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text_id stringlengths 22 22 | page_url stringlengths 31 389 | page_title stringlengths 1 250 | section_title stringlengths 0 4.67k | context_page_description stringlengths 0 108k | context_section_description stringlengths 1 187k | media list | hierachy list | category list |
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projected-23576064-002 | https://en.wikipedia.org/wiki/Magadinovac | Magadinovac | References | Magadinovac is a village in north-eastern Slavonia, situated in municipality town of Orahovica, Virovitica-Podravina County, Croatia. | CD-rom: "Naselja i stanovništvo RH od 1857-2001. godine", Izdanje Državnog zavoda za statistiku Republike Hrvatske, Zagreb, 2005.
Category:Populated places in Virovitica-Podravina County | [] | [
"References"
] | [
"Populated places in Virovitica-Podravina County"
] |
projected-23576070-000 | https://en.wikipedia.org/wiki/Swimming%20at%20the%202006%20Central%20American%20and%20Caribbean%20Games%20%E2%80%93%20Women%27s%204x100%20metre%20freestyle%20relay | Swimming at the 2006 Central American and Caribbean Games – Women's 4x100 metre freestyle relay | Introduction | The women's Freestyle Relay at the 2006 Central American and Caribbean Games occurred on Wednesday, July 19, 2006, at the S.U. Pedro de Heredia Aquatic Complex in Cartagena, Colombia.
Only 7 relays were entered in the event, and consequently, it was only swum once (in finals).
Records at the time of the event were:
World Record: 3:35.94, Australia (Mills, Lenton, Thomas, Henry), Athens, Greece, August 14, 2004.
Games Record: 3:57.55, Venezuela (Vilar, Lopes, Aponte, Semeco), 2002 Games in San Salvador (Nov.26.2002). | [] | [
"Introduction"
] | [
"Swimming at the 2006 Central American and Caribbean Games",
"2006 in women's swimming"
] | |
projected-23576070-002 | https://en.wikipedia.org/wiki/Swimming%20at%20the%202006%20Central%20American%20and%20Caribbean%20Games%20%E2%80%93%20Women%27s%204x100%20metre%20freestyle%20relay | Swimming at the 2006 Central American and Caribbean Games – Women's 4x100 metre freestyle relay | References | The women's Freestyle Relay at the 2006 Central American and Caribbean Games occurred on Wednesday, July 19, 2006, at the S.U. Pedro de Heredia Aquatic Complex in Cartagena, Colombia.
Only 7 relays were entered in the event, and consequently, it was only swum once (in finals).
Records at the time of the event were:
World Record: 3:35.94, Australia (Mills, Lenton, Thomas, Henry), Athens, Greece, August 14, 2004.
Games Record: 3:57.55, Venezuela (Vilar, Lopes, Aponte, Semeco), 2002 Games in San Salvador (Nov.26.2002). | 2006 CAC results: Women's 4x100 Free Relay from the website of the 2006 Central American and Caribbean Games; retrieved 2009-07-11.
Freestyle Relay, Women's 4x100m
Category:2006 in women's swimming | [] | [
"References"
] | [
"Swimming at the 2006 Central American and Caribbean Games",
"2006 in women's swimming"
] |
projected-44500634-000 | https://en.wikipedia.org/wiki/Michael%20Meltsner | Michael Meltsner | Introduction | Michael Meltsner (born 1937) is an American lawyer, the George J. and Kathleen Waters Matthews distinguished University Professor of law (and former dean) at Northeastern University School of Law and author. Meltsner was educated at Oberlin College and the Yale Law School.
As first assistant counsel to the NAACP Legal Defense and Educational Fund he served as counsel in many leading civil rights cases of the 1960s, including those that led to the integration of Southern hospitals and medical facilities, and a moratorium on capital punishment. He represented Mohammad Ali in the litigation that enabled his return to the boxing ring.
Meltsner sits on the board of the Legal Action Center. He is a winner of many awards including a Berlin American Academy prize Fellowship, a Guggenheim Fellowship, the Hugo Bedau Award for capital punishment scholarship and an American Bar Association Silver Gabel media award. In 2012 John Jay College (CUNY) conferred an Honorary Doctor of Laws calling him "the principal architect of the death penalty abolition movement in the United States." | [] | [
"Introduction"
] | [
"American lawyers",
"1937 births",
"Living people",
"Northeastern University faculty"
] | |
projected-44500634-001 | https://en.wikipedia.org/wiki/Michael%20Meltsner | Michael Meltsner | Selected publications | Michael Meltsner (born 1937) is an American lawyer, the George J. and Kathleen Waters Matthews distinguished University Professor of law (and former dean) at Northeastern University School of Law and author. Meltsner was educated at Oberlin College and the Yale Law School.
As first assistant counsel to the NAACP Legal Defense and Educational Fund he served as counsel in many leading civil rights cases of the 1960s, including those that led to the integration of Southern hospitals and medical facilities, and a moratorium on capital punishment. He represented Mohammad Ali in the litigation that enabled his return to the boxing ring.
Meltsner sits on the board of the Legal Action Center. He is a winner of many awards including a Berlin American Academy prize Fellowship, a Guggenheim Fellowship, the Hugo Bedau Award for capital punishment scholarship and an American Bar Association Silver Gabel media award. In 2012 John Jay College (CUNY) conferred an Honorary Doctor of Laws calling him "the principal architect of the death penalty abolition movement in the United States." | Philip G Schrag and Michael Meltsner, Reflections on Clinical Education, Northeastern University Press, 1998,
Cruel and Unusual: The Supreme Court and Capital Punishment, (Quid Pro Books Section Edition, 2011)
The Making of a Civil Rights Lawyer, University of Virginia Press, 2006,
In Our Name: A Play of the Torture Years, Norwood Press, 2010
Short Takes, A Novel, Random House, 1979Race Rape and Injustice, University of Tennessee Press, 2012 | [] | [
"Selected publications"
] | [
"American lawyers",
"1937 births",
"Living people",
"Northeastern University faculty"
] |
projected-44500662-000 | https://en.wikipedia.org/wiki/Farrier%20Trailertri%2018 | Farrier Trailertri 18 | Introduction | The Farrier Trailertri 18 is a trailerable 1976 trimaran sailboat designed by Ian Farrier that was sold in plan form, targeted at owner builders assembling from marine plywood, and marketed as a day sailer. | [] | [
"Introduction"
] | [
"Trimarans",
"Sailboat type designs by Ian Farrier",
"Sailboat types built by Farrier Marine"
] | |
projected-44500662-001 | https://en.wikipedia.org/wiki/Farrier%20Trailertri%2018 | Farrier Trailertri 18 | See also | The Farrier Trailertri 18 is a trailerable 1976 trimaran sailboat designed by Ian Farrier that was sold in plan form, targeted at owner builders assembling from marine plywood, and marketed as a day sailer. | List of multihulls
Farrier Marine | [] | [
"See also"
] | [
"Trimarans",
"Sailboat type designs by Ian Farrier",
"Sailboat types built by Farrier Marine"
] |
projected-44500662-002 | https://en.wikipedia.org/wiki/Farrier%20Trailertri%2018 | Farrier Trailertri 18 | References | The Farrier Trailertri 18 is a trailerable 1976 trimaran sailboat designed by Ian Farrier that was sold in plan form, targeted at owner builders assembling from marine plywood, and marketed as a day sailer. | Category:Trimarans
Category:Sailboat type designs by Ian Farrier
Category:Sailboat types built by Farrier Marine | [] | [
"References"
] | [
"Trimarans",
"Sailboat type designs by Ian Farrier",
"Sailboat types built by Farrier Marine"
] |
projected-23576077-000 | https://en.wikipedia.org/wiki/Mascha%20M%C3%BCller | Mascha Müller | Introduction | Mascha Müller (born May 8, 1984 in Munich, Germany) is a German actress and best known for her role as Luise von Waldensteyck on the soap opera Verbotene Liebe (Forbidden Love).
Mascha began acting with sixteen on a little stage, called Bühne Moosberg, which was founded by her mother, playing the role of the legendary Anne Frank. She succeeded her acting schooling on the International School for Acting in Munich. Her first television roles were little parts in the crime solving show Aktenzeichen XY… ungelöst and the scripted documentary Die Abschlussklasse.
After that she became guest parts in the primetime sitcom Hausmeister Krause – Ordnung muss sein and in the telenovelas Storm of Love and Lotta in Love, followed by main parts in stage plays in Munich.
In 2007, Mascha took the part of Vanessa Eichoff in the short-lived soap opera Maple Avenue.
In November 2007, she started filming for Verbotene Liebe and was first seen on-screen on January 21, 2009 in the role of Luise von Waldensteyck. With a fast popularity by the audience it became her biggest success yet. | [] | [
"Introduction"
] | [
"1984 births",
"Living people",
"German soap opera actresses",
"Actresses from Munich",
"German television actresses"
] | |
projected-23576077-001 | https://en.wikipedia.org/wiki/Mascha%20M%C3%BCller | Mascha Müller | Filmography | Mascha Müller (born May 8, 1984 in Munich, Germany) is a German actress and best known for her role as Luise von Waldensteyck on the soap opera Verbotene Liebe (Forbidden Love).
Mascha began acting with sixteen on a little stage, called Bühne Moosberg, which was founded by her mother, playing the role of the legendary Anne Frank. She succeeded her acting schooling on the International School for Acting in Munich. Her first television roles were little parts in the crime solving show Aktenzeichen XY… ungelöst and the scripted documentary Die Abschlussklasse.
After that she became guest parts in the primetime sitcom Hausmeister Krause – Ordnung muss sein and in the telenovelas Storm of Love and Lotta in Love, followed by main parts in stage plays in Munich.
In 2007, Mascha took the part of Vanessa Eichoff in the short-lived soap opera Maple Avenue.
In November 2007, she started filming for Verbotene Liebe and was first seen on-screen on January 21, 2009 in the role of Luise von Waldensteyck. With a fast popularity by the audience it became her biggest success yet. | 2005: Aktenzeichen XY… ungelöst (segment: 'Bankraub') as bank assistant
2005: Die Abschlussklasse (1 episode) as transvestite
2007: Maple Avenue (contract role) as Vanessa Eichhoff
2008: Der Bulle von Tölz (episode: 'Das Ende aller Sitten') as Jana Fitz
2009–present: Verbotene Liebe (contract role) as Luise von Waldensteyck
2009: Pfarrer Braun (episode: 'Glück auf! Der Mörder kommt!') as Ulla Wiehr | [] | [
"Filmography"
] | [
"1984 births",
"Living people",
"German soap opera actresses",
"Actresses from Munich",
"German television actresses"
] |
projected-44500671-000 | https://en.wikipedia.org/wiki/Youssef%20Benali | Youssef Benali | Introduction | Youssef Benali (born 4 February 1995) is a French footballer of Moroccan descent who plays for Moroccan club IR Tanger as a winger. | [] | [
"Introduction"
] | [
"1995 births",
"Living people",
"French footballers",
"French sportspeople of Moroccan descent",
"Ligue 1 players",
"Championnat National players",
"Toulouse FC players",
"US Concarneau players",
"Chabab Rif Al Hoceima players",
"Association football forwards"
] | |
projected-44500671-001 | https://en.wikipedia.org/wiki/Youssef%20Benali | Youssef Benali | Club career | Youssef Benali (born 4 February 1995) is a French footballer of Moroccan descent who plays for Moroccan club IR Tanger as a winger. | Benali began his career at the Toulouse FC youth academy, where he most commonly played as an attacking midfielder. He made his Ligue 1 debut on 23 November 2014 against Montpellier HSC, replacing Étienne Didot after 81 minutes in a 2-0 away defeat. During his time at Toulouse, Benali appeared in four Ligue 1 matches and a single match in the Coupe de la Ligue. After falling out of contract with Toulouse, he moved to Moroccan club Chabab Rif Al Hoceima on 29 August 2016 with a two year deal.
During the summer 2018, he moved to Concarneau. | [] | [
"Club career"
] | [
"1995 births",
"Living people",
"French footballers",
"French sportspeople of Moroccan descent",
"Ligue 1 players",
"Championnat National players",
"Toulouse FC players",
"US Concarneau players",
"Chabab Rif Al Hoceima players",
"Association football forwards"
] |
projected-44500671-002 | https://en.wikipedia.org/wiki/Youssef%20Benali | Youssef Benali | International career | Youssef Benali (born 4 February 1995) is a French footballer of Moroccan descent who plays for Moroccan club IR Tanger as a winger. | Benali made five appearances for the France national U-16 team and one appearance for the France national U-18 team. | [] | [
"International career"
] | [
"1995 births",
"Living people",
"French footballers",
"French sportspeople of Moroccan descent",
"Ligue 1 players",
"Championnat National players",
"Toulouse FC players",
"US Concarneau players",
"Chabab Rif Al Hoceima players",
"Association football forwards"
] |
projected-23576099-000 | https://en.wikipedia.org/wiki/Circle%20of%20Dust%20%28album%29 | Circle of Dust (album) | Introduction | Circle of Dust is the eponymous debut album by American industrial rock band Circle of Dust, released through R.E.X. Records in 1992. The 1995 reissue of Circle of Dust achieved the 25th slot on CMJ's Hard Rock 75 listings that same year. | [] | [
"Introduction"
] | [
"1992 debut albums",
"R.E.X. Records albums"
] | |
projected-23576099-001 | https://en.wikipedia.org/wiki/Circle%20of%20Dust%20%28album%29 | Circle of Dust (album) | History | Circle of Dust is the eponymous debut album by American industrial rock band Circle of Dust, released through R.E.X. Records in 1992. The 1995 reissue of Circle of Dust achieved the 25th slot on CMJ's Hard Rock 75 listings that same year. | All songs were written by Klayton, then known by his birth name "Scott Albert". The album was initially released through R.E.X. Records to the limited Christian music market. After R.E.X. secured mainstream distribution through Relativity Records, it was decided that a new Circle of Dust record should be put out quickly to take advantage of the increased distribution and get the band's name out there. Klayton, however, opted not to take an extended period of time to write and record a brand new album but instead re-recorded his debut album, scrapping several songs and introducing a handful of new ones. This decision was partly fueled by Klayton's intense distaste for the Circle of Dust debut:
"Technological Disguise" and "Senseless Abandon" were scrapped from the remastered version of the album. Klayton later stated in an episode of Ask Circle of Dust, that he didn't like either of them, and had no place on the remastered album. However, remasters of the songs would later be added in the 2019 compilation, Circle of Dust: Demos & Rarities. | [] | [
"History"
] | [
"1992 debut albums",
"R.E.X. Records albums"
] |
projected-23576099-003 | https://en.wikipedia.org/wiki/Circle%20of%20Dust%20%28album%29 | Circle of Dust (album) | References | Circle of Dust is the eponymous debut album by American industrial rock band Circle of Dust, released through R.E.X. Records in 1992. The 1995 reissue of Circle of Dust achieved the 25th slot on CMJ's Hard Rock 75 listings that same year. | Category:1992 debut albums
Category:R.E.X. Records albums | [] | [
"References"
] | [
"1992 debut albums",
"R.E.X. Records albums"
] |
projected-71477127-000 | https://en.wikipedia.org/wiki/Clash%20by%20Night%20%28short%20story%29 | Clash by Night (short story) | Introduction | "Clash by Night" is a military science fiction short story by Henry Kuttner and C. L. Moore, writing under the pen-name Lawrence O'Donnell. It was originally published in the March 1943 issue of Astounding Science Fiction Magazine. | [] | [
"Introduction"
] | [
"Science fiction short stories",
"1943 short stories",
"American short stories",
"Works originally published in Analog Science Fiction and Fact"
] | |
projected-71477127-001 | https://en.wikipedia.org/wiki/Clash%20by%20Night%20%28short%20story%29 | Clash by Night (short story) | Plot | "Clash by Night" is a military science fiction short story by Henry Kuttner and C. L. Moore, writing under the pen-name Lawrence O'Donnell. It was originally published in the March 1943 issue of Astounding Science Fiction Magazine. | The story is a naval romance set on a version of the planet Venus that is largely covered by water. Cities are built in underwater domes known as "Keeps", while warfare is prosecuted under strict rules by surface ships and submarines crewed by mercenaries known as Free Companies. The surface of Venus is uninhabitable due to the Sun's ultra-violet radiation, which leaves the mercenaries with dark skin tans compared to the pale Keep dwellers. The introduction to the story casts it as an ancient legend from the early colonization of Venus.
Captain Brian Scott is a member of Doone's Free Companions, allied with Montana Keep. They are mobilized to counter an attack by Virginia Keep. Like all such, the object is to extract a war indemnity payable in "korium", an energy source. Scott, who is second in command to Commander-in-Chief "Cinc" Rhys, must muster his men and ships while dealing with the possibility of ending his career and living in a Keep, tempted by the hedonistic lifestyle, personified by a woman, Ilene Kane. His dedication is further tested when, returning from negotiations with Mendez, commander of an allied Free Company, his boat wrecks and he must trek through the deadly Venusian jungle with a raw recruit who happens to be Ilene's brother, Norman.
The battle hinges on the Doone's massive "monitor", the Armageddon, which has enough firepower to destroy an entire fleet, but is too slow to be effective in quick engagements. Monitors also have a tendency to capsize, which leads the Doone Company to mount a deception by covering the superstructure with a fake keel. Rhys is killed in the initial exchanges of fire, putting Scott in command. His ship is then hit, leaving him at the mercy of Mendez and Bienne, a jealous subordinate. Either could kill him and take command. Instead, they save him and transfer to another ship. The enemy then approaches too close to the Armageddon and is defeated when the deception is revealed.
Scott, while disillusioned by the senseless conflict, rejects the temptations of Keep life for the idealism that will one day conquer the surface of the planet and render the Keeps obsolete. | [] | [
"Plot"
] | [
"Science fiction short stories",
"1943 short stories",
"American short stories",
"Works originally published in Analog Science Fiction and Fact"
] |
projected-44500679-000 | https://en.wikipedia.org/wiki/Innerworld | Innerworld | Introduction | Innerworld is the first full-length studio album by synth-pop band Electric Youth. The album was released in Canada by Last Gang Records and in the rest of the world by Secretly Canadian on September 30, 2014.
NPR premiered the album via their "First Listen" program on September 20, 2014.
The album was recorded in Toronto and Los Angeles and was produced by Electric Youth. Vince Clarke and Peter Mayes provided additional production and Mayes also mixed the album.
The album artwork features Electric Youth's Austin Garrick and Bronwyn Griffin, as painted by English painter Paul Roberts. | [] | [
"Introduction"
] | [
"2014 debut albums",
"Electric Youth albums"
] | |
projected-44500679-002 | https://en.wikipedia.org/wiki/Innerworld | Innerworld | References | Innerworld is the first full-length studio album by synth-pop band Electric Youth. The album was released in Canada by Last Gang Records and in the rest of the world by Secretly Canadian on September 30, 2014.
NPR premiered the album via their "First Listen" program on September 20, 2014.
The album was recorded in Toronto and Los Angeles and was produced by Electric Youth. Vince Clarke and Peter Mayes provided additional production and Mayes also mixed the album.
The album artwork features Electric Youth's Austin Garrick and Bronwyn Griffin, as painted by English painter Paul Roberts. | Category:2014 debut albums
Category:Electric Youth albums | [] | [
"References"
] | [
"2014 debut albums",
"Electric Youth albums"
] |
projected-23576116-000 | https://en.wikipedia.org/wiki/The%20Casablanca%20Years%3A%201974%E2%80%931980 | The Casablanca Years: 1974–1980 | Introduction | The Casablanca Years: 1974–1980 is a CD box set by the Funk band Parliament. The box set was released by Universal Music-Japan on August 22, 2007. This box compiles all nine Parliament albums released by Casablanca Records between 1974 and 1980. The box set includes the following albums:
Up for the Down Stroke (1974)
Chocolate City (1975)
Mothership Connection (1975)
The Clones of Dr. Funkenstein (1976)
Live: P-Funk Earth Tour (1977)
Funkentelechy Vs. the Placebo Syndrome (1977)
Motor Booty Affair (1978)
Gloryhallastoopid (1979)
Trombipulation (1980)
The set includes an 84-page booklet with liner notes written in Japanese, as well as lyrics to all of the songs included in the set. In addition, all of the individual CDs actually appear in mini-LP format and contain all of the extras (posters, cut outs) that were included in the original vinyl releases, shrunken down to fit into the CD jacket. It was a limited edition release and has never been distributed outside Japan.
Category:Parliament (band) compilation albums
Category:2007 compilation albums | [] | [
"Introduction"
] | [
"Parliament (band) compilation albums",
"2007 compilation albums"
] | |
projected-44500684-000 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | Introduction | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | [] | [
"Introduction"
] | [
"1868 births",
"1937 deaths",
"People educated at Bedford Modern School",
"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... | |
projected-44500684-001 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | Early life | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | Gerald Poole was born on 17 January 1868 at Clifton. He was educated at Bedford Modern School where his father, Reverend Canon Robert Burton Poole became headmaster. From school he went to the Royal Military Academy, Woolwich and then proceeded to the Royal Marine Artillery as a probationary lieutenant. | [] | [
"Early life"
] | [
"1868 births",
"1937 deaths",
"People educated at Bedford Modern School",
"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... |
projected-44500684-002 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | Early career | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | Poole served as a gunnery officer on-board a number of Royal Navy ships including; HMS Imperious (Mediterranean and Vancouver Island 1894–99), HMS Irresistible (Mediterranean 1902–04), HMS Victory (Scapa Flow, 1912) and HMS Inflexible (Mediterranean 1912–14). He was promoted to captain in 1896 and major in 1908. From 1906–12 he was seconded to the Canadian Government as a gunnery instructor and commanded No. 3 (Heavy) Battery of the Royal Canadian Artillery. | [] | [
"Early career"
] | [
"1868 births",
"1937 deaths",
"People educated at Bedford Modern School",
"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... |
projected-44500684-003 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | First World War | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | In 1915 Poole was promoted to lieutenant colonel and appointed Commander of the Royal Marine Howitzer Brigade in France. From May 1916 he took command of the 26th Heavy Artillery Battery of the Royal Garrison Artillery although he maintained administrative command of the Royal Marine Brigade for the duration of the war. On occasions he would incorporate the Marine howitzers within the RGA battery, for example at the Battle of Vimy Ridge in April 1917. He was mentioned three times in the Despatches of the Commander in Chief of the British Expeditionary Force, was appointed Companion of the Order of St Michael and St George in 1917 and awarded the Distinguished Service Order in 1918. | [] | [
"First World War"
] | [
"1868 births",
"1937 deaths",
"People educated at Bedford Modern School",
"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... |
projected-44500684-004 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | Later career | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | Poole was appointed Colonel Commandant of the Royal Marine Artillery at Eastney in 1921, and ADC to the King in the same year. He was promoted to major general in 1922 and also appointed a Companion of the Order of the Bath. He was made lieutenant general in 1924 and retired in 1925. | [] | [
"Later career"
] | [
"1868 births",
"1937 deaths",
"People educated at Bedford Modern School",
"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... |
projected-44500684-005 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | Personal life | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | On retirement Poole settled on Vancouver with his Canadian wife Gertrude; they had one son and one daughter. Poole was a keen musician and had served as Superintendent of the Royal Navy School of Music. He was also a fine horseman and became a proficient backwoodsman during his time in Canada. Gerald Poole died on 20 October 1937 in Vancouver. | [] | [
"Personal life"
] | [
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"1937 deaths",
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"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... |
projected-44500684-006 | https://en.wikipedia.org/wiki/Gerald%20Robert%20Poole | Gerald Robert Poole | References | Lieutenant General Gerald Robert Poole, (17 January 1868 – 20 October 1937) was a heavy artillery commander during the First World War with the Royal Marine Artillery and the Royal Garrison Artillery. He was Colonel Commandant of the Royal Marine Artillery between 1921 and 1922, and during this period also served as Marine aide-de-camp to King George V. | Category:1868 births
Category:1937 deaths
Category:People educated at Bedford Modern School
Category:Companions of the Distinguished Service Order
Category:Companions of the Order of the Bath
Category:Companions of the Order of St Michael and St George
Category:Royal Marines generals of World War I
Category:Royal Marines generals
Category:Royal Garrison Artillery officers
Category:Military personnel from Bristol | [] | [
"References"
] | [
"1868 births",
"1937 deaths",
"People educated at Bedford Modern School",
"Companions of the Distinguished Service Order",
"Companions of the Order of the Bath",
"Companions of the Order of St Michael and St George",
"Royal Marines generals of World War I",
"Royal Marines generals",
"Royal Garrison ... |
projected-44500691-000 | https://en.wikipedia.org/wiki/Emilio%20Sala | Emilio Sala | Introduction | Emilio Sala may refer to:
Emilio Sala (painter) (1850–1910), Spanish painter
Emilio Sala (sculptor) (1864–1920), Italian-born Ukrainian sculptor
Emilio Grau Sala (1911–1975), Catalan painter | [] | [
"Introduction"
] | [] | |
projected-23576126-000 | https://en.wikipedia.org/wiki/Korean%20War%20National%20Museum | Korean War National Museum | Introduction | The Korean War National Museum (KWNM) was a private-sector non-profit Illinois-based corporation headquartered in Springfield, Illinois. The KWNM sought to create a museum and educational program to help people understand American participation in the Korean War (1950-1953), especially from the point of view of the men and women who served in combat and support roles. Founded in 1997, the KWNM reorganized in 2010 with the goal of expanding itself and building an accredited museum facility in New York City.
A 10,000 square foot KWNM facility, the Denis J. Healy Freedom Center, operated from 2009 until 2017 in Springfield, Illinois. The troops of 23 nations, including the United States of America, South Korea, and 21 other nations that fought under the flag of the United Nations, were honored in the Illinois storefront facility. In 1950-1953, an estimated 6 million U.S. men and women served in the armed forces, although not all of them were actually stationed in Korea.
The Korean War National Museum abruptly closed in August 2017. It was announced in March 2018 that artifacts formerly displayed in the museum had been transferred to the Harry S. Truman Presidential Library and Museum in Independence, Missouri, and the museum's former website, "Korean War National Museum," was deactivated. | [] | [
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projected-23576126-001 | https://en.wikipedia.org/wiki/Korean%20War%20National%20Museum | Korean War National Museum | See also | The Korean War National Museum (KWNM) was a private-sector non-profit Illinois-based corporation headquartered in Springfield, Illinois. The KWNM sought to create a museum and educational program to help people understand American participation in the Korean War (1950-1953), especially from the point of view of the men and women who served in combat and support roles. Founded in 1997, the KWNM reorganized in 2010 with the goal of expanding itself and building an accredited museum facility in New York City.
A 10,000 square foot KWNM facility, the Denis J. Healy Freedom Center, operated from 2009 until 2017 in Springfield, Illinois. The troops of 23 nations, including the United States of America, South Korea, and 21 other nations that fought under the flag of the United Nations, were honored in the Illinois storefront facility. In 1950-1953, an estimated 6 million U.S. men and women served in the armed forces, although not all of them were actually stationed in Korea.
The Korean War National Museum abruptly closed in August 2017. It was announced in March 2018 that artifacts formerly displayed in the museum had been transferred to the Harry S. Truman Presidential Library and Museum in Independence, Missouri, and the museum's former website, "Korean War National Museum," was deactivated. | Korean War Veterans Memorial in Washington, D.C. | [] | [
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"Defunct museums in Illinois",
"Korean War museums",
"Museums established in 1997",
"2009 establishments in Illinois",
"Museums disestablished in 2017",
"2017 disestablishments in Illinois"
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projected-23576126-002 | https://en.wikipedia.org/wiki/Korean%20War%20National%20Museum | Korean War National Museum | References | The Korean War National Museum (KWNM) was a private-sector non-profit Illinois-based corporation headquartered in Springfield, Illinois. The KWNM sought to create a museum and educational program to help people understand American participation in the Korean War (1950-1953), especially from the point of view of the men and women who served in combat and support roles. Founded in 1997, the KWNM reorganized in 2010 with the goal of expanding itself and building an accredited museum facility in New York City.
A 10,000 square foot KWNM facility, the Denis J. Healy Freedom Center, operated from 2009 until 2017 in Springfield, Illinois. The troops of 23 nations, including the United States of America, South Korea, and 21 other nations that fought under the flag of the United Nations, were honored in the Illinois storefront facility. In 1950-1953, an estimated 6 million U.S. men and women served in the armed forces, although not all of them were actually stationed in Korea.
The Korean War National Museum abruptly closed in August 2017. It was announced in March 2018 that artifacts formerly displayed in the museum had been transferred to the Harry S. Truman Presidential Library and Museum in Independence, Missouri, and the museum's former website, "Korean War National Museum," was deactivated. | Category:Defunct museums in Illinois
Category:Korean War museums
Category:Museums established in 1997
Category:2009 establishments in Illinois
Category:Museums disestablished in 2017
Category:2017 disestablishments in Illinois | [] | [
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projected-71477129-000 | https://en.wikipedia.org/wiki/Floretta%20Allen%20Curtiss | Floretta Allen Curtiss | Introduction | Floretta Allen Curtiss (1 December 1822 – 3 March 1899) was an American phycologist, whose significant collection of algae specimens was ultimately donated to the United States National Herbarium. She has been described as a "trailblazer", and as "Florida's most indefatigable phycologist." | [] | [
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"1899 deaths",
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projected-71477129-001 | https://en.wikipedia.org/wiki/Floretta%20Allen%20Curtiss | Floretta Allen Curtiss | Life | Floretta Allen Curtiss (1 December 1822 – 3 March 1899) was an American phycologist, whose significant collection of algae specimens was ultimately donated to the United States National Herbarium. She has been described as a "trailblazer", and as "Florida's most indefatigable phycologist." | Floretta Anna Allen was born in a log cabin in New York, in what is now the village of Central Square, the daughter of Solomon Allen and Lucy (née Godspeed). As a child, she was drawn to nature, taking a special interest in the family's flower garden. Allen was educated in Rome, New York and Ann Arbor, Michigan, where she was first exposed to botany as an area of study under the influence of a tutor. Back at home, and under the strict guidance of her mother, Allen met Gaston G. Curtiss. The pair became engaged, and were married on 7 July 1842.
In his biographical sketch, Curtiss' son (Allen Hiram, born 1845) described the early years of his mother's marriage as "full of trouble". Following his birth, she became ill with tuberculosis. Her two brothers died, and she lost her second child in early infancy.
During the Civil War, the family moved to Alexandria, Virginia, where Curtiss befriended many soldiers and took to walking. After the war, they purchased a farm near Lynchburg. Gaston G. Curtiss died on 16 November 1862, and Floretta Curtiss subsequently joined her son, by then living in Florida. | [] | [
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projected-71477129-002 | https://en.wikipedia.org/wiki/Floretta%20Allen%20Curtiss | Floretta Allen Curtiss | Phycology | Floretta Allen Curtiss (1 December 1822 – 3 March 1899) was an American phycologist, whose significant collection of algae specimens was ultimately donated to the United States National Herbarium. She has been described as a "trailblazer", and as "Florida's most indefatigable phycologist." | It was in Florida that Curtiss became interested in algae, possibly initially as a result of her beach-combing. In collecting and mounting specimens, Allen H. Curtiss wrote:she found not only a species of artwork, but a nature study requiring close mental application. There is probably no other order of plants that presents to a student so many doubtful and puzzling forms, and it was through her persistent study of such forms that my mother made so many additions to the knowledge of algae.Curtiss began to correspond with botanist William Gilson Farlow, and Swedish botanist and phycologist Jacob Georg Agardh. She accompanied her son on expeditions to collect algae, during which she engaged others in collecting who would later send her specimens at home. "Her interest," A. H. Curtiss wrote, "centered in Florida algae, in adding new species and better specimens to her collection, and, above all, in discovering species or varieties new to science or not reported from this country." Among those Curtiss corresponded with, and who sent specimens, were Mary Ann Booth and Charles Lewis Anderson, as well as botanists from abroad.
In 1879, she discovered a species of red algae later named Gracilaria curtissiae. | [] | [
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projected-71477129-003 | https://en.wikipedia.org/wiki/Floretta%20Allen%20Curtiss | Floretta Allen Curtiss | Death and legacy | Floretta Allen Curtiss (1 December 1822 – 3 March 1899) was an American phycologist, whose significant collection of algae specimens was ultimately donated to the United States National Herbarium. She has been described as a "trailblazer", and as "Florida's most indefatigable phycologist." | Floretta Allen Curtiss died on 3 March 1899, and was buried at Hillside Memorial Cemetery and Park, Oswego County, New York.
This significant herbarium, known as Algae Curtissianae, was later bound into eight folio volumes by her son and donated to the United States National Herbarium. To accompany the donation, A.H. Curtiss wrote a short biography of his mother, published as Mrs. Floretta A. Curtiss: a biographical sketch by her son (1899). Charles Edwin Bessey wrote that "Science owes her a debt of gratitude for the years of painstaking labor which she gave to the gathering and preservation of specimens, which have enriched the botanical collections of the World's great herbaria."
In 1996, the Phycological Newsletter named Curtiss a 'trailblazer' in the field. Michael J. Wynne wrote:It is appropriate to pay homage to Floretta Allen Curtiss, an adventurous lady who although never publishing a single paper on algae, stands out as a genuine "trailblazer." Her impact on phycology is based on her zeal for collecting and her sharing material with professional phycologists of the day. She was not a mere petticoated wader as was so common in this Victorian period but rather was one sturdy field botanist, who devoted the last two decades of her life to her favorite pursuit, namely, the study of marine algae. | [] | [
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projected-71477129-004 | https://en.wikipedia.org/wiki/Floretta%20Allen%20Curtiss | Floretta Allen Curtiss | References | Floretta Allen Curtiss (1 December 1822 – 3 March 1899) was an American phycologist, whose significant collection of algae specimens was ultimately donated to the United States National Herbarium. She has been described as a "trailblazer", and as "Florida's most indefatigable phycologist." | Category:1822 births
Category:1899 deaths
Category:19th-century American women scientists
Category:19th-century American botanists
Category:American phycologists
Category:People from New York (state) | [] | [
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projected-26724170-000 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Introduction | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | [] | [
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projected-26724170-001 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Early career | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | Born October 2, 1959 in the Bronx, New York to Gladys Glover Lovell, an elementary school teacher from South Carolina, and Allister Lovell, a postal clerk and photographer of West Indian descent. Whitfield Lovell grew up in the Bronx and attended The High School of Music and Art in Manhattan. During high school, he also participated in a variety of extracurricular art programs: the Metropolitan Museum of Art High School Program, the Whitney Museum Art Resources Center, the New York State Summer School for the Arts in Fredonia, New York, and the Cooper Union Saturday Program.
In 1977, Lovell traveled to Spain to study painting and sculpture with Manhattanville College. At El Museo del Prado in Madrid, Spain, he decided that he would become a painter. Lovell has said:
Lovell spent a year at Maryland Institute College of Art (MICA), Baltimore in 1977 before traveling in France, Germany, Italy, England, Austria and the Netherlands with the American Institute For Foreign Study in 1978. When he returned to New York, he enrolled in the Fine Arts Department of the Parsons School of Design and then The Cooper Union School of Art, from which he graduated in 1981. In 1982, Lovell traveled to Egypt, Nigeria, and the Republic of Benin, West Africa.
In 1985, Lovell attended the Skowhegan School of Painting and Sculpture, where he reconsidered the nature of his own work:
This practice, using old photographs as inspiration and source material, has stayed with Whitfield to this day.
In 1986, Lovell stayed with relatives in Barbados, West Indies. In 1989, he attended New York University (NYU) Graduate Program in Venice, Italy. In 1990, he traveled to Mexico, where he began collecting ex-votos and retablos, which he cited as influences in his work.
In 1994, Lovell's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke, Philemona Williamson, Freddy Rodríguez and Emilio Cruz. | [] | [
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projected-26724170-002 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Installations | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | In 1993, Lovell visited a private artist's retreat at the Villa Val Lemme in Capriatta d'Orba, Italy. The villa had been built by a slave trader in the early 20th century.
In response, Lovell created site-specific drawings on the walls of the villa using its history as the theme, a dignified image of a black person. This was Lovell's first installation piece.
In 1995, while an artist in residence at Rice University in Houston, Texas, Lovell created his second installation. The piece, entitled Echo, was at Project Row Houses, a venue comprising abandoned "shot gun" houses in which artists create installations. Of the project, Lovell has said: "Villa Val Lemme was the first time I worked directly on the wall. At the time I wanted to explore installation further but wanted the right circumstances to arise. When I was approached to do a rowhouse it was just the right time. The feeling in the house was ideal for trying new ideas related to my interest in old photographs of "anonymous" people."
Whispers From the Walls was Lovell's fourth installation, created during a 1999 residency at the University of North Texas Art Gallery in Denton. Lovell created a rectangular house of salvaged boards with multicolored peeling paint. He covered the floors with soil and old clothing through which gallery visitors walked. Inside the house was a single room filled with furniture, clothing, personal objects, and sound. On the interior walls, life-size charcoal drawings suggested human residents. This exhibition appeared the Seattle Art Museum and the Studio Museum in Harlem on tour.
Portrayals, which originated at the Neuberger Museum in Purchase, NY, in the spring of 2000, included nineteen tableaux.
Visitation: The Richmond Project focused on Richmond, Virginia's historically African-American district Jackson Ward, "the nation's first major black entrepreneurial community." It traveled to the University of Wyoming, Laramie; the Columbus Museum Uptown, Georgia; and the Museum of Contemporary Art in Sydney, Australia, in 2004.
SANCTUARY: The Great Dismal Swamp originated at the Contemporary Art Center of Virginia. It was inspired by accounts of runaway slaves who hid in or escaped through the 2,200-square mile Great Dismal Swamp. Of the project, Lovell has said:
"The main inspiration for Sanctuary: The Great Dismal Swamp, aside from the readings and research I did, was visiting the swamp itself. The people at the Dismal Swamp Wildlife Refuge hosted me for a day of hikes and a boat ride across Lake Drummond, which is in the center of the swamp. Lake Drummond is an egg-shaped pond about three miles across and no deeper than six feet at its center. It was referred to by Irish poet John O'Reilly as 'the most wonderful and beautiful sheet of water on the continent.' The water is a rich brown color, like tea, the result of the tannin that dripped from the juniper trees over the centuries. That was the inspiration for the pool of water that became the centerpiece for the installation.
"Most important for me were the moments when I stood silently in the swamp and just listened to the sounds and felt the ambience."
"For the installation we got thirty trees and stood them up in the gallery, with branches, leaves, and vines extending into the space, creating barriers and obstacles for the viewer. The floor was covered with mulch, and there were sounds of crickets, cicadas, and barking hounds throughout. Twelve basins and washboards filled with water were placed around the room, with the faces of people looking out at the viewer. Many of the images and objects that implied human inhabitants and the shingle industry were submerged in water. Somehow the legacy of those who lived hidden in the swamp to avoid slavery seemed to have been nearly lost, buried under that lake." | [
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projected-26724170-003 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Tableaux | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | In 1997, during a month in Mount Desert, Maine, at the Acadia Summer Art Program, Lovell made his first tableaux: charcoal drawings on antique wood panels coupled with found objects. | [] | [
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projected-26724170-004 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Kin Series | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | The Kin Series (2008 - 2011) is collection of sixty works made of individual portrait images in Conte crayon on paper combined with found objects. The objects sometimes overlap with the image and cast shadows. The drawing and object are then framed in glass and black metal.
The series began with a drawing based on a photo-booth photograph of a young boy. Lovell says: "There was something about that young boy's face that captivated me. His eyes and mouth were so expressive, as if he were about to cry. I felt compelled to try and capture that emotional quality."
For this series, Lovell's photographic sources differ from his vintage studio shots. Instead, he uses mug shots, passport photos, and photobooth images. Lovell has described the difference in using these photographs as sources: "Once the Kin Series got going, I noticed a major difference in the drawings. The difference was the people were more harshly lit, not made up, and the photos were untouched and there was often a reluctance in their expressions. I saw those qualities as more honest and raw (if I may), whereas in the studio portrait photos that I have worked from, the sitters appear very elegant and posed. Those people were very invested in how they presented themselves. They chose the day, the clothes, the photographer, etc." | [] | [
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projected-26724170-005 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Collecting | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | Lovell's Tableaux and Kin Series include an abundance of antique objects that are symptomatic of Lovell's love of collecting. Lovell has said: "I began collecting hands after I had already been using hands in my work. The more I learned about the iconography of hands, the more excited I was to continue with the theme. Also, my interest in collecting crayon portraits came simultaneously with the images in the Hand Series, thought I didn't consciously think about it at the time ... There has always been a reason for my wanting to own certain objects more than others. I've tried to be a focused collector, so that I was spending my money on things that fed the work." | [] | [
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projected-26724170-006 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Awards | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | 1982 Jerome Foundation Fellowship to the Robert Blackburn Printmaking Workshop
1985 Eastman Scholarship to the Skowhegan School of Painting and Sculpture
1986 Robert Blackburn Printmaking Workshop Fellowship
1986 New York State Council on the Arts Grant
1987 New York State Council on the Arts Grant
1988 Mousem D'Asilah Residency, Asilah, Morocco
1990 Promise of Learnings Inc. Award for Excellence in Education
1990 Metropolitan Transportation Authority, Arts for Transit Poster Commission
1990 Penny McCall Foundation Grant
1990 Artists Homeless Shelter Collaborative Grant
2001 Art Awareness Residency, Lexington, NY
2002 Virginia Museum of Contemporary Art, Virginia Beach, VA, Artist in Residence
2003 Richard C. Diebenkorn Fellowship, San Francisco Art Institute, California
2007 Emil & Dines Carlsen Award, National Academy Museum
2007 MacArthur Fellows Program, Chicago, Illinois
2009 Malvina Hoffman Artists Fund Prize, 184th Annual Exhibition of Contemporary American Art, National Academy Museum, New York, New York
2009 Nancy Graves Grant for Visual Artists, The Nancy Graves Foundation, New York, New York
2014 National Academy Award for Excellence, New York, New York | [] | [
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projected-26724170-007 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Collections | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | Lovell's work is held in the following permanent collections, among others:
Baltimore Museum of Art, Baltimore, Maryland
Brooklyn Museum Brooklyn, New York
Columbus Museum of Art, Columbus, Ohio
Corcoran Gallery of Art, Washington, DC
Cornell Fine Arts Museum, Winter Park, Florida
Cummer Museum, Jacksonville, Florida
High Museum of Art, Atlanta, Georgia
Metropolitan Museum of Art, New York City, New York
Museum of Modern Art (MoMA), New York City, New York
National Gallery of Art, Washington, D.C.
National Museum of African American History and Culture, Smithsonian, Washington, D.C.
Neuberger Museum of Art, Purchase, New York
New Orleans Museum of Art, New Orleans, Louisiana
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
The Phillips Collection, Washington, D.C.
Seattle Art Museum, Seattle, Washington
Smithsonian American Art Museum, Washington, D.C.
Studio Museum in Harlem, New York, New York
Whitney Museum of American Art, New York, New York
Williams College Museum of Art, Williamstown, Massachusetts
Yale University Art Gallery, New Haven, Connecticut | [] | [
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projected-26724170-008 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Solo exhibitions | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | 1982 Interchurch Center, New York, New York
1984 Galeria Morivivi, New York, New York
1985 John Jay College, New York, New York
1987 Harlem School of the Arts, New York, New York
1988 Jersey City Museum, Jersey City, NJ
1993 Lehman College Art Gallery, New York, New York
1997 Southeastern Center for Contemporary Art, Winston-Salem, NC
1997 DC Moore Gallery, New York, New York
1998 Collecting Inspiration, The Andy Warhol Museum, Pittsburgh, PA
1999-2005 Whispers From the Walls - An Installation by Whitfield Lovell, University of North Texas Art Gallery, Denton, TX (traveled to: Texas Fine Art Association, The Jones Center for Contemporary Art, Austin, TX; Seattle Art Museum, Seattle, WA; The Studio Museum in Harlem, New York, NY; Robeson Art Gallery, Rutgers, State University of New Jersey, Newark, NJ; Virginia Museum of Contemporary Art, Virginia Beach, VA; Texarkana Regional Arts & Humanities Council, Texarkana, TX; Montgomery Museum of Fine Arts, Montgomery, AL; Public Library of Charlotte & Mecklenburg County, Charlotte, NC; California African American Museum, Los Angeles, CA; Reed College, Portland, OR; National Civil Rights Museum, Memphis, TN; San Antonio Museum of Art, TX; Louisiana State University, Union Art Gallery, LA; Stedman Art Gallery, Rutgers-Camden, NJ; Arkansas Arts Center, Little Rock, AR; Dane G. Hansen Memorial Museum, Logan, KS)
2000 Recent Tableaux, DC Moore Gallery, New York, New York
2000–02 Portrayals, Neuberger Museum of Art, State University of New York, Purchase, NY (traveled to: Montclair Art Museum, Montclair, NJ; Tubman African-American Museum, Macon, GA; Evansville Museum of Art, Evansville, IN)
2001 Beyond the Frame: Whitfield Lovell, Knoxville Museum of Art, Knoxville, TN
2001 Embers, Boston University Art Gallery, Boston, MA
2001 Whitfield Lovell, Recent Tableaux, Black History Museum & Cultural Center of Virginia, Richmond, VA
2001–04 Visitation: The Richmond Project, Hand Workshop Art Center, Richmond, VA (traveled to: University of Wyoming Art Museum, Laramie, WY; The Columbus Museum, Columbus, GA; Museum of Contemporary Art, Sydney, Australia)
2002 SANCTUARY: The Great Dismal Swamp, An Installation by Whitfield Lovell, Virginia Museum of Contemporary Art, Virginia Beach, VA
2002 Whitfield Lovell: Memories, Thomasville Cultural Center, Thomasville, GA (traveled to: Albany Museum of Art, Albany, GA)
2002 Whitfield Lovell: Embers, DC Moore Gallery, New York, New York
2003 Whitfield Lovell: Tableaux, Art Museum of Southeast Texas, Beaumont, TX
2003 GRACE: A Project by Whitfield Lovell, Bronx Museum of the Arts, Bronx, New York
2003 Whitfield Lovell: Ancestors, Flint Institute of Arts, MI
2003 That You Know Who We Are: Works by Whitfield Lovell, Zora Neale Hurston National Museum of Fine Arts, Eatonville, FL
2004 Whitfield Lovell, Arthur Roger Gallery, New Orleans, LA
2004 Whitfield Lovell: Tableaux, Olin Art Gallery, Kenyon College, Gambier, OH
2005 Whitfield Lovell: Homegoing, John Michael Kohler Arts Center, Sheboygan, WI
2006 Whitfield Lovell, DC Moore Gallery, New York, New York
2008 Whitfield Lovell: All Things in Time, Hudson River Museum, Yonkers, New York
2008 Whitfield Lovell: Kith & Kin, DC Moore Gallery, New York, New York
2009 Whitfield Lovell: Distant Relations, Berrie Center for Performing and Visual Arts, Ramapo College of New Jersey, Mahwah, NJ
2009 Mercy, Patience and Destiny: The Women of Whitfield Lovell's Tableaux, Atlanta College of Art Gallery of Savannah College of Art and Design, Woodruff Arts Center, Atlanta, GA
2009 Whitfield Lovell: One Man's Treasures, Hampton University Museum, Hampton, VA
2010 Whitfield Lovell, Arthur Roger Gallery, New Orleans, LA
2011 More Than You Know: Works By Whitfield Lovell, Smith College Museum of Art, Northampton, MA
2013 Whitfield Lovell: Deep River, Hunter Museum of American Art, Chattanooga, TN
2015 Whitfield Lovell: Deep River, Telfair Museums, Savannah, GA
2015 Whitfield Lovell: Deep River, The Cummer Museum of Art & Gardens, Jacksonville, FL
2016 Whitfield Lovell: The Kin Series and Related Works", The Phillips Collection, Washington, DC
2017 Inbox: Whitfield Lovell, The Museum of Modern Art, New York, NY (March 25–May 26, 2017) | [] | [
"Solo exhibitions"
] | [
"1959 births",
"American installation artists",
"Artists from the Bronx",
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"MacArthur Fellows",
"African-American contemporary artists",
"American contemporary artists",
"Living people",
"The High School of Music & Art alumni",
"Maryland Institute College of Art alumni",
"P... |
projected-26724170-009 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Bibliography | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | "Whitfield Lovell", Tom Otterness, BOMB, 91/Spring 2005
Bartholomew F. Bland, Whitfield Lovell, Whitfield Lovell: all things in time, Hudson River Museum, 2008,
Lucy R. Lippard, Carla Hanzal, Leslie King-Hammond, and Jennifer Ellen Way. The Art of Whitfield Lovell: Whispers from the Walls, Pomegranate, 2003, | [] | [
"Bibliography"
] | [
"1959 births",
"American installation artists",
"Artists from the Bronx",
"Cooper Union alumni",
"MacArthur Fellows",
"African-American contemporary artists",
"American contemporary artists",
"Living people",
"The High School of Music & Art alumni",
"Maryland Institute College of Art alumni",
"P... |
projected-26724170-010 | https://en.wikipedia.org/wiki/Whitfield%20Lovell | Whitfield Lovell | Books and exhibition catalogues | Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops. | 1983 Rosner-Jeria, Elaine, and William Jung. Trans-Fers (exhibition catalogue). New York: Henry Street Settlement and El Grupo Morivivi, 1983.
1983 Bickimer, David A. Christ the Placenta, Notes to My Mentor on Religious Education. Birmingham: Religious Education Press, 1983.
1984 Artist in the Marketplace (exhibition catalogue). Bronx, NY: The Bronx Museum of the Arts, 1984.
1986 Verre, Philip. Curator's Choice II (exhibition catalogue). Bronx, NY: Bronx Museum of the Arts, 1986.
1986 Black Visions '86 (exhibition catalogue). New York: Tweed Gallery, 1986.
1987 Bibby, Diedre. Who's Uptown: Harlem '87 (exhibition catalogue). New York: Schomburg Center for Research in Black Culture, 1987.
1988 Other Countries: Gay Black Voices, New York, NY: Cultural Council Foundation/Management and Resources for the Arts, 1988.
1988 Jones, Kellie. New Visions: James Little, Whitfield Lovell, Alison Saar (exhibition catalogue). Queens, NY: The Queens Museum, 1988.
1989 Smith, Valerie. Selections from the Artists File, Artists Space (exhibition catalogue). New York: Artists Space, 1989.
1990 Stanislaus, Grace. New Perspectives: Colin Chase and Whitfield Lovell (exhibition catalogue). Miami: Miami Dade College, Wolfson Gallery, 1990.
1990 Georgia, Olivia. Family Stories (exhibition catalogue). Staten Island, NY: Snug Harbor Cultural Center, 1990.
1991 Long, Richard, and Judith Wilson. African-American Works on Paper from the Cochran Collection (exhibition catalogue). Atlanta: Double Density, 1991.
1991 Jones, Kellie, and Thomas W. Sokolowski. Interrogating Identity (exhibition catalogue). New York: Grey Art Gallery and Study Center, 1991.
1991 Bellamy, Peter. The Artist Project, Portraits of the Real Word/New York Artists 1981–1990. New York: IN Publishing, 1991.
1993 Yau, John. The Bronx Celebrates Whitfield Lovell (exhibition catalogue). Bronx, NY: Lehman College Art Gallery, 1993.
1993 Hazlewood, Carl. Current Identities, Recent Painting in the United States (exhibition catalogue). Newark, NJ: Aljira Center for Contemporary Art, 1993.
1994 Henning, Roni. Screen Printing: Water Based Techniques, Non-Toxic Methods for a Safe Environment. New York: Watson Guptill Publications, 1994.
1994 Balka, Sigmund R. Empowerment: The Art of African American Artists (exhibition catalogue). White Plains, NY: Krasdale Gallery, 1994.
1995 Yau, John. Murder (exhibition catalogue). Santa Monica: Smart Art Press, 1995.
1995 de Larrazabel, Eudoxia Estrella. IV Bienal International de Pintura, Cuenca, Ecuador (exhibition catalogue). Cuenca, Ecuador, 1995.
1996 Wolfe, Townsend. National Drawing Invitational (exhibition catalogue). Little Rock: Arkansas Arts Center, 1996.
1996 Chin, Mel. Scratch (exhibition catalogue). New York: Thread Waxing Space, 1996.
1996 Cappellazzo, Amy. Real (exhibition catalogue). Miami: Bass Museum of Art, 1996.
1997 Llanes, Llilian. Sexta Bienal de la Habana, El Individuo y Su Memoria (exhibition catalogue). Havana, Cuba: Centro Wifredo Lam, 1997.
1998 Taha, Halima M. Collecting African American Art: Works on Paper and Canvas. New York: Crown Publishers, 1998.
1999 Lippard, Lucy, and Jennifer Ellen Way. The Art of Whitfield Lovell, Whispers From the Walls (exhibition catalogue). Denton, TX: University of North Texas Press, 1999.
1999 Hertz, Betti-Sue. Urban Mythologies: The Bronx Represented Since the 1960s (exhibition catalogue). Bronx, NY: Bronx Museum of the Arts, 1999.
2000 Wei, Lilly. Portrayals (exhibition catalogue). Purchase, NY: The Neuberger Museum of Art, 2000.
2000 20 Years of Artists in the Marketplace Program (CD-ROM). Bronx, NY: The Bronx Museum of the Arts, 2000.
2000 Hills, Patricia. Recent Tableaux (exhibition catalogue). New York, NY: DC Moore Gallery, 2000.
2000 Foster, Carter E., and Stephen F. F. Jost. Drawing on Language (exhibition catalogue). Cleveland: SPACES Gallery, 2000.
2000 DC Moore Gallery. Whitfield Lovell: Portrayals (exhibition catalogue).
2001 Wolfe, Townsend. About Face: Collection of Jackye and Curtis Finch, Jr. (exhibition catalogue). Little Rock: Arkansas Arts Center, 2001: 62, illus.
2001 Selections: Painting (exhibition catalogue). Oakdale, NY: Dowling College, 2001.
2001 Makrandi, Nandini. Beyond the Frame: Whitfield Lovell (exhibition brochure). Knoxville: Knoxville Museum of Art, 2001.
2001 Kushner, Robert. Beauty Without Regret (exhibition catalogue). Santa Fe: Bellas Artes Gallery, 2001.
2001 Fairbrother, Trevor. "Going Forward, Looking Back," in Words of Wisdom: A Curator's Vade Mecum on Contemporary Art, New York: Independent Curators International, 2001: 56-58.
2002 Smagula, Howard J. Creative Drawing, London, England: Lawrence King Publishing, 2002: 15, 133.
2002 Nahas, Dominique. Whitfield Lovell: Embers (exhibition catalogue). New York: DC Moore Gallery, 2002.
2002 Hanzal, Carla. SANCTUARY: The Great Dismal Swamp, An Installation by Whitfield Lovell (exhibition booklet). Virginia Beach: Contemporary Art Center of Virginia, 2002.
2003 Lippard, Lucy R., Carla Hanzal, Leslie King-Hammond, and Jennifer Ellen Way. The Art of Whitfield Lovell: Whispers from the Walls, 2nd edn, San Francisco: Pomegranate, 2003.
2003 Lapcek, Barbara. "Whitfield Lovell: Visual Artist," in Hatch-Billops Collections, Inc.: Artist & Influence, Vol. XXI, New York: Hatch-Billops Collection, 2003: 175-192.
2003 Gerdts, William H. et al. American Art at the Flint Institute of Arts, Flint, MI: Flint Institute of Arts, 2003: 260-261.
2003 Everett, Gwen. African American Masters: Highlights from the Smithsonian American Art Museum. New York: Harry N. Abrams; Washington, DC: Smithsonian American Art Museum, 2003.
2003 Bessire, Mark H. C. Skowhegan 2002-2003 Faculty Exhibition (exhibition catalogue). Portland, ME: Institute of Contemporary Art, Maine College of Art, 2003.
2004 Princenthal, Nancy et al. Whitfield Lovell, in +Witness (exhibition catalogue). Sydney: Museum of Contemporary Art, 2004: 42-49.
2004 Brookman, Philip. Common Ground: Discovering Community in 150 Years of Art (exhibition catalogue). London: Merrell Publishers, 2004.
2005 Yee, Lydia. Collection Remixed (exhibition catalogue). Bronx, NY: The Bronx Museum of the Arts, 2005: 54-55.
2007 182nd Annual Exhibition of Contemporary American Art (exhibition catalogue). New York: National Academy Museum, 2007: illus. 133.
2007 Reynolds, Jock. Art For Yale: Collecting for a New Century (exhibition catalogue). New Haven, CT: Yale University Art Gallery, 2007: illus. 334.
2008 Conrad, Dr. Derek Conrad. The Other Mainstream II: Selections from the Collection of Mikki and Stanley Weithorn (exhibition catalogue). Tempe, AZ: Arizona State University Art Museum, 2008: illus. 31.
2008 Heartney, Eleanor. Art and Today, New York: Phaidon Press, 2008: illus. 412.
2008 Sims, Lowery Stokes. Whitfield Lovell: All Things in Time, Yonkers, NY: Hudson River Museum, 2008.
2009 Lewis, Sarah. Mercy, Patience and Destiny: The Women of Whitfield Lovell's Tableaux (exhibition catalogue). Atlanta: The ACA Gallery of SCAD, 2009.
2009 Kim, Linda. "Distant Relations: Identity and Estrangement in Whitfield Lovell's Kin Series," in Distant Relations (exhibition catalogue). Mahwah, NJ: Ramapo College, 2009.
2009 Carson, Charles D. and Julie L. McGee. Sound:Print:Record: African American Legacies (exhibition catalogue). Newark, DE: University Museums, University of Delaware, 2009: illus. cover, 46.
2010 United States Mission to the United Nations, New York: ART in Embassies Exhibition (exhibition catalog), Washington, DC: Art in Embassies, 2010.
2010 Franks, Pamela and Robert E. Steele. Embodied: Black Identities in American Art from the Yale University Art Gallery (exhibition catalog). New Haven, CT: Yale University Art Gallery, 2010: illus. 45.
2010 Griffin, Farah Jasmine. "Whitfield Lovell", in RE: COLLECTION, Selected Works from The Studio Museum in Harlem, New York: The Studio Museum in Harlem, 2010. | [] | [
"Books and exhibition catalogues"
] | [
"1959 births",
"American installation artists",
"Artists from the Bronx",
"Cooper Union alumni",
"MacArthur Fellows",
"African-American contemporary artists",
"American contemporary artists",
"Living people",
"The High School of Music & Art alumni",
"Maryland Institute College of Art alumni",
"P... |
projected-26724171-000 | https://en.wikipedia.org/wiki/Conasprella%20boholensis | Conasprella boholensis | Introduction | Conasprella boholensis is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conasprella, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | [] | [
"Introduction"
] | [
"Conasprella",
"Gastropods described in 1979"
] | |
projected-26724171-001 | https://en.wikipedia.org/wiki/Conasprella%20boholensis | Conasprella boholensis | Description | Conasprella boholensis is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conasprella, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Original description: "Shell thin, delicate, glossy; outline straight sided, very elongate, tapering to anterior end; shoulder sharp, extremely carinate, bladelike; slight constriction just anterior to shoulder carina; early whorls strongly coronate; spire whorls excavated because of well developed carina; spire scalariform with carinae of previous whorls projecting beyond suture; body whorl sculpture consisting of 25-35 deeply incised spiral sulci; spire smooth with only faint radiating growth lines extending from suture to carina; color pure white with scattered red-brown dashes; spire color white with only a few scattered, crescent-shaped, red-brown flammules; aperture white; periostracum unknown."
The size of the shell varies between 22 mm and 51 mm. | [] | [
"Description"
] | [
"Conasprella",
"Gastropods described in 1979"
] |
projected-26724171-002 | https://en.wikipedia.org/wiki/Conasprella%20boholensis | Conasprella boholensis | Distribution | Conasprella boholensis is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conasprella, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Locus typicus: "Approximately 250 metres depth off Panglao,
Bohol Isl., Philippines."
This marine species occurs off Somalia, the Philippines, Vietnam,
New Caledonia and off Western Australia. | [] | [
"Distribution"
] | [
"Conasprella",
"Gastropods described in 1979"
] |
projected-26724171-003 | https://en.wikipedia.org/wiki/Conasprella%20boholensis | Conasprella boholensis | References | Conasprella boholensis is a species of sea snail, a marine gastropod mollusk in the family Conidae, the cone snails and their allies.
Like all species within the genus Conasprella, these snails are predatory and venomous. They are capable of "stinging" humans, therefore live ones should be handled carefully or not at all. | Petuch, E.J. 1979. Twelve new Indo-Pacific gastropods. Nemouria 23: 1–20
Tucker J.K. & Tenorio M.J. (2009) Systematic classification of Recent and fossil conoidean gastropods. Hackenheim: Conchbooks. 296 pp.
Puillandre N., Duda T.F., Meyer C., Olivera B.M. & Bouchet P. (2015). One, four or 100 genera? A new classification of the cone snails. Journal of Molluscan Studies. 81: 1–23 | [] | [
"References"
] | [
"Conasprella",
"Gastropods described in 1979"
] |
projected-23576130-000 | https://en.wikipedia.org/wiki/The%20Mary%20Onettes | The Mary Onettes | Introduction | The Mary Onettes are an indie rock/dream pop band from Jönköping, Sweden, signed to Labrador Records. To date, the band has released three full-length studio albums and four EPs. | [] | [
"Introduction"
] | [
"Swedish rock music groups",
"Swedish indie rock groups",
"Swedish alternative rock groups",
"Dream pop musical groups",
"Shoegazing musical groups",
"Musical groups established in 2000",
"Cascine artists"
] | |
projected-23576130-001 | https://en.wikipedia.org/wiki/The%20Mary%20Onettes | The Mary Onettes | History | The Mary Onettes are an indie rock/dream pop band from Jönköping, Sweden, signed to Labrador Records. To date, the band has released three full-length studio albums and four EPs. | The Mary Onettes were formed in 2000 in the Swedish town of Jönköping by Philip Ekström (vocals, guitar), his brother Henrik Ekström (bass), Petter Agurén (guitar) and Simon Fransson (drums). The band was drawn together by their common interest in 1980s and 1990s music, especially bands such as the Stone Roses and the Cure. They earned their first record deal in 2004, but were dropped after only six months without the opportunity to release any recorded material. Columbia/Sony BMG signed the band eight months later, and they released their debut EP, Make Me Last, in May 2005. Following positive critical reception but muted commercial response, they found themselves without a label shortly after the EP's release. The Mary Onettes intended to self-release all material thereafter, but Swedish indie pop label Labrador Records signed the band, and they established a recording studio in Gothenburg.
The band's first release on Labrador was the four-song EP Lost, released in November 2006. Pitchfork described the song "Lost" as "start[ing] out a bit New Order, but it quickly blows up into grand teen-movie hooks that only a grump could find much fault with".
They released their debut full-length studio album, The Mary Onettes, in April 2007, receiving generally positive critical acclaim and favorable comparisons to Echo & the Bunnymen, the Cure, the Church and Shout Out Louds. Treble magazine, in a highly positive review, described the album: "It may sound a bit on the nostalgic side, though its influences merely melt into a greater whole, in which various sounds meld together in synth-pop ecstasy". The first single from the album, "Void," preceded it in March 2007.
Following extensive touring around Europe, and a brief tour of the United States, the band began recording their second album. However, a post from Philip Ekström on the band's official website said, "Last summer I basically lost every song I've ever recorded with the Mary Onettes. My hard drive with all my music was stolen in my car one fine afternoon in Stockholm, the very same fine afternoon we came home from our US tour, the very same day I was feeling thrilled to come home and start the process of finishing our new album. Of course I had made a backup copy on my computer at home. But for some reason a power failure in the building made that hard drive collapse too. Unbelievable. I was speechless for days". The band played the Primavera Sound Festival in Spain in May 2008, and reconvened in the studio to start the recording process again in September.
The band's Dare EP was released in April 2009. They recorded the EP in a small studio in Jönköping, and recorded the string arrangements in a church near the band's hometown. The EP was intended as a sampler of the second album, Islands, which was released on 4 November 2009. The album was also preceded by the single "Puzzles," released on 30 September 2009 as a digital download. Philip Ekström said of the album's name: "The title Islands came up because I see the tracks on the album as small islands in different shapes and forms where every song is like a record of very own. Johan on Labrador Records suggested the same title without having heard me mentioning the idea, so that was a coincidence too good not to pursue. The songs are almost too personal and I've had a hard time playing them for friends. It's like all I want to do is keep them to myself".
In 2011, Philip and Henrik Ekström founded a new group called Det Vackra Livet, featuring much of the same sound and influences of the Mary Onettes, but with lyrics sung in Swedish instead of English.
On 28 February 2012, the Mary Onettes released their fourth EP, Love Forever, produced by ex-STUDIO member Dan Lissvik. The band's third album, Hit the Waves, was released on 12 March 2013, followed by a fourth album, Portico, on 4 March 2014. In November 2016, a new single titled "Juna" was released. | [] | [
"History"
] | [
"Swedish rock music groups",
"Swedish indie rock groups",
"Swedish alternative rock groups",
"Dream pop musical groups",
"Shoegazing musical groups",
"Musical groups established in 2000",
"Cascine artists"
] |
projected-23576130-003 | https://en.wikipedia.org/wiki/The%20Mary%20Onettes | The Mary Onettes | Studio albums | The Mary Onettes are an indie rock/dream pop band from Jönköping, Sweden, signed to Labrador Records. To date, the band has released three full-length studio albums and four EPs. | The Mary Onettes (2007, Labrador Records)
Islands (2009, Labrador Records)
Hit the Waves (2013, Labrador Records)
Portico (2014, Labrador Records) | [] | [
"Discography",
"Studio albums"
] | [
"Swedish rock music groups",
"Swedish indie rock groups",
"Swedish alternative rock groups",
"Dream pop musical groups",
"Shoegazing musical groups",
"Musical groups established in 2000",
"Cascine artists"
] |
projected-23576130-004 | https://en.wikipedia.org/wiki/The%20Mary%20Onettes | The Mary Onettes | Singles and EPs | The Mary Onettes are an indie rock/dream pop band from Jönköping, Sweden, signed to Labrador Records. To date, the band has released three full-length studio albums and four EPs. | Make Me Last EP (2005, Columbia Records)
Lost EP (2006, Labrador Records)
"Void" single (2007, Labrador Records)
'Dare EP (2009, Labrador Records)
"Puzzles" digital single (2009, Labrador Records)
"Once I Was Pretty" single (2010, Labrador Records)
"The Night Before the Funeral" 7" single (2010, Labrador Records)
Love Forever EP (2012, Labrador Records)
"Evil Coast" digital single (2012, Labrador Records)
"Naive Dream" single (2014, Labrador)
"Ruins" single (2015,Cascine)
"Juna" single (2016, Cascine)
"Cola Falls" single (2018, Cascine) | [] | [
"Discography",
"Singles and EPs"
] | [
"Swedish rock music groups",
"Swedish indie rock groups",
"Swedish alternative rock groups",
"Dream pop musical groups",
"Shoegazing musical groups",
"Musical groups established in 2000",
"Cascine artists"
] |
projected-56569471-000 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | Introduction | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | [] | [
"Introduction"
] | [
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"British companies established in 1906",
"Manufacturing companies established in 1906",
"Technology companies established in 1906",
"Engineering companies of England",
"Pump manufacturers",
"Companies based in Oxfordshire",
"Henley-on-Thames"
] | |
projected-56569471-002 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | Before World War I | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | Stuart Turner Ltd was incorporated in 1906 and started to produce model steam engines, gas engines for domestic electricity, lathes, etc. Stuart Turner went on to produce further model steam designs, and in 1906 there were nine models in the range. By 1907 more space was needed so premises were rented at Market Place in the centre of Henley-On-Thames, where the company remained for many years.
The 2-stroke engine with crankcase compression had been invented by Joseph Day in the mid-1890s. This made possible lightweight engines and new applications. Stuart Turner was exploring making small 2-strokes for motorcycles and generators. In 1911, Stuart Turner developed a complete motorcycle using a Chater-Lea frame and Druid forks. The key part manufactured by Stuart was the 2-port single cylinder 2-stroke engine rated at 2 1/2 HP (71 x 75.5mm bore and stroke giving 299cc). They exhibited it at the 1911 Olympia show (on the stand of R.G. Nye and Co of London).
In 1912 and 1913 they marketed the Stuart Stellar (some early references use 'Stella') motorcycle, this used an in-line two-cylinder water-cooled two-stroke engine complete with shaft drive. Engine capacity is variously quoted as 743 cc and 786 cc. This would be comparable with the Scott motorcycle of the time which had a transverse water cooled two-stroke twin-cylinder engine of 532 cc. However, in-spite of the innovative design, the Stellar was not a success and only 26 examples were built.
The firm secured the contract to make engines for the Dayton motorised bicycle made by Charles Day Manufacturing Co in Shoreditch, London, which was until then purely a bicycle manufacturer. This went on sale in late 1913. The engine has a one-piece cylinder and head with a rear-facing spark plug, and was of 162 cc, rated at 1.5 HP. The bore was 57 mm and the stroke 63.5 mm, and it had a U.H. magneto and Amac (NB not Amal which is a different company) carburettor. Both single-speed and two-speed versions were available, and prices in July 1914 were 20 to 28 guineas according to specification.
Two employees, Alec Plint and W.G. Ayling, rode the Dayton bikes in motorcycle endurance events run by the Auto-Cycle Union (ACU), such as the six days trial. Weighing only 148 lb, these were usually the smallest motorcycles competing. These events included riding between and taking part in various tests, such as hill starts, acceleration and braking, cold starts, and climbing steep rough hills. Total distance for the 1914 event was 674 miles. The Daytons did well given that they were considered rather lacking in power as revealed by this excerpt from the Motor Cycle magazine of July 1914 – 'Ayling (Dayton) footed vigorously, but got his lilliputian engine to the top'. Production of engines for the Dayton was 20 engines per week, but production of the Dayton motorcycle ceased in 1915 due to the first World War.
Many of the technical developments during this period appear to be down to Alec Plint, who is named as applicant on five Stuart Turner patents which include sealing crankcases, padding crankcases to improve compression, variable speed gears, and decompression devices. The 1911 patent diagrams show the current 2-stroke to be '2-port', i.e. with the inlet being by non-return valve into the transfer port, with ball races for the main bearings and deflector type piston. The inlet non-return valve is the subject of another Stuart Turner patent in 1911, naming Ernest Masters as co-applicant.
In 1914, the company manufactured a generating plant for the Antarctic explorer Ernest Shackleton's ship, the Endurance. It was used in the ill-fated Imperial Trans-Antarctic Expedition. | [
"Dayton Motorised Bicycle.jpg"
] | [
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"Before World War I"
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"Manufacturing companies established in 1906",
"Technology companies established in 1906",
"Engineering companies of England",
"Pump manufacturers",
"Companies based in Oxfordshire",
"Henley-on-Thames"
] |
projected-56569471-003 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | During World War I | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | During World War I (1914–18), the company produced nuts and bolts, gas valves and a klaxon horn for gas attack warnings. The workforce expanded to over 300 men and 100 women. In 1917, Stuart Turner acquired Broadgates Inn in Market Place, Henley-on-Thames, and has used this as a base ever since. | [] | [
"History of the company",
"During World War I"
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"1906 establishments in England",
"British companies established in 1906",
"Manufacturing companies established in 1906",
"Technology companies established in 1906",
"Engineering companies of England",
"Pump manufacturers",
"Companies based in Oxfordshire",
"Henley-on-Thames"
] |
projected-56569471-004 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | The inter-war years | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | Shortly after the war, Stuart Turner introduced the P3 single-cylinder 2-stroke engine, designed by Alec Plint to drive lighting and pumping plants. This engine was to form the basis of a range of engines used for small power applications, particularly as marine engines and to drive generators, though also to drive equipment and pumps. Castings were produced in Stuart Turner's own foundry. The P4 superseded the P3 in 1928, and in 1930 the marine variant was introduced, and was sold in considerable number for fitment in small yachts and other pleasure boats. In around 1935/1936 the P4 was joined by the larger-bore P5 (268 cc) and twin-cylinder P55 (535 cc). While the P4 was made until the war, the P5 and P55 continued in production for over 30 years. For the marine engines, Stuart Turner produced a reversing gearbox and optional final drive reduction gear; everything else, up to and including the screw propeller, was also available. The many variations of the engines (marine and otherwise) were indicated by suffixes to the engine number; so, for example, a P55ME would be a marine P55 with electric start (Lucas Dynamotor, Siba Dynastart, or separate dynamo and starter).
Between 1932 and 1935, Stuart Turner produced the small (1/2 HP) type N engine, which had an overhung crank. This model seems to have been superseded by the type R 2-stroke engine, which was introduced in 1934 with a full width crank. The R2 being 84 cc, and the R3 having a larger bore size and hence 123 cc. These small engines were used for general utility, but also the R3M for pleasure boats, hire boats. The R3 was to continue in production until 1977.
The model engineering range was extensive throughout the inter-war years, with much production sold as kits of castings, though some complete engines were also sold. Most of the models were designed to be representative of a class of engine, mainly steam driven, rather than an accurate scale recreation of a specific engine. Internal combustion engines were also available as kits, including the 'lightweight' 2-stroke petrol engine. From 1935, Stuart Turner was also the United Kingdom agent for the American 'Brown Junior' 10 cc engine for which they developed an aluminium (elektron) airscrew. Some of the engines were intended to do a job of work rather than for the entertainment of a model engineer, for example, the 1935 Sandhurst horizontal 2/3 bhp engine, which was described thus: 'This engine will run on gas or petrol and is designed for continuous work such as dynamo, workshop or pump driving. It is supplied only as castings for the amateur to machine up.'. The larger steam engines, for example, the model 6A, are capable of 4 bhp and powering steam launches, thereby blurring the distinction between whether they were model engines, or designed to do a job of work, or both.
Many ancillaries were sold to illustrate the power from the model engines, such as the Avery Multipolar dynamo. In the 1906 catalogue, this dynamo (output of 20 volts, 4 amps at 1200 rpm) was said to have been "designed for use with a Stuart No2 engine". A variety of dynamos were sold over the years allowing them to be matched to the power of the model engine.
Stuart Turner also produced a wide range of boilers to power their steam engines, and sold matched boiler and steam engine as complete 'steam plants'. The most common boilers are the small 501 and 504 copper horizontal types used to drive the model steam engines, but they also produced a range of riveted steel vertical boilers up to 20 inches diameter, and 36 inches high, either with a central flue or with multiple tubes. They also offered brazing services for customers' boilers.
They also produced two complete model steamboats. The 24-inch Henley was produced from 1925, and had a single-cylinder S.T. oscillating steam engine, and the 39-inch Isis was launched the next year with a model 495 boiler and the twin-cylinder Star steam engine. These boats were produced until at least 1936, probably until the war disrupted matters. There was a version of the Henley steamboat powered by a Stuart Turner electric motor; this boat was sold as the 'Magician'. The 4-volt electric motor was also sold separately.
In 1923 the War Office invited Stuart Turner (and other firms) to design a very light air-cooled engine and generator for wireless. It was to be carried on a pack mule. The whole plant must not weigh more than 84 lb, it had to run in any temperature from freezing to 60 °C; it must not be affected by being carried upside down or in any position; it must govern within 5% and there were various other conditions. The result was that five firms produced engines but the Stuart Turner engine was the only one which fulfilled the requirements and passed the tests. This was the W.D. engine, which was a 4-stroke side-valve flat twin, and continued in production for 20 years. Two of these engines were taken on the 1933 Everest expedition to power the wireless sets.
From 1928 until the war, the company issued nine patents (again naming Alec Plint) for milking machines and developed a diaphragm pulsatory milking machine which was marketed by Gascoine of Reading, who later took over the rights. They also developed pumps, and in the 1933 Bond's catalogue a complete Stuart Turner electric motor and centrifugal pump on a baseplate with 180, 800, or 1120 gallons per hour was advertised. This evolved into the current product line of centrifugal pumps.
In 1932, Stuart Turner produced the model K 4-stroke engine, which was a single-cylinder overhead-valve engine designed to power refrigeration units. Only 64 were made, the last in 1938.
In 1934, Stuart Turner introduced the S type steam engine. This was not a model but a fully enclosed single-cylinder commercial power unit of 1 to 1.5 HP designed to drive generators or fans or pumps. It stood 22 inches tall with a 10-inch flywheel and weighed about 120 lb. Preston Services have stated that there were both slide valve and piston valve versions, only 247 were made between 1934 and 1962.
In 1938, Stuart Turner developed a single-cylinder 2-stroke diesel with crankcase compression, the model H. At the time this was the smallest commercial diesel engine in the world. These engines were sold mainly to the RNLI for charging batteries. | [] | [
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projected-56569471-005 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | During World War II | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | The company produced a number of products for the military during World War II (1939–45), including combined boiler, steam engine and generator plants, designed to be used by resistance fighters or troops operating covertly behind enemy lines to power radio transmitters. The first of these modest-sized steam generator plants was called the Firefly, and was based around the Stuart Sirius engine, later ones named Mk814 had a bespoke single-cylinder piston valve engine.
Stuart Turner also produced many internal combustion generators with uses such as charging aircraft batteries and providing dummy runway lights on fake airfields. Stuart Turner engines were built into the back of AEC fuel bowser trucks to drive a Zwicky Ltd pump to transfer fuel to aircraft. These P5XC engines were referred to in-house as the Zwicky engines. | [] | [
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projected-56569471-006 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | After World War II | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | Stuart Turner continued to make engines (especially marine engines), pumps, generators, and model kits throughout the post-war years, though several of the pre-war model internal combustion engines did not reappear.
The pre-war single-cylinder diesel engine was joined by a new twin-cylinder 2-stroke diesel in 1953, the H2/H2M/H2MR. Whereas the single had used crankcase compression to scavenge the cylinder, the twin-cylinder had two air pumps. Rated at 9 HP, the capacity was 780 cc, and weight 240 kg. The Single Cylinder Model H was updated to the H1, and many of its detail design features were changed, and ultimately it looked very much like a H2 minus a cylinder. Only 15 H1's were made. The single-cylinder diesel was phased out in 1960 and the twin in 1968, with only about 400 of each model produced.
A four-stroke twin-cylinder petrol engine (the 12HP ST4/ST4M/ST4MR/ST4RE) was introduced in May 1968. Rated at 12 HP, it was the most powerful engine in the range. This side-valve engine was 955 cc capacity and weighed 155 kg. Both hand-start and electric-start versions were produced, but production was only about 150 engines, and it was phased out in 1975.
In 1969, the P5 and the P55 twin were replaced by the more powerful 5 HP P6 and 10 HP P66 (both at the higher speed of 1650 rpm). There were a number of detailed differences, including a change to the ignition system, but the bore and stroke remained the same.
Stuart Turner marketed some small marine diesels from the Spanish marine engine company Solé Diesel as the Stuart Solé. Solé converts engines from a wide variety of manufacturers for marine use. From a 1977 Stuart Solé operators manual, it is known that Stuart Solé engines were available in 6 hp and 9 hp variants, which seem identical in appearance to the Solé Mini-1 and Mini-2 engines, based on Lombardini engines and made by Solé Diesel between 1974 and 1986. These were a common fitment in vessels made by the Cornish Crabbers boat-building company in the late 1970s and probably into the early 1980s, one 1981 example being listed for sale with an 11 hp Stuart Solé engine.
Stuart Turner ceased their marine engine production in 1978, and the spares and support were transferred to another company. In 1987, Stuart Turner Ltd acquired Morewood Model Engineers and the Stuart Model range moved to Cheddar in Somerset. Still branded as Stuart Models, it was a wholly owned subsidiary of Stuart Turner Ltd. Cheddar Models Ltd was formed as an offshoot from Stuart Models in the late 1980s. In 1991, the brand and range were sold to David Jones of Jones and Bradburn and it moved to Guernsey. When Cheddar Models went bankrupt in 2005 models and plans were absorbed back into the Stuart Model range. At some point, possibly as part of this reorganisation, Stuart Models had acquired the rights to the Plastow Traction Engine model range, which they sold in October 2006 to Bridport foundry of Dorset, who had been responsible for the castings. In July 2012 Stuart Models was bought by Bridport Foundry.
Stuart Turner Ltd continued making domestic water pumps staying at Henley-on-Thames, Oxfordshire, England. | [
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projected-56569471-007 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | List of Stuart steam models | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | No.1 The original vertical single-cylinder steam engine, bore 2 inches, stroke 2 inches, standing 13 inches high. With single sided support casting and slipper guide, this form of engine is designed to run predominantly in one direction. Still available.
No.2 A short stroke high-speed version of the No 1 single–cylinder steam engine withdrawn in the 1920s.
No.3 A compound twin–cylinder vertical engine, bores 1.25 inches and 2.25 inches, stroke 1.5 inches. Also available as non-compound. This has single-sided support casting and slipper guide as common in marine engines
No.4 A vertical single-cylinder steam engine, bore 1.5 inches, stroke 1.5 inches, standing 10 inches high. With A-frame castings and trunk guide.
No.5 With a 2-inch bore and 2-inch stroke, a heavy 7-inch flywheel, it stands 14.5 inches tall, which is higher than the number 1. engine. It also runs at a higher speed and produces more power than the number 1 engine.
No.5A (Cygnet) A vertical single-cylinder steam engine popular for steam boats, bore 2.25 inches, stroke 2 inches, standing 15 inches high. With A-frame castings and trunk guide.
Swan A vertical twin-cylinder steam engine comprising two 5A engines on a common baseplate, popular for steam launches, bore 2.25 inches, stroke 2 inches, standing 15 inches high.
No.6A A 4 HP compound twin-cylinder vertical engine, bores 2.25 inches and 4 inches, stroke 3 inches, standing 20 inches high. A favourite for larger steam launches.
No.7A A vertical single-cylinder steam engine, bore 1 inch, stroke 1 inch, standing 7.5 inches high. With A-frame castings and trunk guide.
No.8 A horizontal single-cylinder steam engine, bore 1 inch, stroke 1 inch, 8.5 inches long, with slipper type crosshead guide, so designed for single direction of rotation. This engine is listed in the 1960s with a trunk type bored crosshead guide.
No.9 A larger horizontal single-cylinder steam engine, bore 1.5 inches, stroke 1.5 inches, 11 inches long, with a slipper crosshead guide, so designed for single direction of rotation.
10V A small, vertical, single-cylinder steam engine, bore 0.75 inches, stroke 0.75 inches, standing 6.5 inches high. The earliest versions of this engine had a single-sided support casting and slipper guide like the No.1, however this was changed to an A-frame casting and trunk guide allowing equal crosshead support when running in either direction (also easier to make on a lathe).
10H A small, horizontal, single-cylinder steam engine, bore 0.75 inches, stroke 0.75 inches, length 6.5 inches. This has a trunk guide so the crosshead is equally supported for either direction of rotation.
D10 A small twin-cylinder vertical steam engine (based on 10V), bore 0.75 inches, stroke 0.75 inches, standing 6.5 inches high.
Score A small twin-cylinder horizontal engine, a double 10H, bore 0.75 inches, stroke 0.75 inches, length 6.5 inches.
S50 A small horizontal single-cylinder steam engine, bore 0.625 inches, stroke 1.25 inches, length 8.5 inches.
Beam Central column style beam engine with Watt's parallel linkage, bore 1 inch, stroke 2 inches.
Half Beam Grasshopper-style beam engine. Bore 1 inch, stroke 2 inches.
Major Beam A larger beam engine based on a model published in Model Engineering magazine in 1914. Bore 1.75 inches, stroke 3.75 inches, 18.25 inches high.
Victoria Typical of low-pressure horizontal Victorian factory engine, 1-inch bore, 2-inch stroke, 15.5 inches long.
Twin victoria Two Victoria engines driving a common flywheel.
James Coombes Based on a table engine that ran at a Bristol colliery, from 1970s, 1-inch bore, 2-inch stroke, 14.5 inches high.
Real Another 1970s introduction based on a colliery engine. Overhead crank engine, 1-inch bore, 2-inch stroke, 15.5 inches high
Williamson A model based on an engine made by Williamson of Kendal. This model was researched and designed by Tom Walshaw (pen name Tubal Cain) in 1976. Bore 0.625 inches, stroke 1.125 inches, 11 inches tall.
Oscillator Also listed as the "S.T." engine. The cylinder pivots, thereby alternately uncovering inlet and exhaust ports (see oscillating cylinder steam engine). Bore and stroke inches.
Twin Oscillator Twin oscillating cylinders set in a 90-degree V to drive a common crank. Introduced c1930.
Puffin Twin oscillating cylinders set in-line. A model sold as a complete steam plant with boiler as part of the Cheddar Models range in the 1990s, and absorbed into the Stuart Models range, where it was made available as a ready-made standalone engine, or a complete plant with boiler. It has -inch bore and stroke.
Pintail Twin oscillating cylinders set in-line. Like the Puffin, this was a model sold as a complete steam plant with boiler as part of the Cheddar Models range in the 1990s, and absorbed into the Stuart Models range where it was made available as a ready-made standalone engine. It has -inch bore and -inch stroke.
Progress This was actually a range of engine kits designed for the owner of only a small lathe, with the cylinder already bored and faced. These were produced in the 1920s and 1930s. There was the vertical oscillating (OV), horizontal oscillating (OH), the vertical slide valve (SV) the horizontal slide valve (SH), and the horizontal mill (HM). The horizontal oscillating engine has been recently re-introduced by Stuart Models.
Meteor A small vertical single-cylinder marine engine designed for 30-inch boats. -inch bore and stroke, table-style engine supported on 4 columns with trunk crosshead guide and piston valve. Listed through 1930s.
Simplex A small vertical single-cylinder engine made in the 1920s, maybe a precursor to the Meteor, with slide valve. Bore and stroke 0.625 inches.
BB 5-inch-tall enclosed vertical steam engine with single-sided ball bearing crankshaft and aluminium crankcase available in 1930s for model boats, e.g. hydroplanes. Bore 0.75 inches, stroke 0.625 inches.
Twin Launch Twin-cylinder vertical launch engine, bore 1 inch, stroke 0.875 inches. The cylinders are supported on 5 steel columns, and there is single-sided crosshead support.
Compound Launch Twin-cylinder vertical launch engine but with compound cylinders, bore 0.75 inches and 1.25 inches, stroke 0.875 inches.
Triple Expansion As in best marine practice, three vertical cylinders 0.75 inches, 1.25 inches, 1.75 inches, all 1-inch stroke.
MTB engines These were a range of twin-cylinder enclosed engines first introduced in 1906–1909 and resembling the Westinghouse full scale engines (link to sectioned view). The design was aimed at small high speed boat models, of which the motor torpedo boat was in vogue. Ray Nightingale produced a review of the history of these engines.
No.1 MTB 0.75-inch bore and stroke, with cam driven slide valve gear. Available as a complete engine or a set of castings. Weight 2 lb.
No.1a MTB 0.6875-inch bore and 0.625-inch stroke but all aluminium body with brass cylinder liners. Slide valve driven by bevel gear and scotch crank. Available into the 1920s either as a complete engine or a set of castings. Weight 14.5 oz.
No.1b MTB (180) As the No1 engine but with bevel gear and scotch crank to drive the slide valve. Many have casting number '180' visible. Introduced between 1910 and 1923.
No.2 MTB As No1 engine but with two geared together contra-rotatory crankshafts. Slide-valve. Ideal for driving twin prop model boats with no torque reaction. Dropped sometime prior to 1924.
No.3 MTB (255) A larger version of the engine, with 1.25-inch bore and 1-inch stroke. The bevel drive valve gear is enclosed. Casting number 255 on the crankcase. These appeared in about 1924 and were available for 10 years. They were also sold as stationary engines and would drive 120 to 150W output.
Star The aluminium bodied Star was introduced in 1926 (as was the Isis steam launch she powered). Although similar in design it was a completely new engine and was only available as a finished item. It had 0.625-inch bore and stroke. It used the bevel drive, but this time enclosed within the crankcase. For the valve gear, it used a banjo drive to a close fitting piston valve, this having significant advantages for 'flash' steam plant which could be very high pressure. This engine was produced until the 2nd World War.
Sun The Sun was launched in 1927 as a direct replacement for the 1b MTB engine. Like the Star, the bevel drive was moved inside the crankcase, and banjo drive was used with a choice of either piston valve or slide valve. Bore and stroke were 0.75 inches. While the slide valve variant was only available as a kit, the piston valve version was available as a complete engine or kit. The Sun continued after the war as a piston valve kit only and last appeared in the Stuart Turner catalogue in 1989/1990.
Sirius The Sirius was introduced in 1938 as a more powerful version of the Star, with 1-inch bore and stroke. The Sirius was to be the driving force in the Firefly generator set during the war, and is still available (2014). At over 6.5 lb, it was three times heavier than the No1 MTB from which it was descended. It is rated at 1/3 hp at 2800 rpm and 80 psi.
Steam Hammer This is 1-inch bore and 2-inch stroke, and is a scale model of Rigby's Patent steam hammer made with the co-operation of its manufacturer at the time, R.G. Ross & Son Ltd. It stand 10.5 inches tall, and weighs 9 lb.
Steam Boiler Feed Pump This is 0.5-inch bore by 0.75-inch stroke, with a 0.25-inch bore single-acting pump. A tappet on the pump rod actuates a small pilot piston valve which in turn controls the main steam-operated shuttle piston valve.
H.U. Horizontal Undertype This combined horizontal boiler with engine below dates back to a design for a compound undertype engine by Henry Greenly in c. 1901. It is in the Stuart catalogue for 1928, but was dropped by 1940. After a redesign by H.A. Taylor, a larger version of the undertype was re-released onto the market by Stuart Turner in 1973. This later model had an aluminium baseplate 25 inches long, whereas the original model had a smaller cast-iron baseplate. | [
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projected-56569471-008 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | Gas/petrol engine kits | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | 400 A horizontal single-cylinder open-crank gas engine dating back to the 1920s with hot tube or spark ignition, 1.6875-inch bore and 3-inch stroke. The crankshaft was overhung, i.e. single main bearing.
600 A substantial horizontal single-cylinder open-crank gas (0.75 HP) or petrol (1.0 HP) engine. 2.5-inch bore, 4.5-inch stroke. From ST's 1930 catalogue "Its very efficient governor renders it particularly adaptable for lathe driving, and other variable loads".
800 A smaller horizontal single-cylinder open-crank gas (0.25 HP) or petrol (0.5 HP) engine based on the 600, but better suited to being made with a small lathe. 1.5-inch bore, 2.75-inch stroke.
Sandhurst A horizontal single-cylinder open-crank gas (0.66 HP at 900 rpm) or petrol engine. 2-inch bore, 3-inch stroke, 150 cc, c. 1935, but also listed in the 1969 Stuart catalogue.
AE A 60 cc four-stroke flat twin supplied only as castings, air or water cooled. Could also be supplied as a single-cylinder model, which was a useful capacity for 30 cc tethered boat and hydroplane class. 34.5 mm bore, 32 mm stroke. Made from around 1910–1912, these early versions had an automatic inlet valve.
New AE A 60 cc four-stroke flat twin supplied only as castings, air- or water-cooled. The 'new' version was introduced in c. 1930 and produced until the war. It had both crankshaft and camshaft running in ball bearings, duralumin connecting rods, aluminium piston, and valves all mechanically operated. There was also a single-cylinder version. The twin produced 3/4 bhp at 3000 rpm, and 1.3 bhp at 4200 rpm, weight 7.5 lb including the flywheel. The single weighed 4.25 lb and produced 0.6 bhp at 4500 rpm. In the 1938/1939 Stuart Turner catalogue the air-cooled version of the twin-cylinder engine was also available with 1.5-inch bore and 1.75-inch stroke, giving 74 cc. The advertising suggests the main market for these engines was 'record breaking model boats and hydroplanes', and the single's 30 cc capacity was stated in 1931 to 'conform(s) to the rules of International Power Boat racing'.
Lightweight With the same bore and stroke as the AE, the lightweight single-cylinder 2-stroke is 29 cc, 1/8 bhp, revs to 3500 rpm, and weighs 3 lb 12 oz, 5 lb 12 oz with flywheel. Like many Stuart Turner engines the Lightweight had iron pistons. It was water-cooled, and was available either as a finished engine or as a set of castings. Advertised in the 1931 catalogue as 'completely redesigned' making it 'easier to machine and lighter', it was probably introduced in the late 1920s, and was for sale through the 1930s, advertised sitting in the palm of your hand. It also appeared in the 1969 catalogue as a kit either water or air cooled, this time with an aluminium piston. An Amal carburettor was available as an optional extra.
W2 Three 147 cc engines were listed as new in the 1931 Stuart Turner catalogue all rated at HP at 1000 rpm. With 53 mm bore and stroke the W2 was a 2-stroke, and water cooled. The engine featured a cast iron piston and steel H section connecting rod. The steel crankshaft could be supported in either plain or ball bearings. The kit did not include a carburettor, stating that 'any good carburetor of the correct size may be used', though a range of extras listed included a Villiers carburetor. Likewise, the magneto was not included, stating that 'any standard single-cylinder magneto of 35 mm centre-height may be used', though an English magneto of unspecified make was listed among the extras available.
A2 The air-cooled version of the W2, identical in every other respect. In this kit only the cylinder was provided ready machined and ground. In the other kits this could be requested as an option.
W4 A water cooled 4-stroke overhead valve version of the W2. Separate inlet and exhaust camshafts ran in bronze bearings. The gear wheels to drive them were supplied ready-made. The four-stroke crankshaft could only use ball bearings. | [
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projected-56569471-009 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | Other casting kits | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | Compressor A compact twin-cylinder air compressor, 2200 cu in air per minute at 1400 rpm.
Oil Field Pump Known colloquially as the Nodding Donkey, this class of pump is used in onshore oil fields around the world. Height 12 inches.
Manual Boiler Feed Pump Hand cranked, -inch bore, -inch stroke, 4.5 inches long.
Pillar Drill 9-inch-high miniature pillar drill for the model workshop.
Lathe 8.5-inch-long miniature lathe for the model workshop.
Shaper 6.5-inch-high miniature shaper for the model workshop. | [] | [
"Other casting kits"
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projected-56569471-010 | https://en.wikipedia.org/wiki/Stuart%20Turner%20%28company%29 | Stuart Turner (company) | See also | Stuart Turner Ltd is a British engineering company, based in Henley-on-Thames, Oxfordshire, England, founded by engineer Sidney Marmaduke Stuart Turner in 1906. | Stuart Turner (engineer)
Whitney (City Road, London) which made lighting plant, generators, small steam models and centrifugal pumps | [] | [
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"Manufacturing companies established in 1906",
"Technology companies established in 1906",
"Engineering companies of England",
"Pump manufacturers",
"Companies based in Oxfordshire",
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projected-23576142-000 | https://en.wikipedia.org/wiki/Nova%20Jo%C5%A1ava | Nova Jošava | Introduction | Nova Jošava is a village in north-eastern Slavonia, situated in municipality town of Orahovica, Virovitica-Podravina County, Croatia. | [] | [
"Introduction"
] | [
"Populated places in Virovitica-Podravina County"
] | |
projected-23576142-002 | https://en.wikipedia.org/wiki/Nova%20Jo%C5%A1ava | Nova Jošava | References | Nova Jošava is a village in north-eastern Slavonia, situated in municipality town of Orahovica, Virovitica-Podravina County, Croatia. | CD-rom: "Naselja i stanovništvo RH od 1857-2001. godine", Izdanje Državnog zavoda za statistiku Republike Hrvatske, Zagreb, 2005.
Category:Populated places in Virovitica-Podravina County | [] | [
"References"
] | [
"Populated places in Virovitica-Podravina County"
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projected-56569483-000 | https://en.wikipedia.org/wiki/Cross-country%20skiing%20at%20the%201980%20Winter%20Olympics%20%E2%80%93%20Women%27s%204%20%C3%97%205%20kilometre%20relay | Cross-country skiing at the 1980 Winter Olympics – Women's 4 × 5 kilometre relay | Introduction | The Women's 4 × 5 kilometre relay cross-country skiing event was part of the cross-country skiing programme at the 1980 Winter Olympics, in Lake Placid, United States. It was the seventh appearance of the women's relay event. The competition was held on 21 February 1980, at the Mt. Van Hoevenberg Recreation Area. | [] | [
"Introduction"
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"Women's cross-country skiing at the 1980 Winter Olympics",
"Women's 4 × 5 kilometre relay cross-country skiing at the Winter Olympics",
"1980 in women's cross-country skiing",
"Women's events at the 1980 Winter Olympics"
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projected-56569483-002 | https://en.wikipedia.org/wiki/Cross-country%20skiing%20at%20the%201980%20Winter%20Olympics%20%E2%80%93%20Women%27s%204%20%C3%97%205%20kilometre%20relay | Cross-country skiing at the 1980 Winter Olympics – Women's 4 × 5 kilometre relay | References | The Women's 4 × 5 kilometre relay cross-country skiing event was part of the cross-country skiing programme at the 1980 Winter Olympics, in Lake Placid, United States. It was the seventh appearance of the women's relay event. The competition was held on 21 February 1980, at the Mt. Van Hoevenberg Recreation Area. | Category:Women's cross-country skiing at the 1980 Winter Olympics
Category:Women's 4 × 5 kilometre relay cross-country skiing at the Winter Olympics
Oly
Cross | [] | [
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"Women's cross-country skiing at the 1980 Winter Olympics",
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"1980 in women's cross-country skiing",
"Women's events at the 1980 Winter Olympics"
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projected-23576143-000 | https://en.wikipedia.org/wiki/Trichocentrum%20cavendishianum | Trichocentrum cavendishianum | Introduction | Trichocentrum cavendishianum is a species of orchid found from Mexico to Central America. | [] | [
"Introduction"
] | [
"Trichocentrum",
"Orchids of Mexico",
"Orchids of Central America"
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projected-56569497-000 | https://en.wikipedia.org/wiki/Irina%20Donets | Irina Donets | Introduction | Irina Donets (born 20 August 1976) is a volleyball player from the Netherlands. | [] | [
"Introduction"
] | [
"1976 births",
"Living people",
"Dutch women's volleyball players",
"Middle blockers"
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projected-56569497-001 | https://en.wikipedia.org/wiki/Irina%20Donets | Irina Donets | Career | Irina Donets (born 20 August 1976) is a volleyball player from the Netherlands. | She was a member of the Dutch National Women's Team.
She participated at the 2002 FIVB Volleyball Women's World Championship. | [] | [
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] | [
"1976 births",
"Living people",
"Dutch women's volleyball players",
"Middle blockers"
] |
projected-56569497-002 | https://en.wikipedia.org/wiki/Irina%20Donets | Irina Donets | Clubs | Irina Donets (born 20 August 1976) is a volleyball player from the Netherlands. | 1998 - 2001 AMVJ Amstelveen
2001 - 2003 Teodora Ravenna | [] | [
"Clubs"
] | [
"1976 births",
"Living people",
"Dutch women's volleyball players",
"Middle blockers"
] |
projected-56569536-000 | https://en.wikipedia.org/wiki/Ilh%C3%A9u%20de%20Cima%20Lighthouse | Ilhéu de Cima Lighthouse | Introduction | Ilhéu de Cima Lighthouse () is a lighthouse on Ilhéu de Cima located about 80 m above sea level. The lighthouse is the only building inside the integral nature reserve Ilhéus do Rombo.
It is a small white tower 4 meters in height with a white lantern, the lighthouse is solar powered. The caretaker's house is next door. It flashes white lights every 12 seconds, its range is . | [] | [
"Introduction"
] | [
"Brava Municipality",
"Lighthouses in Cape Verde"
] | |
projected-56569536-001 | https://en.wikipedia.org/wiki/Ilh%C3%A9u%20de%20Cima%20Lighthouse | Ilhéu de Cima Lighthouse | See also | Ilhéu de Cima Lighthouse () is a lighthouse on Ilhéu de Cima located about 80 m above sea level. The lighthouse is the only building inside the integral nature reserve Ilhéus do Rombo.
It is a small white tower 4 meters in height with a white lantern, the lighthouse is solar powered. The caretaker's house is next door. It flashes white lights every 12 seconds, its range is . | List of lighthouses in Cape Verde | [] | [
"See also"
] | [
"Brava Municipality",
"Lighthouses in Cape Verde"
] |
projected-56569536-002 | https://en.wikipedia.org/wiki/Ilh%C3%A9u%20de%20Cima%20Lighthouse | Ilhéu de Cima Lighthouse | References | Ilhéu de Cima Lighthouse () is a lighthouse on Ilhéu de Cima located about 80 m above sea level. The lighthouse is the only building inside the integral nature reserve Ilhéus do Rombo.
It is a small white tower 4 meters in height with a white lantern, the lighthouse is solar powered. The caretaker's house is next door. It flashes white lights every 12 seconds, its range is . | Category:Brava Municipality
Category:Lighthouses in Cape Verde | [] | [
"References"
] | [
"Brava Municipality",
"Lighthouses in Cape Verde"
] |
projected-44500703-000 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | Introduction | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | [] | [
"Introduction"
] | [
"Chivalry",
"Medieval philosophy"
] | |
projected-44500703-001 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | Origins | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | A relationship between Christ and warrior is first seen in secular sources dating back to Carolingian times. This is evident within the chansons de geste or songs of heroic deeds. Both the Chanson de Roland and the Chanson de Guillaume demonstrate Christian themes in their tales of the fight against the nonbeliever. Both have elements of an earthly as well as a spiritual fight. Thus by the time of the Chivalric Codes Christianity is already firmly entrenched within the warrior classes. Keen dedicates much of the credit to the effective teaching of the priesthood as well as the close relationship between the nobility and the monasteries.
However, the Catholic Church traditionally had an uneasy relationship with secular warriors dating back to the time of the Roman Empire. It was generally accepted by the Church that warfare and killing was sinful. During the later period of the Empire, theologian Augustine of Hippo wrote of a Just War in the City of God. In this theory he claimed it would be sinful not to defend God if there was no other way to resolve a conflict.
During the late tenth and early eleventh centuries the Church involved itself more with warfare. First came the Peace and Truce of God movements. This was one way for the Church to attempt to Christianize society while at the same time protect non-combatants. The movement promised severe punishments to those who broke this law. However, it was met with mixed success.
In 1095, Pope Urban II preached the First Crusade at Clermont. Here, the Church officially sanctioned lay knights fighting for the Faith when Urban said that any who fought would be absolved of their sins rather than tarnish their soul for killing. By this time knights were already concerned with their immortal soul enough to fight for the Church. By the time the Church began to accept warfare and create the idea of a holy war, piety had already become entrenched in the warfare of the lay knight. However, as the time of increasing church involvement was the formative period of the Chivalric Codes, it helped add another dynamic to the Ritterfrömmigkeit. | [] | [
"Origins"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-44500703-002 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | Ritterfrömmigkeit | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | Ritterfrömmigkeit is the unique strand of piety held by knights which is more than just a belief in God or fighting in defense of God. Marcus Bull said, "One of the most important features of the piety of eleventh-century arms-bearers was that it was associative, passive to the extent that it was inspired and sustained by the spiritual resources of a monastic or clerical élite." Bull's idea is that knights believed in God, and they supported the church not for personal worldly gain (this may have been a contributing factor but not the main factor) because of this belief and their desire for salvation. This is demonstrated in many ways.
Knights demonstrated this by not only fighting for God, but many times they would give trophies of war to a major church or monastery as sign of support. Some Burgundian Knights who fought in Spain promised all of their plunder to St. Odilo of Cluny. Keen said, "The richness of the Cluniac ritual and of monastic vestments and ceremony clearly had a powerful impact on the imagination of secular nobles." Many would also bring back relics from their fighting or even join a monastery themselves toward the end of their lives. In fact, it was common for a man to join a religious community he had supported in order to end his career as a way of retirement.
Those who could afford it would even provide money or land for a church as an act of patronage or send their younger children to monasteries as an act of oblation. The patron of a church held much power because he had the right to appoint the local priest. This could be used politically to gain favor with certain people or to further one's own family within the church. Because of the political favor this could gain a person, the purpose has been highly debated among academics. Elizabeth Gemmil wrote, "The use or abuse of patronage...was the driver of social mobility." | [] | [
"Ritterfrömmigkeit"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-44500703-003 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | Knights and the Crusades | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | The Crusades are an important dynamic of Knightly Piety, and much of its historiography focuses on the Crusades and why knights were inspired to join them. A cleric of the church was expressly forbidden from killing and could not carry a weapon. As the Church became more militant, it needed a way to fight its battles. The preaching of the Crusade opened up the knighthood to be the tool of the Church.
The Church attempted to command the warrior classes to do its bidding. While the call for warriors to defend the Church became popular, the idea of the Church having control for the most part did not. This demonstrates that while knights believed in the defense of the church and God, they were secular and not part of the church. It distinguishes this strand of piety from that of the clergy, and shows that knights had independent and different roots.
However, there were some who did join the Church, and this led to the creation of a new type of order. These were the Christian military orders, like the Templars and Hospitaliers, separate from the regular knighthood. Members of these orders were knights who had taken vows to God and were part of the Church. However, they were also removed from the other aspects of chivalry so their devotion to God became the most important aspect of their life, and it focused less on the other chivalric virtues. | [] | [
"Knights and the Crusades"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-44500703-004 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | Literature | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | This view of knightly piety appears throughout the literature of the Middle Ages. While the details of the literature cannot be taken at face value, the appearance of Christianity in these works marks the importance piety to the warriors of the time. In Lohengrin, Christian prophesy and miracles are spread throughout the work which takes place during the Crusades. The Arthurian Legends are also full of references to God. In Chrétien de Troyes' Perceval, the Story of the Grail, Perceval has two mentors: his mother and Gornemant. Both of them tell Perceval to make sure he always went to church when he could when telling him how to be a knight. His mother told him this before he left along with telling him how to treat women. Gornemant told him this while teaching him how to fight. This demonstrates the importance of piety as much as the values of prowess, franchise, and Courtoisie. The eight knightly virtues drawn from the code of Chivalry are devotions, courtly manners, fellowship, piety, fairness, service, bravery and justice.
According to Schopenhauer in Parerga of his Aphorisms on the wisdom of life, he explains knightly honor as a code of honor distinct from Roman and Greek honor, which is specific to the upper-class, officers, service-men and military, and all those who closely imitate them to gain favor, he states the men of honor principles are:
Knightly honor consists not in other people's opinions of what we are worth, but in whether they express it or not. As soon as anyone utters something deprecatory of us, our honor is gone for ever unless we can gain honor. Honor is gained and renewed if title is bestowed by his service or deeds.
Honor rests, not on what a man does, but on what he suffers, the obstacles he encounters; differing from the honor which prevails in all else, in consisting, not in what he says or does himself, but in what another man says or does.
Honor has absolutely nothing to do with what a man may be in and for what in himself; or, again, with the question whether his moral character can ever become better or worse, and any such inquiries. If your honor happens to be attacked it can be restored in its entirety in a duel.
To receive an insult is disgraceful; to give one, honorable. Note: The inverse strongly promotes vice, giving way to vice-respect and further disincentive to collectivist action and welfare.
The highest court to which a man can appeal in any differences he may have with another on a point of honor is the court of physical force, that is, of brutality or might. Note: knights by this time tended towards lightness and warrior skill over armor.
The only word one may not break is the word of honor – upon my honor, as people say – the presumption being that every other form of promise, oath or pact may be broken. Although one may even break one's word of honor and still remain honorable through a duel, fighting with those who maintain that we pledged our word. | [] | [
"Literature"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-44500703-005 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | Military class | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | The military class is a feudal society loose hierarchy, which evolved from a kingship to better serve the realm by formal religious, Catholic guidance or military tribunal. Examples include the Kshatriya or Martial castes in ancient and modern India, the Khalsa class of Sikhism in the Punjab, the samurai class in feudal Japan, the Timawa and Maharlika classes in pre-colonial Philippines and noble knights in feudal Europe. | [] | [
"Military class"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-44500703-006 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | See also | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | Modesty#Catholicism
Adoration
Communion Fellowship
Discipline
Fidelity
Knight-service
Chivalric order
Germanic idealism
Teutonic Knight order
Gallantry
Courtly love | [] | [
"See also"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-44500703-007 | https://en.wikipedia.org/wiki/Knightly%20Piety | Knightly Piety | References | Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. | Category:Chivalry
Category:Medieval philosophy | [] | [
"References"
] | [
"Chivalry",
"Medieval philosophy"
] |
projected-23576148-000 | https://en.wikipedia.org/wiki/Cycling%20at%20the%201924%20Summer%20Olympics%20%E2%80%93%20Men%27s%20individual%20time%20trial | Cycling at the 1924 Summer Olympics – Men's individual time trial | Introduction | The men's individual time trial event was part of the road cycling programme at the 1924 Summer Olympics. The results of individual cyclists were summed to give team results in the team time trial event.
The field consisted of 71 cyclists from 22 countries. The course was a loop beginning and ending at the Stade Olympique Yves-du-Manoir. | [] | [
"Introduction"
] | [
"Cycling at the Summer Olympics – Men's individual time trial",
"Road cycling at the 1924 Summer Olympics"
] | |
projected-23576148-001 | https://en.wikipedia.org/wiki/Cycling%20at%20the%201924%20Summer%20Olympics%20%E2%80%93%20Men%27s%20individual%20time%20trial | Cycling at the 1924 Summer Olympics – Men's individual time trial | Results | The men's individual time trial event was part of the road cycling programme at the 1924 Summer Olympics. The results of individual cyclists were summed to give team results in the team time trial event.
The field consisted of 71 cyclists from 22 countries. The course was a loop beginning and ending at the Stade Olympique Yves-du-Manoir. | Source: | [] | [
"Results"
] | [
"Cycling at the Summer Olympics – Men's individual time trial",
"Road cycling at the 1924 Summer Olympics"
] |
projected-23576148-003 | https://en.wikipedia.org/wiki/Cycling%20at%20the%201924%20Summer%20Olympics%20%E2%80%93%20Men%27s%20individual%20time%20trial | Cycling at the 1924 Summer Olympics – Men's individual time trial | External Links | The men's individual time trial event was part of the road cycling programme at the 1924 Summer Olympics. The results of individual cyclists were summed to give team results in the team time trial event.
The field consisted of 71 cyclists from 22 countries. The course was a loop beginning and ending at the Stade Olympique Yves-du-Manoir. | Video of film footage of the time trial
Category:Cycling at the Summer Olympics – Men's individual time trial
Category:Road cycling at the 1924 Summer Olympics | [] | [
"External Links"
] | [
"Cycling at the Summer Olympics – Men's individual time trial",
"Road cycling at the 1924 Summer Olympics"
] |
projected-56569552-000 | https://en.wikipedia.org/wiki/Feni-3 | Feni-3 | Introduction | Feni-3 is a constituency represented in the Jatiya Sangsad (National Parliament) of Bangladesh since 2019 by Masud Uddin Chowdhury of the Jatiya Party (Ershad). | [] | [
"Introduction"
] | [
"Parliamentary constituencies in Bangladesh",
"Feni District"
] | |
projected-56569552-001 | https://en.wikipedia.org/wiki/Feni-3 | Feni-3 | Boundaries | Feni-3 is a constituency represented in the Jatiya Sangsad (National Parliament) of Bangladesh since 2019 by Masud Uddin Chowdhury of the Jatiya Party (Ershad). | The constituency encompasses Daganbhuiyan and Sonagazi upazilas. | [] | [
"Boundaries"
] | [
"Parliamentary constituencies in Bangladesh",
"Feni District"
] |
projected-56569552-002 | https://en.wikipedia.org/wiki/Feni-3 | Feni-3 | History | Feni-3 is a constituency represented in the Jatiya Sangsad (National Parliament) of Bangladesh since 2019 by Masud Uddin Chowdhury of the Jatiya Party (Ershad). | The constituency was created in 1984 from the Noakhali-3 constituency when the former Noakhali District was split into three districts: Feni, Noakhali, and Lakshmipur.
Ahead of the 2008 general election, the Election Commission redrew constituency boundaries to reflect population changes revealed by the 2001 Bangladesh census. The 2008 redistricting altered the boundaries of the constituency. | [] | [
"History"
] | [
"Parliamentary constituencies in Bangladesh",
"Feni District"
] |
projected-56569570-000 | https://en.wikipedia.org/wiki/Cape%20Bersen%27yeva | Cape Bersen'yeva | Introduction | Cape Bersen'yeva (Russian: Mys Bersen'yeva) is a headland in Khabarovsk Krai, Russia. | [] | [
"Introduction"
] | [
"Headlands of Khabarovsk Krai"
] | |
projected-56569570-001 | https://en.wikipedia.org/wiki/Cape%20Bersen%27yeva | Cape Bersen'yeva | Geography | Cape Bersen'yeva (Russian: Mys Bersen'yeva) is a headland in Khabarovsk Krai, Russia. | The cape is on the northeastern side of Tugur Bay, 20 km (about 12 mi) to the west of Seneka Point. It is high and conspicuous, rising to a height of 162 m (531 ft). | [] | [
"Geography"
] | [
"Headlands of Khabarovsk Krai"
] |
projected-56569570-002 | https://en.wikipedia.org/wiki/Cape%20Bersen%27yeva | Cape Bersen'yeva | History | Cape Bersen'yeva (Russian: Mys Bersen'yeva) is a headland in Khabarovsk Krai, Russia. | American whaleships frequented the waters off the cape between 1854 and 1889, anchoring off it and sending whaleboats down the bay for bowhead whales or sending boats to the cape itself to cruise for whales as well. Boat crews also camped at the cape. They called it Silas Richards Bluff, after the ship Silas Richards, of New Bedford, which was wrecked in a bay near the cape on 13 July 1854. On 27 July 1867, the bark Java, of New Bedford, was ordered out of Tugur Bay near the cape by a Russian man-of-war. | [] | [
"History"
] | [
"Headlands of Khabarovsk Krai"
] |
projected-56569570-003 | https://en.wikipedia.org/wiki/Cape%20Bersen%27yeva | Cape Bersen'yeva | References | Cape Bersen'yeva (Russian: Mys Bersen'yeva) is a headland in Khabarovsk Krai, Russia. | Bersen'yeva | [] | [
"References"
] | [
"Headlands of Khabarovsk Krai"
] |
projected-23576196-000 | https://en.wikipedia.org/wiki/Theater%20Television%20Network | Theater Television Network | Introduction | The Theater Television Network was an early American television network founded in 1951. The network was not a traditional 1950s television network: unlike the other TV networks that operated at that time, Theater Network programs were not broadcast into homes; instead, they aired at participating movie theaters.
The Theater Television Network, like many current theaters do for major events, broadcast mostly sporting events: NCAA basketball games, boxing matches, entertainment events. TTN however also broadcast public affairs programming. The network broadcast Harry Truman's 1951 State of the Union address.
Theater Television required special equipment to be installed at the Theater. After this initial cost the content could be transmitted over the air or through telephone cables. There were drawbacks to both systems. Theater owners pressed the FCC for bandwidth in the UHF spectrum but this was either resisted or given in short-term periods. The alternative was to use AT&T cable which was both expensive and limited the quality of the output.
In the period 1948-52 the FCC imposed a ban on issuing licences for new TV stations. This was the window of opportunity for Theater Television. However, once the freeze was over many new TV stations were established and the public preferred "free" TV in their own living rooms. The last Theater Television operation finished in 1953. | [] | [
"Introduction"
] | [
"Defunct television networks in the United States",
"Television channels and stations established in 1951",
"1953 disestablishments in the United States",
"Television channels and stations disestablished in 1953",
"1951 establishments in the United States"
] | |
projected-23576196-001 | https://en.wikipedia.org/wiki/Theater%20Television%20Network | Theater Television Network | References | The Theater Television Network was an early American television network founded in 1951. The network was not a traditional 1950s television network: unlike the other TV networks that operated at that time, Theater Network programs were not broadcast into homes; instead, they aired at participating movie theaters.
The Theater Television Network, like many current theaters do for major events, broadcast mostly sporting events: NCAA basketball games, boxing matches, entertainment events. TTN however also broadcast public affairs programming. The network broadcast Harry Truman's 1951 State of the Union address.
Theater Television required special equipment to be installed at the Theater. After this initial cost the content could be transmitted over the air or through telephone cables. There were drawbacks to both systems. Theater owners pressed the FCC for bandwidth in the UHF spectrum but this was either resisted or given in short-term periods. The alternative was to use AT&T cable which was both expensive and limited the quality of the output.
In the period 1948-52 the FCC imposed a ban on issuing licences for new TV stations. This was the window of opportunity for Theater Television. However, once the freeze was over many new TV stations were established and the public preferred "free" TV in their own living rooms. The last Theater Television operation finished in 1953. | Category:Defunct television networks in the United States
Category:Television channels and stations established in 1951
Category:1953 disestablishments in the United States
Category:Television channels and stations disestablished in 1953
Category:1951 establishments in the United States | [] | [
"References"
] | [
"Defunct television networks in the United States",
"Television channels and stations established in 1951",
"1953 disestablishments in the United States",
"Television channels and stations disestablished in 1953",
"1951 establishments in the United States"
] |
projected-56569594-000 | https://en.wikipedia.org/wiki/Betty%20Ang | Betty Ang | Introduction | Betty T. Ang is a Filipina businesswoman. She is the president of Monde Nissin, one of the largest food manufacturers in the Philippines and the country's leading producer of biscuits and noodles. Monde Nissin is owned by her husband's family, who also owns PT Khong Guan Biscuit Indonesia. In August 2017, their net worth was estimated at US$880 million.
Ang, a business graduate of Assumption College, is married to Hoediono Kweefanus, vice-chairman of Monde Nissin. They have six children. | [] | [
"Introduction"
] | [
"Filipino people of Chinese descent",
"Living people",
"Year of birth missing (living people)",
"Assumption College San Lorenzo alumni"
] | |
projected-56569594-001 | https://en.wikipedia.org/wiki/Betty%20Ang | Betty Ang | References | Betty T. Ang is a Filipina businesswoman. She is the president of Monde Nissin, one of the largest food manufacturers in the Philippines and the country's leading producer of biscuits and noodles. Monde Nissin is owned by her husband's family, who also owns PT Khong Guan Biscuit Indonesia. In August 2017, their net worth was estimated at US$880 million.
Ang, a business graduate of Assumption College, is married to Hoediono Kweefanus, vice-chairman of Monde Nissin. They have six children. | Category:Filipino people of Chinese descent
Category:Living people
Category:Year of birth missing (living people)
Category:Assumption College San Lorenzo alumni | [] | [
"References"
] | [
"Filipino people of Chinese descent",
"Living people",
"Year of birth missing (living people)",
"Assumption College San Lorenzo alumni"
] |
projected-56569601-000 | https://en.wikipedia.org/wiki/FIS%20Nordic%20World%20Ski%20Championships%202009%20%E2%80%93%20Men%27s%204%20%C3%97%2010%20kilometre%20relay | FIS Nordic World Ski Championships 2009 – Men's 4 × 10 kilometre relay | Introduction | The men's 4 x 10 kilometre relay was held on 27 February 2009 at 13:00 CET. The defending world champions were the Norwegian team of Eldar Rønning, Odd-Bjørn Hjelmeset, Lars Berger and Petter Northug. | [] | [
"Introduction"
] | [
"FIS Nordic World Ski Championships 2009"
] |