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"content": "[TOMT][MOVIE] 80's movie about 1950's teens, with a scene of a couple in bed, set to the song \"Everyday\" by Buddy Holly.\nI would watch it on HBO/Cinemax/The Movie Channel/Showtime a bunch when I was in middle school in the late 1980's. I would watch just this one scene over and over.\n\nI think the movie took place in the 1950's in a wholesome neighborhood? The scene I remember is a guy and a girl in high school, in bed with each other in one of their bedrooms, and the song [\"Everyday\" by Buddy Holly](https://youtu.be/kLBWkM0jzK0) plays over the scene. It was a regular movie, but I think they weren't wearing shirts in this one scene.\n\nWhat's the name of the movie?",
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"content": "Mischief (1985 film).\nIn Nelsonville, Ohio, in 1956, the relationship between the introverted, clumsy Jonathan Bellah and the nonconformist, extroverted Eugene \"Gene\" Harbrough develops. Jonathan's main objective is to win over the sexy Marilyn McCauley, in spite of his shyness, while Gene has his own love life to maintain with his crush, Bunny Miller, who reciprocates his feelings, as well as counseling Jonathan on how to attract women. Gene also has to defend Jonathan and himself from the wealthy class bully, Kenny, Bunny's jealous jock boyfriend, while trying to work out a borderline relationship with his widowed father, who has zero tolerance for his often wild escapades.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] [Animated] noodle mountains.\nI remember seeing an animated movie ages ago that had a flood of chinese noodles. Pretty sure it was 2D animation. Any help would be greatly appreciated.",
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"content": "Strega Nona.\nA kindly witch leaves her gullible assistant in charge of her home while she's away. He soon discovers her magic pasta pot and ends up making a big mess.::Hailey-7",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] Possibly German or based in Germany, possibly based on a music-related story (chronicling a musician, band). Distinctly remember a scene with a chicken on a spinning turntable or other revolving disc of some kind..\nMy cooler older brother showed me this movie while he was in film school. I'm sure it's not too obscure but all of my google searching has turned up nothing!\n\nThanks!!",
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"content": "Control.\nA profile of 'Ian Curtis' (qv), the enigmatic singer of 'Joy Division' (qv) whose personal, professional, and romantic troubles led him to commit suicide at the age of 23.::Anonymous\n\n'Ian Curtis' (qv) is a quiet and rather sad lad who works for an employment agency and sings in a band called Warsaw. He meets a girl named Debbie whom he promptly marries and his band, of which the name in the meantime has been changed to 'Joy Division' (qv), gets more and more successful. Even though Debbie and he become parents, their relationship is going downhill rapidly and Ian starts an affair with Belgium Annik whom he met after one of the gigs and he's almost never at home. Ian also suffers from epilepsy and has no-good medication for it. He doesn't know how to handle the feelings he has for Debbie and Annik and the pressure the popularity of 'Joy Division' (qv) and the energy performing costs him.::Marco van Hoof <k_luifje7@hotmail.com>\n\nIn 1973, 'Ian Curtis' (qv) is 17, in school in Macclesfield, near Mancester, introverted. He listens to David Bowie and recites poetry. He meets Debbie and he joins two mates putting together a band. He's their singer and songwriter. We watch their early performances, they get a manager and time on local radio, then sign with a label. They get a following. Ian presses Debbie into marriage. He works days at an employment office. He discovers he has epilepsy. He wants a child; then, he and Debbie drift, he's moody and often away. He meets another women. The band books a U.S. tour. The medication isn't working. Ian's conflicted about Debbie. He's lost control. Does he have any options?::<jhailey@hotmail.com>\n\n_Control_ (qv) is the biography of 'Joy Division' (qv) lead singer 'Ian Curtis' (qv), taking his story from schoolboy days of 1973 to his suicide on the eve of the band's first American tour in 1980. In this time we see Curtis grow from David Bowie-infatuated teen to Sex Pistols-inspired punk, and eventually to rising new wave star. The movie explores the pressures he felt, from his epilepsy, a failing marriage, his new lover, and a band that relied on him - all in an attempt to explain his decision to hang himself at the age of 23.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] HBO documentary about sports from fans point of view.\nHusband is trying to figure out the name of a documentary (not a series) that came in HBO ~5 years ago. It was stories about different sports not just one sport. The only person he can remember being in the stories is about Fernando Valenzuela, but he wasn’t a commentator. TIA! He’s driving me crazy googling\n\nResubmitted using correct title",
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"content": "Sport in America: Our Defining Stories.\nHD. Athletes and fans explore the impact of sports on the lives of Americans in this HBO Sports documentary.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] italian funny movie with 3 idiot.\nan italian funny with 3 idiots mafia members who shoot their boss's grandma and bus driver by mistake. One of them becomes amnesiac and one of the trio tells him that he is a god. there is also a checker scene where one of them plays it with his medicine and lose all of his checkers.",
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"content": "The Legend of Al, John and Jack.\nThe story is set in New York in 1958. Three gangsters, namely Al, John and Jack, by pretending to watch a film in a drive-in theater, are spying on Sam Genovese, the most wanted mob boss of the city. Genovese, nicknamed \"chicked thigh\" after his favourite food, plans to kill one of his men who betrayed him, and the three gangsters are there because they want to record the killing and send it to the FBI. But, when Genovese is about to pull the trigger, he chokes on the food he is eating. The traitor saves him and is pardoned, and, while the gangsters are about to leave, Al is electrocuted by a cable and lose his memory.\nSome days later, the gangsters–Al Caruso, nicknamed \"Four-fingers\", Johnny Gresko, also known as \"Handsome Johnny\", and Jack Amoruso, nicknamed \"Not-all-donuts-come-out-with-a-hole Jack\"–are in a hotel room; due to the electrocution Al got a rare syndrome which erases his memory every time he fells asleep. They tell him the whole story: four days before, it was Jack's birthday. Johnny got him a book about Caravaggio (who the little schooled Jack calls \"Carabbaggio\" due to his heavy Sicilian accent) and Al got him a new gun. They work for Genovese, but they are clumsy and unreliable: they recently killed a barber, \"Counter-hair\" Frankie, because they mistakenly thought he was \"Rubber-ass\" Frankie, a traitor who used to collaborate with FBI. Also, whilst in a pub run by Genovese's gang, they start a shootout because Jack confuses a gangster with \"Sewer Rat\" Frank, a gangster he thought was dissolved in acid.\nGenovese give them one last chance: they have to pick up his old aunt at the bus station and carry her around the town. But, as soon as they meet the old lady, Jack kills her, accidentally shooting with his new gun, which is defective. (According to Johnny, the gun shot because Jack \"held the barrel up\", something he already told him not to do seven times.)\nThe three run away and hide at Herbert's home; Herbert is Al's homosexual brother who will later turn out being in love with Johnny. They make up a plan in order to betray Genovese and get him arrested by the FBI thanks to the proofs of him killing the man at the drive-in, but the plan fails. So they make up a new one: they'll fake an attempt to Genovese's life and will foil it: Al will hide in the wardrobe in Genovese's hotel room and wait for the room service to deliver him the meal; John and Jack will hide the gun in the tray. When the room service will enter the room, Al will jump out the wardrobe, pick the gun and kill the waiter, and then they'll explain the \"attempt\" and obtain Genovese's mercy.\nBy climbing the outer wall of the hotel, Al avoids the boss' bodyguards, \"Wooden back\" Tom and \"Shithands\" Sam, and gets into Genovese's room, but before the arrival of Genovese, he hears the news. A guy named Calogero Buccheri is missing. His most particular sign are the missing pinky on his left hand and a very rare syndrome which erases his memory every time he fells asleep. Al understands the truth: he is Calogero Buccheri. John and Jack, it turns out, are named La Paglia, and they are two scammers who planned to fake Buccheri's kidnapping and accuse Genovese of it, so they could obtain the reward. The two of them, along with some policemen, break into Genovese's room, but Al is no more in the wardrobe. He was planning to leave and return to his family, but he changed his mind and hid under the bed. They find him and Genovese gets arrested for kidnapping. Al forgives John and Jack and returns home.\nTwo years later, John and Jack are broke again. They spent all their money, but hear at the radio that Hurricane Hogan, a very famous boxeur, will pay $5,000 to the man who will beat him. Calogero Buccheri goes missing again.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][HORROR MOVIE][2000S] A man on a rural European bike trip meets a tall slender evil man..\nIm looking for a movie I saw a decade or more ago probably streaming on Netflix (back when the content was groovy) or on Comcast On Demand. A guy is by himself on a bicycle trip (I think) in these European backwoods mountains. He is captured by someone in the woods and wakes up in this weird complex and is stalked by this tall slender murderer guy. There’s also some surreal parts at the end where he is having these war flashbacks and at the end you question whether the whole film was a dream he had in a field hospital. Definitely not a slasher or body count film. This is strange, atmospheric, surreal horror. For some reason I keep thinking the title was something like “the lumberjack” or “the butcher” or something like that although less gimmicky. I think the title kinda described the main bad guy in a way. Any help is greatly appreciated and I can help clarify anything that is unclear!\nThanks!",
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"content": "Shadow.\nWhen a young soldier leaves for a mountain biking excursion, he meets the girl of his dreams as well as a group of violent locals who want to see them dead at any cost.::Irishlass240 (smmorr240@aol.com)\n\nSoldier David missed biking while serving in Iraq. Finally at liberty, he bicycles in Europe, heading to _Shadow_ (qv) when he stops at a bar and meets the beautiful Angeline. Troublemaker hunters Fred and Buck bother Angeline, so David and the bar owner defend her. As David later camps in the woods, the wind carries away his tent, so Angeline invites him to share hers. As they ride their bicycles together and enjoy the wilderness the next day, they again cross paths with Fred and Buck, who chase the couple with their truck, threatening their lives. The quartet all suffer accidents and end up having to walk through the woods. Soon they are captured by a strange man who lives in an isolated house and tortures the men in his basement. David manages to escape and helps the hunters to leave the place, but the freak hunts them down. David next awakens to a reality that's worse than his nightmare.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Probably 70's/early 80's. A couple move into a house and the house tries to kill them?.\nI saw it when I was young. I remember the woman was having a shower and the shower door locked and the water turned into blood and started filling up the shower. Another time the garden hose was chasing someone around the garden. \nAny ideas? I'd love to see it again because it sounds ridiculous, but scary for a kid",
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"content": "This House Possessed.\nFollowing a nervous breakdown, a recuperating rock star and his young nurse discover their new house is haunted.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] Middle Eastern comedy with female leads working at a military base.\nThis is a feature-length movie that is not in English that came out sometime between 2012 and 2015. It's broken into 3 or 4 vignettes following 5 female leads at a Middle Eastern base. One of them is trying to transfer to a base more in the city because she thinks it'll be more glamorous there or something. The first vignette has a new recruit who turns out to have only gone to the base to stalk an ex (he was a superior officer) she thought was in love with her. She ends up killing herself when she finds him with another woman. She later haunts one of the other characters by showing up in that character's bed and showing her cuts. One of the other characters is a Randal-Graves-type slacker who doesn't want her friend (the one who wants to transfer) to leave her. Somehow it comes up that she's a virgin, and she ends up being choked by a tech guy whose system she ruined, but instead of being murdered, she ends up having sex with him. The character who wanted a transfer gets her transfer, but she ends up hating it for some reason and goes back to the original base (I think). I remember the trailer having the character who wants a transfer in her uniform with pink heels sipping a latte while walking down a city street. I cannot for the life of me remember the title to this movie.",
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"content": "Zero Motivation.\nZohar (Dana Ivgy) and Daffi (Nelly Tagar) are two soldiers trying to serve out their mandatory service with the IDF.\nOn their way back to base after the weekend Daffi bumps into a new girl Tehila and, believing that she is her replacement, takes her under her wing.\nDaffi and Zohar work menial jobs with Daffi being forced to shred paper.\nAfter Daffi trains the new girl she goes to her supervisor Rama and explains that after writing letters to everyone she could trying to get a new position in Tel Aviv they have finally sent a replacement.\nHowever Tehila is not a replacement at all but has snuck onto the base to see a boy she slept with and fell in love with.\nAfter he rejects her she slits her belly and crawls into bed where she is discovered by the other girls in the morning.\nDaffi is crushed by her death realizing that she will not be replaced after all.\nHowever, when she complains to personnel the officer in charge tells her she herself got transferred by applying to be an officer.\nDaffi then gets a recommendation from Rama and a boy Zohar has a crush on and is transferred away.\nShe and Zohar part on bad terms.\nLeft alone, Zohar is teased by the other girls for being a virgin.\nIrena, one of her co-workers, advises her to sleep with a boy as soon as possible.\nZohar takes this advice to heart and flirts with a visiting soldier she meets while guarding the arms, setting up a date with him for the following night.\nReturning to her dorm room, she climbs into her bunk bed and it breaks.\nAfter she refuses to sleep in the only spare bed, where Tehila was found dead, Irena lets her sleep in her bed and sleeps in Tehila's old bed, where she hallucinates in the middle of the night that Tehila is there with her.\nThe following day Irena behaves bizarrely and the girls begin to believe that there is something wrong with her.\nZohar offers to take her to the infirmary but instead prepares for her date with the visiting soldier.\nHowever Irena insists on coming on the date and behaves strangely the entire time.\nWhen Zohar and her date finally manage to be alone, he aggressively strips off her clothes and when she asks him to be gentle, he tells her she should have gone with a non-combatant.\nShe asks him to stop; he ignores her but is stopped by Irena who pulls his rifle on him and humiliates him before finally letting him go.\nOnce Irena and Zohar return to the office, Rama chastizes them for not going to the infirmary.\nWhen Zohar explains that she was almost raped and that Irena saved her, Irena claims to have no idea what she's talking about, and Zohar realizes that Tehila's ghost must have left her.\nUnimpressed, Rama makes Zohar stay in the office all night cleaning.\nWhen she returns in the morning she is impressed that the office is spotless but soon finds that Zohar has shredded every record in the department and stuffed them in Rama's office.\nAs a result of destroying all the records, Zohar is sent to military prison, and Rama is discharged despite wanting to stay in the army and become a career officer.\nMeanwhile, Daffi finally graduates from officer training and instead of being placed in Tel-Aviv, receives Rama's old position.\nDespite trying to make the best of the situation Daffi finds that Zohar is insubordinate and rude.\nAfter she tries to punish Zohar, Zohar photocopies the old letters that Daffi wrote to try to get off base and posts them all around the base.\nDaffi in turn tries to delete all the computer game records that she and Zohar used to play together.\nThe two get in a violent fight with staple guns and Daffi wins.\nHowever, instead of the games, Daffi accidentally deletes all the recently digitized staff records.\nThe two are arrested and when Daffi tries to admit her mistake, Zohar takes the blame for it.\nShe is sentenced to more time in military prison while Daffi is demoted to a cushy office job in Tel Aviv.\nAfter she gets out of prison Zohar gives up on Minesweeper and becomes addicted to Freecell.\nShe is transferred to the infirmary where she has sex with the soldier responsible for digitizing the military records, who suffered a nervous breakdown after she deleted them.\nHer service finally comes to an end, as E-mail replaces paper mail.\nShe leaves the army base, helping Daffi draft another plea.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] Movie where a man shoots at a kid with blanks..\nA movie where a woman is buying bullets but she accidentally buys blanks. A man later tries to shoot another person holding a kid/baby and everyone thinks the kid/baby was shot but he was using the blanks. The shooter gets a \"what have I done\" moment and thinks god intervened or something. I think the movie might have been centered around racial problems.",
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"content": "Crash (2004 film).\nDetective Graham Waters and his partner Ria are involved in a minor collision with a car being driven by Kim Lee. A subsequent exchange of racially charged insults occurs. Waters arrives at a crime scene where the body of a \"dead kid\" has been discovered. Earlier the previous day, Farhad, a Persian shop owner, and his daughter Dorri are in a gun shop arguing over what cartridges they should buy. The gun store owner grows impatient and degrades the two of them by referring to Farhad as \"Osama\". Farhad is forced to leave the store and Dorri becomes responsible for the choice.\nLater that night, two black men, Anthony and Peter, carjack District Attorney Rick Cabot and his wife Jean. At the couple's house, the Hispanic locksmith Daniel Ruiz overhears Jean arguing with Rick, demanding that the locks be changed again as she suspects that Daniel is a gangster due to his tattoos and outfit. Daniel places the keys of the new locks on the kitchen counter and leaves.\nSergeant John Ryan and his partner Officer Tom Hansen pull over an SUV being driven by director Cameron Thayer and his wife Christine, who was performing fellatio on him. After an intoxicated Christine remonstrates with Ryan, he subjects the couple to a body search. Ryan molests Christine in front of her husband and Hansen, who watches in disgust. Ryan releases them with a warning after Cameron apologizes.\nIn the carjacked SUV, Anthony and Peter hit a Korean man while passing a parked van, dump him in front of a hospital, and drive away. Daniel's next call is to replace a lock at Farhad's shop, but when Daniel warns Farhad that the real problem is the door, Farhad ignores him. The next day, Farhad finds that his store has been wrecked and defaced with graffiti. Waters, while having sex with Ria, gets a phone call from his mother with dementia, which leads to an argument about Ria's ethnicity. Waters later visits his mother, who asks him to find his missing younger brother.\nRyan comes across a car accident and as he crawls into the overturned vehicle, he finds Christine trapped. Although she resists frantically at first, with the help of his partner and spectators, Ryan pulls the terrified Christine out just as her car bursts into flames. Anthony and Peter carjack another Navigator, which happens to be Cameron's. Only after opening the door do they realize that Cameron is black. Police officers arrive on the scene and a chase ends with Cameron and Anthony in Cameron's car on a dead end residential street. Hansen is one of the pursuing officers and, out of guilt for his role in assaulting Cameron's wife, vouches for Cameron to be let off with a warning. Cameron expresses shame toward Anthony for his criminal lifestyle and drops him off near a bus stop.\nFarhad locates Daniel's house and waits in ambush. He then confronts Daniel and shoots, but Daniel's daughter jumps into Daniel's arms, attempting to protect her father. Everyone watches in horror as Daniel clutches his daughter, but they soon realize that Farhad's gun was only loaded with blank rounds, leaving Daniel's daughter unharmed, and the family retreats inside. Farhad tells his daughter that he believes the little girl was his guardian angel, preventing him from committing a terrible crime. He gives the gun to his daughter who is then seen going over near the cash register to retrieve the box of gun cartridges that her father had not known were actually blanks.\nHansen pulls over to pick up a hitchhiking Peter, who fled from the carjacking that took place earlier. Throughout the drive, Hansen becomes increasingly suspicious of Peter's intentions. Peter offends Hansen by suddenly beginning to laugh, and when Peter reaches for his pocket, Hansen shoots. In Peter's hand is a statuette similar to the one on Hansen's dash and, horrified, Hansen hides the body in some nearby bushes and burns his car. Waters arrives at the scene with his partner and determines that Peter is his missing brother and the \"dead kid\", and is disowned by his mother for not finding Peter alive.\nAnthony decides to steal the van of the Korean man he accidentally hit and, when he drops it off at a chop shop he frequents, he discovers a number of Cambodian immigrants locked in the back of the van. The chop shop owner offers him $500 per immigrant, but Anthony has other plans. After driving into Chinatown and freeing the Cambodians, he passes by a car crash where, once again, an exchange of racially charged insults occurs.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000'S].\n The story revolves a man who is depressed, and writes letters to his emotions, such as time, fear, love, and a few others. His friends find these letters, but when they try to intervene, he doesn't speak.\n The friends turn to a team of actors, and ask them to act as human representations of what he wrote letters to. At first they refuse, but when they offer cash, they accept the offer. The actors then each meet him separately throughout his day, reading and reacting to his letters.",
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"content": "Collateral Beauty.\nSuccessful advertising executive Howard Inlet (Will Smith) is reduced to a clinically depressed loner after his young daughter's tragic death.\nHis estranged friends and business partners, Whit Yardshaw (Edward Norton), Claire Wilson (Kate Winslet), and Simon Scott (Michael Peña) fear for Howard's mental health as well as their company's future, as Howard's erratic behavior has cost them numerous high-profile clients and left them on the verge of bankruptcy; as the majority shareholder, Howard has also undermined their efforts to sell the company.\nThe trio hires a private investigator, Sally Price (Ann Dowd), to acquire evidence that Howard is unfit to run the company, allowing them to take control.\nSally intercepts Howard's letter about abstract concepts of Love, Time and Death, and presents them to Whit, Claire and Simon.\nThey hire a trio of struggling actors - Amy (Keira Knightley), Raffi (Jacob Latimore) and Brigitte (Helen Mirren) - to masquerade as Love, Time, and Death to confront Howard about his letters.\nTheir plan is for Sally to record these encounters and then digitally erase Amy, Raffi and Brigitte to make Howard appear mentally unbalanced, enabling them to sell the company.\nIn preparation for their roles, Amy, Raffi and Brigitte spend time with Whit, Claire and Simon, who are going through personal problems of their own: Whit is struggling to reconnect with his teenage daughter Allison Yardshaw (Kylie Rogers) after cheating on her mother, leading to a divorce; Claire is looking for sperm donors to conceive a child after neglecting her private life for years; and Simon is battling cancer in secret from his wife and newborn son.\nMeanwhile, Howard reluctantly begins attending a grief support group and befriends Madeleine (Naomie Harris), who has lost her daughter Olivia to cancer, which led to the end of her marriage.\nShe shares with Howard a note from her husband wishing they could be strangers once again, claiming he's finally got his wish.\nBrigitte, Raffi, and Amy separately approach Howard, but Amy falters, repentant over manipulating Howard.\nWhit attempts to convince her to return, and also voices his romantic interest in her, but Amy rejects him and only agrees to commit to their plan if Whit commits himself to making amends with his daughter, Allison.\nHe then visits Allison at school and although she refuses to speak to him, he professes his love for her and vows to return every day until she talks to him, touching Allison, who welcomes Whit back into her life.\nSimon likewise confides with Brigitte about his condition and his fear of death, and she encourages him to share the burden with his family, which Simon ultimately does, being comforted by his wife.\nAmy, Raffi and Brigitte confront Howard once again, and he lashes out at them, particularly Amy, externalizing the pain he held inside since his daughter's death.\nAmy pointedly tells Howard he owes his daughter's existence to love and can't live without it, which inspires Howard to reach out to Madeleine once again.\nShe speaks of the day that Olivia died, in which an old woman at the hospital told her about the \"Collateral Beauty\", the acts of selfless kindness that result from tragedies.\nThe following day, Howard attends a meeting with his company's board of directors in which Whit, Claire and Simon present the footage of his encounters with Amy, Raffi and Brigitte, without them in the shot.\nHoward realizes that the video makes him appear mentally unfit to run things and signs over the company, while also voicing his gratitude for all that his friends have done for him, and promising to be there in their times of need.\nClaire confides with Raffi that she gave up on becoming a mother, but Raffi assures her of her capacities and that she still has time to make her decision, subtly revealing himself to be the entity of \"Time\".\nHoward visits Madeleine and is invited into her house, where Madeleine persuades him to watch a video of her husband playing with their daughter, who turn out to be Howard and Olivia.\nGrief had separated Howard from Madeleine, and she agreed to them becoming strangers once again as he had wished.\nHoward finally acknowledges his daughter's name and condition, and they make amends and rebuild their relationship.\nLater, while Howard and Madeleine are walking through the park, Howard notices Amy, Raffi and Brigitte proudly observing them.\nWhen Madeleine looks, however, they are gone, while Brigitte, who in reality is the entity \"Death\", is shown to be the woman that first told Madeleine about the Collateral Beauty.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] [2007-?] An adopted teenager who does rodeos.\n(English is not my native language)\n\nThis is a movie that I've watched a movie on the TV the last year.\n\nIt was about a teenagers who was doing rodeos.\nThe unique information that I remember is that she was adopted by her fathers (she knows it).\nAnd also is friend of a 8-10yo girl.\n\nIn one scene, the little girl gets in the house of the teenagers, and she was angry (I don't remember why).\nAlso, the girl meets the fathers of the teenager\nAnd one moment, the little girl lies saying something like \"my fathers are waiting for me at home\" (she doesn't have any fathers) and leave.\n\nAt the end of the movie, I think the teenager won a rodeos contest, and her fathers adopts the 10yo girl.\n\nDo you have any idea?",
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"content": "Dakota's Summer.\nDakota Rose (Haley Ramm) dreams of following in her famous family's footsteps and becoming a champion trick rider. However the shocking news that she was in fact adopted at birth leads her to question both herself and her place in her family's legacy.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE].\nWhen I was a lot younger, I remember glancing over at the TV screen and I have no clue who was watching it, or what it was, but in the movie that was playing, there was a man tied to the ground in an outside area (rope around his wrists and ankles) and a group of people sitting on the floor in a circle surrounding him where he was tied down. There was a kid sitting near his head, and the kid was just hanging a dead spider over him. The man that was tied down looked around at the people surrounding him and started shouting something out (it was in a foreign language) and nobody answered or said anything, they all just kept staring at him. I'm so confused as to what's going on and it's been killing me for years and years. Help? lmao ",
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"content": "Rescue Dawn.\nIn February 1966, while on a combat mission, lt Dieter Dengler, a German-bornS.\nNavy pilot in squadron VA-145, flying from the carrier USS Ranger, is shot down in his Douglas A-1 Skyraider over Laos.\nHe survives the crash, only to be captured by the Pathet Lao.\nDengler is offered leniency by the province governor, if he will sign a document condemning America, but he refuses.\nDengler is tortured and taken to a prison camp.\nThere he meets his fellow prisoners: American pilots Gene DeBruin and Duane Martin,C, Procet and Phisit, some of whom have been captives for years.\nLearning that the guards are planning to kill them all and return to their village, Dengler begins planning an escape.\nHe receives only grudging approval from the others, who have been subjected to physical and psychological torture by the guards.\nDengler tells the others to meet him in the kitchen, but they do not show up.\nHe takes one of the rifles left unattended by the guards while they are eating in the kitchen, and kills some of the guards.\nAfter the prisoners get out of the camp, Dengler confronts Gene for not showing up.\nGene andC.\nleave together to an uncertain fate.\nDengler and Martin try to reach the Mekong River to cross over into Thailand, fashioning a crude raft, but are caught in rapids and a waterfall.\nAfter losing their raft, Dengler and Martin are captured, and Martin is killed by a mob of angry villagers.\nDengler gets free and quickly flees back into the jungle, hiding from the pursuing villagers.\nA few days later, he is rescued by an American helicopter, but is kept isolated in a hospital for debriefing due to the classified nature of his mission.\nHe is visited by some of the men from his squadron, who covertly take him back to his ship, where he is welcomed as a hero by the crew.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie].\nI can't really remember anything besides one character that had a cabinet full of medicine or vitamins and every time someone had an issue he would say he had a pill for that",
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"content": "Charlie Bartlett.\nThe son of a depressed but doting mother (Hope Davis) and a father who is serving time for tax evasion, wealthy teenager Charlie Bartlett (Anton Yelchin) — after being expelled from several private academies for various infractions — enrolls in a public school run by embittered alcoholic Principal Nathan Gardner (Robert Downey Jr.), who was formerly a history teacher. Unable to fit in with most of his fellow students, Charlie is diagnosed with ADHD. He forms an alliance with school bully Murphy Bivens (Tyler Hilton) and offers him half the proceeds from the sale of a variety of prescription drugs Charlie obtains by feigning physical and emotional symptoms during sessions with different psychiatrists.\nBefore long, Charlie's natural charm and likability positions him as the school's resident therapist, offering advice within the confines of the boys' bathroom. Charlie's social life noticeably improves as he gains the confidence and admiration of the student body and begins to date the principal's rebellious daughter, Susan (Kat Dennings).\nComplications arise when seriously depressed Kip Crombwell (Mark Rendall) attempts suicide by swallowing a handful of anti-depressants provided by Charlie. Charlie befriends Kip after having an in-depth conversation with Principal Gardner. Charlie discovers Kip is writing a play about adolescent issues and pitches it to Gardner who is, at first, unsure but agrees when Kip says that it would make him less inclined to attempt suicide again.\nOne day, Charlie comes by Susan's house to pick her up for a date and he gives her a pharmacy bag. Mr. Gardner comes out and, thinking the bag is full of \"inappropriate items\", attempts to grab Susan's to make her go into the house. Charlie warns Mr. Gardner not to touch Susan, but he pushes Charlie instead. Charlie then punches Gardner as a reflex, and even though he tries to apologize, the principal is not forgiving. Susan and Charlie drive off, and the bag turns out to contain a nicotine gum to help Susan quit smoking cigarettes.\nThat night, the students are all in the student lounge when the police arrive. They arrest Charlie for assault, Principal Gardner is fired, and the kids trash the lounge building. Charlie is released, and before the play, stops by Mr. Gardner's house to invite him. Charlie finds Mr. Gardner heavily intoxicated and waving a revolver. They get into a heated argument which culminates in Charlie falling into the pool after attempting to tackle Mr. Gardner, thinking he is about to commit suicide. Mr. Gardner, appearing sober, comes to his senses and dives into the pool to save Charlie and states that he was not attempting to commit suicide because he has too many responsibilities to do such a thing. They talk over their problems about Charlie's father and Susan, and then go to the play. Mr. Gardner takes up his old job as a history teacher again (and is now much happier), and Charlie finally gains the confidence to visit his father in prison (something he had felt uncomfortable about earlier in the film). The film ends with Charlie applying for a summer internship at a psychiatric institute.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Horror Movie] [90s] Killer cuts off lots of boobies for ritual?.\nThe movie I am looking for, I watched on late night television in the US in the late 90s, the date of viewing close to 1998-9.\n\nFrom what I can remember, it aired on a channel similar to Lifetime (back before it was all Sappy Movies and more just Women Getting Murdered Movies) and the few times I remember seeing it was late at night on weekends. \n\nThe gist of the movie (I think) was that there was a serial killer going around, and they always cut off the women's breasts. That was their \"signature.\" I believe at the end, it culminated with a beach seance involving multiple sets of breasts set up in a circle (the scene I remember most is the camera panning around each set of removed breasts in the seance circle).\n\nI always thought the film was called Jawbreaker, but it is most definitely not the Rose McGowan vehicle, so I'm really at a loss. I remember it scared my friend and I as 11 year olds, but we watched it at least twice. It's been driving me crazy trying to figure out its name, and I dont have contact with that friend anymore to ask if she recalls the movie. \n\nI appreciate any help!",
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"content": "Sacrifice.\nA convicted bank robber breaks free as he is being transported to prison after learning that a serial killer has killed his daughter.\n\nA convicted bank robber breaks free as he is being transported to prison after learning that his daughter has been killed by a serial killer. Determined to find her killer, he joins with a female cop who is working the case. He quickly discovers that his daughter had recently had an abortion, an action common to all of the murdered women. Meanwhile the FBI agent that he escaped from is hot on his trail.::John Sacksteder <jsackste@bellsouth.net>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE]Movie I watched in middle school sex ed.\nI remember watching this movie in middle school (~2010) while in sex Ed. It was about this group of high school kids who had sex with each other all the time. There was this not popular girl who one of the popular guys wanted to have sex with but she didn’t want to. In the end she sucks him off but she gets oral herpes. Does anyone remember the name? It was probably a ‘90s movie.",
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"content": "Secret: Part 2.\nEmma keeps her \"friends with benefits\" relationship with Jay a secret and vows not to tell anyone what goes on at the ravine. But when Emma receives some devastating news, can she keep it to herself much longer? Meanwhile, Jimmy is fed up with being pitied and enlists the help of Craig and Marco to sneak out of the rehab center for a concert by his favorite band.::skillwithaquill",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][90s] Horror(?) movie about a race of underground creatures that eat people.\nIt's not CHUD or Tremors, but that's the main 2 movies from the 90s that come up when I search for this.\n\nI didn't watch the whole thing and I was little when I saw what few scenes I remember, but here's the deets that stand out in particular: the main character is a rather pale man with heterochromia (one blue eye, one brown) -- I remember him kind of looking like Brandon Lee as the Crow. And he is half human, half from a race of underground monsters that eat humans. IIRC, they will even pop up out of the ground like in Tremors... but it isn't Tremors lol. I remember a scene where he's talking to this woman and he tells her that he has *cravings*, as in he hungers for human flesh but fights it off because of his morals. I think he ends up trying to destroy the creatures, but I'm not sure. \n\nAny help would be most appreciated!",
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"content": "Bleeders (film).\nWhen five Manhattan women, all virgins, are accosted under mysterious circumstances, the police think they have got a twisted serial rapist on their hands. But as NYPD Detective Dale Androtti (Lance Lewman) and Dr. Gamble Pace (Teresa Farley) soon discover, the reality is much worse. Tracing the source of the attacks underground, they find an unstoppable alien presence that has infested an abandoned subway system and begun to reproduce itself by impregnating human women.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][90s] Submarine thriller or horror movie? Found a body mysterious dead and there's a scene with a music box?.\nI'm not sure if I'm remembering it right. It seems like a horror movie involving a submarine. The guys in there are military. It seems like the protagonist is a male. I remember a lot of red lights. They found a dead body mysteriously on the submarine. In one scene, I think a person on the submarine had a music box and it was playing a lullabye.",
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"content": "Below (film).\nIn August 1943, the U.S. Navy submarine USS Tiger Shark patrols the Atlantic Ocean during World War II. Receiving orders to pick up survivors spotted adrift by a British PBY Catalina patrol plane, the submarine rescues three survivors – British nurse Claire Paige (Olivia Williams), and two men, one of them wounded – from British hospital ship Fort James, sunk two days earlier; one survivor blames a German U-boat he spotted on the surface just before Fort James suffered a torpedo hit. The Tiger Shark crew spots a German destroyer approaching. The submarine has several encounters with the destroyer and suffers damage from depth charges. Commanding officer Lieutenant Brice (Bruce Greenwood) discovers the wounded survivor is actually a German prisoner-of-war, Bernhard Schillings (Jonathan Hartman). Believing Schillings has been making noise to betray Tiger Shark's position to the German warship, Brice confronts him, shooting Schillings dead when the German panics and grabs a scalpel to defend himself.\nBrice reveals to Paige that Tiger Shark recently sunk a German submarine tender, and previous commanding officer, Lieutenant Commander Winters (Nick Hobbs), died after surfacing to confirm the sinking. According to Brice, Winters attempted to salvage a souvenir from the flotsam with a boathook when Tiger Shark struck a submerged object, causing Winters to fall overboard and drown; Brice then assumed command.\nFollowing Schillings’ death, those aboard Tiger Shark perceive disembodied voices and other eerie events. Working in a ballast tank, Ensign Douglas Odell (Matthew Davis) questions Brice’s account that Winters fell after the submarine struck a submerged object, saying that he felt no such impact. Lieutenant Steven Coors (Scott Foley) tells Odell the true story: Winters, on deck with only Brice, Coors, and Lieutenant Paul Loomis (Holt McCallany), had ordered a gunnery party summoned to fire on the German survivors. When Brice, Loomis, and Coors objected, a heated argument escalated into a physical altercation during which Winters hit his head and fell overboard. To protect Winters' reputation, Coors asks Odell not to tell anyone. Before leaving the ballast tank, Coors dies in a mysterious accident, and Loomis sees Winters' ghost. He escapes from the submarine via an escape trunk while the submarine is underwater, and dies when he is impaled on an outside railing.\nA series of bizarre mechanical problems cause the crew to lose control of Tiger Shark, and the submarine turns back towards the site of her sinking of the German ship, apparently of her own volition. Crewmen die in accidents at an alarming rate, and the crew suspect a supernatural influence, questioning Brice's version of Winters' death.\nPaige and Odell discover that Tiger Shark mistook Fort James for the German submarine tender and sank the British ship; they also learn that Brice, Loomis, and Coors believed they could not afford this drastic mistake to appear on their records and conspired to suppress the story, killing Winters on the deck as he tried to save the survivors of Fort James.\nTiger Shark is crippled by mounting accidents, and only five survivors remain: Brice, Odell, Paige, Stumbo (Jason Flemyng), and \"Weird\" Wally (Zach Galifianakis). Wally concludes the submarine is haunted by a \"malediction\" that must be satisfied to escape its netherworld between heaven and hell. After Tiger Shark arrives at the location of the sinking of Fort James and surfaces in a disabled condition, those aboard detect a surface ship nearby. Brice prevents the surviving crew from radioing the ship, but Paige sneaks out on deck and tries to signal the ship with a flashlight. Brice confronts her and holds her at gunpoint. His remorse over the accident overcomes him; he admits the entire cover-up, and shoots himself in the head, falling dead into the ocean.\nThe ship Paige signals turns out to be British, and picks up the four survivors. Tiger Shark sinks, coming to rest on the ocean floor next to the wreck of Fort James.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Trying to find a vampire movie.\nSo I don’t remember much other than it being about vampires, and there are too guys (brothers?) driving in a car. I remember they find a woman who looks very sickly and they stop at a motel. I believe they are in a desert but I may be wrong.",
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"content": "The Forsaken (film).\nSean (Kerr Smith) is driving cross country to his sister's wedding when he picks up Nick (Brendan Fehr), a hitchhiker who happens to be a vampire hunter hunting a group of vampires led by Kit (Johnathon Schaech), one of the Forsaken; a group of French Knights of the First Crusade who made a pact with the fallen angel Abaddon to live forever.\nThere were nine knights: eight were turned into vampires and became known as the Forsaken; the ninth was a sacrifice to Abaddon to seal the pact.\nOf the eight, four are dead, one is in Europe, one in Africa, and two in the United States (including the one Nick is tracking, Kit).\nNick was bitten and \"infected\" by a vampire but, thanks to an antiviral drug cocktail, the vampire \"virus\" is kept at bay.\nEach of the Forsaken carry a unique strain of vampirism and killing the Forsaken kills the entire bloodline; killing all the vampires descended from it, and stopping anyone just bitten from turning, which is why Nick is hunting this particular Forsaken.\nHe believes him to be the one that his bloodline is descended from and that if he kills him, he will be cured before he turns (as the drug cocktail eventually will lose effect).\nAt first Sean is less than willing to indulge his new acquaintance, but then they find Megan (Izabella Miko), a girl Sean finds he is attracted to, bitten and left for dead by the vampires.\nNick also proves he is telling the truth by killing a vampire, Teddy (Alexis Thorpe), by exposure to sunlight.\nWhen Sean is bitten by Megan, their only hope is to kill the Forsaken responsible before they turn.\nForsaken can only be slain on hallowed ground, so the three head for a Spanish mission 60 miles away – chased by the vampires and their day driver Penn (Simon Rex).\nAfter a battle on the road, Penn is killed and the car is running out of gas as its tank was shot so they are unable to reach the mission.\nThey stop at a gas station where an old woman, Ina (Carrie Snodgress), lets them in after seeing Megan.\nShe shows them a newspaper connecting Megan to a bloodbath in Arizona; when Megan wakes up and is coherent enough to talk, she explains she was a victim of the vampires' bloodbath (led by Kit) and after Kit bit her he left Teddy to kill her, which she did not do for some reason.\nKit and Cym (Phina Oruche) then catch up to them and lay siege to the gas station.\nSean discovers a graveyard outside and Ina explains that it is an old Spanish graveyard that was never dug up, making the house hallowed ground and thus a suitable place to kill Kit.\nIn the following battle, Sean blows up Cym's head with Ina's shotgun but both he and Nick are injured and Kit forces him to be his new day driver then goes after Ina and Megan.\nAs Kit is about to kill them Sean drives his car through the gas station wall and pins Kit to the wall, hoping to hold him there until the sun rises.\nKit pushes the car back when it runs out of gas due to the hole in the tank but Sean then shoots him, knocking him into a beam of sunlight and shoots him again when he manages to escape the light.\nAs Kit starts to combust, Sean, Nick, Megan and Ina flee the gas station; Kit's explosive death ignites the gas.\nIt seems Sean and Megan are finally cured of vampirism, however Nick is not cured as it turns out that the vampire who bit him is descended from the other Forsaken in the United States.\nNick takes to the road to try to find and kill the other Forsaken, leaving a letter of thanks for Sean.\nThree months later, Sean catches up to him driving Kit's car and insists on helping, having discovered that the Forsaken is probably in Denver.\nThe two set off for Denver.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] [80s?] A movie advertised as 'Beyond time, beyond space, beyond human comprehension'..\nIts what it says on the tin, really. I remember a violent-looking space bird in the cover, but I could be remembering wrong.",
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"content": "Uncle Meat (film).\nThis is a documentary about an unfinished movie. Frank Zappa and the Mothers of Invention try to film the sci-fi epic \"_Uncle Meat_ (qv).\"::Alan Smithee\n\n_Uncle Meat_ (qv), who sometimes goes under the guises of Don Preston and Biff Debris, is an eccentric character who believs in musical progress and enjoys drinking fuming beakers and transforming into a monster. After seeing footage of him (as Don) transforming in this way while fighting for musical progress, film editor Phyllis Altenhaus meets him in person and falls in love. Later the two meet again at a pool hall under the guises of Biff Debris and Sheba Flieshman and they share a kinky shower scene together where they indulge each other's fetishes of clothes and hamburgers and declare their mutual love. Meanwhile, _Uncle Meat_ (qv) and his band are secretly working on a hit single (made up of household items carefully arranged on a cloth) which they hope will change the world for the better by improving everyone's karma. However, no matter what he does, he can't seem to compose a hit and eventually, after he and Sheba have been married for over twelve years, his obsession with composing a single drives her to the brink and _Uncle Meat_ (qv) must choose between his music and the woman he loves.::John Searcy <searcy@onramp.net>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie] Recent-ish comedy/horror movie about a weapons manufacturer building going on lockdown after the employees all turn into discount zombies after drinking a weird angry juice.\nBasically, this movie probably came out sometime between 2010 and now but could've came before that. The basic plot of the movie is that nearly everyone in the movie (beyond the main character and a few others) drank this complimentary soda/drink/thing and now they'll all angry and super strong and such (not zombies but poking fun at zombie movie tropes) and at the end the big bad who is the guy's boss is in a giant mecha - because weapons company means they have giant mechas - trying to kill them. ",
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"content": "Office Uprising.\nDesmond is a slacker who works at a corporate office and factory for Ammotech, one of the world's leading weapons manufacturers. When an energy drink created by the military turns his fellow coworkers into violent psychopaths, Desmond, his crush Samantha and his best friend Mourad must rise to the challenge and survive an office full of homicidal coworkers armed with the latest weaponry.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][80's].\nHi, i'm really impressed with this Subreddit, this is my first thread here but I want to give a go to a movie which traumatized me when I was around 5 or 6 years old which would be 1987 or 1988. It was on TV. My mother used to watch a lot of Unsolved mysteries and i'd be terrified watching all these \"real cases\" . At 5 years old, the difference between real and fictional is thin. So when one time she just started listening to a movie about some sort of a green or greyish monster with red eyes and sharp teeth hiding under beds and sofa I was too terrified to go to my bed or alone in my bedroom so I just stay there closing my eyes 3/4 of the movie. The monster used to look a bit like Mac and Me but with more feline eyes and bigger mouth with sharp teeth. For what I saw, the movie was pretty much just people doing things inside a house with the camera lowering and finishing with a close up of the monster under the bed, etc.\n\nI know pretty thin but you guys are good.",
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"content": "Inside the Closet.\nWhat is scurrying around inside the closet of the upstairs room that grad student Gail Aynsley rents from veterinary school dean Dr. Fenner? Gail doesn't know, but she is determined to find out and Dr Fenner isn't telling.::Octavian P. Quell\n\nGail is a university student and houses don't grow on trees; she's thrilled to find the last available housing to be affordable and sanitary and moves into the enormous house of Dr. Fenner (a professor in veterinary medicine). As the days go by though, strange occurrences begin to happen, getting more and more sinister each time. Could it be Dr. Fenner's wife, his supposed daughter? Or maybe whatever it is, it doesn't appreciate having Gail as company in the house.::GasmaskProductionsBooks",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] [80s] Sci Fi Movie with a post-apocalyptic setting.\nThe only scene I can remember from this film is one where the male and female leads are stuck in a tunnel and trying to escape. A machine is moving through the tunnel with all kinds of drills and blades attached to it. The machine is the size of the tunnel and is moving towards them. Somehow they manage to escape. \n\nI think there was a wasteland / desert setting, and the lead male looked like Harrison Ford? Sorry, not much else I can remember, but I think this was from the early 80s.",
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"content": "Spacehunter: Adventures in the Forbidden Zone.\nSet in the early 22nd century, the film opens with the destruction of a space cruise liner by a bolt of nebular lightning. The only apparent survivors are three beautiful women – Nova, Reena, and Meagan – who get away in an escape pod and land on the nearest habitable planet. There, they are quickly accosted by the hostile natives and taken aboard a sail-driven vehicle resembling a pirate ship on rails.\nIn space, an alert goes out for the safe return of the women with a reward of 3,000 \"mega-credits\". A small-time salvage operator named Wolff intercepts the message and heads to the planet. Joining him is his female engineer Chalmers, who learns the planet – called Terra XI – is a failed colony that fell victim to a deadly plague and civil warfare. Wolff risks the dangers believing the reward will solve his debt problems.\nAfter landing on the barren world, Wolff and Chalmers set out in a 4-wheel drive vehicle called the \"Scrambler\". Soon, they join a battle in progress between a group of marauders (called the \"Zoners\") and a band of nomads (the \"Scavs\"). The Zoners take the women before Wolff can stop them and fly away on jet-powered hang-gliders. Wolff learns from the Scavs that the women were taken into \"The Zone\" which is ruled by \"Overdog\" – their sworn enemy. Returning to the Scrambler, Wolff finds Chalmers – who is really a Gynoid – has been killed. Wolff continues on alone, but soon catches a teenage Scav named Niki trying to steal his Scrambler. She convinces Wolff that he needs a tracker if he is to survive The Zone and Wolff reluctantly takes her lead.\nIn the meantime, the three women are taken before \"The Chemist\", the chief henchman of Overdog – a hideous cyborg with giant metal claws for hands – who administers pacifying drugs to the girls and prepares them for Overdog's pleasure.\nElsewhere, Wolff and Niki make camp, but soon come under attack by a strange plow-like vehicle. Wolff manages to disable the machine and learns the driver is a former military acquaintance of his – a soldier named Washington, who reveals he too has come to rescue the women. His only problem is that he crashed his ship and has no way off of the world they're on. Wolff refuses to help his rival and leaves him to fend for himself.\nStill led by Niki, Wolff gets into more predicaments – from being attacked by mutated humanoids, to strange amazon-like women and a water dragon (which the amazon-like women fear). He even loses his trusty Scrambler and is forced to continue on foot. Eventually, they are found by Washington, and Wolff finds the situation reversed as he now begs his rival for help. They agree to a 50/50 split of the reward.\nWolff and Washington team up and sneak into Overdog's fortress where they find the Zoners entertained by captured prisoners forced to run through a deadly maze of lethal obstacles, hazards and traps. Wolff spots the women being held in a cage and forms a rescue plan, but a bored Niki (who was left out of the rescue for her safety) decides to snoop around. She is captured and sent into the maze. Wolff spots Niki in the maze and tries to rescue her, but she uses her prowess to reach the end where Overdog congratulates her and drags her back to his lair. There, she is hooked to a machine that slowly drains her life energy. The energy in turn recharges Overdog. Wolff comes to the rescue and jabs a sparking power cable into one of Overdog's claws. The power feedback fries Overdog and thus causes cascading blowouts throughout the entire fortress. As the fortress explodes around them, Wolff and Niki run for cover and are rescued by the timely arrival of Washington, who is driving the plow machine with Nova, Reena and Meagan driving another commandeered vehicle. They all race out of the fortress in the nick of time as it explodes behind them.\nAs the complex explodes, the three heroes, and the three rescued women, manage to get away. In the ending, Wolff invites Niki to stay with him and she agrees since they made good partners.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] about a guy who regenerates/heals own wounds (and isn't wolverine).\nMy husband is going crazy trying to remember this movie, so I'm paraphrasing him on this post:\n\nMovie about a guy who heals his own wounds. There's this dude who gets shot but then, in a very shitty stop motion kind of way, his wound heals and everyone around him is shocked. He has a son who is kidnapped and he is very afraid for his kid but the kid I think breaks his leg or something (or gets shot?) and PLOT TWIST he also heals. \n\nAnyone know this movie? Is it real or is my husband having fever dreams again? ",
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"content": "I-Man.\nWhen a man is exposed to an alien gas, he acquires the ability to heal instantly and survive any injury or toxin.::Kenneth Chisholm\n\nThis was a sci-fi show about a guy and his son having super human healing powers. They got this power from being too close to a van that had some kind of chemical in it and it exploded, causing the guy to be badly burned and having to go to the hospital. The burns soon just healed magically..::Jeff Cloward\n\nAn ordinary single father, who can't seem to hold a job due to his stress ulcers, and his son are exposed to gasses brought back from another planet by a NASA space probe. The gasses allow them to heal at incredible speeds, but they are susceptible to passing out in full darkness. The father is recruited to stop a madman who has stolen laser technology that is imperfect and liable to explode. Teamed with a beautiful agent, and with his son tagging along, can he prevent the destruction of most of California and it's northern suburbs??::Tim McCready <tim_mccready@csnw.com>\n\n'Scott Bakula' (qv) plays a cab driver who is exposed to a mysterious gas and soon learns he is able to heal just about any wound (he is shot soon after the gas exposure) and has become \"indestructable\". Unfortunately for him, if he is kept in total darkness, his cells will die, along with the rest of him (he finds this out when the doctor who has been testing his blood keeps finding all of his cells in the petri dishes die after she pulls them out of the freezer or whatever dark place she was keeping it). At some point, he becomes a secret agent and must retrieve a stolen laser. This was a Disney Sunday movie which aired on April 6, 1986.::dave0616@yahoo.com",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] About a blind nun I think at a church and they all pray to a dismembered hand sticking its finger up.\nMy friend told me about this film and we’ve spent about 5 years trying to find it.\n\nThink the film was in Mexico or somewhere like that.",
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"content": "Picking Up the Pieces (film).\nTex (Woody Allen) is a butcher who kills his unfaithful wife Candy (Sharon Stone). After cutting up the body, Tex buries most of her body parts in the desert in New Mexico. A blind woman accidentally trips over Candy's hand, which has not been buried. Picking it up, her sight is restored, and she proclaims the hand to be the \"Hand of the Virgin Mary.\"\nThe hand then becomes the talk of the village and people flock there to heal themselves. This ranges from a crippled man growing new legs, a teenager being relieved of his acne and a midget having his manhood enlarged. Tex hears of these miracles, and attempts to retrieve the hand while being pursued by patrol officer Bobo (Kiefer Sutherland) who was one of his wife's lovers.\nEventually, Tex and the officer track down the hand, with Tex's theft of the hand undoing all the miracles that it has performed. While Tex is in prison, he is visited by his wife's spirit, who reveals that, despite her life of whoring and adultery, the suffering she endured with Tex allowed her to get into Heaven, and she arranges for him to get out of his cell so that he can return the hand to the church.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie] Mid to late 70s low-budget scifi horror film..\nIt was on HBO in 1979, I wanna say. The main character was kind of a jerk. He had bellbottoms (of course) and drove a black Corvette Stingray. The monster was an alien. This alien was just a tall dude in crappy makeup who shot red lasers out of his eyes.",
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"content": "The Dark.\nSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.::Jason C. Atwood\n\nAt night the Mangler stalks the streets of Los Angeles, killing and mutilating random victims. On the trail are a TV reporter, the father of one of the victims, and a police detective, but despite their efforts only the mysterious psychic DeRenzy knows what the killer is and how to stop it.::Jeremy Lunt <durlinlunt@acadia.net>\n\nLos Angeles is being stalked by a 7ft killer who decapitates its victims and shoots laser beams from its eyes. The father of its first victim teams up with a TV reporter, a rival detective and a psychic to track the Mangler down before it claims its next victim.::Marty McKee <mmckee@wkio.com>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Late 2000s. Police movie where the guy take heroine.\nIts a police movie there the policeman get shot in the head and then starts using heroine. Theres this one scene there he takes heroine in his car and a ghost/demon appears. The movie was bought in England late 2000 or 2008. they spoke english and I think the main dude was asian.",
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"content": "Until Death.\nNew Orleans narcotics detective Anthony Stowe (Jean-Claude van Damme) is a heroin addict who is teetering on the edge of oblivion, and he could not care less. At the moment, he is trying to bring down his former partner Gabriel Callahan (Stephen Rea), who has become a drug kingpin. Callahan is trying to, and slowly succeeding at, taking over the New Orleans underworld.\nStowe botches a sting operation against Callahan, resulting in the death of fellow cop Maria Ronson (Rachel Grant), whose fiancée, fellow cop Van Huffel (Adam Leese), nearly comes to blows with him over it. Chief Mac Baylor (Gary Beadle) has a very blunt chat with Stowe, who is dismissive. Stowe is approached by fellow cop Walter Curry (Trevor Cooper) to help his nephew beat a drug-dealing charge; he instead turns Curry over to Baylor, who fires him. After barricading himself in the station bathroom, Walter confronts an unrepentant Stowe and condemns him for betraying his fellow officers.\nThat night Stowe meets with his estranged wife, Valerie (Selina Giles), who tells him that she's pregnant, but that he's not the father. Valerie, whose marriage with Stowe is close to collapse, has been seeing a man named Mark Rossini (Mark Dymond), the gym teacher at the school she is principal of. But he may not be the father either. Stowe brashly accuses Valerie of being impregnated by Callahan, and she tells him she never wants to see him again.\nThe only thing keeping Stowe from total collapse is his dogged pursuit of Callahan. But he drunkenly stumbles into an ambush masterminded by Callahan, and is shot in the head by Callahan's right-hand man Jimmy (Stephen Lord). Stowe undergoes emergency surgery, and ends up in a coma. Months later, he recovers to the point that he opens his eyes, and is transported to his and Valerie's house to recover properly.\nSeven months later, Stowe is slowly learning to walk and speak again. He manages to survive an attempt on his life by someone who appears to be a police officer. He attempts to get his job back, but Chief Baylor refuses, in light of discovering his heroin addiction. The coma has led to his decision to become a better man, and to right some wrongs. He reconciles with his wife, although awkwardly, and gives Walter a significant portion of insurance money that compensated his time in a coma. Finally, he visits the grave of fellow police officer Serge (William Ash), who once saved Stowe's life but has been killed by an unknown attacker following another failed sting operation.\nValerie packs up to move out of the house so she can live with Mark, but after realizing the change that Stowe has undergone, she later decides to leave Mark and come home. Stowe is convinced by his friend Chad Mansen (Wes Robinson) not to let his wife go, and goes after her. They miss each other by a few minutes.\nJust after Valerie returns and meets Chad, some of Callahan's men show up. Jimmy kills Chad, and kidnaps Valerie. Stowe returns to the house, and finds Chad's body, along with Jimmy waiting for him.\nJimmy takes Stowe to a warehouse where Callahan is waiting. Along the way, Stowe manages to overpower Jimmy and take his gun, but he finds that the odds against him are impossible and Callahan has Valerie hostage. Van Huffel is revealed to be Callahan's mole in the police force, and the sting operation at the beginning of the film was a set-up. Walter suddenly arrives and saves Stowe. Together they kill all of Callahan's men, including Jimmy and Van Huffel, as Callahan tries to escape with Valerie to his helicopter. Just as they are about to reach it, Stowe fires multiple shots at the helicopter which makes the pilot lift off, in fear. Callahan, seeing his means of escape is gone, shoots Stowe, undeterred he keeps coming towards Callahan and Valerie. Callahan fires several more shots at Stowe, gravely wounding him. Stowe reaches Callahan, grabs his gun hand and helps aim it at his head, simultaneously pointing his own weapon at Callahan. Two shots ring out in quick succession, and two bullet casings are shown falling. The screen goes dark.\nChief Baylor decides to give Stowe his job back. Three years later, Stowe and Valerie have a 3-year-old daughter -- the baby that Valerie was pregnant with.\nIn a mid-credits scene, a found footage of Callahan executing a couple, with Van Huffel present, is played.\nAlthough Stowe survives the U.S. version of the movie, some European releases of it have a different ending in which Stowe is killed in the shoot-out with Callahan.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie][2000s] Cult where people don't age because of drinking water from a well.\nPeople drink from the well and they'd live for a long time. When they reach a certain age, they'll be killed off. I remember a woman from \"the outside\" discovering the cult/group, and this woman has some kind of love affair with a man from the cult.\n\nNot sure if really a cult or just a group. Movie time setting is in the 90's/early 2000's.",
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"content": "The Spring.\nA man and his son stumble onto a modern-day fountain of youth while camping in the woods.::Timur Tabi\n\nSingle father Dennis Conway is travelling with his son Nick. They stop in a small town where Nick has an accident and has to spend some time in the hospital. While Nick is hospitalized his father falls for the nurse who gives up the towns secret (a spring that has healing powers and is virtually a fountain of youth).::Les MacDonald at <mcmac@mb.sympatico.ca>\n\nWhile driving on vacation with his son Nick Conway in a lonely road, the widow writer Dennis Conway helps a young couple that crashed their classic car out of the road. Dennis uses his van to tow the car back to the road and later Nick finds a duffel bag with an address forgotten by the couple on the ditch. They drive to Springsville to return the bag and after locating the house, they spend the night in town. On the next morning, while waiting for the breakfast, Nick has an accident with a logging truck in the gas station and breaks his leg. They are forced to stay and Nick has a crush on Dr. Sophie Weston that is treating his son. When Dennis discovers that the dwellers do not get old or sick due to the water of the local spring, Dennis asks Sophie to convince the council of the town to stay in Springsville. However, when he discovers the dark secret of the one hundredth birthday party of the locals, he evaluates his decision.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] Young man gets transported to the medieval era.\nI don't remember much about this movie because I watched it when I was a kid, but one scene always stuck out to me. The man is trying to get some money and he trades away his iPod to someone, explaining that the magic box, or something to that effect, can hold hundreds of songs.\n\nI think the main plot had to do with knights, but I can't be sure. Pretty sure it was a 2000s movie, considering the iPod and that I was a kid at the time.",
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"content": "Crusade in Jeans (film).\nDolf is a 15-year-old boy from Rotterdam who plays for the junior national football team. At the beginning of the film, Dolf and his team are playing an important championship game against the Belgian team in the German city of Speyer, They were trailing by a goal, and got the chance to equalise in the final minutes which Dolf blew.\nDolf's mother works in a research centre in Rotterdam where a time machine has been developed. It allows an object, animal or person to be moved to a specified time and place in the past, and to bring them back again. But, a person moving to the past can only return to the present by being at an exact location at an exact time. Furthermore, a special medication is needed daily to stay alive in the past.\nDolf decides to go back in time one day to replay the match, since he regularly visits his mother at the lab, assists with the work, guards know him, the iris scan authorization check lets him pass, and he knows his mother's password to the computer system. However, the activation of the system alarms the guards. Dolf manages to operate the machine just in time before the guards can stop him, but in his haste he accidentally enters the password instead of the destination date, and consequently travels to the year 1212. He ends up at the location of the present-day football stadium, not far from the city of Speyer, which already existed then.\nAfter being attacked by vagabonds and being saved by a girl named Jenne, Dolf joins Jenne in the Children's Crusade: 8,000 children traveling from Germany to Jerusalem to pray for the city's deliverance from the Muslims. The crusade is led by Nicolaas, a teenaged boy with visions, and an adult priest, Father Anselmus. Although it is a long detour, Anselmus has decreed that the children will travel to Jerusalem via Genoa, where Nicolaas expects the sea to part, so the children can walk to the Holy City. What the children don't know is that Anselmus has secretly planned to sell the children to slave traders in Genoa, instead of bringing them to Jerusalem.\nDuring the crusade, Dolf applies his modern-day knowledge to save the lives of many children, battling disease, kidnappers and hunger. He even saves one of the leaders, Prince Carolus, from drowning. All this helps him gain the respect of the children and Nicolaas. However, Anselmus and his bodyguard Vick are intent on discrediting Dolf and try to destroy his reputation whenever they can. Outside Genoa, they finally succeed in making Nicolaas and the other children believe Dolf is an agent of the devil, who should be executed. Dolf manages to escape his execution at the last moment with the help of Jenne and Carolus and finally uncovers Anselmus' plan to sell the children as slaves.\nMeanwhile, Dolf's mother succeeds in sending him a message telling him the date and place of his return, after learning of his deeds and whereabouts in a mediaeval manuscript by Thaddeus, a monk whom Dolf has befriended. Although Dolf and Jenne succeed in getting to the location on time, a fight with the slave traders erupts and Dolf is forced to leave Jenne behind in 1212 and return to the present alone.\nBack home, Dolf manages to persuade his mother to let him go back to 1212 in order to get Jenne. His mother agrees and Dolf leaves for 1212 once more, setting a new time and place for his return. In European territories the film ends here. For American audiences, an extra scene was added in which Dolf has once again returned to the present, this time with Jenne. He is seen replaying the football match he lost in the beginning of the film, with Jenne cheering him on in the crowd.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][TV series][90s] Every episode is a separate story.\nTV series, most probably from the 90s, where every episode started with an old man at his writing desk. I think the old man represented the writer of all the stories that were depicted in the series. Every episode is a separate story (similar to Black Mirror). Also, similar to Black Mirror, every episode had a moral message that you should contemplate over.\n\n​\n\nEpisodes I remember:\n\n​\n\n1. Group of old sad man. A younger man (protagonist) asks them why are they sad. They tell him that every one of them went into the cave (nearby their village) and that he should never repeat the same mistake. The young man didn't listen and went into the cave. In the cave there was a door guarded by a giant. The giant just stepped away and let him pass. Once the protagonist stepped through the door in the cave, he entered a magnificent city filled with beautiful women. The women accepted him as their leader and he enjoyed the stay for many years (been able to have any woman he wanted, eat, drink, not having to do anything). But, in the city there was a door that the ladies told him never to open and go through. After some years, I guess he got bored or something and decided to go through this secret door. Once he stepped through the door he saw himself back in the cave. But this time the giant did not let him pass. He couldn't return to the mystical city. He was devastated, realized that he made a huge mistake, and went back to the village, where he lived on with other sad men (now he became one of them). The moral of the story is you should be satisfied with what you have and not ask for more if you are already happy. This is the episode that made the biggest impact on me.\n2. Sometime in the future. Kids are playing in the hologram room. They can change what the room is and experience it like it was real.For example, they can make the room to be African savanna. But at some point the hologram broke and all of the augmented reality became real. So now they feared for their lives and had to escape the lions and other beasts.\n3. Earthlings have conquered the Moon (or Mars, can't remember), and built their colony there. But for some reason the whole lot of them got killed by some aliens they didn't know inhabited the place.\n4. Some soldiers in the rain trying to reach a certain location. Some of them died along the way.\n\n​\n\nAny help would be greatly appreciated.",
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"content": "The Ray Bradbury Theater.\nA Canadian-produced anthology series scripted by famed science-fiction author Ray Bradbury. Many of the teleplays were based upon Bradbury's novels and short stories.::Marty McKee <mmckee@wkio.com>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie][2010s] Horrormovie with a clown.\nEDIT: It's \"The Bad Man\" https://m.imdb.com/title/tt5372620/ thanks to u/seedofdoubt\n\nHello there,\n\nI'm looking for a horror movie which came out (I believe) in the last two or three years with the wave of the clown movies that came with IT. The story is about a young couple which move into the house of the girl's grandma which recently passed away and they now want to sell the house. But before this they open a bed'n'breakfast for the weekend and in comes a strange man who wants to stay for a few days. The man turns out to be quite the psychopath who wants to turn the girl into a doll and the boy in a dog (in a latex-fetish way). Overall it features a pretty strange atmosphere and feeling. \n\nThanks in advance for any hint :)",
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"content": "The Bad Man.\nMary and PJ are kidnapped and tortured by a sadistic clown bent on transforming them into a 'doll' and a 'dog' -- servile sex slaves that will be sold to the highest bidders. When PJ goes mad, Mary becomes the couple's only hope of survival. But can she find a way out before auction day arrives?",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Television] 90's (maybe) about a supernatural late-night diner..\nHi guys, hoping you can us out. This show had an ensemble cast, I think in 90's, where the characters were stuck in a supernatural late-night diner and maybe time inside the diner was different from outside the diner, but some outsider person would come in every episode and they would help them out.\n\nI will post more details if they come to mind, but I hope that is enough to get a ball rolling. Thanks!",
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"content": "Nightmare Cafe.\nFrank Nolan and Fay Peronivic find themselves in a mysterious all-night café following a brush with death, but they soon learn that they did, in fact, die, and have been brought back to life by the café. Frank and Fay are given the opportunity to correct something in their lives that went wrong the first time, and upon their success, they stay on as the café's new cook and waitress. With the aid of Blackie, the enigmatic owner of the café, Frank and Fay find themselves dispensing hot coffee, daily specials, justice, and second chances to the many imperiled and troubled souls that the café is somehow able to attract, as it travels from place to place.::Carson Maynard <haem@lys.vnet.net>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] A foreign kid (possibly German) moves to America and gets made fun of for biting into an unpeeled banana.\nThe movie (series?) takes place in what seems to be late 1800s/early 1900s USA. I think it was this time period due to the clothing. The foreign kid is at school during lunch break. He is eating a raw potato and one of the American kids tells him to try a banana he has. Having never eaten a banana before, the foreign kid bites into the peel and the other kids laugh at him. This was a live action movie.",
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"content": "The Immigrant Experience: The Long Long Journey.\nA family of Polish immigrants has a difficult time adjusting to life in the United States. The story centers on the son, named Janek, who has trouble fitting in at school and with his family.::EDW",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][Movie].\nI’m trying to think of an old western movie that had multiple Chinese characters in it. I remember watching it at our current house so at least since 2004 but no other time reference. It was on DVD. If I remember correctly, there might’ve been trains and railroads. Definitely cowboys and horses. I know this is really vague but It was just a movie I watched with my dad when I was younger and he recently passed, so it would be great to just reminisce about it. Thanks! ",
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"content": "Once Upon a Time in China and America.\nWong Fei-hung, Clubfoot and \"13th Aunt\" cross the Pacific Ocean to America to visit Bucktooth So, who has opened a Po-chi-lam clinic there.\nWhile traveling by carriage through the wilderness, they pick up a friendly cowboy named Billy, who is almost dying of thirst.\nWhen the party stops to have lunch, a bunch of hostile Native Americans ambush them.\nWong, Clubfoot and 13th Aunt escape unharmed but their carriage slides off a cliff and falls into a river.\n13th Aunt and Clubfoot are rescued and taken to Bucktooth So's clinic.\nHowever, Wong hits his head on a rock and loses his memory as a consequence.\nHe is saved by a Native American tribe.\nBack in town, the mayor makes oppressive rules with the intention of causing trouble for the Chinese people living there, while Billy tries to stop him.\nMeanwhile, the tribe that rescues Wong encounters a more powerful rival tribe.\nThe rival leader, a fearsome warrior, injures Fierce Eagle (the chief's son) on Wong's side.\nHowever, to everyone's surprise, Wong defeats the rival leader and half of his men with his kung-fu, causing the rival tribe to flee in fear.\nWong is eventually brought back to the town where his companions attempt to help him recall his past.\nWhen Wong finally regains his memory, he forgets everything that has happened during the period when he suffered from amnesia.\nIn the meantime, the mayor is in debt and decides to hire a Mexican bandit to help him rob the bank, so that he can abscond the town with a ton of cash.\nThe robbery is successful and the mayor frames the people in Po-chi-lam for it.\nWong and the others are arrested and almost hanged.\nJust then, the Mexican bandit discovers that the mayor has paid him US$400,000 less, so he returns to town to claim his money.\nIn the ensuing fight, the mayor is killed and Wong manages to capture the bandit to clear his name.\nAt the end of the film, Billy is elected as the new mayor while Wong, 13th Aunt and Clubfoot return to China.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Older guy goes to Mexico (?), goes through lots of traumatic experience, turns out it was a prank by someone close to him (business partner?)..\nTitle says it. I think it was 90s? I thought it was either Al Pacino or Martin Sheen was main character, but I'm not seeing the movie on their IMDB. I vaguely remember the guy trying to kill himself ny throwing himself out of a skyscraper and landing in the pool of the birthday party his close friend threw for him, then they hand him a shirt that says something along the lines of \"I went to Mexico, was drugged, robbed, framed for murder, and tried to kill myself, and all I got to show for it was this t shirt.\"",
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"content": "The Game (1997 film).\nNicholas Van Orton, a wealthy investment banker, is estranged from both his ex-wife and his younger brother, Conrad.\nHe remains haunted from having seen his father commit suicide on the latter's 48th birthday.\nFor Nicholas' own 48th birthday, Conrad presents Nicholas with an unusual gift—a voucher for a \"game\" offered by a company called Consumer Recreation Services (CRS).\nConrad promises that it will change his brother's life.\nNicholas has doubts about CRS, but he meets fellow bankers who enjoyed the game.\nHe goes to CRS's offices to apply and is irritated by the lengthy and time-consuming series of psychological and physical examinations required.\nHe is later informed that his application has been rejected.\nSoon Nicholas begins to believe that his business, reputation, finances, and safety are at risk.\nHe encounters a waitress, Christine, who appears to have been endangered by the game.\nNicholas contacts the police to investigate CRS, but they find the offices abandoned.\nEventually, Conrad appears to Nicholas and apologizes, claiming that he, too, has come under attack by CRS.\nWith no one else to turn to, Nicholas finds Christine's home.\nHe soon discovers that she is a CRS employee and that her apartment was staged.\nChristine tells Nicholas that they are being watched.\nNicholas attacks a camera, and armed CRS troops begin to swarm the house and fire upon them.\nNicholas and Christine are forced to flee.\nChristine tells Nicholas that CRS has drained his financial accounts by using the psychological tests to guess his passwords.\nIn a panic, Nicholas calls his bank and gives a verification code to check his account balance—zero.\nJust as he begins to trust Christine, he realizes she has drugged him.\nAs he loses consciousness, she admits that she is actually part of the scam and that he made a fatal mistake by giving up his verification code.\nNicholas wakes up to find himself entombed alive in a cemetery in Mexico.\nHe sells his gold watch to escape.\nHe returns to find his mansion foreclosed and most of his possessions removed.\nHe retrieves a hidden gun and seeks the aid of his ex-wife.\nWhile talking with her and apologizing for his neglect and mistreatment, he discovers that Jim Feingold, the CRS employee who had conducted his psychological tests, is an actor working in television advertisements.\nNicholas locates Feingold and forces him to find CRS's real office, whereupon he takes Christine hostage.\nNicholas demands to be taken to the leader of CRS.\nAttacked by CRS troops, Nicholas takes Christine to the roof and bars the door behind them.\nThe CRS troops begin cutting through the door.\nChristine realizes that Nicholas's gun is not a prop and is terrified.\nShe frantically tells Nicholas that the conspiracy is a hoax, a fiction that is just part of the game, that his finances are intact, and that his family and friends are waiting on the other side of the door.\nHe refuses to believe her.\nThe door bursts open, and Nicholas shoots the first person to emerge—Conrad, bearing an open bottle of champagne.\nDevastated, Nicholas leaps off the roof, just as his late father did.\nNicholas's life passes before his eyes as he falls.\nHe smashes through a glass roof and lands on a giant air bag.\nEmergency medical technicians carefully remove him, and he finds himself in a ballroom full of his friends, family, and every figure involved in his Game; it had been just a game all along.\nConrad is alive and well, and explains that he initiated the game to get his brother to embrace life and not to end up like their father.\nNicholas bursts into tears, relaxes, and begins to enjoy the party once his shock has dissipated.\nWhen he sees that Christine has left the party, he follows her outside to her cab.\nHe asks her to dinner, and she offers to share a coffee with him before her flight takes her to her next game assignment in Australia.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000s] Movie with a guy with no penis and girl who has sex with everyone to find the best orgasm..\nSo I watched a movie when I was a child with my family but I only remember a few scenes. In one, the protagonist was in a club where people consumed drugs stored in straws and the song Relax from Frankie Goes To Hollywood was playing. In another scene, a girl wanted to have sex with the protagonist, because she searches like the perfect orgasm or something, but he declined. The girl asked the guys 'mentor', but he he didnt even have genitals. Somehow I think the mentor guy was robin williams but that could be bullshit.\n\nI've been thinking about that movie for years but have no idea what it was called.\n\nPlease help! Thanks.",
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"content": "Interstate 60: Episodes of the Road.\nThe opening introduces O.W. Grant (Gary Oldman), who carries a pipe in the shape of a monkey-head. He demonstrates his mysterious powers in an encounter with a businessman (Michael J. Fox), when granting the man's wish results in the businessman being hit by a truck.\nNeal Oliver (James Marsden) aspires to be an artist, despite the lack of support from his domineering father and analytical girlfriend. At a party for his twenty-second birthday, O.W. Grant is the waiter who serves the cake. After Neal blows out the candles, he says he wished for an answer to his life. His father responds by handing him an admission letter to law school. As the family goes outside to look at the red convertible that Neal's dad bought him, a bucket falls onto Neal's head, knocking him out.\nNeal wakes up in the hospital, where a doctor named Ray (Christopher Lloyd) comes in and does a quick sight test using playing cards. Neal has to name the suit on the cards. Neal asks if he got it right, and Ray points out that the cards actually had red spades and black hearts, emphasizing that things aren't always what they seem.\nAfter getting out of the hospital, Neal sees the mystery woman that he's been dreaming about in a billboard advertisement, but the billboard company insists that the billboard is blank. When Neal checks the billboard, he sees a new picture of the beautiful blonde, this time with a framed inscription \"Call 555-1300\". Neal calls the number, and a recorded message tells him that he has an appointment at 555 Olive Street, Suite 1300.\nAt the appointment, he again meets Ray, who gives him a package to deliver to a Robin Fields in a town called Danver in Colorado (not \"Denver\"). Ray tells him that he'll find Danver by taking Interstate 60.\nWith no Interstate 60 on the roadmap, Neal sets out west and encounters O.W. Grant on the roadside. Grant gives Neal directions to the unlisted Interstate 60, and on his journey, Neal meets:\n\nA promiscuous woman (Amy Jo Johnson) looking for perfect sex.\nA man (Wayne Robson) who can consume unnatural quantities of food and drink.\nA dying ex-advertiser (Chris Cooper) who is on a crusade to punish dishonesty.\nA lonely mother (Rebecca Jenkins) looking for her son, who is living in a city where the population is addicted to a government-controlled drug.\nMrs. James (Ann-Margret), who runs the Museum of Art Fraud that actually contains real masterpieces posing as fakes.When Neal reaches the town of Morlaw, where all citizens are lawyers who spend their days suing each other, he finally finds Lynn (Amy Smart), the imprisoned mystery woman he has been dreaming about and painting. Lynn explains that she met O.W. Grant and wished to find the right guy. They spend the night together at the \"Fork in the Road\" motel. Neal also makes a painting of the motel. Neal leaves to deliver the package in Danver, while Lynn stays behind.\nOn the radio, Neal hears a report of a reported murderer on the loose, and the description matches his car. He abandons his vehicle to hitchhike. Arriving in Danver, Neal meets \"Robin Fields\", who turns out to be O.W. Grant. After opening the package (which holds a replacement monkey-head pipe for O.W.'s broken one), Grant uses his magic powers to \"warp\" Neal back in time, where he wakes up in the hospital before he first encountered Ray.\nLeaving the hospital, Neal confronts his father and asserts his right to live his life without his father's interference. His sister takes him to an art gallery where Neal sees his painting of the \"Fork in the Road\". A girl who resembles Lynn talks to him about commissioning him to do a series of paintings on roadside motels and diners.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [movie] 1970s (?) movie in which guy who's traveling stops and cleans bricks to earn money.\nThis isn't a major plot point of this (I think) 1970s movie that I saw as a kid, but it's the only part I remember. \n\nA guy who is traveling, I believe by motorcycle, earns extra money along his journey by stopping at a roadside place to clean the mortar off piles of used bricks with a hammer and chisel. He got paid by the brick or by the pound for his work. He might have had a woman with him. \n\nThanks in advance for any help.",
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"content": "Then Came Bronson.\nA disillusioned reporter, James \"Jim\" Bronson, quits his job and starts wandering the road on his Harley-Davidson motorcycle as a form of soul-searching. He meets various characters. Some he helps, others he educates.::Anonymous",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][1990s/2000s] Movie about a spy/impersonator who attempts to steal..\nThere is a movie that I am thinking of, that was released no later than 2004. The plot centres around a character who is able to impersonate anyone perfectly and uses this to steal something (maybe jewels). A group attempt to stop him.\n\nThere is one scene in particular that I remember where he impersonates an Olympic sprinter to trick guards to get past them.\n\nFor the life of me I cannot remember the name.",
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"content": "The Master of Disguise.\nIn 1979 Palermo, Italy, Fabbrizio Disguisey, the latest in a long line of secret agents known as \"Masters of Disguise\", breaks up a smuggling ring run by the evil Devlin Bowman while disguised as Bo Derek. Not wanting his infant son Pistachio to receive the same dangerous future lifestyle as he and his lineage, Fabbrizio decides to keep his family's nature a secret.\nIn present day America, Fabbrizio runs an Italian restaurant with his wife and Pistachio. Bowman, fresh out of jail after twenty years, kidnaps Fabbrizio and \"Mama\", forcing Fabbrizio to use his talents to steal legendary artifacts around the world to reestablish Bowman's smuggling ring. After Fabbrizio's disappearance, Pistachio is visited by his grandfather, who reveals Pistachio's heritage and begins training him.\nPistachio gets the basics down and his grandfather gets him an assistant, Jennifer Baker, who is a little confused about what the job entails. The two find one of Bowman's cigars in the alley where his parents were kidnapped that leads them to the Turtle Club where it was made and they learn of Bowman's scheme, as well as that he will be at an antiques fair the next day.\nPistachio and Jennifer go to the fair, with Pistachio disguised as an elderly woman. Bowman invites Jennifer to a party at his house. Pistachio goes to the party in disguise and distracts Bowman while Jennifer looks for clues.\nThat night, Pistachio and Jennifer look through the clues. Bowman's men kidnap Jennifer, so Pistachio talks to his grandfather via a crystal ball and comes up with a scheme to break into Bowman's lair to rescue Jennifer and his parents. They confront Bowman who has attached a mask of his own face to Fabbrizio's head. While the real Bowman escapes, Pistachio fights his father, who is brainwashed to think he is Bowman.\nIn the end, Pistachio helps his father snap out his trance, they free Mama, return the artifacts, Pistachio marries Jennifer and becomes an official Master of Disguise. However, they eventually realize that Bowman still got away and has the United States Constitution with him. The Disguiseys locate Bowman in Costa Rica, defeat him and retrieve the Constitution.\nIn a post-credits scene, Pistachio discovers that the slappy dummy, which he used earlier in the film, has a little man inside. They proceed to chase and slap each other, but later share a drink together before saying goodbye to the audience.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Ugly Alien on VHS Cover Giving \"The Finger\".\nI'm trying to remember a movie. I think it was 80's, I remember seeing it in UK video rental shops as a kid. I think it was about 2(?) men and there were some really ugly aliens (I suppose they may have been monsters). And at one point one of the men's head gets split open and loses some brains and he goes on to scoop some alien brain into his head in place of the missing brains and strapping his head closed.\n\n(Hope I've done this right)",
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"content": "Bad Taste.\nThe Astro Investigation and Defence Service (AIDS) sends Derek, Frank, Ozzy, and Barry to investigate the disappearance of everyone in the town of Kaihoro, New Zealand.\nThey find the town has been overrun by space aliens disguised as humans in blue shirts.\nBarry kills one of the aliens and is attacked by others.\nAfter Derek notifies Frank and Ozzy, he begins torturing Robert, an alien they caught earlier.\nRobert's screaming attracts a number of aliens in the area.\nDerek kills the would-be rescuers, but he is attacked by Robert and falls over a cliff, to his presumed death.\nMeanwhile, a charity collector named Giles is passing through Kaihoro.\nHe is attacked by Robert, who has been eating the brains of the alien killed earlier by Barry.\nGiles escapes in his car and stops at a nearby house for help.\nAnother alien answers the door and captures Giles.\nHe later wakes up in a tub of water and is told he is about to be eaten.\nDerek also wakes up to find that he landed in a seagull's nest.\nHe also finds that his brain is leaking out the back of his head, so he stuffs it back in and uses a hat to hold it in place.\nThat night, Frank, Ozzy, and Barry sneak into the aliens' house and find a room filled with bloody cardboard boxes.\nThey kill an alien by ripping off its head and Frank wears its shirt to infiltrate an alien meeting.\nHe finds out that the residents of Kaihoro have been harvested for alien fast food.\nRobert vomits into a bowl, which the aliens dine on, including the disguised (and disgusted) Frank.\nHe escapes and tells the team members of the plan.\nThey sneak out to save Giles as the aliens sleep.\nAt sunrise, they try to leave but are attacked by the aliens.\nDerek's hat is shot off, and he starts losing more of his brain, so he uses his belt as a headband.\nHe grabs a chainsaw from the boot of his car and heads for the alien house.\nAs the boys leave with Giles, the alien leader (Lord Crumb) and his followers transform into their true form and follow.\nOzzy uses a rocket launcher to blow up Frank's car, which has been overrun by aliens.\nFrank and Ozzy hunt for Lord Crumb and kill a lot of aliens along the way.\nMeanwhile, Derek kills an alien with his chainsaw and replaces the missing parts of his brain with alien brain.\nAn alien prepares to shoot Frank and Ozzy, but it is beheaded by Derek after he bursts through the wall behind it.\nFrank and Ozzy are shocked to see him alive.\nAs they run, Lord Crumb shoots Ozzy in the leg and Frank fires his rocket launcher at the leader, but it misses and almost hits Derek, finally taking out a sheep in a nearby meadow.\nDerek is knocked out by the alien leader and the house transforms into a giant space ship, which blasts off into space with Derek still aboard.\nOn board, Derek looks out the window to see that he is leaving Earth.\nLord Crumb hears a strange, loud noise and investigates.\nHe is killed by Derek, who ambushes him and cuts the alien in half with his chainsaw.\nDerek proclaims into his phone: \"I'm born again.\nI'm coming to get you bastards.\n\" He then puts on the alien leader's skin, laughing maniacally as he rockets towards the alien planet.\nOn Earth, the guys drive away into the sunset in Derek's car.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] [1950-60] Era Black and White Film about 2 Sisters at a gas station/mechanic shop/ hotel and diner.\nI remember watching this movie on TCM a few years back in which these two sisters run a “truck stop” type of establishment in the middle of nowhere. The older sister does the mechanic work and the younger sister tends to the rest of the duties. In this movie an old boyfriend of the older sister, that was part of a robbery ends up there with a friend of his. For the life of me I have not been able to find this movie again and would like to own it if possible.\n\nOther characters:\n- A well to do type of woman that ends up bathing outside the hotel at some point.\n\n- A Mexican family that camps outside with a fire.\n\n-I believe another group was two women or two women and a male that ends up with the rich lady?\n\n-Also a local policeman frequents the stop in the movie",
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"content": "Heat Lightning (film).\nOlga (Aline MacMahon) runs an isolated gas station and restaurant in the stifling hot desert somewhere in the American Southwest with her discontented younger sister Myra (Ann Dvorak). The sisters clash when Olga forbids Myra from going to a dance with her boyfriend Steve.\nThat same day, chance sends Olga an unexpected and unwelcome customer, ex-boyfriend George (Preston Foster). Unbeknownst to her, George and his nervous partner Jeff (Lyle Talbot) are on the run from the police after a botched robbery that left two men dead, killed by George. Initially intent on sneaking across the border to Mexico, George decides to stay awhile when two jewelry-laden, wealthy divorcees, \"Feathers\" Tifton (Glenda Farrell) and \"Tinkle\" Ashton-Ashley (Ruth Donnelly), are stranded there for the night by their long-suffering chauffeur Frank (Frank McHugh).\nFrank pretends there is something wrong with their car so he can have a rest from driving. Olga, the mechanic, plays along. When Mrs. Ashton-Ashley becomes worried about a large Mexican family spending the night nearby, Olga offers to store the women's valuables in her safe.\nGeorge manipulates Olga's feelings, reviving the love she once felt for him. Though she knows better and tries to resist, she eventually succumbs to his charms, and they sleep together. This gives Myra the opportunity to sneak away to meet Steve. Myra returns later that night, terribly upset after having been taken advantage of by Steve. When Olga starts berating her for going off with her boyfriend, she responds by revealing she saw George leaving Olga's bedroom. The two miserable women then comfort each other.\nMeanwhile, George orders Jeff to open the safe. Jeff is reluctant to cause trouble for Olga, but gives in when George pulls out his gun. Olga overhears George say he slept with her just to set up the theft. She gets her pistol and shoots him. As he lays dying, he apologizes to her. Olga lets Jeff go.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Early 2000s horror movie about a collection of people trapped on an island. There's a haunted idol that wreaks havoc on whoever posses it. May have had a game show plot?.\nI've tried googling every combination of the words \"haunted\" \"horror\" \"idol\" and more and can't find anything.\n\nThe movie had probably 6 or 7 characters one of whom was a big black dude if I remember correctly. It may have had a game show theme where they had to either survive or find clues but I can't remember much about the plot besides there being a wood idol that looked pretty evil. Occasionally it would make noises or laugh at people but never really moved. Anyone who was near it or had possession of it was killed or hurt in some way. It might have transformed into a demon later in the movie for a climactic fight but It's been a long time since I've seen it. Early 2000s on satellite TV was where I first saw it...",
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"content": "Survival Island.\nA group of teens trapped on an island, and are haunted by a demon hidden inside a pinata.::CooLwACK",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] Horror Movie (Spoilers to the twist ending).\nLooking for a horror movie, should be from recent years 2016~2019. All the scary stuffs/hauntings turns out to be just hallucinations of the comatose/vegetative main character on hospital bed, like a zombie crawling on him inserting fingers into his mouth turns out to just be a pen/termometer in his mouth in real life. The movie portrays the main character as not a very good person, more like an antagonist.\n\nI tried to look for it myself but can't find it. Not Sublime (2007) although the movie has similar premises.",
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"content": "Ghost Stories (2017 film).\nIn 1979, Phillip Goodman's strict Jewish father threw his sister out of the family for dating an Asian man. As an adult, Goodman is lonely and single; he is also a well-known professor and television presenter whose show is devoted to debunking fraudulent psychics, which he regards as his life's work to stop people's lives being ruined by superstition the way his family's were. He receives an invitation to visit a famed 1970s paranormal investigator, Charles Cameron, who inspired him as a boy, but who has been missing for decades and is now living in a caravan, sick and impoverished. Cameron asks him to investigate three incidents of supposedly real supernatural ghost sightings.\nThe first case is a night watchman, Tony Matthews, whose wife has died of cancer and who feels guilty that he stopped visiting his daughter, who suffers from locked-in syndrome. He was haunted by the spirit of a young girl while working in a disused asylum for women. The second is a teenager, Simon Rifkind, who is obsessed with the occult and has a poor relationship with his parents. His car breaks down after running over a creature in the woods. Goodman, although unsettled by the second case, believes that each of them has an obvious rational explanation: the supposed victims imagined them, based on their neuroses. The third case is a financier in the City, Mike Priddle, who was plagued by a poltergeist, while awaiting the birth of his child. His wife's ghost appeared to him as she died giving birth to an (it is implied) inhuman child. Suddenly, the financier commits suicide with a shotgun.\nGoodman returns to Cameron, who tears a latex mask off his face, revealing himself to be Priddle. Goodman at first believes that he is the victim of an elaborate hoax, but reality soon breaks down altogether. Priddle leads Goodman back in time to the scene of a childhood incident in which he watched two bullies entice a mentally disabled boy into a drain, where he died of an asthma attack. Goodman has felt guilty all his life about his failure to rescue the victim. The decaying corpse of the bullied boy appears, tormenting Goodman and leading him to a hospital bed, where he is made to lie down. The ghoul lies on top of him and forces his finger into Goodman's mouth as Goodman cries \"No, not again!\" implying this is a recurring event.\nIn the real world, Goodman is in a hospital with tubes in his mouth. He suffers from locked-in syndrome after a suicide attempt in his car. All the characters and events Goodman has experienced were inspired by the staff and objects in his hospital room. The doctors incorrectly believe him to be in a persistent vegetative state with no awareness of his surroundings. The junior doctor predicts that Goodman is \"here for keeps\", without a chance of recovery. As he leaves the room, the senior doctor says to his junior colleague: \"I hope his dreams are sweet\". The hospital cleaner, in contrast, chats to Goodman and moves a mirror to give him a different view.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie] 80s Police Academy type knock-off set in the navy.\nNot \"Up the Academy\" much more low-budget and all no names in the cast. Was gonna watch it a few weeks ago as they had it on Amazon Prime to watch for free but now I can't remember the dang title. I recall one of the guys on the VHS cover looked a lot like Robert Carradine's character in Revenge of the Nerds, actually thought it was him at first. Looked like a really cheesy crappy movie, but those Police Academy copycats from the 80s were always a guilty pleasure of mine.",
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"content": "Weekend Pass.\nFour Navy recruits fresh from boot camp graduation in San Diego spend a weekend pass together out on the town in Los Angeles before shipping out for further training.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000s] Just remember a scene where the protagonist (?) girl goes to her somewhat known friend in the woods and almost has sex. The boy has a room where he hides another girl..\nIt is a horror film with probably house/cottage/woods in the name",
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"content": "House at the End of the Street.\nA newly divorced medical doctor Sarah Cassidy (Elisabeth Shue), and her 17-year-old daughter Elissa (Jennifer Lawrence) move to a small, upscale town.\nTheir house is near the house where a massacred family lived.\nAs told by the neighbors, four years prior, a girl named Carrie-Ann Jacobson killed her parents, then fled into the forest and was never seen again, leaving her brother Ryan (Max Thieriot) as the sole survivor.\nRyan now lives alone and is hated by his neighbors; Bill Weaver (Gil Bellows), a local police officer, appears to be Ryan's only supporter.\nThe mother-daughter relationship becomes rocky and Elissa starts dating Ryan against her mother's wishes, finding Ryan to be lonely but a sweet boy.\nRyan confides in her that he accidentally injured Carrie-Ann by allowing her to fall from a swing when they were little; he was supposed to be watching her while their parents were getting high on drugs.\nThe resulting brain damage from the accident made her extremely aggressive, leading to their parents' murder.\nRyan is revealed to have been secretly taking care of a seemingly now-grown Carrie-Ann (Eva Link) in a hidden room.\nCarrie-Ann manages to escape; using her weight to knock the key from the top of the door and into her room.\nShe takes a kitchen knife and appears to be about to kill a young couple in a car.\nRyan catches up to her before she can reach the couple, but accidentally kills her while trying to hide her.\nIn grief, he goes to the diner, where he meets a kind waitress named Peggy (Jordan Hayes).\nLater, some unruly high school boys pick a fight with Ryan and he flees, and Elissa drives to his house and subdues a fire the boys started.\nShe finds tampons in the kitchen garbage and explores the house with suspicion until she finds the secret room and is attacked by Carrie-Ann, who is revealed to actually be Peggy.\nRyan restrains \"Carrie-Ann\" while frantically screaming at Elissa to leave.\nElissa finds blue contact lenses and Peggy Jones's wallet in the kitchen.\nRyan has kidnapped the waitress and attempted to make her look like Carrie-Ann.\nElissa tells Ryan she has to go home but Ryan hits her, knocking her unconscious.\nElissa wakes to find herself tightly tied to a chair.\nRyan reveals that Carrie-Ann actually died during the swing accident.\nHe says his parents blamed him for it, and implies that he was the one who killed them.\nHe explains that he wants Elissa, but that he needs Carrie-Ann and cannot have both.\nOfficer Weaver goes to Ryan's house to look for Elissa, but Ryan stabs him to death.\nElissa frees herself and tries to escape in Ryan's car, but Ryan knocks her out with Chloroform and traps her in his car trunk with Peggy's body.\nSarah arrives and is also stabbed by Ryan.\nElissa struggles out of the car and ultimately shoots Ryan with Weaver's gun.\nWhen she approaches him, he suddenly wakes up and grabs her wrist.\nWhen Ryan attempts to stab Elissa with the knife, Sarah strikes him in the head with the hammer.\nElissa and Sarah move out; Ryan is placed in a psychiatric ward.\nA flashback shows young Ryan about to blow out birthday candles.\nHis mother calls him \"Carrie-Ann\" and when Ryan protests that his name is Ryan, not Carrie-Ann, she slaps him violently; his parents had forced him to dress and act like Carrie-Ann after she died and most likely abused Ryan when he refused to go along with their fantasy, thus setting Ryan on his troubled path.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [movie] [2010s] British Film about a chav Rapper/Hip-Hop Artist in UK. Comedy, possibly a documentary..\nI remember the director had a reasonable reputation at the time, don't recall any actors or any other details. \n\nI watched on New Years Day 2010 or 2011, via torrent. \n\nThe name of the film was the name of the rapper, and I believe was formatted name & name.\n\nIt's been bugging me for a year.",
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"content": "Le Donk & Scor-zay-zee.\nAging, failed musician and roadie Le Donk is introduced to a fly on the wall documentary film crew, including real life director Meadows, at his Nottingham home. Scorzayzee is an aspiring rapper who Le Donk is mentoring. Le Donk and the film crew visit the home of his former girlfriend Olivia (Olivia Colman), who is pregnant with Le Donk's child. Le Donk becomes irate when he learns Olivia's new boyfriend is to be her birth partner.\nLe Donk, Scorzayzee, Meadows, and the film crew drive to Manchester in a Bedford Rascal, where Le Donk has been hired to assist at \"Arctical\" Monkeys' gig at Old Trafford Cricket Ground. Le Donk intends to use his contacts to attain a supporting slot for Scorzayzee. Leaving the seemingly-hapless Scorzayaee to practice on his new electronic keyboard, Le Donk goes backstage and speaks to Arctic Monkeys' guitar tech Nigel \"Big Nige\" Reeks. Scorzayzee, unable to operate or even power-on the keyboard, wanders through the cricket ground, eventually ending up on the stage, which Le Donk has left. Big Nige helps Scorzayzee hook up the keyboard to the sound system and shows him how to get some \"beats.\" Scorzayzee then freestyles, impressing those present. A short time later, Le Donk confirms that a short support slot has been granted. After this, it is revealed that Le Donk is to accompany Scorzayzee, playing the (obviously automated) loops on the keyboard and singing in between Scorzayzee's rap verses.\nLater in the evening, Le Donk receives a call from Olivia's boyfriend, as she has gone into labour. Le Donk is at first reluctant to let Scorzayzee play the gig on his own, worried that he would not be able to handle the keyboards. (\"It's a lot of beats\") Le Donk then admits he is not required and that Scorzayzee is \"the talent.\" Le Donk drives back to Nottingham and meets his baby son, and Olivia convinces him to travel back to Manchester to play.\nThe following afternoon, the two take to the stage at Old Trafford and play one song with the crowd reacting well to Scorzayzee's rapping but seemingly bemused by Le Donk's lyrics, which begin \"Just calm down Deirdre Barlow, just calm down Stephen Hawking.\"",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][1990s] Russian movie about a rock band that travel the USA.\nI am not sure about the date, the movie is a road movie similar to Blues Brothers. The movie has an air of independent movie, not mainstream\n\nIf I recall correctly the members of the band have a crest in the hair, and I think the made a joke about a dog or a baby having the same haircut. In one scene one of the members of the band freeze up for being outside in Siberia.\n\nI didnt watched the whole movie so I only remember that they get called by the manager to travel to the USA. Also I remember there is a guy who is bald (?) and is something like the town's idiot.",
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"content": "Leningrad Cowboys Go America.\nThe Leningrad Cowboys, a band with foot-long quiff hairstyles and long Winklepicker shoes to match, are seeking success in Siberia, but nobody seems to like their music, except for the mute village idiot, Igor. Thwarted by a lack of local commercial potential, they are encouraged to move to America, for people will \"buy anything\" there. They depart for New York, bringing with them a band member who had frozen the previous night while practicing outside.\nThey arrive at the CBGB bar in Manhattan. An agent first suggests they should play at Madison Square Garden or Yankee Stadium, but after hearing their music, offers them a gig at a wedding in Mexico instead. He also recommends that they change their musical style to rock and roll. They buy a used 1975 Cadillac Fleetwood 75 Limousine, strap the coffin carrying their frozen band member onto the roof and set off to earn their way through the Deep South, adapting their musical style to suit local tastes at each new location. All the while they are being driven on and exploited by their money- and food-hoarding manager, Vladimir, who has a seemingly unlimited supply of beer in the ice-filled coffin. Meanwhile, Igor, who stowed away on the plane, follows the band by his own means of transportation. When he finally catches up with them, they appoint him as their road manager.\nDuring the trip, the band spends time in jail, has their car engine stolen, causes a nightclub to close after playing an unsuccessful show, and reunites with a long-lost cousin whose singing gives positive reception from the audience. They eventually make it to Mexico and perform their wedding gig, where the thawing bass guitarist is revived with a shot of tequila and joins the group on stage, as does Igor. Vladimir watches them play then wanders off, but the band finally finds success in Mexico, making the top ten.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] Horror movie about family haunted by demons.\nI watched this on TV Halloween night sometime between 2005-2008. It was about a family being haunted by poltergeists or demons. I don’t remember much of the plot aside from that it all happened in their house and they hired a female paranormal investigator and these 3 scenes;\n1) The children of the family (they had 3-4 daughters, in their teens) were watching tv and started talking about French kissing\n2) The father was attacked on his staircase and pinned down by a demon who looked like his wife. In a later scene, the paranormal investigator was giving a breakdown of all the ghosts that were in the house. She told him that what attacked him was called “the demon”, and it was the leader (or most evil) of the poltergeists. \n3) The ending was that they moved to a new house, and the mom was in the kitchen unpacking groceries when she started hearing a noise (either one of her daughters yelling something across the house or a door creaking) that alluded to the demons following them. \nAlso, in case this helps, the father had a mustache",
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"content": "The Haunted.\nWhen the Smurl family moves into a duplex, they find out its haunted.::Ryan M. Burgos\n\nThe Smurl family move into their new home on Chase Street only to find that it is plagued with three spirits and a demon. The demon wants to destroy their family and they are constantly desperate until they find the Warren family to get rid of them.::Khelben Arunsun Blackstaff <frontier@mailhost.net>",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "[TOMT][MOVIE][1900S] Movie where a man stood up for his woman against workers who were badmouthing her..\nI can't really remember the whole context of the movie (probably put out in the late nineties) , but what I CAN remember is that this guy was way more intelligent than he should have been. WAY MORE. He knows many languages and Chinese is one of them. I can't remember why but I remember him as an emotionally dark character, introverted and quiet, but also intelligent, and quick as a whip. I also feel like he was good in hand-to-hand combat.\n\nKind of 'The Punisher' kind of guy. The *dangerous* kind of quiet.\n\nI think he was either a serial killer, an assassin, or something along those lines. Something he had to *absolutely* keep secret from anyone, especially those he cared about.\n\nThe scene I most vividly remember is when he took a girl on a date to a Chinese restaraunt and the workers started talking trash while they were putting their order together, most of it about his date, who was smiling ignorantly and waiting for their order while they both stood in line. When the workers handed our woman the order and they called her a bad name, our hero stepped up behind her and said something very sinister and serious to the foreign hecklers about bad-mouthing his date, not in English, but in their very own language\n\nThis movie was action packed, as far as I remember.\n\nThat's all I've got. Please Help.",
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"content": "Boy Wonder (film).\nA young boy named Sean Donovan lives with his mother and abusive alcoholic father.\nA carjacker attacks his family one night, which results in his mother's murder.\nAfterward, his father Terry moves them to a nicer neighborhood.\nYears later, Sean is an excellent student but has become unsocial, and he sees abuse in everyday arguments.\nHe trains as a boxer and carries weapons at night as a vigilante.\nHe kills an assaulter in an attempted mugging, and an eyewitness account garners the attention of Teresa Ames, who had recently been promoted to the homicide division of the NYPD.\nShe investigates Sean, who frequents the police station as he searches for information on his mother's killer.\nTeresa befriends him and learns about his life, such as the fact that he speaks fluent Chinese after he angrily berates rude staff in a Chinese restaurant.\nSean defends a young woman being violently abused by her pimp and strikes him with a baton before shooting him.\nWhile riding the train, Sean encounters a homeless man verbally harassing a Chinese family and the passengers of the train.\nHe tells the family to leave the car before putting on face paint and brutally beating the man with brass knuckles.\nTeresa and her partner, who happen to be on the train, investigate, but Sean eludes them.\nLearning that the perpetrator spoke fluent Chinese, she suspects Sean.\nDespite her supervisor's warning not to investigate Sean, she persists.\nFinally, the retired supervisor tells Teresa that the young Sean was able to clearly identify his mother's murderer from a photo book, but Terry convinced him to withdraw his statement.\nThe murderer's identity is identified as Larry Childs, a contract killer whom Teresa arrested six months ago but managed to get a two-year sentence through a plea bargain.\nAs Sean walks down the street, he sees scenes of domestic violence that apparently revert to gentle arguments after he passes by.\nDuring a school party, Sean has an episodic memory recall where he remembers his mother's murderer call his father by his old boxing nickname.\nEnraged by the memory, he savagely beats a fellow student who has been harassing a female friend.\nTeresa finds a picture of Terry and the murderer and realizes that they knew each other before the attack.\nSean assumes that Terry staged the attack in order to get his mother's life insurance money.\nSean confronts his father, but Terry adamantly denies this.\nConvinced of his father's guilt, Sean shoots and kills Terry.\nTeresa tracks down Sean, who states someone broke into their home and killed his father, and she disposes of the murder weapon.\nSometime later, Sean sends a letter to Larry, who is currently serving his two-year sentence.\nIn the letter Sean expresses his forgiveness to Larry but pleads with him to reveal the truth of his mother's murder: was his father involved.\nHe puts an empty envelope, a red stamp, and a black stamp together with the letter, and asks Larry to reply to him with a black stamp for his father's guilt or a red stamp for his father's innocence.\nThe stamp Larry uses is poisoned with Tricelaron and kills him.\nWhen the letter arrives, Sean stares at the red stamp on it.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE][2000-2010-ish)] Group of couples taking an upscale weekend vacation.\nI saw part of this movie and I've wondered what it was.\n\nIt's a drama/relationship-type movie about a group of couples (like three couples, maybe 4 couples) who spend a weekend together in a upscale vacation home (like a weekend in the Hamptons-type situation). Mostly it's about a bunch of their relationship drama.\n\n(I know there's a bunch of movies where friends reunite for a wedding, but I don't think that was what was going on here.)\n\nAny clue what this movie might be? Sorry my recollection is a bit vague, I want to say it was most likely released sometime in a 2000-2010 time frame, but might be a couple years outside those parameters as well.\n\nEdit: Should note that this wasn't a rom-com or comedy",
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"content": "The Intervention (film).\nA weekend getaway for four couples takes a sharp turn when one of the couples discovers the entire trip was orchestrated to host an \"intervention\" on their marriage.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] B movie or TV movie in which an evil spirit/demon is released from a video game and is the unborn child of an Asian woman.\nI remember watching this movie on TV sometime in the early to mid-2000s. The movie may have possibly been made earlier than that time. The quality made it look like it was set in the '80s or the '90s. I think it was playing on a premium cable channel. It was a very weird film but I really want to find out the title. \n\nThe main character was a white male and he had some sort of a romantic relation to an Asian girl. They looked like they were in their early 20s. The main character had a younger brother who looked like he was in elementary school. His younger brother rented a video game. When the younger brother and his friend (possibly the Asian girl's younger brother) played the video game, an evil spirit was released and took form of an unborn child in the Asian girl's womb. Basically, it was like a virgin Mary incident. On the night of conception, the Asian girl was tossing and turning. She was sweating and she looked like she was having a nightmare. There was also a character who was the grandfather of the Asian girl but I don't remember what happened to him during the movie. \n\nThe main character had a goofy, oblivious (white) friend. At one point, an Asian gang/mafia, dressed in suits, was chasing the main character and his friend. In one scene, the friend was at a standstill with the Asian gang. He was making ridiculous, fake martial arts moves. One of the gang members threw a ninja star at him; however, the main character's friend high kicked and his shoe came off. The shoe contacted the ninja star, which reflected the object back at the thrower on his forehead, which instantly killed him. On the same night, the Asian girl was going into labor and the spirit was born. The spirit was in the sky while the main character and the Asian girl looked in horror. \n\nThat is what I remember about the film. It has been bothering me for so long. If anyone knows what it is called, I would be thankful!",
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"content": "Samurai.\nA descendant of a cursed, ancient clan, is investigating the gruesome murder of a video game designer.\n\nHalf a century ago, a Japanese family summoned a demon known as Kodeni to dispose of its adversaries. Once the killing was done, the family was cursed. Now, Tokyo Police Inspector Fujiwara is investigating the murder of a video game designer. The investigation leads him to a frightening discovery - the same lethal demon is about to be reborn. Fujiwara must travel to Paris and kill this unborn child who is the reincarnation of Kodeni and who threatens to destroy the world.::Trey Evans",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][SHOW][2019] Seen a promo for a new show cannot find out what it was.\nI watching some NFL about month ago and I seen a promo for a new TV show. From what I remember I think it was about a woman who was some type of important political figure. Her daughter gets kidnapped and held for ransom. The perpetrator wanted I think money or some secret government shit. Think the woman ended up giving them the stuff, people were mad at her n shit, she might've went court for it. That's all I remember, somebody please help me find it it's bothering the hell out me lol",
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"content": "The Enemy Within (TV series).\nIn 2015, Erica Shepherd is the CIA Deputy Director of Operations. When Russian master terrorist Mikhail Vassily Tal threatens her daughter Hannah, Erica is forced to reveal the names of four agents: Steven Haibach, Brian Lanich, Desiree Villareal, and Laine Heffron. The agents are killed, and Erica is arrested by FBI agent Will Keaton and sentenced to 15 consecutive life sentences without possibility of parole. Three years later, Tal strikes again, and Keaton is ordered to bring Erica out of ADX Florence to join the hunt for Tal and his growing network of spies.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [Movie][2000s] - Kid Raised in Isolation by Parents Who Create TV Show for Him to Watch Every Day.\nI've had this stuck in my head for days and I can't figure it out. Below are all the detail I can remember (or think I remember).\n\nThere was a movie I watched where this kid is raised in isolation from the normal world by his parents. I believe he didn't know there was a world that even existed outside of his house. His parents would put on these costumes and create a TV show that he would watch everyday. However, I don't think he knew that it was them making the show.\n\nI think as the movie goes on his parents either die or get caught and someone comes to rescue the kid and he discovers that it was them making the show all along. As he enters the real world and grows up this show is all he knows. He spends his adult life trying to create this show that he watched every day as a child.",
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"content": "Brigsby Bear.\nJames lives in an underground bunker home with his parents Ted and April Mitchum, with whom he is forced to stay underground. Ted tells James that the outside world is dangerous to them and James often watches him leave the bunker with a gas mask on. James is fascinated with an educational children's show titled Brigsby Bear because he owns every episode on VHS Tape and fills his room with memorabilia. One night, he sneaks out only to see several police cars approach the home. The police raid the bunker and James is taken away from Ted and April who are arrested.\nJames is brought to the police station and meets Detective Vogel who tells James that Ted and April are not his real parents and that he has been held captive since he was a baby. Then Vogel introduces James to his real parents, Greg and Louise Pope, and their teenage daughter Aubrey. Though they try introducing James to his new life, he can't stop thinking about Brigsby Bear. James' psychologist Emily informs James that Brigsby Bear is not real and was made by Ted, a former artist, and designer who disappeared with his wife in 1987. Emily explains that they tracked Ted from the studio where the show was made. Realizing that no one else will continue the story, James come up with the idea to make a movie based on the character to close the series.\nOne night, Aubrey takes James to a party. He meets Aubrey's friend Spencer and later starts talking about Brigsby Bear to his new friends. He starts production after Detective Vogel, who sympathizes with James through Vogel's own early acting dreams, lends James some props from the show, and Spencer, being a filmmaker, agrees to make the movie with him. Spencer also advertises the movie by uploading episodes of Brigsby Bear to YouTube, where it gains popularity and a new audience. Greg and Louise do not approve of James' activities because they fear it hinders his chances of living a normal life.\nWhile filming in a forest, James uses an explosive he made for a scene that detonates, surprising Spencer. The group is arrested, but James takes the blame for it. The police release him but confiscate the Brigsby Bear props once again. James takes his parents' car out one night to steal the costumes and props. He takes a detour first to his old underground home, now abandoned and cordoned off with yellow tape. James stops by a diner and discovers Whitney, the actress who played both Arielle and Nina Smiles in the show. She tells him that she never knew the true circumstances behind the side acting job, having been told by Ted Mitchum that it was for Canadian public access. As the police arrive outside, James asks Whitney to reprise her role for his film and admits that he had a longtime crush on her through the show.\nJames is placed in a mental institution. Meanwhile, Aubrey shows her parents parts of the movie, where the two realize that making the movie allowed him to spend time with his friends. One night, James breaks out of the institution to grab his belongings, but discovers his family, along with Spencer and Detective Vogel, building a Brigsby Bear set in their garage. They tell him that after they saw how happy he was behind the scenes, they agree to help out as well.\nJames finishes the movie, with Detective Vogel playing the character Feldo Mortese and Whitney as the Smiles Sisters. Then visits Ted in jail who apologizes for abducting him. James actually tells Ted about the movie and states that they are having trouble getting the voices right. Ted helps him out by recording the voice-overs for Brigsby and the other characters.\nOn premiere night, the show is sold out and James is worried no one will like it, so he stays out of the theatre while the movie plays. When James walks into the theater, he is met with a standing ovation. James is happy that the film is a success. He looks over to the stage and sees Brigsby wave goodbye to him and disappears.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] Clone?.\nI cant remember the movie but it's set in a futuristic setting and if I remember correctly there's a couple and they have a specific job and then blabla they find out they have clones of themselves doing other jobs and they escape their isolated lifestyle at the end.",
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"content": "The Island (2005 film).\nA man living in a futuristic sterile colony begins to question his circumscribed existence when his friend is chosen to go to the Island, the last uncontaminated place on earth.\n\nSet in a dystopian future, a group of people work in a facility, essentially as slaves. They do have an incentive though - a regular lottery is held and one of them gets to leave the facility and its restrictions and move to _The Island_ (qv), a paradise. Lincoln Six Echo is one of the workers in the facility and he is infatuated with Jordan Two Delta. His life is fairly uneventful and mundane until Jordan Two Delta gets selected to go to _The Island_ (qv). Then Lincoln starts to discover the truth about the facility and _The Island_ (qv).::grantss\n\nFuturistic thriller about a contained, seemingly utopian facility in the mid-21st century. The residents hope to be chosen to go to the Island - the last uncontaminated place on Earth, but when one inhabitant discovers that there are sinister forces at work, he and a female friend make a daring escape.::atwardy\n\nLincoln Six Echo is just like everyone else - he's waiting to go to the Island, the only place left in the world to actually live a life. It all sounds like paradise, but Lincoln Six Echo soon discovers that there's actually a sinister purpose going on at that facility and that he must escape - but not before stopping the sinister plan.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT] [MOVIE] [2000s] Movie where a dude rams his vehicle into a girl's and kidnaps her, then she learns he kidnapped other people, and they are all held in a bunker because dude thinks aliens exist, then at the end it's revealed that they do exist when the people escape.\nTitle says all",
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"content": "10 Cloverfield Lane.\nMichelle gets into an argument with her fiancé Ben, leaving New Orleans soon after.\nDriving through rural Louisiana that night, news reports on the radio report blackouts in major cities.\nHer car is suddenly struck and crashes offroad, rendering her unconscious.\nShe awakens in a locked concrete room, her leg injured while her other wounds have been treated.\nA man named Howard enters, explaining that he will keep her alive before giving her a set of crutches to help her walk and a key for the chain before locking up.\nMichelle whittles the end of one crutch to a point and lures Howard back to the door to try to attack him, but he is aware and easily defeats her.\nHoward tells her that there has been a massive attack by some entity and everyone else is dead, rendering it impossible to leave his bunker as nuclear fallout will kill them.\nHoward takes the calmer Michelle for a tour of the well-stocked bunker, and meets the other inhabitant, Emmett.\nEmmett had talked Howard into letting him into the bunker after seeing a red flash outside.\nHoward shows Michelle to the hatch, and through the window, points out two dead pigs, evidence of the atmosphere outside.\nMichelle sees Howard's truck nearby and dimly remembers it from the crash.\nDuring the first dinner together, Michelle incapacitates Howard and steals his keys to the hatch.\nAs she is about to escape, a woman suffering from severe skin lesions suddenly appears outside, begging to be let in, before she collapses, dead.\nMichelle realizes Howard was right and returns the keys.\nHoward confesses that he had struck Michelle's car in a panic to get to his bunker, and took her in.\nThe three continue to live together over several days, though Michelle becomes annoyed that Howard treats her as a little girl.\nWhen a ventilator fails, Michelle climbs through an air vent to fix it, being the only one who can; Howard instructs her what to do.\nWhile fixing it, Michelle discovers a second hatch leading outside, padlocked closed and with the word \"HELP\" scratched on the inside.\nAs days pass, Howard opens up about his daughter who is \"not with us anymore\".\nMichelle and Emmett secretly discuss Howard's inconsistent story, realizing that the \"daughter\" may have been a local woman that went missing two years prior, and suspecting he abducted and murdered her.\nRecognizing Howard's volatility and danger to them, the two secretly prepare a makeshift Hazmat suit to escape the bunker and get help.\nHoward discovers several of his tools missing and interrogates the two, threatening to kill them.\nEmmett claims that he was trying to make a weapon to get Howard's gun and Michelle knew nothing.\nHoward then summarily executes him and continues to be protective of Michelle.\nSome hours later, Howard discovers the biohazard suit and pursues Michelle.\nMichelle finds Howard was trying to dissolve Emmett's body in a barrel of perchloric acid.\nDumping the barrel over, Howard falls into the liquid, which ignites an electrical fire.\nMichelle grabs the biohazard suit and makes for the second hatch.\nOutside, she finds birds flying and takes off the biomask since the atmosphere seems safe.\nLooking around, she sees a biomechanical craft some miles away.\nSuddenly, the bunker explodes from the fire, drawing the craft's attention.\nMichelle tries escaping in Howard's truck, with no keys inside.\nSeeing the woman's car from earlier, she runs towards it and tries to enter, setting off its alarm system.\nAfraid of the noise and what it might draw, Michelle runs away from the car towards a shack on the property as she hears something in the cornfield behind her.\nShe reaches the shack and finds the woman's body inside.\nThrough a hole in the shack's exterior, Michelle sees a quadrupedal creature with a worm-like head emerge from behind the car.\nIt follows her trail to the shack and she is forced into a confrontation, eventually distracting the creature and making a break for the farmhouse on the property, illuminated by the biomechanical craft from behind.\nIt released a noxious green gas that forces Michelle to put the biomask back on.\nWhen she reenters Howard's nearby truck, the craft picks up the truck with tentacle-like appendages from an organic-looking 'mouth'.\nMichelle makes a Molotov cocktail and throws it into the 'mouth' before jumping away.\nThe craft explodes and crashes nearby.\nShe finds the car of the woman nearby and drives off, knocking over a mailbox reading \"10 Cloverfield\".\nThe radio picks up transmissions from successful human resistance efforts, telling any survivors to head north, although help is the priority in Houston.\nAt a crossroad, Michelle decides to head for Houston, as larger craft are seen moving toward the city.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "Magnolia (film).\nThe narrator recounts three instances of incredible coincidences and suggests that forces greater than chance play important roles in life.\nPolice officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet.\nDixon, a neighborhood boy, tries to tell him who committed the murder but Jim is dismissive.\nJim goes to the apartment of Claudia Wilson.\nClaudia's neighbors called the police after she had an argument with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine.\nUnaware of her addiction, Jim is attracted to her and prolongs the visit.\nHe asks her on a date that night; she says yes.\nJimmy hosts a long-running quiz show called What Do Kids Know.\nand is dying of cancer; he has only a few months to live.\nThat night the newest child prodigy on the show, Stanley Spector, takes the lead as the show begins.\nHe is hounded by his father for the prize money and demeaned by the surrounding adults, who refuse to let him use the bathroom during a commercial break.\nWhen the show resumes, he wets himself and freezes, humiliated when everyone realizes what happened.\nAs the show continues an inebriated Jimmy sickens, and he orders the show to go on after he collapses onstage.\nBut after Stanley's father berates him for freezing on air, Stanley refuses to return for the final round.\nDonnie Smith, a former What Do Kids Know.\nchampion, watches the show from a bar.\nDonnie's parents spent the money he won as a child, and he has been fired from his job at Solomon & Solomon, an electronics store, due to chronic lateness and poor sales.\nHe is obsessed with getting oral surgery, thinking he will land the man of his dreams after he gets braces.\nHe hatches a plan to get back at his boss by stealing the money he needs for his braces.\nThe show's former producer, Earl Partridge, is also dying of cancer.\nEarl's trophy wife, Linda, collects his prescriptions for morphine while he is cared for by a nurse, Phil Parma.\nEarl asks Phil to find his estranged son, Frank Mackey, a motivational speaker peddling a pick-up artist course to men.\nFrank is in the midst of an interview with a journalist who reveals that she knows Frank had to take care of his dying mother after Earl abandoned the family.\nAn angry Frank storms out of the interview when Phil gets through to him.\nLinda goes to see Earl's lawyer, begging him to change Earl's will.\nShe admits she married Earl for his money, but now loves him and does not want it.\nThe lawyer suggests she renounce the will and refuse the money, which would go to Frank.\nLinda rejects his advice and leaves in a rage.\nLinda berates Phil for seeking out Frank, but later apologizes.\nShe drives to a vacant parking lot and washes down handfuls of prescription medicine with alcohol.\nDixon finds Linda in her car, near death, and calls an ambulance after taking money from her purse.\nBefore his date with Claudia, Jim takes fire during a pursuit and loses his gun.\nWhen he meets Claudia they promise to be honest with each other, so he confesses his ineptitude as a cop and admits he has not been on a date since he was divorced three years earlier.\nClaudia says he will hate her because of her problems, but Jim assures her that her past does not matter.\nThey kiss, but she runs off.\nJimmy Gator goes home to his wife Rose and confesses that he cheated on her.\nShe asks why Claudia does not talk to him, and Jimmy admits that Claudia believes he molested her.\nRose demands to know if it is true, but Jimmy says he cannot remember whether he abused Claudia.\nRose tells Jimmy he deserves to die alone, and she walks out on him.\nJimmy decides to kill himself.\nDonnie takes money from the Solomon & Solomon safe.\nAs he drives away, he decides to return the money, but discovers he cannot get back in as his key broke off in the lock.\nWhile climbing a utility pole to get on the roof, he is seen by a passing Jim.\nSuddenly, frogs begin falling from the sky, with multiple consequences: as Jimmy is about to shoot himself, frogs fall through his skylight, causing him to shoot the TV which sets his house on fire; Rose crashes her car in front of Claudia's apartment, but makes it inside and reconciles with her daughter; Earl dies as Frank watches the frogs; Linda's ambulance crashes in front of the emergency room; and Donnie is knocked from the pole and smashes his teeth, then is dragged to safety by Jim.\nJim counsels Donnie and helps him return the money; his gun falls from the sky.\nFrank goes to the hospital to be with Linda, who will recover from her attempted suicide.\nStanley, on his way to bed, tells his father that he needs to be nicer to him, but his father ignores him and tells him to go to bed.\nJim goes to see Claudia, telling her he wants to make things work between them; she smiles in reply.",
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"content": "[TOMT][MOVIE] A scene from a movie where a girls skin is either peeling off in a bathroom and she tries to hide it or its supposed to be peeling but isnt and pretends it is?.\nI think its a movie. But all i can vaguely remember is that a girl is in a bathroom and it might be on a plane or a train\nAnd either her skin is peeling off and shes trying to hide it\nOr her skin is supposed to be peeling and its a side effect of something that she hasnt taken(but should like a medicine or something) and she finds someone elses skin in the bin in the toilet and pretends its come off of her?\nThe peeling skin is like pulling off sun burn or PVA glue rather than like thick and bloody. \nThats all i can really remember ",
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"content": "The Invasion (film).\nAfter a Space Shuttle crashes on Earth, a fungus-like alien lifeform is discovered on the remaining parts scattered widely over the United States. Once people are infected by the organism, and REM sleep occurs, the organism takes control. One of the first people infected is Tucker Kaufman, a CDC director investigating the crash.\nTucker's ex-wife, psychiatrist Carol Bennell, begins to feel something is amiss when people seem to have \"changed\". Her patient, Wendy Lenk (played by Veronica Cartwright, who appeared in the 1978 film version as Nancy Bellicec), describes how her husband \"is not (her) husband\", and one of Carol's son's friends acts detached and emotionless.\nAt a neighborhood Halloween party, Carol's son Oliver finds an unusual patch of \"skin\" on a partier, which is initially believed to be costume makeup. Carol speculates that the skin may be connected to reports of a fast-spreading flu. Carol takes the sample to her doctor friend Ben Driscoll to have it analyzed. Carol and Oliver later witness a car accident where a troubled woman is killed. Carol approaches the crash scene to give a witness statement, but an emotionless cop takes down her plates and orders her back to her car. Afterwards, Carol drops Oliver off at Tucker's house for the weekend.\nLater, that night, Ben and Carol attend a friendly dinner meeting between Russian diplomat Yorish and Czech diplomat Belicec (along with his wife Luddie). Carol and Yorish debate the violent nature of humans over caviar and champagne. Meanwhile, Tucker uses the CDC to spread the disease further, disguising the spores as flu vaccine and Carol, upon returning home, is attacked by a \"census department\" worker who tries to break into her house.\nBen and Dr. Stephen Galeano, a biologist, discover how the spore takes over the brain during REM sleep. During this investigation, Luddie calls Ben, worried about Yorish's behavior. Driscoll and Galeano also find that people who had brain-affecting illnesses, such as encephalitis or ADEM, are immune to the spore because their previous illnesses prevent the spore from \"latching on\" to the brain matter. Oliver is immune to the spore because of the ADEM he had as a young child. Carol decides to get her son, who might show a way to a cure, back from Tucker. Before she drives to Tucker's house, she joins Ben's team who is called to the house of the Belicecs, the Czech ambassador and his wife, in a case of emergency. There they witness the transformation of Yorish (the Russian ambassador) and the Belicecs' friend.\nWhen Carol arrives at Tucker's house, he and several colleagues close in on her. He explains that the changed humans, devoid of irrational emotions, are offering a better world, and asks her to join them. When Carol resists, Tucker holds her to the ground and infects her by spurting his saliva on her. She escapes and returns to Ben at the Belicecs' house. They flee when Belicec returns with more transformed people intent on infecting anyone in the house.\nGaleano and one of his assistants head to Fort Detrick near Baltimore where they and other scientists will attempt to find a cure for the virus. Carol and Ben separate to find Oliver, who texts his location, the apartment of Tucker's mother, to Carol. Carol goes there and manages to spirit Oliver away, but is again pursued by Tucker, whom she has to kill to stop.\nCarol arranges to meet up with Ben, but it takes awhile for him to show, and Carol almost falls asleep, but Oliver saves her. Ben arrives, but Carol finds he too has 'converted'. He attempts to seduce her to give in to the new society that has no crime, war, or violence, but also frankly states that there is no room for people like Oliver who are immune. Carol shoots Ben in the leg and flees with Oliver. They are pursued, but finally she and Oliver are picked up by helicopter, and flown to the medical center. A vaccine is created, inoculations are made world-wide, and within a year the alien virus is eliminated. Carol and Ben are together again, and society reverts to its normal emotional and violent ways.",
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"content": "Waking Madison.\nMadison (Sarah Roemer) lives in New Orleans. Suicidal and desperate, she meets with Dr. Elizabeth Barnes who videotapes each patient's interviews.\nDr. Barnes interviews Madison who confides that there's a little girl who she isn't allowed to talk about, that someone will get mad and try to hurt her if she does. Dr. Barnes isn't sure whom she's referring to.\nDr. Barnes interviews Alexis who says that her priest touched her, but her mother didn't believe her. She wore a thorny crown on her head, slit her wrists and feet and said she tried to look like Jesus.\nDr. Barnes interviews Grace who claims she was raped when she was 13 and the man killed himself. She tried to have an abortion when she was pregnant at 16, but had no money, the guy she got to do it messed up and now she is unable to have kids.\nDr. Barnes tries to interview aggressive Margaret who doesn't want to do the interview.\nWhile strapped to the floor of a padded room, Margaret says that her mom forced her to read the bible in the closet.\nMadison did things she never would've done; had sex with strange men, smoked, taking what looked like ecstasy and fools around with women. When her landlord says Madison could pay the rent with sexual favors like before, Madison said she had no idea what he was talking about, so he got angry and ordered her to pay him with cash. She even did drugs by sticking a needle in her arm with the help of Grace.\nEach patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.\nOftentimes, Madison has various, frequent dreams; everything being upside down, a girl whose mouth is taped and one hand reaches for her, walks through the hall with dripping water and weird light bulbs. She sees a reflection of herself in the mirror and imagines herself putting her head through it, yet a second later, the glass is intact. There was also a little blonde girl.\nShe also has what seems to be a flashback/memory of her mom abusing her; dunking her head over and over in the tub.\nOne minute, Madison gets mad whenever Dr. Barnes calls her by her name, saying that her name isn't Madison. The next minute, Madison says that she doesn't remember what had happened just then. Madison or whomever said, \"She called you. She's going to die. She's not real. I'm real,\" and Madison went back to her old self.\nMadison realizes that each girl that Dr. Barnes interviewed; Grace, Margaret and Alexis, happened to be her. She realized that she has dissociated personalities. Dr. Barnes gets a call from one of Madison's personalities who said, \"Madison will die.\" This worries Dr. Barnes who goes to Madison's house and then goes into her room, seeing the notebook that Madison mentioned that she hid under her mattress. It's titled, \"The Helper\". She flipped through it and it has drawings of each girl, their names labeled underneath; Margaret, Alexis and Grace, and even the little blonde girl she calls \"The helper\".\nMadison later realizes that Dr. Barnes didn't exist either. That Dr. Barnes is a part of her like the others. Now that she realizes that, she can move on with her life and not think about killing herself like she thought of doing on the 30th day.",
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"content": "Slaughter Studios.\nThe film begins with an egotistical film student named Steve (Stanovich) recounting to his girlfriend Madigan (Shelton-White) the history of Slaughter Studios.\nAs a child he adored the horror movies that were produced there, but the studio closed down twenty years ago after an actor named Justin Kirkpatric was accidentally killed during a film shoot.\nThe next day Steve tells Madigan and some of his fellow students that he wants to use the abandoned studio to film one last horror movie.\nThe catch is that the studio is being torn down the next day, meaning that they only have 9 hours to shoot the entire feature-length picture, whose script is titled Naughty Sex Kittens vs.\nthe Giant Praying Mantis.\nOne of Steve's friends, Trish (Frajko), says that some of the girls in her acting class would probably love to do it.\nSteve selects a young actor named Kevin (Read) to play the monster, and Madigan will be the production assistant, though she would much prefer to act in the movie, though Steve refuses to give her a part.\nLater that night Steve and Madigan arrive at the studio, and they are introduced to the cast.\nsnotty Portia (Killian), dim-witted Rebecca (Otis), floozy Darlene (Ellison), airhead Candace (McComas), and Chad (Keefe), who is playing the leading role.\nAlso helping out is Olie (Chulani), who is there to work as the sound department.\nSteve explains to them that they have to be careful because every hour the security guard will do his rounds.\nThey break into the studio (accidentally disturbing a homeless man in the process) and begin to set up for the shoot.\nIt turns out that Chad is a truly lousy actor, so Steve sends him off to a secluded room to practice his lines so he will not disturb anyone.\nWhile going over his lines by himself a shadowy figure sneaks up behind him and kills him with a pick ax.\nBelieving that Chad decided to leave, Steve casts Olie as the leading man.\nSteve also improvises a lesbian sex scene to be included in the film, and gets Darlene and Rebecca to agree to it.\nThe two become so excited during the scene that they end up actually having sex.\nFollowing this the two women go off to shower to clean themselves up; while finding their way back to the set they are murdered.\nSteve is becoming increasingly agitated due to the disappearances and high levels of his stress medications.\nMadigan is finally able to secure a part in the movie because of the shortage of actors, and she and Kevin become attracted to one another.\nDuring this time Candace wanders off by herself to look for the ghost of Justin Kirkpatric (she is obsessed with him) and is killed.\nWhile getting ready for her next scene, Trish is strangled to death by the unknown assailant, but unbeknownst to the murderer, her death is recorded by a hidden video camera.\nMadigan finds the hidden camera and confronts Steve with it, thinking that he had hidden it in the women's dressing room on purpose.\nIt turns out the camera belongs to Olie, who was hoping to sell the footage to an online porn site for some extra money.\nOlie decides to leave the studio for fear of facing Madigan's wrath, but on his way out he runs into the security guard, who chases him back into the studio.\nSteve has Gary (Roseman), the cameraman, hook up Olie's camera to a television to see if they can use any of its footage, whereupon they stumble across Trish's recorded death.\nMadigan realizes that there is someone hiding in the studio with them, and that this person has probably butchered everyone who has disappeared.\nGary, Kevin, and Madigan all think it is best to leave, but Steve, who by now is half crazed with drugs and fear, is only concerned about completing his film.\nMeanwhile, Olie has discovered the bodies of Rebecca and Darlene and is being chased by the killer, who dispatches him with a spike through the head.\nPortia, who is unaware of the evening's events because she was passed out after taking too much of Steve's stress medication, comes to and is angered when Kevin refuses to sleep with her.\nShe storms off by herself.\nGary, meanwhile, has become separated from the others and is decapitated.\nLikewise, a delirious Steve has stumbled back to the sound stage and is crushed to death when the killer drops a piece of heavy equipment on him.\nKevin and Madigan come across the security guard, who proceeds to chase them throughout the studio.\nBelieving him to be the killer, they escape via car, but the guard gives chase.\nThe two eventually overpower him, and it is discovered that he is not the murderer.\nIn fact, he is the actor who inadvertently killed Justin Kirkpatric twenty years earlier.\nThe three realize that the killer is still inside the studio.\nand so is Portia.\nBack at the set Portia is trying to find the others when the killer impales her.\nIt is then that the murderer is finally revealed to be the homeless man that the students scared off earlier in the evening.\nHe says, \"It ain't right to fuck with a man's house\".\nBeside him sits the ghost of Justin Kirkpatric, who shares his sentiment.\nDirector Katkin and composer Christopher Farrell state on the DVD commentary that the ending as originally written revealed the night's events were actually part of a film that was being shot at the studio, therefore the whole movie was a film within a film (within a film), and none of the preceding events were real.\nThe film originally ended with a director yelling Cut.\nand the crew applauding.\nKatkin filmed this ending but didn't like it and edited it out.\nDirector Brian Katkin spoke highly of the writers and gave them respectful mention to their work while being interviewed by Fangora Magazine, but sadly, Fangora's editing department had to shorten the interview for print and edited out various parts of the interview including Katkin's 'nod' to the writers.",
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"content": "Four Christmases.\nBrad (Vince Vaughn) and Kate (Reese Witherspoon) are an upscale San Francisco couple.\nHaving both come from dysfunctional families, with divorced parents and siblings with out-of-control kids, the two disdain the idea of getting married or having kids.\nIn an effort to avoid their families at Christmas, the two go on vacation abroad while pretending to be doing charity work there.\nThe third Christmas of their relationship, Brad and Kate are trapped at San Francisco International Airport by a fog bank that cancels every outbound flight, and interviewed by a news crew, alerting their families to the fact they're stuck at home for the holidays.\nWith no way to get out of it, Kate and Brad find themselves visiting their families on Christmas Day.\nThey first visit Brad's father (Robert Duvall), then Kate's mother (Mary Steenburgen), then Brad's mother (Sissy Spacek) and, finally, Kate's father (Jon Voight), thereby celebrating four Christmases in one day.\nAs they brace themselves for a marathon of homecomings, Brad and Kate expect the worst, but are nevertheless unable to prepare themselves enough for what they get.\nAs the day progresses, each discover a new secret about their partner that they had previously been too embarrassed to share, namely that Brad's real name is \"Orlando\", and Kate has a fear of inflatable castles, stemming from being ostracized as a child, and these discoveries put an intense strain on their relationship.\nWhile Brad counts down the minutes to freedom, Kate finds herself looking at the lives of Brad's and her own siblings and comes to realize that she does want a marriage and children of her own, the prospect of which frightens Brad when she mentions it to him.\nEventually, in the final visit of the day, at Kate's father's house, Kate asks Brad to let her spend the visit on her own and claims to her family that they had split up.\nMeanwhile, Brad spends some time at his own father's house with just his father and realises that he wants a marriage and children, and that he loves Kate way too much to leave her.\nHe returns to her and they discuss the possibilities of having a child and getting married.\nThe two then embark on their holiday in Fiji.\nA year later on New Year's Day, the couple welcomes their first child, a baby girl.\nThey have spent the last nine months hiding from their families.\nAs their baby is the first born in the New Year, a news crew comes to congratulate them—once again revealing them, and their new baby, to the whole city, and their families.",
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"content": "500 Days of Summer.\nThe film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship.\nThis is a linear summary of the plot\".\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant.\nTom is trained as an architect but works as a writer at a greeting card company in Los Angeles.\nAfter discovering they have a similar taste in music, they have a conversation about love; Tom believes in it, but Summer does not.\nFollowing a karaoke night, Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which Tom asserts is only \"as friends\", something Summer agrees with.\nA few days later, Summer kisses Tom in the copy room at work.\nDuring the next few months Summer and Tom grow closer.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, though the view is somewhat spoiled by parking lots.\nAfter several months of dating, both Tom's friends and his preteen half-sister Rachel push him to question Summer where they are in their relationship, though Summer brushes this off, saying that it shouldn't matter if they're both happy.\nOne night, Tom gets into a fight with a man who tries to pick up Summer in a bar, which causes their first argument.\nThey make up and Summer concedes Tom deserves some certainty, but that his demand that she promises to always feel the same way about him would be impossible for anyone to make.\nOn day 290, Summer breaks up with Tom in a diner after an awkward conversation at the record store, where Summer appears to have lost interest in Tom.\nSummer wants them to remain friends, but Tom is devastated.\nSummer quits her job at the greeting card company.\nTom's boss moves him to the consolations department, as his depression is not suitable for happier events.\nTom goes on a blind date with a woman named Alison.\nThe date does not go well as he spends it complaining about Summer until an exasperated Alison ends up taking Summer's side.\nMonths later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for coffee.\nThey have a good time at the wedding, dance together, and Summer catches the bouquet.\nShe invites Tom to a party at her apartment and falls asleep on Tom's shoulder on the train ride back.\nHe attends the party hoping to rekindle their relationship but barely gets to talk to Summer and spends most of the night drinking alone, until he spots her engagement ring.\nTom leaves, close to tears.\nHe enters a deep depression, only leaving his apartment for alcohol and junk food.\nAfter a few days, he returns to work with a hangover and, after an emotional outburst, quits his job.\nRachel tells Tom that she does not believe Summer was \"the one\" and that his depression is being worsened by the fact that he is only looking back on the positive aspects of their relationship.\nOne day he suddenly finds the energy to get out of bed and rededicates himself to architecture, something Summer had pressured him to do.\nHe makes a list of firms he wants to work for, assembles a portfolio, and goes to job interviews.\nOn day 488, Summer is waiting for Tom at his favorite spot in the city and they talk.\nSummer explains that Tom was right about true love existing; he was just wrong about it being with her.\nShe says she got married because she felt sure about her husband, something she wasn't with Tom.\nSummer puts her hand on Tom's and says she is glad to see he is doing well.\nAs she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a girl who is also applying for the same job.\nHe finds that she shares his favorite spot and dislike for the parking lots.\nAs he is entering the interview, he invites her for coffee afterwards.\nShe politely declines, then changes her mind.\nHer name is Autumn.",
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"content": "[TOMT] [MOVIE] [90s/00s?] Movie I saw on cable tv when I was a kid that I’ve never been able to find since?.\nI probably watched it in the early 2000’s? The plot revolved around three siblings (two daughters and a son as the middle child), who enter some sort of music competition to try to win money to help their single mother with her financial issues. They enlist the help of some music industry professional guy, I think there’s a scene where the kids are pestering him for his help and they follow him into the bathroom. \n\nAnother scene I remember is when they’re in the family home and the music guy is there, and the youngest daughter wants a sandwich so he makes her one, and she says she wants it cut into squares, but changes her mind to triangles, so the music guy is joking around about her saying squares first, but he’s got a knife in his hand from starting to cut the sandwich, when the mum comes in, who doesn’t know this guy and assumes he’s robbing the house or trying to attack her kids or something like that? \n\nAnd I’m pretty sure there’s a bit before the kids start performing where the little girl says “Hit it!” \n\nNot being able to find this movie has been irking me for years, because no one else seems to have seen it or know what on earth I’m talking about, and I haven’t been able to find it online myself. \n\nIf anyone knows what it is, or even if it sounds familiar (so I know for sure it’s not some strange childhood dream I had or something haha), I’d appreciate it if you’d let me know! ",
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"content": "The Right Connections.\nA rap singer helps four siblings form a singing group to win a talent contest.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] I remember a scene from a movie but have no idea what it is..\nThe scene was in a forest/jungle/tree'd area where a group of people are running from a dinosaur and hide in a cave behind a waterfall, then one of them goes to check if the dino is still there and gets nabbed by said dinosaur. A few seconds after blood starts running down the falls. I saw it over a decade ago and it bothers me that I can't find it or the movie no matter how hard I search. I think the movie was from the 80s or 90s but I don't know.",
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"content": "The Lost World: Jurassic Park.\nFour years after Jurassic Park was overrun by cloned dinosaurs on the Central American island of Isla Nublar, a young girl named Cathy Bowman wanders around on nearby Isla Sorna during a family vacation, and survives an attack by a swarm of Compsognathus.\nHer parents file a lawsuit against the genetics company InGen, now headed by John Hammond's nephew, Peter Ludlow, who plans to use Isla Sorna to alleviate the financial losses imposed by the Jurassic Park incident.\nMathematician dr Ian Malcolm meets Hammond at his mansion.\nHammond explains that Isla Sorna, abandoned years earlier during a hurricane, is where InGen created their dinosaurs before moving them to Jurassic Park on Isla Nublar.\nHammond hopes to stop InGen by sending a team to Isla Sorna to document the dinosaurs, to help rally public support against human interference on the island.\nIan, with his memories of the Jurassic Park incident, is reluctant to go to the island.\nAfter learning that his girlfriend, paleontologist dr Sarah Harding, is part of the team and is already on Isla Sorna, Ian agrees to go to the island, but only to retrieve her.\nIan meets his teammates, Eddie Carr, an equipment specialist and engineer, and Nick Van Owen, a video documentarian.\nAfter arriving on the island, they locate Sarah and discover that Ian's daughter, Kelly, had stowed away in a trailer being used as a mobile base.\nThey then watch as an InGen team of mercenaries, hunters and paleontologists led by Ludlow arrive to capture several dinosaurs.\nMeanwhile, team leader Roland Tembo hopes to capture a male Tyrannosaurus by luring it to the cries of its injured infant.\nThat night, Ian's team sneak into the InGen camp and learn the captured dinosaurs will be brought to a newly proposed theme park in San Diego.\nThis prompts Nick and Sarah to free the caged dinosaurs, wreaking havoc upon the camp.\nNick also frees the infant rex and takes it to the trailer to mend its broken leg.\nAfter securing Kelly with Eddie, Ian realizes the infant's parents are searching for it and rushes to the trailer.\nAs soon as Ian arrives, the infant's parents emerge on both sides of the trailer.\nThe infant is released to the adult rexes, which then attack the trailer, pushing it over the edge of a nearby cliff.\nEddie soon arrives, but as he tries to pull the trailer back over the edge with an SUV, the adult rexes return and devour him.\nThe trailer and the SUV both plummet off the cliff and are destroyed.\nIan, Sarah, and Nick are rescued by the InGen team, along with Kelly.\nWith both groups' communications equipment and vehicles destroyed, they are forced to team up to reach the old InGen compound's radio station on foot.\nThe next night, the two adult rexes find the group's camp, as they had followed the infant's blood scent on Sarah's jacket.\nThe female rex chases the group to a waterfall cave, while Roland tranquilizes the male.\nMuch of the remaining InGen team is killed by Velociraptors while fleeing through a tall grass savannah.\nNick runs ahead to the communications center at the InGen Worker's Village to call for rescue.\nWhen Ian, Sarah and Kelly arrive, they are ambushed and attacked by the raptors.\nThey evade the raptors long enough for a helicopter to arrive and transport them off the island.\nA freighter ship transports the male rex to the mainland, but crashes into the dock after the crew is killed by a creature of unknown species.\nA guard opens the cargo hold, accidentally releasing the rex, which escapes into San Diego and goes on a destructive rampage.\nIan and Sarah retrieve the infant rex from a secure InGen building and use it to lure the adult back to the ship.\nLudlow tries to intervene but is trapped in the cargo hold by the adult rex and is subsequently mauled to death by the infant.\nBefore the adult can escape again, Sarah tranquilizes it while Ian closes the cargo hold doors.\nThe rexes are escorted back to Isla Sorna, and Hammond says that the American and Costa Rican governments have agreed to declare the island a nature preserve, securing the island from any human interference, affirming that \"life will find a way\".",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] Some movie about a mountain not actually being a mountain.\nI remember someone telling me about this movie years ago but I'm not sure if it's actually a thing. I think it was about some town that had a popular mountain, except they found out that it wasn't actually a mountain anymore. Something had happened since it was measured, and it was now just barely under the minimum height where it could have been called a mountain. They were upset because the mountain gave them a lot of attention or something and if they had to call it a hill, people would be less interested. So I guess the town came together to save the \"mountain\", maybe start a petition, or put rocks on it to increase the height. I don't remember it that well so a lot of these details might be wrong. Or it just might not exist.",
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"content": "The Englishman who Went up a Hill but Came down a Mountain.\nThe film is set in 1917, with World War I in the background, and revolves around two English cartographers, the pompous George Garrad and his junior, Reginald Anson. They arrive at the fictional Welsh village of Ffynnon Garw ([ˈfən.nɔn ˈɡa.ru] \"Rough Fountain\" or \"Rough Spring\" in Welsh) to measure its \"mountain\" – only to cause outrage when they conclude that it is only a hill because it is slightly short of the required height of 1000 feet (305 m).\nThe villagers, aided and abetted by wily local, Morgan the Goat, and the Reverend Mr Jones who, after initially opposing the scheme, grasps its symbolism in restoring the community's war-damaged self-esteem, conspire to delay the cartographers' departure while they build an earth mound on top of the hill and make it high enough to be considered a mountain.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] About 2 cops in rural town. One of them is seriously injured/dead at the end, has a running joke \"it's just a flesh wound\". I remember the ending to be quite dramatic, probably not comedy..\nThere also was a scene in the beginning when the cop from big city try to question the witness and they just shut the door (presumable they don't get the language/accent?)\n\nEDIT: Found myself. The Guard.",
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"content": "One False Move.\nThree criminals are working together: Ray (Billy Bob Thornton), an immoral and slightly neurotic thief; Fantasia (Cynda Williams), Ray's less violent girlfriend; and Pluto (Michael Beach), an intelligent psychopathic killer.\nAfter Fantasia sets up several friends, Ray and Pluto commit six brutal murders over the course of one night in Los Angeles, California as they seek a cache of money and cocaine.\nThe trio leaves town for Houston, Texas to sell the cocaine to a friend of Pluto's.\nThe Los Angeles Police Department (LAPD) starts investigating the case, led by Detectives Dud Cole (Jim Metzler) and John McFeely (Earl Billings).\nAfter getting a few leads, they discover that the three are possibly headed for Star City, Arkansas.\nThe LAPD contacts the Star City police chief, Dale \"Hurricane\" Dixon (Bill Paxton).\nThey are unimpressed by Dixon.\nHe often talks too much, listens too little, and takes things for granted.\nDixon is excited about the case, as it gives him an opportunity to do \"some real police work\".\nDixon is well known throughout the small county, saying hello to everyone except a five-year-old black child whom he occasionally sees.\nWhenever he sees this particular child, Dixon becomes quiet and uncomfortable.\nThe detectives travel to Star City and meet Dixon.\nHe attempts to ingratiate himself with the LAPD detectives, whom he reveres, while they hide their contempt and pretend to respect him.\nA state trooper gives chase and apprehends the three by the roadside but Fantasia manages to shoot him dead.\nWord of the trooper's murder gets to the detectives in Star City, and the trio review surveillance photos of Ray and Fantasia in a convenience store before the murder.\nDixon informs the detectives that Fantasia is Lila Walker and she grew up in Star City.\nHe recalls she was a troubled youth who left for Hollywood with dreams of an acting career.\nThe detectives sense there is more to the story.\nThey stop by Fantasia's relatives' house, where they see the young boy that makes Dixon so uncomfortable.\nThe boy is revealed to be Lila's young son.\nThe detectives suspect that Lila will be coming home to see him.\nRay, Fantasia and Pluto arrive in Houston to sell the drugs as planned.\nFantasia takes a bus ahead from Houston to Star City while Pluto and Ray stay behind to work the deal.\nThe deal goes terribly sour for Ray and Pluto, who then have to kill three more people and flee the city.\nThe two drive from Houston to Star City to meet up with Fantasia and plan their next move.\nWhen Fantasia arrives in Star City, she hides at a remote rural house; she sees her son but soon must flee.\nDixon confronts her, and it is revealed that the boy is Dixon and Lila's son, conceived during an affair they conducted.\nAfter tense conversation, they make a deal.\nShe will lure Ray and Pluto to ensure their capture.\nIn exchange, Dixon will help her leave town.\nPluto and Ray arrive at the house and are immediately confronted by an armed Dixon.\nPluto stabs Dixon in the stomach and Dixon shoots Pluto at point blank range.\nRay draws his gun and runs outside while shooting at Dixon.\nThe two fire at each other outside, but Fantasia stops Dixon from killing Ray, only to have Ray errantly shoot her in the head.\nShot in the chest, Dixon steadies himself and shoots Ray, killing him.\nPluto walks outside and falls dead in the grass.\nDixon calls for help with his police radio, and the LAPD detectives arrive (with Fantasia's son), amazed what Dixon has accomplished.\nDixon and Lila's son walks over and talks to Dixon as he lies bleeding, and he asks the boy to tell him about himself.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip 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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] Serious movie about a boy that wears dresses to Church because he says God tells him to?.\nIt’s a movie from the 90’s, probably. A little boy likes dressing up extravagantly (and I think he also likes to sing and dance) and tells his mom it’s because God tells him to. She eventually believes him and they start going to church. At one point they egg his mom’s car because they don’t want him there. And I think he meets the pope at one point. Thank you!!",
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"content": "Bruno (2000 film).\n_Bruno_ (qv) is a unique young boy genius, whose expression of his own individuality leads his family and community along an emotional journey.\n\n_Bruno_ (qv) is the story of a unique young boy genius, _Bruno_ (qv) (Alex D. Linz), whose expression of his own individuality leads his family and community along an emotional journey. By the time he reaches his final destination, _Bruno_ (qv)'s story becomes a fable of the importance of each person's uniqueness and originality.::Anonymous",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] the movie about the teenage girl with superpowers.\nFirst of all it's not a superhero movie. It's this movie about this teenage girl who lives with her Mom and Aunt or Grandma in a house behind a lot of trees. She discovers her supernatural powers, I think they were healing powers. She discovers that the rest of her family, or at least the ones she lives with, have powers too. I'm not 100% certain of this but they used particle effects for when the Mom used her powers.\n\nShe freaks out about the powers and changes herself as like a form of rebellion. She may have gone goth or just dyed her hair and wore popular girl clothes. She became popular and went to a party only for there to be an explosion that she survives. She was then walking out back home after everything's all exploded and maybe she heals her classmates there?\n\nI'm not sure if this is from the 2000s or 2010s. Any help will be appreciated. Oh also i am 100% sure it is NOT a netflix movie.",
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"content": "The Last Keepers.\nIn the movie's prologue, a young girl with platinum blonde hair witnesses a woman being burned at the stake.\nIn modern times, Rhea Carver awakens from a nightmare. She is the daughter of a reclusive family of witches. Rhea is seen making a dress out of recycled plastic bags as her family practices witchcraft.\nAt school, she begins a rocky relationship with Oliver Sands, a classmate. As the two grow closer, Rhea begins experiencing visions of the young girl with blonde hair, and begins showing her own witchcraft abilities, including bringing a garden of squash back to life and levitating dead tree stumps.\nRhea's mother experiences a vision of Rhea laying in a pool of blood and becomes overprotective of Rhea, much to the consternation of Rhea and Rhea's grandmother. As Rhea's powers grow, she shows that she is the chosen one since she possesses all three magical traits: telekinesis, visions, and healing. They inform her of the history of the family and they are the last keepers of the ancient witchcraft tradition. They want Rhea to carry on the family tradition. When she tells them of the visions of the young girl with blonde hair, they mention a prophecy that the daughter of the one who carries all three magical traits will return balance between humans and nature.\nRhea's classmates find out she is a witch and several bullies trespass at the Carver home, setting a scarecrow on fire and killing Rhea's pet goat, using its blood to write \"Witch\" on the window of her car.\nUpset at the life they set out for her, Rhea rebels to become \"normal\", rejecting her family and Oliver, and beginning a relationship with another classmate named Taylor.\nDuring a party, Rhea rides in a car driven by a drunk Taylor. Taylor then crashes his car down a hill and into a tree. She awakens in a pool of blood, but uses her healing power to heal her injuries, and then proceeds to heal and resurrect the other people that were in the car.\nRhea returns home, reuniting with Oliver and her family, apologizing for her past actions and promising to fulfill the prophecy.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] Need help remembering a movie I watched as a kid!!!!!!!!.\nDon’t have much to work with (sorry) and can’t find anything when googling!! It was about a dad who cared for his kid and worked for a business trying to create ideas or something. The kid would have dreams or visions and tell the dad who would then use them for his business ideas. I think it’s an early 2000s movie but unsure\n\nThanks for any help!",
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"content": "Imagine That (film).\nEvan Danielson (Eddie Murphy) is a very successful financial advisor, who had been working at the same securities firm for eight years as their top account manager, that is until Johnny Whitefeather (Thomas Haden Church) was hired as his rival.\nWhitefeather seems to have the whole company under some spell as he spiels his nonsensical idioms filled with Native American mumbo jumbo.\nThese top executives seem more content with chanting Indian style noises rather than listen to how they can make money through sound investments.\nWhen Evan finally discovers that his daughter, Olivia (Yara Shahidi), is somehow able to tell the future within the financial world by using her 'goo-gaa' comfort blanket and her imaginary friends (Queen Qwali and Princesses Kupida, Sopida and Mopida), he discovers he has an invaluable upper hand now at the office.\nIn order for Evan to ask these imaginary friends any question he must travel through the imaginary world, through a dense forest, past a dragon, through caves, and even walk through France.\nBefore, Evan who is a part-time father really had no time for his daughter, now is forced to play with her and by her rules.\nAfter only a couple of days with her, he rediscovers the inner child within himself and genuinely has a lot of fun playing these imaginary games with Olivia.\nWhitefeather becomes suspicious and begins to search for Evan's secret.\nWhen he finds out that Evan was just playing with a blanket, he purchases a six thousand dollar blanket and forces his son to tell him the \"future\" and making him extremely hyperactive by making him drink many cans of Red Bull.\nWhitefeather and Evan are now competing for the position of heading the Western division of the companyDE.\nIn order to be prepared for the most important presentation of his life, Evan must once again invoke the use of the Goo-Gaa blanket and meet up with the princesses.\nThe only problem is that Olivia is spending the night at her friends house, and there is no way for Evan to obtain the Goo-Gaa without taking it from her.\nAlso, the presentations will be held on the day of Olivia's class play.\nEvan manages to get Olivia to give him the Goo-Gaa, but she is soon seen crying because he seems to care only about the blanket, not her.\nEvan returns home and tries to get the princesses' attention.\nEvan then starts working on his presentation.\nAs hours pass, he stretches, and the Goo-Gaa falls on the floor, but he continues working without noticing.\nEvan decides to go to the presentation instead of Olivia's class concert.\nJohnny gives his presentation, but his idea is too crazy for the owner of the company.\nThen it's Evan's turn.\nWhen he is about to present, he suddenly decides to go to Olivia's class concert, and leaves the presentation.\nAs he drives over, he changes into a king costume.\nBack at the class concert, Olivia is about to sing her solo part, then all of a sudden Evan appears dressed as a king, and Olivia starts singing, delighted to see him.\nAfter the class concert, Evan starts talking to Olivia about how sorry he is for misusing her blanket, not caring about her, and for using the princesses for the wrong reason.\nMeanwhile, the owner of the company,DE.\nappears, and wants to talk to Evan.\nHe and Evan talk, and he decides to give the position to Evan because of how much Evan cares about his family.\nEvan accepts.\nEvan goes back to Olivia, for whom it is time to say good-bye to the princesses.\nThey both start waving, and as a gust of wind blows, some leaves form into the shape of a person then fly off into the sky.\nEvan, Olivia's mother, and Olivia leave happy.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] old action adventure movie my dad and I used to watch....\nWhen my dad was around, he and I used to watch old movies. He liked cartoons because he could easily tell what was going on (he didn’t speak much English) but one of the few love action movies we watched was an old VHS. The premise was (if I recall correctly) a boy and a panda take a trip across some country (probably Asia now that I think of it) the panda was real and the boy was white. I don’t remember the plot but I remember a specific scene where the boy and panda have to cross an old bridge. The bridge snaps and the panda is left dangling. I just remember that scene bringing me such anxiety. Past few months have been eating me up. Please help!",
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"content": "The Amazing Panda Adventure.\nRyan Tyler's father Michael (Stephen Lang) sends him a plane ticket so that he can visit him in China, where he works with pandas.\nRyan is not sure he wants to go, but his mother says he can just come back if he doesn't like it.\nIn China, Michael and his two companions, Ling (Yi Ding), a young girl and translator, and Chu, Ling's grandfather who is very experienced with pandas track down a mother panda and place a radio collar on her.\nAfter they leave, she steps into a trap.\nBack at the reserve, Michael and the staff recognize from the radio signal that the panda is in danger.\nJust as Michael, Ling and Chu set out to visit the panda, Ryan arrives at the reserve.\nAfter some argument, Michael lets him come.\nThe poachers who set up the trap, Shong and Po, accidentally shoot Michael in the ankle, and flee with the panda's cub.\nMichael and the mother panda are returned to the reserve by helicopter, and Ling, Chu, and Ryan look for the poachers.\nThe poachers shoot the bridge that Ryan and Ling are crossing, and the two of them and the panda are washed downstream.\nUpon resurfacing, the pair realize that they are covered in leeches and are forced to remove all their clothing and wash themselves off in the lake.\nRyan realizes that he can use the batteries in his watch to power the radio collar and enable his father to locate them.\nAttempting to make their way back to the reserve with the cub, they come upon a local village that grants them hospitality for protecting the cub.\nHowever, Shong and Po have also arrived.\nThe villagers help the trio escape, but the poachers follow.\nMichael arrives and subdues the poachers, and Michael, Ryan, Ling, and the cub drive back to the reserve.\nThe Chinese officials who were going to close the reserve see Ryan returning the cub and decide to let it remain open.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] i cant sleep :c.\nOkay... the movie was about giants spiders atacking a town or something, part of the movie happens in a mall, there were camping tents in the mall, probably the movie was made in the 2000´s,, its very hard cause probably some of the facts are Mandela effects, also i dont speak english :v\n",
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"content": "Eight Legged Freaks.\nOn a highway outside of the quiet mining town of Prosperity, Arizona, a truck driver carrying a load of chemicals swerves to avoid a rabbit, causing a barrel of toxic waste to land in a reservoir. An exotic spider farmer named Joshua Taft has been making regular visits to the site, where he collects crickets for his spiders. Because the spiders have ingested the toxins, they have grown in size and appetite. Joshua shows Michael \"Mike\" Parker, a local boy, his collection, including an enormous female Orb Weaver from Brazil named Consuela. After Mike leaves, Joshua is bitten by an escaped tarantula and accidentally knocks down the spider cages. He, along with his pet parrot, is killed by the spiders and, after devouring him, the spiders grow to even larger proportions.\nOne week later, Mike again goes to visit Joshua, but is stopped by his mother, who is also Sheriff Samantha \"Sam\" Parker, and Deputy Peterson \"Pete\" Willis pulling the toxic barrel out of the pond. Wade, the Mayor of Prosperity, is holding a town meeting in the mall about whether they should sell the mines and relocate. Christopher \"Chris\" McCormick, whose father owned the mines before he died ten years ago, shows up and stands against Wade's proposition. Chris also sparks a romance with Sam. Meanwhile, Harlan Griffiths, an eccentric extraterrestrial enthusiast, is broadcasting his theory that various missing pets around town have been abducted by extraterrestrials. Inevitably his theory is dismissed as the product of a deranged imagination. Mike sneaks out on foot and finds Joshua and the spiders missing, the farm covered in webbing, and the dead body of Joshua. Although he sees an enormous spider shadow in the mines and tells Chris that the spiders have grown to enormous sizes, based on a giant spider leg he found at the mine entrance, Chris doesn't believe him. Meanwhile, the mines have reopened with the miners searching for a famous gold lode.\nOne miner is eaten by a gigantic spider, whose clan have made the mines their home. Seeing as the entire town is connected in some way to the mines, spiders show up in many different places. Pete's cat has a fight with one of the spiders in the air vents before being eaten and some of the ostriches on Wade's farm are devoured by trapdoor spiders. Ashley, Sam's daughter, breaks up with her boyfriend Bret, and he and his motorcyclist friends are chased by jumping spiders, with him being the only survivor, accidentally cutting off the telephone line and being stuck in the mine. Chris finds out that his Aunt Gladys and her dog are abducted by a male orb weaver in their basement. Sam is convinced Chris and Mike are delusional. However, her skepticism fades and she realizes that Chris and Mike were right all along when she witnesses a giant male orb-weaver attempting to abduct Ashley and Chris. Sam kills the spider with a shotgun and saves them both. Meanwhile Bret, still wandering the mines, gets a good peek at the giant Consuela during her feeding.\nSam contacts Pete and tells him to bring all guns in the police station's possession and they escape to Harlan's trailer, knowing he has a radio station that he operates from within his trailer. As Sam broadcasts the threat over the radio, a giant tarantula, the \"tank\" of the horde, assaults his trailer but they manage to escape. As the town is besieged by vicious spider hordes, many people are eaten, Chris tries to convince Harlan that the spiders are \"from Earth\", but ends up convincing him that they are \"Spiders from Mars\" to make him happy, Sam tells everybody to evacuate to the mall. Chris, Sam, Mike, Ashley, Harlan, Wade and many other townspeople all escape and barricade themselves in the mall (but Wade flees into the mines and locks the gate before the attack) and defend themselves from the spiders. Meanwhile, Harlan and Chris climb onto the roof and ascend the radio mast and try to get a signal to call the army as they are being attacked by the spiders, but are believed to be pranksters. Harlan jumps from the roof, after the tarantula breaks open the gates and lets the spiders enter the mall, and lands in some bushes, where he meets up with Pete. The two run from spiders as Chris meets up with the remaining townsfolk and goes down to the basement. Meanwhile Bret, still wandering the mines, encounters the cowardly Wade before his abduction.\nWhile the townsfolk are in the basement, Bret arrives on a forklift that brings down the locked gate, and they all head to through the mines straight to the front entrance, discovering the methane-filled tunnels. After losing Norman and freeing Wade, Chris goes to look for his Aunt Gladys in the mines and finds her and the gold his father was searching for, but is confronted by the gigantic Consuela. He uses perfume to distract the spider and then escapes using Bret's motorcycle. Chris then blows up the spiders and the mines utilizing Gladys's smoking addiction and the high concentrations of methane gas. The police finally arrive. They had not believed the reports of the spiders but believed Harlan's theory that the assailants were extraterrestrial in nature, until Pete tells them that the assailants were \"just spiders, that had ingested extremely high levels of toxic waste.\" He tries to show this is true by showing his head, thinking (since it was exposed to the toxic waste) that his hair grew back, but unfortunately it did not.\nAs the story ends, Harlan is heard making a radio report about the spiders. He concludes that the town has decided to cover up the whole incident, but have let Harlan continue broadcasting the incident, and Chris reopened the mine. He then ends the film by giving a toothy smile, revealing several golden teeth.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] A woman gets shot in a car from the outside, a man cries over her in secret in the woods when the car stops, there were multiple people in the car. The woods are gray and sad looking. Super depressing movie..\nIt's a movie that I think I watched 2-3 years ago? I believe it's kinda post-apocalyptic, but I'm not sure, generally a super super dark film anyway.\n\nSo a car runs from something, don't remember what, and a woman (IIRC she had red straight hair, unsure) in the front seat gets shot in the neck/body from the front, from the outside (it's a really bloody scene) and dies.\n\nAnd a man with dark hair and scruff (I think???) goes out of the car when it stops (there are multiple people in the car, very sure about that) and walks/runs to the nearby forest, hides behind a tree, and breaks down in tears. He is visibly trying to hurry the crying up/stop it altogether, because he's in a rush to get back, continue whatever was happening, and also probably didn't want people to know he was crying over her (I don't know why I know this, but I don't think I made it up subconsciously). \n\nThe forest in question is gray, sad and the trees are tall, dark and thin. Not many green things in the scenery.\n\nThank you for whatever answer, I just wanna watch that movie because this was a really heartbreaking and well-done scene <3",
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"content": "Children of Men.\nIn the year 2027, after 18 years of total human infertility, war, and global depression push society to the point of collapse as humanity faces extinction. The United Kingdom, one of the few remaining nations with a functioning government, is deluged by refugees fleeing from chaos in their own countries. In response to this mass influx, the UK has become a police state as the British Army arrests, imprisons or executes illegal immigrants. \nTheo Faron, a former activist turned cynical bureaucrat, is kidnapped by the Fishes, a militant immigrant rights group. They are led by Theo's estranged wife, Julian Taylor, from whom he separated after their son's death during a 2008 flu pandemic. Julian offers Theo money to acquire transit papers for a young refugee, Kee. Theo obtains the papers from his cousin, a government minister who runs a state-sponsored collection of salvaged art. Theo agrees to escort Kee in exchange for a larger sum of money. Luke, a Fishes member, drives Theo, Kee, and former midwife Miriam towards Canterbury. An armed gang ambushes them, and Julian is killed. Two police officers stop their car, but Luke kills them, and the group hides Julian's body before heading to a Fishes safehouse.\nKee reveals to Theo that she is pregnant, making her the only pregnant woman on Earth. Julian had intended to hand Kee to the Human Project, a secretive scientific group in the Azores dedicated to curing humanity's infertility. However, Luke persuades Kee to stay, and he is voted as the new leader of the Fishes. That night, Theo eavesdrops on a discussion and learns that Julian's death was orchestrated by the Fishes so that Luke could become their leader; they intend to kill Theo and use the baby as a political tool to support the coming revolution. Theo wakes Kee and Miriam, and they steal a car, escaping to the secluded hideaway of Theo's aging friend Jasper Palmer, a former political cartoonist turned pot dealer.\nThe group makes plans to board the Human Project ship, the Tomorrow, which will arrive offshore at Bexhill-on-Sea disguised as a fishing vessel. Jasper proposes having Syd, an immigration cop to whom he frequently sells drugs, smuggle them into Bexhill as refugees. The next day, when the Fishes discover Jasper's house, the group flees while Jasper stays behind to stall the Fishes. Luke shoots and kills Jasper as Theo watches from the woods. The group meets Syd at an abandoned school, and he helps them board a bus to Bexhill - an entire city converted into a refugee camp. When Kee experiences contractions at a checkpoint, Miriam distracts a guard by feigning religious mania and is taken away.\nInside the camp, Theo and Kee meet a Romani woman, Marichka, who provides a room where Kee gives birth to a baby girl. The next day, Syd informs Theo and Kee that war has broken out between the British military and the refugees, led by the Fishes. Having learned that they have a bounty on their heads, Syd attempts to capture them, but Theo kills him with Marichka's help, and they escape. The group heads to a hidden rowboat amidst the fighting, but the Fishes capture Kee and the baby. Theo tracks them to an apartment building under heavy fire; he confronts Luke, who is killed in an explosion, and escorts Kee and the baby out. Awed by the baby, the British soldiers and Fishes temporarily stop fighting and allow the trio to leave. Marichka leads them to the boat but chooses to stay behind as they depart.\nAs British fighter jets conduct airstrikes on Bexhill, the trio row to the rendezvous point, and Theo reveals that he was shot and wounded by Luke. He teaches Kee how to burp her baby, and Kee tells Theo she will name her Dylan after Theo and Julian's lost son. Theo loses consciousness and presumably dies as the Tomorrow approaches.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE][2000s] Japanese/Korean/Chinese Romantic sci fi movie where the boy and girl are from two worlds apart, and time moves in the reverse direction in the other world and they can only meet at an interval of 5 years?.\nI don't exactly remember whether the movie was Japanese or Korean or Chinese, but I do remember the actors were from those regions. It was a sci fi romantic movie. I believe the boy met the girl when he was a kid, and the girl was already around 30 or 35 years old. And they could only meet at an interval of 5 years. Time used to move in the reverse direction in the girl's world. And I believe in the very end, the girl revealed this to the boy.\n\n​\n\nI do remember the girl used to maintain a diary as well to help her remember. And in the very end, the boy obviously grew older (30 or 35), and the girl became just a kid, and that was the last time they met.",
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"content": "My Tomorrow, Your Yesterday.\nOn February 15, 20-year-old Takatoshi Minamiyama, a visual arts undergraduate and satirist in Kyoto, falls in love at first sight with Emi Fukuju while boarding a train for college. After an awkward first meeting, the two promise to meet again in the following days. With the help of his friend, Shoichi Ueyama, Takatoshi asks for a date with Emi, at the end of which he confesses his love for her.\nTakatoshi finds Emi to be strange, being able to predict things that would happen to him, with the tendency to cry whenever he does something nice to her. She also never wants to spend time with him after midnight. After the two consummate their relationship on March 1, Takatoshi discovers Emi's journal that she purposefully left on the table. Much to his confusion, Emi wrote them as if she races through time backwards: the first page is dated March 16, and the last February 15.\nThe next day, Emi reveals that she is a being from a world in which time runs backwards; what humans perceive as the future she already experienced as her past, and vice versa. Emi has been watching Takatoshi from afar since he was young; she was the adult woman who rescued him from drowning at the age of 5. Because her memories of him fade as time goes on (and her time goes backwards), she keeps a journal to remind her of him. She also tells him that they can only be together for a month every five years, and because 20 is the only time their age matches, the current month is the last time where they can pursue a relationship.\nTakatoshi initially feels conflicted of the fake nature of his and Emi's relationship. However, he is encouraged by Ueyama to pursue it nevertheless. On March 16, the last day they would be together as equals, Takatoshi draws a sketch of Emi, then the two wait for the day to pass at the train station where they first met, after which Emi disappears.\nFive years later, Takatoshi meets with 15-year-old Emi and gives her her sketch. A further ten years later, Takatoshi rescues 5-year-old Emi from a festival fire. The film then cuts to a montage of the film presented from Emi's perspective, i.e. backwards, ending with her and Takatoshi's introduction on February 15, her last day she met him as equals.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Movie][1970].\nMovie from the 70s or 80s, most likely Eastern European and/or France co-production, in which the main male character spends most of his screen time naked in an around a mansion. Some staff is also naked.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE]New home owning couple are harassed and questioned by creepy \"people\". Interrogated by another couple who refuses to leave. Recent psych thriller psych horror..\nNew home owning couple are harassed and questioned by creepy, \"alien, robot,\" cold \"people\". Interrogated by another couple who refuses to leave. Recent psych thriller psych horror.\n\nI tried forever. Psych horror, new peeps move in and are harassed endlessly by creepy weirdos.\n\nSo yeah.\nThis couple gets a new house, possibly vacation, almost positive they buy new home. Welcome wagon from hell so to speak, shows up.. It's another couple, so different they seem alien inside, at the very least devoid of normal graces, norms, and emotions. They harass and grill the new people about why they are there.. Which at first they are like why,?\n\nAre these people serious. \nI checked it for quality, but never watched it, then cleared it to save space. \n\nI've wanted to see it for months but can't remember the name. \nMain themes are alien lime harassment, by a strange creepy couple with human form. Could be human. PLEASE NO SPOLIERS. but these people show up to question the new home owners and won't leave. \n\nIt's a film thats less than 10 years old I believe. Fairly recent psych thriller... Psych horror ish. \n\nTHANK YOU FOR READING.",
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"content": "Caught.\nThe film tells the story of a journalist couple who invite a man and woman into their idyllic village home, but what begins with an informal interview descends into a nightmarish fight for survival.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [movie] starts from some kid hacking his grades to said kid launching nukes.\ndo not know anything about the movie accepts for key moments in it i'll try to sum up all i remember;\nsome kid in school got bad greads and for that reason he got himself sent to the princibels office on pourpse, there is a girl that is sort of woried about him so she gose after him or somthing like that\n\nhe tells her that the school changes the code to the grade system every week or so and he knows where they keep the current password so he changed his and her grades.\n\nfast forward a few scense and the guy shows the girl some kind of video game they called thermal nuclear war [dot] exe, in that game he needs to achive global domination, what he did not know is that it was not a game he was actually piloting nukes in real life.\n\nfast forward a bit more the fbi or some secret agancy isolates his location and brings him and the girl in for questioning.\n\nthat is about as much as i remember, if i am not mistaking they later used his hacking skills to calm the situation and restore peace and order, in other words defuse the nukes\n\nthat is all i remember ",
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"content": "WarGames.\nDuring a surprise drill of a nuclear attack, many United States Air Force Strategic Missile Wing controllers prove unwilling to turn a required key to launch a missile strike.\nSuch refusals convince John McKittrick and other systems engineers at NORAD that missile launch control centers must be automated, without human intervention.\nControl is given to a NORAD supercomputer, WOPR, programmed to continuously run war simulations and learn over time.\nDavid Lightman, a bright, but unmotivated Seattle high school student and hacker, uses his computer to break into the school district's computer system and change his grades.\nHe does the same for his friend and classmate Jennifer Mack.\nLater, while war dialing numbers in Sunnyvale, California to find a computer company, he connects with a system that does not identify itself.\nAsking for games, he finds a list that starts with chess, checkers, backgammon, and poker, as well as titles like \"Theaterwide Biotoxic and Chemical Warfare\" and \"Global Thermonuclear War,\" but cannot proceed further.\nTwo hacker friends explain the concept of a backdoor password and suggest tracking down the Falken referenced in \"Falken's Maze,\" the first game listed.\nDavid discovers that Stephen Falken was an early artificial intelligence researcher, and guesses correctly that his dead son's name, \"Joshua,\" is the password.\nDavid does not know that the Sunnyvale phone number connects to WOPR at the Cheyenne Mountain Complex.\nHe starts a game of Global Thermonuclear War, playing as the Soviet Union.\nThe computer starts a simulation that briefly convinces the military personnel at NORAD that actual Soviet nuclear missiles are inbound.\nWhile they defuse the situation, Joshua nonetheless continues the simulation to trigger the scenario and win the game, as it does not understand the difference between reality and simulation.\nIt continuously feeds false data such as Soviet bomber incursions and submarine deployments to NORAD, pushing them into raising the DEFCON level and toward a retaliation that will start World War III.\nDavid learns the true nature of his actions from a news broadcast, and FBI agents arrest him and take him to NORAD.\nHe realizes that WOPR is behind the NORAD alerts, but because he fails to convince McKittrick, he faces espionage charges.\nDavid escapes NORAD by joining a tourist group and, with Jennifer's help, travels to the Oregon island where Falken lives.\nDavid and Jennifer find that Falken has become despondent and believes that nuclear war is inevitable, that it is as futile as a game of tic-tac-toe between two experienced players.\nThe teenagers convince Falken that he should return to NORAD to stop WOPR.\nThe computer stages a massive Soviet first strike with hundreds of missiles, submarines, and bombers.\nBelieving the attack to be genuine, NORAD prepares to retaliate.\nFalken, David, and Jennifer convince military officials to cancel the second strike and ride out the attack.\nWOPR tries to launch the missiles itself, however, using a brute-force attack to obtain the launch code.\nWithout humans in the control centers as a safeguard, the computer will trigger a mass launch.\nAll attempts to log in and order Joshua to cancel the countdown fail, and all weapons will launch if the computer is disabled.\nFalken and David direct the computer to play tic-tac-toe against itself.\nThis results in a long string of draws, forcing the computer to learn the concept of futility and no-win scenarios.\nWOPR obtains the missile code, but before launching, it cycles through all the nuclear war scenarios it has devised, finding they, too, all result in stalemates.\nHaving discovered the concept of Mutual assured destruction (\"WINNER: NONE\"), the computer tells Falken that it has concluded that nuclear war is \"a strange game\" in which \"the only winning move is not to play\".\nWOPR relinquishes control of NORAD and the missiles and offers to play \"a nice game of chess\".",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Movie] A movie about a religious group, maybe (buddhist?) monks, living in their own little community in a secluded area, and the protagonist and his friend end up infiltrating the place or living there. Maybe the name has something to do with \"Perfect Circle\" or \"Inner Circle\"..\nI remember them being in the grass on a river bank, and they try to maybe swim away in the water. \n\nIt wasn't a dark or spooky movie as far as I can't remember, and I really don't think it had anything to do with Russian or Bosnian politics, which is what the movies \"The Perfect Circle\" and \"The Inner Circle\" are about.\n\nI don't know when it was filmed, but it's not a new movie, but not super old either. Maybe 1970 - 1995? \n\n",
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"content": "Seven Years in Tibet (1997 film).\nAustrian mountaineers Heinrich Harrer (Pitt) and Peter Aufschnaiter (Thewlis) are part of a team attempting to summit Nanga Parbat in British India (present-day Pakistan).\nWhen World War II begins in 1939, they are arrested by British Indian authorities and imprisoned in a POW camp in Dehradun in the Himalayan foothills, in the present-day Indian state of Uttarakhand.\nHarrer's pregnant wife, Ingrid, sends him divorce papers from Austria.\nIn 1944, Harrer and Aufschnaiter escape the prison and cross into Tibet.\nAfter being initially rejected by the isolated nation, they manage to travel in disguise to the Tibetan capital city of Lhasa.\nThere, they become the house guests of Tibetan diplomat Kungo Tsarong (Mako).\nThe Tibetan senior official Ngawang Jigme (Wong) also extends friendship to the two foreigners with gifts of custom-made Western suits.\nAufschnaiter falls in love with the tailor, Pema Lhaki, and marries her.\nIn 1945, Harrer plans to return to Austria.\nHowever, he receives a cold letter from his son, rejecting Harrer as his father, and this deters him from leaving Tibet.\nSoon afterwards, Harrer is invited to the Potala Palace and becomes the 14th Dalai Lama's tutor in world geography, science, and Western culture.\nMeanwhile, political relations with China sour as they make plans to invade Tibet.\nNgawang Jigme leads the Tibetan army at the border town of Chamdo to halt the advancing People's Liberation Army.\nHowever, Ngawang Jigme ends up surrendering and blows up the Tibetan ammunition dump after the one-sided Battle of Chamdo.\nDuring the treaty signing, Kungo Tsarong tells Harrer that if Jigme had not destroyed the weapons supply the Tibetan guerrillas could have held the mountain passes long enough to appeal to other nations for help.\nAs the Chinese invade and occupy Tibet, Harrer condemns Ngawang Jigme for betraying his country, declaring their friendship over.\nHarrer further shames the senior official by returning the jacket that Ngawang Jigme gave him as a present, which is a grave insult in Tibetan culture.\nHarrer tries to convince the Dalai Lama to flee, but he refuses; not wanting to abandon his people.\nThe Dalai Lama encourages Harrer to return to Austria and be a father to his son.\nAfter the coronation ceremony, in which the Dalai Lama is formally enthroned as the spiritual and temporal leader of Tibet, Harrer returns to Austria in 1951.\nRolf refuses to meet Harrer at first, but Harrer leaves a music box that the Dalai Lama gave him and this piques Rolf's interest.\nYears later, Harrer and Rolf (now a teenager) are seen mountain-climbing together, suggesting they have mended their relationship at the end of the film.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Movie] Horror/Thriller from the 80's-90's with a preacher, underground mansion, and giant octopus or tentacle creature..\nHey guys, I'm looking for a movie I saw bits and pieces of at different times when I caught it on TV as a kid, I never saw the whole thing so bear with me. It was 80's to early 90's and the effects (gore, skeletons, etc) were less than impressive, but left an impression on me as a kid. \n\nI remember there being a mansion or large house that people are lured to and can't leave or escape. The lead is played by a man and woman who have been caught and are trying to escape from the place. The one that approaches and lures people is a preacher with two attractive (cheerleader like) girls. \n\nI don't remember what happened to the preacher but I remember that later his face is mutilated and kind of falling off but he doesn't seem to feel it or care (as if he isn't really human). That's when a pompous rockstar or famous musician (who is portrayed as a total moron) and his band are passing through. The preacher confronts them as his next victims (The rockstar isn't phased at all that the preachers face and body are falling apart), along with his two cheerleaders but when he recognizes him, he's super excited, goes all fan girl over them deciding to personally ensure their comfort and safety. \n\nAll I remember later is that the house or mansion seems to be underground in a massive cave and a massive octopus legs come out and engulf the preacher and house, while the protagonist and his newly found girlfriend survive and make it to the surface.\n\nI'm sure my childhood mind has blown some of these details out of proportion so I'm likely a little off.\n\n Does any of that sound familiar to anyone? ",
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"content": "Nothing but Trouble (1991 film).\nWhile hosting a party in his Manhattan penthouse, financial publisher Chris Thorne (Chase) meets lawyer Diane Lightson (Moore) and agrees to escort her to consult a client in Atlantic City on the following day.\nThorne's clients, obnoxious but wealthy Brazilian siblings Fausto and Renalda, whom he calls \"Brazillionaires\", meet up with them and invite themselves along.\nAlong the way, Chris takes a supposed scenic detour off of the New Jersey Turnpike, ultimately ending up in the run-down village of Valkenvania.\nFailing to comply with a stop sign and subsequently attempting to escape pursuing officer Dennis Valkenheiser (Candy), the group is captured and taken before Dennis's 106-year-old grandfather Judge Alvin Valkenheiser (Aykroyd), who confiscates their identification cards.\nAfter Chris makes too many smart-alecky remarks, the judges drops a trap door out from under them in order to hold the offenders in his courthouse/funhouse to be judged.\nLater, some disrespectful drunk drivers that tried to threaten Dennis are called before the judge, who sentences them to immediate death at the hands of a deadly roller coaster nicknamed \"Mr.\nBonestripper\".\nInvited up to dinner, the group is repulsed by the bizarre food choices (involving a hot dog train and a warm can of Hawaiian punch) but also learns the Judge has labeled Chris as a \"banker\" for his financial affiliations, and is holding them there out of revenge for the Valkenheiser family's misfortune at the hands of a corrupt coal deal long before.\nThe group attempts an escape, but due to a series of mishaps, Chris and Diane are overtaken by Alvin's mute granddaughter Eldona (also John Candy).\nMeanwhile, being chased by Dennis' trigger-happy cousin, Miss Purdah, the two Brazillionaires escape by cutting a deal with Dennis, who decides to escape with them.\nThe Judge is angered by their actions and imprisons Chris and Diane in a room from which the pair eventually escapes (again with help from Dennis) and getting lost through hidden hallways and slides, become separated.\nDiane makes it out of the house and into the property's salvage yard; here, she meets two troll-like creatures by the names of Bobo and Lil' Debbull, the judge's severely deformed grandchildren.\nEarning the creatures' friendship, Diane catches glimpses of Eldona destroying Chris's BMW.\nMeanwhile, Chris sneaks into the Judge's personal quarters but is quickly caught.\nValkenheiser punishes him according to house policy, which decrees that Chris must marry Eldona.\nMeanwhile, in the court room, the alternative rap group Digital Underground is being held on charges of speeding, but the Judge releases them after being charmed by an impromptu performance of one of the group's hits.\nHe also asks them to stay as witnesses for the wedding, which Chris reluctantly goes through with in exchange for his life, but is later caught pleading the band to help him escape.\nThe band leaves without understanding him, and Alvin sentences Chris to die in \"Mr.\nBonestripper\".\nThe machine breaks down the instant before Chris is fed into it, and he escapes.\nThe Judge nearly kills Diane with another claw contraption, but Chris retrieves her at the last second and the two jump on a train back to New York.\nAfter the two report their plight to the authorities, the Judge's courthouse is raided by local and state police.\nChris and Diane are asked to accompany the officers to the site, only to find out that the officers involved are fully aware of and in league with the Judge.\nThe couple escapes when the area's underground coal fires cause a collapse, destroying the town.\nThe Brazillionaires are shown to have made their way back to South America; Dennis is now their personal head of security and Renalda's lover.\nChris and Diane are shown relaxing in New York.\nChris's relief does not last, however, as he stumbles on a televised news segment covering the ruined town of Valkenvania, in which Valkenheiser, brandishing Chris's driver's license, announces that he and his family plan to move in with his new grandson-in-law in New York, saying \"See you soon, Banker.\n\".\nChris runs away panicking while making a cartoon-style impression of himself through a wall.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Film][1970s early 1980s].\nSet in the USA and all I can remember is that a man is mentally disabled. His brother or close friend finds out he has to leave where he lives, possibly to be taken into care. The brother doesn’t want this and takes him, possibly on a road trip. I thought Alan Arkin was the main character, but I have checked IMDB and I can’t see anything which fits. I saw this on TV in my bedroom in the early 1980s when I was ill and I was absorbed in the story, so it made me forget my illness. I realise the details are thin, but it has been bugging me for years!",
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"content": "The Heart Is a Lonely Hunter (film).\nJohn Singer (Alan Arkin) is a deaf-mute who works as a silver engraver in a small southern town.\nHis only friend is a mentally disabled mute, Spiros Antonapoulos (Chuck McCann), who continually gets into trouble with the law since he doesn't know any better.\nWhen Antonapoulos is committed to a mental institution by his family, Singer decides to move to a town near the institution in order to be near his friend.\nSinger finds work there and rents a room in the home of mr and mrs Kelly (Biff McGuire and Laurinda Barrett), who are having financial difficulties as a result of mr Kelly's recent hip injury.\nBecause the Kellys' teenage daughter, Mick (Sondra Locke), resents having to give up her room to him, Singer makes a few tentative efforts to win her friendship.\nSinger also tries to become friends with Blount (Stacy Keach), a semi-alcoholic drifter, and dr Copeland (Percy Rodriguez), an embittered segregationist African American who is secretly dying of lung cancer.\nCopeland's deepest disappointment is that his educated daughter, Portia (Cicely Tyson), works as a domestic and is married to a field hand.\nFollowing a successful attempt to win Mick's friendship by encouraging her love for classical music, Singer visits Antonapoulos, and although he takes his friend out for the day, Singer is lonelier than ever when he returns home.\nMeanwhile, Portia and her husband are attacked and he is jailed for defending himself.\nPortia gets upset at Copeland for not perjuring himself to help bring out the truth about what happened in the fight.\nCopeland and Portia's relationship gets even more strained after her husband has his leg amputated after being placed in irons for trying to escape jail.\nSinger gets the two to reconcile after Portia learns from Singer of Copeland's illness.\nMick willfully loses her virginity to the sensitive older brother of one of her classmates after she realizes that her father's injury has permanently disabled him and she will have to leave school and go to work in order to help support the family.\nDisturbed by her sexual initiation, she ignores Singer's request for some company.\nA short time later, Singer goes to visit Antonapoulos and learns that he has been dead for several weeks.\nAfter visiting his friend's grave and saying goodbye in sign language, Singer returns to his room and commits suicide.\nSome months afterwards, Mick brings flowers to Singer's grave and meets dr Copeland.\nAs they talk, Mick questions \"why did he do it.\n\" and determines to face whatever her future may be.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE][1990'S]An american South crime movie where the presumably male narrator turns out to be a woman with damaged throat. She is in prison wen the reveal happens at the end..\nThere may also have been a scene where a guy ties a brick to another guys foot and tosses him off a bridge. The guy treads water and the perpetrator throws him a pocket knife and tells him if he can cut his foot off he'll let him live. I might be mixing movies, not sure.",
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"content": "The Grave.\nTwo brothers escape from prison, when they learn of a treasure that is supposedly buried with a dead millionaire.::John Sacksteder <jsack@ka.net>\n\nTwo convicts (Craig Sheffer, Josh Charles) learn from another convict that a treasure was buried with a dead millionaire. When they escape, they get tied up with some other good old boys and an ex-girl friend (Gabrille Anwar) in the search. Of course, everything goes wrong and everyone crosses everyone else.::John Sacksteder <jsackste@bellsouth.net>",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][movie] male lead listens to motivational tapes all the time on his commute and through the movie?.\nThe woman reading the tapes has a soft feminine voice say lines like, “you are the tiger stocking its prey...” type stuff. ",
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"content": "They Look Like People.\nClose friends Wyatt and Christian, who have drifted apart, reunite in New York City, where Christian invites Wyatt to stay at his apartment. Wyatt has withdrawn into himself, having recently broken up with his fiancee, while Christian, who's also broken up with his fiancee, attempts to counter his insecurities with bodybuilding and aggressive machismo. As the two old friends bond, Christian invites Wyatt along on the date he has with his supervisor, Mara, calling ahead and asking Mara to invite her friend.\nWyatt and Christian arrive to find that Mara's friend Sandy has fallen and injured herself. Wyatt examines Sandy and recommends she go to the hospital. Wyatt, Christian, and Mara spend the evening in the waiting room until Sandy's release, and Mara gratefully thanks Christian for staying. As Mara walks Christian to the subway, he fails to take the initiative to kiss her goodnight. Wyatt reassures Christian that Mara is probably still interested in him despite the end of the evening. After Christian falls asleep, Wyatt receives an anonymous phone call, where a muddled voice tells him he only has time to save himself, and he must leave the city and prepare for demonic invasion.\nWyatt confers with a psychiatrist about his fears of psychosis, but cuts the session short when he becomes convinced the psychiatrist himself is possessed by demons.\nMara and Christian continue seeing each other. Wyatt receives subsequent phone calls, this time in Mara's voice, alerting him to ominous signs of the apocalypse and the demons' nature, specifically how they infect humans. Wyatt stockpiles weapons in Christian's cellar and alternately contemplates both suicide and the murder of passersby he believes possessed.\nWith his newfound assertiveness, Christian believes himself to be in line for a raise, only for Mara to reveal that he has been fired. A note on his computer, signed by his coworkers, accuses him of being an asshole. Christian returns home to find Wyatt waiting for him. Before he can say anything, Mara visits. At first angry, Christian apologizes and invites her in. The three chat amicably, and Christian leaves to get a specific tea Mara wanted. Wyatt invites Mara to explore the house and takes her downstairs to show her his weapon stash. Wyatt asks her for further information on the demonic invasion, alluding to her voice on the phone. When Mara realizes Wyatt's seriousness, she flees. Christian returns, disappointed that she left. Wyatt becomes highly agitated and rants about the coming demonic invasion. Christian calms him down and sets him up with a psychiatrist, the same one Christian went to when he attempted suicide.\nWyatt accosts Mara, trying to apologize, and she lashes out in self-defense, injuring him. Seeming remorseful, she helps him clean up, but he is horrified when she transforms into a demon. Wyatt runs away and finds Christian preparing to join the army to conquer his insecurities. Wyatt convinces him to leave the city and prepare for the coming apocalypse. Christian agrees, as long as Wyatt attends his psychiatric appointment. As Wyatt sees omens of the apocalypse, he instead insists they barricade the basement. To show his trust in Wyatt, Christian allows himself to be bound and gagged in case he is possessed. On the hour of the apocalypse, Wyatt becomes convinced Christian is possessed and prepares to kill him as he watches Christian transform. At the last moment, Wyatt realizes he is hallucinating, and recognizing Christian as truly human, frees him. Christian remarks that he has finally conquered his insecurities by facing death, and the two embrace.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [TV] Simpsons Episode.\nI'm looking for a particular episode of the Simpsons that involves an underground facility and experiments with something akin to electricity. If I remember correctly it is at the bottom of a dried lake or pond. I remember it being one of the sadder episodes I've seen. Also I believe that the story of the facility took place in the past. \n\nAny help appreciated \nThanks",
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"content": "The Blunder Years.\nAfter tricking Marge into believing that the model for the Burly paper towel corporation Chad Sexington would have dinner with the Simpsons, Homer takes the family to the Pimento Grove to watch live performers as compensation. One of the acts is a hypnotist called Mesmerino. Homer volunteers, and Mesmerino hypnotizes him into thinking he is twelve years old again. As Homer starts to reminisce, he starts screaming incessantly all through the night. The next day, Homer's co-workers Lenny and Carl bring him home early from work, still screaming, and Lisa and Marge finally manage to calm him down with some Yaqui tea.\nHomer starts to recall the events leading up to the scream-inducing incident: beginning when he, Lenny, and Carl were hiking in the woods and were confronted by a young Fat Tony, only to be saved by a young Moe. Upon noticing that his bar was empty, the present-day Moe arrives at the Simpsons' home and recalls that while they sat by a fire that night, they saw a near-meltdown at the Springfield Nuclear Power Plant. The next day, they went to the old quarry for a swim, and Homer jumped in, only to find that there was no water but only mud. However, Homer recalls that there was no water in the quarry because something was blocking the inlet pipe. When Homer unblocked it, he found a rotting corpse in his lap, causing him to scream so much his voice changed from puberty.\nBack in the present, the Simpsons decide to investigate. They go to the old quarry where they meet Chief Wiggum, who comes with them. Marge uses Burly paper towels to drain the water from the quarry. Finding nothing left of the corpse but a skeleton, they take its skull with them and travel through the pipe to emerge through a hatch in Mr. Burns's office. They confront him about the body, but he insists he did not murder anyone. He tells them that the dead man is Waylon Smithers' father, Waylon Smithers Sr. He shows an old surveillance tape, filmed during the imminent meltdown in which Smithers' father sacrificed himself by going into an unstable reactor core in order to prevent the meltdown and succumbed to the radiation. Burns then kept the truth from Smithers, who then enters the room, having heard the entire story. Burns apologizes to him, saying he wanted to spare him from knowing the truth about his father's real death. However, Smithers admits that he is glad that his father died as a real hero rather than from a tribe of savage Amazon women, which Burns told him earlier in Smithers's life.\nDeclaring the case of the haunted quarry solved, Homer stores the skull in his \"Memories\" box, despite Marge's insistence to give it to Smithers. Just then, Moe arrives, having found some clues to the case. Despite Homer and Marge telling him the case has been solved, upon seeing Moe despondent, they decide to humour him by letting him show them his clues, which continues through the credits. It ends with Homer screaming being heard during the Gracie Films and Fox logos.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] [Fantasy/Scary] I’m looking for a movie about a few kids doing a documentary of trolls(?).\nHi! I’m looking for a movie that is about a few kids (like 2 guys 1 girl, teenagers/20’s) and they shoot a “video documentary” about trolls. They go around and they film various things of witch craft and caves. It’s in a very foresty area. I remember one quote, they talk to some old dude in his RV who’s going to guide them to trolls and he goes “are any of you Christian? They can smell you if your Christian.” Lol and it was weird",
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"content": "Trollhunter.\nA group of students from Volda University College, Thomas (Glenn Erland Tosterud), Johanna (Johanna Mørck) and their cameraman Kalle (Tomas Alf Larsen), set out to make a documentary about a suspected bear poacher, Hans (Otto Jespersen).\nAt the site of an illegally slain bear they interview local hunters, who comment that the bear tracks look odd, as well as Finn Haugen (Hans Morten Hansen), head of the Norwegian Wildlife Board.\nFinn dismisses the idea that the bear tracks could have been faked.\nThe students follow Hans in an attempt to secure an interview but he continually rebuffs them.\nAfter following him into a forest at night time, they see mysterious flashing lights and hear roars.\nHans comes running back, screaming \"Troll.\n\" Thomas is attacked and bitten by a large animal.\nThey escape in Hans's Land Rover and discover their own vehicle turned over with the tyres ripped off.\nHans admits that he does not hunt bears, but trolls.\nThough sceptical, the students ask if they can join Hans and film his hunt, to which he consents on the condition that they do as he instructs.\nThe next day Hans makes them disguise themselves with \"troll stench\" (a slimy concentrate made from \"everything you can squeeze out of a troll\") and checks if any of them believe in God or Jesus, because a troll can smell a Christian man's blood.\nHans wields a \"flash gun\", a weapon that emits powerful UV-rays to simulate sunlight and turn trolls to stone, though he comments that sometimes the trolls \"just explode\".\nThe students are stunned when Hans flushes out a giant three-headed troll.\nHans manages to turn the troll to stone and explains to the students that he only allowed them to come along because he's tired of working for little compensation and wants them to divulge the truth.\nFinn, who actually works for the Troll Security Service (TSS), arrives with a team to deposit a bear carcass and plant fake tracks, and tells the students that they will not be allowed to keep their tapes.\nIn a series of interviews, Hans reveals that Finn's work is to keep trolls a secret, while his is to kill any that come near populated areas.\nHe also explains that the trolls have been acting aggressively lately and have begun to leave their territories more often than usual, and that he must get a troll blood sample to try to determine why.\nThe students accompany Hans on another hunt using live goats on a bridge as bait.\nHans successfully obtains a blood sample from a bridge troll and takes it to a veterinarian who works for the TSS, but finds that it will take several days before any results can be found.\nInvestigating a farm where a number of trees have been uprooted, Hans and the film crew find troll tracks leading into an abandoned mine, the lair of a pack of trolls.\nThe trolls return unexpectedly and the group is trapped inside.\nThe situation gets more tense as Kalle confesses that he is a Christian.\nThe trolls eventually smell Kalle's scent and discover the group.\nIn a panic the group runs for the safety of daylight at the cave entrance, but Kalle is killed.\nThe replacement camerawoman is Malica, a Muslim; Hans is uncertain about how trolls will react to that.\nFinn demands that Hans head north to troll territory to get the problem under control.\nThe group finds signs of a Jotnar, a giant mountain troll 50–100 metres tall.\nThomas falls ill, and they learn that the troll blood sample came back positive for rabies; Thomas has been infected by the bite he received several days earlier.\nAfter several attempts, Hans manages to kill the Jotnar by launching a rocket-like projectile that transforms the troll into stone.\nHe directs the others to find the highway.\nFinn and his government agents arrive to confiscate the students' tapes.\nThomas flees with the camera and is seen collapsing at the side of a road when the tape cuts out.\nJust before the cut to black a truck is seen stopping next to the camera.\nPresumably the driver is the person who \"found the footage\".\nAn epilogue tells the audience that none of the students were heard from again.\nThe film ends with a news clip of the Norwegian Prime Minister Jens Stoltenberg appearing to admit to the existence of trolls, though the press fails to take notice.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][movie] Early 90s Action Movie final scene has the male and female driving away in a boat..\nNeed help, I have been all over Wikipedia and IMDB trying to find the title of this action move. No dice. \n\nWhat I remember:\n\n-Lead male has dark hair. \n-Lead female has blonde hair. \n-One of the final scenes is them driving away from a pier and an explosion happens over their should at a restaurant taking out the bad guy of the movie. \n\nWatched this multiple times as a kid, and it is all I can remember. Smh. \n\nAlso, I’m fully aware that my memeory might be a little fuzzy on the hair color. The explosion scene is engrained.",
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"content": "The Specialist.\nIn 1984, Captain Ray Quick (Stallone) and Colonel Ned Trent (Woods), explosives experts working for the CIA, are on a mission to blow up a car transporting a South American drug dealer. But when the car appears, a little girl is inside with the dealer. Ray insists they abort the mission, but Ned intends to see it through and allows the explosion to happen, resulting in the deaths of both the drug dealer and the child. Furious by the girl's wrongful death, Ray savagely beats Ned and flees, effectively resigning from the CIA.\nYears later, in Miami, Ray works as a freelance hit man. He lives a solitary existence with his cat, named \"Timer\". Desperate people contact him via an Internet bulletin board and he takes the cases that interest him. Ray specializes in \"shaping\" his explosions, building and planting bombs that blow up only the intended target while leaving innocent bystanders unharmed.\nHe answers ads placed by a woman named May Munro (Stone) and speaks to her often to decide if he should take the job or not. During the talks he becomes intrigued by her story, coupled with the fact that he sees how attractive she is while following her. She is the only child of parents who were killed by Tomas Leon (Roberts) and his men. Against his better judgment, and pushed by her insistence that she will infiltrate the gang with or without him, Ray is persuaded to accept the job. Even though he has agreed, May ingratiates herself into Tomas' world as Adrian Hastings.\nNed now works for Joe Leon (Steiger), Tomas' father and director of their organized crime syndicate. Once the hits on their lower level guys begin, they contact the chief of police to place Ned in their bomb squad. May tolerates Tomas and plays along as his girlfriend so she can watch the hits one by one. It is revealed after the second target is killed that May has actually been forced into a partnership with Ned, whose goal was to coax Ray out of hiding. After the job in South America went wrong, Ned was dismissed from the CIA and is intent on revenge.\nWhen the trap for Tomas is set, May is in the room; the resulting explosion appears to kill them both. When Ned goes to Joe to pay his respects, he is left alive only so he can find Ray and bring him to Joe before Tomas is buried. Both Ray and Ned believe that May is dead, yet Ray discovers that bulletin board messages are still being posted. He responds to one, quickly realizing that it is a trap set by Ned and the bomb squad, and baits Ned into an explosive tirade.\nWhen he goes to the funeral of Adrian Hastings, Ray finds that May is alive. She went to the funeral to see if Ray would attend. Then they go to the Fontainebleau Hotel. They undress and make love in bed and in the shower. After this she leaves. Meanwhile, Ned has gone to the cathedral and learns that the person in the casket is not May. She runs into Ned in the hotel lobby and makes an excuse as to why she did not tell him that she was alive. A henchman is ordered to take her to the car and on the way she asks to use the restroom. Once there, she uses a cell phone to warn Ray. He rigs the hotel room to explode, and when Ned's henchmen enter the room it detonates, breaking the entire room off into the ocean.\nMay is taken to Joe Leon but Ned insists on keeping her alive to lure Ray out. Ned listens in as Ray calls May, he refuses to meet with her and be \"set up\" again but she convinces him that she truly does care about him. He arranges a meeting at a seafood restaurant and May uses secret coding to tell him it's a trap before hanging up. When Ned sends May inside, the restaurant explodes. Ray and May escape on a speed boat to his warehouse. Ned listens to the recording of Ray's call and tracks down his location. The next morning, May is preparing to leave to kill Joe Leon herself but Ray tells her to let go of the past. Ned arrives with an army of police that surround the booby-trapped warehouse. In a final showdown, Ray and May are cornered. Ned pursues them, but is done in by his own hubris when he steps on a bomb. After the entire warehouse goes up due to the chain of bombs exploding, it appears that all inside have been killed, but Ray and May escape unseen through a tunnel.\nThe next day Joe reads about the incident at the warehouse. He thanks God for bringing his revenge on Ray and May. He then opens the mail brought to him and finds a necklace. It contains a picture of May's parents, seeing that it's rigged with a bomb he curses God just before the necklace explodes. After hearing the blast and knowing all responsible for her parents' death are dead, Ray asks how she feels, to which she responds, \"Better\". They drive off to start their life together.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Movie?] Stars and Stripes Forever played during the final \"battle\" of a comedy.\nOK so, it's entirely possible I'm smashing together a few things in my memory. But I have this scene/feeling in my head, of Stars and Stripes Forever playing during a scene which is qualitatively similar to the parade riot in Animal House (I know it's not actually Animal House, as the parade plays the Washington Post, and when the riot starts that music stops anyway). The part near the middle, at 2:36 in [this](https://www.youtube.com/watch?v=a-7XWhyvIpE), corresponds with a shot of the villain, perhaps getting ready to retaliate against the comedic heroes. To make things even more interesting, I actually have an image of a military officer revealing his head, a la the guy in Indiana Jones: The Last Crusade popping up from the tank as that reveal.\n\nSo yeah, a weird one I know, but does anyone have a clue what my brain might be talking about?",
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"content": "The Pentagon Wars.\nMajor General Partridge (Kelsey Grammer) is in charge of the Bradley Fighting Vehicle project, which has been in development for seventeen years at a cost of $14 billion. In an effort to curtail excessive spending by The Pentagon, Congress appoints an outsider, U.S. Air Force Lieutenant Colonel James Burton (Cary Elwes) to observe the testing of several new weapons in development, including the Bradley.\nBurton quickly becomes disillusioned by the atmosphere of corruption and inefficiency at the Pentagon. He delves into the mountains of paper documenting the Bradley's development history and comes to the conclusion that it is \"a troop transport that can't carry troops, a reconnaissance vehicle that's too conspicuous to do reconnaissance, and a quasi-tank that has less armor than a snowblower, but has enough ammo to take out half of D.C.\"\nBurton's attempts to test the Bradley under combat conditions are obstructed by Partridge and his two cronies, Colonel Bock (John C. McGinley) and Major Sayers (Tom Wright). But then Burton is contacted by Brigadier General Robert L. Smith (Richard Schiff), the frustrated officer previously in charge of the vehicle's development program, who feeds him evidence on condition of anonymity.\nBurton confronts Master Sergeant Dalton (Clifton Powell), in charge of the testing range, who admits being ordered to manipulate the test results, but bitterly tells Colonel Burton that every officer who tries to conduct honest tests eventually buckles under the pressure to gain his next promotion.\nWhen Burton refuses to approve the Bradley without a live-fire test, insisting that the current version of the vehicle is a death trap, he loses his position and is ordered to Alaska. But an anonymous leak from General Smith leads to Defense Secretary Weinberger demanding a full written report on the Bradley. Partridge, ignorant of the Bradley overall, cancels Burton's transfer and orders him to write his report, then has the report extensively rewritten by his own aide. Following the Army rule book, Burton then sends a memorandum referencing the original report to everyone who is technically involved in the project. This information leaks to the press and the resulting scandal leads to a hearing before the House Armed Services Committee.\nThe hearing is humiliating to Partridge, who attempts to duck simple questions by pretending to search for documentation (which his helpful aide provides to him in front of the Committee, to his further humiliation). The skeptical Committee Chairwoman (Olympia Dukakis) goes on to order the test that Burton has requested.\nThe night before, Burton visits the barracks on the range and tells Dalton and his men that, regardless of whatever orders they have received from Partridge, it is their duty to their fellow soldiers to make sure the test is performed honestly. \nOn the day of the live-fire test, Partridge, Bock, and Sayers fully expect to confirm their story that the vehicle is perfectly safe, but are unaware that Dalton and his men have actually made sure the Bradley is fully armed and fueled. When hit by an anti-tank missile, the vehicle explodes spectacularly, showering the horrified audience, including the House Committee members, with debris. Afterwards, Dalton and his men confide to Burton that they had already become convinced of his sincerity and were with him ever since.\nA postscript explains that the Bradley was extensively redesigned in response to Burton's demands, which significantly reduced casualties from its use during the Persian Gulf War. However, the system was too strong: Partridge and his cronies earned their promotions and lucrative private sector jobs, while Colonel Burton was forced to retire.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] Movie about a girl, her horse and Florida.\nMy mother remembers a movie from at the very least 15 years ago (possibly older) about a girl who moved in with her grandmother (or just an old woman) and had a very old horse (maybe named \"Mr [name], but not sure).\nShe didn't have parents. She and her grandmother lived in a shack and dreamed of going to Florida, which she pronounced as \"Floh-dia\". Wanting to go to Florida was most likely the main plot.\nAt one point the girl was adopted by a family and sent to a fancy school where she had to wear a school uniform and she obviously wasn't happy with that. She also killed a bird by crushing it in her fist.\n\nThat's not a whole lot of information and we have searched the internet far and wide for it, but maybe someone here has seen and could provide us with some answers!",
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"content": "A Girl Named Sooner.\nThe story is set in Vevay, Indiana in the 1930s and revolves around the titular character, Sooner, a girl of unknown parentage who is being raised by an elderly backwoods woman, Old Mam Hawes (Cloris Leachman), who earns a living making illegal moonshine. Hawes takes Sooner into town and attempts to collect foster care funds for raising Sooner, but this brings her worth as a guardian into question with the Sheriff (Don Murray).\nSooner is taken in by a childless couple, Mac and Elizabeth McHenry (Richard Crenna and Lee Remick), in Mac's hopes that having a child in the house will bring Elizabeth out of her depression. Elizabeth begins to form a bond with Sooner. Sooner is excited about the idea of attending the local school, and she is enrolled. After a bumpy start, she becomes comfortable there.\nOne day Sooner brings home some children from school to show them her pet bird, whom Sooner had with her when she was taken in by the McHenrys. The children ask why the bird doesn't fly and she says that it's because he doesn't want to. The children and Sooner stamp the ground and throw things at the bird to encourage it to fly, but this results in the death of the bird. Elizabeth comes outside to see what the commotion is and is horrified to find the bird dead. Sooner is initially emotionless about this. Elizabeth sends the children away and Sooner to her room.\nThe next morning Elizabeth awakes to find Sooner gone. Sooner had run back home to Old Mam Hawes during the night, and had dug up and taken the body of bird with her. Sooner buries the bird near where she had found him, and finally feels remorse. Elizabeth drives out in the country and finds Old Mam Hawes cabin. Sooner is nowhere to be seen and Hawes berates Elizabeth about how much better a guardian she is compared to Elizabeth, and that Sooner is where she should be now.\nSome time passes. The McHenrys have a difficult time in their relationship with the loss of Sooner. Sooner continues to live with Old Mam Hawes, who tells her they may move to Florida, where it's \"warm all year 'round\".\nAs the annual fair approaches, Jim Seevey (Michael Gross), whom Hawes sells her whiskey to, arrives and says that there will be extra state inspectors at the fair and he will not be able to sell her whiskey bootleg there. Hawes sends Seevy away in a rage and tells Sooner to hook up their old horse William to the cart because they are going to take the whiskey to the fair and sell it themselves. Sooner says that old William cannot handle the load, but Hawes insists anyway.\nAt the fair, which Sooner has never been to before, Hawes gives Sooner some money – something she had never done before – and tells Sooner to not get lost. As Sooner buys some cotton candy Elizabeth sees her and buys her some more food. They then ride the Ferris wheel together and Sooner gets ill from it. Finally they return to the horse cart and find Hawes there, trying to whip William to move, but William dies from the strain. As Mac attends to William and declares him dead, Sooner acknowledges that William died, just like bird had.\nThe Sheriff arrives and threatens to send Old Mam Hawes off. Hawes said she's about had it and will move to Florida. The Sheriff says he'd happily pay to see that happen. Hawes angrily tells Sooner to stay with the McHenrys, but after walking a distance away is shown to be looking back at Sooner. Reunited, Mac, Elizabeth and Sooner go home.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] movie about old man that helps some kid.\nFor starters, no it’s not Up. It’s a live action film in which an old guy, maybe a Vietnam war veteran, helps a boy. At first he helps the kid after he’s being bullied. I remember a scene where they go to one of those horse race betting places.I’m sorry but those are all the details I remember.",
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"content": "St. Vincent (film).\nVincent MacKenna is a retired, grumpy, alcoholic Vietnam War veteran living in Sheepshead Bay, who smokes and gambles regularly. His wife, Sandy, developed Alzheimer's years ago and can no longer recognize him, but he poses as a doctor to visit her and does her laundry. Vincent's only close friends are his cat Felix and a pregnant Russian sex worker named Daka. Despite his aggressive attitude toward strangers, Vincent has acquaintances who admire and care about him.\nVincent's 30-year-old Chrysler LeBaron gets damaged by a tree branch felled by his new neighbors' moving van. Maggie Bronstein, a radiology tech divorcee, and her son Oliver meet Vincent, who demands payment for the damage. Maggie does her best to provide for Oliver, who is ostracized and bullied at his Catholic school, but is a knowledgeable, friendly boy, welcomed warmly by his new teacher. On his first day at his school, Oliver's phone, wallet and house keys are stolen by his classmate Robert. Oliver asks Vincent if he can stay at his home until his mother comes home from work. Vincent offers to continue babysitting for a fee.\nVincent picks up Oliver daily after school because Maggie often has late shifts. Vincent's ideas of after-school activities involve visits to racetracks and bars. The mismatched pair begin to help each other mature. Vincent teaches Oliver how to defend himself from bullies, resulting in Oliver breaking a bully's nose, who later apologizes and gives back what he stole. Oliver befriends the boy, who introduces himself as Robert. Vincent and Oliver win a high odds bet on the horses, enabling Vincent to pay off some of his debts. After staff in Sandy's nursing home have told him he is behind on fees and Sandy will be moved, Vincent steals money from Oliver's bank account when his own accounts are overdrawn and takes it to the racetrack. He gambles this money away hoping for a big win.\nVincent is confronted in his home by loan sharks Zucko and Antwan who attempt to take Sandy's jewelry. Vincent suddenly falls to the ground, and Zucko and Antwan leave him on the floor. Oliver finds him and calls emergency services. Vincent is hospitalized, told he has had a stroke, and has to undergo physical therapy. Oliver, Maggie and Daka help Vincent recover but his language remains stilted till the end of the film.\nOliver's father, a lawyer, finds out about Vincent and uses the information on gambling, introducing Oliver to a prostitute, etc. to get joint custody, with Maggie. She tells Vincent that he can no longer see Oliver.\nVincent becomes depressed after finding out Sandy died while he was hospitalised. He is given a box containing her few belongings and also her ashes.\nFor his \"Saints Among Us\" school project, Oliver asks around the neighborhood about Vincent's past. Later, he nominates Vincent at the school's assembly, publicly declaring him his saint and presenting him with a medal. Oliver's rationale comes from his teacher's definition of sainthood as a person showing 'commitment and dedication' and some sacrifice. Vincent fits this in terms of his wife; he also saved two soldiers during the Vietnam war. The rest seems debatable, as gambling and theft don't seem the best course of action to raise money for nursing home fees. However, the school audience are impressed by Oliver's speech and applaud Vincent who has been tricked into attending the event by Daka.\nSome time later, Daka gives birth to a baby girl and she, along with Maggie, Oliver and Robert, go to Vincent's house, where they eat and happily talk.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] [80s-90s] Movie where orphaned children run away in a stolen car.\nHey all, I remember watching this movie around 10 years ago, but the footage looked like a late 80s-90s film. I know it opens up with a woman on the phone saying something along the lines of \"Wait, now tell me it all again.\" I do believe she appears later as well, but the basic premise I can remember is that these children are orphans in a home to be adopted, they're siblings and they're about to split up and sent to different foster homes. So they decide to sneak out one night and steal a car. I think there was a scene where they needed gas and minor hijinks followed. \n\nAny help would be greatly appreciated! This filck pops in and out of my head so I figured I'd give it a whirl here.",
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"content": "On Our Own (film).\nSiblings who've been dumped in the foster care system find ways to be on their own, often making mistakes and learning from them along the way.::Gaskmaskproductionsbooks\n\nFour children set out on their own after their mother's death to avoid being separated by foster care. Trying to find their Uncle Jack, they encounter adventure and danger. Before the story's touching yet humorous conclusion, they make some serious mistakes... and learn some important lessons.::<vertigus@aol.com>",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[tomt] [movie] aliens but they're teenagers?.\nI remember a movie from the 80's or 90's, I think two human kids make a home made spaceship of some kind and fly to space where they board an alien ship. The aliens they meet are green, it's a male and female and they're teenagers doing stereotypical stuff like playing guitar and skateboarding, and they stole their parents spaceship for a joyride. Seriously can't find this movie no matter what I google. Help!",
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"content": "Explorers (film).\nBen Crandall is a young teen living in the suburbs of Washington DC who experiences vivid dreams about flying through clouds and over a vast, city-like circuit board.\nusually after falling asleep watching old sci-fi films (The War of the Worlds is a favorite).\nEvery night, upon waking from the dream, he draws the circuit board.\nBen shows the sketches to his friend, child prodigy Wolfgang Muller.\nAt school, Ben develops a crush on Lori Swenson - but he isn't sure whether it's mutual.\nBoth boys meet punkish-but-likable Darren Woods, with whom they share their circuit board-concepts.\nWolfgang builds an actual microchip based on Ben's drawings.\nThe chip enables the generation of an electromagnetic bubble which surrounds a pre-determined area.\nAs the boys discover, the bubble is capable of moving at near-limitless distances and speeds without the usual ill-effects from inertia.\nThey construct a rudimentary spacecraft out of an abandoned tilt-a-whirl car; they name their ship the Thunder Road, after Bruce Springsteen's song of the same title.\nTheir experiments with the Thunder Road draw attention from the US Government, which sends agents to scout the area for unidentified flying objects.\nAfter Ben receives more dreams about the circuit board, Wolfgang discovers a means of producing unlimited sustainable oxygen; this means longer flights, whereas previously they were limited to whatever a typical oxygen tank could hold.\nThey finalize their plan to explore the galaxy in search of alien life.\nThe boys complete lift-off, despite interference from the authorities (one of whom silently wishes them well).\nShortly after breaking Earth's orbit, something overrides the boys' personal computer-controls.\nThe Thunder Road is tractor-beamed aboard a much-larger spaceship.\nThe boys venture out to meet their \"captors\": Wak and Neek: two green-skinned aliens whose knowledge of Earth comes almost entirely from junk culture, particularly TV reruns.\nThe young explorers hit it off with their extraterrestrial hosts.\nwho are suddenly intercepted by a larger-still alien vessel.\nFeigning an attack by space-pirates, Wak urges the boys to leave.\nThey are in the process of doing so when they're cut off by a gigantic brown extraterrestrial, this one bearing a close resemblance to the other two, who gestures furiously while grinding out barely-comprehensible alien language.\nAs it turns out, Wak and Neek are brother and sister; they've taken their father's ship out for a \"joy ride\", sending the dreams to the boys in the hopes of meeting humans.\nTransmissions of old black-and-white movies have kept the extraterrestrial populace at a distance - except for the curious Wak and Neek - due to the humans' depicted violent tendencies toward alien life.\nWak and Neek's father allows the Thunder Road and its crew to depart, after Wak and Neek give the boys a parting gift: an amulet which, according to the extraterrestrials, is \"the stuff dreams are made of\".\nThe boys make it safely back to Earth, but a malfunction results in them crashing the Thunder Road into their neighborhood lake.\nNow they're back to square one.\nor so they think.\nA week later, Ben has a dream at school in which he envisions another vast circuit board while flying through more clouds overhead.\nThis time - thanks to Wak and Neek's amulet - Ben is joined in the dream by Wolfgang, Darren, and Lori.\nThey proclaim that the circuitry is \"really complicated\", and wonder where this one will take them once they've constructed it.\n\".\nI can't wait to find out\".\nLori smiles at Ben while holding his hand.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "Brotherhood of the Wolf.\nDuring the French Revolution, Marquis d'Apcher writes his memoirs in his castle. He recounts to 1764, when a mysterious beast terrorized the province of Gévaudan. Grégoire de Fronsac, a knight and the royal naturalist of King Louis XV of France, and his Iroquois companion Mani, arrive to capture the beast. Fronsac becomes interested in Marianne de Morangias, the daughter of a local count, whose brother, Jean-François, was also an avid hunter and a world traveller, whose arm was mangled and rendered useless while oversees. Fronsac is also intrigued by Sylvia, an Italian courtesan at the local brothel.\nWhile investigating another victim, Fronsac finds a fang made of steel. A traumatized child witness swears that the beast is controlled by what seems to be a human master. As the investigation proves unfruitful, the king's weapons master, Lord de Beauterne, arrives to put an end to the beast, and Fronsac is sent back in Paris. He realizes that the beast is actually an instrument of a secret society: The Brotherhood of the Wolf, which is working to undermine public confidence in the king and ultimately take over the country. Back in Gévaudan, the attacks by the real beast continue, and Fronsac returns to put an end to the beast's killings. At a secret rendezvous with Marianne, they are attacked by the beast, where it mysteriously refrains from attacking her.\nFronsac, Mani, and a young Marquis set out into the forest and set up an array of traps to capture the beast; it is severely injured but escapes. Mani sets off alone in pursuit, where he finds a catacomb used as the beast's holding pen, inhabited by the Brotherhood. Outnumbered, Mani is shot and killed. Fronsac discovers Mani's body and performs an autopsy, finding a silver bullet—Jean-François' signature choice of ammunition. In a fit of rage, a vengeful Fronsac goes to the catacombs and slaughters many members, but is overpowered by the local authorities and imprisoned.\nSylvia visits him in jail and reveals that she is a spy for the Holy See. She explains that Henri Sardis, the local priest and leader of the Brotherhood, believes that he is restoring worship of God to France. Pope Clement XIII has decided that Sardis is insane, and sent her to eliminate him. She then poisons Fronsac, saying he knows too much. Meanwhile, Jean-François comes to Marianne's room and reveals to her that he is the beast's master; it recognized his scent on her when it came near her, which is why it did not attack. He then rapes her when she rejects his advances.\nSylvia's agents exhume Fronsac, who had not been killed but merely put into a temporary coma, and he appears at one of the Brotherhood's sermons. He kills several members, including Jean-François, who reveals that he had regained use his supposedly mangled arm. Sardis escapes into the mountains, but is mauled to death by a pack of wolves. Fronsac and Marquis go to the beast's lair, where it lies severely wounded. It turns out the beast was a lion that Jean-François brought back from Africa as a cub that was tortured into becoming vicious and trained to wear spiked metal armor. Fronsac takes pity and kills the beast in an act of mercy.\nMarquis finishes writing his account just before he is led to his execution by a revolutionary mob. He states that he doesn't know what happened to Fronsac and Marianne after the death of the beast; but he hopes that somewhere, they are happy together. A final scene shows Fronsac and Marianne sailing on a ship named Frère Loup--Brother Wolf.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally 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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] watched it before 10y.\nmovie is maybe older but i am not sure, it is about some orphanage and there is a girl in the attic, most likely because of bad behavior. she writes a circle with a chalk and sleeps within it. later in the movie another girl is with her in the attic. she tries to escape (or both of them) and while passing between buildings on a wooden ramp? (plank?, board?) she somehow fell of, possible reason is somebody shaking the board, but she grabs a building, and after some time she falls.",
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"content": "A Little Princess (1995 film).\nSara Crewe (Liesel Matthews) is the kind, caring daughter of Captain Richard Crewe (Liam Cunningham), a wealthy aristocrat living in India.\nSara's mother died when she was very young, and she has to leave her beloved childhood home and friends when her father volunteers to fight for the British as an officer in World War Captain Crewe enrolls Sara at a girls' boarding school in New York, and instructs the headmistress Miss Minchin (Eleanor Bron) to spare no expense making sure his daughter will be comfortable while he is away.\nHe has reserved her the school's largest suite, and gives Sara a French doll named Emily, telling her that if she wants to talk to him, just speak to Emily and he will hear it.\nThough she finds the strict rules and Miss Minchin's harsh attitude stifling, Sara becomes popular among the girls, including the scullery maid Becky (Vanessa Lee Chester), for her kindness and strong sense of imagination.\nShe writes constant letters to her father, which are a great source of happiness for him on the battlefield.\nDue to a body being misidentified, Captain Crewe is declared dead when he is actually seriously injured and suffering from amnesia, and the British government seizes his company and assets.\nWhen Miss Minchin hears the news, she is in the middle of throwing a lavish birthday party for Sara, hoping to extort more money from her father.\nWhen Crewe's solicitor arrives and tells her there will be no more money, Miss Minchin is furious.\nSince Sara is now penniless and has no known relatives, Miss Minchin decides to move her to the attic with Becky to work as a servant where she will report to Mabel (Peggy Miley) at 5:00 AM.\nMeanwhile, the elderly neighbor Charles Randolph (Arthur Malet) has received word that his son John, also fighting in Europe, is missing in action.\nHe is asked to identify a soldier suffering from amnesia, but he is discouraged to discover it is not John.\nHis Indian assistant Ram Dass (Errol Sitahal) encourages him to take in the man anyway, reminding him that he may know what happened to his son.\nThough her life is bleak, Sara remains kind to others and continues to hold onto her belief that all girls are princesses.\nSara and Becky later play a chimney prank on Miss Minchin after she scolds a young chimney sweep boy (Jonás Cuarón).\nSara even showed sympathy toward Miss Minchin's sister Amelia (Rusty Schwimmer).\nWhen her friends later sneak up to see her and are caught by Miss Minchin, she protects them by saying she invited them.\nAs punishment, Miss Minchin locks Becky in her room and assigns Sara to perform both Becky's and her own chores for the next day without anything to eat for both of them.\nTo distract them from their hunger, they imagine a huge banquet.\nThe next morning, they wake to find their dream has come true, having secretly been left there by Ram Dass.\nLater that night, Amelia sneaks out of the school and runs off with the milkman.\nWhen Miss Minchin discovers all the finery in Sara and Becky's rooms, she summons the police.\nSara narrowly avoids arrest by perilously climbing over to the Randolph house.\nWhile hiding from the police searching the house, she comes across the soldier and realizes it is her father.\nCaptain Crewe, though sympathetic to the girl, does not recognize her at all.\nAs she tries to make him remember, Miss Minchin and the police arrive.\nThough the headmistress clearly recognizes Crewe, she claims that Sara has no father and has the police officers take her away.\nAs the police are about to take Sara away along with Becky, Crewe suddenly regains his memory and rescues his daughter.\nMiss Minchin is arrested when the police discover the truth of her cruelty to Sara and Becky.\nSome time later, Captain Crewe had cleared things up with Miss Minchin's superiors and the bank.\nThe boarding school is given to mr Randolph, and his efforts make it a much happier place for the girls.\nThe Crewe family's wealth is restored to them and they adopt Becky.\nCaptain Crewe tells mr Randolph his son died in a gas attack, giving the man closure.\nAs justice, Miss Minchin has seemingly lost her current title and high position and is reduced to a chimney sweeper and working for the chimney sweeper boy she previously mistreated (who appears to be enjoying his revenge on Minchin).\nAfter saying goodbye Sara leaves with her father and new sister to return to India.\nThe film closes with Sara and Becky waving farewell to their former classmates as their carriage departs from the school.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] Movie I can not remember.\nI remember watching it maybe in the 90s, not completely sure. It is a crime movie, where I think cops are getting killed, and towards the end we find out a woman is killing them as a revenge, because they raped her at the police academy, or something like that. Thank you so much in advance",
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"content": "Probable Cause.\nA series of cop murders plagues the city. The remaining officers on the force are increasingly worried as the deaths increase with no leads. As the department's finest, Detective Gary Yanuck must solve the case before it's too late. Additionally, he must deal with his sexual harassment charges, while his new partner struggles with her somnambulism.::Mark J. Popp <poppmj@cadvision.com>",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [TV SHOW] British drama from the 70s set in ancient Egypt.\nWe are trying to remember a TV series that aired in Britain in the 70s. It was about court life in ancient Egypt. It was related to Sun worship and had that kind of theme in the opening credits. It had a kind of “filmed play” type aesthetic.",
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"content": "The Feathered Serpent (TV series).\nA young boy named Tozo must prevent Nasca, the bloodthirsty high priest of Teshcata, from seizing control of the Aztec civilisation.::GusF",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] [1990s] Cyberthriller with someone housebound in a wheelchair.\nI remember watching a 90s (probably) movie on TV when I was a kid. I think the main character was housebound and in a wheelchair with some sort of injury. He or she was investigating a criminal (a serial killer?) with some hilarious 90s computer sequences. I’m pretty sure that the climax involved the criminal coming to the main character’s house, and the main character falling out of the wheelchair and having to crawl away. It’s not The Net with Sandra Bullock, but similar vibe. Thanks for you help!",
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"content": "Rear Window.\nAfter breaking his leg photographing a racetrack accident, a professional photographer, the adventurous \"Jeff\" Jefferies (James Stewart), is confined to a wheelchair in his Greenwich Village apartment to recuperate.\nHis rear window looks out onto a courtyard and several other apartments.\nDuring a powerful heat wave, he watches his neighbors, who keep their windows open to stay cool.\nHe observes a flamboyant dancer he nicknames \"Miss Torso\"; a single middle-aged woman he calls \"Miss Lonelyhearts\"; a talented, single, middle-aged composer-pianist; several married couples; a female sculptor; and Lars Thorwald (Raymond Burr), a traveling jewelry salesman with a bedridden wife.\nJeff's sophisticated, beautiful socialite girlfriend, Lisa Fremont (Grace Kelly), visits him regularly, as does his insurance company's nurse, Stella (Thelma Ritter).\nStella wants Jeff to settle down and marry Lisa, but Jeff is reluctant.\nOne night during a thunderstorm Jeff hears a woman scream \"Don't.\n\" and then the sound of breaking glass.\nLater he is awakened by thunder and observes Thorwald leaving his apartment.\nThorwald makes repeated late-night trips carrying his sample case.\nThe next morning Jeff notices that Thorwald's wife is gone, and then sees Thorwald cleaning a large knife and handsaw.\nLater, Thorwald ties a large trunk with heavy rope and has moving men haul it away.\nJeff discusses all this with Lisa and with Stella.\nJeff becomes convinced that Thorwald has murdered his wife.\nJeff explains this to his friend Tom Doyle (Wendell Corey), a New York City Police detective, and asks him to do some research.\nDoyle finds nothing suspicious; apparently mrs Thorwald is upstate, and picked up the trunk herself.\nSoon after, a neighbor's dog is found dead, its neck broken.\nThe owner yells out into the courtyard, \"You don't know the meaning of the word 'neighbors'.\nNeighbors like each other, speak to each other, care if anybody lives or dies.\nBut none of you do.\n\" All the neighbors run to their windows to see what is happening, except for Thorwald, whose cigar can be seen glowing as he sits quietly in his dark apartment.\nCertain that Thorwald is also guilty of killing the dog, Jeff asks Lisa to slip an accusatory note under his door, so Jeff can watch his reaction when he reads it.\nThen, as a pretext to get Thorwald out of his apartment, Jeff telephones him and arranges a meeting at a bar.\nHe believes Thorwald buried something incriminating in the courtyard flower bed and killed the dog to stop it digging there, so when Thorwald leaves, Lisa and Stella dig up the flowers; they find nothing.\nMuch to Jeff's amazement and admiration, Lisa then climbs the fire escape to Thorwald's apartment and clambers in through an open window.\nWhen Thorwald returns and grabs Lisa, Jeff calls the police, who arrive in time to save her by arresting her.\nJeff sees Lisa has her hands behind her back, wiggling her finger with mrs Thorwald's wedding ring on it.\nThorwald notices this, and realizing that she is signaling to someone, he sees Jeff across the courtyard.\nJeff phones Doyle and leaves an urgent message.\nStella heads for the police station to post bail for Lisa.\nWhen his phone rings, Jeff assumes it is Doyle, and says that the suspect has left the apartment.\nWhen no one answers, Jeff realizes that Thorwald himself had called, and is heading over to confront him.\nWhen Thorwald enters, Jeff repeatedly sets off his camera flashbulbs, temporarily blinding him.\nHowever, Thorwald grabs Jeff and manages to push him out of the open window, as Jeff is yelling for help.\nPolice officers enter the apartment as he falls to the ground; other officers have run over to break his fall.\nThorwald confesses to the police soon afterward.\nA few days later, the heat has lifted, and Jeff rests peacefully in his wheelchair, now with casts on both legs.\nThe lonely neighbor is chatting with the pianist in his apartment, the dancer's lover returns home from the army, the couple whose dog was killed have a new dog, and the newly married couple are bickering.\nLisa reclines on the daybed in Jeff's apartment, wearing jeans and apparently reading a book titled Beyond the High Himalayas.\nAs soon as Jeff falls asleep, Lisa puts the book down and happily opens a fashion magazine.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] A recently made historical horror movie about women that gang up against an abusive guy.\nI thought I saw a trailer like this and was thinking it was \"The Favourite\", but the plot seemed different, unless it was just promoted very differently. Was there a similar looking film but more dark/horror?",
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"content": "The Beguiled (2017 film).\nMartha Farnsworth runs a girls school in Virginia during the Civil War. By 1864, almost all of the students, teachers, and enslaved persons have left. In addition to Farnsworth herself, only five students and one teacher, Edwina Morrow, remain. While out in the woods searching for mushrooms, Amy, a pupil, comes across John McBurney, a corporal in the Union Army who was wounded in the leg during battle, and has since deserted. Amy brings McBurney to the school where he falls unconscious. The women lock McBurney in one of the rooms while Miss Farnsworth tends to his wounds. All the women and girls in the school are immediately fascinated by the handsome man.\nInitially, some of the school's residents want McBurney to be delivered as a prisoner of war to the Confederate Army, but Miss Farnsworth decides that they will let his leg heal before they decide what they will do with him. When Confederate soldiers arrive at the school, Miss Farnsworth does not tell them that a Union soldier is on the premises. While McBurney is recovering, the women and girls subtly vie for his affection by giving him presents, wearing jewelry, and preparing a lavish dinner for him. He returns the affection, concentrating especially on Miss Morrow and Miss Farnsworth. When he is able to move again, he begins to help in the garden. It becomes clear that he fears returning to battle.\nWhen Miss Farnsworth indicates that McBurney is healthy enough and will have to leave the school in a few days, he tries to convince her to let him stay as a gardener, and tells Miss Morrow that he has fallen in love with her. One night, he tells Miss Morrow to await him in her room. When he does not appear and she hears strange noises, she investigates and finds him in bed with Alicia, a teenage pupil. McBurney tries to calm the angry Miss Morrow down, but she pushes him away, causing him to fall down the stairs and badly break his already injured leg. Miss Farnsworth decides that the only way to save his life is to amputate the leg.\nWhen he awakes the next day and realizes he has lost his leg, McBurney is devastated and furious, accusing the women (and especially Miss Farnsworth) of having punished him for choosing Alicia's room instead of theirs. He is locked up in his room but threatens Alicia, who gets him the room key. He then breaks out, steals a gun, and loudly threatens the women before storming off. Miss Morrow follows him to his room, where she initiates a sexual encounter.\nMeanwhile Miss Farnsworth tries to find a solution. One of the students suggests killing McBurney by preparing him a dinner of poisonous mushrooms, to which Miss Farnsworth agrees. During the dinner, Miss Morrow, unaware of the plan, is deterred by the others at the last minute from putting the mushrooms on her own plate, but McBurney's suspicions are not aroused. Promptly after eating the mushrooms, he falls to the floor in the throes of death. While the others are sewing McBurney's body into a shroud, Miss Morrow looks on, devastated. The film ends with the women dragging McBurney's body to the road so that he will be found by the next Confederate soldiers who pass by.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the 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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][movie]A 70s or 80s action/gangster movie that ends with a boat that has golden guardrails.\nI saw this one tv years ago. There was a shootout at a dock, one of the characters had a shotgun. I think they were in a conflict about missing/stolen gold. It ended with a character having \"hidden\" the gold by using it to make the guardrails of his boat. \n\nAesthetically it reminded me of the A-team (the film stock and the fashion) but it was pretty violent. \n\nThat's all I know thanks",
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"content": "Heist (2001 film).\nA career jewel thief finds himself at tense odds with his longtime partner, a crime boss who sends his nephew to keep watch.::mystic80\n\nJoe Moore has a job he loves. He's a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman reneges on the money he's owed, and his wife may be betraying him with the fence's young lieutenant. Moore and his partner, Bobby Blane and their utility man, Pinky Pincus find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.\n\nDavid Mamet takes this story of thieves along many twists and turns, some of which work and some of which don't. Gene Hackman plays the brilliant leader of a gang (Delroy Lindo, Ricky Jay & Rebecca Pigeon as Hackman's youngish wife), which pulls off complex heists for a despicable fence (Danny DeVito). After stiffing the gang on a jewelry robbery, DeVito forces the gang to go after a Swiss gold shipment and to use his nephew (Sam Rockwell) in the crime. No one trusts anyone and every step is shaded with the unexpected.::John Sacksteder <jsackste@bellsouth.net>",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] Monster horror flick circa ~2007.\nI am looking for this movie I've partially seen at a friend's house one time. It was a horror film. Judging by the quality and film school I'd say it was made circa \\~2007 give or take.\n\n​\n\nPartial plot points I remember:\n\n* One big angry beast is roaming in some sort of science facility built inside a snowy mountain I believe.\n* Key characters: badass protagonist asian chick, sidekick semi-competent white scientist guy. And the antagonist was a crazy madman of a scientist that let all of this happen (aside from the killer monster).\n* The power is down, facility on a lockdown, 99% of people are dead or missing\n* I remember that the movie ends with the beast getting killed with a stab to the head (chin area) and the doctor getting eaten by his own creations (some smaller monsters).\n* I remember that the monster was a real rig/costume, no CGI for the most part. He was big and that it wasn't a Resident Evil movie\n* Some shooting, some dying, screaming, running scientists. Sweat and blood everywhere\n* The movie was mostly set in dark labs and metal corridors\n* At the end the asian girl cut her own hand to draw the monster to her because he smelled her blood\n* The friendly scientist guy wanted to find a way for them to escape, but he got interrupted by the evil madman scientist who wanted his \"babies\" to escape in to the world instead\n* It was a generic horror flick with a big brute monster in it, not a legendary Hollywood experience but not average either\n* I think the beast walked on all four\n* Oh the asian girl had a squad of other \"elite\" soldiers with her at first, but they got eaten and poop'd out\n* They escape using a helicopter and the facility explodes I believe\n\n​\n\nThank youuu!",
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"content": "Splice (film).\nGenetic engineers Clive Nicoli and Elsa Kast hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrid animals for medical use.::Anonymous\n\nTwo young rebellious scientists are told by their employers to halt groundbreaking work that has seen them produce new creatures with medical benefits by splicing together multiple organisms' DNA. They decide to secretly continue their work, but this time splicing in human DNA.::Anonymous\n\nClive Nicoli and Elsa Kast are scientists of the _News_ (qv)tead Pharmaceutics researching the splice of DNA from different animals to form new genetic beings and find medical benefits to mankind. They have just created the hybrid Ginger and Fred and now they intend to join together human DNA to alter the genetic structure of their experiment. When the senior management calls off their experiment, they decide to secretly proceed and they generate a life form with human characteristics. They call it Dren and Elsa is very fond of their creation that grows up fast and showing intelligence. When the company shutdown their experiment, they bring Dren to Elsa's abandoned farm and the scientists raise Dren like a daughter. But when it reaches adulthood, the sex drive of Dren is activated and Clive and Elsa learn that they have a serious problem to resolve.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE][1990s]A sci-fi fantasy, family friendly..\nI remember it had a young guy & girl, (teenagers or slightly older). The guy was learning some sort of magic from an older gentleman. The older man was well dressed, somehow he now reminds me of Niles from the Nanny.\n\nTakes place in both the real world and other dimensions that can be travelled through as a shortcut or to escape enemies? \n\nThere's a scene where they're in a different dimension, walking through a desert. They have to be careful not to injure themselves because while they are in that desert, their bodies are sort-of made of mist and it would be fatal to them. It made the young guy feel ill. He says something like, \"I think I'm going to throw up\". The older man says, \"You don't want to do that, not in this place\" implying vomiting would turn his mist-body inside-out or similar. \n\nTo get out of that dimension, the older man had a staff, had to walk in a specific set of directions, then poke the staff into the sand, then turn 180 degrees and they would suddenly be back in the real world. The teen guy learned this technique too and managed to get away from some enemies chasing them in this desert-dimension, just as they were about to be caught.\n\nLater in the movie an enemy in this desert-dimension is chasing them and has the staff pushed through his mist-body. He looks up in shock and \\[whoever did it to him\\] says something like, \"I bet that hurts\". All you see is the staff go sideways into his body and it moved through him like it would through smoke.\n\nIn another scene, the three of them are in an elevator and the enemies used this magic against them. It tricked their minds into believing the elevator no longer existed, so they would fall down the elevator shaft to their deaths. It didn't work on the older man due to his experience, but the two teens fell, but managed to grab onto the older man's feet - just hanging there. The old man is still standing, (apparently in no space) and he says something like; \" I don't wish to alarm you, but if you don't climb back up here soon, you'll be crushed under the elevator when it reaches the ground floor.\"\n\nI can't remember many other scenes other than the ones described above. I say it was family friendly because I remember watching it as a kid on a Saturday afternoon.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally 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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "Closely Watched Trains.\nThe young Miloš Hrma, who speaks with misplaced pride of his family of misfits and malingerers, is engaged as a newly-trained train dispatcher at a small railway station near the end of the Second World War and the German occupation of Czechoslovakia. He admires himself in his new uniform and looks forward, like his prematurely retired train driver father, to avoiding real work. The sometimes pompous stationmaster is an enthusiastic pigeon-breeder who has a kind wife, but is envious of train dispatcher Hubička's success with women. The idyll of the railway station is periodically disturbed by the arrival of councilor Zedníček, a Nazi collaborator who spouts propaganda at the staff, though he does not influence anyone with it.\nMiloš is in a budding relationship with the pretty, young conductor Máša. The experienced Hubička presses for details and realizes that Miloš is still a virgin. At her initiative, Máša spends the night with Miloš, but in his youthful excitability he ejaculates prematurely and is unable to perform sexually. The next day, despairing, he attempts suicide, but is saved. A young doctor at the hospital explains to Miloš that ejaculatio praecox is normal at his age, recommending that Miloš \"think of something else\", such as football, and seek out an experienced woman to help him through his first sexual experience.\nDuring the nightshift, Hubička flirts with the young telegraphist, Zdenička, and imprints her thighs and buttocks with the office's rubber stamps. Her mother sees the stamps and complains to Hubička's superiors.\nThe Germans and their collaborators are on edge, since their trains and railroad tracks are being attacked by partisans. A glamorous resistance agent, code-named Viktoria Freie, delivers a time bomb to Hubička for use in blowing up a large ammunition train. At Hubička's request, the \"experienced\" Viktoria also helps Miloš to resolve his sexual problem.\nThe next day, at the crucial moment when the ammunition train is approaching the station, Hubička is caught up in a farcical disciplinary hearing, overseen by Zedníček, over his rubber-stamping of Zdenička's backside. In Hubička's place, Miloš, liberated from his former passivity by his experience with Viktoria, takes the time bomb and drops it onto the train from a semaphore gantry, which extends transversely above the tracks. A machine-gunner on the train, spotting Miloš, sprays him with bullets, and his body falls onto the train.\nZedníček winds up the disciplinary hearing by dismissing the Czech people as \"nothing but laughing hyenas\" (a phrase actually employed by the senior Nazi official Reinhard Heydrich). The stationmaster is despondent because the scandal with Hubička and Zdenička seems to have frustrated his ambition of being promoted to inspector. Then a huge series of explosions happens just around a bend in the track as the train is destroyed by the bomb. Hubička, unaware of what has happened to Miloš, laughs to express his joy at this blow to the Nazi occupiers. Máša, who has been waiting to speak with Miloš, picks up his uniform cap, which has wound up at her feet, blown by the huge winds from the blast.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] A teen learns MMA to fight a bully to save his reputation?.\nHey guys, I saw this movie when I was a wee lad, where it had this story of this average teen that was sick of this other teen going around bullying other kids (I think?) In the end he learns MMA from this one teacher that tells him not to use it for fighting but for self defense but he does the complete opposite, master bans him from MMA I think? Redeems himself through some action. I know it's not a lot to remember from but I remember this scene where he starting working out and had trouble adapting to the point where he did push ups with his little brother clinging on top of him.",
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"content": "Never Back Down.\nJake Tyler (Sean Faris) has recently moved from Iowa to Orlando, Florida with his mother, Margret (Leslie Hope), and younger brother, Charlie (Wyatt Smith), to support Charlie's shot at a professional tennis career.\nJake was a star athlete on the football team at home, but in this new city, he is an outsider with a reputation for being a quick tempered brawler after an internet video of him starting a fight at one of his football games after a frustrated player from the opposing team taunted Jake about his father, who died in a drunk driving accident, circulates around his new school.\nMaking an attempt to fit in, at the invitation of a flirtatious classmate, Baja Miller (Amber Heard), Jake goes to a party where he is unwillingly pulled into a fight with the fighting MMA champion at the school, Ryan McCarthy (Cam Gigandet).\nOriginally, Jake does not wish to fight until Ryan taunts him about his father who died while driving drunk with Jake in the car.\nJake is brutally defeated in the fight, causing Jake to feel depressed.\nBut a classmate, Max Cooperman (Evan Peters), who later becomes one of his best friends, introduces himself to Jake and tells him about the sport known as Mixed Martial Arts.\nHe sees a star in Jake and asks that he meet with Jean Roqua (Djimon Hounsou).\nIt is immediately apparent to Jake that MMA is not street fighting, but rather an art form he wants to master.\nRoqua agrees to take Jake as a pupil, but under the condition that Jake refrains from fighting outside of the gym which Jake agrees to, despite knowing he wishes to confront Ryan anyway.\nBaja attempts to apologize to Jake, but he does not sympathize with her and refuses to forgive her.\nBaja then confronts Ryan about the fight with Jake and proceeds to end their relationship when Ryan shows no remorse for the beating he gave him or his sadistic tendencies.\nRyan begins to create a scene before the entire school but Jake tries to step in to defend Baja.\nAfter Ryan insults him again and leaves, Jake attends training with Roqua.\nStill angry about the incident, he is unable to calm down and train effectively.\nRoqua asks Jake to leave so that he could \"cool off\".\nAfter he and Max leave the gym, Jake gets into a brawl with a group of guys in a Hummer whom Jake easily disposes of while Max films.\nThis video again circulates around the school raising Jake's social status but agitating Ryan in the process.\nRyan then proceeds to challenge Jake to compete in the Beatdown, an underground fighting tournament of which Ryan is the reigning champion.\nAfter having been banished from the gym by Roqua after his fight is discovered, Jake begs for forgiveness saying his anger is quelled when he is training with Roqua.\nRoqua agrees to allow Jake to train at his gym again, but does not take it easy on him anymore.\nHe then prepares to compete in the Beatdown.\nWhile training with Roqua, Jake inquires why he lives in the gym.\nJake discovers that Roqua is from Brazil and he is in exile because he believes he is the reason his brother, Joseph the favorite son, was killed and his father had disowned him for.\nJake apologizes to Baja for not listening when she first apologized and the two proceed to begin a relationship.\nUpon hearing that Jake has decided not to compete in the Beatdown, Ryan invites Max to hang out at his house; there he begins to spar with Max before brutally assaulting him and leaving him at Jake's door.\nJake and Baja take Max to the hospital where Jake decides to fight.\nDespite Baja's pleas against his decision, he states that doing nothing has consequences.\nBefore he goes to the tournament, he has a brief argument with Roqua about his decision to fight.\nRoqua eventually assents and tells him to \"control the outcome\" of the fight.\nJake arrives at the tournament where it is about to begin.\nAfter a mix-up where Jake and Ryan almost fight in the first round, they both proceed to make their way through each fight.\nJake makes it to the semifinals in spite of an injury he received in the previous match due to a kick to the ribs.\nWhile Jake is recovering after the match, Baja sees him and tells him that she finally understands that Jake is fighting \"so [he doesn't] have to fight again\".\nAfter learning that Ryan was disqualified in his semifinal match, Jake forfeits, seeing no reason to continue.\nWhile he and Baja attempt to leave, Ryan confronts him and the two finally fight outside in the parking lot.\nJake is still limited by his ribs, and Ryan at first gains the upper hand, applying a choke on Jake.\nHowever Jake escapes and, with the entire crowd watching, knocks out Ryan using one of the first combinations Roqua taught him.\nThe next day, a visibly injured Max has been released from the hospital.\nJake has won the respect of his fellow students, including Ryan, and Roqua closes the gym with a ticket to Brazil, signaling his intention to reconcile with his father.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Movie/TV Show] Movie where a teenage boy is interrogated by two security guards who turn out to be lizard people?.\nI think it happened in a shopping centre (mall for Americans) and he was brought into a small room by the security, who then revealed their true form.That's literally all I remember. Seen it about 12-13 years ago on TV and changed the channel after that scene. I know this is a long shot but it scared the shit out of me at the time and has always stuck with me.",
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"content": "The Seeker (film).\nWill Stanton (Alexander Ludwig) is a day away from his fourteenth birthday. As the Stanton children walk home, Miss Greythorne (Frances Conroy), the local mistress of the Manor, and her butler Merriman Lyon (Ian McShane) invite the siblings to a Christmas party. Later, two farmers, Dawson (James Cosmo) and Old George (Jim Piddock), whom Will does not know, arrive at his house with a large Christmas tree ordered by the family. The farmers know Will’s name, wish him a happy birthday, and predict a storm despite the relatively clear sky. Will’s birthday is so close to Christmas that everyone in his large family ignores it except for his little sister Gwen (Emma Lockhart), who gives him his only birthday present (a Casio G-Shock Mudman wristwatch). The family has moved from the United States to a small English village and one of his brothers has arrived home for the holidays and displaces Will to the attic. For a Christmas present, Will buys Gwen an enigmatic stone pendant at the local mall. Two suspicious security guards accuse him of shoplifting and take him to their office. Alarmingly, as they question Will under the room's flickering lights, the guards metamorphose into rooks. They attack Will, but he manages to escape, accidentally using his powers for the first time. Will begins to experience more odd incidents and receives a strange and Celtic-looking belt from his oldest brother, Stephen (Jordan J. Dale).\nAt the Manor Christmas party, Will once again sees Dawson and Old George who seem to know him well. Miss Greythorne and Merriman debate about when and how to approach Will about his destiny. Maggie Barnes (Amelia Warner), an attractive local girl appears at the party and Will becomes upset when one of his older brothers approaches her and begins chatting to her. Will leaves the Manor, and an ominous figure mounted on a white horse and accompanied by dogs chases Will. As the ominous figure prepares to kill Will, who is currently no match for him, Miss Greythorne, Merriman, Dawson, and Old George suddenly appear and save Will. Merriman names the threatening figure as The Rider (Christopher Eccleston), who warns them all that in five days' time his power – The Dark – will rise. The four adults are the last of the Old Ones – ancient warriors who serve The Light – and take Will on a walk through time and space to a place called the Great Hall, which in the present day is the church the Stantons attend. Will is the last of the Old Ones to have been born: he is the seventh son of a seventh son whose power begins to ascend on his fourteenth birthday, though Will disputes this idea because he believes he is the sixth son. Will is The Seeker: the sign-seeker who must locate six Signs whose possession will grant The Light power over The Dark. The Rider is also seeking them. Will returns home to his attic room and falls and twists his ankle. The doctor who calls is The Rider in disguise but he is recognized by Will. The Rider demonstrates his powers on Will’s ankle by alternately healing it and making it much worse before restoring it to its injured state; he offers Will the chance to have any desire he wants fulfilled in exchange for giving him the signs. Will discovers he has a lost twin brother named Tom, who, as a baby, mysteriously disappeared one night and was never found. Merriman instructs Will on his powers, which include sensing the Signs, summoning superhuman strength, commanding light and fire, telekinesis, stepping through time, and the unique knowledge to decipher an ancient text in the Book of Gramarye. Unfortunately, Will learns he can't fly, a power he wanted.\nWill returns to The Great Hall and learns the form each sign will take. Will reveals the first sign within Gwen’s pendant. As the sign-seeker, Will travels through time to find the next four signs. The Rider enlists a mysterious figure to help him get the signs from Will. When Will's brother invites Maggie to their home, she reveals some of her powers to Will. Will reveals his affections for her, saying he felt an instant connection with her. He tells her he has been thinking of her constantly. The Rider also tricks Will's older brother Max, using his magic to partially control him. The spell over Max is finally broken when Will uses his great strength to give Max a concussion. By the fifth day, The Dark that The Rider commands has now gained tremendous power and begins to attack the village with a terrible blizzard. Will locates the fifth sign but without the sixth sign, the Dark continues to rise. Maggie is revealed to be the mysterious witch helping the Rider in exchange for eternal youth. She is betrayed by him (for failing to get ANY of the signs) when she fails to get the fifth sign and ages rapidly, disintegrating into a flood of water while trying to steal them from Will. The Old Ones and Will seek sanctuary in the Great Hall, where the Rider cannot enter unless invited. However, The Rider's final trick (impersonating the voices of Will's mother and father, as well as Gwen) gains him access to The Great Hall. The Rider reveals that he has trapped Tom, whom The Rider mistook for The Seeker and kidnapped, within a glass sphere (and apparently took care of all these years). He sends Will into an evil dark cloud. As he enters, Will solves the riddle of the sixth sign: he himself is the sixth sign. With all six signs identified The Rider cannot touch nor harm Will. Using his power over the dark, Will banishes both The Rider – imprisoning the evil figure within one of his own glass spheres – and The Dark. The sphere disappears into the murky water. Will and Tom are reunited and return to their family, who are thrilled to see Tom.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] two soldiers are captured and one forced to kill the other..\nA military movie where a helicopter crashes and two soldiers are captured by terrorists. One of which is the main character. They get put into a hole and a board is nailed down to keep them in. The main character is the squad leader and tells his soldier to not say a single word. Whenever the two pipe up the guy on guard points an AK style rifle at them and they back down. Eventually the terroist leader wants the main character to record a video, and kill the soldier he is with with a lead pipe. Which he does because he wants to get back to his family and will do whatever it takes to survive.",
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"content": "Brothers (2009 film).\nUnited States Marine Corps captain Sam Cahill is about to embark on his fourth combat deployment. He is a steadfast family man married to his high school sweetheart Grace, and together they raise two young daughters, Isabelle and Maggie. Sam's brother Tommy is a convicted felon who is released from prison a few days before Sam deploys to Afghanistan in October 2007. At a family dinner with Tommy and Sam's parents Hank and Elsie, Maggie reveals to Tommy that Grace dislikes him, and Hank insults Tommy for his time in prison and lack of success compared to Sam.\nDuring Sam's tour, his Blackhawk helicopter is shot down while conducting an operation in the Helmand Province, apparently killing all of the Marines aboard. However, Sam and one of the Marines in his command, Joe Willis, have survived and are taken prisoner in a mountain village by Taliban fighters. Assumed to have been killed in action, Sam and Joe are declared dead by the US military. At Sam's funeral, Tommy notices Hank drinking and stops him from driving home with Elsie and the girls in the car. Hank again berates Tommy for his past mistakes and tells him that Sam was a better son. The two argue about which one of them is more to blame for Sam's death.\nWith Sam gone, Tommy attempts to redeem himself in the eyes of his family and convinces some of his friends to help with a kitchen remodel for Grace. As months pass, Hank and Tommy mend their relationship as Tommy matures and continues to help Grace. Grace slowly sheds her previous resentment towards her brother-in-law, aided by his growing paternal connection with Isabelle and Maggie. Grace and Tommy continue to bond over their mutual mourning, culminating in a passionate fireside kiss. They immediately regret it and do not take their attraction any further, though Tommy continues to win the favor of his nieces. Meanwhile, Sam and Joe are tortured by their captor and instructed to make videotaped dismissals of the military and their mission, though only Joe cracks. The captors eventually deem him useless and force Sam at gunpoint to beat Joe to death with a lead pipe, which they also record.\nSometime later, Sam is rescued by American forces in an attack on the Taliban base that destroys the tape of him killing Joe. Once he returns home, Sam drifts through a cold, paranoid daze and shows signs of severe post-traumatic stress disorder due to the traumatic events he witnessed and committed in Afghanistan. Refusing to explain to his family what happened while he was there, Sam also lies to Joe's widow and claims he does not know how Joe died. His paranoia also leads him to believe Grace cheated on him with Tommy in his absence. During Maggie's 6th birthday party at Hank and Elsie's home, a resentful and jealous Isabelle falsely claims that Tommy and Grace are having an affair and that Grace would rather sleep with Tommy than Sam. After the family returns home, Sam becomes enraged, destroying the newly remodeled kitchen with a crowbar and aiming a Beretta 92 pistol at Tommy, who tries to calm his brother's violent breakdown.\nThe police arrive and enter a standoff in which Sam fires the gun into the air and then holds it to his head, contemplating suicide. He reluctantly surrenders after several pleas from Tommy and Grace. After the police arrest Sam, he is admitted to a mental hospital. Grace visits him and tells him that if he does not tell her what is tormenting him, he will lose her forever. Faced with this decision, Sam finally opens up about the source of his pain, confiding in her that he killed Joe. As Sam and Grace embrace, we hear Sam wondering (via narration) if he will be able to continue living a normal life.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][Movie][2000s] Film about a bunch of kids in the forest on a rafting adventure that turns sinister when one of the kids kills (or threatens to?) kill one of the others..\nBelieve it was in the vein of Stand By Me but far more recent.",
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"content": "Mean Creek.\nWhen small and shy Sam admits to his older brother Rocky that the school bully, a dyslexic boy named George, has hurt him because he moved George's video camera while George was filming himself playing basketball, Rocky devises a plan to exact revenge on George.\nRocky recruits his friends, Clyde and Marty, to assist him with his plan.\nPart of the prank entails taking George on a boating trip to celebrate Sam's birthday party.\nThe ultimate joke, in their opinion, will be when they get him to strip in a game of truth or dare, then make him run home naked.\nSam invites his girlfriend Millie along.\nHe does not tell her the plan until they arrive near the river.\nMillie refuses to continue until Sam promises that he will call the plan off, which Sam agrees to do.\nSam tells his brother to stop, and Rocky tells his friends what Sam has conveyed to him.\nAlthough Clyde has no problem with it, Marty is very reluctant to not go through with the plan.\nThroughout the trip, George attempts clumsily to fit in with the others by telling rude jokes, which the other members of the group do not find amusing.\nDespite his seemingly desperate attempts to fit it, George also gets confrontational when questioned about his motives (or lack of) when attacking someone.\nThe group soon realizes that although George is annoying and is extremely insecure, he is very lonely and just wants to be accepted.\nOn the boat, Marty deviates from the others' plan and initiates a game of truth or dare, though the rest decide to go along.\nAfter George shoots Rocky with a water gun in good fun, George makes a funny quip about Marty's father, not remembering that it is a sore subject as Marty's father killed himself.\nThis sets off Marty who dares George to strip naked and jump in the water.\nWhen he doesn't comply, he exposes the whole plan and starts to ridicule him.\nAngered and humiliated, George launches into a vulgar tirade against everyone else on the boat, ending by crudely mocking Marty's dead father.\nMarty snaps and Rocky, in an attempt to stop the fight, accidentally pushes George off the boat.\nUnable to swim, George struggles to remain afloat in the water.\nAs the others regard the scene in horror, George accidentally hits his head with his video camera and does not come to the surface.\nRocky dives into the water but is unable to find George.\nMinutes later, George appears face down in the shallow water close to the shore.\nRocky exhorts the others to help him bring George to shore, where Millie gives him CPR.\nThe effort is in vain as George is dead and it is apparent that he cannot be revived.\nThe group is traumatized and in fear of being charged with murder.\nThey dig a hole and bury George.\nClyde's plan is to explain that it was an accident but Marty threatens them, gaining the complicity of both Clyde and the rest of the group.\nAs they had already tricked George into not telling his mother where he was going, she would not know of their involvement.\nMarty speaks to the only witnesses of George with the group, his brother and his brother's friend, and they agree to keep quiet.\nMarty goes to tell the news to his friends, who have all gathered at Sam and Rocky's house.\nThey are willing to accept the consequences as opposed to having the guilt of George's death hanging over their heads.\nMarty refuses to turn himself in and feels betrayed by all of them.\nHe storms out and convinces his brother to give him his gun and car.\nThe brother again agrees to the favor, albeit reluctantly.\nMarty robs a gas station with the gun and drives off, becoming a fugitive.\nMeanwhile, the others go to George's house and confess to his mother.\nSam is later seen in a confession room, telling the story to the police, who later find and view the tape from George's video camera.\nIn a final scene, audio of George explaining his dream of becoming a filmmaker and documenting his life in hopes that those who see it will finally understand him plays in the background while Sam watches the sheriff exhume George's body.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] [1980s or 1970s] Animated feature with a scene where a character sees a label on a can underwater and there's a picture of the can on the label and there's a can on the label of the can on the label into infinity.\nI don't remember much about this film but I remember this scene blowing my young mind sometime in the 1980s. I think it was a feature length film, possibly a Don Bluth film or something in that style. Probably made in the 1980s but possibly the 1970s. I don't think it was from earlier than that but maybe? There's a scene where a character is at the bottom of a body of water and there's a tuna can or something like that and the label on the can has a picture of the can on it and they zoom in on the label on the label and you see another can with a label and another and it kind of goes down an infinity tunnel.",
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"content": "The Mouse and His Child (film).\nThe mouse and his child are two parts of a single small wind-up toy, which must be wound by a key in the father's back.\nAfter being unpacked, they discover themselves in a toy shop where they befriend a toy elephant and toy seal.\nThe child mouse proposes staying at the shop to form a family, which the other toys ridicule.\nThey accidentally fall out of a window and land in the trash.\nOnce transported to the dump, they become enslaved by Manny the rat, who runs a casino and uses broken wind-up toys as his slave labor force.\nWith the aid of a psychic frog, the mice escape and meet other animal characters on a quest of becoming free and independent self-winding toys.\nThey rediscover the elephant and seal, who are somewhat broken down.\nTogether they manage to form a family and destroy the rat empire.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [MOVIE] [1990s? ish] A \"miracle\" of a bleeding crucifix that turned out to be jelly or somesuch. Based in SW....\nI feel like Catherine Zeta Jones or someone like her was in this. A kid was hiding in a dusty church attic. People thought there was a miracle. Hysteria... ends with some allusion to the \"real\" miracle being in the change of hearts. May have involved an immigrant family or hiding out...???",
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"content": "The Maldonado Miracle.\nIn a small, dying town, the residents' faith is tested when a statue of Jesus seems to be shedding real tears of blood.::Anonymous\n\nJosé is a young Mexican boy in the United States who hides in a church to avoid authorities after he injures his arm. When blood from his wound falls on a statue of Jesus, people think it's a miracle. Everyone flocks to the town, and the Rev. Russell, who knows the economic boom is good for the struggling parish, wonders what really happened. Local resident Maisie takes the boy in, and has a dilemma when she finds out the truth.::Jwelch5742",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT][MOVIE] need help finding a weird cannibal movie I can't remember the title of.\nThe movie was a post apocalyptic cannibal family movie, more modern but styled like the 80s. Very neon and very violent. I believe it had a one word title and the cover was the title written in neon on a dark background. It is not the hills have eyes, Texas chainsaw, or any other classic. It was briefly available on Netflix streaming about 2 years ago. I don't remember much about what happened except it was low budget and basically all in one set.",
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"content": "Drifter (film).\nA pair of outlaw brothers seek temporary refuge in a desolate town.::Anonymous",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben agree.\nPip tells Rhonnie how stupid that is, and that aliens don't exist.\nRhonnie then makes a bet with Pip that she has one week to prove that the Marshalls are not aliens or she will get her telescope, which Pip agrees to.\nPip begins spying on her new neighbors with her telescope, and taking pictures of the Marshall's around town.\nShe tries with her telescope to look inside the shed to discover the cause of the strange noises but fails.\nShe also sees Sally's teenage brother \"Wayne Marshall\" dance stripping in his room by himself with a biker helmet on his head that he never takes off while playing rock music from his stereo.\nThe next day Pip walks by the Marshalls' house and begins throwing tennis balls over the fence.\nAfter throwing several balls over the fence \"Granny Marshall\", who seems to be floating on air, gives Pip the ball back.\nPip walks around to the front of the house then walks through the gate into the Marshall's back yard.\nPip sees the huge tomatoes growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to 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house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Cartoon] [2010's] Cartoon about a group of 4 or 5 wannabe villains.\nI only remember a few things about this cartoon and it's making me go insane, alright, I watched it on Netflix but it wasn't a Netflix original, I remember that the leader of the \"group of villains\" had a red and black costume with a mask that kind of looked like an ant's head, and I put it in quotes because they were villains but really bad ones and I also remember that in one episode another villain comes and I think that he keeps the group captive and strips them of their belongings and isn't interested in anything except their black licorice which he uses as some sort of power source and I remember an earlier episode where the leader tries to break the record of most records broken for a Guinness book of world records for villains and one of the earliest episodes was about the group trying to watch a movie marathon but they constantly forgot to buy items like popcorn and I think marshmallows, please help me I think the most memorable part is the licorice power source thing.",
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"content": "League of Super Evil.\nThe League of Super Evil (or \"L.O.S.E.\") is a group of so-called \"supervillains\" who are plotting to take over their neighborhood in Metrotown and the world ultimately but their plans usually involve pranks such as gluing a penny to a chair. While all the other citizens in the neighborhood live in suburban houses, The League has a \"secret evil lair\". The League is often at odds with other, more important and competent super villains such as Skullossus and also tries to avoid getting busted by Metrotown's heroes.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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"content": "[TOMT] [Movie] action movie / sniper movie from 90s about guy with huge rifle that hides out in high rise building whole movie to assassinate guy in limo going down highway..\nI remember watching this as a kid, guy is a bad ass sniper who breaks into an office building, kills a few guys, there's a woman / love interest thrown in there, after he takes shot on the limo guy, swat dressed guys break into the building to take him out, he shoots a guy in the eye/ goggles and blood comes draining out all slow motion. I feel like it was called killswitch or kill trigger or something but I cannot find it!",
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"content": "Silent Trigger.\nThe movie takes place in and around an unfinished city skyscraper, the \"Algonquin\", where a sniper/spotter team (Waxman and Clegg) set up a firing platform on a top floor.\nThe two arrive independently of each other, two of the Agency's assassins.\nAs they meet, they recognize each other, as they have been on a mission together before.\nThis mission is portrayed in a series of flashbacks.\nIn the first flashback, Waxman and Clegg were supposed to assassinate a female politician.\nWaxman hesitates when the politician lifts a child and, while hesitating, a helicopter appears, air assaulting soldiers in the courtyard behind the team's firing position.\nThe two defeat the attacking force, including the machine gun-equipped helicopter, whose pilot and copilot are shot through the canopy.\nReturning to the primary scene, one of the construction site security personnel is new on the job.\nThe drug-addicted regular, O'Hara (Christopher Heyerdahl) attempts to win a statutory position over him by scaring him.\nAs Waxman opens a roof door, a light by the security personnel turns on, and the newcomer, Klein (Conrad Dunn) leaves in search of it.\nThe internal lift of the building is clearly audible, and Clegg surveys Klein's movements, when he arrives.\nShe interrupts his inspections when he is about to open the roof door.\nShe takes him to the lift, sending him downwards.\nHowever, just as she is talking him off, she sees Waxman sitting on top of the lift car.\nHe mounts a bomb on the lift car and, when the car begins moving, nearly falls down the shaft.\nHe is saved by Clegg, and they both attempt keeping up the \"just business\"-facade, although some romantic appreciation is apparent.\nWhile the two on the rooftop readjust their gear, O'Hara, presumably, decides to rape Clegg.\nHowever, Clegg pulls her small-caliber sidearm, and threatens O'Hara into the lift.\nWhen O'Hara returns downstairs, he picks up his gun and puts on body armor.\nHe then surprises Clegg, while she is standing over the sink of the top-floor bathrooms.\nClegg points her gun at him, and shoots a well-aimed bullet into his chest.\nUnsurprised by this, O'Hara attacks Clegg, but is encountered by Waxman, and a violent fight takes place in an unfinished hall between various building materials.\nThe fight is won by Waxman, and he ties the now bloody O'Hara to a toilet.\nClegg and Waxman consummate their feelings for each other.\nAfterwards, as duty continues, Waxman heads for the bathrooms, but sees water running out under the door to the bathroom.\nHe pulls his gun, and discovers that O'Hara has disappeared.\nO'Hara bears the toilet with him down the stairs.\nA vengeful O'Hara grabs his shotgun and is about to go upstairs to finish off Waxman.\nKlein, the new security guard, shoots O'Hara with his shotgun, walks to the spot where the dying O'Hara lies and, in cold blood, puts a final shot into him.\nUpstairs, the two are engaging the target.\nAs before, Waxman hesitates and doesn't take the shot.\nAs history repeats itself for the two, Clegg pulls her sidearm and implores Waxman to do his duty.\nBefore the situation escalates, another shooter shoots the target four times and, when finished, takes aim for Clegg and Waxman.\nWaxman quickly throws himself and Clegg away from the shot, grabs his rifle and shoots the adversary.\nWaxman and Clegg defend themselves from Special Forces personnel raiding the skyscraper.\nWaxman and Clegg are surprised by Klein, who has stealthily entered the room.\nHe shoots Waxman in the chest with his shotgun, but is threatened by Clegg who has picked up an MP5 submachinegun.\nHe takes the lift car and leaves when the planted bomb explodes.\nBelieving Waxman to be dead, Clegg flees the skyscraper.\nAs she walks away from the building, the top of a nearby fire hydrant is shot off.\nShe looks up, and sees Waxman throwing his sniper rifle from the building.\nClegg walks away, smiling.",
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"content": "Sally Marshall Is Not an Alien.\nTwelve-year-old Pip Lawson is obsessed with watching outer space from her telescope.\nOne day when she's watching from a nearby dock, local bully Rhonnie Bronston stops by with her dog.\nThey get into a heated conversation in which Pip leaves with her telescope but forgets her walkman, which Rhonnie leaves with.\nWhen Pip returns home she discovers that a strange new family has moved into the house next door.\nStrange noises come from the shed, causing Pip to not be able to get to sleep.\nThe next day Pip and her friend Ben Handlemen walk to the park were Rhonnie and her pose are.\nWhen Pip sees Rhonnie with her walkman she tries to take it back, but she threatens to let her dog on her.\nThe children then notice the new girl \"Sally Marshall\" hanging upside down on the playground reading a book and eating a tomato the size of a grapefruit.\nRhonnie starts talking about how she must be an alien, and all the kids except for Pip and Ben 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growing in bushes alongside the fence and takes one just as Sally comes outside.\nBefore Sally talks to Pip she gives her dad a full glass of lemonade that he drinks in a matter of seconds.\nWhen Sally takes the glass back she says \"Hi\" to Pip, and they have a short conversation.\nSally asks Pip if she would like to hang out but Pip says she can't, but maybe another time.\nPip then leaves with the tomato in hand.\nMeanwhile Ben is at the playground because Pip is mad that he kissed her.\nHe then gives Rhonnie the pictures she took in exchange for Pip's walkman in hopes that she will forgive him.\nThe next day when Sally is at the playground the kids are all staring at her once again.\nWhen she gets down from the playground the all start chasing her.\nPip who is there also follows Sally.\nWhen Sally gets away from the kids Pip is still following her.\nSally sees Pip and assumes that the kids had been chasing her too.\nSally says she knows a way to get away from the kids and tells Pip to follow her.\nThe two then arrive in town were there is a tour boat about to leave.\nPip suggests that they get on and they run towards it.\nPip easily jumps from the dock on to the boat, but Sally gets scared.\nPip talks her threw it then they take their seats.\nA man in front of them asks Pip to take a picture of him in his girlfriend with his camera.\nWhen she's done he says that he will take a picture of Pip and Sally with her camera which she lets him do.\nWhen they get off the boat the girls have a trip around town in which doing so they become fast friends.\nWhen Pip is buying her and Sally some ice cream Rhonnie drops the pictures Pip took of the Marshall's are on a mission to stop a fat person invading earth on to her table.\nWhen Pip returns Sally angrily confronts her about the pictures.\nSally then leaves crying.\nRhonnie comes out and makes fun of Pip.\nPip asks Rhonnie how she got the pictures, and she tells Pip about Ben.\nPip yells at Ben then realizes that he has her walkman.\nShe takes it from him believing that he was going to keep it for himself.\nShe then storms off home.\nThat night Pip who is keen on spying again sees Ben inside the Marshall's shed motioning for her to come down.\nShe does and asks him why he's in there.\nHe tells her that he climbed through the window, so he could help her win the bet.\nHe also tells her that the strange sounds she heard were from \"Mr.\nMarshall's\" welding tools.\nPip who is so happy forgives Ben and tries to pick the shed lock so Ben can get out.\nWhen she's trying to pick the lock all the Marshall's come outside and catch them.\nmrMarshall comes right down to the shed and unlocks the door and Ben comes out.\nThe two kids, speechless, leave intermediately.\nThe next day when Pip sees Sally she apologizes for everything and tells her about the bet.\nSally who is touched that Pip would bet her beautiful telescope for her forgives her.\nThen Pip, Sally and, Ben begin to hang out together.\nRhonnie who is made with Pip's discovery rallies together all the kids saying that they need to get rid of the Marshalls, and that they will start with Sally.\nPip leaves Sally for a second so she can go to the bathroom.\nSally, who is sitting by herself sees all the children coming after her and runs to the end of the dock.\nThe kids corner her so she climbs over the rail and jumps into the water.\nPip who realized what was happening ran after the kids and jump into the water.\nPip brings Sally back to shore and they are greeted by Ben.\nPip and Ben then help a freezing Sally back home.\nGranny Marshall begins tending to Sally and asks the two to leave her alone for a bit so she can rest.\nThe next day is the end of the bet and Pip and Rhonnie met on the beach with all the children.\nPip says that because of the stupid bet Sally almost died, and that she regrets making the bet.\nShe says the Sally Marshall is not an alien but she will quit the bet anyways because she feels so bad about what happened to her.\nRhonnie delighted with winning keeps telling Pip that she was right.\nPip says that shes not and that she only won because she dropped out.\nSally then comes on to the beach and apologizes to Pip about her telescope.\nPip tells her it's alright, and I know your not an alien.\nThen out of nowhere a UFO comes flying and hovers right above the beach.\nSally begins crying and tells Pip that she is an alien, and if she doesn't leave now her whole family could die.\nPip who is also crying tells her that she's her best friend, and so does Sally.\nSally then leaves in the UFO forever.\nPip leaves the beach and returns home.\nPip's dad comes up to her room and comforts her about Sally.\nHe also gives her, her telescope which he says some kids dropped it off.\nPip goes outside and finds Rhonnie and Ben.\nShe thanks Rhonnie for returning her telescope.\nRhonnie,Pip, and Ben start talking and slowly begin to become friends.\nRhonnie then begins playing fetch with her dog and he finally runs to the stick and brings it back to her.\nThe movie ends with Pip, Rhonnie, and Ben celebrating about the accomplishment.",
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"content": "Ten Inch Hero.\nAn artist gets a job at a beachside sandwich shop, where she hangs out with a techie, a flirt, a rocker, a hippie, and a Wiccan.\n\nPiper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be \"another clone\". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help each other through it all.::Kine Johansen/liztothemax",
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"content": "Amusement (film).\nDuring the opening credits, pictures of three girls when they were children, as adolescent, and as young adult are shown.\nThe girls are Tabitha \"Tabby\" Wright, Lisa Swan, and Shelby Leds.\nThese girls have great potential — \"to succeed, be famous and shine\" respectively — according to their senior class yearbooks.\nIt also shows a young unnamed boy who is very psychologically disturbed as it clearly states in his psychiatric report, and that he is extremely dangerous and currently detained.\nShelby and her boyfriend Rob are on the highway headed to Cincinnati, Ohio.\nOn the way there, they join a convoy of vehicles, consisting of a semitruck and a Jeep.\nThe convoy decides to pull over for gas.\nRob then meets the drivers of the two vehicles.\nThe driver of the semi tells them that the highway ahead has bad traffic and he can show them an alternate route.\nWhile in the car, Shelby sees a frightened woman in the window of the semi.\nAfter they are on the road again, Shelby sees the same girl.\nA piece of paper flies from the semi, hitting their windshield.\nIt says, \"Help Me\".\nMoments later, the girl jumps from the semi and lands on their car.\nThe semi continues to drive as Rob, Shelby and the driver of the Jeep stop to help the girl.\nRob gets back in his car and chases the semi to get his plates at the demands of Shelby.\nThe driver soon ends up cornering Rob and then taking off back down the hill.\nWhen Rob gets back to where the others are, the girls are gone and so is the semi.\nThe driver of the Jeep says that he took them.\nBoth men get in the Jeep and track the semi to an old house.\nWhen they arrive, the driver of the Jeep says he wants to try to stop the semi driver first.\nHe moves to the front of the house, concealing himself behind the screen door as the semi driver talks to someone over the phone.\nMeanwhile, Rob waits in the Jeep.\nHe hears a noise and finds a CB-radio in the center console.\nUpon hearing another noise in the back seat, he turns and sees movement under a tarp.\nHe removes the tarp only to find the two women bound and gagged.\nThe semi driver notices the car and comes outside.\nThe Jeep driver then attacks and kills him by smashing his skull with a sledgehammer.\nRob tries to drive away in a panic as the man approaches maniacally laughing.\nTo Rob's horror, the driver of the Jeep holds up the keys outside his window.\nHe then breaks open the window with his sledgehammer and attacks Rob.\nThe fate of everyone in the car is left unknown, as is the explanation for the woman from the semi's plea for help.\nTabitha is in front of a big house, later revealed as her aunt's.\nShe goes in and finds her two cousins, Max and Danny, completely alone.\nShe asks the boys where the babysitter, named June, is and they say that she had already left.\nLater that evening, once the boys are in bed, Tabitha hears a knock on the door.\nLooking through the eyehole, she sees an anonymous figure in a hooded raincoat.\nShe opens the door and inquires as to who he is.\nThe figure tells her that he is the babysitter's boyfriend, Owen.\nHe's very worried as she missed cheerleading practice.\nTabitha admits that the babysitter had already left, but that she knows nothing else.\nOwen leaves.\nAfter that, Tabitha goes into the guest bedroom upstairs and sees that the entire room is decorated with clown toys.\nOne doll in particular scares her, a life-sized one sitting in the rocking chair.\nHer feeling of unease only intensifies as the television turns on without warning and the remote is in the clown's lap.\nShe goes to bed, but the thunderstorm wakes her up.\nStill spooked by the clown, she turns around and faces her head away from it.\nUnbeknownst to her, the clown's head turns to see her.\nLater, the phone rings.\nTabitha walks to answer, not knowing that the clown had been watching her all along.\nThe caller is her aunt, checking on the children.\nTabitha assures that every thing is fine and compliments her on her new house.\nShe does however express anxiety at the clown in her room.\nWhen her aunt asks which one, Tabitha says, \"The one bigger than me\".\nBehind her, the clown rises and walks towards her.\nOn the phone, her aunt says that she has no such doll.\nTabitha panics and drops the phone, turning around to see the rocking chair empty.\nTerrified, she slips into the boys room and locks it.\nTabitha whispers to wake up and hide, as a very bad man is in the house.\nThe boys say that it is just Owen wanting to play, only increasing her terror.\nAfter the older boy says that Owen just wants to have fun, triple-blade spikes go through the door several times, missing Tabitha by inches.\nShe pulls their dresser against the door and gets the boys out by the window, telling them to go to their neighbor's house and get help.\nThe clown breaks the dresser and reaches out for Tabitha.\nShe throws a lamp at him and climbs out of the window.\nOnly moments later, the clown stands and attempts to stab her hand.\nTabitha falls down and runs to the shed.\nOpening a closet, she finds the corpse of June, the babysitter.\nThe dead body falls and pins her down.\nSoon after, the clown enters the room laughing with a knife.\nHis laugh is eerily similar to the Jeep driver's.\nThe scene blacks.\nSoon after the clown scene ends, the scene cuts to Tabitha in a police interrogation room.\nShe appears disoriented and in shock.\nAn FBI agent questions her about her attacker.\nIn her shock, she doesn't answer any of his questions.\nHe soon leaves.\nTabitha then starts having flashbacks of her and her friends when they were children.\nThe scene cuts to Lisa, Shelby, Tabitha and the boy from the opening credits standing in front of a school.\nThe kids are showing off their shoebox dioramas, each with a peephole.\nEach girl's art is artistically different.\nThe little boy with them wants to see all of their boxes and refuses to show them his until then.\nTabitha's is a circus, Shelby's is a farm, and Lisa's is a sleepover with three dolls.\nThe boy calls each one boring and as he looks at each one, calls it worse than the last.\nThe young Tabitha then looks at the boy's art, and recoils in shock and horror.\nThe boy, however, smiles and states, \"It's funny, right.\n\" To which she replies, \"No.\nit isn't\".\nThe camera cuts to the school's name, revealed to be Briar Hills Elementary.\nWhen it cuts back to the children, all three girls are gone.\nThe little boy smiles and looks into his box.\nInside is a chained-up rat with its skin pulled back to reveal its organs.\nIt becomes obvious that the boy is disturbed.\nLisa is with her boyfriend Dan looking for her roommate, Cat, who had disappeared the night before.\nThey go to an old hotel that Cat said she will be at.\nLisa tries to get in but fails.\nShe then goes to Dan and asks if he can make up something to get in.\nDan knocks on the door and, when the male occupant responds, claims to be a health inspector.\nHe then goes in the place and finds a music player.\nThe man says that there is a surprise in the end, which is a knife flying out of the speakers, stabbing him in the eye.\nAfter dark and many unanswered calls, Lisa impatiently sneaks in the house and goes in a room with beds.\nShe meets a man, apparently deaf, who appears to help her.\nShe finds dead bodies confined in the beds, and her friend Cat, who is still alive.\nWhile trying to free Cat, the deaf man turns out to be the killer and subdues her.\nBack at the police station, Tabitha is being grilled by a therapist who asks her about her friend Shelby.\nTabitha says that they were all good friends at school but have not met in years.\nTabitha seemed puzzled and asks how she knows about her hometown of Briar Hills.\nShe tells Tabby about a young boy she had as a patient.\nBefore she walks out of the room, she tells Tabitha that Lisa and Shelby are also here, and to sit tight because she will be back after she finds \"a phone that works\".\nThe therapist has an uneasy feeling and quickly leaves the room.\nThe door opens and shuts.\nTabitha, still puzzled and scared, walks out of the room after opening the unlocked door and soon understands why the therapist left in a hurry.\nIt turns out they are not at the police station after all and at the end of the hallway she sees the therapist lying on the floor.\nShe goes to the body and then sees the officer approaching.\nTabitha realizes he's not a cop when he begins his trademark maniac laugh - he is the killer.\nThe killer chases her around and down the basement.\nEventually Tabby is trapped and pinned in between two glass walls.\nWhen the lights come on behind, Tabby sees Lisa and then Shelby, both chained up and their skins open.\nThe killer comes in, initially taunting them all but then shows Tabitha that the two girls are virtually unharmed, and that their 'opened-skin' is a trick.\nRealizing now, he will harm Shelby for real, she pretends to laugh.\nAs he comes to her, Tabitha stabs him in the neck with a scalpel she had hidden in her hand.\nEventually she is able to help her friends break free.\nThey try to make a run together but the killer stabs Lisa when she opens the wrong door.\nTabitha and Shelby run away.\nThey begin climbing a ladder with the killer in pursuit.\nHe climbs up behind them and grabs hold of Shelby's ankle.\nBoth fall down to the basement floor.\nTabitha continues to climb, saddened by what she saw.\nOnce at ground level, she is caged.\nSoon an elevator comes on and she realizes the killer is coming up.\nShe hides in what she thinks is a closet.\nShe finds the clown mask, costume, and the dead bodies of other people the killer had murdered for making fun of him when he was a child, each with their initials carved in their skulls.\nThe killer surprises her as he looks through the peep hole and locks her in the room.\nShe realizes she's in the back of a truck.\nThe truck does not make it far from the house (which is the same house from the beginning of the movie).\nTabitha takes hold one of the spiked handles and waits.\nTaking a last look, he laughs while looking through the peep hole again.\nTabitha stabs him through the face, killing him and remarking: \"Now that was funny\".\nThe truck drives away, with Tabitha talking about how she and her friends had laughed at him when they were kids, thinking that he was a joke.\nAnd that after he was sent away, they had forgotten him — but he never forgot them.\nThe film ends with her remarking that even though it's all over, she still cannot get his laugh out of her head.\nAnd his laugh is heard, again.",
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"content": "Folks!.\nThe film tells the story of Jon Aldrich (Tom Selleck), a successful stockbroker who is living a good life with a wife and kids until he comes across his elderly father who has major dementia and, as a result of it, wreaks all kinds of havoc on his life including his own, which among all of them involves accidentally burning down his own house.\nJon tries to get his sister, Arlene (Christine Ebersole) (who has two sons of her own but is an irresponsible gold digger), to take care of their parents, but she won't even open the door.\nAs a result, his father, Harry (Don Ameche), and his mother, Mildred (Anne Jackson), have to move in with him and his family.\nThat is the moment that his good life starts going downhill.\nThe company Jon works for was apparently doing illegal things which he knew nothing of, but no one believes him therefore he loses his job.\nThe problems for him continue to mount up as Harry continues to cause all kinds of trouble and, as a result of it, the family becomes broke.\nHis wife, Audrey (Wendy Crewson), moves out with the kids, and they lose everything except their apartment.\nFurthermore, as a result of his severe senility, Harry continues to unintentionally injure Jon, causing him to get hearing loss, a broken hand, and a broken foot when a car runs over it.\nHe also loses a testicle.\nPlus, Harry puts the lives of Jon's kids and himself in danger at one point by jaywalking in an intersection one morning while trying to take them for a walk with him without letting anyone know.\nAs a result of the whole mess, Jon slowly starts to lose his own sanity, but in a brief moment of regaining his own Harry tells him that he never wanted to be a burden on him but he soon slips back into his state of dementia, where he is just happy all the time and often yells out \"McDonald's\".\nJon talks with Mildred who also says that she and Harry never wanted to be a burden on him.\nShe then tells him that they have discussed it, and they want him to help them die so he can collect the insurance money.\nHe is totally against this at first but after a while he changes his tune.\nSomehow ending up agreeing to volunteer to it, Jon helps his parents try to commit suicide many unsuccessful times and halfway through the attempts Arlene shows up on his doorstep with both of her corpulent sons in need of a place to live.\nHe refuses at first because she would not even open the door for them but he eventually caves in and lets them stay.\nShe also joins in on the attempts to help their parents die, hoping for a cut of the insurance money.\nHer attempts are also unsuccessful.\nThings slowly start looking up for Jon as Audrey eventually shows up to tell him that she was wrong for leaving and how much she loves the fact that he was willing to take in both of his parents.\nUpon her arrival she realizes all the injuries he has suffered since she saw him last, including the missing testicle.\nAs they are reconciling he realizes that Arlene and his parents are gone and he knows they are going to try to commit suicide again with her help, so he tracks them down in an attempt to stop them which he successfully does, but not without facing a bit more injury.\nJon eventually gets their lives on track.\nHe and Audrey buy a house and his parents move in with them.\nArlene is now with a man who knows how to handle her bad behaving children.\nAt the end we finally find out that Harry hasn't been yelling \"McDonald's\" because he was hungry, but because he bought stock in McDonnell Douglas years and years ago, meaning he is worth tons of money.",
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"content": "I Give It a Year.\nAmbitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party.\nAfter seven months together they decide to marry.\nThe film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year's action to a marriage-guidance counsellor's office.\nTheir wedding goes as planned despite many friends' comments that the marriage will not last, an embarrassing best-man's speech, and a coughing priest.\nWhen Nat returns to work after the honeymoon, she's embarrassed when Josh calls her in the office - on speakerphone in front of her colleagues - to tell her she is sexy and that he misses her, causing her to abruptly hang up on him.\nLater, the two meet with their solicitor to discuss how to handle medical crises (last wishes).\nNat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.\nThe couple throw a dinner party to use their wedding gifts.\nSome of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn't enjoy the leather museum; Josh remembers it as interesting.\nWhen the topic changes to Josh's former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years.\nIn the kitchen Chloe apologizes to Nat for not realising she didn't know.\nThe women talk about the constrictions of marriage.\nNat's sister Naomi has issues with her own husband's annoying habits.\nJosh's best man Danny asks Chloe out but is rebuffed.\nThe following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company.\nThey believe he will be a stereotypical American who thinks the British are \"quaint\".\nThey do not realize that their client has been sitting right there in the same café.\nBefore the meeting, one colleague steals Nat's wedding ring, believing that the account will have a better chance of success if she appears single.\nDuring the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression.\nThen when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping.\nAs he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account.\nFeeling the attraction between them, she struggles with telling him she's married, then ends up leaving without telling him.\nJosh talks to Chloe about his book while she's working at a charity office.\nHe invites her to dinner because Nat's going to a work party that night.\nChloe declines, saying she's going out with her work-colleague Charlie, whom she's been dating.\nThe scene returns to the marriage-guidance counsellor's office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had.\nUnable to focus on his writing, Josh sits at home watching television while Nat's out jogging.\nAt work, Nat receives a large bouquet of roses from Guy.\nThe couple bicker over domestic issues; Josh leaving the toilet seat up, Nat's inability to sing the right words to popular songs and their different definitions of the rubbish bin being full.\nGuy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him.\nGuy explains that he basically grew up in the factory during his childhood summers.\nNat comments that she's not the marrying type, still unable to tell Guy she's married.\nNat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her.\nAt the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night.\nWhen he approaches Nat while she's talking with Guy, she still doesn't reveal that he is her husband and Guy attempts to shake him off, assuming he's an unwanted menace.\nGuy asks her to dinner and Nat declines.\nIncredibly annoyed at Josh for embarrassing her at the party, she heads home without him.\nMeanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie's apartment.\nAs they kiss on the bed, Chloe's colleague Alexandra joins them and Chloe finds herself in an awkward threesome.\nFeeling too silly to continue, Chloe eventually leaves.\nThe next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.\nChloe and Josh then go Christmas-shopping.\nJosh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop's expensive contents.\nChloe tries on a lingerie set, and asks Josh what he thinks of it.\nThey end up kissing in the dressing room, although both are embarrassed about it afterwards.\nJosh ends up buying the lingerie.\nWhen Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room.\nHe mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist.\nWhen Guy makes advances, she finally blurts out that she's married and can't leave her husband because it would destroy him, and finally storms out.\nGuy chases after Nat and they bump into Chloe and Josh on the street.\nAfter some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date.\nBack to the present in the counsellor's office: Nat explains that they hit a low point around the Christmas period, commenting that her husband's family are weird - in particular his mother.\nJosh retaliates that Nat's family were not overly friendly towards him.\nThe scene shifts to a Christmas family reunion at Nat's parents', where a series of embarrassing incidents revolving around Josh occur.\nJosh unwittingly but clumsily offends Nat's grandmother during a game of charades, Nat's father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat's parents giving Josh a pair of books titled \"How to be a Successful Writer\" and \"How to Stop Wasting Your Life\".\nAt the end of the visit, while leaving her parents' house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other.\nNaomi says that they both \"embrace the hatred\" and that's what marriage is about.\nEven though she admits there could be something better out there for her, she ultimately loves her husband.\nNat and Josh have a conversation about his suggestion of Chloe dating Guy.\nThe two talk about the prospects of both of them as romantic interests.\nThe four meet for dinner, and spend the evening playing pool.\nChloe and Guy seem to hit it off, happily competing against Nat and Josh.\nNat becomes more frustrated with Josh's clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well.\nThey leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards.\nChloe and Josh depart together, while Nat and Guy go the other direction.\nAfter a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.\nMeanwhile, Josh attempts to discourage Chloe's attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore.\nWhen Nat returns home, she and Josh talk about their relationship.\nAfter nine months they decide to get help instead of giving up on their marriage.\nThis leads us back to the counsellor's office, who ultimately advises them to try to make it to the one-year marker.\nThe couple then put up with each other's quirks over the next few months, eventually making it to their anniversary.\nNat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken - her with Guy.\nJosh meanwhile leaves the flat, telling Nat he's remembered he has to do something and that he will meet her at the restaurant.\nHe races to Chloe's apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly.\nNat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple.\nAfter failing to contact Josh, Nat sits down.\nShe discovers that their friends didn't think her marriage would last.\nJosh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him.\nHe asks her for a divorce and she immediately and delightedly agrees.\nThe couple rejoice at the situation, and immediately leave the party one after the other.\nMeanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip.\nJosh finds them and professes his love for Chloe.\nWhen it's discovered that he split up with Nat, the two are shocked.\nNat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy.\nAfter a short exchange they happily discuss how perfect Guy and Chloe are for them.\nIn the end, Chloe and Guy mutually break up.\nNat ends up kissing Guy and Chloe shares a kiss with Josh.",
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