant comrades, the prospect of a long break from combat, perhaps the end of the war itself, renders Reese morose. The company commander, Captain Loomis (Joseph Hoover), is worried because Reese, although already having won a Distinguished Service Cross, acts irresponsibly when there is no fighting, but Pike comments that he is a good soldier in combat.\nPike informs the men that they will shortly be going back into the line rather than home. After much bitter complaining, the men get ready to move out. The remaining members of 2nd Squad include con-man/scavenger Corby (Bobby Darin); Corporal Henshaw (James Coburn), a mechanic who can fix anything; the easy-going, somewhat-naive kid, Cumberly (Bill Mullikin); and family man Kolinsky (Mike Kellin). The squad has their own mascot, a young Polish displaced person Homer Janeczek (Nick Adams), who is not a soldier, but stays with the squad in hopes of accompanying the men upon their return to the United States. The morning after they arrive at their appointed post and dig in, the men realize that an unannounced overnight withdrawal of the main American force has left them spread dangerously thin. Finally, Pike arrives to explain the situation, which only heightens everyone's awareness that any reconnaissance by the Germans across the valley will quickly reveal how weak the American defenses are there.\nOne stroke of good luck is the sudden and mistaken arrival of an Army company clerk, Private First Class James Driscoll (Bob Newhart in his first film role). Larkin quickly puts Driscoll’s jeep to use by having Henshaw drive it back and forth behind their lines, after rigging it to backfire and sound like a tank, in an attempt to fool the Germans. Driscoll himself is put to use improvising misleading radio messages for a hidden microphone, discovered by Corby, left by the Germans in an abandoned pillbox (Newhart was noted for his telephone conversation skits in his stand-up comedy routines). Additionally, Larkin has his men run wire to three empty ammo cans, partially filled with rocks and hung from trees, distributed along gaps in their front lines, which they can pull to create noise to make the Germans believe that a much larger American force is present.\nA German raid results in Cumberly's death, but Reese manages to eliminate three Germans in close combat. Worried that the German survivors will report on the under-strength American lines, Reese recommends attacking a large, opposing German pillbox, flanked by a minefield and barbed wire, to make the enemy pause and convince them the Americans are at normal strength. Larkin, fearing an overwhelming enemy assault on their positions, decides to go find Pike and obtain his permission for the pillbox attack. Unable to locate Pike because he has gone to the rear, Larkin returns and berates Reese when he finds out Henshaw, whom Larkin had put in charge in his absence, had been convinced by Reese to go to a supply dump to obtain satchel charges. After a heated argument with Reese, Larkin is killed in an artillery barrage. Reese decides to proceed without orders and two others, Henshaw and Kolinsky, go along. Shortly after they set out, Sgt. Pike and the rest of the company begin to return to the line.\nThe squad's attack fails when Henshaw accidentally sets off an undetected S-mine, fatally burning with the exploding flamethrower tanks he carries, as well as illuminating the battlefield. Reese and Kolinsky retreat, covered by smoke from the company mortar squad. As they run back to their lines, Kolinsky is struck by shrapnel through the back and abdomen, and finally dies, screaming about his guts, as a medic and others attend to his wounds.\nA furious Captain Loomis berates Reese and promises him a court-martial for defying orders to hold the line, but only after the American assault at dawn. The dominant German pillbox fires on the advancing Americans, who press on despite heavy casualties. Determined to eliminate the pillbox, Reese gets within striking range, aided by Corby, manning a flamethrower. Reese throws a satchel charge into the pillbox, but, in the process, is wounded in the back and stomach. When the unexploded satchel charge is tossed out by the alert defenders, the wounded Reese retrieves it and carries it back through the pillbox opening, blowing up the fortification's occupants and himself. Corby, at Pike's command, directs his flamethrower at the blown-out pillbox window, until it is engulfed with fire, as the Americans continue to advance, and fall, to other unseen German weapons.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE][2000s] a satire of black and white horror films.\nHey reddit!\n\nMy dad and I rented this movie on base sometime in the mid 2000s. This was all black and white, but it was a modern movie. I remember a couple driving up to their cabin in the woods, really hamming it up. At some point there was a swamp monster (in reference to the Creature From the Black Lagoon), some aliens, a mad scientist in a cave, and aliens. \n\n\nIt was a comedy, akin to Airplane! in that it's very much poking fun at itself. When the mad scientist was in the cave you could see the prop kid's science kit in the back, for example. \n\nI'm hoping to surprise my dad for his birthday with this movie!",
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"content": "The Lost Skeleton of Cadavra.\nIn 1961, scientist dr Paul Armstrong (Larry Blamire) and his wife Betty (Fay Masterson) drive into the mountains.\ndr Armstrong is searching for a meteorite that has fallen in the nearby woods, suspected to contain the rare element atmosphereum.\nAnother scientist in the area, dr Roger Fleming (Brian Howe) questions Ranger Brad (Dan Conroy) about Cadavra Cave, a site rumored to contain a \"Lost Skeleton\".\nThat evening, both the Armstrongs and dr Fleming observe another falling meteor.\nA short time later a farmer (Robert Deveau), encountered by the Armstrongs on their way to the cabin, is mutilated by a mysterious beast.\nThe second meteorite is actually a spaceship carrying two aliens.\nKro-Bar (Andrew Parks) and Lattis (Susan McConnell) are from the planet Marva and are now stranded on Earth, in need of the element atmosphereum to repair their powerless ship.\nThe ship's pet mutant (Darren Reed) escapes from its cage while they are distracted.\nThe next day, dr Roger Fleming finds Cadavra Cave and locates the Lost Skeleton.\nThe Skeleton commands Fleming to bring atmosphereum to return him to life.\nMeanwhile, dr Armstrong and Betty venture into the woods, discovering the meteorite just outside Cadavra Cave.\ndr Fleming overhears them and plots to steal the meteorite from the pair.\nKro-Bar and Lattis also journey into the woods, locating the cabin with the meteorite.\nUsing a device called the \"transmutatron,\" they disguise themselves as \"Earth people\" and clumsily manage to talk their way into the cabin, having been mistaken for the property owners.\nNot long after they arrive, dr Fleming discovers the aliens' transmutatron, left outside the cabin since it would ruin their disguise.\nHe uses it to create an ally for himself, the alluring Animala (Jennifer Blaire), created from four different animals.\nAfter briefly teaching Animala the basics of human interaction, he leads her to the cabin and convinces the Armstrongs to invite him inside.\nSoon it becomes clear to Lattis and Kro-Bar (calling themselves \"Turgaso\" and \"Bammin\" on Earth in an effort to pass as earth humans) that Fleming knows their secret.\nThey soon cooperate in stealing the meteorite, after Betty is psychically attacked by the Skeleton and dr Armstrong is entranced by Animala's dancing.\nThe evil scientist tricks the pair, however, and the Skeleton uses his mind powers to freeze the aliens in their tracks once dr Fleming has the meteorite.\ndr Fleming and Animala soon use the atmosphereum to resurrect the Skeleton.\nMeanwhile, Betty, waiting for dr Armstrong to come back, encounters the Mutant, who appears to fall in love with her, but she is terrified and faints.\nWhile Fleming and Animala are resurrecting the skeleton, Armstrong arrives and encounters the unfrozen aliens.\nThey also find Betty, who has realized that the mutant has some sort of feelings for her.\nAfter bonding over a meal, the four head off to try to obtain the meteorite before it can be used to resurrect the skeleton, but they are attacked by the Mutant.\ndr Armstrong is injured in the fight, but realizes that the monster does not want to harm Betty.\nArmstrong and his wife return to the cabin to recover, while the aliens try to stop Fleming on their own.\nHowever, they are captured by the skeleton's mind powers, and forced to dance by his psychic powers.\nThe Skeleton uses his mental powers to force Lattis into becoming his bride, much to Kro-Bar's chagrin.\nThe Skeleton mocks everyone, including Fleming, but keeps them in line with his telepathy.\nWhen Armstrong sees what is going on, he comes up with a plan to get Betty to lure the Mutant to the wedding to disrupt it.\nAfter getting the Mutant to follow them, Armstrong and Betty attack Fleming and Animala.\nDuring the fight, the Skeleton kills Fleming after the latter is beaten by Armstrong.\nThe Mutant then arrives at the wedding and attacks the Skeleton, whose powers do not affect beings with as simple minds as the mutant.\nThey instead fight until the Skeleton is thrown over a cliff, smashing apart on impact.\nThe mutant then succumbs to its injuries and dies.\nAnimala is turned back into the animals she originally was via the transmutatron.\nThe alien and human couples spout traditional homilies about different species working together in harmony, then go to retrieve the atmosphereum.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [MOVIE] Spanish film shown in high school class.\nThe title was one word something along the lines of soundless. I think there were multiple story arcs but the first one was of this guy who barely left his apartment, even getting groceries delivered to his door. He goes to a park with some girl walking her dog and it cuts to them fucking at his place. Minimal dialogue and mostly narrated. ",
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"content": "Sidewalls.\nIn the urban sprawl of Buenos Aires, Martin and Mariana are strangers, living in neighboring apartment buildings. Martin is a web designer, and takes up photography as a way to cope with his fear of the city. Mariana, an aspiring architect, is forced to move back into her old apartment after a breakup. Living solitary lives in one-room “shoebox” apartments, they both contemplate the changing cityscape, and struggle with anxiety and loneliness, feeling disconnected from other people in the digital age.\n\"A Short Autumn\"\nWitnessing a series of accidents on the street – a prostitute’s dog jumps from a balcony, causing a passer-by to be struck by a taxi and another to have a heart attack – Martin and Mariana separately stop to help. Martin is diagnosed with a harmless case of discarthrosis, and has adopted his ex-girlfriend’s dog after she abandoned them both to move to America. Mariana, working as a window dresser, finds herself talking to the store mannequins she prepares at home. She rediscovers one of her favorite Where's Wally? books, with a page she has never been able to solve. Ignoring a call from her ex-boyfriend, she thinks back on the end of their four-year relationship.\n\"A Long Winter\"\nMartin and Mariana pass frequently in the street without meeting. Spending most of his time online, Martin orders a new desk chair and hires a dogwalker, Ana. They begin dating, but she is already in a relationship and disappears from his life. Mariana agrees to a date with a client, Lucas, at a restaurant at the top of a skyscraper. Explaining her phobia of elevators, she takes the stairs, to Lucas' dismay; as he waits at their table, she is overcome with anxiety and leaves. Finding Martin’s old chair at the curb, she brings it home, and deletes all her pictures of her ex-boyfriend. She tells the story of the famed Kavanagh building, and is drawn to the music from a neighbor’s new piano. Martin tries online dating and meets Marcela, a manic polyglot, but their date ends in disappointment. He begins swimming at Mariana’s local pool, where she connects with fellow avid swimmer Rafa. They share an enjoyable date, and Mariana reacts kindly when Rafa experiences sexual dysfunction, but he deserts her.\n\"Spring At Last\"\nMariana reflects on the unremarkable exterior “sidewalls” of the city’s buildings. Seeking change in her life, she gets a lip piercing, and she and Martin each have a new window installed in their apartments. They unknowingly look out at each other while listening to “True Love Will Find You in the End\" on the radio, and are both moved to tears by the ending of Manhattan on TV. By chance, they connect with each other online in an anonymous chat room, but just as Mariana asks for Martin’s phone number, the city is plunged in a blackout. Buying candles at the same store in the dark, they unwittingly share a static shock before going their separate ways. Later, from her window, Mariana spots Martin walking his dog, wearing a red-and-white-striped sweater similar to Where's Wally? She races down to the street, and they finally meet face-to-face. During the credits, Martin and Mariana – now living happily together – record a home video, lip-syncing to \"Ain't No Mountain High Enough\".",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE][1980s][Comedy]Kind of a tough one, it's about four guys who go on a camping adventure..\nI remember one of the guys is played by someone who was a pretty successful comedian in the 80's. He was known for wearing a trench coat and having a high-anxiety kind of comedy persona. In this movie he plays a hypochondriac who takes a lot of medications and is always worried about everything. I thought one of the other actors was John Candy but I looked at his filmography and now I don't think it was him, similar to John Candy though. I can't remember the premise that well, but I remember scenes where they go shopping for the camping equipment and then later they're in the tent. I think maybe they were on the run for some reason? Sorry about the vague descriptions, the movie stuck with me though for some reason. ",
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"content": "The Wrong Guys.\nThirty years ago Louie Anderson was the leader of a group of Cub Scouts, Den 7: \"The Owl Patrol\", consisting of himself, neurotic Richard, ladies man Belz, smooth talking Franklin and surfer dude Tim.\nAlthough an accomplished troupe, they fail in their attempt to earn the coveted \"Arrow of Light\" badge by camping on Mount Whitehead, getting lost and having to call their mothers for help.\nThey also face daily harassment from Glen and Mark Grunsky, two bullies that were kicked out of the den.\nDecades later they have all gone their separate ways, except for Louie who lives in the same house and reminisces about his glory days as a Cub Scout.\nHe decides to track down all his old friends and have a reunion.\nBelz is a famous fashion designer, Richard is a dentist, Tim teaches surfing and Franklin is a therapist with a radio show.\nWhen they gather at Louie’s house they are shocked to see how little it has changed and even more shocked when he proposes that they go on a camping trip to finally conquer Mount Whitehead.\nMeanwhile, a dangerous criminal named Duke Earle has escaped prison with two accomplices.\nAfter shooting up a restaurant he decides they should lie low in a cabin on Whitehead, where his uncle used to live.\nWhile shopping for supplies, the scouts are spotted by the Grunsky brothers, who decide to secretly follow them and pull a prank.\nOn the mountain the scouts have a rough time adjusting to the wilderness after their sheltered lives.\nThe Grunskys fare little better, being terrorized by a squirrel who steals all their food.\nWhen Duke sees the Den 7 flag the scouts are flying, he mistakes them for section seven of the FBI and plans to kill them when the sun goes down.\nAfter night falls, Belz and Tim sneak off to check out a nearby health spa for women.\nTheir attempts to woo two attractive ladies instead earn them the ire of Ginger and Marsha, the Grunskys' wives who are vacationing there, and the two scouts barely escape.\nLouie and Richard notice them gone and believe they have been abducted by “One Armed Pete”, a legendary axe-murderer (and it turns out, Duke’s uncle).\nThey are unable to awaken Franklin, who has taken one of Richard’s sleeping pills and set off without him, Richard complaining the whole time.\nAt Duke’s cabin they meet one of his accomplices and learn of the mistaken identification that has set Duke on them.\nDuke meanwhile has made his way to the scouts’ camp and machine-guns their tent, with Franklin still inside.\nWhen Louie and Richard return they initially believe him to be dead, until he awakens and Belz and Tim arrive.\nThe Owl Patrol tries to flee the mountain, but realize that their engine has been stolen by the Grunskys, who only agree to return it if their status as Cub Scouts is restored.\nWhen trying to retrieve the engine they witness Duke killing one of his accomplices and flee into the woods while Duke swears they won’t get off the mountain alive.\nThe Grunskys' own car is sabotaged by the same squirrel as before, who chews through the wires of their engine.\nFleeing through the woods, the scouts tumble down a hill and discover their missing pack, the loss of which led to their failure thirty years ago.\nIt contains a map, compass, and other survival tools, and the troupe decides that this is fate giving them another chance to \"beat this goddamn mountain\".\nThey build a raft to escape down river, but an attack from Duke separates Tim from the group.\nHe ends up surfing part of the raft down a waterfall, fulfilling a prophecy made earlier by his psychic girlfriend about a \"wave that never ends\".\nTim survives and makes it to a Park Ranger station, but it is abandoned.\nHe calls the police, but they have had too many conflicting reports about Duke’s whereabouts and dismiss his claims.\nThe other scouts trick Duke with a prank the Gunskys pulled on Richard when they were kids, baiting him with a dollar on the ground and suspending him from a tree with a snare trap.\nHowever the squirrel returns yet again and chews through the ropes, freeing Duke.\nHe prepares to execute the Owl patrol, but is suddenly set upon and beaten by their mothers, whom Tim has summoned as a last resort.\nThe FBI arrives and tells them that there is a large reward on Duke's head, which the scouts decide should go to Louie because he is the one who got them through the ordeal.\nIn the final scene the seven scouts of the Owl Patrol are finally awarded the Arrow of Light for their deeds, in front of a cheering crowd of scouts.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE] Guy has to rent a suit to fit in with a group of WASP university students on winter break in New York..\nMost of the movie was boring conversation in a New York apartment or penthouse.",
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[
{
"content": "Metropolitan (1990 film).\nMiddle-class Princeton student Tom Townsend, an admirer of Charles Fourier, attends a debutante dress ball one evening on a whim. After the ball, a mix-up leads to his meeting a small group of young Upper East Side socialites known as the Sally Fowler Rat Pack, after the girl whose apartment they use for after-hours parties. Believing that they accidentally stole a taxi from Tom, they decide to invite him to their after-hours party, to prevent ill feelings.\nTom decides to attend the party, and befriends several other attendees, including Nick Smith, a cynic who takes Tom under his wing; Audrey, a shy girl who enjoys Regency-era literature and has a crush on Tom; and Charlie, an overly philosophical friend with an unrequited love for Audrey. Tom learns that he and the Rat Pack have some common friends, including his ex-girlfriend Serena Slocum, with whom he remains infatuated.\nUnder Nick's tutelage, Tom ingratiates himself to the Rat Pack and soon becomes a full-fledged member. Much of the film is composed of dialogues in which Tom and the Rat Pack discuss the nebulous social scene they occupy, including how they are coming of age just as the culture in which they were raised is ending, leaving them with uncertain social futures. During these discussions, Tom reveals that he, too, was raised wealthy, but that his father abandoned the family to marry another woman, leaving Tom and his mother with limited financial resources. As a result, Tom harbors a love–hate relationship with wealth and the upper class.\nSerena has been dating Rick Von Sloneker, a young, titled aristocrat notorious for his womanizing. At a party after the International Debutante Ball, Nick alienates himself from the group by accusing Rick of getting a girl drunk and convincing her to \"pull a train\" several years before, after which she committed suicide. Other members of the Rat Pack point out holes in Nick's story. Nick admits that the story was a \"composite\" of incidents from Rick's life. Shortly thereafter, Nick leaves Manhattan, giving Tom his top hat as a token of friendship.\nBelieving that Tom is not interested in her romantically, Audrey decides to leave Manhattan to spend the rest of vacation in the Hamptons with Rick and another girl from the Rat Pack. Realizing that he has developed feelings for Audrey, Tom recruits Charlie to help him rescue her from Rick. The two travel to the Hamptons together, bonding en route. Against their expectations, they arrive to find Audrey in no peril. Tom and Charlie nonetheless instigate a fight with Rick, which ends with them being kicked out of his beach house. Afterward, Tom and Audrey talk on the beach, with Audrey saying that she is planning to attend college in France, and Tom contemplating going to visit her there. Tom, Audrey, and Charlie begin hitchhiking together towards Manhattan.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [movie] Siblings hear a girl calling for help in a cornfield. Horror movie?.\nI think this is a horror movie, possibly on Netflix only; I remember from the trailer that there were a pair of siblings who wander into a cornfield after they hear a girl calling out for help; however, it's a ruse, and the cornfield turns out to be alive or something like that. Can anyone help me identify the movie name? ",
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{
"content": "In the Tall Grass (film).\nSiblings Becky, 6 months pregnant, and Cal DeMuth travel to San Diego. They hear a young boy, Tobin, calling for help from a field of tall grass. His mother, Natalie, shuts him up. Concerned, they enter but quickly get separated and finds that their distance changes unnaturally. Panicked, they decided to leave but can't find the road. Becky encounters Tobin's father Ross, he tells her to stay with him and don't lose sight of him. She does lose him. Cal stumbles across a bruised, dirty Tobin holding a dead crow. Tobin claims the grass won't move dead things and buries the bird in the path. He tells Cal that Becky will die soon and that the rock told him that. Tobin leads Cal to a rock in the field and tells him to touch it, interrupted by Becky's scream, he is attacked by a ghost.\nThe father of Becky's child, Travis, arrives looking for her and Cal. He investigates the field, stumbling across Tobin, implying that they are acquaintances, leading him to Becky's corpse. Tobin arrives at a nearby church with his parents. Hearing Travis, who is now calling out to Tobin, their dog Freddy runs into the grass, and the family runs in after him, where Travis hears Tobin and looks for him. The family panics, with Ross stumbling across the rock and touching it. Becky and Cal re-enters the grass as Tobin states that Freddy died. Knowing the grass's trait, Becky and Cal move towards Tobin, and all four find each other. Travis tells Becky and Cal that they had been missing for two months.\nThe group spots a building in the distance. Becky receives a phone call from someone warning them not to keep making the same \"mistake.\" The grass seemingly enters Becky's uterus, and she passes out, only to be revived by Ross, who then reunites with Tobin and says he'll show them out. Ross leads them to the rock where they are confronted by Natalie, she warns them not to touch the rock. Then, she claims she saw Becky's corpse earlier. Natalie warns that Ross is dangerous, and the others decide to leave. Travis attacks Ross who then breaks his arm and crushes Natalie’s head. Ross claims the rock showed him the truth and the way out, but he doesn't want to leave.\nBecky, Cal, Travis, and Tobin reach the building, and while scouting, Travis and Cal discover that Freddy has managed to escape the field via a \"hole\" that leads to the road. Jealous Cal, implied to have incestuous feelings for Becky, lets go of Travis as he slips, causing him to fall off the roof. Tobin flees into the field when Ross follows them to the roof. The two follow Tobin, but Becky refuses to leave Travis and goes back as Cal flees, Cal is strangled to death by Ross. It is revealed they are in a time loop, with Cal permanently being hunted by an insane, possessed Ross in the grass. Travis survives and searches for Becky. Becky says the baby will be fostered.\nBecky is attacked by Ross but escapes by stabbing him in the eye, and a thunderstorm begins. Becky is confronted by Grass Creatures, who carry her to the rock, which has prophetic marks relating to her pregnancy. Becky makes a phone call, pleading for her past self to prevent Cal from hurting Travis. As she screams in pain from contractions, the ground underneath the rock opens, revealing multiple roots that turn into humanoid figures reaching towards her. She passes out and wakes up to Cal who squeezes water into her mouth. He is holding her baby. She goes back to sleep and wakes up to Cal feeding her baby to her and telling her it is just grass and seeds. Becky realizes that \"Cal\" is Ross. Tobin finds Travis and tells him that Ross killed both the baby and Cal, and is going to keep killing them over and over. They are confronted by Ross, who mortally wounds Travis. As Ross forces Tobin to touch the rock, Becky attacks him and scratches out his other eye, before dying from her wounds. Travis kills Ross. To understand, Travis touches the rock and sees strange visuals. He grabs Tobin's hand and guides him to an exit, instructing him to stop Becky and Cal from entering.\nTobin emerges across the road as Becky and Cal are about to enter the grass, convincing them to stay out by showing them Becky's necklace that Travis gave him, hence closing the loop. Becky decides to keep her baby as they drive back home. Travis listens to them leaving and dies.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE]Kid's Road Trip movie.\nI only remember watching this some time in the 90s but only remember a few parts. In the beginning a man is getting gas, and is greeted by a man in an RV. Then they start talking about traveling, and the guy getting gas says he isn't really into traveling. They other guys goes \"What are you talking about? You've been to NAME OF LANDMARK\" and points to a bumper sticker. Then the other guys says, \"That was on the car when we bought it.\" So he convinces his family to go on a road trip.\n\nWhile at a rest stop his wife gets bit by a snake, and some other guy comes in and sucks out the venom in an weird sexual looking way. And I think the main guys kids ditch their dad to hang out with the snake guy.\n\nThen the snake guy yells at the main guy's son for doing something wrong, and he says \"No crying, I don't allow my boys to cry.\" Then the snake guy's oldest son comes up and goes, \"Dad, stop, stop. He's not used to it.\" Then the snake guys goes, \"Used to what?\" Then the son yells, \"You!\"",
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[
{
"content": "Tourist Trap.\nFamily comedy about a man who decides to take his family on a trip his famous uncle took years ago.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] [2010s]A light-hearted romance movie about a party girl who moves in with her brother and helps take of her nephew..\nI saw a movie a year or two ago about a young girl who moves in to her brother's basement around Christmas time. She gets passes out at a party and her brother picks her up. She helps the wife with her writing career. She leaves the oven on overnight and nearly burns the house down with the baby inside. She and the mom get drunk with another girl and they hype the mom up. Also, she starts dating this guy who babysits the nephew.",
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"content": "Happy Christmas (film).\nIrresponsible 20-something Jenny (Anna Kendrick) arrives in Chicago to live with her older brother Jeff (Joe Swanberg), a young filmmaker living a happy existence with his novelist wife Kelly (Melanie Lynskey) and their two-year-old son. Jenny's arrival shakes up their quiet domesticity as she and Jenny's friend from high school Carson (Lena Dunham) instigate an evolution in Kelly's life and career.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [MOVIE] [2000's] A horror movie that deals with someone's son getting Posessed and acting out, and with crosses disappearing from the house..\nI'm looking for a horror movie that featured a family moving into a house, wherein a son becomes possessed by some kind of entity and is removed from the house. I remember few things distinctly about it, but what I have that is concrete is as follows:\n\nCrossed are affixed all throughout the house when they move in, and the entity slowly destroys them over time. This culminates in one of the parent characters entering the house and attempting to drop keys into a Cross/key bowl that is normally built into the wall, but finding it gone and the keys landing on the floor\n\nWhen the son is eventually removed from the house because of his behavior, he cautions them on the way out that if they get rid of him that \"if you get rid of me, you'll be next\" or something to that effect. \n\nThis has been bothering me for years. I saw this on network TV in canada at some point in the mid to late 2000's, although because my memories are vague, it's possible that it could be somewhat older or newer than that.\n\nCan anyone tell me what this movie is? Thanks very much in advance!",
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"content": "The Haunting in Connecticut.\nIn 1987, Sara Campbell (Virginia Madsen) is driving her son Matthew (Kyle Gallner) home from the hospital where he has been undergoing cancer treatments.\nSara and her husband Peter (Martin Donovan), a recovering alcoholic, discuss finding a rental house closer to the hospital.\nOn another hospital visit, Sara finds a man putting up a “For Rent” sign in front of a large house.\nThe man is frustrated and offers her the first month free if she will rent it immediately.\nThe following day, Peter arrives with Matt's brother Billy (Ty Wood) and cousins Wendy (Amanda Crew) and Mary, and they choose rooms.\nMatt chooses the basement, where there is a mysterious door.\nAfter moving in, Matt suffers a series of visions involving an old, bearded man and corpses with symbols carved into their skin.\nThe next day, Peter learns that the house was supposedly a funeral home; the room behind the mysterious door is a mortuary.\nMatt tells another patient, Reverend Nicholas Popescu (Elias Koteas), about the visions.\nNicholas advises him to find out what the spirit wants.\nLater, Matt finds a burned figure in his room who begins to move toward him.\nWhen the family comes home, they find a shirtless Matt with his fingers blood-covered from scratching at the wall.\nThe family begins to crack under the stress of Matt's illness and bizarre behavior.\nThe children find a box of photographs, which show Jonah, a young man from Matt's visions, at a séance, emitting ectoplasm.\nWendy and Matt find out that the funeral home was run by a man named Ramsey Aickman.\nAickman also conducted psychic research and would host séances with Jonah as the medium.\nAt one séance, all those attending, including Aickman, were found dead and Jonah disappeared.\nNicholas theorizes that Aickman was practicing necromancy in an attempt to control the dead and bind them to the house.\nThat night, Nicholas finds human remains in the house and removes them.\nMatt awakens to find Aickman’s symbols carved into his flesh.\nHe is taken to the hospital, where he encounters Jonah.\nNicholas and Matt begin to have simultaneous visions.\nEveryone in the séance is burnt, after a flash of bright light.\nThe barely alive Aickman told Jonah to get out of the house, concerned that the demonic presence will get him next.\nJonah uses a dumbwaiter to escape, calling for help.\nEntering an unknown chamber, Jonah realizes that he has entered the crematory.\nThe spirit traps Jonah in the crematory, and cremates him alive.\nPeter and Sara learn that Matt's cancer treatments have had no effect.\nThey then discover that Matt has escaped the hospital.\nBack at the house, Nicholas leaves a message telling the family to get out of the house immediately – Jonah's spirit was actually protecting them from the spirits.\nMatt breaks through the walls in the front room with an axe, revealing the dusty corpses Aickman hid in the walls.\nHe forces Wendy and the children to get out, barricading himself inside and tearing down the other walls, as corpses begin to tumble into the room.\nThe view switches from Matt to Jonah, who seems to be occupying Matt's body.\nMatt lights the bodies and the room on fire.\nAs the fire department arrives, Sara and Peter frantically try to get in to save Matt.\nThe spirits, finally freed, disappear.\nOutside, everyone watches tearfully as the emergency crew attempts to resuscitate a dying Matt.\nAs Matt slips away, he has a vision of himself standing in the graveyard where he sees Jonah, no longer appearing burnt.\nHe seems about to follow Jonah when he hears his mother’s voice.\nHe returns to his body and Jonah's spirit leaves him.\nMatt's cancer disappears, and the house was rebuilt and resold with no further reported incidents of haunting.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] Foreign horror movie that I watched as child.\nI remember watching this movie as a kid, probably around mid to late 2000s. It was a horror movie in the free section of comcast on demand movies. It was a foreign film dubbed in English. I think the original was in French but I’m not sure. I don’t remember the exact plot, but I vividly remember some scenes:\n\n•A murderer enters a house with a man and a woman, he decapitates one of them (I think the man) with a piece of furniture because his head was poking through the railing of the stairs.\n\n•Sometime in the movie, the woman is hiding in her room. She hears the man coming so she makes the bed, dries the sink, and dries the underneath of the faucet to make the room look vacant. She then hides under her bed. I remember this detail because I think it was unique that the movie included her drying off the faucet. I remember the murderer checking the faucet and feeling it was dry.\n\n•Later on in the movie, it’s revealed that the murderer was actually the boyfriend all along. He thought he was running away from this murderer, but in fact he was doing the killing and this other person was invented in his mind.\n\nIt’s not a lot to go on, but I’m hoping the specific scenes are enough to find it. Any help is greatly appreciated!",
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"content": "High Tension.\nMarie and Alex are best friends on their way to stay at Alex's parents' house for the weekend to study. When they arrive, Alex gives Marie a tour of her house before they settle down for dinner. After dinner, Marie and Alex get ready to go to bed. As Alex sleeps, Marie lies on her bed listening to music and masturbating. Marie hears a doorbell ring and Alex's father Daniel wakes to answer it. The man at the door is a serial killer, who slashes Daniel's face with a straight razor. His head is pressed between two spindles of the staircase, and the killer shoves a bookcase towards his head, decapitating him. The noise awakens Alex's mother, who finds Daniel dead and is approached by the killer.\nMarie, hearing the mother's screams, quickly arranges the guest room to make it appear that no one is staying there, and hides under her bed. The killer inspects Marie's room but does not find her. Marie creeps downstairs and finds Alex chained in her bedroom. Promising to find help, she sneaks into the parents' room to find a phone. After hearing loud thuds, she hides in the closet and through the slats of the door witnesses the killing of Alex's mother as her throat is brutally slashed with a razor.\nAlex's younger brother Tom runs from the house to the cornfield, pursued by the killer. Marie returns to Alex, where she witnesses Tom's murder from a window. Marie promises to free Alex, but the killer is heard returning. Marie sneaks into the kitchen and takes a butcher knife. Alex is dragged into the killer's truck. Marie sneaks into the truck with the butcher knife and hides there with Alex. He locks them in and drives off.\nWhen the killer stops at a gas station, Marie gives Alex the knife and sneaks into the gas station shop for help. When the killer comes into the shop, Marie hides and she witnesses the store clerk Jimmy being murdered with an axe. The killer returns to the truck and Marie calls the police, but hangs up in frustration when she's unable to tell them where she is. She takes the clerk's keys and uses his car to follow the killer down a deserted road. The killer notices Marie following him, and rams Marie's vehicle, pushing the car off the road where it wrecks. Exiting on foot, badly injured, Marie runs into the forest as the killer seeks her. Eventually, Marie bludgeons the killer with a fence post covered in barbed wire. As Marie inspects the body, he grabs at her throat, so Marie suffocates him with a plastic sheet and makes her way back to the truck. Alex seems terrified of Marie as she returns to the vehicle. As police investigate the gas station murders via the in-store videotape, the tape shows Marie murdering the store clerk. In retrospect, it is revealed that Marie is murderous, delusional, and in love with Alex and the real killer of Alex's family.\nAt the truck, Marie unties Alex. As soon as Alex is free, she threatens Marie with the knife and accuses her of butchering her family. Alex slashes Marie's face and stabs her in the stomach before running into the forest. Marie chases Alex with a concrete saw. Alex finds a road and flags down a car. As Alex is climbing into the car, Marie appears brandishing the concrete saw and disembowels the driver. A stray piece of glass slices Alex's Achilles tendon. Alex takes a crowbar from the car's toolbox and crawls along the road. Marie forces Alex to tell her that she loves her, and she kisses her. While engaged in the kiss, Alex plunges the crowbar into Marie's upper-chest as Marie proclaims she'll never let anyone come between them.\nSome time later, Marie is in a psychiatric hospital room, with Alex watching her through a one-way mirror. Marie grins and reaches for Alex, evidently aware that she is behind it.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] post 9/11 drama.\nDon't remember much about the movie but it was a movie about a woman who was affected by some sort of terror attack, I think it was 9/11. She eventually befriends a person of the same race of the terrorist that affected her. She then starts manipulating him to make him seem like a terrorist. If I remember correctly it came out around sometime between 2008-2011. Any help would be appreciated. Thanks",
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"content": "Sorry, Haters.\nAshade (Abdel Kechiche), a New York City taxicab driver from Syria encounters a strange fare in Phoebe, played by Robin Wright Penn.\nThe lead character, bitter from a recent divorce, forces friendship upon Ashade who accepts it very reluctantly.\nWhen she learns of Ashade's family's legal problems, she imposes upon him further.\nThis imposition reveals a dangerous side to Phoebe, causing Ashade to flee their brief friendship.\nPhoebe retaliates in spite, turning Ashade's life upside-down.\nIn order to put his life back in order, Ashade must seek out Phoebe and enlist her help, and in doing so, he learns about and falls prey to her dark secret.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][MOVIE][2000S]? Slasher horror where group of prisoners find themselves in some kind of western town.\nI guess you can say that the movie was a slasher horror movie. It was about group of prisoners who somehow found themselves lost on a dessert(their bus crushed or something like that) and then they came to this typical western-like little town, tho the movie took place in modern times. The prisoners were then killed of one by one and I don't actually remember by who, tho I guess the citizens of this town killed them. I remember that one of the prisoners shoot himself in a leg at the beginning of the movie. \n\nI guess it was filmed in early 2000s or maybe late 90s and it wasn't a great movie.",
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[
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"content": "Seven Mummies.\nSix escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.::Tanya C. Turner\n\nWhile being transported through the Arizona desert in a van, six convicted prisoners escapes after a car accident. Their leader kills the security guard and they kidnap a female guard trying to reach the Mexican border. In their runaway, they find a gold medallion and later they reach the house of an old Apache, and they ask the direction to reach Mexico. The Apache tells them that in the opposite direction there is a hidden Spanish treasure. They decide to seek the gold and they stumble in an old ghost town, where the friendly population is formed by vampires and zombies and the local sheriff Drake is evil.::Claudio Carvalho, Rio de Janeiro, Brazil\n\nMisfit group of convicts find a fabled treasure and horrific death when they uncover the secret of the lost gold of the Tumacacori. For over one hundred years the Spanish Conquistadors tore raw gold from the heart of the Guachapa Mountains, where they enslaved ten thousand native Hohokam Indians and twenty-five hundred labor laden burros, creating a line of man and beast that snaked for more than two hundred miles across the Southwest desert to a secret place of hiding. Seven Jesuit priests vowed to protect the precious gold until the Spanish came to remove the treasure and take the wealth to another place. But the Spanish never returned, and as the priests aged and died, they were mummified and placed in pine coffins with the treasure to protect it for all eternity. For over four hundred years no one came to this place. Until the great migration West, when new untamed settlers opened up the rugged frontier, and a small town was built over the ancient treasure site, where the men mined and looked for riches. And when they uncovered the Spanish treasure, they awoke the seven Jesuit priests from their sleep, and the seven mummies sought revenge for those that had disturbed the gold. They killed the entire people of the town and placed them into a state of purgatory, the walking dead now cursed to protect the treasure of the Tumacacori..... And now, another one hundred years later, six misfit convicts try to escape across the sun scorched desert to Mexico in search of freedom, but find a gold medallion covered with unknown symbols and an Apache holy man who tells them of the lost Spanish wealth. More gold than ten men can spend in ten life times together. As the group stumbles into the old frontier town at dusk to seek their fortune at taking the gold, they are forced to confront the town's wicked sheriff, Drake, and his two deadly deputies, who will stop at nothing to keep the convicts from finding the lost treasure of the Tumacacori and discovering the secret of the seven mummies.::Thadd Turner",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT][TV SHOW] Claymation/Puppet math and logic TV show that was gross.\nThere was a TV show in the late 90's early 00's where little robots would move TV segments into place for puzzles and logic/math questions would be displayed on the TV for a set amount of time and then the answer would be revealed. I remember the channel being something not really children specific, but the show was(I don't think it was on Nick/CN/Disney).\n\nThe segments were usually gross in nature to keep a child's attention. Examples that I remember are a gross puppet who was a slob sitting in a chair. He would be gross and belch and have stains on his shirt and would burp numbers that you had to add together (or other math questions).\n\nThanks in advance!",
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{
"content": "Crashbox.\nEducational games show for kids.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE][1987-1995] Movie scene in which a girl is trapped on stage as a metal wasp comes toward her with its stinger, audience thinks it's part of a performance..\nI have a vivid memory of a specific scene from a movie that I saw in my childhood, and it is driving me mad! The movie was probably late 80s to early 90s, as I recall seeing the movie on TV around 1995 (in the US). Keep in mind that my memories of the movie itself are rather vague, but I feel like it had an aesthetic similar to Beetlejuice: kind of dark, but not necessarily scary to older people. The movie may have involved a girl and her family staying at a creepy hotel. \n\nThe scene that I remember involved the girl (who was probably in her late teens to early twenties) getting trapped by the \"villain\" and placed onstage in front of an audience. She is trapped in what I seem to remember as a hinged metal dress or gown (it reminded me of a medieval iron maiden, but without the interior spikes and with a place for the head and hands to come out). As she is trapped onstage, a giant metal/mechanical wasp (or hornet) is suspended from a wire, moving closer to her with its stinger. She screams to the audience for help, but they think it's part of the performance. \n\nAny help would be appreciated!",
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"content": "Popcorn (1991 film).\nCollege film student and aspiring film writer Maggie Butler (Jill Schoelen) has been having recurring dreams of a young girl named Sarah who is caught in a fire and being chased by a strange man who is trying to kill her.\nShe records what she remembers on an audio tape and plans on making the story into a film.\nMaggie lives with her mother Suzanne (Dee Wallace Stone), who has been receiving strange, demonic prank calls recently.\nOn her way to class, a boy she has been seeing named Mark (Derek Rydall) embraces her and tries to get her go to his place.\nMaggie shuns his advances, explaining that she can't be distracted from writing her script.\nThe fledgling new film department at the university has had trouble gaining recognition, so classmate Toby D'Amato (Tom Villard) has an idea to put on an all-night Horror-thon to raise funds for the department to have a permanent editing space.\nThey set up shop in the defunct Dreamland theater, an old live theater and cinema that is to be razed in three weeks.\nProfessor Davis (Tony Roberts) is concerned about the time constraints, but Toby has enlisted the help of dr Mnesyne (Ray Walston), an owner of a film memorabilia shop who has the appropriate gimmicks for the films chosen for the festival.\nThere are three main films within a film.\nMosquito is a 3D film, The Attack of the Amazing Electrified Man was released with an accompanying \"Shock-o-Scope\" gimmick (electrical \"buzzers\" in seats), and The Stench is a Japanese film released in Odorama.\nAs they go through dr Mnesyne's trunks of equipment, they find a short cult film called Possessor, that greatly resembles Maggie's dreams.\nDavis informs them that back in the 1960s the film's creator, Lanyard Gates, went on to kill his own family on stage in the live final scene of the film before setting the theater on fire, trapping the audience inside.\nMaggie soon becomes obsessed with the film and trying to figure out why she has been dreaming about it.\nWhen she asks her mother if she has heard of Gates or Possessor, Suzanne becomes uncomfortable; she urges Maggie to quit the festival and wants them to go away together.\nAfter Maggie goes to bed, Suzanne receives another prank call from someone she believes to be Gates.\nHe tells her to meet him at Dreamland so they can talk and advises her to bring a gun.\nOn the night of the festival, Maggie is working the box office when Mark arrives with another girl, Joy (Karen Witter).\nLater, a man buys a ticket and calls Maggie \"Sarah\" before he walks away.\nMaggie chases after him and asks her classmate Tina (Freddie Marie Simpson) to watch the box office for her.\nUnable to find the man in the theater, Maggie goes up to the projection booth to tell Toby that she thinks she saw Gates.\nToby decides to check the theater himself and leaves Maggie to run the projection booth.\nMeanwhile, Mark has left his date to sneak up on Maggie to scare her and Davis is busy preparing the giant mosquito model to fly across the theater from backstage that he operates with a remote control.\nOnce the mosquito is released above the audience, a figure is shown up in the catwalks above the professor with another remote control.\nDavis then notices that his controller is no longer working.\nThe mosquito model turns around and zooms back down the track to the professor, stabbing him in the chest with the giant stinger.\nThe scene cuts to a laboratory of sorts, where a figure is seen making a mask of the dead professor's face.\nMeanwhile, Maggie is trying to explain the story of Gates to Mark and that she thinks he is there when Toby comes back to the booth upset and accuses them of playing a joke on him by locking him out of the theater.\nThe second film starts and we see Bud (Malcolm Danare), who is wheelchair-bound, preparing the seat shockers from a control panel above the audience.\nMaggie makes her way back to the box office to an annoyed Tina, who starts looking for Davis.\nShe asks Bud if he has seen him, but he says he hasn't and that he is having trouble with the control panel, would she send Davis down there to help him.\nMaggie is then shown listening to her audio recordings when the tape is cut off with a message from Gates.\nAs she tries to exit the box office, she opens the door on Mark, knocking him down and unknowingly smashing the recorder in the process.\nMaggie tries to prove to him that Gates is really there when she realizes she accidentally destroyed the tape.\nThey go looking for Tina who probably saw Gates while Maggie was away.\nTina finds Davis securing the mosquito on the catwalk and goes up to meet him, where it is revealed that they have been having an affair.\nShe is unaware that he is the killer posing as the professor, and he strangles her with a rope.\nMark and Maggie find her shortly thereafter, but the killer manipulates her voice and body in the darkness and the fact that she is dead goes unnoticed.\nSomeone enters the control booth who Bud thinks is Tina.\nHe is then strapped into a makeshift electric chair that is set to go off when a series of lights comes on.\nBud frantically tries to free himself as the light sequence begins.\nAs he is electrocuted, the theater loses power.\nMeanwhile, Maggie and Mark continue searching the theater with the help of Cheryl (Kelly Jo Minter).\nMark falls down the stairs and Maggie leaves him with Cheryl while she finds her way to Bud, only to find him dead.\nAs she approaches his body, he turns around and it's Gates.\nMaggie screams and runs away, having flashbacks of Possessor.\nIt is then that she realizes that she is Sarah Gates, Lanyard is her father, and Suzanne is not her mother but her aunt who saved her from being killed so long ago.\nShe runs into Toby and tells him everything she remembers, believing that Gates has returned for her.\nShe and Toby enter the basement to find the circuit breakers and Toby falls, disappearing into the darkness.\nWith only a flashlight, Maggie hears odd noises and thinks she sees Davis and Tina, but runs into Gates.\nThe power comes back on and Maggie finds herself in the killer's lair, strapped into the chair he uses to make facial masks of his victims.\nThe killer is revealed to be Toby, who was badly burned as a child after attending the showing of Possessor with his mother, who was a member of Gates' film cult and was killed in the fire.\nHe holds Maggie and Suzanne responsible for his injuries and the loss of his mother, and plans to exact his revenge on them by re-enacting the final scene of Possessor onstage that evening, only with the ending that Gates had originally intended.\nHe then wheels out Suzanne whom he has cast full-body, pointing her gun.\nMeanwhile, Cheryl and Joanie (Ivette Soler) tend to Mark's injuries as they are met with an upset Joy, who tells Mark she saw Maggie and Toby together and that they went back to Toby's place.\nMark leaves to find them and Joanie realizes she is late for her Odorama cue and goes to join Leon (Elliott Hurst) to activate the odor pellets during the third film.\nLeon leaves to go to the bathroom and is met by a mirror image of himself at the next urinal.\nAfter urinating on him, the doppelganger attacks Leon and locks him in one of the stalls and drops some type of material into the toilet that creates a thick smoke and Leon passes out.\nSoon after, there is an explosion from the stall and Leon is killed.\nToby returns to the booth dressed as Leon with the plan to stab Joanie from behind, but spares her when she mentions her unrequited love for Toby.\nShocked by this, Toby gets upset and storms out to continue setting up for the final scene of Possessor.\nMark arrives at Toby's apartment to find his landlord evicting him and throwing his personal belongings outside.\nHis walls are plastered with articles concerning the incident, pictures of his facial reconstruction, and pictures of Maggie with scissors through her eyes.\nRealizing she is in real danger, Mark rushes back to the theater but the front doors are locked.\nHe scales the building, climbs through a window on the balcony level and finds the final scene of Possessor playing on stage.\nMaggie has been drugged and placed in a metal dress so she has no mobility except for her head.\nShe pleads to the audience to save her, but they believe this is all part of the show.\nMark uses his belt on the mosquito track and zip-lines onto the stage, causing the secured mosquito to unlatch and swing out across the stage.\nThe stinger stabs Toby in the chest, killing him.\nMark releases Maggie and Suzanne as the crowd erupts in applause.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE] The strangest black and white movie I've ever seen..\nI was in a bar the other night during a pub crawl, and they were playing a black and white movie on all of the televisions. It was the strangest looking movie I have ever seen. Every scene seemed like a completely different experience and I could discern no story thread. There were midgets, trans women, two people just punching at the screen with boxing gloves for like 30 seconds, a naked man hanging from a chandelier, etc. Every now and then there were quotes on the screen almost like a silent movie, one of which I think said \"the family friend sends home a message\". It was a club-like atmosphere and so I could make out no audible dialogue. The bar is known for being a gay bar, so I have a feeling it might be related to gay culture in some way (it being Pride weekend). I'm really curious what this movie is.\n\n\nEdit: [Here](https://imgur.com/a/qnAhh) is a pic I took of the TV during a scene. Hopefully it helps.\n",
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"content": "Forbidden Zone.\nThe film begins on \"Friday, April 17\" at 4 p.m. in Venice, California. Huckleberry P. Jones (local pimp, narcotics peddler, and slumlord) enters a vacant house that he owns. While stashing heroin in the basement, he stumbles upon a mysterious door and enters it, falling into the Sixth Dimension, from which he promptly escapes. After retrieving the heroin, he sells the house to the Hercules family. On their way to school, Frenchy Hercules and her brother Flash have a conversation with Squeezit Henderson, who tells them that, while being violently beaten by his mother, he has a vision of his transgender sister René, who had fallen into the Sixth Dimension through the door in the Hercules' basement.\nFrenchy returns home to confide in her mother, and decides to take just a \"little peek\" behind the forbidden door in the basement. After arriving in the Sixth Dimension, she is captured by the perpetually topless Princess, who brings Frenchy to the rulers of the Sixth Dimension, the midget King Fausto and his queen, Doris. When the king falls for Frenchy, Doris orders their frog servant, Bust Rod, to lock her up. In order to make sure that Frenchy is not harmed, Fausto tells Bust Rod to take Frenchy to Cell 63, where the king keeps his favorite concubines (as well as René).\nThe next day at school, Flash tries to convince Squeezit to help him rescue René and Frenchy. When Squeezit refuses, Flash enlists the help of Gramps instead. In the Sixth Dimension, they speak to an old Jewish man who tells them how to help Frenchy escape, but they soon are captured by Bust Rod. Doris interrogates Flash and Gramps before lowering them into a large septic tank. She then plots her revenge against Frenchy, relocating all the denizens of Cell 63 to a torture chamber. She leaves the Princess to oversee Frenchy's torture and execution, but when a fuse is blown, the torture is put on hold and the prisoners from Cell 63 are relocated to keep the King from finding them.\nAfter escaping the septic tank, Flash and Gramps come across a woman who tells them that she was once happily married to the king, until Doris stole the throne by seducing her, \"even though she's not my type\". The ex-queen has been sitting in her cell for 1,000 years, and has been writing a screenplay in order to keep her sanity. Meanwhile, Pa Hercules is blasted through the stratosphere by an explosion caused by improperly extinguishing his cigarette in a vat of highly flammable tar during his work break at the La Brea Tar Pit Factory. After re-entry, Pa falls through the Hercules family basement and into the Sixth Dimension, where he is imprisoned.\nFinding a phone, Flash calls Squeezit and again asks for his help. Finally, Squeezit agrees to go into the Sixth Dimension to help rescue Frenchy and René. There, he is captured by Satan, with whom he makes a deal to bring him the Princess in exchange for Satan's help freeing René and Frenchy. Squeezit accomplishes this task, but has failed to include himself in the deal to rescue his friends, and the devil has him decapitated. Queen Doris sends Bust Rod to keep an eye on the king, and to ensure he doesn't find out where she's hidden Frenchy.\nFausto catches Bust Rod and forces him to lead him to Frenchy and René, whom he orders to leave the Sixth Dimension to avoid the Queen's wrath. However, en route to safety, René is stricken with pseudo-menstrual cramps, and they are again captured by the frog. Squeezit's head, which has now sprouted chicken wings, finds the king and informs him of what has happened.\nWhile preparing to kill Frenchy, Doris is confronted by the ex-queen, and the two engage in a cat-fight, with Doris eventually coming out as the victor. Just as she is about to kill Frenchy, Fausto stops her, explaining that Satan's Mystic Knights of the Oingo Boingo are holding the Princess hostage, and will kill her should anything befall Frenchy. Flash and Gramps arrive, and Flash is knocked down by Gramps. Ma Hercules enters and, seeing a seemingly dead Flash, shoots Doris. Fausto mourns Doris, then marries Frenchy.\nThe surviving characters look toward a great future as they plan to take over everyone and everything in the Galaxy.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][MOVIE]Afterlife-based movie about a young adult male.\nI need some help here. There was a great movie, back in the early 2000s (2004-5?) about a young man who falls into a hole, but wakes up in his bed not realizing that he's a spirit. He spends half of the movie slowly figuring it out, and then the third act is him trying to get people to rescue his unconscious body. One of the more memorable scenes is when a bird flies into a window, and while the body is laying there, the spirit of the bird flutters in his hands. Once the body stops breathing, the bird spirit disappears and that's when he realizes he isn't dead. The end is a kite-flying scene with some indie song playing in the background before it faded to the credits. I think it was based around a highschool, too, he might've been a highschooler.\n\nMy mom recently watched The Lovely Bones on Netflix and when she described it, I was reminded of that movie. Google is not helpful, so I thought I'd ask here. I've seen it more than once, too, and love it, I just want to know the name so I can buy it on DVD!\n\nThanks for any replies or help that comes my way. That is the best summary I can manage, I was young when I first saw it and don't remember everything.",
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"content": "The Invisible.\nA teenager is left invisible to the living after an attack.::IMDb Editors\n\nNick Powell is an excellent high-school student who raises money by selling homework and results of quizzes to his schoolmates. He aims to travel to London for a writer's course - telling his best friend, Pete Egan, that he has already bought the airplane ticket but he has not told his mother yet. Annie Newton has a problem with Pete, who owes her money. As events unfold, due to a case of mistaken identity, Nick takes a severe beating from Annie and her gang, his body dumped in a sewer. The next morning, he discovers he cannot be seen - he is now a spirit in a state of limbo and can only observe as the events of that day unfold.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie] Guy has the ability to see into the future for short periods of time..\nAt some point he meets a woman who he develops a relationship with. I can't remember whether she suppresses his power or enables him to see even further into the future, but she affects his ability some how. And then near the end the city blows up but you find out he was still just seeing into the future and most of what happened in the second half didn't actually happen. \n\nHe might have also been a cop? Or involved with law enforcement/government some how. He and a team might have been trying to stop a (terrorist?) attack of some kind. ",
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"content": "Next (2007 film).\nCris Johnson can see into his future. He can only see two minutes ahead, with the exception of a vision he once had of a woman walking into a diner. Knowing no details other than the time, he goes to the diner twice each day at 8:09 to await her arrival. He works as a small-time magician in Las Vegas, where he supplements his income with gambling, using his powers to win medium amounts against the house.\nCris draws the attention of FBI agent Callie Ferris, who has figured out his ability and wants to stop Russian terrorists from detonating a nuclear weapon. Before she can approach Cris, his gambling draws the attention of casino security. Using his ability to forecast the actions of his pursuers, he eludes them and the Las Vegas police. Ferris tracks Cris to his location, but he escapes after foreseeing her arrival. Later that night, the casino's security chief is approached by two of the terrorists, is interrogated about Johnson and is then killed.\nThe following morning, Cris is at the diner again when he sees Liz Cooper, the woman from his vision. It turns out that Cris can not only see the future, but also see how his actions can affect that future. When Liz's aggressive ex-boyfriend arrives, Johnson envisions all outcomes of his intervening, and then chooses the outcome that gets him \"in\" with Liz. Knowing that she is heading for Flagstaff, Arizona, Cris tricks her into giving him a ride. Ferris follows, while the terrorists decide to kill him.\nWith the weapon tracked to Los Angeles, Ferris convinces her superiors to let her bring Cris in. The terrorists follow in the hope that the agents will lead them to Cris.\nCris and Liz have to spend the night in a motel. Ferris confronts Liz near the hotel. Claiming Cris is a dangerous sociopath, Ferris asks Liz to drug Cris so that they can bring him in peacefully. Instead, Liz warns Cris, who tells her his secret. When she asks why he will not help the FBI stop the terrorists, he explains his limitations, noting the exception for events involving her. Cris tries to escape from the FBI but is captured after saving Ferris from logs tumbling down the side of a mountain. Unable to get to Cris, the terrorists kidnap Liz.\nThe FBI strap Cris to a chair and force him to watch television until he has a vision that can help. They expect him to see a report about the detonation of the bomb, but instead he envisions a broadcast from several hours in the future in which Liz is killed with a bomb vest while strapped to a wheelchair as bait for him. Cris escapes and races to the parking garage where she will be killed. Catching up to him, Ferris promises to help save Liz as long as Cris will help stop the bomb; she also sets up a plan to draw out the terrorists.\nCris helps the FBI track the terrorists to the port where they are based. When they arrive, Cris is able to walk right up to the terrorist leader while using his power to dodge bullets. After killing the terrorists and saving Liz, they find that the bomb has already been moved. Ferris shows Cris a seismograph, hoping that he will see any tremors caused by explosions before they happen. As he stares at the screen he realizes that he has made a mistake and that he was too late: the bomb detonates out at sea and completely destroys the port, as well as the rest of the city.\nThe timeline reverts a full day to Cris and Liz in bed at the hotel in Arizona, before Ferris arrived. Because of Liz's involvement in events, Cris has now been able to envision everything that could happen leading to the nuclear explosion. \"Every time you look into the future, it changes.\"\nCris calls Ferris and offers to help prevent the nuclear disaster, then asks Liz to wait for him.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [MOVIE] Zombie movie with a skinless zombie that hitchhikes.\nI saw this movie awhile back, and I can't remember that much about it. I remember that there was a skinless zombie who hitchhiked at one point in the movie, and a bunch of zombies attack a party. I think it might've also been in arizona? At the start there was also a woman who was reanimated using some kind of gas, I think she drowned in her pool.",
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"content": "Return of the Living Dead: Rave to the Grave.\nThe film opens a year after the previous film with Charles Garrison arriving at a mortuary with one of the canisters of Trioxin that he salvaged.\nHe is greeted by a team of Russian government officials whose goal is to destroy the last of the canisters to avoid another incident.\nNevertheless, one of them sprays three corpses with the gas, and revives them.\nCharles, is killed during the incident along with the mortuary owner and one of the government officials.\nJenny, Julian, Cody and Becky, the last four surviving the previous film, are now in college and they receive notice of the \"murder\" of Charles.\nJulian and Jenny go to search for and possibly sell what belonged to Charles, and they find the last two barrels of Trioxin.\nOne of them is taken to Cody, who tests the chemical inside it.\nJeremy, Jenny’s brother, tastes the chemical when he thinks that it is a drug similar to Ecstasy, but he goes into a spasm, in which he foams at the mouth, and later describes what it was like.\nThe chemical is named \"Z\" for its \"zombie-like\" effect on the living.\nCody, Jeremy and Shelby extract the chemical from the canister and they put the liquid extract into pills which they sell to Skeet, so he can sell the drug around the school.\nWhile Skeet informs everyone to only take one pill at a time for health reasons, most take more than one pill at a time (which speeds up the process that causes humans to reanimate as zombies).\nGino and Aldo Serra, the only survivors from the beginning of the movie, recognize what is going on when they are shown the severed head of one of the zombies, and they go to question Julian, knowing that he is familiar with Trioxin, but he doesn’t tell them anything of the canisters that he and Jenny discovered.\nSometime later, people are turning into zombies, and the drug is being passed around a rave, and getting out of control.\nSeeing no other option, Aldo calls in military assistance, but he is told that an American bomber plane is already on the way to the rave location.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][TV SHOW][2000s][UK] Old people get on a coach to visit places..\nIt’s where there are old people on a coach and they travel around places and see different stuff. Never really watched because it was on like 6-7 years ago and I was moderately young then.\n\nI have no clue if it’s on now but it was a UK TV show and might have even been on the BBC. \n\nCheers!",
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"content": "Coach Trip.\n_Coach Trip_ (qv) arrives on E4 as a gang of young Brits tour Europe's top party spots",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [Movie] 90s vibe straight to video animated movie about a young boy that gets turned into a robin.\ni think it was 90s anyway. it involved a boy who was cruel to birds getting turned into a robin and was then taken in by a old man robin . this old ma nn robin is tricked by other birds into drinking \"the elixr of knowledge\" ( which was either alcohol or poison and the boy having to nurse him back to health",
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"content": "Willy the Sparrow.\nThe movie begins with Willy at home sick and is pretending to be a hunter.\nUsing his imagination to see his cat, Sissy, as the tiger, he torments the cat with his water gun.\nHe then decides to shoot a BB Gun at a flock of sparrows outside at the local park, stunning them away, but angers an elderly lady who in reality is the Sparrow Guardian, who magically enters Willy's apartment unnoticed.\nShe then transforms Willy into a sparrow in hopes of teaching him a lesson of respecting all living things.\nHowever, she didn't have enough spray to make Willy have the ability to fly, rendering him defenseless.\nThe Sparrow Guardian quickly leaves to refill her magic hair spray.\nWhile Willy was making himself comfortable in his sparrow form, Sissy appears and sees Willy as lunch instead of her master.\nNot used to walking like a sparrow, Willy was nearly eaten by his own cat, but was saved and placed outside by his little sister, Tonya.\nHe soon meets two sparrows, Red and TJ, who discovers Willy's inability to fly and then calls help on an elder sparrow named Cipur to help Willy learn to fly.\nThe three sparrows then carries the flightless Willy to safety, escaping an incoming attack from a persistent, hungry Sissy.\nMeanwhile, the Sparrow Guardian is looking for Willy.\nSissy is also looking for him.\nIn an attic where Cipur's nest was in, Cipur tells Willy that he wanted to read and write like a human because he was fascinated by their knowledge and technology, but he keeps this as a secret in fear of being shunned by the other sparrows.\nHe makes a deal with Willy that if he teaches the young sparrow how to fly, Willy will teach Cipur how to read.\nAs the flying lesson was underway, Sissy finds Willy and Cipur and attacks.\nBefore she could eat Willy, Cipur intervenes and lures an angry Sissy atop the roof where he trapped her head under the weight of a ceiling hatch.\nUnder Cipur's care, Willy is taught how to fly, and in return, Willy teaches Cipur how to read and write.\nOne day, when Cipur went to find some food, Willy decides to venture out in the open to explore the outside world after learning how to fly properly.\nHe flies back to the park and joins a flock of young sparrow, led by Red.\nThey decided to show Willy the barn they used to hang out, until it was taken over by a big, black cat named Blackie.\nThe flock of sparrows, including Willy, flew across the city to the barn where they used to live, unaware that they were being trailed by a dog and Sissy who was following them to the barn.\nOnce in the barn, Willy catches sight of a mouse waking up Blackie, and alerts him about the sparrows in the barn.\nBlackie attacks the sparrows, and nearly eats one of the sparrows named Amy.\nNot abandoning his new friend, Willy drops a light bulb on Blackie's head, distracting him long enough for Amy to escape unharmed.\nWilly then escapes the barn, and Sissy appears and becomes acquainted with Blackie since they both share a taste for sparrows, and want to eat Willy.\nMeanwhile, Willy flies his way back to his apartment and writes a note to his worried family that he is okay and that he'll return soon, before flying back to Cipur's nest.\nAfter Willy was writing his note to his worried family, he flies back to Cipur's nest only to see the elder sparrow angry at him for not telling about an item called 'The Elixir of Knowledge'.\nWilly was confused and didn't know about this 'elixir', but was driven away by Cipur who angrily tells him to go away, he decides to fly away from his nest.\nWilly follows the elder sparrow, and finds out that he has been drinking liquor along with two rats who had convinced the old bird that the liquor will give him knowledge.\nHowever, it only made Cipur druggish and made him feel worse.\nWilly quickly carries Cipur back to safety, but the old sparrow was still angry with him for leaving him.\nWilly sadly leaves and he sees Amy flying to him.\nSo, Willy flies to Amy and discovers through her that Red is angry at Willy because he believes Willy is the one who woke up Blackie.\nSo Willy follows Amy into an indoor roof nest where they will be safe from a storm.\nThe next day, Willy and Amy were flying back to the park to find their friends, who were all waiting for them, only to see Red feeling angry at Willy.\nWilly supposed to lose two feathers as punishment.\nWhen Willy refuses to take punishment, Red angrily fights Willy to make him submit, but Willy, still used to fighting as a human boy, easily beats Red and is promoted leader of the flock.\nThe Sparrow Guardian and Sissy finds Willy, but Willy doesn't want to turn back into a boy yet until he helps his new friends.\nWilly then leads the flock back to the barn, with the Sparrow Guardian and Sissy trailing after them.\nUnder Willy's leadership, the sparrows silenced the mouse who was working with Blackie by tying him up, and finally tied up a sleeping Blackie in a sneak attack.\nThey began 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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT] [FILM] Horror from the last few years.\nWatched it about a year ago, but watched probably 20 or 30 horror films over the last year and I can't find it anywhere, and I'm worried I might be mixing up details of several films. \n\nThere was a male child as one of the focus points, and I think he's struggling in school. His mum is bedridden, and cause of her depression or something a monster manifests and scares the kid so he doesn't wanna stay in the house. He goes and lives with his older sister for a bit and then she opens up that she also saw the monster when she was younger. I feel like it was a friend of the mum who died, and thats what's haunting the place. I think cops come towards the end of the film and get killed. \n\nCan't recall anything further but I think this is all pretty accurate. ",
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"content": "Lights Out (2016 film).\nIn a textile warehouse, worker Esther sees a silhouette of a figure when she turns the lights off, but sees nothing with the lights on.\nShe warns owner Paul about the apparition, whom he ignores, and leaves.\nPaul is then chased and gruesomely killed by the figure.\nPaul's stepdaughter, Rebecca, lives away from her mother Sophie and brother Martin.\nSophie has a documented mental illness and depression that has resurfaced, talking to an imaginary friend.\nOne night, Martin sees Sophie talking to a figure and is horrified, gaining insomnia.\nRebecca takes Martin to her apartment to protect him, against their mother's wishes.\nThat night, she awakens to find the figure, barely avoiding its attack just as the building's neon sign turns on.\nThe next morning, Rebecca finds \"Diana\" scrawled on the floor.\nShe recalls Diana from her own childhood, the reason she left when her father seemingly abandoned them.\nLater, she breaks in and sees files about Sophie and Diana, and that she was killed when exposed to a bright light for an experiment That night, Sophie has a movie night with Martin, but includes the figure, frightening him.\nShe tells him a story about the figure, Diana, her friend when she was in an institution, who had an unusual condition that made her skin photosensitive.\nMartin sees Diana crouched above and turns on the light, escaping to Rebecca's before Diana can attack him.\nRebecca confronts Sophie about Diana but she denies the accusations.\nRebecca, her boyfriend Bret and Martin decide to stay overnight to protect her.\nRebecca goes to her bedroom to reconcile; however, Sophie secretly passes her a note saying \"I need help\" before Diana tugs her back in.\nRebecca realizes that she is being controlled and turns on all the lights in the house to keep her away.\nKnowing their intentions, Diana baits Rebecca and Martin into the basement by shorting out the power.\nBret is attacked but escapes and contacts the police.\nRebecca realizes that using blacklight can allow them to see Diana and discovers scrawled writings along the wall, explaining how Diana won't let anyone \"take\" Sophie and that she killed Rebecca's father.\nA pair of police officers arrive and free Rebecca and Martin but are killed by Diana.\nRebecca sends Martin to Bret and goes back to rescue Sophie.\nDiana then attacks Rebecca violently, but Sophie confronts her with a gun, realizing she's Diana's tether to the world.\nShe then commits suicide by shooting herself which makes Diana disappear.\nDistraught, Rebecca, Martin and Bret reconcile and vow to stay together.",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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{
"content": "[TOMT] [MOVIE] Which Movie is this?.\nWas a horror/thriller about a little boy having a supposed imaginary friend who turned out to be a man (man child) who lived next door but the houses were connected through a passage?",
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"content": "Someone Is Watching.\nCory is a young boy who has just moved into a new house with his mom. He develops a relationship with an \"imaginary\" friend who lives in his closet. No one believes him until people start dying violently and the \"imaginary\" friend becomes all too real.::Les MacDonald at <lasvegasles@home.com>",
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"content": "Maniac (2012 film).\nFrank Zito is a schizophrenic young man who has taken over his family's mannequin restoration business after the recent death of his mother. Frank was traumatized as a child by his mother, a prostitute who made him watch her have sex with her johns. As an adult, he murders and scalps women and attaches their hair onto his mannequins to recreate his one happy childhood memory: brushing his mother's hair before she \"went out\" at night.\nFrank joins a dating site, where he gets a date with a woman named Lucie. The two go out to dinner and return to Lucie's apartment, where she attempts to seduce the virginal Frank, mistaking his increasing panic for nervousness. Frank strangles Lucie, scalps her and takes her hair back to his apartment, where he attaches it to another mannequin.\nOne morning, Frank awakens to find a photographer named Anna taking photos of the mannequins in his storefront. Frank invites her into his store, where she is taken with his work restoring antique department store mannequins. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins. Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.\nAt the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita. Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed. Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.\nThe next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason. Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom. Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand. Anna flees and is picked up by a passing car, whose driver panics at the sight of a blood-covered Frank and runs him down, crashing and flinging Anna through the windshield. Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies.\nFrank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown. As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head. Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.",
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"content": "Maniac (1980 film).\nFrank Zito (Joe Spinell) was abused as a child by his prostitute mother, and as a result, becomes a serial killer who murders young women, scalps them and attaches their hair to mannequins. After he awakens from a nightmare about killing a couple on a beach, he dresses himself, revealing terrible scars on his torso, and leaves his apartment towards Manhattan into Times Square. When Frank is randomly invited inside a hotel by a sex worker (Rita Motone), she kisses him before he abruptly strangles and scalps her. He returns home, dresses a mannequin with the dead sex worker's clothing and nails her scalp to its head. Frank tells himself that beauty is a crime punishable by death.\nSometime later, he dresses again and takes a collection of weaponry with him, including a double-barrelled shotgun, before leaving. He drives around Brooklyn and the Queens area, where he finds a couple exiting a local disco and parking near the side of the Verrazano Bridge. When the boyfriend (Tom Savini) starts up the vehicle after his date sees Frank spying on them, Frank kills the couple with his shotgun and then adds the woman to his mannequin collection. After seeing his recent crime on television, he talks to himself and the mannequins as he sobs himself to sleep.\nDuring the next day in Central Park, Frank follows a photographer named Anna (Caroline Munro) after she takes a photo of him and a little girl riding a bicycle in the distance. At night, Frank sees a nurse (Kelly Piper) leaving the Roosevelt Hospital, where he then stalks her inside the subway station and murders her with a bayonet before adding her to his mannequin collection. Days later, Frank heads to Anna's apartment and is invited inside by Anna after she recognizes him from the photo she took of him. Upon him asking her out to dinner, he later shows her a photo of his mother who died in a car crash years ago. A few days later, Frank is invited by Anna to a studio during a photography session, and she introduces one of her models Rita (Abigail Clayton) to him. After seeing the two talking and holding hands, he steals Rita's necklace and leaves. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking her and tying her to the bed. Frank begins talking and addresses her as his mother and stabs her with a switchblade before scalping her for his collection.\nOne night, Frank takes Anna on a date and they stop by a cemetery to visit his mother's grave. While laying some flowers beside the headstone, Frank begins to mourn over one of his early victims and attacks Anna. He chases her around the cemetery, but she hits him in the arm with a shovel before fleeing. He hallucinates his decomposing mother attacking him from the grave. He runs back to his apartment, where he sees his mannequins suddenly coming alive. They mutilate Frank with his weapons before ultimately tearing off his head.\nThe next morning, two police officers break into Frank's apartment and see Frank lying dead on his bed; he has committed suicide. As the officers leave the apartment, Frank's eyes suddenly open.",
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"content": "Ways to Live Forever (film).\nSam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.::Anonymous\n\nLike most inquisitive boys, 12-year old Sam wants to know about UFOs, horror movies, ghosts, and girls. Sam also has leukemia, and although the adults in his life don't want him to dwell on it, Sam wants to know everything about his disease and death, a possibility he might face. Together with his best friend, Felix, he embarks on a \"scientific investigation\" with questions, observations, evidence, reflections, and lists of all the things he wants to do someday - like breaking a world record, flying in a blimp, kissing a girl for the first time, and experiencing what it's like to be a teenager. In this poignant yet ultimately uplifting tale, Sam and his family face the immensity of an uncertain future with love, humor, and a touch of the unexpected.::WWMPC",
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"content": "Cut.\nA killer begins to stalk the actors of a low budget horror film, killing them off one by one.::Anonymous\n\nA group of film students attempt to finish a horror movie that stopped production years earlier when the director was killed. Unaware that every attempt to complete the pic coincided with the murders of those involved, the students return to the original location in an isolated part of the country. When filming begins, so do the killings.::Anonymous",
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"content": "Mannequin (1987 film).\nIn Ancient Egypt, Ema \"Emmy\" Hesire takes refuge in a pyramid, pleading to the gods that she find true love rather than enter an arranged marriage. Emmy suddenly vanishes before her mother's eyes. In 1987 Philadelphia, Jonathan Switcher is a sculptor working at a mannequin warehouse and finishes a single female mannequin he considers a masterpiece. His boss fires him for spending time trying to make his mannequins works of art rather than assembling several each day.\nJonathan takes a number of odd jobs and is fired each time for working too slowly because he tries to make each project artistic. His girlfriend Roxie Shield, an employee of the Illustra department store, dumps him, criticizing him as a flake. After his motorcycle breaks down in the rain, Jonathan passes the Prince & Company department store. Seeing his mannequin in the display window, he remarks she is the first work that made him feel like a true artist. The next morning, he saves store owner Claire Timkin from being injured by her own shop sign. Grateful, Claire orders store manager Mr. Richards (who is secretly paid by Illustra to sabotage Prince & Company so it can be bought) to give Jonathan a job. Viewed with suspicion by security guard Captain Felix Maxwell, Jonathan works with and befriends window dresser Hollywood Montrose. When Jonathan is putting together a window display, the mannequin he made comes to life with Emmy's spirit. She says she has existed for centuries as a muse, sometimes inhabiting the works of an artist she admires and inspires. She has encountered amazing people but has never found true love. Emmy explains the gods allow her life when she and Jonathan are unobserved, otherwise she is a mannequin.\nWith Emmy's help, Jonathan's window display is a massive success. Now placed in charge of visual merchandising, Jonathan asks Emmy to continue helping with the displays. Over several weeks, they create several popular displays, attracting new business while also deepening their relationship. Montrose realizes Jonathan loves a mannequin he created but doesn't judge him. Illustra's chief executive B.J. Wert sends Roxie to poach Jonathan but he refuses, saying he now works for people who value him. Annoyed by Felix's ineptitude and Richards' attitude towards Jonathan, Claire fires them. Deeply impressed with his work, Claire makes Jonathan vice president of the department store. One night, Jonathan takes Emmy through the city on his motorcycle, despite how unusual this seems to bystanders. He is witnessed by Richards and Felix, who conclude he is deeply fixated on a female mannequin.\nRichards and Felix (who now works for Illustra) steal the female mannequins from Prince & Company. The next morning, Jonathan confronts Wert about the theft, who makes another job offer. Furious over Jonathan caring so much about the mannequin he calls Emmy, Roxie storms off. Jonathan follows Roxie while being pursued by security guards including Felix. Wert and Richards demand the police be called. Roxie loads the stolen mannequins into the store's large trash compactor, then is knocked out by the debris. As Hollywood holds the pursuers at bay with a fire hose, a janitor watches Jonathan jump onto the compactor's conveyor belt to save the mannequin that is Emmy. As Jonathan risks his life for her, Emmy comes to life. Once safe, she realizes she is truly and permanently alive again. Emmy thanks the gods for uniting her with her true love and Jonathan promises to love her forever.\nWhile the janitor wonders if other mannequins will come to life, Hollywood arrives and realizes Emmy was alive the entire time. Felix and his fellow guards rush in, followed by Wert and Richards who demand the police arrest Jonathan. Claire arrives, revealing she has security video of Richards and Felix breaking and entering, and committing theft. She accuses Wert of conspiracy, and Jonathan adds the man also kidnapped Emmy. Wert fires Roxie as he is arrested and hauled away alongside Richards and Felix. Jonathan realizes the security footage may have shown him being romantic with a mannequin, but Claire coyly suggests he shouldn't worry about that. Some time later, Jonathan and Emmy are married in the store window of Prince & Company, with Claire as maid of honor and Hollywood as best man. Numerous pedestrians outside the store window applaud the wedding.",
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"content": "[TOMT][Movie][1990s-2000s] Child is separated from parents, parents record an interview to plea for the kid back, and kidnapper edits interview to seem like they don't want him back.\nThis kid (boy? girl? I'll go with \"him\" but I don't know for sure) has been separated from his parents. Someone has taken him and wants to keep him. His parents go to a taped interview and plead for him to come home. They miss him so much. At the end of the interview, the interviewer asks if they want coffee, and they dismissively say no. This is all recorded. The interview is then edited to make it sound like the parents don't want him back (using their dismissal of coffee) and aired. The kid is heartbroken, but later on, another kid who was at the actual interview sneaks him a copy of the unedited video, where he learns that his parents miss him, love him, and want him home. \n\nThank you for your time. I'm sorry I don't have more.",
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"content": "North (1994 film).\nNorth is skilled in academics, sports, and drama, admired by many for his good work and obedient attitude, but unappreciated, he feels, by his own parents. One day, while finding solace in a living room display at a mall, he complains to the Easter Bunny—a man in a pink bunny suit—that his parents, alone among all the adults in his neighborhood, seem unable to see his talents. The Easter Bunny recommends that North simply tell his parents how he feels; but North says if they can't appreciate him, they don't deserve him.\nWith the help and encouragement of his friend Winchell, who works on the school paper, North devises a plan to \"divorce\" himself from his parents, and hires ambulance-chasing lawyer Arthur Belt to file the papers. The announcement of his divorce takes North's parents completely by surprise, and renders them comatose. They cannot object when Judge Buckle grants North's petition, and gives him one summer to find new parents; if he cannot, he will have to move to an orphanage.\nNorth's first stop is Texas, where his parental candidates, Ma and Pa Tex, attempt to fatten him up, to be more like their first son, Buck, who died in a stampede. They then stage a musical number (set to the Bonanza theme) about the other horrible plans they have for him. Gabby, a sharpshooting cowboy, presents North with a souvenir from his act—a silver dollar with a bullet hole shot through its center—and advises him to move on.\nHis next stop is Hawaii, where Governor and Mrs. Ho, who cannot have children of their own, are eager to adopt him. North is overjoyed; but the governor unveils a new state campaign to encourage mainlanders to move to Hawaii. North learns, to his horror, that billboards featuring him in a mortifying pose will soon be on view throughout the U.S. On the beach, he meets a tourist with a metal detector who explains that parents should not rely on children for their own personal gain.\nIn Alaska, he settles into an Inuit village, where his prospective parents send their elderly grandfather out to sea on an ice floe so that he may die with dignity. As the long, dark winter begins to envelop Alaska, North realizes that his summer is almost up. Meanwhile, his real parents, still comatose, are put on display in a museum. North's quest has stimulated children around the world to leave their parents, and to hire Belt and Winchell, who are both now rich and powerful.\nNorth's next family is Amish, but he is quickly discouraged by the size of their family (and the lack of electricity and other conveniences). His experiences in Zaire, China, and Paris are equally fruitless. At last, back in America, he finds the Nelsons, who are an ideal All-American family that give North the attention and appreciation he craves, but he still is not happy. \"The Nelsons are good folks,” says a sleigh driver. “They're just not your folks.\"\nIn despair, North finds himself in New York City, where Winchell and Belt, fearing the demise of their lucrative business, plot to assassinate him. On the run, North receives a videotape from his newly revived parents begging him to forgive them and return home. Standup comedian Joey Fingers encourages him to do so: \"A bird in the hand is always greener than the grass under the other guy's bushes.\" At the airport, his path is blocked by a mob of kids who have followed his example, and are angry that he is giving up and going home, so North is forced to ship himself home in a FedEx box. He reaches his house just in time to beat the orphanage deadline; but as he runs toward his parents, an assassin takes aim. As he squeezes the trigger, North awakens in the mall, now empty. The Easter Bunny takes him home, where he is greeted warmly by his parents, who have been worried while he has been gone. It has all been a dream, but in his pocket, North discovers Gabby's silver dollar with the hole through the middle. North says he has always had it, \"for good luck\". North goes inside as his parents agree to bring him dinner in bed.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][SHOW]I CAN'T REMEMBER THIS \"SHOW\" AND IT'S KILLING ME.\nThis has been driving me crazy for YEARS. It was a show that i owned on dvd which was about 3 machines (portayed by puppets and animatronics) doing activities in a garden. I don't remember them ever leaving the garden and i believe it was narrated throughout the whole thing rather than the characters having individual voices. The machines weren't humanoid, i'm pretty sure they were all on wheels i have no idea what they were specifically. This may be vague to most of you but thats because it was a show from my very early childhood. If you guys can't solve this then i completely understand.",
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"content": "Scoop and Doozie.\nThis series is aimed at pre-schoolers and it explores the fascinating world of building through puppetry and live-action videos. It features the comic trials and tribulations of a group of construction toys named Scoop, Doozie and Axel the dumptruck, along with others.::Anonymous",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][1980s] kinda sexual movie about a girl getting kidnapped and falling in love with her captor, she was royalty.\nThis movie might be from the 80s or 90s. I saw it as a little kid in late night TV. The plot is basically this girl who is a royal I think, and she’s traveling to get married. On the way there she talks to her lady in waiting about how she’s a virgin and the lady in waiting says “oh I’ll show you about sex”, and she proceeds to have sex with her bf while the girl hides in the bushes looking. Then she gets kidnapped by some barbarian-looking dudes, and they abuse her. Eventually the leader and her form a relationship. I really don’t remember a lot, it was a weird movie",
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"content": "Flesh and Blood (1985 film).\nIn 1501, a city in Italy has been taken by a coup d'état while its rightful ruler, Arnolfini (Fernando Hilbeck), is away. Arnolfini promises some mercenaries 24 hours of looting if they succeed in retaking the city, and they do so well, raping and killing those who stand in their way. But in their revelry, Arnolfini decides that he wants them gone. Hawkwood (Jack Thompson), the commander of the troops, is caring for a young nun he mistakenly attacked during the siege. Arnolfini promises to get medical attention for her and Hawkwood leads Arnolfini's cavalry, betraying his former lieutenant, Martin (Rutger Hauer). The cavalry ejects the mercenaries from the city without their loot. Soon after, Martin's son is stillborn. Burying the infant unearths a wooden statue of Saint Martin of Tours—a saint with a sword. The mercenaries' cardinal views this as a sign from God to follow Martin as their new leader.\n\nArnolfini's son, Steven (Tom Burlinson), is betrothed to Agnes (Jennifer Jason Leigh). They meet for the first time and eat from a mandrake to magically fall in love, then the entourage is attacked and robbed by Martin's band. Arnolfini is seriously injured; Kathleen, Agnes's lady-in-waiting, is stabbed in the chest and dies; and Agnes is hauled away, concealed among her valuable dowry. Martin discovers Agnes later that evening as they strip the caravan of valuables. The men desire to gang rape her but Martin decides to take her himself. He rapes Agnes while she at first taunts him and then begins to flirt with him, hoping to gain Martin's protection.\nThe mercenaries come upon a castle where, unknown to the mercenaries, the inhabitants are infected with the plague. They capture the castle easily with the help of Agnes. She induces Martin to fall in love with her and works on the other mercenaries to accept her. She appears to have given up on her former life. Meanwhile, Steven is determined to rescue her and turns to Hawkwood. Hawkwood only wants to live a quiet life, married to the former nun he had injured. Steven, becoming as ruthless as his father, seizes the nun to force Hawkwood to help his pursuit of Martin. They locate Martin and the mercenaries. They do not have sufficient force to take the castle and lay siege to it. In the castle, Martin asks Agnes where her true loyalty lies; she is noncommittal, hinting that the winner takes all. Outside, the plague spreads among Steven's forces and infects Hawkwood.\nSteven builds a siege tower to storm the castle, and Martin destroys it with something Steven had tried earlier: gunpowder. Steven's soldiers are killed as Steven scales the tower's ladders, and he falls into the castle grounds. The mercenaries capture Steven and shackle him in the courtyard. Agnes pretends to join in the abuse of the captive Steven and even makes love to Martin in his presence. Using a new medical technique Steven had learned (cutting the buboes on the infected body), Hawkwood cures his plague. He cannot continue the siege alone but, before leaving for additional troops, he catapults pieces of an infected dog into the castle. One chunk lands near the chained Steven, who flings it into the castle's water well. Agnes sees this and Steven tells her that she can decide whether to tell the mercenaries.\nThe mercenaries wish to leave the castle, fearing the plague, but Martin persuades them to stay. At the next meal, Agnes watches as they drink infected water. As Martin begins to drink, she slaps the cup from his hand. Many mercenaries soon show signs of the plague sickness and hurl Martin into the well. As she did after Steven's capture, Agnes pretends to join in the abuse of Martin. Hawkwood and Arnolfini have recovered from their wounds and return with an army. Inside the castle, Steven needs Martin's key to escape from the shackles, and Martin needs Steven to get out of the well. The two cooperate, but upon seeing the besieging army, Martin flees to the belfry. Steven frees himself and, as the battle rages, races to find Agnes. During the fighting, the belfry catches fire. Before long, all the mercenaries but Martin, Polly, Anna, and Little John are dead.\nMartin confronts Agnes. She claims that she loves him, but he prepares to murder her rather than allow her to return to Steven. As Martin is strangling Agnes, Steven attacks. Martin, a cunning and hardened mercenary, overpowers Steven. He almost drowns him, but Agnes strikes Martin on the head, and she and Steven flee the blazing castle and reunite with Hawkwood. As Agnes and Steven embrace, Agnes sees Martin over Steven's shoulder, escaping from the castle, a sack of loot on his shoulder. She says nothing.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000s/2010s] A sci-fi movie about a man undergoing some sort of brain experiment who must put all his belongings into a box before the operation and is told he will get them back after but finds they are tampered with.\nI know this is pretty vague, but it's really been bugging me. Relatively recent sci-fi movie as far as I recall about a man who volunteers to undergo some type of brain experiment, I don't remember much more than that. I believe there is a decent amount of money or a prize of some sort at play here. He is told he must put all his belongings into a box before heading into the operation and that he will get them all back. He is released from the operation and something goes awry and something from his box is missing. The money/prize he was promised is also no longer on the table. I feel like I also remember the setting being fairly futuristic with a lot of whites and greys, and the mood of the movie showed the distrust of the main character.",
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"content": "Paycheck (film).\nIn the near future, Michael Jennings is a reverse engineer; he analyzes his clients' competitors' technology and recreates it with improvements. To protect his clients' intellectual property and himself, Jennings undergoes memory wipe to remove knowledge of his engineering with aid of his friend Shorty.\nJennings is contacted by his college roommate James Rethrick, the CEO of technology company Allcom. Rethrick offers Jennings a lengthy three-year job, during which he will be required to stay on Allcom's campus, in exchange for company stock. Jennings is hesitant but agrees. After being injected with the memory marker, Jennings is given a tour of the campus, where he meets and flirts with biologist Dr. Rachel Porter. Rethrick then introduces Jennings to his work partner, physicist William Dekker.\nThree years later, Jennings wakes from the memory wipe and is congratulated by Rethrick. Jennings finds that the Allcom stock he earned is valued at over US$92 million, but when he goes to see his lawyer to get the funds, he discovers that he had given all the stock away just weeks ago. Further, he is given an envelope claiming to be his possessions on entering Allcom, but it contains a random assortment of items. Confused, Jennings soon finds himself detained by the FBI. Agent Dodge accuses Jennings of having access to classified government designs that had been taken by Dekker, who is now dead. Jennings cannot answer due to the memory wipe, but finds a means to escape using the items in the envelope. As he evades the FBI, Rethrick's right-hand-man John Wolfe sees Jennings walking away and warns Rethrick they have a problem.\nJennings meets with Shorty to try to figure out what happened, but then sees a lottery number result on a television, the numbers matching those on a fortune cookie message in the envelope. He realizes that he must have built a machine at Allcom to see into the future, planting items in that envelope to help fix things. At Allcom, Rethrick tries to use Jennings' machine, but instead finds that it was jury-rigged to go offline after Jennings had left. Rethrick studies Jennings' habits while at Allcom and discovers that he got romantically involved with Porter and left a secret message to meet her at a cafe later that day. Rethrick sends a body double to try to coerce Jennings to turn over the envelope, but the real Porter shows up and rescues Jennings. The two elude the FBI and Rethrick's men. While hiding, they find that the stamps on the envelopes contain microdot images taken from the device, showing newspaper headlines from the future that while Allcom became incredibly successful with the device, it led to international political strife and the United States launching a pre-emptive nuclear strike. They agree that the machine must be destroyed.\nUsing the last items in the envelope, Jennings and Porter gain access to Allcom and the machine, while separately the FBI have started to investigate Allcom. Jennings discovers the circuit he rigged and fixes it, while booby-trapping the machine to be destroyed in a few minutes. He uses the machine one last time to see himself being shot at by an FBI agent in the catwalks about the machine. Rethrick, Wolfe, and other men arrive, and Jennings and Porter escape to the catwalks. Wolfe tries to use the machine to help track Jennings, while Rethrick corners the pair on the catwalk. FBI agents storm the lab, and one appears on the catwalk, the same tableau that Jennings had seen. As the FBI fires, a watch from the envelope beeps, and Jennings dodges in time for the bullet to fatally hit Rethrick. Wolfe is killed as Jennings' booby-trap goes off and destroys the machine. After the chaos dies down and the FBI begin a full investigation, Agent Dodge finds the watch Jennings had used.\nElsewhere, Jennings, Porter, and Shorty have moved to the countryside. Shorty was able to use his influence to rescue the cage of a pair of lovebirds Porter had been raising at Allcom. Recalling the fortune cookie message from the envelope, Jennings looks in the cage and finds a lottery ticket for the winning jackpot of US$90 million.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [SHOW] This show that aired on Australian TV network ABC3 a while ago..\nThere was this show that I watched as a kid. \n\nThese two commentators and an old man in a spectators booth talk and list animals into a certain category. They then eliminate the animals of the list one by one until they have a definite winner of the genre. Genres like biggest animal, toughest animal, longest animal etc.\n\nIt wasn’t too long ago. It was in the 2000’s. I’d guess right on the spot around 2015 more or less.",
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"content": "WAC! The World Animal Championships.\nWAC is animals battling it out for wildlife supremacy in the WAC-Arena. Covering many unique categories we scour the land, oceans and skies to find ultimate animals in unique categories - Scariest, Grossest and even Most Romantic. These and more will be answered in this fact-packed comedy series for inquisitive children.::Tim McGahan",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][1980s] scene where a man sings 'TO FIIIIIIGHT' with a raised fist.\nBasically, there's a bit in (maybe) a movie from (maybe) the 80's where a guy belts out 'To fight!!' with a raised fist, and my mom and I cannot remember what it's from. I initially thought Men in Tights but googling that brought no results, however we think it's from a parody-type film set in medieval times or something like that. My mom thinks it may have been part of a call-and-response.",
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"content": "Monty Python and the Holy Grail.\nIn 932 AD, King Arthur and his squire, Patsy, travel Britain searching for men to join the Knights of the Round Table. Along the way, Arthur debates whether swallows could carry coconuts, recounts receiving Excalibur from the Lady of the Lake, defeats the Black Knight and observes an impromptu witch trial. He recruits Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Galahad the Pure and Sir Robin the Not-Quite-So-Brave-as-Sir-Lancelot, along with their squires and Robin's minstrels. Arthur leads the knights to Camelot, but, after a musical number, changes his mind, deeming it \"a silly place\". As they turn away, God appears and orders Arthur to find the Holy Grail.\nArthur and his knights arrive at a castle occupied by French soldiers, who claim to have the Grail and taunt the Britons, driving them back with a barrage of barnyard animals. Bedevere concocts a plan to sneak in using a Trojan Rabbit, but no one hides inside it, and the Britons are forced to flee when it is flung back at them. Arthur decides the knights should go their separate ways to search for the Grail. A modern-day historian filming a documentary on the Arthurian legends is killed by a knight on horseback, triggering a police investigation.\nOn the knights' travels, Arthur and Bedevere are given directions by an old man and attempt to satisfy the strange requests of the dreaded Knights Who Say \"Ni!\". Sir Robin avoids a fight with a Three-Headed Knight by running away while the heads are arguing. Sir Galahad is led by a grail-shaped beacon to Castle Anthrax, which is full of young women, but is unwillingly \"rescued\" by Lancelot. Lancelot receives an arrow-shot note from Swamp Castle. Believing the note is from a lady being forced to marry against her will, he storms the castle and slaughters several members of the wedding party, only to discover the note was from an effeminate prince.\nArthur and his knights regroup and are joined by three new knights, as well as Brother Maynard and his monk brethren. They meet Tim the Enchanter, who directs them to a cave where the location of the Grail is said to be written. The entrance to the cave is guarded by the Rabbit of Caerbannog. Underestimating it, the knights attack, but the Rabbit easily kills Sirs Bors, Gawain and Ector. Arthur uses the \"Holy Hand Grenade of Antioch\", provided by Brother Maynard, to destroy the creature. Inside the cave, they find an inscription from Joseph of Arimathea, directing them to Castle Aarrgh.\nAn animated cave monster devours Brother Maynard, but Arthur and the knights escape after the animator dies of a heart attack. The knights approach the Bridge of Death, where the bridge-keeper challenges them to answer three questions to pass, or else be cast into the Gorge of Eternal Peril. Lancelot easily answers the simple questions and crosses. Robin is defeated by an unexpectedly difficult question, and Galahad fails an easy one; both are magically flung into the gorge. When the bridge-keeper poses an obscure question about swallows to Arthur, he asks the bridge-keeper to clarify what he means; the bridge-keeper cannot answer and is thrown into the gorge.\nArthur and Bedevere cannot find Lancelot, unaware that he has been arrested by police investigating the historian's death. The pair reach Castle Aarrgh, but find it occupied by the French soldiers. After being repelled by showers of manure, they summon an army of knights and prepare to assault the castle. As the army charges, the police arrive, arrest Arthur and Bedevere and break the camera, ending the film.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] [2000s] [OPEN] A movie about a sickness pandemic and only a certain amount of people survive - either from luck or good antibodies....\nA woman needs to find her son after the world is struck with a massive sickness pandemic and she has superior antibodies which allow for a chance to beat the sickness and save the human race. At the beginning of the film, she spills wine on herself while in the bath after feeling sick from catching it",
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"content": "Survivors (2008 TV series).\nAn unknown virus pandemic kills more than 90% of the world's population. Those immune must strive to survive and overcome the difficulties of this new world order, hoping that the virus will not mutate.::James",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][EARLY-MID 00'S] People get stuck in a police station and a guy outside starts killing everyone inside - more details on description.\nNew to reddit, but I will definitely mark \"solved\" :)\n\nSo I watched this movie once and, as I remember - there may be some incorrect details - a policeman transfers an inmate to another police station (small one) and can't get off to the holidays because a blizzard starts.\n\nA guy outside (it's very snowy) starts killing people, mostly with a sniper rifle, maybe to \"rescue\" the inmate, but I don't recall this last bit quite well...\n\n​\n\nSorry for the lack of further info, but this is what I can remember... I remember watching it very young and it was a good movie!",
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"content": "Assault on Precinct 13 (1976 film).\nThe story takes place on a Saturday in Anderson, a crime-infested ghetto in South Central Los Angeles.\nMembers of a local gang known as 'Street Thunder' have recently stolen a large number of assault rifles and pistols.\nThe film begins at 3m.\nthat morning, as a team of heavily-armed LAPD officers ambush and kill six members of the gang.\nLater, the gang's four warlords swear a blood oath of revenge, known as a \"Cholo\", against the police and the citizens of Los Angeles.\nDuring the day, three sequences of events occur parallel to one another: First, Lieutenant Ethan Bishop (Austin Stoker), a newly promoted CHP officer, is assigned to take charge of the decommissioned Anderson police precinct during the last few hours before it is permanently closed.\nThe station is manned by a skeleton staff composed of Sergeant Chaney (Henry Brandon) and the station's two secretaries, Leigh (Laurie Zimmer) and Julie (Nancy Loomis).\nAcross town, two of the Street Thunder warlords, along with two other gang members, drive around the neighborhood looking for people to kill.\nOne of the warlords shoots and kills a little girl (Kim Richards) and the driver of an ice-cream truck.\nThe girl's father, Lawson (Martin West), pursues and kills the warlord, upon which the other gang members chase him into the Anderson precinct.\nIn shock, Lawson is unable to communicate to Bishop or Chaney what has happened to him.\nJust before this, a prison bus commanded by Starker (Charles Cyphers) stops at the station to find medical help for one of three prisoners being transported to the state prison.\nThe prisoners are Napoleon Wilson (Darwin Joston), a convicted killer on his way to Death Row, Wells (Tony Burton), and Caudell, who is sick.\nAs the prisoners are put into cells, the telephone lines go dead, and when Starker prepares to put the prisoners back on the bus, the gang opens fire on the precinct, using weapons fitted with silencers.\nIn seconds, they kill Chaney, the bus driver, Caudell, Starker, and the two officers along with Starker.\nBishop unchains Wilson from Starker's body and puts Wilson and Wells back into the cells.\nWhen the gang members cut the station's electricity and begin a second wave of shooting, Bishop sends Leigh to release Wells and Wilson, and they help Bishop and Leigh repel an attempted invasion, though Julie is killed in the firefight.\nMeanwhile, the gang members remove all evidence of the skirmish in order to avoid attracting outside attention.\nBishop hopes that someone has heard the un-silenced police weapons firing, but the neighborhood is too sparsely populated for nearby residents to pinpoint the location of the noise.\nWells is chosen to sneak out of the precinct through the sewer line and hot-wire a car, but is killed by a gang member hiding in the backseat.\nHowever, two police officers responding to reports of gunfire find the dead body of a telephone repairman hanging from a pole near the police station, and soon begin to call for backup.\nAs the gang rallies for an all-out final assault, Wilson, Leigh, and Bishop retreat to the basement, taking the still-catatonic Lawson with them.\nProtected with a large durable sign, the gang then storms the building and rush the survivors.\nBishop shoots a tank full of acetylene gas, which explodes violently and kills all the gang members in the basement.\nThe remaining gang members soon retreat as more police support arrives to secure the station.\nVenturing down into the basement, the police officers find dozens of badly burned and killed gang members strewn about the hallway, as the only survivors remain are Bishop, Leigh, Wilson, and the comatose Lawson.\nAs the others leave another officer tries to cuff Wilson whom Bishop waves off but ignores the order.\nBishop angrily stops him and asks Wilson to walk out of the station with him rather than be led away in chains.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie] Female gang leader holding baby during shootout.\nI think it’s the opening to the film, could also be a tv show. \nPolice/law enforcement are about to raid a gang area (possible Dominican or Haitian gang) and see the leader holding her baby, decide to go in. \nEnds up in a street battle with the gang and police, the mother/leader holding the baby dies but I think the baby survives. \n\nMain officer is also female",
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"content": "Hannibal (2001 film).\nA decade after tracking down serial killer Jame Gumb, FBI Special Agent Clarice Starling is blamed for a botched drug raid. She is contacted by Mason Verger, the only surviving victim of the cannibalistic serial killer Hannibal Lecter, who has been missing since escaping custody during the Gumb investigation. A wealthy child molester, Verger was paralyzed and disfigured by Lecter during a therapy session. He has been pursuing an elaborate scheme to capture, torture, and kill Lecter ever since. Using his wealth and political influence, Verger has Starling reassigned to Lecter's case, hoping her involvement will draw Lecter out.\nAfter learning of Starling's disgrace, Lecter sends her a taunting letter. A perfume expert identifies a fragrance on the letter: skin cream with ingredients only available to a few shops in the world. She contacts the police departments of the cities where the shops are located, requesting surveillance tapes. In one city, Florence, Chief Inspector Rinaldo Pazzi is investigating the disappearance of a library curator. Pazzi questions Lecter, who is masquerading as Dr. Fell, the assistant curator and caretaker.\nRecognizing Dr. Fell in the surveillance tape, Pazzi accesses the Violent Criminal Apprehension Program database of wanted fugitives. He learns of Verger's US$3 million personal bounty on Lecter. Seeking the bounty, Pazzi ignores Starling's warnings and attempts to capture Lecter alone. He recruits a pickpocket to obtain Lecter's fingerprint to show Verger as proof. The pickpocket, mortally wounded by Lecter, manages to get the print and gives it to Pazzi. Lecter baits Pazzi into an isolated room of the Palazzo Vecchio, ties him up, disembowels him, and hangs him from the balcony.\nVerger bribes Justice Department official Paul Krendler to accuse Starling of withholding a note from Lecter, leading to her suspension. Lecter lures Starling to Union Station. Verger's men, having trailed Starling, capture and bring Lecter to Verger. Verger intends to feed Lecter alive to a herd of wild boars bred for this purpose. After her superiors refuse to act, Starling infiltrates Verger's estate. After neutralizing two guards and freeing Lecter, she is shot by a third guard. Lecter picks up an unconscious Starling just before the boars break through the doors. Verger orders his physician Cordell Doemling to shoot Lecter, but, at Lecter's suggestion, Cordell shoves his hated boss into the pen with Lecter offering to take the blame. Lecter carries Starling away and the boars eat Verger alive.\nLecter takes Starling to Krendler's secluded lake house and treats her wounds. When Krendler arrives, Lecter subdues and drugs him. Starling, disoriented by morphine and dressed in a cocktail dress, awakens to find Krendler seated at the table set for an elegant dinner. Weakened by the drugs, she watches in horror as Lecter removes part of Krendler's prefrontal cortex, sautés it, and feeds it to him. Starling tries to attack Lecter, but he overpowers and traps her. She handcuffs his wrist to hers. Hearing the police closing in, Lecter is about to sever her cuffed hand to escape and brings down the cleaver. Starling surrenders to the FBI with her hands intact. On a flight, Lecter prepares to eat a meal he has brought himself, his bandaged arm in a sling. Lecter shares cooked brain with the boy next to him, saying it is important \"always to try new things\".",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][movie] terrible post-apocalyptic b-movie from the '90s/early 2000's about teens/twenty-somethings who run away from like a cult in a cave to an abandoned city where they meet a couple that seduces them and turns into mutants and tries to kill them.\nReally bad SciFi movie with no-name actors. At first there are like two guys and two girls, who are either supposed to be in their late teens or early twenties, and they're living in a cave with an older man who's like a father figure/cult leader. He comes onto one of the girls and I think he almost rapes her. Then one of the guys rescues her and the four of them run away.\n\nThey wind up in some abandoned city where they meet a couple, a white man and a black woman. They have a really nice apartment and seem cool. Then I remember there's a scene where they're all in a hot tub and the couple are like teaching the kids about sex, because they're really naive or something. Then, later, it turns out they're mutants and they try to kill everyone.\n\nThat's all I remember. Thanks in advance for any help anyone can offer!",
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"content": "Teenage Caveman (2002 film).\nThe film is set in a post-apocalyptic future, where the vast majority of humanity has died due to a viral epidemic.\nThe remaining humans have reverted to primitive tribalism.\nAfter killing his father for sexually assaulting his girlfriend, the son of a tribal leader is banished from the tribe, along with his friends.\nThey eventually stumble upon a solar-powered city whose only two inhabitants are genetically modified to survive the plague.\nThey view themselves as superhuman mutants who intend to recreate humanity in their own image.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][TV SHOW][80s][90s][2000s] Show similar to Bill nye the science guy, with a british woman.\nMy science teacher used to show us educational vhs/dvd tapes in class about science topics. The format was similar to bill nye, except it was with a british woman with blonde hair. I believe she lived in a spaceship or some other abnormal structure to live in. She would discuss different biology topics in each episode. Was clearly filmed in the 80s/90s maybe early 2000s. What was the name of this show?",
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"content": "Come Outside.\nChildren's educational programme in which Auntie Mable and her dog Pippin fly in their spotted plane looking at and finding out how everyday things work.::Anonymous",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE]Movie about a young woman who gradually starts to believe in voodoo as the movie progresses. In the end, it turns out it was a trick so the elderly voodoo priestess could steal her youthful body..\nI think it was a 90's movie. Good budget, good acting(if I'm remembering right). Not a B movie. I would say it was horror-drama.",
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"content": "The Skeleton Key.\nCaroline Ellis, a hospice aide, quits her position at a nursing home and is hired as the caretaker of an isolated plantation house in Terrebonne Parish, Louisiana. The aging matron of the house, Violet Devereaux, needs help looking after her husband Benjamin, who was mostly paralyzed by an apparent stroke. At the insistence of the family's estate lawyer, Luke Marshall, Caroline accepts the position.\nAfter Ben attempts to escape his room during a storm, Caroline investigates the house's attic, where Violet said Ben suffered his stroke; she uses a skeleton key which Violet gave her. She discovers a secret room filled with ritual paraphernalia. Caroline confronts Violet, who reveals that the room used to belong to two African American servants who were employed at the house 90 years before. The servants, Mama Cecile and Papa Justify, were renowned hoodoo practitioners; they were lynched after conducting a ritual with the owners' two children, from whom Violet and Ben later bought the house. Violet tells Caroline that they keep no mirrors in the house because they see reflections of Cecile and Justify in them. Caroline borrows a phonograph record from the attic: Conjure of Sacrifice, a recording of Papa Justify reciting a hoodoo ritual.\nCaroline surmises that Ben's stroke was caused by hoodoo, but believes that his paralytic state is a nocebo effect induced by his own belief, rather than something supernatural. Taking advice from her friend Jill, Caroline visits a hidden hoodoo shop in a nearby laundromat, where a hoodoo woman gives her tools and instructions to cure Ben. After she conducts the ritual, Ben regains some ability to move and speak and he begs Caroline to get him away from Violet.\nCaroline tells Luke she is suspicious of Violet, but he remains skeptical. They travel to a gas station that Caroline previously noted was lined with brick dust, which she was told is a hoodoo defense; supposedly, no one who means one harm can pass a line of brick dust. She asks one of the proprietors, a blind woman, about the Conjure of Sacrifice, which she learns is a spell wherein the caster steals the remaining years of life from the victim. Increasingly convinced of hoodoo's authenticity, Caroline fears that Violet will soon cast the spell on Ben.\nCaroline discovers that Violet is unable to pass a line of brick dust laid across one of the house's doorways, confirming her suspicions. She incapacitates Violet and attempts to escape the house with Ben, but the front gate is chained shut. Caroline hides Ben on the property and enters Luke's office for help. Luke, revealed to be Violet's accomplice, brings Caroline back to the house. Caroline escapes, gets into a fight with Violet, and violently pushes her down the stairs, breaking her legs in the process. With strategic use of brick dust, Caroline flees to the attic, calls 9-1-1 and Jill for help, and casts what she believes is a protective spell. Violet, having caught up with her, reveals she actually trapped herself inside a protective circle. Violet pushes a full-length mirror at Caroline, which reflects the original owner's daughter, then Violet, and lastly Mama Cecile. A recording of the Conjure of Sacrifice plays, and the two switch bodies.\nViolet (revealed to be Mama Cecile, who had been occupying Violet's body through the Conjure) wakes up in Caroline's body, and force-feeds Caroline (now in Violet's body) a potion that induces a stroke-like paralytic state like Ben's. Luke (actually Papa Justify) arrives upstairs, revealing that Mama Cecile and Papa Justify have been conducting the Conjure of Sacrifice on new people since their supposed deaths; they had swapped places with the two children just before the lynching. Because hoodoo is supposedly only effective on those who believe in it, Cecile and Justify had to wait for Caroline to come to believe in hoodoo through her own investigation. \nEmergency services arrive the next morning and take Caroline and Luke away, trapped in the paralyzed dying bodies of Violet and Ben; when Jill arrives, \"Luke\" tells her that the Devereauxes left the house to Caroline, ensuring that Cecile and Justify will continue to occupy the house.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] BBC thriller/horror movie of woman with crying baby on airplane.\nPlease help me.\n\nI've only ever seen the trailer to this movie, it was shown as an Instagram ad, I remember it being from BBC but can't find anything online. Can't be more than 4 or 5 years ago, maybe less. I think the whole movie plays out inside the plane. \n\nThe whole plot of the movie is a young mother bringing her baby on an overnight flight for the first time, and the baby won't stop crying. That's the whole story. It seemed very psychological, really focussed on her breaking down because the baby won't stop crying. \n\nLoose details:\nI remember one scene where she's next to the airplane bathroom and a lady walks up and says something like 'have you tried feeding him/her?' \nThe colors are very dark and blue, people are wearing sleeping masks because it's an overnight flight.\n\nI REALLY want to see this movie, I hope someone can help me. Thanks in advance.",
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"content": "The Cry (2018 TV series).\nNominated for an International Emmy® for Best Actress, Jenna Coleman (Victoria, Doctor Who) mesmerizes as young mother Joanna in this intense psychological thriller.\n\nThe disappearance of a baby from a small coastal town in Australia is the catalyst for a journey into the disintegrating psychology of a young couple as they deal with an unthinkable tragedy under both the white light of public scrutiny and behind closed doors.\n\n_The Cry_ (qv) chronicles the collapse of a marriage in the aftermath of a tragedy, and explores the myths and truths of motherhood. The abduction of a baby from a small coastal town in Australia is the catalyst for a journey into the disintegrating psychology of a young woman - Joanna - as she and her husband, Alistair, deal with an unthinkable tragedy under both the white light of public scrutiny and in their private lives.::ahmetkozan\n\nA four-part psychological drama set in Scotland and Australia, which chronicles the collapse of a marriage in the aftermath of a tragedy, and explores the myths and truths of motherhood. The abduction of a baby from a small coastal town in Australia is the catalyst for a journey into the disintegrating psychology of a young woman, Joanna, as she and her husband, Alistair, deal with an unthinkable tragedy under both the white light of public scrutiny and in their private lives.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2010s] Sci Fi/Thriller Film - A guy reading/writing a book and weird stuff happens.\nHello! First timer here. I watched a movie a few years ago on Netflix or Hulu and I just can't remember the name of it. I will describe this move to the best of my ability: The movie is about a guy that does odd jobs and he gets a job to deliver a cardboard box to someone and is told to not open it up for any reason. He is almost killed on his way to deliver/on his way home. He then opens the box and it is a book. Things in the book start becoming his reality. He then can't seem to escape the stuff happening from this book. This movie almost has like a john dies at the end type of vibe. Please help! It's driving me crazy.",
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"content": "Residue.\nA private investigator reads a book of sinister origins and unknowingly puts his daughter and himself in a fight for their lives...and their eternal souls.::Motorcycle Boy Productions\n\nPrivate investigator Luke Harding (James Clayton) reads a book of sinister origins owned by seedy crime lord Mr. Fairweather (Matt Frewer). Unbeknownst to Luke, the book is a much sought after supernatural artifact and Fairweather's greatest rival, the enigmatic Mr. Lamont (William B. Davis), begins pursuit of Luke with his trustiest henchmen Boston (Michael Matic) & Jacob (Costas Mandylor). While the criminal underworld is desperate to retrieve the book and harness its power for their own dark agendas, it's evil begins to take root in Luke's apartment; pitting himself, his daughter (Taylor Hickson) and his secret love Monica (Elysia Rotaru) in a fight for their lives... and their eternal souls.::Motorcycle Boy Productions",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] 90's fictional book hero IRL.\nI think this movie is from the 90's. Maybe late 80's. \nI remember a woman seeking this fictional hero. I think her family is in trouble, and her mother urges her to find this hero from this fictional book series (like a James bond type of espionage fiction)\n\nI want to say the hero looks like a 40 YO Roy Scheider. I remember he has a sidekick, a blond bearded glass wearing journalist who chronicles this guy's adventure, stating how it is all true. The hero himself claims the books exaggerate the tales.. but at one point in the story they drop off of a plane, I think in a jeep?\n\nThe movie takes place in Europe or South America, something like that.",
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"content": "Jake Speed.\nIn Paris, a girl named Maureen Winston (Becca Ashley) is abducted by two evil-looking men.\nWhile her family prays for her safe return, Maureen's father heaps guilt on her sister Margaret (Karen Kopins), since she convinced her to go see the world.\nHowever, Margaret's grandfather (Leon Ames) has an idea: call for Jake Speed (Wayne Crawford) to go and rescue her.\nOne problem exists: Jake Speed is a character in a series of 1940s-style pulp fiction novels.\nHowever, Jake Speed does exist, as Margaret finds out, when he leaves a note for her to meet him and his sidekick, Desmond Floyd (Dennis Christopher), in a tough Paris bar.\nThe novels, as Margaret finds out, are based on Jake and Des's real-life adventures, and they work for nothing, seeing action and excitement (and another novel) as their reward.\nJake reveals that Maureen was kidnapped by white slavers, and is being held in an African country.\nJake, Des, and Margaret fly to the nation, which is in the middle of a civil war, to rescue her.\nMany twists and turns later, Jake's archenemy, the evil, perverted, murderous Englishman Sid (John Hurt), is revealed to be behind the ring, and soon, Margaret becomes a part of it.\nJake and Des must now rescue both Maureen and Margaret, stop Sid, and help the girls get out in one piece, while dealing with warring factions, pits of lions, and machine gun-firing helicopters.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie][2000's] Indie movie, main actor has Downs Syndrome.\nWhat I remember about the plot.\n\nYoung man with Downs Syndrome and his mother live together and work in a restaurant. His mother dies suddenly, and he comes into a substantial amount of money. He uses it to pay bills for a single mother that he has a crush on. At the end of the movie, the girl has sex with him in the woods and then walks away.",
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"content": "Girlfriend (2010 film).\nEvan is a young man with Down syndrome who lives with his mother, Celeste, in a working class, small town. When he unexpectedly comes into a large amount of money, he uses it to romantically pursue a young mother, Candy, who is still entangled in her previous relationship with her abusive ex-boyfriend.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie][2000s] about guy who dies and kidnaps his daughter, only to be hunted by the ghost police.\nThe movie starts out with the guy going to his dead end job. On his way home, he starts screaming and gets T-boned by a van. Later, his daughter is sleeping and get's spiritually kidnapped by a hooded man with a GIANT nose. The ghost police includes a dude who's blind and the hooded man's boss has a TV for a face.\n\nThat's all I can remember.",
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"content": "Ink.\nA mysterious creature, known as _Ink_ (qv), steals a child's soul in hopes of using it as a bargaining chip to join the Incubi - the group of supernatural beings responsible for creating nightmares.::Karl Krejci\n\nAs the light fades and the city goes to sleep, two forces emerge. They are invisible except for the power they exert over us in our sleep, battling for our souls through dreams. One force delivers hope and strength through good dreams; the other infuses the subconscious with desperation through nightmares. John and Emma, Father and Daughter are wrenched into this fantastical dream world battle, forced to fight for John's soul and to save Emma from an eternal nightmare. Separate in their journey, they encounter unusual characters that exist only in their subconscious. Or do they?::Kiowa Winans\n\nWhen we go to sleep, two forces battle for our dreams: the Storytellers, who give us good dreams; and the Incubi, who give us nightmares. Widower John Sullivan is estranged from his young daughter Emma, having been deemed unable to care for her. Now on the edge of a huge investment deal with a major corporation, he is unaware that he is being stalked by an Incubus. And on the city outskirts, a mysterious stranger named _Ink_ (qv) snatches little Emma from her bed and escapes into the dream world, intent on selling her soul to the Assembly of the Incubi so that he may be allowed entry into their ranks. A small band of Storytellers realizes that the only way to save Emma is to reunite her with her father in the physical world, and they will do anything to make sure that this comes to pass.::SightSpirit\n\n_Ink_ (qv) is the story of a troubled father and his relationship with his young daughter, his work life, and his own sense of being. Transcending our own reality and entering the dreamlike mirror realities of the Storytellers and the Incubus, _Ink_ (qv) explores how you can forget yourself and end up feeling trapped as someone who you never thought you'd become. It is a powerful tale of love, loss and regret.::Andy Blount",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][1990s] Movie about a burglar who stays the week at the home.\nMy mother is trying to find a movie that she saw maybe 20 years ago. She says it was a romantic comedy\n\nWhat she remember is a burglar goes into a home to steal a TV (maybe?) and finds the owner of the home is gone for the week and left the house to a friend of him to take care off, but the friend cant make it and says so in a message that he left on the answering machine. So the buglar stays the week at the home\n\n​\n\nThings my mom also remembers:\n\nThe owner's parents come home to do something and the burglar ends up falling in love with the owner's sister (she came with her parents?)\n\nThey go to a bar mitzvah\n\nThe burglar gets hit by a car on purpose to get into the hospital where the owner's sister works\n\n​\n\nAny help?",
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"content": "Opportunity Knocks (film).\nTwo con men hide out in a house while the owner is away; one of them assumes the identity of the absent house sitter when the owner's relatives come to visit, only for further complications to set in.\n\nEddie and Lou are a couple of two-bit con men on the lam from a loan shark. They hide out in someone's house and they hear on the answering machine that (A) the owner of the house is out of the country for a month or two and (B) the housesitter supposed to watch the house for the absent owner won't be able to watch the house due to a new job in another part of the country. This provides for a pretty nifty arrangement for Eddie and Lou...until the relatives of the house owner drop by to visit. Eddie quickly adopts the guise of the person supposedly housesitting for the owner, and the shenanigans start from there.::Afterburner <aburner@erols.com>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000s] Disney movie (?) where 2 girls are in a boarding school, one blonde and the other maybe a redhead.\nI think the girls are just friends/become friends during the movie... I don't really remember much, but I remember that there's someone vandalizing the school maybe, and that someone is \"poisoning the food\" in those food machines you buy snacks (don't know the name of this object either :( sorry) and one of the girls' friend gets very very sick. I remember watching at the disney channel movie, but I could be totally wrong!",
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"content": "Minor Details.\nA mystery's brewing at a boarding school high school and four best friends try to find out who it is.\n\nSomeone's trying to make the students sick at the upscale boarding school, Danforth Academy! Abby, Paige, Claire and Taylor, join forces to solve the mystery. Could it be Mia or Riley - the girls who have everything that money can buy? Or Emily the know it all Principal's daughter? Maybe it's the wacky Sean Meneskie? Or the school's strange Professor Plume. Whoever it is, the four best friends are going to find out!::JSM",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] Gay man walking through the city at night and he keeps seeing examples of urban legends..\nUrban legends such as the woman who puts her dog in a microwave to dry it off and... I can't remember now.",
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"content": "Urbania (film).\nUrbania follows Charlie (Dan Futterman) through a sleepless night. After an unsuccessful bout of masturbation to the sound of his upstairs neighbors having sex, he prowls the streets looking for a man he saw several months earlier. The implication is that he's had a one night stand with the man, cheating on his boyfriend Chris (Matt Keeslar). This is reinforced by several phone calls Charlie places, leaving messages on Chris' answering machine. As he's walking, he has momentary flashes akin to hallucinations or waking dreams: a man's mouth; a bottle breaking; a man with a blood-stained shirt.\nAfter a series of encounters (with his upstairs neighbors, whom he tells about his masturbatory activities, and a potential trick), he meets the man he's looking for. His name is Dean (Samuel Ball) and it makes no sense either that he'd trick with Charlie or that Charlie would trick with him. Dean is unabashedly racist, sexist and homophobic. Nevertheless, Charlie, pretending to be straight, buys Dean drinks and smokes a joint with him. Dean takes Charlie to a gay cruising area looking for victims, but Charlie is able to warn away the intended target. Dean is now almost incapacitated by alcohol and drugs and Charlie gets him into Dean's car and drives him to a secluded marshy area.\nAs had been implied by Charlie's flashbacks, Dean and two of his buddies, several months earlier, had attacked Charlie and raped and murdered Chris in an apparent hate crime. Charlie's purpose is finally revealed: he wants revenge.\nIn a dreamlike conversation with Chris, Charlie relates what happened at the marshland. He pulled a knife on Dean and told him why he was there. Dean didn't remember him. Charlie forced Dean to drop his pants and was disgusted to see Dean had an erection. Charlie forced Dean to kneel and fellate the knife blade. Suddenly, Dean collapsed with an epileptic seizure. Charlie slit his throat.\nChris challenges Charlie, not believing that he killed Dean. Charlie admits that he wanted to but couldn't. Instead, he drove off in Dean's car, abandoning him in the marsh.\nCharlie stands up from where he's been kneeling, at a makeshift memorial near where Chris was killed. He walks home and has one more hallucinatory flash. He sees himself on the street, cradling a dying Chris. He kisses Chris goodbye and passes by him. When he turns back, Chris is gone. Charlie makes it home and, finally, is able to sleep.\nCharlie presents aspects of his story in the form of urban legends. The film references a number of urban legends, both by having characters describe them as they're depicted and by presenting random people experiencing them.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][movie] guys face gets chopped off by bear trap.\nmy boyfriend just told me he remembered a scene from a movie or possibly a tv show he seen, in the early 2000s. he said a guy in a room put his face in a bear trap and his face got ripped off. later, one person or possibly a group of people come in and see him laying there with his face cut off and he’s dead, all leaned over on the bear trap. the bear trap was on a table\n\nedit: the guy was smiling when he cut his face off, and when it showed his chopped off face it was still smiling",
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"content": "Pelts (Masters of Horror).\nJake Feldman is a fur trader who desperately wants to have sex with a stripper named Shanna, who has no interest in him.\nOne of his suppliers, Jeb Jameson and his son, go onto private land owned by an old woman known as \"Mother Mater,\" to trap animals.\nThey find each trap containing a raccoon, and Jameson schools his son on the proper way to kill them: crush their windpipes with a boot, and if they survive, crush their skulls with a baseball bat.\nAfter processing, all of the raccoon pelts are perfect, and Jameson calls Feldman to arrange a sale.\nHowever, after Jameson goes to bed, his son Larry becomes mesmerized by the hanging furs, then pulls out the baseball bat and beats his father to death.\nLarry then opens a trap and sticks his face in, ripping it off.\nFeldman and his assistant arrive the next day to discover the beautiful pelts and both Jameson and his son dead.\nThey steal the pelts and proceed to make a coat, which Feldman asks Shanna to model at the furriers expo.\nInspired by his assistant, Feldman figures out where the Jamesons got the pelts by finding Jeb's map to Mother Mater's land, and visits Mother Mater to ask for a few raccoons to breed for fur.\nMother Mater states the reason she warns people off her land is because the raccoons have taken up guardianship of the lost city's ruins on them.\nShe rages and chases him off, screaming that they have not yet had their say.\nThe fur trimmer, Sergio, disembowels himself with his scissors after cutting the pelts.\nThe seamstress, Sue Chin Yao, sews her nose, eyes and mouth shut after finishing the coat, then suffocates.\nFeldman is only concerned that the coat is finished, and takes it to Shanna's apartment.\nShe is entranced by the coat and eager to model it, but Feldman says he is still considering other models.\nShanna sees this as a request for sex, and agrees.\nAfter they have sex, during which Shanna is wearing the fur coat, Feldman says he needs the bathroom and something sharp.\nTaking a knife with him, Feldman skins his own torso and creates a vest, bringing it out to Shanna.\nShe panics and runs to the elevator, managing to take it down one floor before Feldman falls down the elevator shaft after her.\nShe tries to escape, but Feldman grabs her leg and her hand is caught and crushed in the doors.\nPolice find their bodies, and the film ends on one of the cops making a bloody footprint.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] a British movie, maybe a drama or a thriller. A group of people go to an old house that has been abandoned. I remember one scene where a guy, who is somewhat grumpy, falls or jumps into a green, dirty pool on the property..\nSorry I don’t have much more info to provide! I just remember that one exact scene and how when I was younger I found it to be hilarious",
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"content": "Severance (film).\nThe film opens with George (David Gilliam) and two women (Juli Drajkó and Judit Viktor) running through the woods.\nThe women fall into a large pit trap while George is caught by a snare.\nAs he hangs helplessly, a masked man approaches and disembowels him with a knife.\nWhat is later revealed as some days prior to this, the European Sales division of Palisade Defence military arms corporation are on a bus to a team-building weekend at a \"luxury lodge\" in the Mátra Mountains of Hungary.\nWhen a fallen tree blocking the road halts the bus's progress, the driver (Sándor Boros) refuses to take a dirt road through the woods and, after an argument, drives off leaving the group to walk the remaining distance to the lodge.\nEventually the group reaches the lodge, which is old and in serious disrepair, but the manager Richard (Tim McInnerny) convinces the wary but tired group to enter.\nInside, Harris (Toby Stephens) discovers a file cabinet full of cryptic Palisade documents, written in Russian.\nThe group discusses the documents, leading Harris to relate a story he'd heard about the lodge: the lodge was previously a mental institution, and in the early 20th century a Palisade-made nerve gas was used to clear it out after the inmates took over.\nJill (Claudie Blakley) responds with the story she'd heard: the lodge was a \"reeducation center\" for Russian war criminals, and after an escape a Palisade-made nerve gas was used to clear escapees out of nearby buildings.\nBoth mention a lone survivor who swore revenge on Palisade.\nSteve (Danny Dyer) starts to tell his own story about the lodge's past as a clinic staffed by busty nurses when he finds a human tooth in the meat pie the group is eating for dinner.\nChastising Gordon (Andy Nyman) for serving a pie he just found in the kitchen, everyone goes to bed.\nThat night Jill sees someone looking into the lodge from the trees.\nThough nobody is found outside, everyone but Richard agrees that they should leave the lodge.\nThe next morning Richard grudgingly sends Harris and Jill to the top of the hill to call the bus driver back, on the condition that the rest participate in a team-building game of paintball.\nReaching the hill, Harris and Jill find the bus abandoned and the bus driver dead in a nearby creek.\nBack at the lodge, the game of paintball has just finished when Gordon steps into a bear trap.\nAfter several failed attempts by Steve and Billy (Babou Ceesayu) to pry the trap open, Gordon's left leg is cut through completely under the knee.\nHarris and Jill arrive in the bus, load everyone in and head back for town.\nOn the way, a spike strip is thrown in front of the bus, which causes it to crash.\nHarris is thrown clear of the bus in the crash, and is decapitated by a masked killer with a machete.\nJill is captured and tied to a tree, then gagged, doused with gasoline and burned alive.\nThe rest discover Harris's body, prompting them to head for the lodge to hide for the night.\nWhile Steve and Maggie (Laura Harris) smoke, a masked figure (Levente Törköly) \"quietly\" grabs Gordon and carries him into the basement.\nDiscovering Gordon's absence and a newly opened door, the four head into the basement which leads to an underground prison.\nThrough one door Billy and Maggie find the now-dead Gordon who has had the Palisade logo carved into his torso and a now-unmasked killer who fires a shotgun at them.\nThe two hide in a nearby cell, where Billy dies from a chest wound.\nSteve hides on the second floor while Richard escapes out the back into the woods.\nWhile the killer searches for Steve, Maggie sneaks up on him with a large knife she took from the prison in the basement, but she falls through the rickety floor.\nThe killer turns round and takes aim at Maggie, but, at the last second, Steve saves her by impaling the killer through the back.\nThe killer falls down and becomes lodged in the main level floor, and Maggie takes his shotgun and shoots the killer in the head.\nMaggie and Steve exit the lodge believing they are safe, but discover that a group of several more armed, Russian-speaking killers are awaiting them outside.\nMaggie shoots one before he can fire on them, and the two run into the woods.\nThey come across Richard, who has stepped on a Palisade-made land mine and cannot move without detonating it.\nRichard guides Maggie and Steve through the minefield.\nThe killers know that the area is a minefield and do not enter; they use a fallen branch to pass over the minefield close to Richard and torment him with insults and stones as they pass overhead.\nAccepting his situation Richard does his best to save the others and steps off the mine, blowing up himself along with two of the killers.\nSteve and Maggie come to another lodge, the real Palisade lodge.\nInside they find their boss George, who is partying with two escorts Steve ordered via the Internet earlier.\nGeorge brings out a prototype missile launcher and fires it at the approaching killers, but the missile locks on to a passing commercial jet instead, destroying it.\nThe five run into the woods, leading to the events shown in the beginning of the film.\nMaggie is snared, then about to be molested by a killer, but manages to smash his head with a rock.\nSteve encounters two attackers and gets beaten and stabbed, but eventually kills them both with a knife and a submachine gun.\nMaggie is chased by a flamethrower-wielding killer into an abandoned prison camp, filled with crates bearing the Palisade logo.\nThere, Maggie breaks her leg, but is saved when one of the escorts, rescued by Steve, arrives and shoots the man.\nSteve, Maggie and the escorts make it to a rowboat on the shore of the nearby lake, and as they paddle off to safety Steve jokingly quips, \"Foursome.\n\".",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [TV] A Tom and Jerry Episode.\nThe episode is set in the winter. We see doors and windows rumbling during a chilly night. We also see Tom getting really scared, almost shivering. I also remember hearing screams, if I am not wrong. Unfortunately, that is all I can remember. \n\nThe episode is supposed to be scary for kids and was also one of my favourite episodes from the show.",
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"content": "Buddies Thicker Than Water.\nOn a snowy night in Srinagar, Jerry is comfortably asleep inside a penthouse. Tom, meanwhile, is freezing in the alley below after being evicted by his owner. He writes a note asking for help, slips it into a bottle, and throws it up to the penthouse window. Jerry, awakened by the noise, goes out to the balcony and finds the note. Alarmed, he rushes outside, going down to the first floor of the elevator, and rescues a frozen Tom. He then brings him inside to the higher floor, and after thawing him out with an electric warmer, Jerry serves him a hot meal from dehydrated food.\nTom and Jerry lounge about the penthouse, listening to music and drinking champagne in the owner's liquor cabinet. Both Tom and Jerry laugh afterward. However, Tom's owner returns and startles the inebriated pair. Jerry dives into his hole as the woman grabs Tom and prepares to throw him out again. Tom grabs Jerry and shows him to his owner, causing her to panic. Tom assures the owner he will get rid of the mouse and goes outside to throw Jerry off the balcony into the alley. Inside, Tom is stroked and pampered by his owner; outside, Jerry is angered by Tom's betrayal and wants revenge.\nUpon entering the house, Jerry sneaks past Tom and goes over to the woman's make-up table, where he applies face powder on his body to resemble a ghost mouse, his plan being to make it seem that he has frozen to death and come back from the dead to haunt Tom. Putting on a record of spooky music (to make Tom think that the record player has turned itself on with spooky music playing), Jerry turns off the lights (to make Tom think that the lights have turned off on their own) and chases the terrified Tom through the house. Tom cowardly hides under a pillow under a couch, and then tries to hide in the champagne cabinet but Jerry swings into the cabinet via string from the ceiling. Tom crashes around in the cabinet and out the side and Jerry scares tom outside and onto the edge of the snowy roof, but some of the powder washes off as Jerry advances through the snow. Tom gets mad and prepares to kill Jerry(for shameless behavior, since if he was in the guise of a ghost, then the punishment will be such that Jerry he himself will become a ghost for the present, along with a ticket to hell, after all, this is attracting one of the main sins of mankind), but accidentally spreads the snow on the side of the building and falls back down to the street below. Tom desperately sends Jerry another note, pleading for help, but the mad Jerry responds by turning the note into a paper airplane throwing it towards Tom and then throwing a pair of ice skates and an ice hockey stick down to him for him to use if he wants to get back inside where it's warm, then happily returns to his hole and goes back to sleep.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [TV SHOW] a group of boys and girls (kids) lived in houses and it was a documentary filmed following how they lived with no adults..\nAs I said in the title it was one house of all boys and one of all girls, by the end of the show they integrated the two houses. I remember watching this as a kid (would have been mid 2000’s) but I think it only ran for one season",
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"content": "Kid Nation.\nA group of young kids are forced to the limits as they experience challenges without adults.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Creepy Baby Doll busts out of Christmas present with a knife and says something to the kids..\nThese kids go downstairs to the Christmas tree to open presents and a Baby Doll comes out of a box with a knife and says something to the kids. I think he says \"surrender\". I think he was wearing a blue onesie.",
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"content": "Demonic Toys.\nJudith Gray (Tracy Scoggins) and Matt Cable (Jeff Weston)—two police officers who are dating—wait at the Toyland Warehouse to arrest illegal gun dealers Lincoln (Michael Russo) and Hesse (Barry Lynch). Judith tells Matt about a strange dream she has been having: Two boys—one good, one bad—playing war. She also reveals that she is pregnant. The confrontation with the gun dealers ends with Matt shooting Hesse, and Lincoln killing Matt. Lincoln and Hesse hide inside the Toyland Warehouse and split up; Judith goes after Lincoln.\nIn the security office, security guard Charneski places an order at a chicken delivery service run by his friend Mark Wayne (Bentley Mitchum). Mark arrives at the warehouse with Charneski's order. Meanwhile, the toys that surround a dying Hesse come to life and brutally murder him. Judith and Lincoln become locked inside the storage closet but are freed by Mark and Charneski. Charneski goes to call the police but is also graphically murdered by the toys, with Mark and Judith watching in horror. A toy named Baby Oopsy Daisy draws a pentagram around Charneski's corpse.\nA runaway named Anne who had been hiding in the air-conditioner shafts, joins the group. Mark explains that the doors don't open till morning but can be opened up from the office. Judith can't leave Lincoln as she has to bring him in, so Mark and Anne head to the office together. They are attacked by Mr. Static and Baby Oopsy Daisy. Mark fights back but Baby Oopsy Daisy kills Anne. Mark finally shoots Jack Attack's head off with Charneski's shotgun. Judith enters a dollhouse and is transported to the lair of a kid who reveals that he is a spirit of a demon who wants to become human. In order to do that, he has to impregnate a woman so that his soul can transfer into the woman's egg, where he has to eat the baby's soul and take over its shell. If the baby doesn't make it through the birth, he has to be buried like a seed, and once grown, he will start the process over again. The last time he was born was 66 years ago on Halloween night. The baby didn't make it through the birth so he was buried underneath the warehouse, unable to get out until Hesse bled onto the area.\nLincoln escapes while Judith is in the dollhouse. He catches up to Mark and is about to kill him when Judith appears and shoots Lincoln. Suddenly, all of the toys around them come to life. The pair begin shooting them to death, including Baby Oopsy Daisy. Grizzly Teddy turns into a man-sized monster and chases after Judith. Judith becomes trapped and is about to shoot herself when a toy soldier helps her escape. However, Judith is caught by the demon, who ties her up on the pentagram. Mark is attacked by Grizzly Teddy but manages to kill the monster. The demon, now in the form of a man, is about to rape Judith but the toy soldier shoots it, cuts Judith free, and turns into a boy (William Thorne). The demon transforms back into his own kid form and the two kids begin fighting, explaining the war card game from Judith's dream. As the demon is about to kill the boy soldier, Judith stabs him with the boy soldier's sword and the demon is sent back to Hell. Before heading back to Heaven, the boy soldier reveals that he's the spirit of the son she's going to have. Judith reunites with Mark and the two wait for the doors of the warehouse to open and let them go.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Sci-Fi Movie] An icy comet kills the pilot of a spaceship.\nI'm not sure if it's a made-for-TV movie, but I saw it on TV back in the mid 1990's. I only remember two scenes.\n\nA spaceship creeps past what appears to be an icy comet. The female pilot suffers from the low temperatures, but is able to warn the other people in the ship about the comet. In the end, a screen on the wall reveals that the pilot has died.\n\nThe other scene is near the end. The villain in the movie is exposed, and the two heroes (a man and a woman) fight back. The villain has his mouth covered with foam and is ejected into space without a helmet.",
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"content": "Lifepod.\nOn Christmas Eve 2168 AD, a ship traveling through space suffers a critical malfunction.\nEight guests and crew escape to a lifepod, just before the spaceship explodes, killing all others on board.\nThe survivors attempt to broadcast a distress signal and wait for rescue.\nAs the days wear on, the lifepod suffers a series of setbacks and malfunctions: air and heat become limited, along with food and potable water.\nAs supplies dwindle, the survivors debate whether, to conserve their supplies, they should prematurely end the life of a critically injured survivor who is consuming a disproportionate amount of supplies.\nOne morning, the survivors wake up to discover their critically injured crewmate dead.\nThe survivors realize there is a killer hiding among them on the lifepod.\nEventually the survivors realize that its possible that one of the people in the Lifepod could have sabotaged the spacecraft, and who wouldn't balk at killing them to keep himself alive.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][90s or 2000s] movie about a guy that works in an amusement park and goes to afterlife?.\nIt’s a movie I watched as a kid, i feel it could be a kids movie but it also seemed like it could be a drama. It had similar vibe to Jumanji.\n\nWhat i remember:\nA guy was the main character, im pretty sure he worked in an amusment park and he probably died somehow and went to afterlife that looked kind of like that amusement park where he worked but the whole place was weird and i think some of the things in that amusement park came to life or something and there was also a badly made cgi or animated character i think, could be a monkey. He was also important to the story somehow. I think at the end he realised he was in hell but im not sure.\nI also remember at the end he came back to life.",
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"content": "Monkeybone.\nStu Miley is a disillusioned cartoonist whose comic strip features a rascal monkey named Monkeybone.\nStu is in love with a sleep institute worker named dr Julie McElroy, who helped him deal with his terrible nightmares by changing his drawing hand.\nOne night, Stu crashes his car after accidentally activating an inflatable Monkeybone raft, causing him to fall into a coma.\nHis spirit ends up in Down Town, a limbo-like carnival landscape populated by human beings, mythical creatures and figments of people's imaginations where nightmares are entertainment.\nIn Down Town, Monkeybone is real.\nDuring that time, Stu befriends a catgirl named Miss Kitty.\nWhen Stu learns that his sister Kimmy is about to pull the plug on him, he asks Hypnos, God of Sleep, for advice.\nHypnos tells Stu that to get back to the living, he has to infiltrate the Land of Death to steal an Exit Pass from Death which are given out to coma victims by Reapers giving them permission to leave Down Town and awaken from their coma.\nStu successfully steals an Exit Pass, but Monkeybone steals it from him in turn and enters the Land of the Living in Stu's body through the Revive-O as Hypnos states that they have plans for Stu's body.\nWhen Stu is locked up, Hypnos later visits the jail cells, where Stu finds himself locked up with Attila the Hun, Jack the Ripper, and Stephen King, who reveals his nightmare of Cujo pulled the same trick Monkeybone pulled on Stu.\nHypnos explains to Stu that he plans to use Stu's body to get a chemical substance named Oneirix that Julie developed that gives people and animals nightmares, which gives him more power.\nUpon being sent to the institute by Hypnos upon reminding him of his mission, Monkeybone (in Stu's body) ends up successfully stealing the Oneirix, switching it with another juice.\nMonkeybone obtains the Oneirix and puts it inside stuffed monkey toys of himself (Monkeybone) so that those who touch them will be infected and given nightmares.\nWith help from Miss Kitty, Stu escapes from his imprisonment.\nMonkeybone in Stu's body prepares a pinata for the Monkeybone farting dolls at the party.\nMeanwhile, Stu reveals Hypnos' plan to Death upon capture and convinces her to send him back for only an hour, only to find himself in the body of a dead athlete organ donor.\nAs he flees the morgue attendants, Stu finds out about Monkeybone's planned party and heads there with the extractors still in pursuit.\nAt the party, Stu's agent, Herb, exposes himself to the Oneirix in the Monkeybone doll and ends up seeing in the mirror that his clothes are coming to life.\nThis causes Herb to run through the party naked, telling everyone that the clothes have come to life and turned evil.\nAfter that, Monkeybone in Stu's body tells everyone to forget about it as he brings down the Stu piñata containing the Monkeybone dolls.\nStu uses Monkeybone's main characteristics from the comics to cause him to panic and escape.\nA chase ensues, culminating with Stu and Monkeybone battling each other while clinging to a giant Monkeybone balloon.\nThe balloon is eventually shot down by a passing incompetent police officer and both Stu and Monkeybone fall barely enough to be non-fatal and fall unconscious.\nStu and Monkeybone are falling toward Down Town where the residents cheer on their fight.\nJust then, all the rides stop and a giant robot emerges near the Revive-O causing everyone to flee the area.\nWhen Stu and Monkeybone are caught by it, the operator of the robot is revealed to be Death, who seems quite cheerful despite the circumstances.\nMonkeybone tries to have Death let him go to the bathroom, but Death places Monkeybone back in Stu's head which is where he belongs.\nDeath then uses her robot to send Stu back to the living.\nStu wakes up in his own body.\nStu then proposes to Julie and they get married.\nAn erratic Herb breaks the fourth wall urging the audience to take off their clothes and the film cuts to an animated sequence where cartoon characters strip their human disguises revealing monkeys underneath.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie] Two school students who run away at the end but get caught in a motel.\nI am not exactly sure how old this movie is, but my guess it's probably '90s movie.\n\nIt's based in a school or a boarding school. There are two kids, a boy and a girl, who fall in love with each other, and they decide they want to run away. Towards they end they do run away but are caught by parents/school in a motel where they were probably preparing to have sex the first time or just had sex. I am sorry I can't remember much beyond that. It's a good drama film is my impression.",
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"content": "Flirting (film).\nDanny Embling (Noah Taylor), now an awkward, underdeveloped 17-year-old, has been sent away by his parents to the all-male st Albans boarding school in rural New South Wales, Australia, in the hopes he won’t become a delinquent.\nThe year is 1965 and it has been some time since Danny has had any romantic relationship with a girl (his former love, Freya, from The Year My Voice Broke, left him at the end of the first film).\nDanny is the butt of jokes because of his stutter and long nose (for which he is nicknamed \"Bird\").\nHis only friend is Gilbert.\nAt a school rugby game, he meets and slowly becomes interested in Thandiwe Adjewa (Thandie Newton), a Ugandan-Kenyan-British girl (Ugandan father and Kenyan-British mother) attending the all-girls Cirencester Ladies’ College across the lake, while her father, a political activist, is lecturing at university in Canberra.\nThey later meet at a debate between the two schools, and covertly during a school dance.\nShe is punished for leaving the dance without permission and is given chores by the prefect, Nicola Radcliffe (Nicole Kidman).\nThandiwe is later befriended by Melissa (Kym Wilson) and Janet (Naomi Watts).\nThroughout the course of the school year, they foster a budding romance, despite the overbearing regulations inflicted upon them – specifically racial politics and social conventions (Thandiwe is often regarded by the school authorities as rebellious and overtly sexual).\nAfter the performance of the musical, Danny introduces his parents to Thandiwe and her parents.\nThey later decide to return to Uganda in response to the political turmoil there.\nSoon Thandiwe decides to return too, and lies about her true departure date, in order to spend the night in a motel with Danny.\nThey are discovered, leading to his expulsion.\nThandiwe writes him regularly from Uganda, but then the letters stop coming.\nOne day a letter arrives from Nairobi saying she is finally safe there.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE/SERIES][60s-2000s].\nThis might be full movie or short story from anthology movies or series like Tales from The [Crypt.It](https://Crypt.It) is story about how wife and a husband finds gold or treasure inside a well.Later they discover that some creatures are living in the well.Husband decides to climb into well to make contact with those creatures.But those creatures eats husband and leaves a message that \"turkey was tasty\" or something like that. \n\nI am sorry, but thats all I remember.",
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"content": "Thanksgiving.\nGreedy mean man finds a bottomless hole on his desert property. He concludes that some kind of beings who trade gold for things live down there. His stepdaughter realizes that \"hole people\" want food, not objects, but the man won't listen.\n\nEighteen-year-old Dora is miserable living in an isolated desert town with her dour stepfather, but their discovery of mysterious \"hole people\" in a dried-up well changes each of their fates by _Thanksgiving_ (qv) Day.::Anonymous",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] [2000s] Please help me find a horror movie I saw once! It was about these monsters that can only appear in the dark!.\nYes please help me super nice helpful TOMT people! :) You're so very good at this; I've gotten answers before like three times! :)\n\nThe horror movie I'm looking for was one I saw a bit of on TV a SUPER long time ago and I want to really find it again!!! :) It randomly popped into my head again and now I can't stop thinking about it. I have to find it! I think it was like fifteen to twenty years ago? Maybe a bit longer! Like early or mid 2000's? Like around the time of the grudge and the ring and final destination.\n\nSo what I do remember is these monsters that can only show up in the dark, and they keep attacking this one woman? The only real standout scene is where I think she's in like a sewer or a subway and the lights keep popping off or something and the monsters are chasing her there! I think a train goes by and saves her with its light, but then it leaves and she has to run again.\nMaybe she gets dragged down a ladder trying to reach the surface?",
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"content": "They.\nA psychology student finds all her childhood fears and phobias becoming real after a traumatic event.::Gaskmaskproductionsbooks\n\nAfter witnessing a horrific and traumatic event, Julia Lund, a graduate student in psychology, gradually comes to the realization that everything which scared her as a child could be real. And what's worse, it might be coming back to get her...::Anonymous\n\nWhile preparing for the examination of her Master Degree in Psychology, Julia Lund is called by her friend from childhood Billy Parks to meet him in a bar. _They_ (qv) both had nightmares when they were children, and Billy is totally disturbed with demons from the dark that would be chasing him and commits suicide in front of Julia. The traumatic experience, plus the meeting with two friends of Billy, Sam Burnside and his girlfriend Terry Alba, in the funeral make Julia having nightmares again. When Sam tells her that they four have been tagged in their childhood, and demons are coming to get them to the darkness, Julia becomes afraid of the dark and asks for help to her boyfriend Paul Loomis.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][BEFORE 2010] look there is this movie that i don't know how to explain It's about some iron creature or something that has something toxic on it Anyone touches it will die and it's not only attached to that creature That thing itself can move as well Sorry if what i said dosen't make a.\nsmileyyyy\nEdit : Wait a minute now that i think about it i remembered something else\nI think that toxic thing used peaces of metal as a body",
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"content": "Iron Golem.\nThe film starts with a meteorite crashing into a satellite, causing it to crash down in a little town. A man named Greg Aupolous sees this and takes a piece, not noticing the spreading green goo on it. The goo spreads to his hand, causing his veins to pop on his face and he is killed.\nJake (Kavan Smith) and his younger brother Ethan are working on building an inn. They too saw the falling dish and take it to see Earl. They carefully wrap it up and go, planning to sell it for money to pay off the inn.\nEarl is working on another sculpture he calls Iron Golem, protector of ancient towns. Jake and Ethan sell the satellite, but for only $800. On their way from the market, Jake and Ethan see Jake's old high school sweetheart Amanda (Nicole de Boer) and her daughter Claire (Merrit Patterson). Amanda says she and Claire are staying at Amanda's aunt's house, until she can figure out what to do with her divorce. The scene switches to Earl working on his statue when, without his notice, the gooed pieces fly onto the statue, infecting it. This causes the gigantic statue to spring to life, its force knocking Earl unconscious. A nearby trucker's truck stops all of a sudden, and the radio blurs. He steps out his truck to see the problem when the Iron Invader comes and kills him, the same way how Greg was killed.\nAmanda, her daughter Claire and her aunt are at the house when the Iron Golem attacks, killing the aunt. Amanda and Claire flee to the town, to find the sheriff. While Jake went to send a finder's fee to Greg Aupolous's house Iron came to the inn and killed Ethan. Jake returns to find Ethan dead and sees Iron walking away. Jake alerts the sheriff, but Earl also hears the report on his CB radio and they drive to the inn. Jake scolds at Earl for thinking Iron is a robot that he created when he arrived. The sheriff calls the town coroner to check on Ethan's body to see how he died and finds that his arteries and veins were infected and swelled. Jake denies the coroner's statement and goes off to hunt Iron.\nThe sheriff returns to the police station where Amanda and Claire approach him. Soon, lights all around begin to flicker. Inside the local pub, Max, bartender Tony (Chris Gauthier), and Harry see this too along with Earl in his car which suddenly died. Out the window, Tony sees Amanda, Claire and the sheriff, along with Iron coming their way. Claire turns and runs while Iron chases her. Claire falls and gets a bloody forehead. Right before Iron grabs her, Max appears and helps her escape. Jake returns in his car and sees Iron. Jake attempts to ram Iron until his car dies as well, but he managed to break off Iron's leg, causing it to fall apart. The infected pieces are still alive however, and one them grabs the sheriff and kills him. Jake gets Amanda and they and Earl hide in the pub with Tony and Harry.\nThe kids run into Deputy Jenny (Chelah Horsdal), who doesn't believe the kids, who goes to see and have the kids locked in her car. While crying over the dead sheriff, Jenny is infected and dies. In the inn, the adults examine the goo covering only the blade of an ax and find out that the goo is an alien bacteria that feeds off metal, sucking the metal from human blood (humans have metal/iron in their blood) and killing them. Outside, Iron puts himself back together, and Claire and Max are still locked in Jenny's dead car (it was revealed that Iron causes static electricity and effect electronics which make the car inoperable) as Iron tries to grab Claire. She is touched, but not harmed.\nIn the inn, they discover that, with blood, they can trick Iron into exploding. Jake and Amanda get gasoline and cover the tank with Amanda's vein blood. They plan to shoot it when Iron is close enough. With the blood, Iron is still worried about Claire. So Amanda unwraps her arm, releasing her scent of blood, attracting Iron. Max then escapes out of the car.\nIn the inn, the infected metal ax blade puts itself into Tony's leg, killing him. Harry and Earl go through different anti-bacterial things but to no avail. But when Earl goes outside to check on Max and Amanda reenters the pub, a beer bottle spills on it and begins to dissolve. Harry then realizes that the bacteria hates alcohol when he accidentally drops his glass on the axe-head, so he and Amanda run outside with it.\nIron gets close to the gasoline, Jake shoots, and he explodes. Pieces fly everywhere, knocking out Max, Earl, and Jake. A flamed piece lands on the hood of Jenny's car, and Claire barely escapes. Although a big explosion, the Pieces are still alive. Claire runs over to Max and tries to wake him up. Jake puts the beer into a spray container, and begins to spray the Pieces, killing the flames and the bacteria, while the others throw beer bottles. A little car engine makes its way to Max. Before it can infect him, Amanda appears and sprays it down. The mother and daughter are reunited. Max awakens and hugs Claire.\nThe next morning, Jake, Amanda, and Earl go to the junkyard to crush the pieces. While doing so, Earl releases his special beer, and the three share it. Jake says the government didn't believe the story and they are coming to arrest him. Outside, he and Amanda share a kiss. Earl comes out, just in time to see the metal springing back to life, forcing Earl to break the special bottle in order to stop the last fragment. When Amanda asks if he has any more special beer to douse the yard and ensure the bacteria's destruction, he pauses, then says \"Do bears crap in the woods?\", a phrase he said early in the film.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][TV Show] late eighties or early nineties Australian soap opera..\nThe show was focused on young people and it would come on late at night here in Toronto. I've done some digging on YouTube and after having watched clips of *Neighbours*, *Home & Away*, and *Heartbreak High*, I don't believe it's any of those. I did believe it absolutely had to be one of them, as all three titles are very familiar to me, but what I remember most about this show is that the girls were really hot and, according to the clips I viewed, these weren't it.\n\nI vaguely remember there being a sort of coastal beach vibe, if that helps.",
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"content": "Paradise Beach.\nThis is the ultimate teenage fantasy. Perfect waves, non-stop music and an endless summer. The show portrays the lives of those who come to the Gold Coast for the good life..::Paul Gerard Kennedy\n\nSean Hayden and his younger sister Tori convince Sean's best friend Roy McDermott to escape from the rat-race which is the city. They end up in a seaside town called _Paradise Beach_ (qv) where they settle down and start relationships but not all is paradise in _Paradise Beach_ (qv).\n\nThree young teenagers, Sean Hayden, his best friend, Roy McDermott and Sean's kid sister, Tori, leave the drabness of the suburbs, for _Paradise Beach_ (qv), in search of sun, surf and fun, where relationships are quickly established and friendships formed.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][LATE80'S-90'S] Desert hunting horror movie..\nSolved by udar55\n\n​\n\nThe film was a low budget horror movie about a group of friends going on an annual hunting trip in the desert to commemorate the death by electrocution of one their communal friends. while in the desert they meet a group of women who have experienced some kind of disaster, can't remember much about them. The hunters start seeing visions of their dead friend, it's some sort of monster or alien that is using their memories, they end up defeating it by chanting \"30,000 volts\" or some similar number at the thing and it reverts to its natural, harmless form, like a tailless black scorpion. There are also these strange cone shaped dolmen like objects that keep appearing in the desert for some unremembered reason. I don't believe there were any memorable actors.",
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"content": "High Desert Kill.\nThe story is about an alien experiment on 4 guys camping.\nThe film's script had a plot in which the viewer did not know what would happen next, as odd events occurred quite often.\nThis is because its script displayed a series of tests with no logical progression or reward mechanism.\nAlso the characters are unaware of the agenda and overall plan.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Horror Movie][70’s-80’s] Old horror movie set in an inescapable movie theatre; people turning into monsters.\nI watched this movie about a year ago, and I wanted to find it again.\n\nIt’s about all these people that are at a movie theatre, and it’s all pretty normal up until a girl takes a mask off of a statue display, and the mask cuts her face. While the other people are watching the movie, she goes to the bathroom and transforms into a monster. The theatre erupts in panic and everyone tries to escape. Over the course of the movie, people are turned into monsters until it’s just the final girl and her boyfriend.\n\nThere’s a part where the boyfriend finds a motorcycle somehow and runs down some of the monsters? I don’t remember how he gets the motorcycle, but it was towards the end.\n\nIt was just a schlocky horror movie, but it was pretty fun to watch! The monster makeup was actually really cool for as cheap as it looked.\n\nI think it may have originally been in another language because it sounded and looked dubbed over.",
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"content": "Demons (1985 film).\nOn the Berlin subway, a mysterious, masked man offers university student Cheryl two tickets to a free screening at the Metropol, an isolated and recently renovated local cinema. Cheryl talks her friend Kathy into going with her; at the theater, they meet two preppy college boys, George and Ken. Other attendees of the screening include a blind man and his guide daughter; a married couple; a boyfriend and girlfriend; and a pimp named Tony along with his two prostitutes. One of the prostitutes, Rosemary, scratches her face with a bizarre mask that is on display in the lobby. The film being shown is a violent, disturbing horror film about four teenagers who discover an old tomb and dig up the grave of a sixteenth-century fortune teller called Nostradamus. When the teenagers dig up Nostradamus's coffin, they find no body and instead an old book and a mask identical to the strange mask in the lobby. When one of the movie's characters puts the mask on and is scratched by it just like Rosemary was by its doppelganger, he then turns evil and slaughters his friends.\nFeeling ill, Rosemary goes to the bathroom, where she transforms into a bloodthirsty, red-eyed demon like the one in the film. Rosemary attacks her friend, Carmen, who then transforms into a demon in front of the rest of the cinema-goers. The group of uninfected people race to any exit they can find, only to find that they have all been bricked up making escape impossible. Although they attempt to barricade themselves in the balcony, many are attacked and infected by the demons. One of the demons escapes into the city when four punks break into the building through a back entrance; the punks are soon transformed into demons as well.\nIn the cinema, only George and Cheryl remain uninfected. Using a display motorcycle and sword props from the foyer, they ride through the auditorium, slicing down many demons. George kills nearly all of them when suddenly, a helicopter crashes through the roof. George and Cheryl use an emergency grappling hook and winch to climb to the roof, where they are attacked by the mysterious man from the subway. They are able to kill him by impaling his head on an exposed bit of rebar. The two climb down to the street and discover that the demonic infection has spread throughout Berlin. They are then chased by a horde of demons before being picked up by a jeep of well-armed survivors. As they drive out of the city to safety, Cheryl (having been infected at some point in the theater) transforms into a demon. But before she can harm George, one of the survivalists shoots and kills her. As Cheryl's body collapses into the roadway, George (the only survivor of the cinema) and the survivalists drive out of the city.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] [80's/90's] A Suspense Movie About A Suspicious Man That I Cant Find..\nI remember that many weeks ago I watched this movie on TCM. I remember this scene a man who is staring at a woman in a shopping mall when she is changing her clothes and suddenly the clerk realized about that and decided to call security guys. Then that man starts running all around the mall because he \"thinks something\" about that woman. And finally they both ended up in the same elevator and he tries to talk to her.",
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"content": "Body Double.\nJake Scully (Craig Wasson) is a struggling actor who has lost his role as a vampire in a low-budget horror movie after his claustrophobia thwarts shooting.\nAfter returning home to discover his girlfriend cheating on him, he is left without a place to stay.\nAt a method acting class he meets Sam (Gregg Henry) who closely monitors Scully's revelation of his fears and the childhood cause of his claustrophobia.\nThey go to a bar where Scully is offered a place to stay; Sam's friend has left town temporarily and needs a house-sitter for his ultra-modern home in the Hollywood Hills.\nDuring the tour of the house with Scully, Sam is especially ecstatic about one feature: a female neighbor, Gloria Revelle (Deborah Shelton), who erotically dances at a specific time each night.\nSam has even set up a telescope which Scully cannot resist using voyeuristically to watch her.\nOne night he sees Gloria being abused by a boyfriend.\nWhen she goes shopping the next day, Scully decides to follow her.\nGloria makes calls to an unknown person promising to meet them.\nScully also notices a disfigured \"Indian,\" a man he had noticed watching Gloria a few days prior.\nScully follows her to a seaside motel where apparently Gloria has been stood up by the person she was there to meet.\nOn the beach the Indian suddenly snatches her purse.\nScully tries to pursue him but in a nearby tunnel his claustrophobia restrains him and Gloria walks him out of it.\nThey begin to impulsively and passionately kiss before she retreats.\nThat night Scully is again watching through the telescope when the Indian returns.\nThe man is seen breaking into Gloria's home.\nScully races to save her but is attacked by Gloria's vicious dog.\nGloria is brutally murdered by the Indian with a huge handheld drill.\nScully is then left to alert the police, who assume it was simply a fumbled robbery.\nDetective McLean (Guy Boyd), however, becomes suspicious of him after finding a pair of Gloria's panties in his pocket.\nAlthough McLean doesn't arrest him, he coldly tells Scully that due to his voyeuristic behavior, as well as not alerting the police sooner, is what helped caused Gloria's murder.\nUnable to sleep, Scully watches a pornography channel on television when he observes that the actress on screen, Holly Body (Melanie Griffith), dances in exactly the same sensual way that he saw Gloria dance.\nNow suspicious of Holly, he pretends to be a porn producer hiring for a new film so that he can meet Holly.\nIn the process, he even ends up acting in a hardcore film himself.\nDuring his talk with Holly at the house, Scully learns she was hired by Sam to impersonate Gloria each night, dancing in the window, with Sam knowing Scully would watch her and later witness the real Gloria's murder.\nHolly is offended at the suggestion she was involved in a killing.\nAfter storming out, she is picked up by the Indian who knocks her unconscious and drives her away.\nScully follows them to an aqueduct where the Indian is digging a grave.\nThey fight, at which time he discovers that the Indian is actually Sam in heavy make-up.\nScully was a scapegoat providing Sam, who was Gloria's abusive boyfriend, with an alibi during the murder.\nScully is overpowered and is thrown into the grave.\nHowever, he overcomes his fear and climbs out as Sam is accidentally knocked into the aqueduct by his own dog, not Gloria's, where both perish.\nDuring the end credits, Scully is shown having been recast in his previous role as a vampire.\nHolly is there watching, as an actress doing a nude scene is then replaced by a body double.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] Two little boys (brothers?) like one girl. One boy makes something (necklace?) for her, but the other brother steals it and pretends he makes it..\nAnd then that gift sparks a long relationship where now they are married. After he confessed to her that he doesn’t deserve her because of that lie, she’s like “Is that how you think this works? You traded that necklace for me?” Or something.\n\n\n\nThat’s all I got. ",
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"content": "Horns (film).\nIgnatius \"Ig\" Perrish becomes the prime suspect when his girlfriend Merrin is raped and murdered.\nDespite his declarations of innocence, he is shunned by the community.\nHe stays with his parents and brother Terry, hiding from the press.\nAfter a vigil led by Merrin's father, who believes Ig to be guilty, Ig drinks heavily, pisses over Merrin's memorial, and wakes up with a pair of horns protruding from his head.\nWhile at his doctor to try and remove his horns, Ig, under anesthesia, dreams of his childhood, when he first met Merrin.\nA young Ig and his friends play with cherry bombs; Ig risks a dangerous dare to win a cherry bomb, and nearly drowns, but is saved by Lee, his childhood friend and now-lawyer.\nHe later trades the cherry bomb with Lee in exchange for fixing Merrin's broken necklace; however, Lee loses two fingers when the cherry bomb goes off accidentally.\nIg and Merrin bond over the fixed necklace and fall in love, frequenting a treehouse in the woods together.\nThe horns are revealed to force people around Ig to tell him their darkest secrets and desires, which, under Ig's bidding, they act upon.\nIg goes to visit his parents, but under the power of the horns his mother reveals that she doesn't want him as her son, while his father tells him that he is worthless without Merrin and that a friend of his helped him burn down the lab where DNA tests were being conducted.\nIg goes to a bar, where he goads the reporters into a brawl and attempts to find evidence that he didn't kill Merrin.\nSeveral people confess their deepest secrets, and the bartender burns down the building.\nFrom one of the confessions Ig also learns that the new witness for the case is from the diner where Merrin had broken up with him the night she died.\nIg finds the waitress, and discovers that she has been fabricating her stories to become famous.\nWhen Ig talks to Terry, he learns that Terry had driven Merrin from the diner the night she died.\nWhen he touches Terry, Ig sees what happened that night: Merrin left the car en route to her home and ran into the woods; Terry passed out in the car, and woke up the next morning with a bloody rock in his hand, finding Merrin dead under the treehouse.\nAfraid that he would be implicated, he fled.\nInfuriated, Ig assaults Terry until he is arrested by Eric Hannity, a police officer and another childhood friend.\nThe next morning Ig is released from jail with Lee's help, discovering that Lee had been wearing Merrin's cross necklace and as a result couldn't see Ig's horns.\nIg realizes that snakes are following him wherever he goes, and uses them to exact vengeance against the waitress.\nHe also forces Terry to overdose on drugs, causing Terry to be tormented with memories of Merrin's death.\nIg meets Lee by the docks and pulls off Merrin's necklace; exposed to the horns, Lee falls under their influence, admitting he killed Merrin.\nIn flashbacks, it is shown that Lee was also in love with Merrin and was deeply jealous of Ig throughout their childhood.\nLee followed Merrin into the woods, thinking that she had broken up with Ig to be with him, and in a jealous rage raped her, killed her with a rock, planted it on Terry, and stole her necklace.\nIn the ensuing confrontation, Lee overpowers him and lights him on fire in his car, causing Ig to drive into the bay, claiming that Ig confessed to the crime and committed suicide.\nIn reality, with the power of the horns, Ig survives, horrifically burned and disfigured.\nMerrin's father, who now believes Ig's innocence, gives Ig the key to Merrin's lock box.\nWhen Ig puts on Merrin's cross, his body is restored and his horns disappear.\nIn the box, he finds a note from Merrin that explains that she knew he was going to propose, but she was dying from cancer and didn't want him to suffer, so she pushed him away under the pretense of loving someone else.\nIg confronts Lee, who does not remember their earlier fight, and leads him into the woods where Merrin was killed.\nMeanwhile, Eric and Terry arrive to arrest Lee.\nLee confesses to the murder, but then gleefully kills Eric and injures Terry.\nIg tears off the necklace, sprouting a pair of wings and bursting into flame, transforming into a demonic monster.\nDespite Lee mortally wounding him, Ig impales Lee on one of his horns and telepathically forces a snake down Lee's throat, killing him.\nStating that his vengeance was all-consuming, Ig dies from his injuries and his smoldering corpse turns to hardened ash, and he appears to be reunited with Merrin in the afterlife.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie] about a young girl falling in love with an older (abstract) painter, who knows that their relationship would be wrong and ends up going away/sending her away because of it..\nI've seen this movie maybe 5-7 years ago on german television, probably on arte or 3sat (both stations generally showing arthouse style movies, documentaries, etc). I think it was an older movie, but (probably) not in black and white.\nIt wasn't a documentary, but it could have been inspired by a real painter.\nIt's about a young, maybe 16 year old, girl, falling in love with a much older painter. He knows that this relationship would be wrong but can't help developing feelings for her too. In the end he ends up going away for her and his own good.\nI vividly remember the painter meeting another older man with a particularly ugly face, he becomes fascinated by it and portrays him several times over the course of the movie in an abstract art style.\nTowards the end of the movie the parents of the girl confront the artist too, calling him a monster for seducing their daughter.",
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"content": "Obsession.\nThe story of the impossible love between a schoolgirl and a sixty-year-old painter.\n\nIn Toronto, the fifteen-year-old student and aspirant writer Sarah Norton meets the sixty-year-old painter Ashley St. Clair in a cafeteria while hiding from her stalker boyfriend Paul. Ashley hasn't painted for ten years. He agrees to read the poems that Sarah has written. They start seeing each other at his studio and Sarah falls in love with him. Ashley feels a platonic love for Sarah that becomes his muse and he decides to paint again. Paul spies Sarah in Ashley's studio, and misunderstands their relationship, he attacks her in a cornfield, but she defends herself.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000s] Looking for a movie that has \"White Warrior\".\nWatched this movie maybe a decade ago, cannot find it. It has a bald actor maybe who changes his face somehow. He and the villain they both have supernatural powers. At the end of the movie the villain throws some disks to the hero but he somehow stops them and they say \"White Warrior\" or something like that then the hero says \"Yes\" several times and throws those disks back.\n\nMaybe I watched it as a dubbed movie, it's name was invisible or invincible when I watched but cannot find it anywhere or maybe I mixed it up with another movie?",
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"content": "Invincible (2001 TV film).\nThe Shadow Men are immortal beings of darkness and destruction. One such Shadow Man, Os (Zane), is confronted by the White Warrior, a being of light, and given the chance to change his ways or die. After the White Warrior bests Os in combat, she opens his heart to the power of love, and charges him to find the warriors who are the representation of the five elements and will save the world from the threat of the Shadow Men and their leader, Slate.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[tomt] [movie] late 2010s movie about a mother keeping her daughter from leaving her house (reasoning is she is immunocompromised?) Not Gypsy Rose.\nI don’t remember much about the movie, a boy moves in across the street/next door. I think he tries to get her to leave her house. I know it’s super vague, I’m sorry!",
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"content": "Everything, Everything (film).\nEighteen-year-old Maddy (Amandla Stenberg) is being treated for SCID, an immune disorder that prevents her from leaving her home and interacting with others. Her mother, Pauline Whittier, takes care of her with the help of her nurse Carla, who has taken care of Madeline for 15 years. Pauline does not allow Maddy to leave her house or interact with anything that has not been \"sanitized\". Pauline monitors her daughter's health status constantly and provides daily medication. Only Pauline, Carla and Carla's daughter, Rosa, are allowed in the home. Pauline does not let Maddy leave their home or interact with anyone outside. Maddy yearns to see the world, particularly the ocean.\nOne day, a new family moves next door, and their son (Nick Robinson), who is Maddy's age, catches her eye. They share a look as Maddy watches through the window. Later that night, while Pauline and Maddy are watching a movie, the boy and his sister appear on their doorstep, offering a bundt cake. Pauline politely rejects it, and as she is about to close the door, the boy asks where her daughter is. Pauline lies and tells him Maddy is not home. Although, Pauline sees Maddy's desire to get to know the boy, she tries to block off all opportunities for Maddy to contact him. It is also revealed that the father of the boy is violent and their relationship is strained.\nLater, the boy writes his number on his window for Maddy and soon they begin communicating through text. He introduces himself as Olly, and they text for a while, getting to know each other and eventually growing very fond of each other.\nKnowing her mother would not approve, Maddy convinces Carla to secretly let Olly visit her inside the house, though Carla makes them promise to stay on different sides of the room from each other. She later invites Olly over for the Fourth of July, since her mother is working that day. Maddy and Olly share a passionate kiss as fireworks go off outside.\nThe next day, Maddy notices Olly fighting with his father outside. When his father shoves him to the ground, Maddy, to the shock of her mother, rushes outside to comfort Olly. Her mother rushes her back inside. Pauline deduces that Maddy and Olly have been seeing each other, and forbids their relationship. She later fires Carla for betraying her trust. Although Carla is empathetic towards Maddy's circumstances, Pauline will not let her daughter out of her sight. Pauline does not want anything to happen to Maddy and the only way she knows how is to keep her locked up in their home.\nMaddy decides that it is time to take matters into her own hands. With a credit card she had previously opened online, Maddy buys two plane tickets to Hawaii, and convinces Olly to travel there with her. In the car on the way to the airport, Olly calls his sister, Kayra, tells her that he is going to Hawaii with Maddy, and says that it will only be for a couple of days and tells her to take care of their mother. In Hawaii, they share a romantic and life-changing experience together. While they were in Hawaii, Pauline sends a police car to find Maddy, and then she spots Kayra walking by the house. Pauline asks Kayra if she knew anything about her brother and Maddy and where they were, but Kayra says that she doesn't know anything.\nDuring the trip, Maddy passes out and Olly rushes her to the hospital. She wakes up back in her bed at home. She breaks off contact with Olly due to the fact that she does not want to make another mistake over love again, and is therefore unable to say goodbye when his mother finally decides to leave his father, and takes Olly and his sister back to New York with her.\nA doctor from the hospital in Hawaii calls Maddy to give her an update, and tells Maddy that she does not have something as severe as SCID. Maddy scours her mother's records, and cannot find anything that indicates that she had ever been diagnosed with the disorder. She realizes that her mother has been lying to her for her whole life, and runs away from home.\nMaddy stays with Carla and Rosa. A doctor confirms that she has never had SCID, just an underdeveloped immune system from under-exposure due to living in filtered air her whole life. Her mother later tells her that after Maddy's father and brother died in a car crash, Maddy was all she had left and she wanted to protect her and keep her safe. Maddy is upset and leaves.\nLater she reunites with Olly in New York, where they restart their romance. The movie ending also implies that she and her mother begin to fix their relationship.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] 40 year old woman has a baby with a younger man..\nA woman had a baby with a younger man but they are not married. But at the end of the movie they realize that they love each other.\nI think the actress was blonde but im not sure.\nI thought the male actor was Adam Scott but i couldnt find that movie on his page imdb page.",
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"content": "Friends with Kids.\nJason (an advertising executive) and Julie (a charitable investment advisor) are longtime best friends now in their mid-30s that live in the same building in Manhattan. Not romantically involved, they are close friends with two childless married couples, the placid Alex and Leslie and the sex-obsessed Ben and Missy. During the next four years, after both couples have children, their marriages suffer. Following a chaotic birthday party for Jason at Alex and Leslie's place in Brooklyn, Jason and Julie discuss how it would be better to have children first, to 'get it out of the way' since 'time is running out', and only then meet the person that you wanted to marry. After more discussion, they decide to have a child together, despite never having had romantic feelings for each other, and then to continue to date other people, to find 'their one'. Although their friends predict disaster, Jason and Julie adjust to their new relationship with baby Joe far better than their friends had imagined.Jason and Julie begin dating again and enter into budding relationships with young actress Mary Jane and divorced father Kurt, respectively. During a couples winter getaway in Vermont, Ben calls Jason and Julie's thought process and parenting skills into question. In the ensuing argument, Ben decries their arrangement as untenable in the long term and humiliates Missy. Jason defends his decision to have a child with Julie, saying that he loves her deeply and that she was the soundest choice of person for him to start a family with.\nAfter returning from Vermont, Ben and Missy separate and later divorce. Shortly thereafter, at Julie's birthday dinner out (about 18 months after Joe's birth), Jason is surprised to find that she invited only him. Julie tells him that Kurt wants her to meet his children that weekend but that this new degree of commitment has made her realize that she is in love with Jason, who, along with Joe, have become her closest family. A stunned Jason tells Julie that his love for her has never been romantic and has asked Mary Jane to move in with him. Heartbroken, Julie leaves the restaurant, and soon moves out of her Manhattan apartment to Brooklyn, putting some space between herself and Jason. A few months thereafter, Jason and Mary Jane break up over their differing feelings about children, and both Julie and Jason return to dating others. Several months later, at a bar with Ben, Jason confides that he does have feelings for Julie, but that their messy split makes acting on such feelings impossible. Ben disagrees, noting the differences between his and Missy's sex-based relationship and Jason and Julie's long-lasting friendship.\nShortly before Julie's next birthday, after dropping 2+1⁄2-year-old Joe off at Julie's house after a day out, Jason presents her with a present: a photo scrapbook of the couple, and then the three of them (that he'd made for her birthday prior, but she never received due to their abrupt parting), consistent with Julie's prior statement that Jason and Joe were her family. They reminisce over several of the photos and then put Joe to bed, after Jason says a few things about 'staying the night' (as Joe wants him to). Jason's emotional shift and words make Julie emotional and uncomfortable, so she sends Jason home. He leaves, but quickly returns, and tells her what he said to her a year ago was all wrong. He finally realized it—she is the love of his life, she is his 'person', \"and that's just the way it is\". She tells him she can't be with someone who isn't 'into' her, and he, after a passionate kiss, offers to have sex with her to prove he is into her, in every possible way. She accepts his offer, passionately kisses him back, and they tumble onto her bed.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie] Fairly recent Korean action/thriller where the main protagonist is wrongfully convicted of rape and murder and is sent to prison. He escapes and with the help of his online friends he plays video games with, proves his innocence with elaborate plans..\nAt one point in the movie, the protagonist's mother who still believes her son's innocence was killed by the true killer and was covered up as a suicide, and that one of the protagonist's online friends, who had a male ingame avatar called \"beardy\" if I remember right was actually a girl and a talented hacker. The movie honestly felt like the plot of Persona 5 except without Personas. Does anyone know what I'm talking about?",
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"content": "Fabricated City.\nKwon Yoo (Ji Chang-wook), formerly a national taekwondo champion, spends most of his day playing games at an Internet Cafe. In an online First-person Shooter, his character \"Captain\" is highly skilled and has a group of close friends and teammates who call themselves \"RESURRECTION.\"\nAfter a gaming session, he finds a smartphone and goes to the owner's apartment to return it. The next day, he is arrested and accused of raping and killing a young girl. The evidence seems irrefutable: The murder weapon is in his house, his fingerprints and DNA are in her apartment and the apartment's security camera has footage of him. Following pressure from the media, the court swiftly finds him guilty and sentences him to life imprisonment in a maximum security prison.\nIn prison, Kwon catches the attention of gang leader Ma Duk-su, and Kwon is beaten on his first days. His mother visits him, assures him she is fighting for his freedom and encourages him to endure. Helped by a sympathetic inmate, Kwon retrains himself and fights back, eventually beating Ma. After receiving news that his mother has committed suicide, Kwon breaks out of prison, triggering a national manhunt. He goes to the office of Min Chum-sang, the public attorney who defended him. Min gives Kwon Yoo his mother's necklace, saying he will re-examine his case.\nKwon is contacted by Yeo-wool, one of his RESURRECTION teammates. She takes him to her house on the city outskirts. They are soon joined by his other teammates. Yeo-wool has researched the case, found many irregularities in the supposed \"evidence\" and gathered the team to help Kwon clear his name.\nThe team examines recent high-profile violent crimes and via security camera footage, finds a truck parking close to all crime scenes. Following this lead, Kwon arrives at the apartment of Noh Joon-young, a rising TV actor, and finds his corpse. Hiding in a corner, Kwon witnesses a team of \"specialists\" creating a crime scene, following a narrative of \"rabid fan stalking, killing and embalming her idol.\" \nUnbeknownst to Kwon, the apartment is being surveilled by Min, who is the mastermind behind the framing. Noh's real killer is found to be the daughter of a wealthy businessman known as \"Chairman Chu,\" who hires Min to find a scapegoat. Using a massive intelligence-gathering supercomputer hidden in his apartment block, Min finds an appropriate candidate, a girl named So, and sends a team to drug her and collect her hair, saliva and blood that they use to fake the crime scene. Later, they lure her to Noh's apartment and finish the narrative. Similarly, Kwon's \"victim\" was killed by the son of a wealthy client, and Kwon was made the scapegoat.\nAfter tracking So, the team bugs her phone and finds Min's accomplice. Kwon attempts to kidnap the accomplice but is captured by Ma, who was freed thanks to Min manipulating prison records. Yeo-wool saves Kwon and drives him to safety. Wondering how Ma found him, Yeo-wool finds a tracker inside his mother's necklace and realizes Min is involved.\nAfter RESURRECTION sabotages Min's operation, Kwon confronts Min at his \"command center.\" After beating Min up, he begins transferring Min's data (including surveillance footage of his victims and call logs with his client) using Yeo-wool's thumb drive. Min implies the suicide of Kwon's mother was actually a murder set up by Min. Min then reveals that Ma is at Yeo-wool's safehouse and has captured his teammates. Unable to wait for the data transfer, Kwon rushes back in time to save his teammates.\nEvading Ma's gang, Min's subordinates and the police, the group rush to a TV station. On the way, they learn that Min has manipulated the media into painting his team as a \"psychotic crime ring.\" The team distracts the pursuers, while Yeo-wool sets up her equipment. Eventually everyone except Yeo-wool is captured. As Min celebrates, his command center shuts down, and he realizes Yeo-wool's thumbdrive has finished its job.\nWith the evidence found in Min's computer, Yeo-wool and the two hitherto absent team members put together a presentation. They block the TV station's regular broadcast and begin presenting the facts, detailing Min's involvement, his clients and how they framed their victims. Min is arrested, although it is implied there is a greater force behind him.\nKwon is cleared of all charges and let go. In the final scene, the group is at a gathering, chatting and eating happily.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] [2017-2018] Animated movie - Japanese style.\nHi\n\nI watched a Japanese style animated movie approximately 2 years ago, I think it was a recent release.\n\nI think the art style was middle realistic, not CGI real & not cartoon\n\nThe movie was based in a forest, there was a river with tombstones (not cemetery style, but piles of rocks or that) beside it\n\nsetting was medieval Japan/Asia\n\nThe main character was a child or early teen, I think he/she used a flute or something, enemy of the movie was fog/monster\n\nThe end had the child at the parents tombstone and the parents appeared see through, then the river had water lanterns or lilies that glowed\n\n​\n\nAny help identifying it would be amazing\n\nThanks",
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"content": "Kubo and the Two Strings.\nIn feudal Japan, a 12-year-old boy with only one eye named Kubo tends to his ill mother Sariatu in a mountain cave near a village. He earns their living by magically manipulating origami with music from his shamisen for the village folk, telling the tale of his missing father Hanzo, a samurai warrior. Kubo is never able to finish his story, as he does not know what happened to Hanzo and Sariatu cannot recall the end due to her deteriorating mental state. Sariatu warns him not to stay out after dark as her Sisters, Karasu and Washi, and his grandfather, the Moon King (who took his eye when he was a baby) will find him and take his remaining eye.\nOne day, Kubo learns of the village's Bon festival allowing them to speak to deceased loved ones. Kubo attends but is angry that Hanzo does not appear from his lantern, and forgets to return home before sunset. Karasu and Washi quickly find him and attack, but Sariatu suddenly appears and uses her magic to send Kubo far away, telling him to find his father's armor.\nKubo wakes up in a distant land to find Monkey, his wooden snow monkey charm, has come alive. Monkey tells him Sariatu is gone and the village destroyed. With help of \"Little Hanzo\", an origami figure based on Kubo's father, they set out to find the armor. Along the way, they meet Beetle, an amnesiac samurai who was cursed to take the form of a stag beetle/human hybrid but believes himself to have been Hanzo's apprentice.\nKubo, Monkey, and Beetle reclaim the \"Sword Unbreakable\" from a cave guarded by a giant skeleton. They cross the Long Lake in a leaf boat to locate the \"Breastplate Impenetrable\" deep underwater. Kubo and Beetle swim down to retrieve it and encounter a sea monster, the \"Garden of Eyes\", who first uses its many eyes to entrance its victims by showing them visions of secrets, then eats them. Kubo is caught in the creature's sight, but while entranced, comes to realize that Monkey is the reincarnated spirit of his mother. Beetle rescues the unconscious Kubo and obtains the Breastplate, but on returning to the boat, they find that Monkey has been badly wounded fighting and defeating Karasu.\nThey go to shore to recover, where Monkey explains that she and her Sisters were ordered by the Moon King to kill Hanzo, but she instead fell in love with him, and the Moon King branded her an enemy. That night, Kubo dreams of meeting Raiden, a blind elderly man, who points him towards the \"Helmet Invulnerable\" in Hanzo's abandoned fortress. They travel there the next day but realize too late it is a trap set by the Moon King and Washi. Washi reveals that Beetle is Hanzo, whom they cursed for taking Sariatu away from them, and kills Hanzo. Sariatu sacrifices herself, buying Kubo the time to use his shamisen to defeat Washi, breaking two of the three strings on it. Little Hanzo provides insight to Kubo that the Helmet is actually the bell at the village, and Kubo breaks the last string to quickly travel there.\nAt the village, Kubo meets Raiden, who is revealed as the Moon King. He offers to take Kubo's other eye to make him immortal, but Kubo refuses. Raiden transforms into a giant Dunkleosteus-like dragon, the Moon Beast, and pursues Kubo and the remaining villagers into its cemetery. When Hanzo's armor proves ineffective, Kubo removes it and restrings his shamisen using his mother's hair, his father's bowstring, and his own hair. With the instrument, he summons the spirits of the villagers' loved ones, who show Raiden that memories are the strongest magic of all and can never be destroyed. Kubo and the spirits' magic protect themselves and the villagers from Raiden, stripping him of his powers and leaving him a mortal human without any memories. Spurred on by Kubo's stories, the villagers take compassion and tell Raiden he was a man of many positive traits, accepting him into the village. Kubo is able to speak to his parents' ghosts during the subsequent Bon ceremony, as they watch the deceased villagers' lanterns transform into golden herons and fly to the spirit world.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Cartoon] Cartoon Character Travels to Japan.\nI remember this weird show about a dude with a blue shirt and ginger hair or something like that travelling all the way to Japan to meet weird anime characters and be racist as hell.\n\nI think the cops also tried to arrest him in one episode of the series.\n\nHope this helps.",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Old War Movie where 2 soldiers / spies change uniforms constantly to survive.\n\\[TOMT\\]\\[MOVIE\\] Old War Movie where 2 soldiers / spies change uniforms constantly to survive.\n\nThis is an old movie and I believe it was in color. The 2 soldiers / spies make there way throughout the entire movie putting on or changing their uniforms to survive behind enemy lines and eventually get killed at the end by getting shot in the back.\n\n​\n\nThank you in advance for all your help.",
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"content": "Play Dirty.\nDuring the North African Campaign in the Second World War, Captain Douglas (Michael Caine) is a British Petroleum employee seconded to the Royal Engineers to oversee incoming fuel supplies for the British Eighth Army. Colonel Masters (Nigel Green) commands a special raiding unit composed of convicted criminals, and after a string of failures he is told by his commander, Brigadier Blore (Harry Andrews), that he must have a regular officer to lead a dangerous last-chance mission to destroy an Afrika Korps fuel depot, otherwise his unit will be disbanded. Despite Douglas's objections, he is chosen for his knowledge of oil pipelines and infrastructure. Douglas is then introduced to Cyril Leech (Nigel Davenport), a convicted criminal rescued from prison to lead Masters' operations in the field.\nThe next day, Douglas and Leech are provided with armed jeeps and lead six other men out into the desert disguised as an Italian Army patrol. They endure a long and arduous trek across the desert: encountering hostile tribesmen, sandstorms and a booby-trapped oasis, among other dangers. Unknown to Masters, Blore has sent a regular army raiding party overloaded in wheeled trucks with the same objective 2 days behind Masters, but they are wiped out in a tracked vehicle German ambush. While Leech and his men are often insubordinate towards Douglas's command, they eventually reach their objective, only to discover that the depot is fake. \nDue to an injured man who needs medical care, Douglas captures a German ambulance in which they discover a German nurse, who is forced to tend to the injured man. The men eventually try to rape the nurse but are prevented from doing so. They then head to a German-occupied port city, hoping to steal a boat and escape; Douglas sees the fuel depot there and convinces Leech that destroying it would aid their plan. Meanwhile, Masters is confronted by Blore with aerial photographs of the supposed depot intact — confirming the mission's failure. Having lost contact with the men for some time, Masters is ordered to leak intelligence on the team to the Germans; the British Army is now on the offensive, and it wishes to keep any enemy fuel depots intact for capture. \nUnder the cover of night, the men don German uniforms and sneak into the port depot to plant their explosives, but one of them sets off a trip flare and they are quickly surrounded; an officer on a loudspeaker calls each of them out by name, revealing Masters' betrayal. The men scatter as the depot is detonated; Leech and Douglas manage to slip away, while the rest are caught and killed. After taking shelter, Leech admits to Douglas that he is being kept alive only because Masters is paying him £2000 for his safe return. \nThe Eighth Army arrives the next morning; Douglas and Leech (still wearing their German uniforms) decide to surrender to the British. Unfortunately, a trigger-happy British soldier opens fire, killing them before they have a chance to speak.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][TV][80s] A show like The Twilight Zone and had an episode about a kid that could make things real (Not \"It's a Good Life\").\nMy mom recalls seeing an episode of a show much like The Twilight Zone back in the 80s. She recalls the episode featuring an autistic boy that could conjure things from books he reads. Two big scenes she remembers are him conjuring a heart due to reading an anatomy book which scares his mother and the ending being the mom giving him a book about fire which in turns causes him to burn the house down and killing the both of them. ",
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"content": "The Toys of Caliban.\nAn elderly husband and wife, Ernest and Mary Ross, are thrilled when their son, Toby, is born.\nUnfortunately, their infant, who at first appears mentally impaired, develops the ability to summon things he has seen (by looking at the picture and saying the word \"Bring.\n\")—at one point, he even becomes sick from eating too much summoned food.\nAs Ernest and Mary have to place more and more restrictions on what Toby can see and read, they realise they will have to keep Toby out of school.\nThis course of action attracts the attention of Miss Kemp, a social worker, who doesn't know of the boy's power and is shocked at the parents' odd treatment.\nToby accidentally kills Mary when he sees a picture of a heart and summons it.\nErnest remains determined to look after his son without outside interference.\nWhen the social worker comes calling and threatens to take Toby away, Ernest persuades Toby to demonstrate his ability to her, by summoning items from a picture book.\nMiss Kemp still believes Toby needs professional help, but Ernest insists that if psychologists and scientists found out what he could do, he would be abused.\nThe social worker eventually leaves, but makes it clear that Ernest has not heard the last from her.\nUpset by these events, Toby uses an old photograph to summon his mother from the grave—Mary's corpse then appears in the armchair.\nWhile burying Mary's body in the back yard, Ernest talks to his wife, saying that it's finally time.\nErnest then sits with his son, and presents him with one more picture—a picture of fire.\nBy the time ms Kemp returns, the house is ablaze.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000s] Movie about a cult, not a horror movie.\nYears ago I watched a movie that I was recently reminded of, and now I'm dying to remember what it was. I vaguely remember it being about a cult, probably politically driven but I don't remember how. The main character is a girl. The cult is very small, like 5-ish people, plus the main character. It is led by a man who I believe the girl falls in love with. The girl may be a cop working undercover, that eventually gets drawn into the whole thing as she falls for the leader, I think that's how she ended up with them. I think the general steps of the plot is cop infiltrates the cult, cop begins to fall for the cult leader, cult leader gets increasingly controlling/crazy. I don't remember how it ends, or if there's any sort of big political event they're leading up to.\n\nI have a very vague, possible made up member of a scene with the main character and the cult leader alone in a field or the woods, I think they either kiss for the first time or have sex. \n\nKnowing myself at this time frame, I probably only watched it because there was an actor or actress I liked. If I saw it at the time I think i did, I was pretty obsessed with science fiction type shows (buffy, farscape, firefly) and cop shows (bones, castle, ncis). Not positive this is what led me to the movie, but it would make sense. I don't think it was a very big-budget blockbuster type of movie.",
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"content": "The East (film).\nJane (Brit Marling), an operative for private intelligence firm Hiller Brood, is assigned by her boss, Sharon (Patricia Clarkson), to infiltrate The East, an underground activist, anarchist and environmentalist organization that has launched a vandalistic attack against a corporate leader and threatens two more as retribution for ecological crimes. Calling herself Sarah, she joins drifters in hitching train rides. When one drifter, Luca (Shiloh Fernandez), helps her escape from the police, she identifies the symbol of The East hanging from Luca's car mirror. Sarah self-inflicts an arm injury that she tells Luca was caused in the escape so he can get her medical attention. He takes her to a seemingly abandoned house in the woods where members of The East live and one of them, Doc (Toby Kebbell), treats her.\nSarah is given two nights to recover before she must leave. At an elaborate dinner involving straitjackets, Sarah is tested and fails, exposing how selfishly she and many others live their lives. Sarah is caught spying one night by the deaf Eve and talks in sign language with her. Sarah tells Eve that she is an undercover agent and threatens Eve with jail if she stays; Eve leaves the next morning. Sarah is recruited to fill the missing member's role on a \"jam\", an old fashioned term for direct action. Sarah reluctantly participates in The East's next jam and learns that the group's members have all been damaged by corporate activities. For example, Doc was poisoned by a fluoroquinolone antibiotic and his neurosystem is degenerating. The East infiltrates a party for the antibiotic company's senior executives and adds the antibiotic to the champagne. The East announce this via YouTube: one executive's health begins to fail, revealing the drug's side effects. After seeing the jam's effectiveness, compounded by her attraction to charismatic Benji (Alexander Skarsgård), Sarah questions the morality of her job.Another member, Izzy (Elliot Page), is the daughter of a petrochemical CEO. The group uses this connection to gain access to him and forces him to bathe in the waterway he has been using as a toxic dumping ground. This goes wrong when security arrives and shoots the fleeing Izzy. At the squat, Doc's hands tremble too much for him to perform surgery. Working under his guidance, Sarah manages to remove the bullet but Izzy dies. This is the catalyst for Sarah and Benji's romance and they have sex. At Izzy's burial near the house, her body lies nude and decorated with blossoms in a nod to the romance and the sea change it portends.\nSarah implores Benji to leave but he insists they participate in a fourth and final jam. Sarah initially refuses but gives in. When she awakens after sleeping in the car, she realizes that Benji is driving her to Hiller Brood's headquarters. He reveals that he has always suspected her of being a spy, as did Luca, who brought her in as a test. Benji wants Sarah to obtain a NOC global list of Hiller Brood agents, to \"watch\" them. Having copied the list on to her cell phone's memory card, Sarah runs into Sharon and confronts her about the firm's activities, revealing her new allegiances. Sharon has Sarah's cellphone confiscated as she leaves. As Hiller Brood had been sharing information with the FBI, The East's hideout is raided and Doc is arrested but sacrifices himself to ensure the remaining members escape. Sarah tells Benji she has failed to get the NOC list which Benji reveals he meant to use to expose the undercover agents, even though that meant they could be killed. Sarah chooses not to go on the run and they part as Benji heads out of the country. In truth, Sarah still has the list because she had swallowed the memory card. The film ends with an epilogue of her contacting her undercover former coworkers and informing them of the corporate crimes Hiller Brood's clients want to protect. She is thus using a peaceful approach to promote The East's goals.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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2336,
1005,
1055,
2208,
2265,
3677,
5261,
11721,
4263,
1010,
1998,
2059,
18461,
2189,
2096,
26759,
2075,
16034,
1012,
11499,
1997,
2014,
13449,
1010,
3958,
2003,
6296,
2000,
2014,
1998,
4013,
10052,
2015,
1996,
3942,
1012,
2002,
5176,
2014,
2006,
1037,
3058,
2008,
2305,
1025,
2016,
2758,
2748,
1012,
5261,
6184,
1037,
2146,
1011,
2770,
19461,
2265,
2170,
2054,
2079,
4268,
2113,
1012,
1998,
2003,
5996,
1997,
4456,
1025,
2002,
2038,
2069,
1037,
2261,
2706,
2000,
2444,
1012,
2008,
2305,
1996,
14751,
2775,
28334,
2006,
1996,
2265,
1010,
6156,
28699,
4263,
1010,
3138,
1996,
2599,
2004,
1996,
2265,
4269,
1012,
2002,
2003,
19598,
2098,
2011,
2010,
2269,
2005,
1996,
3396,
2769,
1998,
17183,
11219,
2098,
2011,
1996,
4193,
6001,
1010,
2040,
10214,
2000,
2292,
2032,
2224,
1996,
5723,
2076,
1037,
3293,
3338,
1012,
2043,
1996,
2265,
13746,
2015,
1010,
2002,
4954,
2015,
2370,
1998,
13184,
2015,
1010,
26608,
2043,
3071,
10919,
2054,
3047,
1012,
2004,
1996,
2265,
4247,
2019,
1999,
15878,
25475,
5261,
5305,
6132,
1010,
1998,
2002,
4449,
1996,
2265,
2000,
2175,
2006,
2044,
2002,
25938,
23542,
1012,
2021,
2044,
6156,
1005,
1055,
2269,
2022,
20370,
2032,
2005,
12809,
2006,
2250,
1010,
6156,
10220,
2000,
2709,
2005,
1996,
2345,
2461,
1012,
28486,
3044,
1010,
1037,
2280,
2054,
2079,
4268,
2113,
1012,
3410,
1010,
12197,
1996,
2265,
2013,
1037,
3347,
1012,
28486,
1005,
1055,
3008,
2985,
1996,
2769,
2002,
2180,
2004,
1037,
2775,
1010,
1998,
2002,
2038,
2042,
5045,
2013,
2010,
3105,
2012,
9168,
1004,
9168,
1010,
2019,
8139,
3573,
1010,
2349,
2000,
11888,
2397,
2791,
1998,
3532,
4341,
1012,
2002,
2003,
15896,
2007,
2893,
8700,
5970,
1010,
3241,
2002,
2097,
2455,
1996,
2158,
1997,
2010,
5544,
2044,
2002,
4152,
17180,
2015,
1012,
2002,
11300,
2229,
1037,
2933,
2000,
2131,
2067,
2012,
2010,
5795,
2011,
11065,
1996,
2769,
2002,
3791,
2005,
2010,
17180,
2015,
1012,
1996,
2265,
1005,
1055,
2280,
3135,
1010,
4656,
26079,
1010,
2003,
2036,
5996,
1997,
4456,
1012,
4656,
1005,
1055,
5384,
2564,
1010,
8507,
1010,
17427,
2010,
20422,
2015,
2005,
22822,
20738,
2096,
2002,
2003,
8725,
2005,
2011,
1037,
6821,
1010,
6316,
19177,
1012,
4656,
5176,
6316,
2000,
2424,
2010,
24211,
2365,
1010,
3581,
11349,
3240,
1010,
1037,
14354,
2389,
5882,
21877,
21814,
1037,
4060,
1011,
2039,
3063,
2607,
2000,
2273,
1012,
3581,
2003,
1999,
1996,
12930,
1997,
2019,
4357,
2007,
1037,
4988,
2040,
7657,
2008,
2016,
4282,
3581,
2018,
2000,
2202,
2729,
1997,
2010,
5996,
2388,
2044,
4656,
4704,
1996,
2155,
1012,
2019,
4854,
3581,
12642,
2041,
1997,
1996,
4357,
102
]
}
] |
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