Split (2)

train · 127k rows

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00 Convert 662352.9l to millilitres. 662352900 What is three fifths of a millimeter in micrometers? 600 What is 46863.89 nanograms in milligrams? 0.04686389 What is 7/8 of a kilometer in centimeters? 87500 How many decades are there in 538.763 millennia? 53876.3 How many seconds are there in 64/5 of a minute? 768 How many grams are there in 7/8 of a kilogram? 875 How many millennia are there in 214.9986 centuries? 21.49986 How many meters are there in 27/4 of a kilometer? 6750 What is 0.9252765l in millilitres? 925.2765 How many litres are there in 0.5695422ml? 0.0005695422 What is 1/5 of a gram in milligrams? 200 What is 21.53031 tonnes in kilograms? 21530.31 Convert 838.6317 millilitres to litres. 0.8386317 What is 85/4 of a day in minutes? 30600 Convert 729217.1kg to milligrams. 729217100000 What is fourty-four fifths of a litre in millilitres? 8800 What is 22.91247ns in days? 0.000000000000265190625 How many minutes are there in eight fifteenths of a hour? 32 How many millilitres are there in 1/5 of a litre? 200 How many meters are there in fifteen quarters of a kilometer? 3750 Convert 1677.779ng to grams. 0.000001677779 Convert 13780.9224 minutes to weeks. 1.367155 What is 9.8421 days in seconds? 850357.44 How many micrometers are there in six fifths of a centimeter? 12000 How many years are there in 6.811446 millennia? 6811.446 How many nanometers are there in 321.942um? 321942 What is 7/2 of a litre in millilitres? 3500 What is seven eighths of a micrometer in nanometers? 875 Convert 433.8666ml to litres. 0.4338666 How many years are there in thirty-four fifths of a millennium? 6800 What is eleven halves of a hour in minutes? 330 How many millilitres are there in five eighths of a litre? 625 What is 3/10 of a meter in centimeters? 30 How many millilitres are there in 7/4 of a litre? 1750 What is 6/5 of a millennium in months? 14400 Convert 9906.095 millimeters to micrometers. 9906095 Convert 9.201366 litres to millilitres. 9201.366 Convert 12581.76 days to nanoseconds. 1087064064000000000 How many minutes are there in one quarter of a week? 2520 What is 65.9307 micrometers in centimeters? 0.00659307 How many centuries are there in 14231.97 millennia? 142319.7 What is 3/10 of a decade in months? 36 How many millilitres are there in 697406.5l? 697406500 How many seconds are there in 42/5 of a hour? 30240 How many grams are there in 17/2 of a kilogram? 8500 What is 1/10 of a decade in years? 1 How many centimeters are there in eighteen fifths of a meter? 360 Convert 6.775323 weeks to milliseconds. 4097715350.4 What is 7/8 of a kilogram in grams? 875 What is five quarters of a gram in milligrams? 1250 What is 1653.33 seconds in nanoseconds? 1653330000000 What is 62955.53 weeks in minutes? 634591742.4 What is twenty-three eighths of a litre in millilitres? 2875 What is 31/5 of a millennium in years? 6200 How many millimeters are there in eighteen fifths of a centimeter? 36 Convert 14554822.5 nanoseconds to days. 0.00000016845859375 What is one twentieth of a century in months? 60 How many micrograms are there in 0.4230401 milligrams? 423.0401 What is 207.1521 nanometers in millimeters? 0.0002071521 How many seconds are there in 0.5636752 weeks? 340910.76096 How many nanoseconds are there in six fifths of a microsecond? 1200 How many millilitres are there in 7/2 of a litre? 3500 How many micrometers are there in 1/16 of a centimeter? 625 What is 101.3029ml in litres? 0.1013029 What is seventy-six fifths of a century in months? 18240 Convert 1200.533 kilograms to milligrams. 1200533000 How many nanometers are there in 177242.8mm? 177242800000 How many days are there in 19647.8514us? 0.0000002274056875 How many seconds are there in 802308.7 minutes? 48138522 What is one tenth of a litre in millilitres? 100 How many millilitres are there in 8.255588l? 8255.588 What is 3/10 of a microgram in nanograms? 300 What is 3/10 of a microgram in nanograms? 300 What is 0.8703977 litres in millilitres? 870.3977 What is one twentieth of a tonne in kilograms? 50 How many decades are there in 7.966093 centuries? 79.66093 What is 46/5 of a millennium in years? 9200 How many grams are there in 13623.92 micrograms? 0.01362392 Convert 2.745509 nanometers to millimeters. 0.000002745509 What is one tenth of a microgram in nanograms? 100 How many millilitres are there in 19/4 of a litre? 4750 Convert 2.597093 years to decades. 0.2597093 How many kilograms are there in one quarter of a tonne? 250 What is 0.4934925ng in tonnes? 0.0000000000000004934925 What is fourty-eight fifths of a litre in millilitres? 9600 What is seventeen quarters of a minute in seconds? 255 How many millilitres are there in fourty-six fifths of a litre? 9200 How many months are there in 21/4 of a year? 63 Convert 49963.7ml to litres. 49.9637 How many seconds are there in 8.379585ns? 0.000000008379585 Convert 391.8547 decades to millennia. 3.918547 How many millilitres are there in one twentieth of a litre? 50 What is 1/4 of a year in months? 3 Convert 40428.69 hours to nanoseconds. 145543284000000000 What is 74188.87 kilometers in meters? 74188870 How many millilitres are there in 0.1255565l? 125.5565 What is two fifteenths of a millennium in months? 1600 Convert 6889.579 millilitres to litres. 6.889579 What is 5.737006mg in micrograms? 5737.006 How many micrometers are there in three eighths of a millimeter? 375 How many seconds are there in 8972.945 nanoseconds? 0.000008972945 What is 44.6743l in millilitres? 44674.3 How many decades are there in 12/25 of a millennium? 48 Convert 238.53993us to minutes. 0.0000039756655 What is 405.2591 milliseconds in microseconds? 405259.1 What is 3/50 of a kilometer in meters? 60 How many milligrams are there in nineteen quarters of a gram? 4750 What is 7271475.3 nanoseconds in hours? 0.00000201985425 Convert 257.5121ug to milligrams. 0.2575121 How many decades are there in one tenth of a century? 1 How many micrometers are there in 17/4 of a millimeter? 4250 What is 7/4 of a centimeter in micrometers? 17500 What is twenty-one quarters of a week in hours? 882 How many millilitres are there in 3/8 of a litre? 375 What is eleven eighths of a second in milliseconds? 1375 Convert 8962.131 decades to centuries. 896.2131 What is 54226.26 years in months? 650715.12 How many micrometers are there in 157251.2 meters? 157251200000 How many micrometers are there in twenty-nine fifths of a millimeter? 5800 Convert 66.12811l to millilitres. 66128.11 How many weeks are there in 220084.074us? 0.000000363895625 What is twenty-one fifths of a litre in millilitres? 4200 What is 7/2 of a millennium in months? 42000 What is 2.842991 nanometers in meters? 0.000000002842991 Convert 62425.1 centuries to millennia. 6242.51 What is 37/2 of a millennium in decades? 1850 What is 1/10 of a gram in milligrams? 100 What is thirteen fifths of a millimeter in micrometers? 2600 How many seconds are there in 4915.752 hours? 17696707.2 How many years are there in 21/4 of a millennium? 5250 How many minutes are there in three tenths of a hour? 18 How many micrograms are there in 37/5 of a milligram? 7400 How many meters are there in 5316.531 centimeters? 53.16531 Convert 13.38115 minutes to seconds. 802.869 How many millilitres are there in 27/5 of a litre? 5400 What is 25/4 of a litre in millilitres? 6250 What is 3/40 of a kilogram in grams? 75 How many decades are there in 633.5967 centuries? 6335.967 What is three tenths of a millennium in years? 300 How many meters are there in 2429.323mm? 2.429323 Convert 875.729 millennia to decades. 87572.9 Convert 6207.122 litres to millilitres. 6207122 How many litres are there in 0.140836ml? 0.000140836 How many millilitres are there in thirty-one fifths of a litre? 6200 What is twenty-one fifths of a millennium in months? 50400 How many litres are there in 6.633429ml? 0.006633429 How many days are there in 12/7 of a week? 12 How many months are there in 7/4 of a century? 2100 What is 1/4 of a millisecond in microseconds? 250 How many grams are there in eighteen fifths of a kilogram? 3600 How many years are there in one quarter of a millennium? 250 How many months are there in seventy-five halves of a century? 45000 Convert 99761.63 centuries t	2024-02-07T01:26:57.367551	https://example.com/article/6349
Distributed or grid computing provides the ability to share and allocate processing requests and resources among various nodes, computers or server farm(s) within a grid. A server farm is generally a group of networked servers or, alternatively, a networked multi-processor computing environment, in which work is distributed between multiple processors. Workload is distributed between individual components or processors of servers. Networked servers of a grid can be geographically dispersed. Grid computing can be confined to a network of computer workstations within a company or it can be a public collaboration. Resources that are distributed throughout the grid include various objects. An object is a self-contained module of data and associated processing that resides in a process space. There can be one object per process or tens of thousands of objects per process. A server farm environment can include different classes of resources, machine types and architectures, operating systems, storage and hardware. Server farms are typically coupled with a layer of load-balancing or distributed resource management (DRM) software to perform numerous tasks, such as managing and tracking processing demand, selecting machines on which to run a given task or process, and scheduling tasks for execution. In any computing or processing systems, however, resource conflicts may occur for usage patterns that create a “deadlock” situation. Referring to FIG. 9, a classic deadlock situation 900 exists when a first processing entity 910 is waiting for a first resource 920 that is presently locked by a second processing entity 912. The second entity 912 cannot release the first resource 920 until the second entity 912 has completed its processing. The second entity 912 cannot complete its because the second entity 912 itself is waiting for a second resource 922 to be freed before the second entity 912 can continue its processing. The second resource 922 is locked by the first processing entity 910, which cannot release the second resource 922 until the first processing entity 910 has processed the first resource 920. As a result, a deadlock 900 exists since neither processing entity can proceed because the resource needed for processing by each processing entity is held by the other processing entity. Deadlocks can become much more complex in a real-world workflow processing when there can be a large number of processing entities (e.g., processes, threads, users, nodes, etc.) involved in a deadlock situation. With a workflow, when a job request is issued, (e.g., using a Job Request Language (JRL), the job request may include dependencies, aggregation, conditional dependencies, and retries, which can cause or complicate deadlock situations, which can cause unacceptable levels of delays and processing inefficiencies. In a normal processing system, it can be difficult to identify and address deadlocks. Identification of deadlocks can become even more difficult when deadlocks occur in a distributed computing networks, such as grid-based processing systems, that may include multiple processing entities in different grids in a job-controlled networked environment. Accordingly, there exists a need for a method and system for detecting and addressing deadlocks in a grid-based computing system. Embodiments fulfill these needs.	2024-06-08T01:26:57.367551	https://example.com/article/6114
Increased nitric oxide synthase activity in a model of serotonin depletion. Serotonin (5HT) containing cell bodies are localized in mesencephalic and rhombencephalic raphe nuclei. It has been proposed that 5HT could be involved in neuronal development and plasticity. In the central nervous system, nitric oxide (NO) has been postulated as a neurotransmitter and neuromodulator, and has been implicated in neurotoxicity as well as in neuroprotection. Using the nicotinamide adenine dinucleotide phosphate diaphorase (NADPH-d) technique, NO synthesizing neurons were described in raphe nuclei. By immunohistochemistry, nitric oxide synthase (NOS) was found colocalized with 5HT in some dorsal raphe nucleus (DRN) neurons. In a model of inhibition of 5HT synthesis produced by daily administration of parachlorophenilalanine during 14 days, we have studied the relationship between 5HT and NO systems after 5HT depletion by histochemical and immunocytochemical methods. After the treatment, we observed an important reduction of 5HT immunostaining in the DRN and enhanced NOS activity demonstrated by NADPH-d technique, especially in the dorsomedial and ventromedial subgroups. In spite of the increased NOS activity, we could not observe significant changes in the NOS-immunoreactivity in the DRN after 5HT depletion. These results could indicate that 5HT depletion is concomitant with changes in NOS activity without affecting NOS expression in the DRN.	2024-03-21T01:26:57.367551	https://example.com/article/5501
Q: Why are different distances listed for the ILS and the LOC on this approach chart? Maybe someone has an idea why are there two separate distance values (marked in blue) for ILS and LOC approaches? A: A very weird case, but each country can do things their own way. The ILS FAF - GS intercept at 2700' - is 0.2 NM inside the LOC FAF. In the FMC database, the former is coded as FI01, and the latter is VI311. The LOC FAF is also 6.5 DME off of the LOC DME, identifier IAV, which corresponds to 7.4 DME off of VNO (the Vilnius VOR). The key to seeing this is to consider how you get different distances from the VI312 IF point to the depicted FAF(s). Since VI312 is a single point in space, you can see where the two FAF's are relative to it... the ILS FAF is 0.2 NM farther away (which corresponds to it being 0.2 NM closer to the runway in the other set of blue-circled numbers. Why the approach designer made the LOC FAF not quite coincident with the ILS glideslope intercept point, is its own question, and I have no insight there. (Totally mystified, in fact.)	2023-10-31T01:26:57.367551	https://example.com/article/2056
Question let f(x) be a polynomial function such tha f(4)=-1 fprime(4)=2and fdoubleprime(-2)=0 if x<4 then fdoubleprime(x)<0and if x>4 then fdoubleprime(x)>0. The point (4 , -1)is which of the following for the graph of f?	2023-11-25T01:26:57.367551	https://example.com/article/2870
Anna Politkovskaya Anna Stepanovna Politkovskaya (; , ; born Mazepa ; 30 August 1958 – 7 October 2006) was a Russian journalist, writer, and human rights activist who reported on political events in Russia, in particular, the Second Chechen War (1999–2005). It was her reporting from Chechnya that made Politkovskaya's national and international reputation. For seven years she refused to give up reporting on the war despite numerous acts of intimidation and violence. Politkovskaya was arrested by Russian military forces in Chechnya and subjected to a mock execution. She was poisoned while flying from Moscow via Rostov-on-Don to help resolve the 2004 Beslan school hostage crisis, and had to turn back, requiring careful medical treatment in Moscow to restore her health. Her post-1999 articles about conditions in Chechnya were turned into books several times; Russian readers' main access to her investigations and publications was through Novaya Gazeta, a Russian newspaper known for its often-critical investigative coverage of Russian political and social affairs. From 2000 onwards, she received numerous international awards for her work. In 2004, she published Putin's Russia, a personal account of Russia for a Western readership. On 7 October 2006, she was murdered in the elevator of her block of flats, an assassination that attracted international attention. In June 2014, five men were sentenced to prison for the murder, but it is still unclear who ordered or paid for the contract killing. Early life and education Politkovskaya was born Anna Mazepa in New York City in 1958, the daughter of Stepan F. Mazepa from Kostobobriv, Ukraine. Some sources say that her birth name was actually Hanna Mazeppa. Other sources state that she was born in Chernihiv region of Ukraine. Her parents, Soviet diplomats at the United Nations, were Ukrainian. Politkovskaya spent most of her childhood in Moscow; she graduated from Moscow State University's school of journalism in 1980. While there, she defended a thesis about the poetry of Marina Tsvetaeva and married fellow student Alexander Politkovsky. They had two children, Vera and Ilya. At first Alexander was better known, joining TV journalist Vladislav Listyev as one of the hosts on the late-night TV programme Vzglyad. Apart from her childhood years, Politkovskaya spent no more than a few weeks outside Russia at any one time, even when her life came under threat. She was a U.S. citizen and had a U.S. passport, although she never relinquished her Russian citizenship. Journalistic work Politkovskaya worked for Izvestia from 1982 to 1993 as a reporter and editor of the emergencies and accidents section. From 1994 to 1999, she worked as the assistant chief editor of Obshchaya Gazeta, headed by Yegor Yakovlev, where she wrote frequently about social problems, particularly the plight of refugees. From June 1999 to 2006, she wrote columns for the biweekly Novaya Gazeta, a newspaper with strong investigative reporting that was critical of the new post-Soviet regime from the outset. She published several award-winning books about Chechnya, life in Russia, and Russia under Vladimir Putin, including Putin's Russia. Reports from Chechnya Politkovskaya won a number of awards for her work. She used each of these occasions to urge greater concern and responsibility by Western governments that, after the 11 September attacks on the United States, welcomed Putin's contribution to their "War on Terror". She talked to officials, the military and the police and also frequently visited hospitals and refugee camps in Chechnya and in neighbouring Ingushetia to interview those injured and uprooted by the renewed fighting. In numerous articles critical of the war in Chechnya and the pro-Russian regime there, Politkovskaya described alleged abuses committed by Russian military forces, Chechen rebels, and the Russian-backed administration led by Akhmad Kadyrov and his son Ramzan Kadyrov. She also chronicled human rights abuses and policy failures elsewhere in the North Caucasus. In one characteristic instance in 1999, she not only wrote about the plight of an ethnically-mixed old peoples' home under bombardment in Grozny, but helped to secure the safe evacuation of its elderly inhabitants with the aid of her newspaper and public support. Her articles, many of which form the basis of A Dirty War (2001) and A Small Corner of Hell (2003), depict a conflict that brutalised both Chechen fighters and conscript soldiers in the federal army, and created hell for the civilians caught between them. As Politkovskaya reported, the order supposedly restored under the Kadyrovs became a regime of endemic torture, abduction, and murder, by either the new Chechen authorities or the various federal forces based in Chechnya. One of her last investigations was into the alleged mass poisoning of Chechen schoolchildren by a strong and unknown chemical substance which incapacitated them for many months. Criticism of Vladimir Putin and FSB After Politkovskaya became widely known in the West, she was commissioned to write Putin's Russia (later subtitled Life in a Failing Democracy), a broader account of her views and experiences after former KGB lieutenant colonel Vladimir Putin became Boris Yeltsin's Prime Minister, and then succeeded him as President of Russia. This included Putin's pursuit of the Second Chechen War. In the book, she accused the Russian Federal Security Service (FSB) of stifling all civil liberties in order to establish a Soviet-style dictatorship, but admitted: [It] is we who are responsible for Putin's policies ... [s]ociety has shown limitless apathy ... [a]s the Chekists have become entrenched in power, we have let them see our fear, and thereby have only intensified their urge to treat us like cattle. The KGB respects only the strong. The weak it devours. We of all people ought to know that. She also wrote: We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial—whatever our special services, Putin's guard dogs, see fit. "People often tell me that I am a pessimist, that I don't believe in the strength of the Russian people, that I am obsessive in my opposition to Putin and see nothing beyond that", she opens an essay titled "Am I Afraid?", finishing it—and the book—with the words "If anybody thinks they can take comfort from the 'optimistic' forecast, let them do so. It is certainly the easier way, but it is the death sentence for our grandchildren." A Russian Diary In May 2007, Random House posthumously published Politkovskaya's A Russian Diary, containing extracts from her notebook and other writings. Subtitled A Journalist's Final Account of Life, Corruption, and Death in Putin's Russia, the book gives her account of the period from December 2003 to August 2005, including what she described as "the death of Russian parliamentary democracy", the Beslan school hostage crisis, and the "winter and summer of discontent" from January to August 2005. Because she was murdered "while translation was being completed, final editing had to go ahead without her help", wrote translator Arch Tait in a note to the book. "Who killed Anna and who lay beyond her killer remains unknown", wrote Jon Snow, the main news anchor for the United Kingdom's Channel 4 in his foreword to the book's UK edition. "Her murder robbed too many of us of absolutely vital sources of information and contact", he concluded, "Yet it may, ultimately, be seen to have at least helped prepare the way for the unmasking of the dark forces at the heart of Russia's current being. I must confess that I finished reading A Russian Diary feeling that it should be taken up and dropped from the air in vast quantities throughout the length and breadth of Mother Russia, for all her people to read." Attempted hostage negotiations Politkovskaya was closely involved in attempts to negotiate the release of hostages in the Moscow theatre hostage crisis of 2002. When the Beslan school hostage crisis erupted in the North Caucasus in early September 2004, Politkovskaya attempted to fly there to act as a mediator, but was taken off the plane, acutely ill due to an attempted poisoning, in Rostov-on-Don (see Poisoning). Access to Russian authorities In Moscow, Politkovskaya was not invited to press conferences or gatherings that Kremlin officials might attend, in case the organisers were suspected of harbouring sympathies toward her. Despite this, many top officials allegedly talked to her when she was writing articles or conducting investigations. According to one of her articles, they did talk to her, "but only when they weren't likely to be observed: outside in crowds, or in houses that they approached by different routes, like spies". She also claimed that the Kremlin tried to block her access to information and discredit her:I will not go into the other joys of the path I have chosen, the poisoning, the arrests, the threats in letters and over the Internet, the telephoned death threats, the weekly summons to the prosecutor general's office to sign statements about practically every article I write (the first question being, "How and where did you obtain this information?"). Of course I don't like the constant derisive articles about me that appear in other newspapers and on Internet sites presenting me as the madwoman of Moscow. I find it disgusting to live this way. I would like a bit more understanding. Death threats After Politkovskaya's murder, Vyacheslav Izmailov, her colleague at Novaya Gazeta—a military man who had helped negotiate the release of dozens of hostages in Chechnya before 1999—said that he knew of at least nine previous occasions when Politkovskaya had faced death, commenting "Frontline soldiers do not usually go into battle so often and survive". Politkovskaya herself did not deny being afraid, but felt responsible and concerned for her informants. While attending a December 2005 conference on the freedom of the press in Vienna organised by Reporters Without Borders, she said "People sometimes pay with their lives for saying aloud what they think. In fact, one can even get killed for giving me information. I am not the only one in danger. I have examples that prove it." She often received death threats as a result of her work, including being threatened with rape and experiencing a mock execution after being arrested by the military in Chechnya. Detention in Chechnya Early in 2001, Politkovskaya was detained by military officials in the southern mountain village of Khattuni. She was investigating complaints from 90 Chechen families about "punitive raids" by federal forces. She interviewed a Chechen grandmother from the village of Tovzeni, Rosita, who endured 12 days of beatings, electric shocks, and confinement in a pit. The men who arrested Rosita presented themselves as FSB employees. The torturers requested a ransom from Rosita's relatives, who negotiated a smaller amount that they were able to pay. Another interviewee described killings and rapes of Chechen men in a "concentration camp with a commercial streak" near the village of Khattuni. Upon leaving the camp, Politkovskaya was detained, interrogated, beaten, and humiliated by Russian troops: "the young officers tortured me, skillfully hitting my sore spots. They looked through my children's pictures, making a point of saying what they would like to do to the kids. This went on for about three hours." She was subjected to a mock execution using a BM-21 Grad multiple-launch rocket system, then poisoned with a cup of tea that made her vomit. Her tape records were confiscated. She described her mock execution: A lieutenant colonel with a swarthy face and dull dark bulging eyes said in a businesslike tone: "Let's go. I'm going to shoot you." He led me out of the tent into complete darkness. The nights here are impenetrable. After we walked for a while, he said, "Ready or not, here I come." Something burst with pulsating fire around me, screeching, roaring, and growling. The lieutenant colonel was very happy when I crouched in fright. It turned out that he had led me right under the "Grad" rocket launcher at the moment it was fired. After the mock execution, the Russian lieutenant colonel said to her: "Here's the banya. Take off your clothes." Seeing that his words had no effect, he got very angry: "A real lieutenant colonel is courting you, and you say no, you militant bitch." In 2006, the European Court of Human Rights found the Russian Federation responsible for the forced disappearance of a suspected Ingush militant, Khadzhi-Murat Yandiyev. Colonel-General Alexander Baranov, the commander of the Russian Caucasus deployment mentioned by Politkovskaya's camp guide as the one who ordered captured militants to be kept in the pits, was filmed as he ordered Yandiyev to be executed. Poisoning While flying south in September 2004 to help negotiate with those who had taken over a thousand hostages in a school in Beslan (North Ossetia), Politkovskaya fell violently ill and lost consciousness after drinking tea given to her by an Aeroflot flight attendant. She had reportedly been poisoned, with some accusing the former Soviet secret police poison facility. Threats from OMON officer In 2001, Politkovskaya fled to Vienna, following e-mail threats that a police officer whom she had accused of atrocities against civilians in Chechnya was looking to take revenge. Corporal Sergei Lapin was arrested and charged in 2002, but the case against him was closed the following year. In 2005, Lapin was convicted and jailed for the torture and subsequent disappearance of a Chechen civilian detainee, the case exposed by Politkovskaya in her article "Disappearing People". A former fellow officer of Lapin's was among the suspects in Politkovskaya's murder, on the theory that the motive might have been revenge for her part in Lapin's conviction. Conflict with Ramzan Kadyrov In 2004, Politkovskaya had a conversation with Ramzan Kadyrov, then Prime Minister of Chechnya. One of his assistants said to her, "Someone ought to have shot you back in Moscow, right on the street, like they do in your Moscow". Ramzan repeated after him: "You're an enemy. To be shot...." On the day of her murder, said Novaya Gazetas chief editor Dmitry Muratov, Politkovskaya had planned to file a lengthy story on the torture practices believed to be used by the Chechen security detachments known as Kadyrovites. In her final interview, she described Kadyrov—now president of Chechnya—as the "Chechen Stalin of our days". Murder, investigation and trial Politkovskaya was found dead in the lift, in her block of flats in central Moscow on 7 October 2006. She had been shot twice in the chest, once in the shoulder, and once in the head at point-blank range. The assassination had happened on Vladimir Putin's birthday, and two days after Ramzan Kadyrov's 30th birthday celebrations, raising suspicions that one or both were served up by the contract hit. There was widespread international reaction to the assassination. The funeral was held on 10 October 2006 at the Troyekurovskoye Cemetery in the outskirts of Moscow. Before Politkovskaya was buried, more than one thousand mourners filed past her coffin to pay their last respects. Dozens of Politkovskaya's colleagues, public figures, and admirers of her work gathered at the cemetery. No high-ranking Russian officials could be seen at the ceremony. Politkovskaya was buried near her father, who had died shortly before her. In May 2007, a large posthumous collection of Anna's articles, entitled With Good Reason, was published by Novaya Gazeta and launched at the Gorbachev Foundation in Moscow. The event came soon after the birth of Anna's namesake grandchild: Vera's daughter was named Anna in honour of her grandmother. A few months later, 10 men were detained on suspicion of various degrees of involvement in Politkovskaya's murder. Four of them were brought before the Moscow District Military Court in October 2008. First trial, 2008–2009 Three men were charged with directly aiding Politkovskaya's killer, who was allegedly the brother of two of the suspects. There was insufficient evidence to charge the fourth man—an FSB colonel—with the murder, though he was suspected of a leading role in its organisation; he stood trial at the same time for another offence. The case was held before a jury (a rare occurrence in Russia) and, after the jurors insisted, was open to the press and public. On 25 November 2008, it was reported that Politkovskaya's murder might have been ordered by a politician inside Russia. Murad Musayev, a lawyer for the men on trial, told journalists that the case notes—as one of the interpretations of the crime—mentioned that a politician, based in Russia (but not named in those notes), was behind her death. On 5 December 2008, Sergei Sokolov, a senior editor of Novaya Gazeta, testified in court that he had received information (from sources he would not name) that defendant Dzhabrail Makhmudov was an agent of the FSB. He said Makhmudov's uncle Lom-Ali Gaitukayev, who was serving a 12-year jail sentence for the attempted murder of a Ukrainian businessman, also worked for the FSB. Russia's Investigative Committee—with help from the Belgian police—arrested Rustam Makhmudov, the man suspected of killing Anna Politkovskaya, after he was detained in the Chechen Republic and transported to Moscow for questioning. Following the acquittal After all three men were acquitted of Politkovskaya's murder in February 2009, her children Vera and Ilya, their lawyers Karinna Moskalenko and Anna Stavitskaya, and senior Novaya Gazeta editor Sergei Sokolov gave their reaction to the trial at a press conference in Moscow. In his comments on the end of the trial, Andrew McIntosh, Chairman of the Parliamentary Assembly of the Council of Europe's Sub-Committee on the Media and Rapporteur on media freedom, expressed frustration at what he perceived to be a lack of progress in investigating the murder, or the inability of the Russian authorities to find her killers: Two years ago, in its Resolution 1535 (2007), the Assembly called on the Russian Parliament closely to monitor the progress in the criminal investigations regarding the murder of Anna Politkovskaya and hold the authorities accountable for any failures to investigate or prosecute. The closure of the trial yesterday can only be regarded as a blatant failure. I call on the Russian authorities and Parliament to relaunch a proper investigation and shed light on this murder, which undermines not only freedom of expression in Russia, but also its democratic foundation based on the rule of law. There are no excuses for these flawed investigations into murders of politically critical journalists writing against corruption and crime within government, such as the murders of Georgy Gongadze in Ukraine in 2000 and Paul Klebnikov in Moscow in 2004. Before the trial ended, Stanislav Markelov, a lawyer who had investigated many of the abuses documented by Politkovskaya, was assassinated in Moscow on 19 January 2009. Journalist Anastasia Baburova, who was with Markelov at the time, died later of injuries sustained while trying to intervene. More closely related to Politkovskaya's work as a journalist was 15 July 2009 murder of Natalia Estemirova. A board member of the Memorial human rights society and one of Politkovskaya's key informants, guides, and colleagues in Chechnya, Estemirova was abducted in Grozny and found dead, several hours later, in the neighbouring Republic of Ingushetia. Retrial, 2012 and 2014 On 5 August 2009, the prosecution service's objection to the acquittals in the Politkovskaya trial was upheld by the Supreme Court, and a new trial was ordered. In August 2011, Russian prosecutors claimed they were close to solving the murder after detaining Dmitry Pavliuchenkov, a former policeman, who they alleged was the principal organiser. The following month Kommersant Daily reported that, according to Pavlyuchenkov, Lom-Ali Gaitukayev was the one negotiating with the person who ordered the killing, and although Pavlyuchenkov did not know the name, he suspected he could be the fugitive businessman and Putin critic Boris Berezovsky. In December 2012 Dmitry Pavliutchenkov was found guilty and sentenced to 11 years in a high security penal colony. In May 2014 five men were convicted of murdering Politkovskaya, including three defendants who had been acquitted in a previous trial. The defendants were three Chechen brothers, one of whom was accused of shooting Politkovskaya in the lobby of her Moscow apartment building. In June 2014 the men were sentenced to prison, two of them, Lom-Ali Gaitukayev and his nephew Rustam Makhmudov, receiving life sentences. It is still unclear who ordered or paid for the contract killing. The murder remains unsolved, 2016 In September 2016 Vladimir Markin, official spokesman for the Investigative Committee, included the killing of Anna Politkovskaya among the Most Dramatic Crimes in 21st century Russia and claimed that it had been solved. Her colleagues at Novaya gazeta protested that until the instigator or sponsor of the crime was identified, arrested and prosecuted the case was not closed. On 7 October 2016 Novaya gazeta released a video clip of its editors, correspondents, photographers and technical and administrative staff holding text-boards giving details of the case and stating, repeatedly, "The sponsor of Anna's murder has not been found". On the same day deputy chief editor Sergei Sokolov published a damning summary of the official investigation, describing its false turns and shortcomings, and emphasised that it had now effectively been wound up. After the three Makhmudov brothers, Khadjikurbanov and Lom-Ali Gaitukayev were convicted in 2014, wrote Sokolov, the once large team of investigators was reduced to one person and within a year he retired, to be replaced by a lower-ranking investigator. In accordance with Russian law there is a 15-year statute of limitation for the "particularly grave" crime of first degree murder. The 2000 killing of Igor Domnikov, another Novaya gazeta journalist, showed that the perpetrators might be identified (they were convicted in 2008), as was the businessman-intermediary who hired them (he was sentenced in December 2013 to seven years' imprisonment). The man allegedly responsible for ordering the attack on Domnikov was brought to court in 2015. In May that year the case against him was discontinued because the statute of limitations had expired. The Intercept published a top-secret document released by Edward Snowden with a screenshot of Intellipedia according to which (TS//SI/REL TO USA, AUS, CAN, GBR, NZL) Russian Federal Intelligence Services (probably FSB) are known to have targeted the webmail account of the murdered Russian journalist Anna Politkovskaya. On 5 December 2005, RFIS initiated an attack against the account annapolitovskaya@US Provider1, by deploying malicious software which is not available in the public domain. It is not known whether the attack is in any way associated with the death of the journalist.[1] Documentary 2008, documentary by Masha Novikova Anna, Seven Years on the Frontline; 78 min., the Netherlands. In 2008, Swiss director Eric Bergkraut made a documentary, Letter to Anna, about Politkovskaya's life and death. It includes interviews with her son Ilya, her daughter Vera, her ex-husband Alexander Politkovsky, and others—such as businessman Boris Berezovsky and filmmaker Andrei Nekrasov. In 2011, Russian director Marina Goldovskaya made the documentary A Bitter Taste of Freedom, a Swedish Russian American co-production. The title refers to an earlier documentary film by the same director, A Taste of freedom (1991) which is about Russian life in the new, post-Soviet reality and features the Politkovsky family. A Bitter Taste of Freedom was shown at the 27th Warsaw International Film Festival where it won the Best Documentary Feature Award. From the festival's programme: She was brave, she was bold, and she was beautiful. In her fearless quest to uncover the wrongdoings of the Russian State, Anna Politkovskaya inspired awe in some and fear in countless others. An investigative journalist for Moscow's liberal Novaya Gazeta, she was the only spokesperson for victims of Putin's government. Hers was a lonely voice, yet loud enough for the entire country to hear. It was too loud. At age 48 she was assassinated for simply doing her job. A documentary about the bravery of the human spirit. As the director says, it "is especially important now, when the world is so full of cynicism and corruption, when we so desperately need more people with Anna's level of courage and integrity and commitment". Awards and honors 2001: "Golden Pen Prize" of the Russian Union of Journalists 2001: Amnesty International Global Award for Human Rights Journalism 2002: Norwegian Authors Union Freedom of Expression Prize ("Ytringsfrihetsprisen") 2002: Index on Censorship Award for the "Defence of Free Expression". 2002: PEN American Center Freedom to Write Award 2002: International Women's Media Foundation Courage in Journalism Award 2003: Lettre Ulysses Award for the Art of Reportage 2003: Hermann Kesten Medal 2004: Olof Palme Prize (shared with Lyudmila Alexeyeva and Sergei Kovalev) 2004: Vázquez Montalbán Award of International Journalism 2005: Civil Courage Prize (with Min Ko Naing and Munir Said Thalib) 2005: Prize for the Freedom and Future of the Media 2006: International Journalism Award named after Tiziano Terzani 2006: World Press Freedom Hero of the International Press Institute 2007: UNESCO/Guillermo Cano World Press Freedom Prize (awarded posthumously for the first time) 2007: National Press Club (United States)/John Aubuchon Freedom of the Press Award (posthumous) 2007: Geschwister-Scholl-Preis (posthumous) 2007: Democracy Award to Spotlight Press Freedom by the National Endowment for Democracy, The 2007–2008 academic year at the College of Europe was named in her honour. Anna Politkovskaya Award The international human rights organisation RAW in WAR (Reach All Women in War), which focuses on supporting and protecting women human rights defenders working in war and conflict zones, established in 2006 the annual Anna Politkovskaya Award in Politkovskaya's honor. The award recognizes "a woman human rights defender from a conflict zone in the world who, like Anna, stands up for the victims of this conflict, often at great personal risk". Mariana Katzarova, a close friend and a human rights colleague of Politkovskaya, founded RAW in WAR (Reach All Women in WAR) and the Anna Politkovskaya Award in 2006 in London, after working as a journalist and human rights advocate in the war zones of Bosnia, Kosovo and the North Caucasus, including 10 years as the Russia Researcher for Amnesty International. The award was first given on the one-year anniversary of Anna Politkovskaya's murder on 7 October 2007 to Politkovskaya's friend and colleague, Chechen activist, Natalia Estemirova, who was herself abducted and killed in 2009 in Chechnya to silence her human rights work. Journalism prize "Anna Politkovskaja" (Ferrara, Italy) There is also a "Journalism prize Anna Politkovskaja" (“il premio giornalistico Anna Politkovskaja”), which is annually awarded in Ferrara, Italy, by the magazine L’internationale and the comune of Ferrara. Winners of the Journalism prize "Anna Politkovskaja" 2015: Asif Mohiuddin Bibliography Politkovskaia, Anna (2000) Voyage en enfer: Journal de Tchetchenie, Robert Laffont: Paris. Politkovskaya, Anna (2001) A Dirty War: A Russian Reporter in Chechnya, Harvill: London. Политковская, Анна (2002) Вторая чеченская (The Second Chechen [War]), Zakharov: Moscow. Politkovskaya, Anna (2003) A Small Corner of Hell: Dispatches from Chechnya, translation of Vtoraya chechenskaya, The University of Chicago Press; accessed 2015-02-28. Politkovs'ka, Anna. "Druha chechens'ka." Trans. I. Andrusiak. Kyiv: Diokor, 2004. (In Ukrainian.) Politkovskaya, Anna (2004) Putin's Russia, Harvill: London. Politkovskaya, Anna (2007) A Russian Diary: A Journalist's Final Account of Life, Corruption, and Death in Putin's Russia, Harvill Secker: London. Политковская, Анна (2007) (With Good Reason), Novaya gazeta: Moscow. Includes all Anna Politkovskaya's finished and unfinished articles for Novaya gazeta, 989 pp</ref> The Russian title makes grim play of the frequent disbelieving question of victims of the late 1930s Great Terror in the Soviet Union: "But whatever for?!" («За что?!») Politkovskaya, Anna (2010) Nothing But the Truth: Selected Dispatches, Harvill Secker: London. A 480-page selection from the 2007 volume За что (With Good Reason). Politkovskaya, Anna (2011) Is Journalism Worth Dying For?: Final Dispatches, Melville House Publishing: Brooklyn, New York. See also Alexander Litvinenko List of journalists killed in Russia List of unsolved murders Petra Procházková Putinism References External links by IPVnews “Anna Politkovskaya Award” Presented each year by RAW in WAR (Reach All Women in WAR) to women human rights defenders from war and conflict. The first Anna Politkovskaya Award recipient, in 2007, was Natalia Estemirova Book Festival readings, Anna Politkovskayaat the Edinburgh International Book Festival's audio recordings and transcriptions 2004–05 (translated to English, streaming audio) Photo report from August 2008 Moscow rally dedicated to the 50th anniversary of Anna Politkovskaya's birth The Writer’s Conscience: Remembering Anna Politkovskaya & Russia’s Forgotten War, 6 December 2006, CUNY Graduate Center, New York City – audio Reach all Women in War (RAW in WAR) Politkovskaya writing about her Ukrainian descent in the Ukrainian edition of her book by Diokor Press Category:1958 births Category:2006 deaths Category:20th-century Russian journalists Category:21st-century Russian journalists Category:Assassinated Russian journalists Category:Burials in Troyekurovskoye Cemetery Category:Deaths by firearm in Russia Category:Honored in Garden of the Righteous in Warsaw Category:Journalists from New York City Category:Journalists killed in Russia Category:Mazepa family Category:Moscow State University alumni Category:Moscow theater hostage crisis Category:Olof Palme Prize laureates Category:People murdered in Russia Category:Russian anti-war activists Category:Russian dissidents Category:Russian investigative journalists Category:Russian pacifists Category:Russian people of Ukrainian descent Category:Russian political activists Category:Russian war correspondents Category:Russian women journalists Category:Russian women writers Category:Violence against women in Russia Category:Women human rights defenders Category:Women in the Chechen wars Category:Women war correspondents	2024-02-13T01:26:57.367551	https://example.com/article/7603
Q: Find unique name of device? I'm developing an app that uses zeroconf (bonjour) to discover devices - so I need to give each android device some kind of name (not just a bunch of numbers and letters, but something meaningful like "Alex's Device"). In iOS it can be easily done - is this possible in android? A: There can be many accounts linked to the device. You can use the AccountManager to get them. For example, emails on google accounts: AccountManager am = AccountManager.get(this); Account[] ac = am.getAccountsByType("com.google"); for (Account account : ac) { Log.d ("Account", ac.name); } Alternatively, you can use android.os.Build.MODEL or similar.	2024-01-27T01:26:57.367551	https://example.com/article/3265
Empire missed the point Letter to the editor Posted: Friday, March 26, 2004 I just read the Herbst article, "What's the Point." My thought was immediately agreeing - What is the point of reading the Empire when this kind of reporting is a main article? It seems that Masha and I were not in the same places. Let's get the record straight. In three of the four venues open to the Juneau public, Kucinich spoke to overflowing crowds receiving standing ovations - sometimes several. Each venue was composed of very different classes and groups of Juneau citizens. Why the disparaging remarks about his presence in Alaska? Kucinich was clear in every appearance that he was staying in the race to give a voice to the many progressives in our country who find that neither major party represents them. His goal is to re-energize the Democrats as the choice for the widest range of voices rather than have both parties splintered off to 3rd party candidates that brought the last divisive election. For me, the important reason for his Alaskan presence is being one of the rare politicians I've known who keeps promises. He promised early in the campaign to visit all 50 states to express his message and feel the pulse from all corners of our country. The others (both sides) seem to change their views (and memories) like attention deficit children and simply follow the money. I'm looking for somebody a little tougher and more consistent over time. Kucinich is one of the few blue-collar Democrats (remember them?) who consistently represents the views of the increasingly unheard working class folks. He generates energy into a political system bringing people back into trying to affect an increasingly distant and disengaged system. I have talked, discussed and argued with Bob Woolf over the past weeks. The statements quoted were way out of context. Bob is a careful, thoughtful person and his views about the candidate and the political situation were considerably misrepresented. "Futile? What's the Point?" Apparently somebody is listening. At Saturday's well-attended Democratic caucus, most of the Democratic national candidates were well represented by enthusiastic, thoughtful supporters. Kucinich walked away with the majority of Juneau's delegates to the state convention. You can minimize that as 'liberal Juneau,' but while you are patting yourselves on the back, it is interesting to note a majority in Fairbanks and overwhelming majorities in Kenai and Homer too. Yep, somebody is missing the point all right.	2024-07-31T01:26:57.367551	https://example.com/article/5590
# Program name. PROG = spipe MAN1 := ${PROG}.1 # Libraries which are sometimes merged into libc LDADD = -lrt #LDADD += -lxnet # Missing on FreeBSD # Library code required LDADD_REQ = -lcrypto LDADD_REQ += -lpthread # Useful relative directories LIBCPERCIVA_DIR = ../libcperciva LIB_DIR = ../lib PROTO_DIR = ../proto # spipe code SRCS = main.c SRCS += pushbits.c # spipe protocol .PATH.c : ${PROTO_DIR} SRCS += proto_conn.c SRCS += proto_crypt.c SRCS += proto_handshake.c SRCS += proto_pipe.c IDIRS += -I${PROTO_DIR} # spiped utility functions .PATH.c : ${LIB_DIR}/util SRCS += graceful_shutdown.c IDIRS += -I${LIB_DIR}/util # Fundamental algorithms .PATH.c : ${LIBCPERCIVA_DIR}/alg SRCS += sha256.c SRCS += sha256_shani.c IDIRS += -I${LIBCPERCIVA_DIR}/alg # Data structures .PATH.c : ${LIBCPERCIVA_DIR}/datastruct SRCS += elasticarray.c SRCS += ptrheap.c SRCS += timerqueue.c IDIRS += -I${LIBCPERCIVA_DIR}/datastruct # Utility functions .PATH.c : ${LIBCPERCIVA_DIR}/util SRCS += asprintf.c SRCS += entropy.c SRCS += getopt.c SRCS += insecure_memzero.c SRCS += monoclock.c SRCS += noeintr.c SRCS += sock.c SRCS += warnp.c IDIRS += -I${LIBCPERCIVA_DIR}/util # CPU features detection .PATH.c : ${LIBCPERCIVA_DIR}/cpusupport SRCS += cpusupport_x86_aesni.c SRCS += cpusupport_x86_rdrand.c SRCS += cpusupport_x86_shani.c SRCS += cpusupport_x86_ssse3.c IDIRS += -I${LIBCPERCIVA_DIR}/cpusupport # Event loop .PATH.c : ${LIBCPERCIVA_DIR}/events SRCS += events_immediate.c SRCS += events_network.c SRCS += events_network_selectstats.c SRCS += events_timer.c SRCS += events.c IDIRS += -I${LIBCPERCIVA_DIR}/events # Event-driven networking .PATH.c : ${LIBCPERCIVA_DIR}/network SRCS += network_connect.c SRCS += network_read.c SRCS += network_write.c IDIRS += -I${LIBCPERCIVA_DIR}/network # Crypto code .PATH.c : ${LIBCPERCIVA_DIR}/crypto SRCS += crypto_aes.c SRCS += crypto_aes_aesni.c SRCS += crypto_aesctr.c SRCS += crypto_dh.c SRCS += crypto_dh_group14.c SRCS += crypto_entropy.c SRCS += crypto_entropy_rdrand.c SRCS += crypto_verify_bytes.c IDIRS += -I${LIBCPERCIVA_DIR}/crypto cflags-crypto_aes_aesni.o: @echo '$${CFLAGS_X86_AESNI}' cflags-crypto_entropy_rdrand.o: @echo '$${CFLAGS_X86_RDRAND}' cflags-sha256_shani.o: @echo '$${CFLAGS_X86_SHANI} $${CFLAGS_X86_SSSE3}' .include <bsd.prog.mk>	2023-10-18T01:26:57.367551	https://example.com/article/8705
Perfect Your Starbucks VIA® Flavored Coffee Experience Tuesday, October 05, 2010 Posted by Erin V., associate product manager If you’re like me then you love to enjoy a sweet treat with your daily cup of coffee. So when I heard about the four new Starbucks VIA® Flavored Coffees, I took on the heavy burden of finding the most delectable food pairings to make my experience (and yours!) truly perfect. It really is a tough job some days but someone has to do it. Starbucks VIA® Vanilla Flavored Coffee’s new bff is definitely the Petite Vanilla Bean Scone. These best pals can be found hanging out together because of their mutual love for only the best natural vanilla flavor. You’ll see the flecks of real vanilla bean in the yummy scone, which really amps up the flavor of the coffee to create dreamy vanilla nirvana. Starbucks VIA® Mocha Flavored Coffee and the Double Fudge Mini Doughnut make this pairing a triple threat! It reminded me of a chocolate dream come true to life. I mean, seriously – the flavor of chocolate upon chocolate upon chocolate? It doesn’t get much sweeter than this. Finally, Starbucks VIA® Cinnamon Spice Flavored Coffee and a slice of Pumpkin Bread are like the unexpected odd couple who end up getting married. They totally make it work but you just never thought of putting them together. The sweet cinnamon and pumpkin spice flavors make a surprisingly spectacular match!	2024-06-13T01:26:57.367551	https://example.com/article/2295
Dez Bryant Desmond Demond Bryant (born November 4, 1988) is an American football wide receiver who is currently a free agent. He played college football at Oklahoma State, where he earned All-American honors in 2008. He was drafted by the Dallas Cowboys in the first round of the 2010 NFL Draft and has earned three Pro Bowl berths and was a First-team All-Pro player in 2014. Early years Bryant was born on Galveston Island at The University of Texas Medical Branch, but eventually moved to Lufkin, Texas, where he attended Lufkin High School. While at Lufkin High School, he played high school football for the Panthers football team. As a junior, he caught 48 passes for 1,025 yards and 16 touchdowns. Bryant led Lufkin to a 14–1 record, including an appearance in the 5A Division II state semifinals, where they lost 46–28 to Todd Dodge's Southlake Carroll. In his senior year, Bryant had 53 receptions for 1,207 yards with 21 touchdowns, and was an All-State selection. Lufkin finished the season with an 11–1 record, after losing 38–25 to Round Rock in the area round of the playoffs. After the season, Bryant participated in the Offense-Defense All-American Bowl. He was named an All-American by Parade and SuperPrep. Bryant competed in track and field and was one of the state's top competitors in the triple jump (top-jump of 14.17 m). As a standout hurdler, he had personal bests of 14.56 seconds in the 110-m hurdles and 40.70 seconds in the 300-m hurdles. He was also a member of the 4 × 100-m (42.62) and 4 × 200-m (1:28.35) relay squads. Recruiting Regarded as a four-star recruit by Rivals.com, Bryant was listed as the no. 9 wide receiver prospect in the class of 2007, and the second from Texas behind only Terrence Toliver. Recruited by numerous major programs, including most Big 12 schools, Bryant took official visits to Texas A&M, Oklahoma State, and Texas Tech, before committing to the Cowboys. He was just the fourth Parade All-American to sign with Oklahoma State since 1985. College career Bryant attended Oklahoma State University from 2007 to 2009 and was a member of the Oklahoma State Cowboys football team coached by Mike Gundy. As a freshman in 2007, he finished second on the team with 43 receptions for 622 yards and six touchdowns in 12 games. In a game against the University of Kansas Jayhawks, he set a school record for receiving yards in a game by a freshman with 155. In the 2007 Insight Bowl, he recorded nine receptions for 117 yards and two touchdowns in a 49–33 win against the Indiana Hoosiers. Bryant had a stellar season in 2008. On September 6, against Houston, he had nine receptions for 236 yards and three touchdowns to go along with a punt return touchdown. On September 27, against Troy, he had six receptions for 118 yards and three receiving touchdowns. In the next game, against Texas A&M, he had 106 receiving yards, three receiving touchdowns, and a punt return touchdown. On November 1, against Iowa State, he had nine receptions for 171 yards and four receiving touchdowns. On December 30, against Oregon in the 2008 Holiday Bowl, he had 13 receptions for 167 yards and a touchdown. He finished the 2008 season with 87 receptions for 1,480 yards and 19 touchdowns, including two punt returns for touchdowns. Bryant was ruled ineligible for the rest of the 2009 season on October 7 for violating an NCAA bylaw. He failed to fully disclose his interaction with Deion Sanders, a former NFL player, to the NCAA. He was considered the best wide receiver in 2009 and a possible Heisman Trophy contender before the suspension. In three games, he finished with 323 receiving yards, four receiving touchdowns, and a punt return touchdown. Collegiate statistics College awards and honors 2007 Second-team freshman All-America 2008 First team All-America by AFCA-Coaches, Associated Press, Walter Camp, Sporting News, Pro Football Weekly, Sports Illustrated Professional career NFL Draft On November 5, 2009, Bryant announced his intentions to enter the 2010 NFL Draft. He was widely believed to be the best wide receiver available and to be targeted by the Denver Broncos, who traded their Pro Bowl receiver Brandon Marshall to the Miami Dolphins prior to the draft, with the 11th overall pick. If he slipped by the Broncos, Bryant was projected to fall no lower than the 27th pick to the Dallas Cowboys. After dropping because of character concerns, the Cowboys traded up with the New England Patriots, moving from the 27th to the 24th position to select Bryant. For the move, the team sent a third-round draft choice, which was the 90th overall pick, while receiving the Patriots' fourth-round draft choice, which was the 119th overall pick. Dallas Cowboys 2010 season: Rookie year Bryant was signed by the Cowboys to a contract very similar to that of Vikings' wide receiver Percy Harvin (five years, $12.05 million, roughly $8.4 million guaranteed) on July 22, 2010. On July 23, 2010, it was announced that Bryant would wear the #88 jersey, the same as Hall of Famer Michael Irvin, and Cowboys legend Drew Pearson. On September 12, Bryant made his NFL debut against the Washington Redskins and had eight receptions for 56 yards. In the next game, he had a punt return touchdown in the 27–20 loss to the Chicago Bears. On October 17, Bryant caught his first NFL touchdown catch, on a 31-yard pass from Tony Romo. The Cowboys ended up losing that game 24–21. In a Monday Night Football game against the New York Giants, at Cowboys Stadium on October 25, 2010, Bryant caught four passes for 54 yards, two of them for touchdowns, and also returned a punt 93 yards for a touchdown, making the longest Cowboys' punt return since Dennis Morgan's 98-yard return during the 1974 NFL season. On November 15, 2010, Bryant caught three passes for 104 yards and one touchdown, to become the first Cowboys rookie with a 100+ yard game since Antonio Bryant. During the fourth quarter of the Cowboys' 38–35 victory over the Indianapolis Colts, Bryant went down with a fractured ankle. Indianapolis' Kavell Conner held onto Bryant's leg while tackling him on a kickoff return, and the Cowboys immediately took Bryant to the locker room. He was placed on the injured reserve list and had surgery on the fractured ankle. He left the game with one catch for 14 yards and a 35.7-yard average on three kickoff returns. Bryant finished his rookie season with 45 receptions for 561 yards and six touchdowns. He was named to the NFL All-Rookie Team for the 2010 season. 2011 season With the departure of Roy Williams, Bryant won the starting job opposite of Miles Austin. Bryant started the first game of the 2011 season against the New York Jets where he had three receptions for 71 yards and a touchdown in a 27–24 loss. Bryant missed the next game against the San Francisco 49ers due to injury, as the Cowboys won the game by a score of 27–24 in overtime. Bryant started his second game of the season against the division rival and previously undefeated Washington Redskins on a Monday Night Football game. Playing injured, Bryant managed four receptions for 63 yards in the 18–16 victory. In the fourth game of the season against the undefeated Detroit Lions, Bryant had three receptions for 37 yards, one rush for five yards, and two receiving touchdowns in his team's 34–30 loss. His two-touchdown game marked just the second time in his career with multiple touchdowns in one game. In Week 7, the Dallas Cowboys went up against the St. Louis Rams at Cowboys Stadium. In the contest, Bryant had the most productive game of his season thus far, hauling in five receptions for 90 yards and a touchdown, helping his team to a 34–7 win. His receptions that game ranked fourth-most receptions in a game and his 90 yards were his second-most yards in a game for his career. His yardage output of the game also ranked as the most yards in a single game for his 2011 season. Bryant was not officially given the start for the game. Bryant's best game of the season was overshadowed by rookie teammate DeMarco Murray's record-breaking day. The following week, in a 23–13 victory over the Seattle Seahawks, Bryant recorded four receptions for 76 yards on nine targets. Bryant fumbled and lost the fumble, both for the first time in his career, as he was tackled near the opponent's 1-yard line. From Week 13 to Week 15, he scored a receiving touchdown in all three games. Bryant finished the season with 63 receptions for 928 yards and nine touchdowns. 2012 season Bryant had four receptions for 85 yards in a 24–17 win against the New York Giants in the season opener. The next two games were average performances, totaling only 79 receiving yards on nine receptions and no touchdowns. Dallas lost the game in Week 2 against the Seattle Seahawks by a score of 27–7 and won in Week 3 against the Tampa Bay Buccaneers by a score of 16-10. In the Week 4, 34–18 loss to the Chicago Bears, Bryant had eight receptions for 105 yards. This marked the fourth straight game of the season without a touchdown, and no touchdowns on 21 catches for the season that point. After the Week 5 bye, Bryant caught his first two touchdowns of the season, while setting his career-high 13 receptions in a Week 6 loss to the Baltimore Ravens by a score of 31-29. With 32 seconds remaining in the game, Bryant caught a touchdown pass from quarterback Tony Romo to bring the score to 31–29. Following a failed two-point conversion, Dallas recovered an onside kick to give the offense one last opportunity to win the game. Kicker Dan Bailey attempted a 51-yard field goal, but it sailed wide left to end the game 31–29. Bryant had two catches for 14 yards in the Week 7 win against the Carolina Panthers. Throughout September and October, Bryant was being criticized in the media for dropping balls, fumbles and running poor routes, but he started to live up to his potential in a Week 8 game against the New York Giants, when he registered 110 yards on only 5 catches (22.0 YPC average), and almost came up with a last-minute hail mary touchdown, but it was reversed because his hand was ruled out of bounds. Bryant had one catch for 15 yards against the Atlanta Falcons during a Week 9 19–13 loss in the Georgia Dome. Against the Eagles, he amassed 87 yards on three catches, with one touchdown. This brought his Week 9 and 10 performances to 102 yards on four receptions and one touchdown. That Week 10 performance was the start of a breakout season, worthy of Pro Bowl consideration. In Week 11 against the Cleveland Browns, Bryant had 12 catches for a then-career-high 145 yards, breaking his previous personal best of 110 yards during week 8 against the Giants. His 12 receptions fell short of his career-high 13 catches during week 6 against the Ravens. Against the New Orleans Saints in a Week 16 loss, he had the best game of his career to that point, with nine receptions for a career-high 224 yards (fourth-most in team history), two touchdowns, and tying the franchise record for most consecutive games (seven) with at least a touchdown reception, which is shared with Franklin Clarke (1961–1962), Bob Hayes (1965–1966), and Terrell Owens (2007). In the last game of the season, Bryant had four receptions for 71 yards in the Week 17 loss to rival and eventual division champions, the Redskins. Since week 10 and the midway point of the 2012 season, Bryant accumulated 879 yards and 10 touchdowns on 50 receptions (17.6 yards/catch average). Bryant finished the 2012 season with 92 receptions for 1,382 yards and 12 touchdowns; these ranked 10th, sixth, and third, respectively, among all receivers. He suffered from several injuries throughout the second half of the season. He injured his finger in early December, opting to play through the injury for the duration of the season, saying that opponents would "have to break my leg to keep me out." He left in the fourth quarter of the final game of the season against the Redskins with a back injury. Head coach Jason Garrett stated after the game that Bryant "could barely walk", with the injury. He was ranked 35th by his fellow players on the NFL Top 100 Players of 2013. 2013 season Bryant started the 2013 season with four receptions for 22 yards in a Week 1 victory over the New York Giants. He had nine receptions for 141 receiving yards and a touchdown in a Week 2 loss to the Kansas City Chiefs. Over the course of the next two weeks, Bryant had ten receptions for 119 yards with three touchdowns, in a 31–7 win versus the St. Louis Rams and San Diego Chargers. In a Week 5, 51–48 shootout loss to the Denver Broncos, Bryant had six receptions for 141 yards and two touchdowns. On October 20, he had eight receptions for 110 yards in a 17–3 win over the Philadelphia Eagles. In the next game, a 31–30 loss to the Detroit Lions, he had 72 receiving yards and two touchdowns. In a narrow Week 15 37–36 loss to the Green Bay Packers, Bryant finished with a season-high 11 catches for 153 yards with one touchdown. Bryant started all 16 games and finished the season with 93 catches and 13 touchdowns, both career highs, and 1,233 yards. These ranked eighth in catches, 13th in yards, and third in touchdowns, respectively, among all receivers. Bryant went to his first Pro Bowl. He was ranked 25th by his fellow players on the NFL Top 100 Players of 2014. 2014 season Entering the final year of his rookie contract, Bryant managed to improve and had the most productive year of his career. He caught 88 passes for 1,320 yards and 16 touchdowns, the latter of which led the NFL and broke Terrell Owens' franchise record of 15 touchdown receptions. As a result, he was selected for his second consecutive Pro-Bowl appearance and was chosen as first-team All-Pro. Bryant caught five passes for 55 yards while the Cowboys were beaten at home in Week 1 by the San Francisco 49ers by a score of 28–17. However, over the next six weeks, the offense improved as they won six straight games and Bryant was dominant over the stretch, catching 41 passes for 535 yards and four touchdowns. During Week 8 against the Washington Redskins, Tony Romo was injured and forced to miss a good portion of the game (he later returned to finish the game). As a result, the Cowboys' offense, with Brandon Weeden under center, struggled and Bryant's production decreased as a direct result. Romo missed the following week with an injured transverse process, and the Cowboys were beaten by the Arizona Cardinals by a score of 28–17. Bryant had five catches for 45 yards and two touchdowns during this stretch. Romo returned the following week against the Jacksonville Jaguars, and Bryant's production increased when he caught six passes for 158 yards and two touchdowns in the second quarter alone, making this the most productive quarter of his career. With Romo back for the remaining six games, Dallas began to dominate as Bryant compiled 32 catches for 527 yards and eight touchdowns. He was named NFC Offensive Player of the Week for Week 15. During this stretch, Dallas was 5–1 and finished with a record of 12–4, which tied for most wins in the NFL during the 2014 season. Bryant finished with 88 receptions for 1,320 yards and 16 touchdowns. It was his third consecutive season with double-digit touchdowns. The Cowboys made the playoffs for the first time since 2009 and Bryant played in his first playoff game, against the Detroit Lions. In a defensive struggle, Bryant saw double coverage for most of the night and was largely unproductive. However, after some second-half adjustments by the Cowboys, the Dallas offense took advantage of the added attention to Bryant and began to move the ball frequently through the air, targeting Bryant's counterparts in the receiving corps and the Cowboys won 24–20 after being down 20–7 late in the third quarter. The game was not without controversy; as the Lions were ahead on the scoreboard, 20–17, facing a third-and-1, quarterback Matthew Stafford threw a pass to tight end Brandon Pettigrew, who was seemingly interfered with by Cowboys linebacker Anthony Hitchens, and the referees threw a flag and announced a pass interference. After about a minute, the referees gathered their flags and declared no foul on the play, which resulted in a fourth-and-1. After an attempt to draw Dallas offsides, Detroit punted the ball back to the Cowboys and Dallas drove 59 yards and scored the game-winning touchdown. In the Divisional Round, the Cowboys lost to the Green Bay Packers 26–21. The game is noted for a controversial call that reversed a complete 31-yard pass to Bryant on fourth-and-2 from the Packers' 32. Although Bryant, covered by Sam Shields, caught the ball with both feet coming down in bounds, Bryant bobbled the ball as he stretched towards the 1-yard line. Referees initially ruled Bryant down at the 1-yard line, but overturned this call as an incomplete pass following a challenge from Packers' coach Mike McCarthy. Referee Gene Steratore explained the decision: "Although the receiver is possessing the football, he must maintain possession of that football throughout the entire process of the catch. In our judgment, he maintained possession, but continued to fall and never had another act common to the game. We deemed that by our judgment to be the full process of the catch, and at the time he lands and the ball hits the ground, it comes loose as it hits the ground, which would make that incomplete; although he repossesses it, it does contact the ground when he reaches, so the repossession is irrelevant because it was ruled an incomplete pass when we had the ball hit the ground." Bryant said after the game that he believed it was a catch without a doubt, and wanted to know why his catch was overturned. Dean Blandino, NFL vice president of officiating, also confirmed that the play was correctly reversed by tweeting "Bryant going to the ground. By rule he must hold onto it throughout entire process of contacting the ground. He didn't so it is incomplete." Later, during the following offseason, according to The Fort Worth Star-Telegram, Blandino met with the Cowboys stating "The message to the coaches and players – because we've gone out and visited with every staff – is if you're falling to the ground to make the catch, then you have to maintain the control when you land," Blandino said. "And if you reach or do anything with the football, that's not going to trump that requirement to maintain control." In the offseason, he was ranked 15th by his fellow players on the NFL Top 100 Players of 2015. 2015 season On March 3, 2015, the Cowboys placed the nonexclusive franchise tag, worth $12.823 million, on Bryant. On July 15, 2015, Bryant and the Cowboys reached an agreement on a five-year, $70 million contract that included $45 million of guaranteed money and a $20 million signing bonus. During Sunday Night Football against the New York Giants on September 13, 2015, Bryant left the game with a foot injury. An x-ray revealed a fracture in the foot that required surgery. Recovery time for Bryant's injury required 4–6 weeks. He returned in Week 8 against the Seattle Seahawks and struggled, recording two receptions for 12 yards in a 13–12 loss to the Seahawks in AT&T Stadium. Week 9 against the Philadelphia Eagles, Bryant caught his first touchdown of the season on a day where he totaled five catches for 104 yards. Limited to nine games in the 2015 season, Bryant had 401 receiving yards and three touchdowns. He was ranked 51st by his fellow players on the NFL Top 100 Players of 2016. On January 6, 2016, he underwent foot and ankle surgeries. For the season, Bryant has sold the most merchandise for a wide receiver and fifth most overall merchandise with only Tom Brady, Peyton Manning, Russell Wilson, and Aaron Rodgers selling more than Bryant. 2016 season Bryant started the 2016 season with a new starting quarterback in Dak Prescott as Tony Romo suffered a back injury in the preseason. After recording a single reception for eight yards in the season opening loss to the New York Giants, he had seven receptions for 102 yards in Week 2 against the Washington Redskins. Bryant suffered a hairline fracture in his knee in Week 3 against the Chicago Bears, forcing him to miss extended time. He returned in Week 8 to finish the second half of the season, tallying 50 receptions for 796 yards and a team-high eight touchdowns in 13 games played. Bryant's best performance of the year came in the postseason against the Green Bay Packers in the Divisional Round, where he recorded nine receptions for 132 yards and two touchdowns in a 34–31 defeat. Bryant was named to the Pro Bowl for the third time in his career, replacing Julio Jones, who could not participate due to the Atlanta Falcons advancing to Super Bowl LI. He was ranked 60th by his fellow players on the NFL Top 100 Players of 2017. 2017 season Bryant started the 2017 season with two receptions for 43 yards against the New York Giants on NBC Sunday Night Football. During a Week 9 28–17 victory over the Kansas City Chiefs, Bryant sprained his ankle, and was sidelined for the rest of the game. On November 30, against the Washington Redskins, Bryant passed Bob Hayes for the Cowboys franchise record for receiving touchdowns. Overall, he played in all 16 games in the 2017 season and recorded 69 receptions for 838 yards and six touchdowns. The Cowboys released Bryant on April 13, 2018, after eight seasons with the team. New Orleans Saints On November 7, 2018, nine weeks into the 2018 season, Bryant agreed to a one-year, $1.25 million deal with the New Orleans Saints. On November 9, just two days after signing with the Saints, Bryant tore his achilles tendon during team practice. His injury was confirmed with an MRI scan the following day and he was placed on injured reserve, ending his season without playing a single game with the Saints. 2019 season Bryant has stated that he is going to be recovering and training during the 2019 season. Bryant said he does not plan on retiring and wants to return to play football next season, preferably for the Saints. NFL statistics Regular season Postseason Personal life Bryant had a troubled upbringing, born to a 15-year-old mother who was arrested for dealing crack cocaine when Bryant was eight years old. He went on to live in eight different homes while attending Lufkin High School. Bryant has two sons, Zayne and Dez Jr. Bryant was sued in March 2011 for $861,350 for legal fees and the cost of jewelry, which he acquired on credit while a student athlete. The case was settled before court proceedings for between $400,000 and $500,000. On July 16, 2012, Bryant was arrested on a class A misdemeanor domestic violence charge for allegedly striking his biological mother, Angela Bryant. In March 2013, Bryant spoke at an event for Dallas Men Against Abuse. At the event, he stated, "I'm done with domestic abuse." On August 28, 2014, Bryant launched his official brand and apparel line, ThrowUpTheX. On June 22, 2016, Bryant was sued by Texas state senator Royce West for damaging a rented house in DeSoto, Texas. Damage to the rental house totaled over $60,000. See also List of Dallas Cowboys first-round draft picks List of National Football League annual receiving touchdowns leaders List of NCAA major college football yearly scoring leaders List of NFL 1,000-yard receiving trios List of Oklahoma State Cowboys in the NFL Draft References External links Official website New Orleans Saints bio Dallas Cowboys bio Oklahoma State Cowboys bio Category:1988 births Category:Living people Category:African-American players of American football Category:All-American college football players Category:American football wide receivers Category:Dallas Cowboys players Category:National Conference Pro Bowl players Category:Oklahoma State Cowboys football players Category:People from Galveston County, Texas Category:People from Lufkin, Texas Category:Players of American football from Texas Category:Unconferenced Pro Bowl players	2023-10-28T01:26:57.367551	https://example.com/article/5147
I am trying to write a sentence that tells the reader that the works displayed that they are about to see will bring them back and forth between the real and virtual realms, in a figurative manner. The "borders" that I mentioned in the statement reflects some of the earlier references in the paragraph. This is the sentence that I wrote: The displayed works will set forth its viewers through a journey from the physical, passing the borders, into the virtual realm and back. The sentence is somewhat complicated since I attempt to throw in quite a few ideas together. The phrase back and forth, in particular, is split into "set forth..." and then "back" at the last part of the sentence. I am not sure if my sentence construction is correct and if the sentence delivers my intended meaning. Somehow, I find my phrasing slightly awkward. Is there anything wrong with my sentence construction/pattern that causes it to sound awkward or lose its intended meaning? 3 Answers 3 The problem is actually with "back and forth." That's because back is the return, but in the idiom it's placed before forth, which is the "going out" part. If you use take over and bring back, you'll eliminate some of the confusion. Streamline it and cut some of the figurative fluff. You want something more like: The displayed works will take the viewers on a journey past the borders of the physical into the realm of the virtual, and then back again. Thanks, this is really what I needed. The sentence is so much neater and clearer this way too. – xenonMar 9 '12 at 16:05 1 I had an excellent English professor point out the back and forth/take and bring problem to me. It was in passing, he wasn't even my teacher at the time, and it was one of the most useful tidbits of writing advice I ever got. – Lauren IpsumMar 9 '12 at 18:56 Here are some ideas. Note, that "the displayed works" may be technically correct, but nobody says or writes that. The awkwardness of your sentence starts there. These pieces will send the viewer on a journey through the real -- and into the virtual. or This work will take the viewer on a journey through the physical, across the border into the virtual, and back again! or, if you were looking for something more direct, like in a story: Hang on to your hats, boys and girls! Step on up and have a look, you'll never believe what your eyes will see. Pay two bits, and come on, strap in for the journey! From the physical, through the virtual, the borders you'll cross and the things you'll witness your friends will never believe! Of course that's last one has a side-show feel to it. It does demonstrate something useful, through -- the fact that you don't need to cram everything into one sentence. Final point: One problem I see with your writing is that it's passive. You can see that in the way you've phrased your question. For instance, you wrote: This is the sentence that I wrote: instead of: I wrote this sentence: Or this: The "borders" that I mentioned in the statement reflects some of the earlier references in the paragraph. which could be: The "borders" reflect some of the earlier references in the paragraph. Write more directly to you audience. Don't be afraid to state what you're going to state. Your writing will be cleaner, tighter and clearer if you avoid the passive voice. wow! Although the "story" version can hardly fit into my current paragraph, I really like the ideas you suggested. I have always wanted to learn to write with such "story" style in my works. But I lack the right phrasings to structure them to sound as dynamic as yours. And you are so right about my bad habit to write passively. I am still trying to shake off this habit. Thanks so much! – xenonMar 9 '12 at 16:03 1 @xEnOn For curing passive writing, I highly, highly, highly recommend the book "The Curious Case of the Misplaced Modifier" tinyurl.com/6wu9uta It's thin and a fun read, and it will immediately help you identify and correct passive writing. The way she teaches it, you'll actually understand why something is passive, and you'll have "flags" to look for that indicate that what you have is passive. The book is awesome. I have a shelf full of writing books, and that one's in my top 3. – PatchesMar 9 '12 at 17:10 1 @xEnOn also, thanks for the compliment on the story version! I almost cut it before I posted, now I'm glad I didn't. As for sounding as dynamic as that, tackling the passive voice issue will go miles toward that. You'll be surprised the difference it makes. That book I recommended has no less than three major types of passive voice; just knowing about them changes the whole way you see your words on paper. You also start seeing it all over the place in other people's writing too, and wanting to correct it, which can make you obnoxious at parties. :-D – PatchesMar 9 '12 at 17:22 I agree that this sentence structure has some problems. I really don't think it conveys the message you intended, or at least not very well. Here are a couple of suggestions on ways to improve it. The displayed works will carry viewers on a journey from the physical world into a virtual realm and back. The first example is simple and to the point. However, if you feel the need to mention the dividing border, then you can consider something like this: The displayed works will carry viewers on a journey from the physical world into a virtual realm and back, transporting them back and forth across the dividing boundary that separates the two planes of existence. I'm not sure what you mean by "displayed works." Is this a book, a collection of stories, or what? You may want to simplify/clarify that a little better as well.	2024-01-26T01:26:57.367551	https://example.com/article/4993
package libpod import ( "time" "github.com/containers/podman/v2/libpod/define" "github.com/containers/storage" "github.com/pkg/errors" "github.com/sirupsen/logrus" ) // StorageContainer represents a container present in c/storage but not in // libpod. type StorageContainer struct { ID string Names []string Image string CreateTime time.Time PresentInLibpod bool } // ListStorageContainers lists all containers visible to c/storage. func (r Runtime) ListStorageContainers() ([]StorageContainer, error) { r.lock.RLock() defer r.lock.RUnlock() finalCtrs := []StorageContainer{} ctrs, err := r.store.Containers() if err != nil { return nil, err } for _, ctr := range ctrs { storageCtr := new(StorageContainer) storageCtr.ID = ctr.ID storageCtr.Names = ctr.Names storageCtr.Image = ctr.ImageID storageCtr.CreateTime = ctr.Created // Look up if container is in state hasCtr, err := r.state.HasContainer(ctr.ID) if err != nil { return nil, errors.Wrapf(err, "error looking up container %s in state", ctr.ID) } storageCtr.PresentInLibpod = hasCtr finalCtrs = append(finalCtrs, storageCtr) } return finalCtrs, nil } // RemoveStorageContainer removes a container from c/storage. // The container WILL NOT be removed if it exists in libpod. // Accepts ID or full name of container. // If force is set, the container will be unmounted first to ensure removal. func (r Runtime) RemoveStorageContainer(idOrName string, force bool) error { r.lock.Lock() defer r.lock.Unlock() return r.removeStorageContainer(idOrName, force) } // Internal function to remove the container storage without // locking the runtime. func (r *Runtime) removeStorageContainer(idOrName string, force bool) error { targetID, err := r.store.Lookup(idOrName) if err != nil { if errors.Cause(err) == storage.ErrLayerUnknown { return errors.Wrapf(define.ErrNoSuchCtr, "no container with ID or name %q found", idOrName) } return errors.Wrapf(err, "error looking up container %q", idOrName) } // Lookup returns an ID but it's not guaranteed to be a container ID. // So we can still error here. ctr, err := r.store.Container(targetID) if err != nil { if errors.Cause(err) == storage.ErrContainerUnknown { return errors.Wrapf(define.ErrNoSuchCtr, "%q does not refer to a container", idOrName) } return errors.Wrapf(err, "error retrieving container %q", idOrName) } // Error out if the container exists in libpod exists, err := r.state.HasContainer(ctr.ID) if err != nil { return err } if exists { return errors.Wrapf(define.ErrCtrExists, "refusing to remove %q as it exists in libpod as container %s", idOrName, ctr.ID) } if !force { timesMounted, err := r.store.Mounted(ctr.ID) if err != nil { if errors.Cause(err) == storage.ErrContainerUnknown { // Container was removed from under us. // It's gone, so don't bother erroring. logrus.Warnf("Storage for container %s already removed", ctr.ID) return nil } return errors.Wrapf(err, "error looking up container %q mounts", idOrName) } if timesMounted > 0 { return errors.Wrapf(define.ErrCtrStateInvalid, "container %q is mounted and cannot be removed without using force", idOrName) } } else if _, err := r.store.Unmount(ctr.ID, true); err != nil { if errors.Cause(err) == storage.ErrContainerUnknown { // Container again gone, no error logrus.Warnf("Storage for container %s already removed", ctr.ID) return nil } return errors.Wrapf(err, "error unmounting container %q", idOrName) } if err := r.store.DeleteContainer(ctr.ID); err != nil { if errors.Cause(err) == storage.ErrContainerUnknown { // Container again gone, no error logrus.Warnf("Storage for container %s already removed", ctr.ID) return nil } return errors.Wrapf(err, "error removing storage for container %q", idOrName) } return nil }	2024-07-09T01:26:57.367551	https://example.com/article/7846
Texting Mystery Girl - Pearl watercolour painting By MeEmilee Watch 96 Favourites 12 Comments 1K Views I think I'm slowly getting to grips with watercolour. Let me know what you think! I can't wait until we see mystery girl again c: IMAGE DETAILS Image size 2930x4575px 3.04 MB Make Canon Model Canon EOS 550D Shutter Speed 1/41 second Aperture F/4.0 Focal Length 28 mm ISO Speed 1600 Date Taken May 19, 2010, 8:39:16 AM Sensor Size 12mm Show More Published : Jun 26, 2017	2024-07-14T01:26:57.367551	https://example.com/article/1655
According to the National Fire Protection Association (NFPA), an arc flash hazard is “a dangerous condition associated with the release of energy caused by an electric arc.” An arc flash is an explosion causing severe burns, injuries and/or death depending on the severity. Arc flash incidents typically occur in applications above 120V and can take place when an electrical service is being inspected or serviced. In fact, some incidents occur when a worker is removing a cover or trim from a piece of equipment. An arc flash can be caused by a reduction of the insulation or isolation distance between energized components such as when a tool is inserted or dropped into a breaker or service area, or when another conducting element is accidentally left behind that can compromise the distance between energized components. Often, incidents occur when an operator mistakenly fails to insure that the equipment has been properly de-energized. Electrical switchgear equipment (sometimes just called switchgear or a switchboard) house circuit breakers that protect loads that can consume hundreds or thousands of amps of current. The procedure for making or breaking the electrical connections inside the switchgear between the circuit breaker and connectors in the switchgear is referred to as racking. Racking such circuit breakers is a procedure potentially wrought with personal danger to the operator's safety. A possibility always exists that an explosion will occur due to an arc flash, causing significant injury, including burns, or even death to the operator. One way to carry out a racking operation involves mounting the circuit breaker to rails in the switchgear, and sliding the circuit breaker into and out of a cradle of the switchgear. A hand or motorized crank (also called a racking tool) is typically used to urge primary connectors of the circuit breaker to corresponding connectors in the switchgear, which are electrically coupled to the line supply. To perform the racking operation, the operator inserts the racking tool into a corresponding drive shaft that is accessible from outside the door of the compartment of the switchgear. However, it can be possible for this racking operation to be performed when the door is open. The door is designed to help withstand the explosive effects of an internal arc fault hazard, but when the door is open, the operator is fully exposed to the hazard. A racking operation should not be permitted when the door of the switchgear compartment is open to prevent this dangerous operation.	2024-03-31T01:26:57.367551	https://example.com/article/1514
Apple infringed a Samsung Electronics patent, the U.S. International Trade Commission said in a final judgment released Tuesday that bans import into the U.S. of certain AT&T iPhone and iPad models. The patent involves 3G wireless technology used to transmit multiple services simultaneously and is necessary for device interoperability. The ITC found that Samsung did not prove that three other of its patents were violated by Apple. The full panel of ITC commissioners reviewed a decision by ITC Judge James Gildea, who had found that Apple did not infringe four Samsung patents in a decision released in September. Commissioner Dean Pinkert dissented in the 4-1 ruling that found Apple in violation of one patent in the dispute. The ITC began an investigation on Aug. 1, 2011, after Samsung filed a complaint against Apple in what has been a multiple-pronged legal battle involving courts around the world. The import ban, or “exclusion order” as it is officially called, affects AT&T models of the iPhone 4, iPhone 3GS, iPad 3G and iPad 2 3G. The ITC also went a step further, issuing a cease-and-desist order so that Apple is forbidden from selling any inventory of those iPhones and iPads that it has already imported into the U.S. after the exclusion order takes effect. The order now goes to U.S. President Barack Obama for review. That part of the process can go as long as 60 days, and if he does not veto the order it will go into force. Apple released a statement expressing disappointment in the ruling and saying that it would appeal it. That appeal would be made to the U.S. Court of Appeals for the Federal Circuit. The ruling confirms “Apple’s history of free-riding on Samsung’s technological innovations,” Samsung said in a statement. The company, which is based in South Korea, further pledged to continue its decades of mobile technology research and development, and to offer innovative products in the U.S. Updated at 5:02 p.m. PT with a comment from Samsung. For comprehensive coverage of the Android ecosystem, visit Greenbot.com.	2023-12-03T01:26:57.367551	https://example.com/article/9819
Friday, December 1 Today is World Aids Day, and the Day Without Art Web Action, AKA "Day Without Weblogs." Well, instead of being silent today, I'm gonna say something. Being silent is not what Opensewer is about. Being silent is kinda like not voting. So today, like any other day, I will ask a question. I will try to figure out this world. I will try to understand the joy and the madness that is a part of all of us. Today, on a day when we think about the value of human life, I ask a question about life that is not human: Luna, Luna, Luna, why did they cut your trunk? Why does such carelessness and cruelty have to exist in this world? I don't understand.	2024-01-31T01:26:57.367551	https://example.com/article/3906
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translatable="yes">3D</property> <property name="use_markup">True</property> <property name="justify">center</property> </widget> </child> </widget> <packing> <property name="position">2</property> </packing> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label21"> <property name="visible">True</property> <property name="label" translatable="yes"><i>Status</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">1</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> </packing> </child> <child> <widget class="GtkFrame" id="frame2"> <property name="visible">True</property> <property name="label_xalign">0</property> <property name="shadow_type">none</property> <child> <widget class="GtkAlignment" id="alignment3"> <property name="visible">True</property> <property name="left_padding">6</property> <child> <widget class="GtkEventBox" id="eventbox14"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Above Ground Level from SRTM if available, ground reference otherwise (m), climb indicator, vertical speed (m/s)</property> <child> <widget class="GtkDrawingArea" id="drawingarea_agl"> <property name="visible">True</property> </widget> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label20"> <property name="visible">True</property> <property name="label" translatable="yes"><i>AGL</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="left_attach">2</property> <property name="right_attach">3</property> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> </packing> </child> <child> <widget class="GtkFrame" id="frame4"> <property name="visible">True</property> <property name="label_xalign">0</property> <property name="shadow_type">none</property> <child> <widget class="GtkAlignment" id="alignment5"> <property name="visible">True</property> <property name="left_padding">6</property> <child> <widget class="GtkEventBox" id="eventbox_telemetry"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Telemetry status: ratio of connected links to number of links (if multiple links used) or seconds since the last message (if link lost)</property> <child> <widget class="GtkLabel" id="label_telemetry"> <property name="visible">True</property> <property name="label" translatable="yes">0</property> <property name="use_markup">True</property> </widget> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label22"> <property name="visible">True</property> <property name="label" translatable="yes"><i>Link</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> </packing> </child> <child> <widget class="GtkFrame" id="frame5"> <property name="visible">True</property> <property name="label_xalign">0</property> <property name="shadow_type">none</property> <child> <widget class="GtkAlignment" id="alignment6"> <property name="visible">True</property> <property name="left_padding">6</property> <child> <widget class="GtkEventBox" id="eventbox9"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Current altitude minus target altitude</property> <child> <widget class="GtkLabel" id="label_diff_target_alt"> <property name="visible">True</property> <property name="label" translatable="yes"><b>-30m</b></property> <property name="use_markup">True</property> </widget> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label23"> <property name="visible">True</property> <property name="label" translatable="yes"><i>/Target</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="left_attach">2</property> <property name="right_attach">3</property> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> </packing> </child> <child> <widget class="GtkFrame" id="frame6"> <property name="visible">True</property> <property name="label_xalign">0</property> <property name="shadow_type">none</property> <child> <widget class="GtkAlignment" id="alignment7"> <property name="visible">True</property> <property name="left_padding">6</property> <child> <widget class="GtkHBox" id="hbox3"> <property name="visible">True</property> <child> <widget class="GtkEventBox" id="eventbox7"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Current altitude</property> <child> <widget class="GtkLabel" id="label_altitude"> <property name="visible">True</property> <property name="label" translatable="yes"><b>185m</b></property> <property name="use_markup">True</property> </widget> </child> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">0</property> </packing> </child> <child> <widget class="GtkLabel" id="label32"> <property name="visible">True</property> <property name="label" translatable="yes"> / </property> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">1</property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox8"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Target altitude</property> <child> <widget class="GtkLabel" id="label_target_altitude"> <property name="visible">True</property> <property name="label" translatable="yes"><b>215m</b></property> <property name="use_markup">True</property> </widget> </child> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">2</property> </packing> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label25"> <property name="visible">True</property> <property name="label" translatable="yes"><i>Alt</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="left_attach">3</property> <property name="right_attach">4</property> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> </packing> </child> <child> <widget class="GtkFrame" id="frame7"> <property name="visible">True</property> <property name="label_xalign">0</property> <property name="shadow_type">none</property> <child> <widget class="GtkAlignment" id="alignment8"> <property name="visible">True</property> <property name="left_padding">6</property> <child> <widget class="GtkTable" id="table4"> <property name="visible">True</property> <property name="n_rows">5</property> <property name="n_columns">2</property> <child> <widget class="GtkLabel" id="label_stage_name"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><i>Stage </i></property> <property name="use_markup">True</property> </widget> <packing> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkLabel" id="label27"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><i>Time</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox6"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Estimated Time of Arrival: seconds to the next waypoint</property> <child> <widget class="GtkLabel" id="label16"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><i>ETA</i></property> <property name="use_markup">True</property> <property name="justify">right</property> </widget> </child> </widget> <packing> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox10"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Block time</property> <child> <widget class="GtkLabel" id="label_block_time"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><b>2:20</b></property> <property name="use_markup">True</property> <property name="justify">center</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox11"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Stage time</property> <child> <widget class="GtkLabel" id="label_stage_time"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><b>1:10</b></property> <property name="use_markup">True</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox12"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Estimated Time of Arrival: seconds to the next waypoint</property> <child> <widget class="GtkLabel" id="label_eta_time"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><i>N/A</i></property> <property name="use_markup">True</property> <property name="justify">right</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox_RDV"> <property name="visible">True</property> <child> <widget class="GtkLabel" id="label_apt_value"> <property name="xalign">0</property> <property name="label" translatable="yes"><b>10:31</b></property> <property name="use_markup">True</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">3</property> <property name="bottom_attach">4</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox17"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Appointment Time</property> <child> <widget class="GtkLabel" id="label_apt"> <property name="xalign">0</property> <property name="label" translatable="yes"><i>Apt</i></property> <property name="use_markup">True</property> </widget> </child> </widget> <packing> <property name="top_attach">3</property> <property name="bottom_attach">4</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_mark"> <property name="label" translatable="yes">Mark</property> <property name="visible">True</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="use_underline">True</property> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">4</property> <property name="bottom_attach">5</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <placeholder/> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label26"> <property name="visible">True</property> <property name="label" translatable="yes"><i>Block</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="left_attach">3</property> <property name="right_attach">4</property> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox_flight_time"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Flight time. Click to reset</property> <child> <widget class="GtkLabel" id="label_flight_time"> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><b>12:10</b></property> <property name="use_markup">True</property> <property name="justify">center</property> </widget> </child> </widget> <packing> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox5"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Throttle</property> <child> <widget class="GtkDrawingArea" id="drawingarea_throttle"> <property name="visible">True</property> </widget> </child> </widget> <packing> <property name="left_attach">2</property> <property name="right_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> <property name="x_padding">2</property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox_speed"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Ground speed</property> <child> <widget class="GtkDrawingArea" id="drawingarea_speed"> <property name="visible">True</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options">GTK_FILL</property> <property name="x_padding">2</property> </packing> </child> <child> <widget class="GtkEventBox" id="eventbox13"> <property name="visible">True</property> <property name="tooltip" translatable="yes">Current navigation block</property> <child> <widget class="GtkLabel" id="label_block_name"> <property name="width_request">85</property> <property name="visible">True</property> <property name="xalign">0</property> <property name="label" translatable="yes"><i>N/A</i></property> <property name="use_markup">True</property> </widget> </child> </widget> <packing> <property name="left_attach">3</property> <property name="right_attach">4</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">0</property> </packing> </child> <child> <widget class="GtkFrame" id="frame_nav"> <property name="visible">True</property> <property name="label_xalign">0</property> <property name="shadow_type">none</property> <child> <widget class="GtkAlignment" id="alignment_nav"> <property name="visible">True</property> <property name="left_padding">6</property> <child> <widget class="GtkTable" id="table_nav"> <property name="visible">True</property> <property name="n_rows">3</property> <property name="n_columns">3</property> <child> <widget class="GtkButton" id="button_kill"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Kill</property> <child> <widget class="GtkImage" id="image12"> <property name="visible">True</property> <property name="stock">gtk-stop</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_resurrect"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Resurrect</property> <child> <widget class="GtkImage" id="image8"> <property name="visible">True</property> <property name="stock">gtk-redo</property> </widget> </child> </widget> <packing> <property name="left_attach">2</property> <property name="right_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_down"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <child> <widget class="GtkImage" id="image4"> <property name="visible">True</property> <property name="stock">gtk-goto-bottom</property> </widget> </child> </widget> <packing> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_up"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <child> <widget class="GtkImage" id="image11"> <property name="visible">True</property> <property name="stock">gtk-goto-top</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_left"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Shift 5m left</property> <child> <widget class="GtkImage" id="image2"> <property name="visible">True</property> <property name="stock">gtk-goto-first</property> </widget> </child> </widget> <packing> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_center"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Recenter</property> <child> <widget class="GtkImage" id="image6"> <property name="visible">True</property> <property name="stock">gtk-media-pause</property> </widget> </child> </widget> <packing> <property name="left_attach">1</property> <property name="right_attach">2</property> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_right"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Shift 5m right</property> <child> <widget class="GtkImage" id="image3"> <property name="visible">True</property> <property name="stock">gtk-goto-last</property> </widget> </child> </widget> <packing> <property name="left_attach">2</property> <property name="right_attach">3</property> <property name="top_attach">2</property> <property name="bottom_attach">3</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_up_up"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <child> <widget class="GtkImage" id="image5"> <property name="visible">True</property> <property name="stock">gtk-go-up</property> </widget> </child> </widget> <packing> <property name="left_attach">2</property> <property name="right_attach">3</property> <property name="top_attach">1</property> <property name="bottom_attach">2</property> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> <child> <widget class="GtkButton" id="button_launch"> <property name="visible">True</property> <property name="sensitive">False</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Launch</property> <child> <widget class="GtkImage" id="image10"> <property name="width_request">22</property> <property name="height_request">22</property> <property name="visible">True</property> <property name="stock">gtk-apply</property> </widget> </child> </widget> <packing> <property name="x_options">GTK_FILL</property> <property name="y_options"></property> </packing> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label28"> <property name="visible">True</property> <property name="label" translatable="yes"><i>Nav</i></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">1</property> </packing> </child> </widget> <packing> <property name="position">0</property> </packing> </child> <child> <widget class="GtkHBox" id="hbox_user"> <property name="visible">True</property> <child> <placeholder/> </child> </widget> <packing> <property name="position">1</property> </packing> </child> </widget> </child> </widget> </child> </widget> </child> <child> <widget class="GtkLabel" id="label_ac_name"> <property name="visible">True</property> <property name="label" translatable="yes"><b>MJ6</b></property> <property name="use_markup">True</property> </widget> <packing> <property name="type">label_item</property> </packing> </child> </widget> </child> </widget> </child> </widget> <widget class="GtkWindow" id="setting_time"> <property name="visible">True</property> <property name="title" translatable="yes">Setting a Time</property> <property name="window_position">mouse</property> <property name="type_hint">dialog</property> <child> <widget class="GtkVBox" id="vbox3"> <property name="visible">True</property> <child> <widget class="GtkHBox" id="hbox4"> <property name="height_request">25</property> <property name="visible">True</property> <child> <widget class="GtkLabel" id="label35"> <property name="visible">True</property> <property name="label" translatable="yes">Time:</property> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">0</property> </packing> </child> <child> <widget class="GtkSpinButton" id="spinbutton_hour"> <property name="visible">True</property> <property name="can_focus">True</property> <property name="adjustment">15 0 23 1 10 10</property> <property name="climb_rate">1</property> <property name="numeric">True</property> </widget> <packing> <property name="position">1</property> </packing> </child> <child> <widget class="GtkSpinButton" id="spinbutton_min"> <property name="visible">True</property> <property name="can_focus">True</property> <property name="adjustment">42 0 59 1 10 10</property> <property name="climb_rate">1</property> <property name="numeric">True</property> </widget> <packing> <property name="position">2</property> </packing> </child> <child> <widget class="GtkSpinButton" id="spinbutton_sec"> <property name="visible">True</property> <property name="can_focus">True</property> <property name="adjustment">0 0 59 1 10 10</property> <property name="climb_rate">1</property> <property name="numeric">True</property> </widget> <packing> <property name="position">3</property> </packing> </child> </widget> <packing> <property name="position">0</property> </packing> </child> <child> <widget class="GtkHBox" id="hbox5"> <property name="height_request">35</property> <property name="visible">True</property> <property name="homogeneous">True</property> <child> <widget class="GtkButton" id="button_cancel"> <property name="label">gtk-cancel</property> <property name="visible">True</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="use_stock">True</property> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">0</property> </packing> </child> <child> <widget class="GtkButton" id="button_ok"> <property name="label">gtk-ok</property> <property name="visible">True</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="use_stock">True</property> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">1</property> </packing> </child> </widget> <packing> <property name="expand">False</property> <property name="position">1</property> </packing> </child> </widget> </child> </widget> <widget class="GtkWindow" id="save_settings"> <property name="visible">True</property> <property name="title" translatable="yes">Save Settings</property> <property name="modal">True</property> <property name="type_hint">dialog</property> <child> <widget class="GtkVBox" id="vbox4"> <property name="visible">True</property> <child> <widget class="GtkScrolledWindow" id="scrolledwindow1"> <property name="visible">True</property> <property name="can_focus">True</property> <property name="hscrollbar_policy">never</property> <property name="shadow_type">in</property> <child> <widget class="GtkTreeView" id="treeview_settings"> <property name="height_request">191</property> <property name="visible">True</property> <property name="can_focus">True</property> </widget> </child> </widget> <packing> <property name="position">0</property> </packing> </child> <child> <widget class="GtkHBox" id="hbox6"> <property name="visible">True</property> <child> <widget class="GtkButton" id="button_cancel"> <property name="label">gtk-cancel</property> <property name="visible">True</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="use_stock">True</property> </widget> <packing> <property name="fill">False</property> <property name="position">0</property> </packing> </child> <child> <widget class="GtkButton" id="button_upload"> <property name="visible">True</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Send checked values from the airframe file to the aircraft</property> <child> <widget class="GtkAlignment" id="alignment9"> <property name="visible">True</property> <property name="xscale">0</property> <property name="yscale">0</property> <child> <widget class="GtkHBox" id="hbox7"> <property name="visible">True</property> <property name="spacing">2</property> <child> <widget class="GtkImage" id="image13"> <property name="visible">True</property> <property name="stock">gtk-go-up</property> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">0</property> </packing> </child> <child> <widget class="GtkLabel" id="label36"> <property name="visible">True</property> <property name="label" translatable="yes">Upload</property> <property name="use_underline">True</property> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">1</property> </packing> </child> </widget> </child> </widget> </child> </widget> <packing> <property name="expand">False</property> <property name="fill">False</property> <property name="position">1</property> </packing> </child> <child> <widget class="GtkButton" id="button_save"> <property name="label">gtk-save</property> <property name="visible">True</property> <property name="can_focus">True</property> <property name="receives_default">False</property> <property name="tooltip" translatable="yes">Save the checked aircraft values in the airframe file</property> <property name="use_stock">True</property> </widget> <packing> <property name="fill">False</property> <property name="position">2</property> </packing> </child> </widget> <packing> <property name="expand">False</property> <property name="position">1</property> </packing> </child> </widget> </child> </widget> </glade-interface>	2023-09-12T01:26:57.367551	https://example.com/article/8918
35 Inspirational Voltaire Quotes On Success Voltaire was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole, and his advocacy of freedom of religion, freedom of speech and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day. May his quotes inspire you to be free so that you may live your dreams. 1. “Those who can make you believe absurdities can make you commit atrocities.” Voltaire 2. “Every man is guilty of all the good he didn’t do.” Voltaire 3. “Each player must accept the cards life deals him or her: but once they are in hand, he or she alone must decide how to play the cards in order to win the game.” Voltaire 4. “Judge a man by his questions rather than by his answers.” Voltaire 5. “If you want to know who controls you, look at who you are not allowed to criticize.” Voltaire 6. “The more you read without thinking, the more you think you know a lot but the more you meditate, the more you see that you know very little.” Voltaire 7. “Appreciation is a wonderful thing: It makes what is excellent in others belong to us as well.” Voltaire 8. “Fools have a habit of believing that everything written by a famous author is admirable. For my part, I read only to please myself and like only what suits my taste.” Voltaire 9. “Work spares us from three evils: boredom, vice, and need.” Voltaire 10. “Optimism is the madness of insisting that all is well when we are miserable.” Voltaire 11. “We are all full of weakness and errors; let us mutually pardon each other our follies.” Voltaire 12. “Is there anyone so wise as to learn by the experience of others?” Voltaire 13. “The most important decision you make is to be in a good mood.” Voltaire 14. “The biggest reward for a thing well done is to have done it.” Voltaire 15. “It is difficult to free fools from the chains they revere.” Voltaire 16. “Madness is to think of too many things in succession too fast, or of one thing too exclusively.” Voltaire 17. “Paradise is where I am.” Voltaire 18. “A long dispute means that both parties are wrong.” Voltaire 19. “The pursuit of what is true and the practice of what is good are the two most important objects of philosophy.” Voltaire 20. “When it comes to money, everybody is of the same religion.” Voltaire 21. “Injustice, in the end, produces independence.” Voltaire 22. “Love is a canvas furnished by nature and embroidered by imagination.” Voltaire 23. “Life is thickly sown with thorns, and I know no other remedy than to pass quickly through them. The longer we dwell on our misfortunes, the greater is their power to harm us.” Voltaire My name is Asad Meah, I am the CEO & Founder of AwakenTheGreatnessWithin. I am a dreamchaser who has gained a wealth of knowledge in entrepreneurship and personal development over the past five years through self-education. My mission is to inspire millions of people to become entrepreneurs by awakening their minds to their greatness that resides within them.	2023-08-27T01:26:57.367551	https://example.com/article/3824
/* * Copyright (c) 2002-2020 "Neo4j," * Neo4j Sweden AB [http://neo4j.com] * * This file is part of Neo4j. * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. / package org.neo4j.ogm.metadata; import static java.util.stream.Collectors.; import java.util.Arrays; import java.util.Collections; import java.util.Map; import java.util.Optional; import java.util.concurrent.ConcurrentHashMap; import java.util.function.Function; import org.neo4j.ogm.config.Configuration; /** * Utility class helping with descriptor to type mappings, especially providing maps of primitives and their * corresponding object wrapper classes ("autoboxers"). * * @author Michael J. Simons / public final class DescriptorMappings { /* * Contains the mapping for descriptors of primitives.. / private static final Map<String, Class<?>> DESCRIPTORS_OF_PRIMITIVES = Arrays .asList(char.class, byte.class, short.class, int.class, long.class, float.class, double.class, boolean.class) .stream() .collect(collectingAndThen(toMap(Class::getName, Function.identity()), Collections::unmodifiableMap)); /* * Contains the mapping for descriptors of object wrappers or "autoboxers" plus {@code java.lang.Object} and {@code java.lang.String}. / private static final Map<String, Class<?>> DESCRIPTORS_OF_WRAPPERS = Arrays .asList(Character.class, Byte.class, Short.class, Integer.class, Long.class, Float.class, Double.class, Boolean.class, Object.class, String.class) .stream() .collect(collectingAndThen(toMap(Class::getName, Function.identity()), Collections::unmodifiableMap)); /* * Contains the mapping of all other descriptors and is filled dynamically. / private static Map<String, Optional<Class<?>>> descriptorsToTypeMappingCache = new ConcurrentHashMap<>(); static boolean describesPrimitve(String descriptor) { return DESCRIPTORS_OF_PRIMITIVES.containsKey(stripArraySuffix(descriptor)); } static boolean describesWrapper(String descriptor) { return DESCRIPTORS_OF_WRAPPERS.containsKey(stripArraySuffix(descriptor)); } /* * Return the reified class for the parameter of a parameterised setter or field from the parameter signature. * Return null if the class could not be determined * * @param descriptor parameter descriptor * @return reified class for the parameter or null */ public static Class<?> getType(String descriptor) { Optional<Class<?>> optionalType = descriptorsToTypeMappingCache .computeIfAbsent(descriptor, k -> Optional.ofNullable(computeType(descriptor))); // Recompute type when it has not been computed or the cached version was loaded with a different classloader. boolean needsRecomputation = optionalType .map(t -> t.getClassLoader() != null && t.getClassLoader() != Configuration.getDefaultClassLoader()) .orElse(false); if (needsRecomputation) { optionalType = Optional.ofNullable(computeType(descriptor)); descriptorsToTypeMappingCache.put(descriptor, optionalType); } return optionalType.orElse(null); } private static Class<?> computeType(String descriptor) { if (descriptor == null) { return null; } String rawDescriptor = stripArraySuffix(descriptor); if (DESCRIPTORS_OF_WRAPPERS.containsKey(rawDescriptor)) { return DESCRIPTORS_OF_WRAPPERS.get(rawDescriptor); } if (DESCRIPTORS_OF_PRIMITIVES.containsKey(rawDescriptor)) { return DESCRIPTORS_OF_PRIMITIVES.get(rawDescriptor); } if (!rawDescriptor.contains(".") && !rawDescriptor.contains("$")) { return Object.class; } try { return Class.forName(rawDescriptor, true, Configuration.getDefaultClassLoader()); } catch (ClassNotFoundException \| NoClassDefFoundError e) { return null; } } private static String stripArraySuffix(String descriptor) { return descriptor.replaceAll("(\\[\\])+$", ""); } private DescriptorMappings() { } }	2023-11-04T01:26:57.367551	https://example.com/article/8794
Victor III (bishop of Chur) Victor III (died 7 January before 836) was the Bishop of Chur from after 800 until his death. He was the last member of the Victorid family to hold the bishopric of Chur and the secular power in Rhaetia concurrently. He succeeded the bishop Remedius. During his episcopate the ecclesiastic and secular authority in Rhaetia were separated. The diocese lost control over the property of the county and Victor complained several times about the conduct of the count Roderich, probably an Aleman. These complaints had only limited success. In 831 restitution was made to the diocese and Victor obtained immunity for the properties then held by the Church in Rhaetia, Alemannia, and Alsace. In 836 Victor's successor, his vicar Verendarius, is mentioned as bishop, so Victor presumably died some time before. Sources Category:836 deaths Category:9th-century bishops Category:Bishops of Chur Category:Year of birth unknown	2024-01-31T01:26:57.367551	https://example.com/article/9462
Mississippi State Bulldogs baseball The Mississippi State Bulldogs baseball team is the varsity intercollegiate baseball team representing Mississippi State University in NCAA Division I college baseball. The program is a member of the West Division of the Southeastern Conference (SEC). The current head coach is Chris Lemonis, who replaced interim head coach Gary Henderson. They have appeared in the College World Series 11 times, most recently in 2019. They earned their highest finish in their 2013 CWS appearance, losing in the finals to UCLA, finishing the season with a consensus No. 2 ranking, the highest in program history. History Mississippi State has won eleven SEC Championships in 1948, 1949, 1965, 1966, 1970, 1971, 1979, 1985, 1987, 1989, and 2016. It has won the SEC Tournament seven times, in 1979, 1985, 1987, 1990, 2001, 2005, and 2012. As shown in the List of SEC champs, it has also won six SEC postseason two-team playoffs, in 1948, 1949, 1965, 1966, 1970, and 1971. The seven tournament championships and six playoff championships are a total of thirteen SEC postseason championships, the most of any school. Prior to the formation of the SEC, the program won the Southern Intercollegiate Athletic Association championship in 1909, 1911, 1918, 1921, and 1922 as well as the Southern Conference title in 1924. The program has also appeared in 33 NCAA Regionals and 10 College World Series, with its highest finish being second place in 2013. Between 1992 and 2003, a Bulldogs pitcher was selected in the first round of the MLB draft 6 times. Venue The Bulldogs play their home games at Dudy Noble Field, Polk-DeMent Stadium. Dubbed the "Carnegie Hall of College Baseball" by Nelle Cohen, wife of former MSU skipper and current Athletic Director John Cohen, it was the host site of the first SEC tournament and holds the NCAA baseball on-campus attendance record of 15,586 spectators, set in a game against the University of Mississippi in 2014. The stadium has hosted 9 of the top 10 largest crowds to attend an on-campus college baseball game. In 2013, Paul Swaney of Stadium Journey ranked it as the number one collegiate ballpark. One of the venue's most prominent features is the Left Field Lounge, an outfield area where spectators can gather and enjoy the games in a tailgate setting, including stands built on top of old pick-up trucks and trailers. In 2005, the Palmeiro Center, a indoor practice facility, was built next to Dudy Noble. The facility, made possible by a gift from program alumnus Rafael Palmeiro and his wife Lynne, features an infield practice area, additional training area, and three batting cages. A baseball coaches' office complex located between the Palmeiro Center and Dudy Noble Field was also built in 2005. The complex, which includes a baseball heritage room, was made possible by contributions from former Bulldog players Jeff Brantley, Will Clark, Eric DuBose, Paul Maholm, Jay Powell and Bobby Thigpen, along with sports agent and former Bulldog manager Bo McKinnis. Attendance The program has set many attendance records at Dudy Noble Field. SEC weekend games usually draw the largest crowds to Dudy Noble Field. Mississippi State currently holds the NCAA record for the largest single game on-campus baseball attendance at 15,586 and the largest SEC crowd for a 3-game weekend series at 39,181. In 2007, in a Super Regional against the Clemson Tigers, Mississippi State set NCAA attendance records for Super Regional games with 12,620 and 13,715 fans. More than 5,000,000 spectators have attended games at the venue since the university started tracking attendance numbers in 1976. Mississippi State holds nine of the top 10 and 17 of the top 25 on-campus crowds in college baseball history, including 14 crowds of over 12,000 and 42 crowds of over 10,000. Shown below are the 10 largest home crowds in Mississippi State history. Note that nine of these crowds are among the NCAA's 10 largest ever on-campus crowds. MLB First Round Draft Picks * 1st round of the 2007 MLB Supplemental Draft ** Taken in the Competitive Balance 1st round of the 2017 MLB Draft Mississippi State's 1st Team All-Americans Individual awards National awards Baseball America Freshman of the Year Award Rafael Palmeiro (1983) Golden Spikes Award Will Clark (1985) Baseball America College Coach of the Year Ron Polk (1985) Johnny Bench Award Ed Easley (2007) Collegiate Baseball Player of the Year Award Brent Rooker (2017) NCBWA National Coach of the Year Gary Henderson (2018) Rawlings Coach of the Year Gary Henderson (2018) SEC Awards Player of the Year Brent Rooker (2017) Pitcher of the Year Chris Stratton (2012) Ethan Small (2019) Freshman of the Year J.T. Ginn (2019) Notable players Jeff Brantley Will Clark John Cohen Hughie Critz Ed Easley Dave "Boo" Ferriss Adam Frazier Alex Grammas Kendall Graveman Jonathan Holder Dakota Hudson Morley Jennings Jon Knott Jack Lazorko Nate Lowe Paul Maholm Tyler Moore Mitch Moreland Buddy Myer Bob Myrick Dudy Noble Rafael Palmeiro Jonathan Papelbon Jay Powell Hunter Renfroe Buck Showalter Chris Stratton Craig Tatum Bobby Thigpen Del Unser Brandon Woodruff Chris Young Coaches Only those who coached 3 or more seasons and 30 or more games. † There was no SEC Baseball Tournament before 1977. Records are for the two team playoff that determined the SEC champion. Year-by-year results 50 Win Seasons † Does not include SEC Tourney Record †† Division Champ All-time record vs. SEC teams Rivalries In baseball, MSU has two main rivals, LSU and Ole Miss. Against LSU, the Bulldogs hold a 207–175–1 all-time series lead over LSU in a series that got its start in 1907. Against Mississippi, Mississippi State now leads the series 248–204–5. Retired Mississippi State head baseball coach, Ron Polk, was 85–49 against Mississippi. John Cohen, MSU's former coach, was 8–11 in SEC Conference games and 11–17 overall against Mississippi. Andy Cannizaro was 4-0 against Mississippi in 2017. Gary Henderson was 3-1 against Mississippi in 2018, while MSU's current coach Chris Lemonis has a 4-0 mark. The two teams play a 3-game series each year that counts in the SEC standings and one non-conference game in Jackson, MS. The game in Jackson was called the Mayor's Trophy from 1980 to 2006, and from 2007 to present the game has been called the Governor's Cup. The Mayor's Trophy series ended 14–13 in favor of the Rebels. With the 2007 season, the non-conference meeting between the two teams moved to Trustmark Park in Pearl, Mississippi – which is the home to the Mississippi Braves. Mississippi State holds the lead in the Governor's Cup 9–4. See also List of NCAA Division I baseball programs References External links SECSports.com All-Time SEC Baseball Tournament Results Mississippi State Baseball Medi Boyd's World Data Ron Polk Bio Pat McMahon Bio 2013 Mississippi State Universality baseball Media Guide Left Field Lounge News What is the Left Field Lounge by John Grisham External links * Category:Sports clubs established in 1885 Category:1885 establishments in Mississippi	2023-09-26T01:26:57.367551	https://example.com/article/6167
Highlighting the underlying truth behind the legendary show Kimba The White Lion: That each and every living being is a thinking, feeling, loving creature.This blog is an essential part of the web site www.Kimba.US / www.KimbaWLion.com. For news relating to any of the Kimba The White Lion shows, click here. Tuesday, October 13, 2009 In case you don't get the reference in the title of this post, I've included a picture of a poster that's frequently used by people who want to exterminate all wolves from North America. It's just part of the propaganda that people (inexplicably, to me) deliberately perpetuate. Turning from propaganda to truth, next week a new book will be published called The Man Who Lives with Wolves. The man is Shaun Ellis, who has been on TV in the show Living With The Wolfman. Ellis is an expert on wolf behavior as a result of many years of living with wolves and paying close attention to them. The following is condensed from the Preface of this new book. Mr. Ellis says, I was helping out at a wildlife center in Hertfordshire, just north of London. A man appeared outside the wolf enclosure one day, pushing a child in an old-fashioned wheelchair with a large tray on the front of it. He told me that he and his son, who may have been 13 or 14 and who, I could see at a glance, was severely disabled, had driven 500 miles from Scotland. He had heard that we allowed members of the public to interact with wolves and he wanted his son to meet one. I was surprised that this man had gone to such lengths to show his son a wolf. The child didn't look as though he would get anything out of the encounter. He sat immobile, silent, staring into space, and I doubted that he would even be able to stroke the animal's fur. Normally, I loved this part of the job. Children arrived with such preconceptions. They pulled back when the wolf came near, convinced by all the stories they'd read and the cartoons they'd watched, that wolves were sly, vicious creatures that ate grandmothers, blew down the houses of little pigs, and ripped the throats out of little girls. I had grown up with exactly the same terror. It had taken me many years to discover that wolves are actually shy, intelligent animals with a very sophisticated social structure, whose bloodthirsty reputation is not deserved. I found nothing more gratifying than watching children touch the wolves and listen to what I had to say, and watch their prejudice and ignorance fade away. I felt almost evangelical about this. I thought that if children could feel wolves' coats and look them in the eye, they could make up their own minds about them so that in time, future generations will be ready to give back to wolves the place in the world that is rightfully theirs. Whenever I introduced a child to the wolves, it was vital that the child not become frightened. I had to watch their reaction carefully so that I didn't do more harm with this exercise than good. This boy didn't speak. His disabilities were clearly mental as well as physical. I asked the father, as tactfully as I could, whether the child would be able to indicate when he no longer wanted to be near the wolf. "He won't be able to," said the man, bluntly. "He has never spoken, and never reacted in any way to anything. And he has never expressed an emotion in his life." Common sense was screaming at me to tell this man to turn around and take his poor child back to Scotland. But for reasons I can't explain, and a few I can, I agreed to go ahead. We had a young wolf called Zarnesti who had been hand-reared and was not nervous around humans. His jaw had been crushed soon after he was born, and he looked a bit like Goofy in the Mickey Mouse cartoons. I went into the enclosure and came out carrying Zarnesti. He was about three months old, the size of a spaniel, and a wriggling, struggling bundle of energy. It was all I could do to hold him; he was almost flying out of my arms as I put him down on the tray of the wheelchair, in front of the boy. I had the pup in a vise-like grip, but something miraculous happened. The moment Zarnesti saw the child he became still. He looked into the boy's eyes and they stared at each other. Then the pup settled down with his back legs tucked under him and his front legs stretched out in front. I took one hand off him and realized very quickly that I could take the other hand away, too. After a few moments, still looking into the boy's eyes, the cub reached forward and started to lick the boy's face. I lunged to intercept him, afraid that Zarnesti would nip the boy's mouth, which is what cubs do to adult wolves when they want them to regurgitate food. But Zarnesti didn't nip; he just licked, very gently. The scene was electrifying. As I looked at the boy I saw one single tear welling up in his right eye, then trickle slowly down his cheek. Guessing that this had never happened before, I turned to his father. This big strong Scotsman was watching what was unfolding in front of him with tears streaming down his face. In a matter of seconds, the wolf cub had gotten through to this boy in a way that no human had managed to do in fourteen years. Hi, I have been reading your blog on animals and how they are intelligent and have feeling just like humans and I want to say that I heartily agree. I read your blog nearly every day and have found it to be a great source of inspiration for my Watership Down-style stories. I also find it shocking that people want to destroy wolves; it's shocking especially as there are places where wolves are extinct (like the UK) which is where I live and I would love there to be wolves. I often say that wolves are a monster created by human greed; what I mean by this is that we only see wolves as monsters because they eat 'our' food aka deer, sheep etc. However the people who see them as monsters never think that maybe they are just doing what humans do in hunting animals for food. Thank you both for writing! I'm always happy to hear from people who read my posts. It's nice to know you're there. Adelaide, I'm not sure I know what you mean about making you brave, but I think it's a good thing. :) Alicia, I see your point about man-made monsters. One of the things people say to promote wolf hunting in our western states is that wolves will wipe out the elk population, and they need the elk for elk hunters. But it simply isn't true. For one thing, wolves eat a lot of things besides elk, plus it is well-documented that wolves regulate their own populations so that they will not deplete their food supply. I do indeed intend to keep on writing--these subjects are very important to me. ಠ_ಠ Saddam Hussein? That poster is....mind-boggling. I can't fathom how people get these ideas in their heads to begin with. I wonder if they're saying it in a facetious way. I dunno if you heard the very sad news about the Yellowstone pack that was destroyed this week - with their home near the border, all of the adults, including two with collars, were gunned down. The pups are left, all alone... it's heartbreaking. If you'd seen the videos of the anti-wolf protesters, you'd know there is nothing facetious about that poster--they are deadly serious. That Yellowstone incident is heartbreaking. These wolf hunts are going to rip apart family units all across the area, ultimately creating far more problems than ever existed before the hunting was allowed. You can search the internetYou can use your video phoneTo call another friend.If we gave you all the toolsYou can do whatever you wantWho knows when this will end. Intelligent life is all around us Hey, bonobo womanHey, bonobo manLook in your eyesThat's where we come from Hey, bonobo womanHey, bonobo manTalk to us nowWe are listening Starting to hear the things you've saidGetting to know what's going on in your headThere's no humans on the lineBut there'll be plenty more there in good time.Dolphins, cats, and elephantsThis is not some wild romanceJust look in their eyes and say it's not trueLook in their eyes, they're checking out you. Communication with the Animal NationWe are in communication with the Animal NationWe are in communication with the Animal Nation	2024-07-12T01:26:57.367551	https://example.com/article/4284
Major surgery in the elderly--a study of outcome in 295 consecutive cases. The results of major surgery in 295 consecutive patients over the age of sixty years were analysed. In this series, 70% were electives and 30% emergency cases with a male preponderance of 3:2. The overall mortality was 11.2%. Mortality following emergency operations was three times more than electives. Seventy percent (70%) of deaths after elective surgery followed palliative operations for advanced cancer. For elective surgery, complications of peptic ulcers were associated with a high mortality rate whereas deaths were fairly uniform in the emergency group. In general, concomitant medical diseases and postoperative complications were the major determinants of outcome of surgery in the elderly.	2023-09-28T01:26:57.367551	https://example.com/article/2668
100,000 injured in accidents in Scots hospitals A catalogue of incidents at Scottish hospitals have been recorded since 2009. Picture: TSPL DEREK LAMBIE MORE than 100,000 people have been injured in accidents in Scotland’s NHS hospitals over the past four years, new figures have revealed. A catalogue of incidents ranging from minor bumps and bruises to broken limbs, amputations and even deaths have been recorded since 2009. Electric shocks, burns, the inhalation of toxic fumes and injuries from “fixtures and fittings collapsing” are also among those seen on wards in Scotland. An average of 64 people every day have been hurt, the majority of them patients, although staff, student nurses and visitors have also been involved in hospital accidents. Margaret Watt, chair of the Scotland Patients Association, yesterday said she was “alarmed” by the total and called for new signage on wards to warn of the potential dangers. She said: “You go into hospital to get better, not get worse as a result of a secondary injury. “Hospitals should also follow the example of building sites and display how many days have passed since the last accident on-site. In addition, I really don’t think there is enough information on our wards about the potential hazards we face, whether it’s a door that can jam your finger or a steep set of stairs.” The figures, obtained from Scotland’s 14 health boards under freedom of information laws, show more than 103,000 people have sustained injuries since 2009. They include slips, trips and falls, collisions with trollies, masonry falling down, contact with chemicals and violence. NHS Lothian recorded the highest number of accidents, with 33,967 people injured, two-thirds of them patients and 247 of them hospital visitors. Cuts, bruises and strains were the most common, although officials also noted instances of patients being burned, scratched by needles or ingesting toxic materials. At least 24 people suffered the effects of an electric shock, dozens were bitten by fellow patients and some required an amputation as a result of a hospital accident. The Lothian figures also show that 3,695 people were hurt at the Royal Hospital for Sick Children in Edinburgh, the majority of them patients. NHS Greater Glasgow and Clyde had the second highest total with 30,262 injuries since 2009, the majority of them, like Lothian, being minor bruises, cuts or scratches. Almost 1,000 people suffered injuries from needles and ten patients required an amputation. NHS Grampian was third with 11,340 injuries since 2009, followed by Forth Valley with 9,330. NHS Orkney reported only 12 people being hurt inside its hospitals. In Lanarkshire, there were 405 instances of an injury caused by violence, while accidents involving being “struck by something (eg furniture, fittings)” accounted for the majority of injuries in Highland, where 17 people have also been “trapped under something collapsing”. None of the health boards give any details about the incidents except NHS Western Isles, which lists every injury including fractured thumbs, ligament damage, sore shoulders and scalds. The NHS in Scotland pays out millions of pounds annually in compensation as a result of medical negligence, with the number of claims rising year on year. NHS mistakes have cost the taxpayer £213 million since 2006. However, it is not known how much extra is being drained from the health service by accidents. Opposition MSPs yesterday demanded immediate action by health secretary Alex Neil to reduce accidents in hospitals. Dr Nanette Milne, Scottish Conservative public health spokeswoman, said: “Whilst there will always be accidents in a busy medical environment, the health service has a duty to minimise the number of incidents on its sites.” Officials at NHS Greater Glasgow and Clyde – Scotland’s largest health board with 1.2 million patients treated each year – said staff were encouraged to report incidents. Defending its figures, a spokesman for NHS Lothian said the health board treated 1.1 million patients a year and employed 24,000 people. This website and its associated newspaper adheres to the Independent Press Standards Organisation's Editors' Code of Practice. If you have a complaint about editorial content which relates to inaccuracy or intrusion, then contact the Editor by clicking here. If you remain dissatisfied with the response provided then you can contact the IPSO by clicking here. The Scotsman provides news, events and sport features from the Edinburgh area. For the best up to date information relating to Edinburgh and the surrounding areas visit us at The Scotsman regularly or bookmark this page. For you to enjoy all the features of this website The Scotsman requires permission to use cookies. Find Out More ▼ What is a Cookie? What is a Flash Cookie? Can I opt out of receiving Cookies? About our Cookies Cookies are small data files which are sent to your browser (Internet Explorer, Firefox, Chrome etc) from a website you visit. They are stored on your electronic device. This is a type of cookie which is collected by Adobe Flash media player (it is also called a Local Shared Object) - a piece of software you may already have on your electronic device to help you watch online videos and listen to podcasts. Yes there are a number of options available, you can set your browser either to reject all cookies, to allow only "trusted" sites to set them, or to only accept them from the site you are currently on. 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Their privacy policy and opt out option can be accessed here. Subscriptions Online ► Our partner for Newspaper subscriptions online stores data from the forms you complete in these to increase the usability of the site and enhance user experience. Add This ► Add This provides the social networking widget found in many of our pages. This widget gives you the tools to bookmark our websites, blog, share, tweet and email our content to a friend.	2024-02-02T01:26:57.367551	https://example.com/article/1351
Sunflower to direct the sun The Flash 9.0.0 plugin or higher is required to view content on this page, but was not detected on your browser. The Sunflower is the first heliostat created for residential use, designed to allow homeowners to focus the sun into a gloomy room on onto a solar panel. The Sunflower uses a solar powered microprocessor, motion servos and sun sensors to track the sun and reflect its light to a location selected by the user. It can redirect up to 50,000 lumens of sunlight and can be installed on an existing post or optional PVC stand. Beyond feeding solar panels and dark rooms, other applications include directing the sun to gardens, damp woodpile and clotheslines, or icy sidewalks and roofs. Your browser is identified as Unknown (Unknown) and may have certain compatibility issues rendering the pages. We are working hard on resolving them. We recommend using IE8 or Firefox 3.5 or later. Sorry for the inconvenience.	2023-10-11T01:26:57.367551	https://example.com/article/1918
Lookingat the Korean government’s proclaimed plan in detail, six powergeneration subsidiaries of KEPCO (Korea Electric Power Corp.) withinthe second RPA agreement are planned to supply 101.3MW in PVinstallment by investing KRW 338.2 billion during three year periods inorder to newly create PV market. At this time, 51.5MW will beconstructed by the power generation subsidiaries of KEPCO and 49.8MW isplanned to be purchased from individual PV businesses. In other word,these six power generation subsidiaries of KEPCO are planned to supply101.3MW divided in 21MW for 2009, 32MW for 2010 and 49.8MW for 2011 forthree years through the RPS model business. For three years,from 2009 to 2011, 101.3MW market will be created from PV makers’perspective and 49.8MW market creation from individual PV businessperspective. The Renewable Portfolio Standard (RPS) policy that islikely to be implemented from 2012 is known to be consideringincreasing suggested 80~100MW in capacity requirements at the publichearing in June to 100~150MW in capacity requirements. Consideringthese PV creation plan from the government, Korea PV market would seean increase of over 30 percent from pre-RPS Model Business to grow to98MW in 2009, 132MW in 2010 and 200MW by 2012, according toDisplaybank. Kim notes, "RPS policy would allot additional100~150MW as requirements in 2012 for PV that is planned to begradually increased each year afterwards and Green House installmentbusiness is expected to aggressively expanded such that Korea PV marketis anticipated to see continuous growth". Displaybank will behosting "2009 Korea Green Energy Show PV Conference" on October 15 atCOEX in Seoul, Korea. The PV conference on October 15 will be the placeto discuss future Korea PV market through presentations from Korea’sMinistry of Knowledge Economy Renewable Energy Sector and Displaybank. Other Solar Business Miscellaneous ABOUT SOLARFEEDS SolarFeeds is a daily serving of curated, categorized news for solar professionals, financiers, and enthusiasts. Each original and fully-attributed news story posted to SolarFeeds is distributed to our expansive social network including Twitter, Facebook, and Google+. If you’d like to get in touch, we would be glad to hear from you. Drop us a line from the Contact page. Join the club We're glad you're visiting, but did you know you can also get a daily and weekly digest email of SolarFeed's top solar news to your email inbox? Consider joining the mailing list.Email address:	2024-01-04T01:26:57.367551	https://example.com/article/1096
Post navigation The debate over the language of Lincoln First off, it’s good to be back to blog with you all, as the last few weeks have been extremely hectic for me preparing for my doctoral comprehensive exams, which I am now through the written portion (cue Hallelujah Chorus). Thanks to intrepid fellow CWH blogger Walter Coffey for keeping up some interesting posts the last two months. Now, I did find a little time to go see the Spielberg film Lincoln with my two friends and fellow reenactors Stuart Lawrence and Den Bolda. Den dressed in period civilian trappings, while I dressed as a soldier for the event (Hey, if folks can go to comic book movies, etc. dressed as the characters from those films, why not us?), which was fun, as one couple who were visiting relatives in the area, but were from Indiana took their picture with us. My thoughts on the film are mixed. I felt that Daniel Day-Lewis’s portrayal of Honest Abe was pretty good, aside from being a departure from the classic Hal Holbrook rendition in North and South, or Gregory Peck in The Blue and the Gray (which were good also, but not necessarily as accurate). I also enjoyed Tommy Lee Jones as Thaddeus Stephens. I would have liked to have seen a bit more on Lincoln’s conduct of the war as Commander-in-Chief, which did not have to mean another Civil War film full of battle scenes, but just more on the course of his presidency. I thought the debate over the 13th Amendment was interesting and one of my colleagues noted that he hoped it would get people into the documents surrounding the debate on that legislation. Den and I both enjoyed the costuming, as the material culture presented in the film was quite good. Overall, I thought the film presented a real conception of Lincoln, more human as opposed to being on such a pedestal. That said, one other area that I thought was a bit off, and has apparently became a topic of debate between historians is the foul language that appears a few times. Doris Kearns Goodwin, whose book Team of Rivals was an inspiration for the movie did not have much problem with the profanity used in the film. In contrast, James McPherson argued that Lincoln did not approve of such language and likely did not use it to the degree that was portrayed, especially the utterance of “f—” by W. N. Bilbo, one of the lobbyists for the 13th Amendment. Another who argued that Lincoln likely did not swear as much as was portrayed in the movie, but would not have had as much issue with swearing around him was University of Richmond president Edward Ayers. Overall, I have to agree with both McPherson and Ayers on their assessment of Lincoln and colorful language. I wonder if Spielberg chose to keep such language to resonate with modern audiences, who are used to such things, and if that is so, what does it say about our society. Further, the movie would have been just as good without it, which would have allowed parents to take younger children to see the film. One wonders how many stayed away because of the language issue. It would have been interesting to see, were he still alive, what David Donald would have said about this issue. While swearing has become increasingly pervasive in our culture, this does not mean it was so in earlier times. I think the work by Richard Bushman called The Refinement of America is particularly relevant. While focused on the eighteenth century, it also explored the nineteenth century, charting the desire of Americans to achieve elements of refined culture, which extended to personal behavior, including manners and decorum. It is interesting that this has become a mini debate among respected scholars, but it is good, as it allows historians to interject their knowledge and insights on a given topic into the larger culture. Much like the earlier kerfuffle over how Day-Lewis vocalized Lincoln, the issue of swearing by Abe will be another in a series of appraisals on the film in the coming weeks. Such is the nature of the beast when movies based upon historical events and actors are produced. I encourage everyone to at least go and see Lincoln, but also pick up a good biography of him (I recommend Lincoln by the late David Donald). About Daniel Sauerwein I am a graduate student in History at the University of North Dakota pursuing my PhD in History with a minor in Geography. My primary historical interests are military history, specifically early US and the Civil War. What’s left to say. Great flick! Everyone’s analysis is spot on. Bummer was anticipating a historically correct(or close), adaptation of Lincoln, while being entertained. Spielberg’s take on the President and the time, was just that, a great period piece of the man and the events surrounding his frustration and political trials. This film will entice others to explore the period and the man, if that’s the only benefit, so be it. This Bummer will view “Lincoln” again, it’s just the type of film he has longed for.	2023-09-08T01:26:57.367551	https://example.com/article/5130
The effects of dexmedetomidine and fentanyl on emergence characteristics after adenoidectomy in children. This randomised controlled study evaluated the effects of fentanyl and dexmedetomidine on emergence characteristics of children having adenoidectomy and anaesthetised with sevoflurane. Ninety children, two to seven years of age and ASA physical status I, were studied. Children were randomly assigned to one of three groups of 30 children, with the study intervention injection given intravenously after intubation. Children in Group F received fentanyl 2.5 microg x kg(-1), children in Group D received dexmedetomidine 0.5 microG x kg(-1) and children in Group C received saline solution. Anaesthesia was induced with 50% N2O and 8% sevoflurane in O2 by mask and atracurium 0.6 mg x kg(-1) was administered for tracheal intubation. All children received paracetamol 40 mg/kg rectally one hour preoperatively and dexamethasone 0.5 mg x kg(-1) intravenously. The time to extubation was shorter in Group D than Group F. The eye-opening time was longer in Group F (16.1 +/- 5.3 minutes) than in Groups C (12.0 +/- 4.2 minutes) and D (12.7 +/- 3.2 minutes). The proportion of pain-free children in early recovery was significantly higher in Groups D (47%) and F (43%) than Group C (13%) (P < 0.05). The proportion of children with agitation scores > 3 was lower in Groups D 17% (5/30) and F 13% (4/30) than in Group C 47% (14/30) (P < 0.05). Fentanyl 2.5 microg x kg(-1) and dexmedetomidine 0.5 microg x kg(-1) had similar haemodynamic effects and emergence characteristics. Fentanyl has been safely used in children for many years. Further studies of dexmedetomidine safety and its interaction with other anaesthetic agents are required before recommending its routine use during general anaesthesia in children.	2023-11-10T01:26:57.367551	https://example.com/article/9970
Clean Cut cream for style icons 75 ml Clean Cut – a forming and finishing cream with an average grip, hardness level of 3, and super-matte finishThe cream has a gentle texture that works perfectly on all hair types, creating a clean and updated look with a flexible grip that enables continuous control over time, with no shine at all. Clean cut is a powerful cream intended for creating innovative designs and spectacular styles for evening hairdos and fashion shows. This unique cream envelopes the hair´s fiber to prevent penetration of moisture, resulting in hair designs that last an entire evening.Washes off easily and effortlessly	2024-01-04T01:26:57.367551	https://example.com/article/1704
https://github.com/gtk2hs/gtk2hs/issues/276 https://bugs.gentoo.org/712988 --- a/gtk.cabal +++ b/gtk.cabal @@ -381,7 +381,7 @@ Library -- needs to be imported from this module: x-Signals-Import: Graphics.UI.Gtk.General.Threading include-dirs: . - cpp-options: -U__BLOCKS__ + cpp-options: -U__BLOCKS__ -D__attribute__(A)= if os(darwin) \|\| os(freebsd) cpp-options: -D__attribute__(A)= -D_Nullable= -D_Nonnull= if !flag(deprecated)	2023-12-31T01:26:57.367551	https://example.com/article/4059
--- title: Chevron compact down categories: - Chevrons tags: - chevron ---	2023-09-02T01:26:57.367551	https://example.com/article/8500
Tall lettuce Tall lettuce is a common name for several plants related to lettuce (Lactuca sativa) and may refer to: Lactuca virosa (Europe, Asia, introduced to North America) Lactuca canadensis (North America)	2024-04-01T01:26:57.367551	https://example.com/article/4306
Each night ESPN compiles a Top 10 plays of the day and airs the segment on SportsCenter. Thursday evening, a pair of plays made by Florida Gators held the top two spots. The No. 2 play featured is an alley-oop from senior point guard Erving Walker to sophomore center Patric Young in the Florida-North Florida basketball game. The No. 1 play, of course, was Denver Broncos quarterback Tim Tebow‘s 20-yard, game-winning touchdown run late in the fourth quarter. Tebow’s touchdown was also SportsCenter‘s Highlight of the Night:	2024-06-05T01:26:57.367551	https://example.com/article/6604
Q: jpql SUM one column I am trying to add up all the prices in one column, but it outputs a ridiculous total. Please help, not sure if my query is incorrect. Thanks. @NamedQuery(name = "Tyrerange.totalCost", query = "SELECT SUM(t.dblTyreCost) FROM Tyrerange t"), double totalCost = (double) em.createNamedQuery("Tyrerange.totalCost").getSingleResult(); document.add(new Paragraph(String.valueOf((df.format(totalCost))))); A: The query looks ok. Maybe the cached values are being read. Create a new query and sum some other column to check this.	2024-07-10T01:26:57.367551	https://example.com/article/7158
"You had to attack civilians, the people, women, children, innocent people, unknown people far removed from any political game ... to force the public, to turn to the state to ask for greater security. "This is the political logic that lies behind all the massacres and the bombings which remain unpunished, because the state cannot convict itself or declare itself responsible for what happened." Why was Salman's family given asylum in the UK when the family was known to the security services. Why was Salman allowed to travel freely between Libya and the UK? dailymail. One can assume that Salman and family worked for the security services? Authorities told ABC News they found a kind of bomb-making workshop in Salman Abedi's home and he had apparently stockpiled enough chemicals to make additional bombs. However, according to the UK police, "No bomb-making equipment was found at Salman Abedi's home." 1996 bombing in Manchester.By 1973, British intelligence (MI5 and MI6) had fully penetrated the IRA. (dailymail). It is believed that assets of the security services carried out the 1996 bombing in Manchester, in order to discredit the Republican movement, and get people scared so they would vote for the rich elite. DID MI5 BOMB LONDON IN 1973? Salman Abedi took business classes at the University of Salford in Manchester. "Friends remember him as a good footballer, a keen supporter of Manchester United and a user of cannabis." Saffie Rose RoussosWhy might the security services want to kill Saffie Rose Roussos at the Manchester Arena?Sir Peter Hayman (above) was the deputy boss of the UK security service MI6. The police found diaries in which Sir Peter Hayman had recorded his sexual experiences with children. The police also found letters to fellow child abusers. Two of the letter writers had an interest in the extreme sexual torture and murder of children. strange blood trail?the bomb went off in the foyer.But the concert had not finished yet. Still singing when bomb went off.Were the people in the foyer friends waiting for the concert to end?So people inside concert were safe and then exited from the concert to the foyer. Should have been told to stay where they were.Why did the exit? They herd a single ban at the end of concert.Could have been fireworks or just sound broadcast at end of concert. In North America all sporting and music events at big arenas come with heavy security. Nobody gets in without bag checks and a pat down. Does the same procedure exist in the UK? I would imagine yes, but don't know. If so, how does a Muslim man get through security at a girls concert with some sort of suicide vest or bomb????? This emotional pain of this attack will impact people more than most false flags. Young girls all over the world who listen to this pop star will internalize the pain and wallow in it, as will their families. Our leaders are evil to the core, pure scum. Immediately the talking heads in the mainstream media are talking about how this atrocity highlights the problem of ordinary people being able to make their own bombs and being able to get a hold of such information online and communicate with nasty people who don't trust the government and this is why we really need the government always looking over our shoulder to keep us all "secure". A truly unbiased media investigation would be asking whether the attacker was just some crazed nutcase who was obsessed with her, but of course we don't see this. Cui Bono? the husband, whom I usually believe is an idiot (and vice versa), said last night, ""They" are going to blame this on Palestinians." Maybe he's not an idiot after all. His theory, because of the trump/kushner speech yesterday. My theory, if they do, because more than 40% of americans are and have woken up to the human rights crimes committed BY israel. I am from Manchester and when the IRA bomb went off 20yrs ago in the city centre I was working a mile away. Our building and windows shook, point is we all knew it was a bomb and haven't heard much mention of blast repurcussion. Many for quite a radius should have felt it and like us knew it was a bomb. The rising of the planet Venus as the Morning Star is an important ancient astronomical event still playing an important role in the initiation rituals of Freemasons as Filips Coppens explains in his book ‘The Stone Puzzle of Rosslyn Chapel’.copied from http://www.keyofsolomon.org/Obama.php Shamefully we Aussies were shown on TV the face (as a victim) of a young girl who was not a victim. She was safely at school. Evidence of false flagger's most shameful acts. The poor girl will be traumatised seeing herself on TV as a victim. http://www.dailymail.co.uk/news/article-4532770/Manchester-Attack-sees-Australian-girl-reported-missing.html Why are there 'victims' still missing? THAT IS EXTREMELY BIZARRE AFTER TWO DAYS!Still no direct evidence of an explosion I've seen......Here's something else to consider (may be related), many of the victims are young impressionable female girls from over the UK... I was reading an article about how the number of cases of online blackmail (usually sexual) is unprecedented. Young people are now sharing more intimate information and content online... easy for the security services to blackmail/threaten... you get the idea... Another good summary hot on the heels of yet another state-sponsored attack just before an election. I was listening to the same old, tired "journalism" from BBC radio and Sky tv to name but two and despair at the propaganda pushed by the MSM. Perhaps one of the most trenchant assumptions constantly pushed is the idea that the government is on the side of the people and that terrorism is not a creation of the State. Education of the public regarding terrorism and false flag atrocities which have been used against the populace throughout history is essential if we are to break that MSM-led spell (indeed, if that is even possible at this stage). I do wonder if we need many more skilled and eloquent groups of bloggers to begin branching into public speaking in order to go out into towns, villages and city halls and begin to educate the public as to who is really behind these attacks. I know there are individuals on low-key lecture circuits now and then but it would be a step forward if there was a specific movement dedicated to educating the public through nationwide lectures, solely focused on state-sponsored terror and its history explained for the layman. Excellent comment. You are absolutely spot on. Until the public are made aware, by facts, of how 'they' have always deceived them, nothing will change. It is truly staggering that amateur theatre productions are never, ever, questioned. It would now appear that not even good solid evidence is required for 'them' to pull it off. If people knew the truth, the world would change for the better overnight. Thank you for your superb comment. A pertinent comment was made by Ian Fantom on Terror On The Tube website: ”Last night the national news on the British general election campaign was terrible for Therese May. In the beginning of the campaign no-one had any doubts that Therese May would be reelected as Prime Minister. She had a massive margin in the opinion polls over Jeremy Corbyn, and the mass media were constantly leading us to believe that Jeremy Corbyn would have no chance of being elected, just as they had done before he was elected as leader of the Labour Party. But recently that margin had been gradually reducing, and Therese May warned that they would only have to lose six parliamentary seats for Jeremy Corbyn to become Prime Minister. I should explain that the reason that Therese May had called the general election can’t be anything other than that if she hadn’t called it Jeremy Corbyn could by now be Prime Minister. On the same day the police had announced that they were to charge thirty Conservative MPs on election fraud in the previous election of 2015. If that had happened, they would have had to vacate their parliamentary seats. After declaring many times that they wouldn’t call an early election, she did just that. (Read more)http://terroronthetube.co.uk/2017/05/23/manchester-terror-blast-who-did-it/#comments Continued from comment above....our theory is, many young people in the UK are now being blackmailed, threatened or coerced into acts they would not wish to be a part of(crisis actors... but also gangstalking, putting out misinformation whether about a targeted person, or an event)... we would suspect intelligence services and elements of Masonic lodges...You get the idea... "Facebook is facing fresh accusations of failing to protect users after police forces across the UK had to step in to nearly 20,000 recorded cyber-bullying cases last year.Their findings revealed evidence of sexual abuse, disclosure of revenge pornography aimed to blackmail or defraud and online bullying campaigns."http://www.policeprofessional.com/news.aspx?id=29217 The key to understanding state sponsored terrorism is Northern Ireland where psychopaths were encouraged to act out their sickest fantasies and protected. Characters like Lenny Murphy and Freddie Scappatici. No pictures of dead bodies, a plethora of camera phones recording the event. Several people probably security service personnel, looking as though they were helping to coordinate the stampede. Then we have the explosion, the media are adamant it was a IED, however just like the train blast of 7/7, which were surely high end sophisticated explosives, this explosion appears to fall into that category. Then we had the claim that ISIS or whatever the CIA is calling its attack dog this weather, say that IS had claimed responsibility for the attack. I recall one event that IS claimed, was traced back all the way to Langley Virginia. Gladio. Notice how the CIA are trying to compromise the police inquiry through their front journal The New York Times.Let's hope there is enough integrity left in British institutions to stand up to these wicked people. Sadly, on past evidence, I'm not holding my breath. BBC - 4 Apr 2017 - Theresa May has defended her trip to Saudi Arabia, saying its ties with the UK are important for security and prosperity. Tulsi Gabbard VT May 24, 2017 - excerpt For so many in Manchester, what began as just another day, ended in a horrific tragedy as a terrorist set off a bomb killing innocent civilians at a concert hall. ISIS claimed responsibility for the attack. Today, we are getting reports out of the Philippines that an ISIS-linked attack has taken the lives of 21 souls. This highlights yet again how critical it is for us to work together to defeat these terrorists, and the ideology fueling their terror. It’s impossible to talk seriously about this issue without acknowledging that just a few days before this terrible attack, President Trump signed a $460 billion, ten year arms deal with Saudi Arabia—a brutal theocracy that oppresses its own people, and has spent billions of dollars exporting their extreme Wahhabi Salafist ideology around the world—the very same ideology fueling terror groups like ISIS and al-Qaeda. Additionally, Saudi Arabia, along with Qatar, Turkey, and other countries, are directly and indirectly supporting these terrorist groups with money, weapons, and intelligence. So our big weapons deal will make it so US weapons are likely to end up in the hands of terrorists, and to be used in war crimes against Yemeni civilians. Trump has condemned deals like this in the past. In 2011, Trump wrote about Saudi Arabia in his book, “It’s the world’s biggest funder of terrorism. Saudi Arabia funnels our petrodollars, our very own money, to fund the terrorists that seek to destroy our people while the Saudis rely on us to protect them.” ----------My bill, HR 608, the Stop Arming Terrorists Act, will help to address this issue by prohibiting taxpayer dollars from being used to directly or indirectly support armed militants allied with terrorist groups like al-Qaeda, and would stop our practice of funneling money through countries like Saudi Arabia who support these terrorist groups. Will you add your name as a citizen co-sponsor to my Stop Arming Terrorists Act? This bill will require our government to abide by the same laws that apply to its citizens. As always, mahalo for your support and allowing me the privilege of serving you. Theresa May is back in the Gulf, her second trip since taking office, and she is emphasising that the intelligence-sharing co-operation is one good reason to stay close to the Saudis. In a statement issued by Number Ten last week, May’s spokesperson claimed that “security relationships” between the two countries had saved “many lives in the UK”. As I have argued elsewhere, this is a relatively sound proposition. Read: Caged birds can’t fly, Mrs Theresa May Arms sales are still a strong theme. This time around, and after so many decades, the Saudis have actually started using the fighter jets we have been selling them and training them on for so long. Now the emphasis is on providing munitions for the Saudis to use in their paranoid war in Yemen. It turns out the House of Saud has that classic problem, more often experienced by middle-aged converts to golf or angling or racing cars. These well-heeled hobbyists are happy to splash cash on top class gear, but falsely believe that their investments in shiny kit necessarily make a good golfer or fishermen or amateur race-track driver. In other words, the Saudi military is well-equipped, to a tee, but ill-experienced. Arms sales are an important part of the current UK-Saudi relationship May is encouraging – if dead Yemeni children count as a positive, but the British prime minister was also on the hunt for something else; post-Brexit market confidence. The chief of the London Stock Exchange (LSE) was on the trip, and pitched post-Brexit investments in Britain to the head of Saudi Arabia’s sovereign wealth fund. He was also trying to convince their state oil company, Saudi Aramco, to list publically on his stock exchange. Soldiers AND police together on the streets. Well that's the 1984/V for vendetta style society sorted for the U.K. They're expecting another attack soon so that means either the security services are planning to murder their own people again or the actors are preparing for another episode of lets pretend. Difficult to understand yet not as rare as one might think. I know of a woman whose daughter committed suicide who had her daughters name tattooed on her neck in the days that followed, she had no other tattoos. Just to add some context...There was actually very good reason for Irgun and the Stern gang to attack the british during and at the end of the war. It was actually the british that sealed the harbours of palestine during the war thus denying european jews the chance to escape their terrible fate.I am no supporter of Israel but i think its helpful to get a complete picture of how the state of Israel actually began and the true role of the "zionists" of the time, people like Ben Gurion who actually took the side of the British and their "white paper" and abandoned european jews at the time in the full knowledge of what was happening. Terror groups like the Stern gang were aware of what was happening in europe and did their best to help the people there. Not to excuse Israels terrible modern history in the middle east though. Some of these comments are suggesting that a 'false flag' attack means the casualties themselves were falsified. That is quite wrong. As I understood the expression, a false flag attack is a self-inflicted attack by deep state or other government operatives usually on its own citizenry to create the deceptive impression that a third party perpetrated the attack, thereby giving a pretext for hostilities of some sort against that third pary and its allies. Casualties of innocent civilians usually are involved. In this case, those innocent victims were predominantly young White females soon to enter their prime breeding years, whose lives and lineage were snuffed out. Their DNA line ended with them. In the other side of the balance, one solitary alien male died. A government whose longstanding policies, against popular sentiment, facilitate outrages like this - and so many others that occur to mind - is waging a racial war against its own people. Honestly it doesnt matter, at least to me. What matters is that we are being fooled on a massive scale. There are hoaxes/false flags in which there are real victims. Call them collateral victims and they arent necessarily those officially labelled as "victims". what i found interesting was on an interview with sky news a woman said she left before the last song with her son to beat the crowds leaving. she said she was stopped by officials that she couldn't exit this way to turn around. immediately after she turned around a massive explosion came from behind her. its reported the explosion came from the foyer, why would officials stop someone from exiting through the main exit. was the scene set?	2024-02-10T01:26:57.367551	https://example.com/article/3808
Bruce Parry is first of all the THE MAN, second of all a great documentary maker. If you've seen his documentary "Tribe" you'll know this guy is a force to be reckoned with and you wouldn't want to miss out on his latest documentary. Come tag along for what is sure to be an unforgettable experience!	2024-05-04T01:26:57.367551	https://example.com/article/1762
Self-assembled nanoparticles of acetylated cashew gum: characterization and evaluation as potential drug carrier. Acetylated cashew gum (ACG) was synthesized and self-assembled nanoparticles were obtained through the dialysis of an organic solution (DMSO) against a non-solvent (water). The ACG was characterized by infrared spectroscopy. The degree of substitution was 2.8 as determined by NMR spectroscopy. The physicochemical properties of the self-assembled nanoparticles in aqueous media were characterized by DLS, SEM and fluorescence spectroscopy. The mean diameter of the self-assembled nanoparticles obtained was 179 nm and the critical aggregation concentration (CAC) in water was 2.1×10(-3) g/L. Indomethacin (IND) was used as a hydrophobic model drug and was incorporated into the hydrophobized polysaccharide. Both loaded and unloaded nanoparticles were found to be spherical with diameters in the ranges of 70-170 nm and 108-314 nm (determined by SEM), respectively. Controlled drug release was observed for up to 72 h.	2023-08-29T01:26:57.367551	https://example.com/article/8290
9:00 AM, Oct. 17, 2013 Red Wings goalie Jonas Gustavsson during the second period against the Boston Bruins on Monday. Written by The Detroit Red Wings have reason to feel good as they find themselves in familiar waters. They play at Colorado tonight and at Phoenix on Saturday, two familiar venues before relocating to the Eastern Conference this autumn. They also are near the top of the NHL standings after three victories in four nights, a stretch that has displayed several positive trends. The Wings are confident enough in Jimmy Howard's recuperation from a bruised hand to believe he can either start against the undefeated Avalanche, or back up Jonas Gustavsson, who has been the team's best story of the week. Seemingly ...	2023-10-05T01:26:57.367551	https://example.com/article/9767
--- abstract: 'A Hopf algebra is co-Frobenius when it has a nonzero integral. It is proved that the composition length of the indecomposable injective comodules over a co-Frobenius Hopf algebra is bounded. As a consequence, the coradical filtration of a co-Frobenius Hopf algebra is finite; this confirms a conjecture by Sorin Dăscălescu and the first author. The proof is of categorical nature and the same result is obtained for Frobenius tensor categories of subexponential growth. A family of co-Frobenius Hopf algebras that are not of finite type over their Hopf socles is constructed, answering so in the negative another question by the same authors.' address: - 'N. A.: FaMAF, Universidad Nacional de Córdoba. CIEM – CONICET. Medina Allende s/n (5000) Ciudad Universitaria, Córdoba, Argentina' - 'J. C.: Universidad de Almería, Dpto. Álgebra y Análisis Matemático. E04120 Almería, Spain' - 'P. E.: Department of Mathematics, Massachusetts Institute of Technology, Cambridge, MA 02139, USA' author: - 'Nicolás Andruskiewitsch, Juan Cuadra, Pavel Etingof' title: On two finiteness conditions for Hopf algebras with nonzero integral --- Introduction {#introduction .unnumbered} ============ The Haar measure on a compact group $G$ induces a linear functional $\int$ on the Hopf algebra of representative functions on $G$. The (right) invariance property of the Haar measure reads as a condition on $\int$ that can be expressed in Hopf algebraic terms [@H page 28]. In [@Sw], Sweedler extended the notion of (right invariant) integral to arbitrary Hopf algebras by means of this condition. However, not every Hopf algebra admits a nonzero (right) integral; those that do are called co-Frobenius. There is an obvious left version but a right co-Frobenius Hopf algebra is automatically left co-Frobenius. Two main examples arose early in the study of this notion: - finite dimensional Hopf algebras [@LS], - cosemisimple Hopf algebras [@Sw]. It became slowly clear that the existence of a nonzero integral is fundamentally linked with these properties: finiteness and semisimplicity. There are two instances where these relations are apparent. The first is cohomological. Let $H$ be a Hopf algebra over a field ${\Bbbk}$ and let ${{\mathcal M}^H}$ denote the category of right $H$-comodules. Given $M \in {{\mathcal M}^H}$, its injective hull is denoted by $E(M)$. The next characterization summarizes several results along the years, see [@L Theorems 3 and 10], [@DN Proposition 2.3], [@Don1 Lemma 1], [@Don2 page 223] and [@AC Theorems 2.3 and 2.8]. \[th:oldchar\] The following statements are equivalent: 1. $H$ is co-Frobenius. 2. \[item:findim-injhull\] $E(S)$ is finite dimensional for every $S \in {{\mathcal M}^H}$ simple. 3. $E({\Bbbk})$ is finite dimensional. 4. ${{\mathcal M}^H}$ has a nonzero finite dimensional injective object. 5. Every $0\neq M \in {{\mathcal M}^H}$ has a nonzero finite dimensional quotient. 6. ${{\mathcal M}^H}$ possesses a nonzero projective object. 7. Every $M \in {{\mathcal M}^H}$ has a projective cover. 8. Every injective in ${{\mathcal M}^H}$ is projective. The second instance is the heuristic principle, suggested by several examples and results, that co-Frobenius Hopf algebras are somehow finite over a cosemisimple subobject. The largest cosemisimple subcoalgebra of $H$ is the coradical $H_0$, the first member of the coradical filtration $(H_n)_{n\ge 0}$. The relation between the following statements was early observed by Radford in [@R Corollary 2]: 1. $H$ is co-Frobenius. 2. The coradical filtration of $H$ is finite. It was proved there that (a) implies (b) under the assumption that $H_0$ is a Hopf subalgebra. This was derived from [@R Proposition 4] stating that $H=H_0E({\Bbbk})$ for $H$ co-Frobenius. Later, it was shown in [@AD Theorem 2.1] that (b) implies (a) and it was conjectured there that (a) $\Rightarrow$ (b) always holds. The first main result of this paper (see Section \[sec:finite-coradical\]) is a positive answer to this conjecture, thus establishing that \[thm:conj\] A Hopf algebra is co-Frobenius if and only if its coradical filtration is finite. The strategy of the proof is to use that the finiteness of the coradical filtration is equivalent to bound the Loewy length of all indecomposable injective objects in ${{\mathcal M}^H}$. We find, more strongly, that when $H$ is co-Frobenius their composition length is bounded by $d\dim E({\Bbbk}),$ where $d$ is the largest dimension of a composition factor of $E({\Bbbk})$, Theorem \[refined-bound\]. The proof exploits the tensor structure of the category of finite dimensional $H$-comodules and the existence of injective hulls. Indeed, we observe in Section 2 that the same result holds for Frobenius tensor categories of subexponential growth, Theorem \[fi\], and provide an explicit uniform bound on the length of the indecomposable injective objects in terms of the composition series of the injective hull of the unit object. In [@AD], an alternative proof to Radford’s theorem was given, together with an analysis of the structure of a co-Frobenius Hopf algebra whose coradical is a Hopf subalgebra, along the lines of the method proposed in [@AS1]; see also [@BDGN]. However, there are examples of co-Frobenius Hopf algebras whose coradical is not a Hopf subalgebra. A prominent one is the function algebra $\Oq(G)$ of a semisimple quantum group $G$ at a root of one $q$; it was shown in [@APW] that the injective hulls of the simple comodules are finite dimensional. Another approach appears in [@AD] through the notion of Hopf socle. Assume that $H$ has bijective antipode. The Hopf socle ${H_{\textrm{soc}}}$ of $H$ is the span of the matrix coefficients of those simple $W \in {{\mathcal M}^H}$ such that $V\otimes W$ and $W\otimes V$ are semisimple for every $V \in {{\mathcal M}^H}$ simple. If $H$ is a finitely generated module over ${H_{\textrm{soc}}}$ (finite type), then $H$ is co-Frobenius [@AD Lemma 4.2]. This is another realization of the heuristic principle above since $\Oq(G)$ is of finite type over its Hopf socle ${{\mathcal O}}(G)$. The following natural question was posed in [@AD page 153]: Is any co-Frobenius Hopf algebra $H$ of finite type over ${H_{\textrm{soc}}}$? Our second main result gives a negative answer to this question. After presenting an initial direct example in Theorem \[motivating\] and Proposition \[exdescrip\], we construct in Subsection \[subsec:blowing-dual\] a new family of infinite dimensional co-Frobenius Hopf algebras ${\mathcal D}(m, \omega, (q_i)_{i\in I},\alpha)$, depending on a natural number $m$, a root of unity $\omega$ whose order $n$ divides $m$, a scalar $\alpha$, a non-empty set $I$, and a family $(q_i)_{i\in I}$ of nonzero scalars. Theorem \[mainth2\] characterizes when ${\mathcal D}(m, \omega, (q_i)_{i\in I},\alpha)$ is of finite type over its Hopf socle and yields as a consequence: \[question-ad\] The Hopf algebra ${\mathcal D}(m, \omega, (q_i)_{i\in I},\alpha)$ is not of finite type over its Hopf socle if $\alpha \neq 0$ and at least one of the $q_i$’s is not a root of one. The construction of ${\mathcal D}(m, \omega, (q_i)_{i\in I},\alpha)$ is inspired by the presentation by generators and relations of the dual of a lifting of a quantum line, see Subsection \[subsec:dual-qline\], but blowing-up, in some sort, part of the structure. This seems to be a novel point of view that is being explored. In Section \[sec:positive-car\] we construct other examples of co-Frobenius Hopf algebras, over fields of positive characteristic, that are not of finite type over their Hopf socles. They are smash products of a group algebra and the function algebra of a finite abelian group. An example of an infinite dimensional co-Frobenius Hopf algebra with trivial Hopf socle is given. Although the answer to the question in [@AD page 153] is negative, the heuristic principle remains unscathed because the examples presented here fit into a cleft exact sequence of Hopf algebras where the kernel is finite dimensional and the cokernel cosemisimple. We wonder whether [any co-Frobenius Hopf algebra is an extension of some sort (short exact sequence, bosonization or else) of a finite dimensional and a cosemisimple Hopf algebra]{}. For example, the function algebra $\mathcal{O}(G)$ of an affine group scheme $G$ is co-Frobenius if and only if $G$ contains a linearly reductive subgroup (not necessarily normal) of finite index [@Don2 page 218]. In this case, $\mathcal{O}(G)$ fits into a short exact sequence where the kernel is not a normal Hopf subalgebra but a coideal subalgebra instead. Preliminaries {#preliminaries .unnumbered} ------------- For basic notions and results on Hopf algebra theory and unexplained terminology we refer to [@DNR; @M] or [@Sw-book]. Throughout we will work over a ground field ${\Bbbk}$. We write ${\Bbbk}^{\times}$ for ${\Bbbk}\backslash\{0\}.$ Vector spaces, linear maps, and unadorned tensor products are always over ${\Bbbk}$. The comultiplication and counit of a coalgebra are denoted by $\Delta$ and $\varepsilon$ respectively. For a Hopf algebra $H$ its antipode is denoted by ${{\mathcal S}}$ and its group of group-like elements by $G(H)$. Given $g, h\in G(H)$ we set ${{\mathcal P}}_{g,h}(H)=\{x\in H: \Delta(x) =g \otimes x+x \otimes h\}$. A left integral $\int$ for $H$ satisfies $\int(h_{(2)})h_{(1)}= \int(h)1_H$ for all $h \in H$. Recall from [@DNR page 197] that if $\int \neq 0$ there exists a unique $g \in G(H)$ such that $\int(h_{(1)})h_{(2)}= \int(h)g$ for all $h \in H$. Such an element is called the distinguished group-like element of $H$. The Loewy series of a right $H$-comodule $M$ is the series $$0 \subset {\operatorname{Soc}}(M) \subset {\operatorname{Soc}}^2(M) \subset \dots\subset {\operatorname{Soc}}^n(M) \subset \dots \subset \bigcup_{m \in {\mathbb{N}}} {\operatorname{Soc}}^{m}(M)=M,$$ defined as follows: ${\operatorname{Soc}}(M)$ is the socle of $M$, i.e., the sum of all simple subcomodules of $M$. For $n>1$, ${\operatorname{Soc}}^n(M)$ is the unique subcomodule of $M$ satisfying ${\operatorname{Soc}}^{n-1}(M)\subset {\operatorname{Soc}}^{n}(M)$ and ${\operatorname{Soc}}(M/{\operatorname{Soc}}^{n-1}(M))={\operatorname{Soc}}^n(M)/{\operatorname{Soc}}^{n-1}(M)$, see [@G 1.4] or [@DNR page 121]. An alternative description of this series is through the coradical filtration: let $\rho:M \rightarrow M \otimes H$ denote the structure map of $M$, then ${\operatorname{Soc}}^{n+1}(M)=\rho^{-1}(M \otimes H_n),$ [@DNR Lemma 3.1.9]. If $M={\operatorname{Soc}}^n(M)$ for some $n$, the Loewy length of $M$ is defined to be $\ell\ell(M)=\min\{m \in {\mathbb{N}}:M={\operatorname{Soc}}^{m}(M)\}$. Otherwise, $\ell\ell(M)=\infty$. The coradical filtration of $H$ coincides with the Loewy series of $H$, either as a right or left comodule. The coradical filtration of a co-Frobenius Hopf algebra is finite {#sec:finite-coradical} ================================================================= Let $H$ be a co-Frobenius Hopf algebra. To prove that $H$ has finite coradical filtration, we use a criterium from [@C]. Let $\{S_i\}_{i \in I}$ be a full set of representatives of simple right $H$-comodules. Then $H\simeq \oplus_{i\in I} E(S_i)^{n_i}$, with $n_i\in {\mathbb{N}}$ for all $i \in I$. Since $H$ is co-Frobenius, $E(S_i)$ is finite dimensional for all $i \in I$ and hence it has finite Loewy length. Observe that $\ell\ell(E(S_i))\leq \ell(E(S_i)) \leq \dim E(S_i) $, where $\ell(E(S_i))$ denotes the composition length of $E(S_i)$. Since the Loewy series commutes with direct sums, we have: \[prop:cuadra-3.1\][@C Proposition 3.1] $H$ has finite coradical filtration if and only if the set $\{\ell\ell(E(S_i))\}_{i \in I}$ is bounded. Thus, it would be sufficient to show that the set $\{\ell\ell(E(S_i))\}_{i \in I}$ is bounded. Indeed, we will prove the stronger statement: the set $\{\ell(E(S_i))\}_{i \in I}$ is bounded. \[refined-bound\] Let $S\in {{\mathcal M}^H}$ be simple and $d$ the largest dimension of a composition factor of $E({\Bbbk})$. Then $\ell(E(S)) \leq d\dim E({\Bbbk}).$ Let $W$ be a composition factor of $E(S)$. Then ${\operatorname{Hom}}_{H}(E(S),E(W)) \neq 0$. Consider $E(W)$ as a subcomodule of $W \otimes E({\Bbbk})$ and take a nonzero morphism $f: E(S) \rightarrow W \otimes E({\Bbbk})$. We know, see for example [@C Theorem 5.2], that $E(S)$ has a unique simple quotient, isomorphic to ${\Bbbk}g \otimes S^{}$, where $g$ is the distinguished group-like element of $H$. So ${\Bbbk}g \otimes S^{}$ is a composition factor of ${\operatorname{Im}}(f)$ and $W \otimes E({\Bbbk})$. There is a composition factor $U$ of $E({\Bbbk})$ such that ${\Bbbk}g \otimes S^{*}$ is a composition factor of $W \otimes U$. Then $\dim S \leq \dim W \dim U \leq d \dim W$. Set $n= \ell(E(S))$ and let $W_1,\dots, W_n$ be the composition factors of $E(S)$. We have $$\begin{aligned} \dim S \dim E({\Bbbk}) =\dim S \otimes E({\Bbbk}) \ge \dim E(S)= \sum_{j=1}^{n} \dim W_j \ge n \frac{\dim S}{d}.\end{aligned}$$ From here, $n \leq d \dim E({\Bbbk}).$ A small variation of the above arguments gives a bound for the length of $S \otimes X$, with $X \in {{\mathcal M}^H}$ of finite dimension, in terms of data not depending on $S$. Viewing $E(S)$ as a subcomodule of $S \otimes E({\Bbbk})$, we get another bound for $E(S)$. It is less tight than the previous one but the proof is simpler and generalizable to tensor categories, as we will see in the next section. \[lema:bound-tensor\] Let $X, S\in {{\mathcal M}^H}$ with $S$ simple and $\dim X < \infty$. Let $b_X$ denote the largest dimension of a composition factor of $E({\Bbbk}) \otimes X^$. Then $\ell(S \otimes X) \leq b_X \dim X.$ Let $W$ be a composition factor of $S \otimes X$. Then ${\operatorname{Hom}}_{H}(S \otimes X, E(W)) \neq 0$. Using the adjunction, ${\operatorname{Hom}}_{H}(S,E(W) \otimes X^) \neq 0$. Consider $E(W)$ included in $W \otimes E({\Bbbk})$. Since $S$ is simple, it can be viewed as a subcomodule of $W \otimes E({\Bbbk}) \otimes X^$. There is a composition factor $U$ of $E({\Bbbk}) \otimes X^$ such that $S$ is a composition factor of $W \otimes U$. Then $\dim S \le \dim W \dim U \leq b_X \dim W$. Now proceed as at the end of the previous proof. This new bound can be slightly improved as follows: \[cor1\] Let $X, S\in {{\mathcal M}^H}$ with $S$ simple and $\dim X < \infty$. Let $r$ be the number of $1$-dimensional composition factors of $X$. Then: $$\begin{aligned} \ell(S \otimes X)\le b_X\dim X - r(b_X-1).\end{aligned}$$ Set $n=\ell(X)$. Let $X_1,\ldots,X_n$ be the composition factors of $X$ and assume that $X_{n-r+1},\ldots,X_n$ are $1$-dimensional. Then $X_j^$ is a composition factor of $X^$ for $j=1,\ldots,n$. A composition series of $X^$ gives rise to a series of $E({\Bbbk}) \otimes X^$ whose factors are isomorphic to $E({\Bbbk}) \otimes X_j^$ for $j=1,\ldots,n$. Each composition factor of $E({\Bbbk}) \otimes X_j^$ is a composition factor of $E({\Bbbk}) \otimes X^$. Then $b_{X_j} \le b_X$. Finally, $$\begin{aligned} \ell(S \otimes X) & =\sum_{j=1}^n \ell(S \otimes X_j) =\sum_{j=1}^{n-r} \ell(S \otimes X_j) + r \le r + \sum_{j=1}^{n-r} b_{X_j} \dim X_j \\ & \leq b_X(\dim X-r)+r.\end{aligned}$$ For $X,Y \in {{\mathcal M}^H}$ of finite dimension, the previous result implies that $$\ell(Y \otimes X)\le \ell(Y)\big(b_X\dim X - r(b_X-1)\big).\vspace{5pt}$$ \[cor:finbound\] Let $S \in {{\mathcal M}^H}$ be simple. Let $b$ denote the largest dimension of a composition factor of $E({\Bbbk}) \otimes E({\Bbbk})^$. Assume that there are $r$ composition factors of $E({\Bbbk})$ of dimension $1$. Then: $$\begin{aligned} \label{eq:bound} \ell(E(S)) \le b\dim E({\Bbbk})-r(b-1) \leq b\dim E({\Bbbk})-2(b-1).\end{aligned}$$ The first inequality is a consequence of Corollary \[cor1\]. For the second one, recall from the proof of Theorem \[refined-bound\] that $E({\Bbbk})$ has a unique simple quotient, isomorphic to ${\Bbbk}g$. Hence $r \geq 2.$ Observe that if $H$ is pointed, then $\ell(E(S))=\ell(E({\Bbbk}))=\dim E({\Bbbk})$ for every $S \in {{\mathcal M}^H}$ simple. In this case, the bounds in Theorem \[refined-bound\] and Corollary \[cor:finbound\] are tight because $d=b=1$ and $r=\dim E({\Bbbk})$. However, they are not so in general, as the next example shows. Assume that ${\Bbbk}$ contains a primitive $3$rd root of unity $q$. Denote by $H$ the dual Hopf algebra of the Frobenius-Lusztig kernel $u_q(\mathfrak{sl}_2({\Bbbk}))$. There are $3$ simple comodules: $V_0={\Bbbk}, V_1,$ and $V_2$ of dimensions 1, 2, and 3 respectively. The comodule $V_2$ is injective, see, e.g., [@A page 158]. The injective hull of $V_1$ is $V_1 \otimes V_2.$ Its composition factors are $V_0$ and $V_1$ repeated twice each. Then $\ell(E(V_1))=4$. The decomposition of $V_1 \otimes E(V_1)$ is $V_2 \oplus V_2 \oplus E({\Bbbk})$. Hence $\dim E({\Bbbk})=6.$ The composition factors of $E({\Bbbk})$ are $V_0$ and $V_1$ repeated twice each. Then $d=r=2$. The bound in Theorem \[refined-bound\] gives $12$ to approximate $4$. On the other hand, $E({\Bbbk})^ \simeq E({\Bbbk})$ because the distinguished group-like element is trivial in this example. We have the decomposition $V_1 \otimes E({\Bbbk}) \simeq V_2 \oplus V_2 \oplus E(V_1)$ and so $\ell (V_1 \otimes E({\Bbbk}))=2 +\ell(E(V_1))$. This also implies that $V_2$ occurs as a composition factor of $E({\Bbbk}) \otimes E({\Bbbk})^$. Hence $b=3$. The error of approximating $\ell(E(V_1))$ by $\ell (V_1 \otimes E({\Bbbk}))$ is $2$. The bound in Corollary \[cor:finbound\] gives $14$ to approximate $4$. Finiteness of the coradical filtration for Frobenius tensor categories ====================================================================== We show in this section that part of the arguments used above to prove that a co-Frobenius Hopf algebra has finite coradical filtration works in the more general setting of Frobenius tensor categories of subexponential growth. This allows one to obtain the same result, for instance, for co-Frobenius co-quasi-Hopf algebras. We refer the reader to [@EO] for terminology, basic notions and the results on tensor categories needed in the sequel. Artinian categories and the coradical filtration ------------------------------------------------ An essentially small[^1] abelian category $\mathcal{C}$ over ${\Bbbk}$ is called [artinian]{} if objects have finite length and Hom spaces are finite dimensional. This amounts to that $\mathcal{C}$ is equivalent to the category [$\mathpzc{m}$]{}$^C$ of finite dimensional right comodules over a coalgebra $C$ over ${\Bbbk}$ (which is uniquely determined up to an equivalence), see section on reconstruction theory in [@EGNO] and [@T Theorem 5.1]. Notice that the terminology used there for artinian is locally finite. Let ${\mathcal{C}}$ be an artinian category. For $X \in {\mathcal{C}}$ denote, as before, by $\ell(X)$ and $\ell\ell(X)$ the length and Loewy length of $X$ respectively. The category ${\mathcal{C}}$ admits a filtration $({\mathcal{C}}_n)_{n \geq 0}$, called [coradical filtration]{}, where ${\mathcal{C}}_n$ is the full subcategory consisting of objects of Loewy length less or equal than $n+1$. Considering ${\mathcal{C}}$ as equivalent to [$\mathpzc{m}$]{}$^C$, we have that ${\mathcal{C}}_n$ is equivalent to [$\mathpzc{m}$]{}$^{C_n}$, where $C_n$ is the $n$-th member of the coradical filtration of $C$. Tensor categories of subexponential growth ------------------------------------------ Assume that ${\Bbbk}$ is algebraically closed. Here, by a [tensor category]{} we mean a rigid monoidal artinian category over ${\Bbbk}$ with unit object ${\mathbf 1}$, in which the tensor product is bilinear on morphisms, and ${\rm End}({\mathbf 1})={\Bbbk}$. The following definition is essentially due to Deligne, see [@De1 Proposition 0.5]. A tensor category ${\mathcal{C}}$ has subexponential growth if for any $X\in {\mathcal{C}}$ there exists a constant $K\ge 1$ such that $\ell(X^{\otimes n})\le K^n$ for large enough $n$. The infimum of such $K$ is called the spectral radius of $X$ and denoted by $\rho(X)$. 1\. If ${\mathcal{C}}=$[$\mathpzc{m}$]{}$^H$ for a (co-quasi-) Hopf algebra $H$, then it is clear that ${\mathcal{C}}$ has subexponential growth, and $\rho(X) \le \dim X$. 2\. More generally, assume that ${\mathcal{C}}$ admits a dimension function, i.e., a function $X\mapsto {\textrm{Dim}}(X) \in \Bbb R_+$ on isomorphism classes of objects, satisfying the following properties: ${\textrm{Dim}}({\mathbf 1})=1$, ${\textrm{Dim}}(X^)={\textrm{Dim}}(X)$, ${\textrm{Dim}}(Z)={\textrm{Dim}}(X)+{\textrm{Dim}}(Y)$ for an exact sequence $0\to X\to Z\to Y\to 0$, and ${\textrm{Dim}}(X\otimes Y)={\textrm{Dim}}(X){\textrm{Dim}}(Y)$. Then ${\mathcal{C}}$ has subexponential growth, and $\rho(X)\le {\textrm{Dim}}(X)$. Indeed, since for $X \ne 0$, the object $X \otimes X^$ contains ${\mathbf 1}$, we see that ${\textrm{Dim}}(X) \ge 1$. The additivity of ${\textrm{Dim}}$ gives $\ell(X)\le {\textrm{Dim}}(X)$, which implies the statement. 3\. Let $\mathcal{C}$ be a tensor category. Suppose that its Grothendieck ring admits a unital complex matrix representation $\pi$ such that $\pi(X)$ is a matrix of size $m$ with nonnegative real entries for any $X \in \mathcal{C}$ (e.g., this holds if $\mathcal{C}$ has a module category $\mathcal{M}$ with finitely many simple objects). Then $\mathcal{C}$ has subexponential growth. Indeed, we have $$\ell(X^{\otimes n})\le [X^{\otimes n}\otimes X^{\otimes n}:{\mathbf 1}] \le \frac{1}{m} {\operatorname{tr}}\big(\pi(X)^n\pi(X^)^n\big).$$ The latter grows exponentially with $n$ since so do the matrix elements of $\pi(X)^n$ and $\pi(X^)^n$. Here $[X^{\otimes n}\otimes X^{\otimes n}:{\mathbf 1}]$ denotes the multiplicity of ${\mathbf 1}$ in a composition series of $X^{\otimes n}\otimes X^{\otimes n}$. 4\. There exist tensor categories which do not have subexponential growth, e.g., the categories ${\rm Rep}(S_t)$, $t\in \Bbb C$, obtained by extrapolating of the representation categories of the symmetric groups $S_n$, defined by Deligne in [@De2]. Frobenius tensor categories --------------------------- The following definition is inspired by the previous considerations on the category of finite dimensional comodules over a co-Frobenius Hopf algebra, see Theorem \[th:oldchar\]. A tensor category ${\mathcal{C}}$ is called Frobenius if each simple object has an injective hull. Equivalently, ${\mathcal{C}}$ has injective hulls. It is known, see [@EO Proposition 2.3], that duals of projective objects in a tensor category are injective, and vice versa. Since $X \cong {}^(X^)$ for any object $X$, a tensor category is Frobenius if and only if it has projective covers. Semisimple tensor categories are Frobenius. In particular, Deligne’s tensor category ${\rm Rep}(S_t)$ is Frobenius for $t \notin {\mathbb{Z}}_{\ge 0}$. Easy examples of Frobenius tensor categories that do not arise from [$\mathpzc{m}$]{}$^H$ for a (co-quasi-) Hopf algebra $H$ can be constructed by tensoring [$\mathpzc{m}$]{}$^H$ with a fusion category of irrational dimension. As before, for $X \in {\mathcal{C}}$, let $E(X)$ denote the injective hull of $X$. Let $\{S_i\}_{i \in I}$ be a full set of representatives of the simple objects in ${\mathcal{C}}$. Given $X, S \in {\mathcal{C}}$ with $S$ simple, $[X:S]$ stands for the number of occurrences of $S$ in a composition series of $X$. Notice that $[X:S]=\dim {\operatorname{Hom}}(X,E(S))$ and $[X:S] \geq \dim {\operatorname{Hom}}(S,X)$. The next result is a generalization of Theorem \[refined-bound\] and Corollary \[cor:finbound\], with a weaker bound on the length. \[fi\] The coradical filtration of a Frobenius tensor category ${\mathcal{C}}$ of subexponential growth is finite. More precisely, its Loewy length does not exceed $$\sum_{i \in I}\, [E({\mathbf 1}):S_i]\, \rho(S_i\otimes E({\mathbf 1})\otimes S_i^).$$ We need several preliminary results to establish Theorem \[fi\]. \[lembd\] Let $X, S \in {\mathcal{C}}$ with $S$ simple. Then $[S \otimes X:S] \le \rho(X)$. Write $m=[S \otimes X:S]$. Clearly, $m^r \leq [S \otimes X^{\otimes r}: S]$ for any $r \geq 1.$ Thus, $$m^r \le \dim {\operatorname{Hom}}(S \otimes X^{\otimes r}, E(S)) = \dim {\operatorname{Hom}}(X^{\otimes r},{}^\hspace{-2pt}S \otimes E(S))\le K_S\, \ell(X^{\otimes r})$$ for some constant $K_S$ depending only on $S$. This implies that $m\le \rho(X)$. \[bd\] Let $S$ be a simple object of ${\mathcal{C}}$. Then $\ell(S \otimes X)\le \rho(X\otimes E({\mathbf 1})\otimes X^)$. Let $W$ be a composition factor of $S \otimes X$. Then $$[S \otimes X: W] =\dim {\operatorname{Hom}}(S \otimes X,E(W))=\dim{\operatorname{Hom}}(S, E(W) \otimes X^).$$ Hence $[S \otimes X: W] \leq \dim {\operatorname{Hom}}(S,W \otimes E({\mathbf 1}) \otimes X^)$, as $E(W)$ is a direct summand of $W \otimes E({\mathbf 1})$. Let $W_1,\ldots,W_n$ be the different composition factors of $S \otimes X$. We have $$\begin{array}{ll} [S \otimes X \otimes E({\mathbf 1}) \otimes X^: S] & = \displaystyle \sum_{j=1}^{n} \, [W_j \otimes E({\mathbf 1}) \otimes X^: S][S \otimes X: W_j] \vspace{3pt} \\ & \displaystyle \geq \sum_{j=1}^{n} \, \dim {\operatorname{Hom}}(S, W_j \otimes E({\mathbf 1}) \otimes X^) \vspace{3pt} \\ & \displaystyle \geq \sum_{j=1}^{n} \, \dim {\operatorname{Hom}}(S \otimes X, E(W_j)) \vspace{3pt} \\ & \displaystyle = \sum_{j=1}^{n} \, [S \otimes X: W_j] \vspace{3pt} \\ & = \ell (S \otimes X). \end{array}$$ By Lemma \[lembd\], $\ell(S \otimes X)\le \rho(X\otimes E({\mathbf 1})\otimes X^)$, as desired. For any $V\in {\mathcal{C}}$ simple, $$\ell(E(V)) \le \sum_{i \in I}\, [E({\mathbf 1}):S_i]\,\rho(S_i\otimes E({\mathbf 1})\otimes S_i^).$$ One has $\ell(E(V))\le \ell(V\otimes E({\mathbf 1}))= \sum_{i\in I} [E({\mathbf 1}):S_i] \ell(V\otimes S_i)$, and the latter is bounded by $\sum_{i\in I} [E({\mathbf 1}):S_i]\, \rho(S_i\otimes E({\mathbf 1})\otimes S_i^)$ in view of Proposition \[bd\]. Now Theorem \[fi\] follows from the fact that the length of the coradical filtration of ${\mathcal{C}}$ is the maximal Loewy length of an indecomposable injective object. By Proposition \[bd\], any Frobenius tensor category of subexponential growth satisfies $\ell(S \otimes X) \leq K(X)$, namely, $K(X)=\rho(X\otimes E({\mathbf 1})\otimes X^)$. Conversely, any Frobenius tensor category ${\mathcal{C}}$ with this property is necessarily of subexponential growth. For, assume that for each $X,S \in {\mathcal{C}}$ with $S$ simple, there is $K(X)$ such that $\ell(S\otimes X) \le K(X)$. This implies that for $Y \in \mathcal{C}$ arbitrary, $\ell(Y \otimes X) \le \ell(Y)K(X)$. Then $\ell(X^{\otimes n})\le K(X)^n$ for all $n \geq 1$. Since Deligne’s tensor category ${\rm Rep}(S_t)$ has not subexponential growth, there is no bound here for $\ell(S\otimes X)$ depending only on $X$ and not on $S$ (this is also easy to see directly, e.g., when $X$ is the analog of the permutation representation of $S_n$). Suppose that $\mathcal{C}$ has a dimension function ${\textrm{Dim}}$. Theorem \[refined-bound\], Proposition \[lema:bound-tensor\] and Corollaries \[cor1\] and \[cor:finbound\] hold in $\mathcal{C}$ with exactly the same proofs. The role of the $1$-dimensional comodules is played by the invertible objects. The existence and invertibility of the distinguished group-like element $g$ is shown in [@EO 2.8]. Notice that the finiteness assumption there on the isomorphism classes of simple objects is not used for this. The key point is that duals of projective objects are projective. For $S \in \mathcal{C}$ simple, that $E(S)$ has a unique simple quotient, isomorphic to $kg\otimes S^{*}$, follow from Lemmata 2.9 and 2.10 and Corollary 2.11 in [@EO]. With notation as there, the injective hull $E_i$ of the simple $L_i$ is isomorphic to $(P_{{}^i})^* \simeq P_{D({}^{i})}$. By Lemma 2.10, $P_{D(^{i})} \simeq P_{^{}{i}} \otimes L_g$. By Lemma 2.9 and Corollary 2.11, $P_{^{}{i}} \simeq L_g \otimes P_{i^{*}} \otimes L_g^$. Then $E_i \simeq L_g \otimes P_{i^{*}} \otimes L_g^ \otimes L_g \simeq L_g \otimes P_{i^{}}$. From here, the head of $E_i$ is isomorphic to $L_g \otimes L_{i^{}}$. A family of co-Frobenius Hopf algebras not of finite type over the Hopf socle {#sec:answer-negative} ============================================================================= Before constructing the family of Hopf algebras described in the title, we present an example that tackles directly the problem of the finiteness over the Hopf socle. An initial example {#motivating} ------------------ We assume in this subsection that ${\operatorname{char}}{\Bbbk}= 0$. Consider the Hopf algebra $A$ generated by $g,h$ subject to the relations $g^2=1$ and $gh=-hg$, where $g$ is group-like and $h$ is $(g,1)$-primitive. The example will be realized as a Hopf subalgebra of the finite dual Hopf algebra $A^0$. For $z \in {\mathbb{Z}}$ let $J_z$ denote the ideal generated by $h^2-z$. The algebra $A_z=A/J_z$ is isomorphic to $M_2({\Bbbk})$ when $z \neq 0$. Writing $\bar{g},\bar{h}$ for the class of $g,h$ respectively, the isomorphism is defined by: $$\label{action} \bar{g} \mapsto \left(\begin{array}{cc} 1 & 0 \\ 0 & -1 \end{array}\right), \quad \bar{h} \mapsto \left(\begin{array}{cc} 0 & 1 \\ z & 0 \end{array}\right).$$ Let $S_z$ be the unique (up to isomorphism) simple left $A_z$-module. It is also simple when viewed as a left $A$-module via the canonical projection $\pi_z:A \rightarrow A_z$. For $z=0$ the algebra $A_0$ is just Sweedler Hopf algebra $H_4$ and $\pi_0$ is a Hopf algebra morphism. Recall that $H_4$ has two simple modules: ${\Bbbk}$, and ${\Bbbk}_{\chi}$ given by the character $\chi:H_4 \rightarrow {\Bbbk}, \bar{g} \mapsto -1, \bar{h} \mapsto 0$. Let $E({\Bbbk})$ and $E({\Bbbk}_{\chi})$ denote the injective hulls (as $H_4$-modules) of ${\Bbbk}$ and ${\Bbbk}_{\chi}$ respectively. These four modules are (up to isomorphism) all the indecomposable left modules over $H_4$. Consider now the category ${\operatorname{Rep}}(A)$ of finite dimensional left $A$-modules. Let ${\mathcal C}$ be the full subcategory of ${\operatorname{Rep}}(A)$ consisting of objects $V$ on which $h^2$ acts by a semisimple linear operator with integer eigenvalues. Write $V=\oplus_{i=1}^m V(z_i)$, where $z_i \in {\mathbb{Z}}$ and $V(z_i)=\{v \in V :h^2\cdot v=z_iv\}$ for all $i=1,...,m$. Since $h^2$ is central, $V(z_i)$ is an $A$-submodule of $V$. If $z_i \neq 0$, then the $A$-action on $V(z_i)$ factors through $A_{z_i}$ and $V(z_i) \cong S_{z_i}^{\,n_i}$ as an $A$-module for some $n_i \geq 1.$ If $z_i=0$, then the $A$-action on $V(0)$ factors through $H_4$ and $V(0)$ is isomorphic to a finite direct sum of copies of ${\Bbbk}, {\Bbbk}_{\chi}, E({\Bbbk}),$ and $E({\Bbbk}_{\chi})$. Conversely, $h^2$ acts by a semisimple linear operator with integer eigenvalues on any object of ${\operatorname{Rep}}(A)$ isomorphic to a finite direct sum of copies of ${\Bbbk}, {\Bbbk}_{\chi}, E({\Bbbk}),E({\Bbbk}_{\chi}),$ and ${S_{z_i}}'s$. This totally describes the objects of ${\mathcal C}$. \[initialex\] The category ${\mathcal C}$ is a tensor subcategory of ${\operatorname{Rep}}(A)$. It is tensor equivalent to [$\mathpzc{m}$]{}$^H$ for a co-Frobenius Hopf algebra $H$ which is not of finite type over its Hopf socle. That ${\mathcal C}$ is an abelian subcategory of ${\operatorname{Rep}}(A)$ follows from the assumption on the action of $h^2$. By the same reason, $E({\Bbbk})$ is injective in ${\mathcal C}$, and it is the injective hull of ${\Bbbk}$. Given $V, W \in {\mathcal C}$, since $h^2$ is primitive, it acts as a semisimple linear operator on $V \otimes W$. Notice that $h^2 \cdot (V(z) \otimes W(z')) \subseteq (V \otimes W)(z + z')$ for $z,z' \in {\mathbb{Z}}$. Moreover, if $V=\oplus_{i=1}^m V(z_i)$, then $V^=\oplus_{i=1}^m V^(-z_i)$ because ${{\mathcal S}}(h^2)=-h^2$. This shows that ${\mathcal C}$ is a tensor subcategory of ${\operatorname{Rep}}(A)$. The forgetful functor $U:{\mathcal C} \rightarrow {\operatorname{Vec}}_{{\Bbbk}}$ is a fiber functor. By reconstruction theory, there is a tensor equivalence $F$ from ${\mathcal C}$ to [$\mathpzc{m}$]{}$^H$ for some Hopf algebra $H$. This Hopf algebra must be co-Frobenius because $F(E({\Bbbk}))$ has finite length. Finally, we prove that $H$ is not of finite type over its Hopf socle ${H_{\textrm{soc}}}$. By the form of the objects in ${\mathcal C}$, the only (up to isomorphism) simple objects are ${\Bbbk}, {\Bbbk}_{\chi},$ and $S_z$ for $z \in {\mathbb{Z}}^{\diamond}$. Here ${\mathbb{Z}}^{\diamond}={\mathbb{Z}}\backslash\{0\}$. It is not difficult to check directly that the multiplication rules for them are the following: $$\begin{aligned} {\Bbbk}_{\chi} \otimes {\Bbbk}_{\chi} \simeq {\Bbbk}, & \quad {\Bbbk}_{\chi} \otimes S_z \simeq S_z \simeq S_z \otimes {\Bbbk}_{\chi}, & \quad S_z \otimes S_{z'} \simeq \left\{\begin{array}{ll} H_4 & \ {\rm if}\ z' = -z, \vspace{2pt} \\ S_{z+z'}^{\,2} & \ {\rm otherwise}. \end{array}\right.\end{aligned}$$ Then, ${H_{\textrm{soc}}}$ has only two simple comodules and hence it is finite dimensional. Since $H$ is infinite dimensional, it cannot be of finite type over ${H_{\textrm{soc}}}$. \[exdescrip\] The Hopf algebra $H$ of the previous theorem is presented by generators $u,x,a^{\pm 1}$ and defining relations: $$\label{relex} \begin{aligned} u^2=1, & \quad x^2=0, & ux=-xu, & \quad a^{\pm 1}a^{\mp 1}=1, & ua=au, & \quad ax=xa. \end{aligned}$$ Its comultiplication, counit, and antipode are given by: $$\begin{aligned} \Delta(u)& =u\otimes u, \hspace{10pt} \Delta(x) = u \otimes x+x \otimes 1, \hspace{10pt} \Delta(a^{\pm 1})=a^{\pm 1} \otimes a^{\pm 1}\pm xua^{\pm 1} \otimes xa^{\pm 1}, \vspace{5pt} \\ \varepsilon(u)& =1, \hspace{35pt} \varepsilon(x) =0, \hspace{73pt} \varepsilon(a^{\pm 1}) =1, \vspace{5pt} \\ {{\mathcal S}}(u)& =u, \hspace{34pt} {{\mathcal S}}(x) = xu, \hspace{65pt} {{\mathcal S}}(a^{\pm 1})=a^{\mp 1}. \end{aligned}$$ Each object $X \in {\mathcal C}$ is naturally a finite dimensional right $A^0$-comodule. Let $cf(X)$ denote the coefficient space of $X$. Then $H:=\sum_{X \in {\mathcal C}} cf(X)$ is a Hopf subalgebra of $A^0$ because ${\mathcal C}$ is a tensor subcategory of ${\operatorname{Rep}}(A)$. The category [$\mathpzc{m}$]{}$^H$ is tensor equivalent to ${\mathcal C}$. By the form of the objects in ${\mathcal C}$, it suffices to consider the family ${\mathcal F}=\{{\Bbbk}, {\Bbbk}_{\chi}, E({\Bbbk}), E({\Bbbk}_{\chi})\}\cup \{S_z : z \in {\mathbb{Z}}^{\diamond}\}$ to reconstruct $H$, that is, $H=\sum_{X \in {\mathcal F}} cf(X)$. To describe the elements of $H,$ recall that $cf(X)$ is isomorphic to $(A/{\operatorname{Ann}}(X))^$, as a coalgebra, viewing $(A/{\operatorname{Ann}}(X))^$ inside $A^0$ through the dual map of the canonical projection of $A$ onto $A/{\operatorname{Ann}}(X)$. The set $\{g^ih^j: 0 \leq i \leq 1,\, 0\leq j\}$ is a basis of $A$. For each $z \in {\mathbb{Z}}$ we consider $A_z^$ inside $A^0$ through $\pi_z^:A_z^* \rightarrow A^0$. Let $u,x \in H_4^$ be defined by $\langle u, \bar{g}^i\bar{h}^j \rangle = (-1)^i\delta_{j,0}$ and $\langle x, \bar{g}^i\bar{h}^j \rangle = (-1)^i\delta_{j,1}$, with $0 \leq i,j \leq 1$. The assignment $u \rightarrow \bar{g}, x \mapsto \bar{h}$ gives a Hopf algebra isomorphism between $H_4^$ and $H_4.$ View $u,x$ inside $A^0$ through $\pi_0^$. Since it is a Hopf algebra morphism, we obtain the given relations and formulae for the comulplication, counit, and antipode of $u$ and $x$. We now discuss the case $z \neq 0$. Recall from that $A_z \simeq M_2({\Bbbk})$. For $r,s=1,2$ let $c(z)_{rs}$ be the matrix with $1$ in the entry $(r,s)$ and zero elsewhere. Under the previous isomorphism, $$c(z)_{11} \mapsto \frac{1}{2}(\bar{1}+\bar{g}), \quad c(z)_{12} \mapsto \frac{1}{2}(\bar{h}+\bar{g}\bar{h}), \quad c(z)_{21} \mapsto \frac{1}{2z}(\bar{h}-\bar{g}\bar{h}), \quad c(z)_{22} \mapsto \frac{1}{2}(\bar{1}-\bar{g}).$$ Let $\{C(z)_{rs}\}_{r,s=1}^2 \subset M_2({\Bbbk})^$ be the dual basis of the above one. Then, $$\Delta(C(z)_{rs})=\sum_{k=1}^2 C(z)_{rk} \otimes C(z)_{ks}, \qquad \varepsilon(C(z)_{rs})=\delta_{rs}.$$ These elements can be considered inside $A^0$ as follows: $$\begin{aligned} \langle C(z)_{11}, g^ih^j \rangle & = z^{\frac{j}{2}} \delta_{[j],0}, & \hspace{20pt} \langle C(z)_{12}, g^ih^j \rangle & = z^{\frac{j-1}{2}} \delta_{[j],1}, \\ \langle C(z)_{21}, g^ih^j \rangle & = (-1)^iz^{\frac{j+1}{2}} \delta_{[j],1}, & \hspace{20pt} \langle C(z)_{22}, g^ih^j \rangle & = (-1)^iz^{\frac{j}{2}} \delta_{[j],0}. \end{aligned}$$ Here $[j]$ stands for the class of $j$ modulo $2$. The following relations can be easily checked by direct computation: $$\begin{array}{ll} C(z)_{22}=uC(z)_{11}=C(z)_{11}u, & \quad C(z)_{21}=zxC(z)_{11}=zC(z)_{11}x, \vspace{2pt} \\ C(z)_{12}=xuC(z)_{11}=C(z)_{11}xu, & \quad C(z+z')_{11}=C(z)_{11}C(z')_{11} \ {\rm if\ } z' \neq -z, \vspace{2pt} \\ C(z)_{11}C(-z)_{11}=1, & \quad {{\mathcal S}}(C(z)_{11})=C(-z)_{11}. \end{array}$$ Writing $a=C(1)_{11}$, we obtain $C(-1)_{11}=a^{-1}$ and $$C(z)_{11}=a^{z},\ C(z)_{12}=xua^{z}, \ C(z)_{21}=zxa^{z}, \ C(z)_{22}=ua^{z}\ {\rm for\ all}\ z \in {\mathbb{Z}}^{\diamond}.$$ Also, $ua=au$ and $xa=ax$. The comultiplication of $a$ and $a^{-1}$ read as $$\Delta(a)=a \otimes a +xua\otimes xa, \qquad \Delta(a^{-1})=a^{-1} \otimes a^{-1}-xua^{-1} \otimes xa^{-1},$$ and the antipode ${{\mathcal S}}(a^{\pm 1})=a^{\mp 1}$. The previous relations show that $H$ equals the subalgebra generated by $u,x,$ and $a^{\pm 1}.$ We have $H=H_4+(\sum_{z \in {\mathbb{Z}}^{\diamond}} A_z^).$ The second sum is direct since it consists of simple subcoalgebras. Moreover, $H_4 \cap (\sum_{z \in {\mathbb{Z}}^{\diamond}} A_z^)=0$ because otherwise either ${\Bbbk}$ or ${\Bbbk}u$ would be contained in some $A_z^$, which is not possible. This, together with the previous relations, implies that the set $\{x^ju^ia^{z}:0\leq i,j \leq 1,\, z \in {\mathbb{Z}}\}$ is a basis of $H$. From here, it easily follows that $H$ is presented by $u,x$ and $a^{\pm 1}$ and defining relations . Notice that $H \simeq H_4 \otimes {\Bbbk}{\mathbb{Z}}$ as algebras. In the next subsections we construct a large family of infinite dimensional co-Frobenius Hopf algebras that, apart from producing other examples to the above question, are interesting in its own for several reasons. This family is completely new and it does not fit in any of the general approaches to construct examples of co-Frobenius Hopf algebras, [@AD Section 3] and [@BDGN Section 4]. It provides examples of Hopf algebras generated by the coradical, a property stressed in [@AC Theorem 1.3]. We will adopt a point of view different to the above one, though related, that is susceptible of generalizations. Our construction will be better understood from the analysis of the Hopf algebra dual to a lifting of a quantum line. The dual of a lifting of a quantum line {#subsec:dual-qline} --------------------------------------- Let $G$ be a finite abelian group and $\widehat{G}$ its group of characters. Suppose that ${\operatorname{char}}{\Bbbk}\nmid \vert G \vert$. Take $1 \neq g \in G$, $\chi \in \widehat{G}$ and $\alpha \in {\Bbbk}$. Let $\omega=\chi(g)$ and $n={\operatorname{ord}}\omega$. We assume that $n>1$ and $$\label{eq:hip-lift-ql} \alpha \neq 0 \implies \chi^n=1 \text{\ and\ } g^n \neq 1.$$ Let $G$ act on the polynomial algebra ${\Bbbk}[x]$ by $\sigma\cdot x=\chi(\sigma)x$, $\sigma \in G$. The quotient of the smash product ${\Bbbk}[x]\# {\Bbbk}G$ by the ideal generated by $x^n - \alpha(1-g^n)$ is a Hopf algebra, denoted by $H(G,g,\chi,\alpha)$; it has dimension $\vert G \vert n$ and basis $\{x^j\sigma: 0\leq j <n, \sigma \in G\}$. The elements of $G$ are group-like and $x\in {{\mathcal P}}_{g,1}(H(G,g,\chi,\alpha))$. Defined in [@AS1 Section 5], it is a lifting of a quantum line in the sense of [@AS1 Section 4]. If ${\Bbbk}$ is algebraically closed we can always take $\alpha \in \{0,1\}$ replacing $x$ by $\alpha^{- 1/n}x$ for $\alpha \neq 0$. When $G$ is cyclic of order $n$ generated by $g$ and $\alpha=0$ we get Taft Hopf algebra $T_n(\omega)$. The case $\alpha=1$ and $G$ cyclic of order $pn$ was constructed in [@Rad Section 2] to give an example of noncommutative noncocommutative Hopf algebra whose Jacobson radical is not a Hopf ideal. Put $K={\operatorname{Ker}}\chi$, $p=\vert K \vert$, and $m={\operatorname{ord}}\chi$; $n$ divides $m$ and if $\alpha \neq 0$, then $m=n$ by assumption. Choose $u \in G$ such that $\chi(u)=\eta$, with $\eta$ a primitive $m$-th root of unity. The quotient group $G/K$ is cyclic of order $m$ and it is generated by the class of $u$. We fix now a decomposition $C_{p_1} \oplus \dots \oplus C_{p_s}$ of $K$ as a direct sum of cyclic groups of orders $p_1, \dots, p_s$. For $i=1,\dots ,s$ let $a_i \in K$ denote a generator of the subgroup $C_{p_i}$. Every element of $G$ may be uniquely expressed as $u^ta_1^{e_1}\dots a_s^{e_s}$ with $0 \leq t <m$ and $0 \leq e_i < p_i$. We abbreviate $(e_1,\dots, e_s)$ to $e$, $a_1^{e_1}\dots a_s^{e_s}$ to $a^e$, and so on. In particular, $g=u^{\gamma}a_1^{f_1}\dots a_s^{f_s} = u^{\gamma}a^{f}$. When $\alpha \neq 0$, we can take $u=g$ so that $\gamma=1$ and $f=0$. We have $\omega=\chi(g)=\chi(u^{\gamma}a^{f})=\chi(u)^{\gamma}=\eta^{\gamma}$. We also write $g^n=a^{\theta}$. Clearly, $p=\vert K \vert=p_1\dots p_s$ and $\vert G \vert=pm$. Write $d_i=p/p_i$. Take $\xi \in {\Bbbk}$ a primitive $\vert G \vert$-th root of unity such that $\xi^p=\eta$. Define $U,X,A_i: H(G,g,\chi,\alpha) \rightarrow {\Bbbk}$ by $$\begin{aligned} \langle U, x^ju^ta_1^{e_1}\dots a_s^{e_s} \rangle &= \eta^t \delta_{j,0}, \\ \langle X, x^ju^ta_1^{e_1}\dots a_s^{e_s} \rangle &= \delta_{j,1}, \\ \langle A_i, x^ju^ta_1^{e_1}\dots a_s^{e_s} \rangle &= \xi^{d_i(\theta_it+me_i)}\delta_{j,0}.\end{aligned}$$ Let now $D=D(G,g,\chi,\alpha)$ be the dual Hopf algebra of $H(G,g,\chi,\alpha)$. For $0 \leq k \leq n$ recall that the $\omega$-factorial and $\omega$-binomial coefficients are given by: $$\begin{aligned} (k)_{\omega} &= \sum_{j=0}^{k-1} \omega^j, & (k)!_{\omega} &= \prod_{j=1}^k (j)_{\omega},& \binom{n}{k}_{\omega} &= \frac{(n)!_{\omega}}{(k)!_{\omega} (n-k)!_{\omega}}.\end{aligned}$$ \[dual\] The algebra $D$ is generated by $U$, $X$ and $A_i$, $i=1,\dots ,s$, subject to the relations: $$\label{eq:relfin} \begin{aligned} U^m &=1, & X^n &=0, & A_i^{p_i}&=U^{\theta_i}, & UX &=\omega XU, \\ UA_i&=A_iU, & A_iX &= \xi^{d_i(\theta_i\gamma+mf_i)}XA_i, & \ A_iA_r & =A_rA_i. && \end{aligned}$$ Its comultiplication, counit, and antipode are given by $U\in G(D)$, $X\in {{\mathcal P}}_{U, 1}(D)$ and $$\begin{aligned} \label{eq:delta-Ai} \Delta(A_i) &=A_i \otimes A_i + \alpha \Big(1-\xi^{d_i\theta_im}\Big)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} X^{n-k}U^kA_i \otimes X^kA_i, \\ \label{eq:counit-antipode-Ai} \varepsilon(A_i)&=1, \qquad {{\mathcal S}}(A_i)=A_i^{p_i-1}U^{m-\theta_i}.\end{aligned}$$ We stress again that $m=n$, $\gamma=1$ and $f=0$ when $\alpha \neq 0$. Throughout we shall use that $\{x^ju^ta^e\}$ is a basis of $H(G,g,\chi,\alpha)$. We divide the proof into several steps. \[step:uno\] To verify the relations in one needs the formula $$\begin{aligned} \Delta(x^j\sigma)=\sum_{k=0}^j {\binom{j}{k}_{\!\omega}}x^{j-k}g^k\sigma \otimes x^k \sigma.\end{aligned}$$ The computations are straightforward; along the way, one establishes the identities: $$\begin{aligned} \langle U^{t'}, x^ju^ta^e \rangle &= \eta^{tt'} \delta_{j,0}; & &\text{this implies } U^m=1; \\ \langle X^{j'}, x^ju^ta^e \rangle &= (j')!_{\omega} \delta_{j,j'}; & &\text{this implies } X^n=0; \\ \langle A_i^{e'_i}, x^ju^ta^e \rangle &= \xi^{e'_id_i(\theta_it+me_i)}\delta_{j,0}; & &\text{this implies } A_i^{p_i}=U^{\theta_i}.\end{aligned}$$ \[step:dos\] Consider the subalgebra $R$ of $D$ generated by $U$, $X$ and $A_i$, $i=1,\dots,s$. The set $$\begin{aligned} \label{eq:basis} \{X^{j'}U^{t'}A_1^{e'_1}\dots A_s^{e'_s} \vert \ 0 \leq j'<n,\, 0\leq t'<m,\, 0\leq e'_i <p_i\}\end{aligned}$$ spans $R$ and has $\vert G \vert n$ elements. We will show that it is also linearly independent and then $R= D$. We claim that $$\label{eq:evaluation} \langle X^{j'}U^{t'}A^{e'}, x^ju^ta^e \rangle = \bigg(\prod\limits_{i=1}^s \xi^{d_ie'_i(\theta_it+me_i)}\bigg)\eta^{tt'}(j')!_{\omega}\delta_{j',j}.$$ For this, we easily check that $\langle A^{e'}, x^ju^ta^e \rangle=\delta_{j,0} \prod_{i=1}^s \xi^{d_ie'_i(\theta_it+me_i)}$. Then $$\begin{aligned} \langle X^{j'}U^{t'}A^{e'}, x^ju^ta^e \rangle &= \sum_{k=0}^j {\binom{j}{k}_{\!\omega}}\langle X^{j'}U^{t'}, x^{j-k} u^{\gamma k}a^{f k}u^ta^e \rangle \langle A^{e'}, x^k u^ta^e \rangle \\ & \hspace{-15pt} = \bigg(\prod\limits_{i=1}^s \xi^{d_ie'_i(\theta_it+me_i)}\bigg) \langle X^{j'}U^{t'}, x^ju^ta^e \rangle \\ & \hspace{-15pt} = \bigg(\prod\limits_{i=1}^s \xi^{d_ie'_i(\theta_it+me_i)}\bigg)\sum_{k=0}^j {\binom{j}{k}_{\!\omega}}\langle X^{j'}, x^{j-k} u^{\gamma k}a^{f k}u^ta^e \rangle \langle U^{t'}, x^k u^ta^e \rangle \\ & \hspace{-15pt} = \bigg(\prod\limits_{i=1}^s \xi^{d_ie'_i(\theta_it+me_i)}\bigg)\eta^{tt'} \langle X^{j'}, x^ju^ta^e \rangle\end{aligned}$$ and follows. To show linear independence of , consider the following equation, where the $\lambda$’s are scalars and the limits in the sum are understood: $$\sum_{j',t',e'} \lambda_{j',t',e'}X^{j'}U^{t'}A^{e'}=0.$$ Take $j,t$ and $e=(e_1,\dots,e_s)$ arbitraries and evaluate the previous sum at the element $$\frac{1}{(j)!_{\omega}pm}\sum_{l=0}^{m-1} \sum_{k_1=0}^{p_1-1} \ldots \sum_{k_s=0}^{p_s-1} \eta^{-tl} \bigg(\prod_{r=1}^s \xi^{-d_re_r(mk_r+\theta_rl)}\bigg)x^ju^la_1^{k_1} \ldots a_s^{k_s};$$ we obtain $$\begin{aligned} 0 & = \sum_{j'} \frac{(j')!_{\omega}}{(j)!_{\omega}} \delta_{j',j} \bigg[\sum_{t'} \frac{1}{m} \sum_{l=0}^{m-1} \eta^{(t'-t)l} \bigg(\prod_{i=1}^s \xi^{-d_ie_i\theta_il}\bigg) \bigg[\sum_{e'_1,\dots,e'_s} \bigg(\prod_{i=1}^s \xi^{d_ie'_i\theta_il}\bigg) \lambda_{j',t',e'_1,\dots,e'_s} \\ & \qquad \times \prod_{i=1}^s \bigg(\frac{1}{p_i} \sum_{k_i=0}^{p_i-1} \xi^{d_im(e'_i-e_i)k_i}\bigg)\bigg]\bigg] = \lambda_{j,t,e}.\end{aligned}$$ Let ${{\mathcal R}}$ be the algebra presented by generators $\overline{U}$, $\overline{X}$ and $\overline{A}_i$, $i=1,\dots,s,$ with defining relations . By Steps \[step:uno\] and \[step:dos\], we have a surjective algebra morphism $\varphi: {{\mathcal R}}\to D$. The set $$\{\overline{X}^{j'}\overline{U}^{t'}\overline{A}_1^{e'_1}\dots \overline{A}_s^{e'_s} \ \vert \ 0 \leq j'<n,\, 0\leq t'<m,\, 0\leq e'_i <p_i\}$$ spans ${{\mathcal R}}$ and has $\vert G \vert n$ elements. Indeed, the span of this set is a left ideal of ${{\mathcal R}}$ and contains 1. Therefore, $\varphi$ is an isomorphism. We now proceed to establish the formulae for the comultiplication, counit, and antipode. The comultiplication at $U$ and $X$ determines the values of the counit and antipode at them, so we can skip their computations. $\Delta(U)=U \otimes U$. $$\langle \Delta(U), (x^ju^ta^e) \otimes (x^{j'}u^{t'}a^{e'})\rangle = \langle U, (x^ju^ta^e)(x^{j'}u^{t'}a^{e'})\rangle = \eta^{tj'} \langle U, x^{j+j'}u^{t+t'}a^{e+e'}\rangle. \vspace{5pt}$$ Let $[j+j']$ be the residue class of $j+j'$ modulo $n$. We distinguish three cases: $$\begin{aligned} j+j'>n &\Rightarrow & \eta^{tj'} \langle U, x^{j+j'}u^{t+t'}a^{e+e'}\rangle & = \eta^{tj'} \langle U, \alpha x^{[j+j']}(1-g^n)u^{t+t'}a^{e+e'}\rangle=0. \\[1pt] j+j'=n &\Rightarrow & \eta^{tj'} \langle U, x^{j+j'}u^{t+t'}a^{e+e'}\rangle & = \eta^{tj'} \langle U, \alpha (1-g^n)u^{t+t'}a^{e+e'}\rangle \\[1pt] & & & = \alpha\eta^{tj'} (\eta^{t+t'}-\eta^{t+t'}) =0. \\ j+j'<n &\Rightarrow & \eta^{tj'} \langle U, x^{j+j'}u^{t+t'}a^{e+e'}\rangle & = \eta^{tj'}\eta^{t+t'}\delta_{j+j',0}= \eta^{t+t'}\delta_{j,0}\delta_{j',0}.\end{aligned}$$ On the other hand, $$\begin{aligned} \langle U \otimes U, (x^ju^ta^e) \otimes (x^{j'}u^{t'}a^{e'})\rangle = \langle U, x^ju^ta^e \rangle \langle U, x^{j'}u^{t'}a^{e'} \rangle = \eta^{t+t'}\delta_{j,0}\delta_{j',0}.\end{aligned}$$ $\Delta(X)=U \otimes X+X \otimes 1$. Proceeding as in Step 4 one can easily check that $$\begin{aligned} \langle \Delta(X), (x^ju^ta^e) \otimes (x^{j'}u^{t'}a^{e'}) \rangle & = \begin{cases} \eta^t & {\rm if\ } (j,j')=(0,1), \\ 1 & {\rm if\ } (j,j')=(1,0), \\ 0 & \rm{otherwise.} \end{cases} \\ & = \langle U \otimes X+X\otimes 1, (x^ju^ta^e) \otimes (x^{j'}u^{t'}a^{e'})\rangle.\end{aligned}$$ $\Delta (A_i)$ is given by . We start evaluating the left-hand side of at a basis element: $$\begin{aligned} \langle \Delta(A_i), x^ju^ta^e \otimes x^{j'}u^{t'}a^{e'} \rangle & = \langle A_i, (x^ju^ta^e)(x^{j'}u^{t'}a^{e'})\rangle = \eta^{tj'} \langle A_i, x^{j+j'}u^{t+t'}a^{e+e'}\rangle.\vspace{15pt}\end{aligned}$$ Again, we distinguish the three possible cases for $j+j'$: $$\begin{aligned} j+j'>n &\Rightarrow & &\eta^{tj'} \langle A_i, x^{j+j'}u^{t+t'}a^{e+e'}\rangle = \eta^{tj'} \langle A_i, \alpha x^{[j+j']}(1-g^n)u^{t+t'}a^{e+e'}\rangle = 0. \\[1pt] j+j'<n &\Rightarrow & &\eta^{tj'} \langle A_i, x^{j+j'}u^{t+t'}a^{e+e'}\rangle = \eta^{tj'}\xi^{d_i(\theta_i(t+t')+m(e_i+e'_i))}\delta_{j,0}\delta_{j',0}. \\ j+j'=n &\Rightarrow & &\eta^{tj'} \langle A_i, x^{j+j'}u^{t+t'}a^{e+e'}\rangle = \eta^{tj'} \langle A_i, \alpha (1-g^n)u^{t+t'}a^{e+e'}\rangle \\ & & & \hspace{40pt} = \eta^{tj'}\alpha \Big(\langle A_i, u^{t+t'}a^{e+e'}\rangle - \langle A_i, u^{t+t'}a^{\theta+e+e'}\rangle\Big) \\ & & & \hspace{40pt} = \alpha\eta^{tj'}\xi^{d_i(\theta_i(t+t')+m(e_i+e'_i))}(1-\xi^{d_im\theta_i}) \\ & & & \hspace{40pt} = \mu\eta^{tj'}\xi^{d_i(\theta_i(t+t')+m(e_i+e'_i))}.\end{aligned}$$ We wrote $\mu=\alpha (1-\xi^{d_i\theta_im})$ for short. We next evaluate the right-hand side of at the same basis element: $$\begin{aligned} & \langle A_i \otimes A_i + \mu \sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} X^{n-k}U^kA_i \otimes X^kA_i, (x^ju^ta^e) \otimes (x^{j'}u^{t'}a^{e'}) \rangle = \\ & \hspace{1cm} = \langle A_i, x^ju^ta^e \rangle \langle A_i, x^{j'}u^{t'}a^{e'} \rangle \\ & \hspace{1cm} \qquad + \mu \sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} \langle X^{n-k}U^kA_i, x^ju^ta^e \rangle\langle X^kA_i, x^{j'}u^{t'}a^{e'} \rangle \\[3pt] & \hspace{1cm} \overset{\eqref{eq:evaluation}} = \xi^{d_i(\theta_it+me_i)}\xi^{d_i(\theta_it'+me'_i)}\delta_{j,0}\delta_{j',0}\\ & \hspace{1cm} \qquad +\mu \sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} \xi^{d_i(\theta_it+me_i)}\eta^{tk}(n-k)!_{\omega}\delta_{j,n-k}\xi^{d_i(\theta_it'+me'_i)}(k)!_{\omega}\delta_{j',k} \\ & \hspace{1cm} = \begin{cases} 0 & {\rm if\ } j+j'>n \\ \xi^{d_i(\theta_i(t+t')+m(e_i+e'_i))}\delta_{j,0}\delta_{j',0} & {\rm if\ } j+j'<n \\ \mu\eta^{tj'}\xi^{d_i(\theta_i(t+t')+m(e_i+e'_i))} & {\rm if\ } j+j'=n \end{cases}\end{aligned}$$ Finally, we obtain the formulae of the counit and antipode for $A_i$. Clearly, $\varepsilon(A_i)=1$. Since $A_i^{\vert G \vert}=A_i^{p_id_im}=U^{\theta_id_im}=1$ we have $A_i^{\vert G \vert-1}=A_i^{p_i-1}U^{m-\theta_i}$. Then $$\begin{aligned} \langle {{\mathcal S}}(A_i), x^ju^ta^e \rangle & = \langle A_i, u^{-t}a^{-e} \rangle \delta_{j,0} = \xi^{-d_i(\theta_it+me_i)} \delta_{j,0} = \langle A_i^{\vert G \vert-1}, x^ju^ta^e \rangle. \end{aligned}$$ A new family of co-Frobenius Hopf algebras {#subsec:blowing-dual} ------------------------------------------ Our main construction is an infinite version of $D(G,g,\chi,\alpha)$ obtained by removing the relation $A_i^{p_i}=U^{\theta_i}$ in (\[eq:relfin\]) and replacing $\xi^{d_i(\theta_i\gamma+mf_i)}$ in $A_iX=\xi^{d_i(\theta_i\gamma+mf_i)}XA_i$ by an arbitrary $q_i \in {\Bbbk}^{\times}$, and $\xi^{d_i\theta_im}$ in by $q_i^n$. Indeed, $D(G,g,\chi,\alpha)$ fits into the cleft exact sequence $${\Bbbk}\rightarrow H(C_m,g,\chi,0) \rightarrow D(G,g,\chi,\alpha) \rightarrow {\Bbbk}(C_{p_1} \oplus \dots \oplus C_{p_s}) \rightarrow {\Bbbk}.$$ The proposed changes mean replacing each $C_{p_i}$ by ${\mathbb{Z}}$ in the cokernel and lifting the dual cocycle ${\Bbbk}(C_{p_1} \oplus \dots \oplus C_{p_s}) \rightarrow H(C_m,g,\chi,0) \otimes H(C_m,g,\chi,0)$ involved in the comultiplication. Finite dimensionality is lost but not the co-Frobenius property because the Hopf algebra is an extension of a finite dimensional by a cosemisimple. Finiteness over the Hopf socle depends on the parameters $q_i$, as we will see in Theorem \[mainth2\]. Let $1 \neq n,m \in {\mathbb{N}}$ be such that $n$ divides $m$. Assume that ${\Bbbk}$ contains a primitive $n$-th root of unity $\omega$. Let $I$ be a non-empty set and take $q_i \in {\Bbbk}^{\times}$ for each $i \in I$. Pick now $\alpha \in {\Bbbk}$. Consider the ${\Bbbk}$-algebra ${\mathcal D}= {\mathcal D}(m, \omega, (q_i)_{i\in I},\alpha)$ presented by generators $u,x,a_i^{\pm 1} (i \in I)$ and defining relations $$\begin{aligned} \label{rel} \begin{array}{llll} u^m=1, & \hspace{10pt} x^n=0, & \hspace{10pt} a_i^{\pm 1}a_i^{\mp 1}=1, & \hspace{10pt} ux=\omega xu, \vspace{2pt} \\ ua_i=a_iu, & \hspace{10pt} a_ix=q_ixa_i, & \hspace{10pt} a_ia_j=a_ja_i, & \hspace{10pt} i,j \in I. \end{array}\end{aligned}$$ Fix a total order $<$ in $I$. For $r\geq 1$ set $I^{[r]} = \{(i_1,\dots ,i_r) \in I^r: i_1 < \dots < i_r\}$ and $I^{[0]}= {\mathbb{Z}}^0 = \{0\}$. Given $F= (i_1,\dots ,i_r)\in I^{[r]}$ and $E= (e_1,\ldots,e_r) \in {\mathbb{Z}}^r$ we write $$\begin{aligned} \label{eq:notation-EF} a_F^E &= a_{i_1}^{e_1}\dots a_{i_r}^{e_r}, & q_F^E &=q_{i_1}^{e_1}\dots q_{i_r}^{e_r}, & a_0^0 & = 1, & q_0^0=1.\end{aligned}$$ Thus $q_F^{nE}=q_{i_1}^{ne_1}\dots q_{i_r}^{ne_r}$. Put ${\mathbb{Z}}^{\diamond}={\mathbb{Z}}\backslash \{0\}$ and $({\mathbb{Z}}^r)^{\diamond}=({\mathbb{Z}}^{\diamond})^r$. Let $\Gamma= \bigcup_{r\geq 1} I^{[r]} \times ({\mathbb{Z}}^r)^{\diamond}.$ Let $C_m = \langle u\rangle$ be a cyclic group of order $m$ and let $\chi\in \widehat{C_m}$ given by $\chi(u) = \omega$. Then ${\mathbb{Z}}^{(I)}$ acts on $H(C_m,u,\chi,0)$ by $a_i\cdot x = q_ix$, $a_i\cdot u = u$, $i\in I$; clearly, ${\mathcal D}\simeq H(C_m,u,\chi,0) \# {\Bbbk}{\mathbb{Z}}^{(I)}$. Hence the set $$\label{basis} B= \big\{x^su^ta_F^E : 0\leq s<n,\, 0 \leq t<m, \, (F,E) \in \Gamma \cup \{(0,0)\} \big\}$$ is a basis of ${\mathcal D}$. Alternatively, this can be shown by applying the Diamond Lemma. compare with . If ${\Bbbk}$ is algebraically closed, for our purposes, we can take $\alpha$ in the set $\{0,1\}$. \[extmap\] The algebra ${\mathcal D}$ bears a Hopf algebra structure uniquely defined by $$\label{eq:D-Hopf} \begin{aligned} \Delta(u)&=u\otimes u, \qquad \Delta(x)= u \otimes x+x \otimes 1, \\ \Delta(a_i^{\pm 1})&=a_i^{\pm 1} \otimes a_i^{\pm 1}+\alpha(1-q_i^{\pm n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i^{\pm 1} \otimes x^ka_i^{\pm 1},\hspace{-15pt} \\ \varepsilon(u) &=1, \hspace{42pt} \varepsilon(x)=0, \hspace{57pt} \varepsilon(a_i^{\pm 1}) =1,\\ {{\mathcal S}}(u)& =u^{m-1}, \qquad {{\mathcal S}}(x) =-u^{m-1}x, \qquad {{\mathcal S}}(a_i^{\pm 1})=a_i^{\mp 1}, \qquad i\in I. \end{aligned}$$ We split the proof into three steps. The definitions above give rise to algebra morphisms $\Delta:{\mathcal D}\rightarrow {\mathcal D}\otimes {\mathcal D}$, $\varepsilon: {\mathcal D}\rightarrow {\Bbbk}$ and to an algebra antimorphism ${{\mathcal S}}:{\mathcal D}\rightarrow {\mathcal D}$. We must verify that these maps respect the relations (\[rel\]) defining ${\mathcal D}$. We leave to the reader the verification for $\varepsilon$ and ${{\mathcal S}}$. The relations $u^m=1$, $x^n=0$, and $ux=\omega xu$ are respected by $\Delta$, $\varepsilon$ and ${{\mathcal S}}$, as a particular case of the Hopf algebras defined in the previous section. The computation for the relations involving the $a_i$’s is more involved: $$\begin{aligned} \Delta(a_i)\Delta(a_i^{-1}) & = \bigg(a_i \otimes a_i+\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes x^ka_i\bigg) \\ &\times \bigg(a_i^{-1} \otimes a_i^{-1}+\alpha(1-q_i^{-n})\sum_{l=1}^{n-1} \frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} x^{n-l}u^la_i^{-1}\otimes x^la_i^{-1}\bigg) = \clubsuit\end{aligned}$$ The tensorand $x^{n-k} \otimes x^k$ in the first expression multiplies $x^{n-l} \otimes x^l$ in the second expression. This product is always zero when $k=n-1$. For $k<n-1$ the product $x^kx^l$ is nonzero only for $l=1,\dots ,n-(k+1)$. But $x^{n-k}x^{n-l}=0$ for these values of $l$. Hence the product of the two big sums is zero. Then $$\begin{aligned} \clubsuit & = a_ia_i^{-1} \otimes a_ia_i^{-1} +\alpha(1-q_i^{-n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} q_i^{n-k}x^{n-k}u^k a_i a_i^{-1} \otimes q_i^k x^k a_i a_i^{-1} \\ & \qquad + \alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_ia_i^{-1}\otimes x^ka_ia_i^{-1} = \Delta(1).\end{aligned}$$ Similarly, $\Delta(a_i^{-1})\Delta(a_i)=\Delta(1)$. Now: $$\begin{aligned} \Delta(u)\Delta(a_i) & = ua_i \otimes ua_i +\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} ux^{n-k}u^ka_i \otimes ux^ka_i \\ & = a_iu \otimes a_iu +\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} \omega^{n-k}x^{n-k}u^ka_iu \otimes\omega^k x^ka_iu \\ & = \Delta(a_i)\Delta(u);\end{aligned}$$ $$\begin{aligned} &\Delta(a_i)\Delta(x) = \\ & = \bigg(a_i \otimes a_i +\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes x^ka_i\bigg)(u \otimes x+x \otimes 1) \\ & = a_iu \otimes a_ix + a_ix \otimes a_i \\ & \qquad + \alpha(1 -q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}}(x^{n-k}u^ka_iu \otimes x^ka_ix + x^{n-k}u^ka_ix \otimes x^ka_i) \\ & = a_iu \otimes a_ix + a_ix \otimes a_i + \alpha(1-q_i^n)\sum\limits_{k=2}^{n-1} \frac{q_i}{(k-1)!_{\omega}(n-k +1)!_{\omega}} x^{n-k+1}u^{k}a_i \otimes x^{k}a_i \\ & \qquad + \alpha(1-q_i^n)\sum_{k=2}^{n-1} \frac{q_i\omega^k}{{(k)!_{\omega}}{(n-k)!_{\omega}}}x^{n-k+1}u^ka_i \otimes x^{k}a_i \\ & = a_iu \otimes a_ix + a_ix \otimes a_i \\ & + \alpha(1 -q_i^n)q_i\sum_{k=2}^{n-1}{\hspace{-1pt}}\bigg({\hspace{-1pt}}\frac{\omega^k}{{(k)!_{\omega}}{(n-k)!_{\omega}}}{\hspace{-1pt}}+{\hspace{-1pt}}\frac{1}{(k-1)!_{\omega}(n-k+1)!_{\omega}}{\hspace{-1pt}}\bigg) x^{n-k+1}u^ka_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k}a_i{\hspace{-1pt}}= \spadesuit\end{aligned}$$ Observe that $$\begin{aligned} \frac{\omega^k}{{(k)!_{\omega}}{(n-k)!_{\omega}}}{\hspace{-1pt}}+{\hspace{-1pt}}\frac{1}{(k-1)!_{\omega}(n-k +1)!_{\omega}} &{\hspace{-1pt}}= {\hspace{-1pt}}\frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}}{\hspace{-1pt}}+{\hspace{-1pt}}\frac{\omega^{n-k + 1}} {(k-1)!_{\omega}(n-k+1)!_{\omega}}.\end{aligned}$$ Then $$\begin{aligned} \spadesuit & = q_iua_i \otimes xa_i + q_ixa_i \otimes a_i \\ & \hspace{3mm} + \alpha(1-q_i^n)q_i\hspace{-1pt}\sum_{k=2}^{n-1} \left(\hspace{-1pt}\frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}}{\hspace{-1pt}}+{\hspace{-1pt}}\frac{\omega^{n-k+1}}{(k-1)!_{\omega}(n-k+1)!_{\omega}}\hspace{-1pt}\right)\hspace{-3pt} x^{n-k+1}u^ka_i{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k}a_i \\ & = q_iua_i \otimes xa_i + q_ixa_i \otimes a_i + \alpha(1-q_i^n)q_i\sum_{k=2}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}}x^{n-k+1}u^ka_i \otimes x^{k}a_i \\ & \hspace{5mm} + \alpha(1-q_i^n)q_i\sum_{k=1}^{n-2} \frac{\omega^{n-k}}{{(k)!_{\omega}}{(n-k)!_{\omega}}}x^{n-k}u^{k+1}a_i \otimes x^{k+1}a_i \\ & = q_iua_i \otimes xa_i + q_ixa_i \otimes a_i \\ & \hspace{5mm} + q_i\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} (x^{n-k+1}u^ka_i{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k}a_i+ux^{n-k}u^{k}a_i{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k+1}a_i) \\ & =q_i(u \otimes x+x \otimes 1)\left(a_i \otimes a_i +\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^{k}a_i \otimes x^{k}a_i\right)\\ & = q_i\Delta(x)\Delta(a_i).\end{aligned}$$ Finally, $$\begin{aligned} \Delta(a_i)\Delta(a_j) & = \left(a_i \otimes a_i+\alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes x^ka_i\right) \\ & \qquad \times \left(a_j \otimes a_j+\alpha(1-q_j^n)\sum_{l=1}^{n-1} \frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} x^{n-l}u^la_j \otimes x^la_j \right) \\ & \overset{\text{\ding{172}}} = a_ia_j \otimes a_ia_j +\alpha(1-q_j^n)\sum_{l=1}^{n-1} \frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} q_i^{n-l}x^{n-l}u^la_ia_j \otimes q_i^lx^la_ia_j \\ & \qquad + \alpha(1-q_i^n)\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_ia_j\otimes x^ka_ia_j \\ &= a_ia_j \otimes a_ia_j + \alpha(1-(q_iq_j)^n)\sum_{l=1}^{n-1} \frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} x^{n-l}u^la_ia_j \otimes x^la_ia_j \\ &\overset{\text{\ding{173}}} = \Delta(a_j)\Delta(a_i).\end{aligned}$$ $\text{\ding{172}}$: The product of the two big sums is 0 as in the proof of $\Delta(a_i)\Delta(a_i^{-1})=\Delta(1)$. $\text{\ding{173}}$: $\Delta(a_j)\Delta(a_i)$ equals the upper line with subindexes $i,j$ interchanged. The second step is to give a formula for $\Delta$ evaluated at any basis element of ${\mathcal D}$, needed in Step 3 to check the coassociativity. Recall the notation $a_F^E$ in . \[comultgen\] For $s\in {\mathbb{N}}$, $F= (i_1,\dots ,i_r) \in I^{[r]}$ and $E= (e_1,\ldots,e_r) \in {\mathbb{Z}}^r$, we have $$\begin{aligned} \Delta(x^s&u^ta_F^E) = \sum_{l=0}^s \binom{s}{l}_{\!\omega} x^{l}u^{s-l+t}a_F^E \otimes x^{s-l}u^ta_F^E \label{comultform} \\ & + (s)!_{\omega}\alpha(1-q_{F}^{nE}) \sum_{k=s+1}^{n-1} \frac{1}{(k)!_{\omega}(n-k+s)!_{\omega}} x^{n-k+s}u^{k+t}a_F^E \otimes x^{k}u^ta_F^E. \end{aligned}$$ As a consequence, $\Delta(a_F^E)=a_F^E \otimes a_F^E$ if and only if either $\alpha=0$ or $q_F^{nE}=1.$ Since $\Delta$ is multiplicative and $u^t \in G({\mathcal D})$ commutes with $a_F^E$, it is enough to establish the formula for $x^sa_F^E$. We proceed by induction on $s$, $r$ and the exponents in $E$. Suppose that $s=0$. We leave the case $r=1$ for the reader. Let $F \in I^{[r+1]},E \in {\mathbb{Z}}^{r+1}$. Set $F'= (i_1,\dots,i_r)$ and $E'= (e_1,\dots,e_r)$. We check the case $e_{r+1} \geq 0$, the other one being analogous. $$\begin{aligned} \Delta(a_F^{E}) & = \Delta(a_{F'}^{E'})\Delta(a_{i_{r+1}}^{e_{r+1}}) \\ & = \left( a_{F'}^{E'} \otimes a_{F'}^{E'} + \alpha (1-q_{F'}^{nE'})\sum_{k=1}^{n-1}\frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_{F'}^{E'} \otimes x^{k}a_{F'}^{E'} \right) \\ & \quad \times \left({\hspace{-1pt}}a_{i_{r+1}}^{e_{r+1}} \otimes a_{i_{r+1}}^{e_{r+1}} + \alpha (1-q_{i_{r+1}}^{ne_{r+1}}){\hspace{-1pt}}\sum_{l=1}^{n-1}{\hspace{-1pt}}\frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} x^{n-l}u^la_{i_{r+1}}^{e_{r+1}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{l}a_{i_{r+1}}^{e_{r+1}}{\hspace{-1pt}}\right) \\ & \overset{\text{\ding{174}}} = a_{F}^{E} \otimes a_{F}^{E} + \alpha (1-q_{i_{r+1}}^{ne_{r+1}})\sum_{l=1}^{n-1} \frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} a_{F'}^{E'}x^{n-l}u^la_{i_{r+1}}^{e_{r+1}} \otimes a_{F'}^{E'}x^{l}a_{i_{r+1}}^{e_{r+1}} \\ & \qquad + \alpha (1-q_{F'}^{nE'})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^k a_{F}^{E} \otimes x^{k}a_{F}^{E} \\ & = a_{F}^{E} \otimes a_{F}^{E} + \alpha (1-q_{i_{r+1}}^{ne_{r+1}})\sum_{l=1}^{n-1} \frac{q_{F'}^{nE'}}{{(l)!_{\omega}}{(n-l)!_{\omega}}} x^{n-l}u^l a_{F}^{E} \otimes x^{l}a_{F}^{E} \\ & \qquad + \alpha (1-q_{F'}^{nE'})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^k a_{F}^{E} \otimes x^{k}a_{F}^{E} \\ & = a_{F}^{E} \otimes a_{F}^{E} + \alpha (1-q_{F}^{nE})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^k a_{F}^{E} \otimes x^{k}a_{F}^{E}.\end{aligned}$$ $\text{\ding{174}}$: The product of the two big sums is 0 as in the proof of $\Delta(a_i)\Delta(a_i^{-1})=\Delta(1)$. Assume finally that the statement is proved for $s>0$. Then $$\begin{gathered} \Delta(x^{s+1}a_F^{E}) = \Delta(x)\Delta(x^sa_F^E) \\ \hspace{1cm} = \sum_{l=0}^s \binom{s}{l}_{\!\omega} \omega^lx^{l}u^{s-l+1}a_F^E \otimes x^{s-l+1}a_F^E + \sum_{l=0}^s \binom{s}{l}_{\!\omega} x^{l+1}u^{s-l}a_F^E \otimes x^{s-l}a_F^E \\ \hspace{-2.5cm} + (s)!_{\omega}\alpha(1-q_{F}^{nE}) \sum_{k=s+1}^{n-1} \frac{1}{(k)!_{\omega}(n-k+s)!_{\omega}} \\ \hspace{2cm} \times\Big(\omega^{n-k+s} x^{n-k+s}u^{k+1}a_F^E \otimes x^{k+1}a_F^E + x^{n-k+s+1}u^{k}a_F^E \otimes x^{k}a_F^E\Big) \\ \hspace{-4.7cm} = u^{s+1}a_F^E \otimes x^{s+1}a_F^E+x^{s+1}a_F^E \otimes a_F^E \\ \hspace{-1.1cm} + \sum_{l=0}^{s-1} \bigg(\omega^{l+1} \binom{s}{l+1}_{\!\omega} + \binom{s}{l}_{\!\omega} \bigg) x^{l+1}u^{s-l}a_F^E \otimes x^{s-l}a_F^E \\ \hspace{1.8cm} + (s)!_{\omega}\alpha(1-q_{F}^{nE})\bigg({\hspace{-1pt}}\sum_{k=s+1}^{n-2} \frac{\omega^{n-k+s}}{(k)!_{\omega}(n-k+s)!_{\omega}} x^{n-k+s}u^{k+1}a_F^E{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k+1}a_F^E{\hspace{-1pt}}\bigg) \\ \hspace{1.6cm} + (s)!_{\omega}\alpha(1-q_{F}^{nE})\bigg(\sum_{k=s+2}^{n-1} \frac{1}{(k)!_{\omega}(n-k+s)!_{\omega}}x^{n-k+s+1}u^{k}a_F^E \otimes x^{k}a_F^E\bigg) \\ \hspace{-1.1cm}= \sum_{l=0}^{s+1} \binom{s+1}{l}_{\!\omega} x^{l}u^{s+1-l}a_F^E \otimes x^{s+1-l}a_F^E + (s)!_{\omega}\alpha(1-q_{F}^{nE})\\ \hspace{0.2cm} \times{\hspace{-1pt}}{\hspace{-1pt}}\sum_{k=s+2}^{n-1}{\hspace{-1pt}}{\hspace{-1pt}}{\hspace{-1pt}}\bigg({\hspace{-1pt}}\frac{\omega^{n-k+s+1}}{(k-1)!_{\omega}(n-k+s+1)!_{\omega}}{\hspace{-1pt}}+{\hspace{-1pt}}\frac{1}{(k)!_{\omega}(n-k+s)!_{\omega}}{\hspace{-1pt}}\bigg){\hspace{-1pt}}x^{n-k+s+1}{\hspace{-1pt}}u^{k}a_F^E \otimes x^{k}a_F^E \\ \hspace{-4cm} \overset{\text{\ding{175}}} = \sum_{l=0}^{s+1} \binom{s+1}{l}_{\!\omega} x^{l}u^{s+1-l}a_F^E \otimes x^{s+1-l}a_F^E \\ \hspace{1.8cm} + (s+1)!_{\omega}\alpha(1-q_{F}^{nE})\sum_{k=s+2}^{n-1} \frac{1}{{(k)!_{\omega}}(n-k+s+1)!_{\omega}} x^{n-k+s+1}u^{k}a_F^E\otimes x^{k}a_F^E.\end{gathered}$$ $\text{\ding{175}}$: We have $\displaystyle\frac{\omega^{n-k+s+1}}{(k-1)!_{\omega}(n-k+s+1)!_{\omega}}+\frac{1}{(k)!_{\omega}(n-k+s)!_{\omega}}=\frac{(s+1)_{\omega}}{{(k)!_{\omega}}(n-k+s+1)!_{\omega}}$. The maps $\Delta$, $\varepsilon$ and ${{\mathcal S}}$ defined in equip ${\mathcal D}$ with a Hopf algebra structure. We first prove that $({\mathcal D},\Delta,\varepsilon)$ is a coalgebra. Since $\Delta$ and $\varepsilon$ are algebra morphisms, it suffices to check the coassociativity and counit axioms for the generators $u,x,a_i^{\pm 1}$. Clearly, it holds for $u,x$ because the algebra they generate is a particular case of the Hopf algebras discussed in the previous subsection. So, we only must check them for $a_i^{\pm 1}$. For $\alpha=0$ the verification is straightforward. We assume that $\alpha \neq 0$. Using (\[comultform\]), we compute: $$\begin{aligned} \notag (\Delta \otimes {\operatorname{id}}) \Delta(a_i) = \Delta(a_i)\otimes a_i+\alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} \Delta(x^{n-k}u^ka_i) \otimes x^k a_i \hspace{0.4cm} \\ \nonumber = a_i \otimes a_i \otimes a_i + \alpha(1-q_i^{n})\sum_{l=1}^{n-1} \frac{1}{{(l)!_{\omega}}{(n-l)!_{\omega}}} x^{n-l}u^la_i \otimes x^{l}a_i \otimes a_i \hspace{1.9cm} \\ \label{eq:2.5} + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \sum_{l=0}^{n-k} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} \binom{n-k}{l}_{\!\! \omega} x^lu^{n-l}a_i \otimes x^{n-k-l}u^ka_i \otimes x^{k}a_i \\[-5pt] + (\alpha(1-q_i^{n}))^{2}\hspace{-0.5pt} \sum_{k=1}^{n-1} \sum_{v=n-k+1}^{n-1}\hspace{-1pt}\frac{1}{{(k)!_{\omega}}(v)!_{\omega}(2n-v-k)!_{\omega}} x^{2n-v-k}u^{v+k}a_i \hspace{-1pt}\label{eq:2.6} \otimes \hspace{-1pt} x^{v}u^ka_i \hspace{-1pt} \otimes \hspace{-1pt} x^k a_i\end{aligned}$$ Consider the sum in . Take out the part corresponding to $l=0$. Observe now that $l$ takes all values from $1$ to $n-1$ when $k$ runs. For $l=j$ the tensorand accompanying $x^ju^{n-j}a_i$ in is: $$\alpha(1-q_i^{n})\sum_{k=1}^{n-j} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}}\binom{n-k}{j}_{\!\! \omega} x^{n-k-j}u^ka_i \otimes x^{k}a_i.$$ Set $l=v+k-n$ in . [Notice that $u^n=1$ and $u^{v+k}=u^{n+l-k+k}=u^l$ because we are assuming $m=n$ for $\alpha \neq 0$]{}. We continue our computation by making these substitutions: $$\begin{aligned} \notag = a_i \otimes a_i \otimes a_i + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes x^{k}a_i \otimes a_i \hspace{1.6cm}\\ \notag + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} a_i \otimes x^{n-k}u^ka_i \otimes x^ka_i \hspace{3.5cm} \\ \label{eq:2.7} \hspace{0.7cm} + \alpha(1-q_i^{n})\sum_{l=1}^{n-1} \sum_{k=1}^{n-l} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}}\binom{n-k}{l}_{\!\! \omega} x^lu^{n-l}a_i \otimes x^{n-k-l}u^ka_i \otimes x^{k}a_i \hspace{-3pt} \\ \label{eq:2.8} + (\alpha(1\hspace{-0.7pt}-\hspace{-0.5pt}q_i^{n}))^{2}\hspace{-2pt}\sum_{k=1}^{n-1}\sum_{l=1}^{k-1} \frac{1}{{(k)!_{\omega}}(n-k+l)!_{\omega}{(n-l)!_{\omega}}} x^{n-l}u^{l}a_i\hspace{-2pt} \otimes\hspace{-1pt} x^{n\hspace{-0.8pt}-\hspace{-0.8pt}k\hspace{-0.8pt}+\hspace{-0.8pt}l}u^ka_i \hspace{-2pt} \otimes \hspace{-1pt} x^k a_i. \hspace{-15pt}\end{aligned}$$ In put $t=n-l$. In observe that $l$ takes all values from $1$ to $n-2$ when $k$ runs and for $l=j$ the tensorand accompanying $x^{n-j}u^{j}a_i$ is: $$\sum_{k=j+1}^{n-2} \frac{1}{{(k)!_{\omega}}(n-k+j)!_{\omega}(n-j)!_{\omega}} x^{n-k+j}u^ka_i \otimes x^k a_i.$$ Making these two substitutions we have: $$\begin{aligned} \notag = a_i \otimes a_i \otimes a_i + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes x^{k}a_i \otimes a_i \hspace{1.7cm} \\ \notag + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} a_i \otimes x^{n-k}u^ka_i \otimes x^ka_i \hspace{3.7cm} \\ \label{eq:2.9} + \alpha(1-q_i^{n})\sum_{t=1}^{n-1} \sum_{k=1}^{t} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} \binom{n-k}{n-t}_{\!\! \omega} x^{n-t}u^{t}a_i \otimes x^{t-k}u^ka_i \otimes x^{k}a_i \hspace{0.4cm} \\ \nonumber + (\alpha(1-q_i^{n}))^{2}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{l=1}^{n-1}\sum_{k=l+1}^{n-1}{\hspace{-1pt}}\frac{{(l)!_{\omega}}}{{(k)!_{\omega}}(n-k+l)!_{\omega}{(n-l)!_{\omega}}{(l)!_{\omega}}}{\hspace{-1pt}}x^{n-l}u^{l}a_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{n-k+l}u^ka_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^k {\hspace{-1pt}}a_i.\hspace{-6pt} \vspace{12pt}\end{aligned}$$ In put $l=t-k$. We obtain: $$\begin{aligned} \notag = a_i \otimes a_i \otimes a_i+ \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} a_i \otimes x^{n-k}u^ka_i \otimes x^ka_i \hspace{1.7cm} \\ \label{eq:2.11} + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes x^{k}a_i \otimes a_i \hspace{3.7cm}\\ \label{eq:2.12} + \alpha(1-q_i^{n}){\hspace{-1pt}}{\hspace{-1pt}}\sum_{t=1}^{n-1} \sum_{l=0}^{t-1} \frac{1}{(t-l)!_{\omega}(n-t+l)!_{\omega}}\binom{n-t+l}{n-t}_{\!\! \omega}{\hspace{-1pt}}x^{n-t}u^{t}a_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{l}u^{t-l}a_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{t-l}a_i \hspace{-2pt} \\ \notag + (\alpha(1-q_i^{n}))^{2}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{k=1}^{n-1}\sum_{l=k+1}^{n-1}{\hspace{-1pt}}\frac{{(k)!_{\omega}}}{{(l)!_{\omega}}(n-l+k)!_{\omega}{(n-k)!_{\omega}}{(k)!_{\omega}}} x^{n-k}u^{k}a_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{n-l+k}u^la_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes {\hspace{-1pt}}x^l a_i\hspace{-2pt} \vspace{12pt}\end{aligned}$$ We rewrite the coefficient in : $$\begin{aligned} \frac{1}{(t-l)!_{\omega}(n-t+l)!_{\omega}} \binom{n-t+l}{n-t}_{\!\! \omega} & = \frac{1}{t!_{\omega}(n-t)!_{\omega}} \binom{t}{l}_{\!\! \omega}.\end{aligned}$$ Observe that the formula obtained in gives for $l=k$: $$\begin{aligned} \notag = a_i \otimes a_i \otimes a_i + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} a_i \otimes x^{n-k}u^ka_i \otimes x^ka_i \hspace{1.3cm} \\ \label{eq:2.13} + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \sum_{l=0}^{k} \frac{1}{(k)!_{\omega}(n-k)!_{\omega}} \binom{k}{l}_{\!\! \omega} x^{n-k}u^{k}a_i \otimes x^{l}u^{k-l}a_i \otimes x^{k-l}a_i \hspace{0.4cm} \\ \notag + (\alpha(1-q_i^{n}))^{2}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{k=1}^{n-1}\sum_{l=k+1}^{n-1}{\hspace{-1pt}}\frac{{(k)!_{\omega}}}{{(k)!_{\omega}}{(n-k)!_{\omega}}{(l)!_{\omega}}(n-l+k)!_{\omega}}{\hspace{-1pt}}x^{n-k}u^{k}a_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes {\hspace{-1pt}}x^{n-l+k}u^la_i{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^l a_i \hspace{-10pt} \\ \notag = a_i \otimes \Delta(a_i) + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i \otimes \Delta(x^{k}a_i) \hspace{1.6cm} \\ \nonumber = ({\operatorname{id}}\otimes \Delta)\Delta(a_i). \hspace{9.5cm}\end{aligned}$$ It follows at once that $(\Delta \otimes {\operatorname{id}})\Delta(a_i^{-1})=({\operatorname{id}}\otimes \Delta)\Delta(a_i^{-1})$. We leave to the reader to check the counit axiom. We finally prove that ${{\mathcal S}}$ is the inverse of ${\operatorname{id}}$ for the convolution product; it is enough to check the axioms for the generators $a_i^{\pm 1}$. We compute: $$\begin{aligned} ({{\mathcal S}} {\operatorname{id}})(a_i) & = {{\mathcal S}}(a_i)a_i +\alpha(1-q_i^{n})\sum\limits_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} {{\mathcal S}}(x^{n-k}u^ka_i)x^{k}a_i \\ & = a_i^{-1}a_i{\hspace{-1pt}}+ {\hspace{-1pt}}\alpha(1-q_i^{n}){\hspace{-1pt}}{\hspace{-1pt}}\sum_{k=1}^{n-1} \frac{(-1)^{n-k}\omega^{-\frac{(n-k-1)(n-k)}{2}}}{{(k)!_{\omega}}{(n-k)!_{\omega}}} a_i^{-1}u^{n-k}u^{n-n+k}x^{n-k}x^{k}a_i \\ & = 1 + \alpha(1-q_i^{n})\sum_{k=1}^{n-1} \frac{(-1)^{n-k}\omega^{-\frac{(n-k-1)(n-k)}{2}}}{{(k)!_{\omega}}{(n-k)!_{\omega}}} a_i^{-1}x^na_i = \varepsilon(a_i). \\ (id * {{\mathcal S}})(a_i) & = a_i{{\mathcal S}}(a_i) + \alpha(1-q_i^n)\sum\limits_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i{{\mathcal S}}(x^ka_i) \\ & = a_ia_i^{-1} + \alpha(1-q_i^{n}) \sum\limits_{k=1}^{n-1} \frac{(-1)^k \omega^{-\frac{(k-1)k}{2}}}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_ia_i^{-1}u^{n-k}x^k\\ & = 1 + \alpha(1-q_i^{n}) \sum\limits_{k=1}^{n-1} \frac{(-1)^k \omega^{-\frac{(k-1)k}{2}}}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^n = \varepsilon(a_i).\end{aligned}$$ The computation for $a_i^{-1}$ is the same replacing $a_i$ by $a_i^{-1}$ and $q_i^n$ by $q_i^{-n}$. Consider the example in the above family corresponding to $n=m=2$ and $\vert I \vert=1$. Write $q$ instead of $q_i$. If we take $\alpha=(2(1-q))^{-1}$ and make $q$ to tend to $1$, we recover the example of Subsection \[motivating\]. A similar example can be constructed by taking $n=m, q_i=q$ for all $i \in I, \alpha=(n(1-q))^{-1}$ and making $q$ to tend to $1$. The defining relations, comultiplication, counit, and antipode in this case read as: $$\begin{aligned} u^n &=1, & \hspace{10pt} x^n &=0,& \hspace{10pt} ux &=\omega xu, & \hspace{10pt} a_i^{\pm 1}a_i^{\mp 1}&=1, \\ ua_i &=a_iu, & \hspace{10pt} a_ix &=xa_i, & \hspace{10pt} a_ia_j &=a_ja_i, & \hspace{10pt} & \vspace{7pt} \end{aligned}$$ $$\begin{aligned} \Delta(u)=u\otimes u, \qquad \Delta(x)= u \otimes x+x \otimes 1, \hspace{2.8cm} \\ \Delta(a_i^{\pm 1})=a_i^{\pm 1} \otimes a_i^{\pm 1}\pm \sum_{k=1}^{n-1} \frac{1}{{(k)!_{\omega}}{(n-k)!_{\omega}}} x^{n-k}u^ka_i^{\pm 1} \otimes x^ka_i^{\pm 1}, \hspace{-0.6cm} \\ \varepsilon(u)=1, \hspace{42pt} \varepsilon(x)=0, \hspace{57pt} \varepsilon(a_i^{\pm 1}) =1,\hspace{1.2cm} \\ {{\mathcal S}}(u)=u^{n-1}, \qquad {{\mathcal S}}(x) =-u^{n-1}x, \qquad {{\mathcal S}}(a_i^{\pm 1})=a_i^{\mp 1}, \qquad i,j \in I. \hspace{-1.2cm} \end{aligned}$$ Finiteness over the Hopf socle ------------------------------ The chosen basis $B$ of ${\mathcal D}$ yields a coalgebra decomposition ${\mathcal D}= V_{(0,0)} \oplus \big(\oplus_{(F, E) \in \Gamma} V_{(F,E)}\big)$, where $V_{(F,E)}$ is the subspace spanned by $x^su^ta_F^E$ with $0 \leq s < n,\, 0 \leq t < m$. Observe that $V_{(F,E)}$ is a subcoalgebra by . This decomposition will be needed to characterize when ${\mathcal D}$ is of finite type over its Hopf socle ${{\mathcal D}_{\textrm{soc}}}$, being the next result the essential point of the proof in the case $\alpha \neq 0$. \[block\] Assume that $\alpha \neq 0$. 1. If $q_F^{nE}=1$, then $V_{(F,E)} \simeq T_n(\omega)$ as coalgebras. 2. If $q_F^{nE} \neq 1$, then $V_{(F,E)} \simeq M_n^c({\Bbbk})$ as coalgebras. \(i) In view of , $a_F^E$ is group-like in this case. Since the multiplication by a group-like is a coalgebra automorphism, $V_{(F,E)}=T_n(\omega)a_F^E \simeq T_n(\omega)$ as coalgebras. \(ii) For convenience, we abbreviate through the proof $\mu=\alpha(1-q_F^{nE})$ and $a=a_F^E$. Let $\{c_{st}\}_{1\leq s,t\leq n}$ be the canonical basis of the matrix coalgebra $M_n^c({\Bbbk})$. We will prove that the map $\Phi:M_n^c({\Bbbk}) \rightarrow V_{(F,E)}$ defined by $$\label{isomorphism} \xymatrix{c_{st} \ar@{\|->}[0,1]^-{\Phi} & {\begin{cases} {\displaystyle {\binom{s-1}{t-1}}_{\!\omega}\ x^{s-t}u^{t-1}a} & \textrm{if } s \geq t, \\ \\ {\displaystyle \mu\frac{ (s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}}\ x^{n+s-t}u^{t-1}}a & \textrm{if } s<t, \end{cases}} }$$ is a coalgebra isomorphism. Clearly, $\Phi$ is bijective and $\varepsilon \Phi(c_{st})=\varepsilon(c_{st})$. To show that $\Phi$ is comultiplicative we must distinguish three cases: \(a) Assume that $s=t$: $$\begin{aligned} \notag (\Phi \otimes \Phi)\Delta(c_{ss}) & = \sum_{k=1}^{s-1} \Phi(c_{sk}) \otimes \Phi(c_{ks})+\Phi(c_{ss}) \otimes \Phi(c_{ss})+\sum_{k=s+1}^n \Phi(c_{sk}) \otimes \Phi(c_{ks}) \\ \label{eq:2.15} & \hspace{-0.5cm} = \sum_{k=1}^{s-1} \binom{s-1}{k-1}_{\!\omega} x^{s-k}u^{k-1}a \otimes \mu \frac{(k-1)!_{\omega}}{(s-1)!_{\omega}(n+k-s)!_{\omega}} x^{n+k-s}u^{s-1}a \\ & \hspace{-0.1cm} + u^{s-1}a \otimes u^{s-1}a \notag \\ \label{eq:2.16} & \hspace{-0.1cm} + \sum_{k=s+1}^n \mu \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}} x^{n+s-k}u^{k-1}a \otimes \binom{k-1}{s-1}_{\!\omega} x^{k-s}u^{s-1}a\end{aligned}$$ Put $s-k=v$ in and $k-s=v$ in . Taking into account these changes, we rewrite the $\omega$-coefficients occurring here: $$\begin{aligned} \binom{s-1}{k-1}_{\!\omega}\frac{(k-1)!_{\omega}}{(s-1)!_{\omega}(n+k-s)!_{\omega}} & = \frac{1}{(v)!_{\omega}(n-v)!_{\omega}}. \\[5pt] \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}}\binom{k-1}{s-1}_{\!\omega} &= \frac{1}{(v)!_{\omega}(n-v)!_{\omega}}.\end{aligned}$$ Substituting all this in the previous equality we have: $$\begin{aligned} (\Phi \otimes \Phi)\Delta(c_{ss}) &= u^{s-1}a \otimes u^{s-1}a + \mu \sum_{v=1}^{s-1} \frac{1}{(v)!_{\omega}(n-v)!_{\omega}} x^{v}u^{s-v-1}a \otimes x^{n-v}u^{s-1}a \\ & \quad + \mu \sum_{v=1}^{n-s} \frac{1}{(v)!_{\omega}(n-v)!_{\omega}} x^{n-v}u^{v+s-1}a \otimes x^{v}u^{s-1}a \\ & \overset{\text{\ding{172}}}= u^{s-1}a \otimes u^{s-1}a +\mu{\hspace{-1pt}}\sum_{k=n-s+1}^{n-1}{\hspace{-1pt}}\frac{1}{(k)!_{\omega}(n-k)!_{\omega}} x^{n-k}u^{k+s-1}a{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k}u^{s-1}a \\ & \quad + \mu \sum_{k=1}^{n-s} \frac{1}{(k)!_{\omega}(n-k)!_{\omega}} x^{n-k}u^{k+s-1}a \otimes x^{k}u^{s-1}a \\ &= u^{s-1}a \otimes u^{s-1}a + \mu\sum_{k=1}^{n-1} \frac{1}{(k)!_{\omega}(n-k)!_{\omega}} x^{n-k}u^{k+s-1}a \otimes x^{k}u^{s-1}a \\ &=\Delta(u^{s-1}a) \qquad \textrm{by\ \eqref{comultform}} \\ &= \Delta \Phi(c_{ss}).\end{aligned}$$ $\text{\ding{172}}$: Put $v=n-k$ in the first sum and $v=k$ in the second. \(b) Assume that $s<t$: $$\begin{aligned} \notag (\Phi \otimes \Phi)\Delta(c_{st}) &= \sum_{k=1}^{s} \Phi(c_{sk}) \otimes \Phi(c_{kt})+\sum_{k=s+1}^{t-1} \Phi(c_{sk}) \otimes \Phi(c_{kt}) + \sum_{k=t}^n \Phi(c_{sk}) \otimes \Phi(c_{kt}) \notag \\ \label{eq:2.19} & \hspace{-1cm} = \sum_{k=1}^{s} \binom{s-1}{k-1}_{\!\omega} x^{s-k}u^{k-1}a \otimes \mu \frac{(k-1)!_{\omega}}{(t-1)!_{\omega}(n+k-t)!_{\omega}} x^{n+k-t}u^{t-1}a \hspace{-20pt} \\ \label{eq:2.20} & \hspace{-0.5cm} +\sum_{k=s+1}^{t-1} \mu \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}} x^{n+s-k}u^{k-1}a \\ \notag & \otimes \mu \frac{(k-1)!_{\omega}}{(t-1)!_{\omega}(n+k-t)!_{\omega}} x^{n+k-t}u^{t-1}a \\ \label{eq:2.21} & \hspace{-0.5cm} + \sum_{k=t}^n \mu \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}}x^{n+s-k}u^{k-1}a \otimes \binom{k-1}{t-1}_{\!\omega} x^{k-t}u^{t-1}a\end{aligned}$$ Set $s-k=v$ in , $k-s=v$ in , and $k-t=v$ in . Next we rewrite the $\omega$-coefficients appearing in the previous equality: Coefficient in : $$\begin{aligned} \binom{s-1}{k-1}_{\!\omega} \frac{(k-1)!_{\omega}}{(t-1)!_{\omega}(n+k-t)!_{\omega}} & = \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}} \binom{n+s-t}{v}_{\!\omega}.\end{aligned}$$ Coefficient in : $$\begin{aligned} \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}} \frac{(k-1)!_{\omega}}{(t-1)!_{\omega}(n+k-t)!_{\omega}} & {\hspace{-1pt}}={\hspace{-1pt}}\frac{(s-1)!_{\omega}}{(t-1)!_{\omega}} \frac{1}{(n-v)!_{\omega}(n+v+s-t)!_{\omega}}.\end{aligned}$$ Coefficient in : $$\begin{aligned} \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}} \binom{k-1}{t-1}_{\!\omega} & = \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}} \binom{n+s-t}{v}_{\!\omega}.\end{aligned}$$ Substituting all this in our previous computation we get: $$\begin{aligned} & \hspace{0.1cm} = \mu \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}} \sum_{v=0}^{s-1} \binom{n+s-t}{v}_{\!\omega} x^{v}u^{n-v+s-1}a \otimes x^{n-v+s-t}u^{t-1}a \nonumber \\ \label{eq:2.23} & \hspace{0.5cm} +{\hspace{-1pt}}\mu^2 \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}}{\hspace{-1pt}}\sum_{v=1}^{t-s-1}{\hspace{-1pt}}\frac{1}{(n-v)!_{\omega}(n+v+s-t)!_{\omega}}{\hspace{-1pt}}x^{n-v}u^{v+s-1}a{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{n+v+s-t}u^{t-1}a \\ \label{eq:2.24} & \hspace{1cm} + \mu \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}} \sum_{v=0}^{n-t} \binom{n+s-t}{v}_{\!\omega} x^{n-v+s-t}u^{v+t-1}a \otimes x^{v}u^{t-1}a\end{aligned}$$ Set $k=n+v+s-t$ in and $l=n-v+s-t$ in . Replacing this in the preceding equality we obtain: $$\begin{aligned} \label{eq:2.25} \hspace{-0.3cm} = \mu \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}} \sum_{l=0}^{s-1} \binom{n+s-t}{l}_{\!\omega} x^{l}u^{n-l+s-1}a \otimes x^{n-l+s-t}u^{t-1}a \\ + \mu^2 {\hspace{-1pt}}\frac{(s{\hspace{-1pt}}-{\hspace{-1pt}}1)!_{\omega}}{(t{\hspace{-1pt}}-{\hspace{-1pt}}1)!_{\omega}}{\hspace{-1pt}}\sum_{k=n+s-t+1}^{n-1}{\hspace{-1pt}}{\hspace{-1pt}}\frac{1}{(k)!_{\omega}(n{\hspace{-1pt}}-{\hspace{-1pt}}{\hspace{-1pt}}k{\hspace{-1pt}}{\hspace{-1pt}}+{\hspace{-1pt}}{\hspace{-1pt}}n {\hspace{-1pt}}{\hspace{-1pt}}+ {\hspace{-1pt}}s {\hspace{-1pt}}-t)!_{\omega}} x^{n-k+n+s-t}u^{k+t-1}a{\hspace{-1pt}}{\hspace{-1pt}}\otimes {\hspace{-1pt}}x^{k}u^{t-1}a \hspace{-0.8cm} \notag \\ \label{eq:2.28} + \mu \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{l=s}^{n+s-t} {\hspace{-1pt}}{\hspace{-1pt}}\binom{n+s-t}{l}_{\!\omega}{\hspace{-1pt}}x^{l}u^{n-l+s-1}a{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{n-l+s-t}u^{t-1}a \hspace{-0.5cm}\end{aligned}$$ We join and in a single formula. We now have: $$\begin{aligned} & \hspace{0.4cm} = \mu \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}}\bigg[ \sum_{l=0}^{n+s-t} \binom{n+s-t}{l}_{\!\omega} x^{l}u^{n-l+s-1}a \otimes x^{n-l+s-t}u^{t-1}a \\ & \hspace{0.7cm} + \mu{\hspace{-1pt}}(n{\hspace{-1pt}}+{\hspace{-1pt}}s{\hspace{-1pt}}-{\hspace{-1pt}}t)!_{\omega}{\hspace{-1pt}}{\hspace{-1pt}}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{k=n+s-t+1}^{n-1} {\hspace{-1pt}}{\hspace{-1pt}}\frac{1}{(k)!_{\omega}(n{\hspace{-1pt}}-{\hspace{-1pt}}k{\hspace{-1pt}}+{\hspace{-1pt}}n{\hspace{-1pt}}+{\hspace{-1pt}}s{\hspace{-1pt}}-{\hspace{-1pt}}t)!_{\omega}} x^{n-k+n+s-t}u^{k+t-1}{\hspace{-1pt}}a{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{k}u^{t-1}{\hspace{-1pt}}a\bigg] \\ & \hspace{0.4cm} = \Delta\bigg(\mu \frac{(s-1)!_{\omega}}{(t-1)!_{\omega}(n+s-t)!_{\omega}}x^{n+s-t}u^{t-1}a\bigg) \qquad \textrm{by\ \eqref{comultform}} \\ & \hspace{0.4cm} = \Delta \Phi(c_{st}).\end{aligned}$$ \(c) Assume that $s>t$: $$\begin{aligned} (\Phi \otimes \Phi)\Delta(c_{st}) = \sum_{k=1}^{t-1} \Phi(c_{sk}) \otimes \Phi(c_{kt}) + \sum_{k=t}^{s} \Phi(c_{sk}) \otimes \Phi(c_{kt}) + \sum_{k=s+1}^n \Phi(c_{sk}) \otimes \Phi(c_{kt}) \notag \hspace{1.9cm} \\[-2pt] = \sum_{k=1}^{t-1} \binom{s-1}{k-1}_{\!\omega} x^{s-k}u^{k-1}a \otimes \mu \frac{(k-1)!_{\omega}}{(t-1)!_{\omega}(n+k-t)!_{\omega}} x^{n+k-t}u^{t-1}a \label{eq:2.29} \hspace{2.3cm} \\ \label{eq:2.30} + \sum_{k=t}^{s} \binom{s-1}{k-1}_{\!\omega} x^{s-k}u^{k-1}a \otimes \binom{k-1}{t-1}_{\!\omega} x^{k-t}u^{t-1}a \hspace{4.5cm} \\ \label{eq:2.31} + \sum_{k=s+1}^n \mu \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}} x^{n+s-k}u^{k-1}a \otimes \binom{k-1}{t-1}_{\!\omega} x^{k-t}u^{t-1}a. \hspace{1.7cm}\end{aligned}$$ Put $v=n+k-t$ in , $l=s-k$ in , and $v=k-t$ in . We rewrite the $\omega$-coefficients occurring here taking into account these changes: Coefficient in : $$\begin{aligned} \binom{s-1}{k-1}_{\!\omega}\frac{(k-1)!_{\omega}}{(t-1)!_{\omega}(n+k-t)!_{\omega}} & = \binom{s-1}{t-1}_{\!\omega}\ \frac{(s-t)!_{\omega}}{(v)!_{\omega}(n-v+s-t)!_{\omega}}.\end{aligned}$$ Coefficient in : $$\begin{aligned} \binom{s-1}{k-1}_{\!\omega} \binom{k-1}{t-1}_{\!\omega} & = \binom{s-1}{t-1}_{\!\omega} \binom{s-t}{l}_{\!\omega}.\end{aligned}$$ Coefficient in : $$\begin{aligned} \frac{(s-1)!_{\omega}}{(k-1)!_{\omega}(n+s-k)!_{\omega}} \binom{k-1}{t-1}_{\!\omega} & = \binom{s-1}{t-1}_{\!\omega}\ \frac{(s-t)!_{\omega}}{(v)!_{\omega}(n-v+s-t)!_{\omega}}.\end{aligned}$$ Substituting all this in our previous computation we have: $$\begin{aligned} = \mu \binom{s-1}{t-1}_{\!\omega}{\hspace{-1pt}}{\hspace{-1pt}}(s-t)!_{\omega}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{v=n-t+1}^{n-1}{\hspace{-1pt}}\frac{1}{(v)!_{\omega}(n-v+s-t)!_{\omega}} x^{n-v+s-t}u^{v+t-1}a{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{v}u^{t-1}a \label{eq:2.32} \\ + \binom{s-1}{t-1}_{\!\omega} \sum_{l=0}^{s-t} \binom{s-t}{l}_{\!\omega} x^lu^{s-t-l+t-1}a \otimes x^{s-t-l}u^{t-1}a \hspace{3.75cm} \notag\\ + \mu \binom{s{\hspace{-1pt}}-{\hspace{-1pt}}1}{t{\hspace{-1pt}}-{\hspace{-1pt}}1}_{\!\omega}{\hspace{-1pt}}{\hspace{-1pt}}(s{\hspace{-1pt}}-{\hspace{-1pt}}t)!_{\omega}{\hspace{-1pt}}{\hspace{-1pt}}{\hspace{-1pt}}\sum_{v=s-t+1}^{n-t}{\hspace{-1pt}}{\hspace{-1pt}}\frac{1}{(v)!_{\omega}(n{\hspace{-1pt}}-{\hspace{-1pt}}v{\hspace{-1pt}}+{\hspace{-1pt}}s{\hspace{-1pt}}-{\hspace{-1pt}}t)!_{\omega}} x^{n-v+s-t}u^{v+t-1}a{\hspace{-1pt}}{\hspace{-1pt}}\otimes{\hspace{-1pt}}x^{v}u^{t-1}a \label{eq:2.36}\end{aligned}$$ We join and in a single formula. Then we obtain: $$\begin{aligned} &= \binom{s-1}{t-1}_{\!\omega}\left[\sum_{l=0}^{s-t} \binom{s-t}{l}_{\!\omega} x^lu^{s-t-l+t-1}a \otimes x^{s-t-l}u^{t-1} a \right. \\ & \qquad + \mu \left. (s-t)!_{\omega} \sum_{v=s-t+1}^{n-1} \frac{1}{(v)!_{\omega}(n-v+s-t)!_{\omega}} x^{n-v+s-t}u^{v+t-1}a \otimes x^{v}u^{t-1}a\right] \\ & = \Delta\left(\binom{s-1}{t-1}_{\!\omega} x^{s-t}u^{t-1}a\right) \qquad \textrm{by\ \eqref{comultform}} \\ & = \Delta\Phi(c_{st}).\end{aligned}$$ We are now ready to characterize when ${\mathcal D}$ is of finite type over ${{\mathcal D}_{\textrm{soc}}}$, from which Theorem \[question-ad\] in the introduction will follow. \[mainth2\] The Hopf algebra ${\mathcal D}$ is co-Frobenius and ${{\mathcal D}_{\textrm{soc}}}={\Bbbk}G({\mathcal D})$. Moreover: 1. If $\alpha=0$, then ${\mathcal D}$ is of finite type over ${{\mathcal D}_{\textrm{soc}}}.$ 2. If $\alpha \neq 0$, then ${\mathcal D}$ is of finite type over ${{\mathcal D}_{\textrm{soc}}}$ if and only if there is a finite subset $J$ of $I$ such that $q_i^n=1$ for all $i \in I\backslash J$ and $q_j$ is an $\nu_j$-th root of unity for all $j \in J$. Let $\mathcal{A}$ be the (finite dimensional) Hopf subalgebra of ${\mathcal D}$ generated by $u$ and $x$. The particular form of the chosen basis $B$ of ${\mathcal D}$ , together with , gives us a coalgebra decomposition ${\mathcal D}= \mathcal{A} \oplus \big(\oplus_{(F,E) \in \Gamma} V_{\!(F,E)}\big)$. Viewed as a right ${\mathcal D}$-comodule, $\mathcal{A}$ is injective and contains ${\Bbbk}$. Hence $E({\Bbbk}) \subset \mathcal{A}$, so that ${\mathcal D}$ is co-Frobenius. We next describe ${{\mathcal D}_{\textrm{soc}}}$ and show that it equals ${\Bbbk}G({\mathcal D})$. The coalgebra decomposition above is inherited to the coradical, that is, ${\mathcal D}_0={\Bbbk}C_m \oplus \big(\oplus_{(F,E) \in \Gamma} {V_{(F,E)}}_0 \big)$, where $C_m$ is generated by $u$. Then, $$\begin{aligned} \label{hopfsocledec} {{\mathcal D}_{\textrm{soc}}}& = {\displaystyle ({\Bbbk}C_m \cap {{\mathcal D}_{\textrm{soc}}}) \oplus \big(\oplus_{(F,E) \in \Gamma} ({V_{(F,E)}}_0 \cap {{\mathcal D}_{\textrm{soc}}})\big)} \nonumber \\ & = {\displaystyle {\Bbbk}C_m \oplus \big(\oplus_{(F,E) \in \Gamma} ({V_{(F,E)}}_0 \cap {{\mathcal D}_{\textrm{soc}}}) \big).}\end{aligned}$$ Here we used that $G({\mathcal D})\subseteq {{\mathcal D}_{\textrm{soc}}}.$ \(i) Assume that $\alpha=0$. Then $u^ta_F^E \in G({\mathcal D})$ for all $(F,E) \in \Gamma \cup \{(0,0)\}$ and $0 \leq t < m.$ Setting $X=\{x^s: 0 \leq s <n\}$, we have ${\mathcal D}=X {\Bbbk}G({\mathcal D}) \subseteq X{{\mathcal D}_{\textrm{soc}}}.$ Thus ${\mathcal D}$ is of finite type over ${{\mathcal D}_{\textrm{soc}}}$. To see that ${{\mathcal D}_{\textrm{soc}}}={\Bbbk}G({\mathcal D})$, notice that the multiplication by a group-like element establishes a coalgebra automorphism of ${\mathcal D}$. Then $V_{\!(F,E)}=\mathcal{A}a_F^E \simeq \mathcal{A}$ as coalgebras. This implies ${V_{\!(F,E)}}_0=\mathcal{A}_0a_F^E=\oplus_{t=0}^{m-1} {\Bbbk}u^ta_F^E$. Consequently, ${V_{\!(F,E)}}_0 \cap {{\mathcal D}_{\textrm{soc}}}\subset {\Bbbk}G({\mathcal D})$. \(ii) Assume that $\alpha \neq 0$. Recall that in this case $n=m$ and $\mathcal{A}=T_n(\omega)$. To compute ${{\mathcal D}_{\textrm{soc}}}$ we first calculate ${V_{\!(F,E)}}_0$ and see if it is contained or not there. We must distinguish two cases: $q_F^{nE} \neq 1$ and $q_F^{nE}=1.$ [Case]{} $q_F^{nE} \neq 1.$ By Proposition \[block\] (ii), $V_{\!(F,E)} \simeq M_n^c({\Bbbk})$ as coalgebras. Then $V_{\!(F,E)}={V_{\!(F,E)}}_0$. Let $S_{(F,E)}$ be the unique (up to isomorphism) simple right ${\mathcal D}$-comodule corresponding to $V_{\!(F,E)}.$ From the aforementioned coalgebra decomposition of ${\mathcal D}$, we conclude that $S_{(F,E)}$ is injective. We claim that $S_{(F,E)} {\subset \hspace{-11pt} /\ }{{\mathcal D}_{\textrm{soc}}}$. Otherwise, $S_{(F,E)} \otimes S_{(F,E)}^$ would be semisimple and injective. As it contains ${\Bbbk}$, it would follow that ${\Bbbk}$ is injective and therefore ${\mathcal D}$ would be cosemisimple. This is not possible because $T_n(\omega)$ is a non cosemisimple Hopf subalgebra of ${\mathcal D}$. [Case]{} $q_F^{nE}=1.$ Here we argue as for $\alpha=0$. By , $a_F^E \in G({\mathcal D}).$ By Proposition \[block\] (i), $V_{\!(F,E)} \simeq T_n(\omega)$ as coalgebras and, consequently, ${V_{\!(F,E)}}_0$ is spanned by $u^ta_F^E$ with $t=0,\dots,n-1$. This implies ${V_{\!(F,E)}}_0 \subset {{\mathcal D}_{\textrm{soc}}}.$ Let $\Lambda =\{(F,E) \in \Gamma: q_F^{nE}=1\} \cup \{(0,0)\}$ and $\bar{\Lambda}=\{(F,E) \in \Gamma: q_F^{nE}\neq 1\}.$ Our previous discussion, together with the decomposition (\[hopfsocledec\]) of ${{\mathcal D}_{\textrm{soc}}}$, entails ${{\mathcal D}_{\textrm{soc}}}= \oplus_{t=0}^{n-1} \oplus_{(F,E) \in \Lambda} {\Bbbk}u^ta_F^E \subset {\Bbbk}G({\mathcal D})$. Every $g \in G({\mathcal D})$ must be then of the form $u^ta_F^E$ for some $t$ and $(F,E) \in \Lambda$. We write $R_{t,(F,E)}$ for the simple right ${\mathcal D}$-comodule ${\Bbbk}u^ta_F^E$. We next proceed to prove the statement about the finite generation over ${{\mathcal D}_{\textrm{soc}}}$. Suppose that there is $J \subseteq I$ finite such that $q_i^n=1$ for all $i \in I\backslash J$ and $q_j$ is an $\nu_j$-th root of unity for all $j \in J$. Since $q_j^{\nu_j}=1$, in view of , $a_{j}^{\nu_j} \in G({\mathcal D})$ for all $j \in J$. Similarly, $a_i \in G({\mathcal D})$ for all $i \in I\backslash J$. Put $J=\{j_1,\dots,j_l\}$. Consider the set $$X=\{x^sa_{j_1}^{f_{j_1}}\dots\hspace{1pt} a_{j_l}^{f_{j_l}}: 0 \leq s< n, 0 \leq f_{j_k} <\nu_{j_k}, 1 \leq k \leq l\}.$$ We prove that ${\mathcal D}=X{{\mathcal D}_{\textrm{soc}}}$. It suffices to show the inclusion for elements of the form $a_{F}^E$. Set $F=(i_1,\dots,i_r)$ and $E=(e_1,\dots,e_r)$, so that $a_{F}^E=a_{i_1}^{e_1}\dots\hspace{1pt} a_{i_r}^{e_r}$. We can assume that $i_k \in J$ for $k=1,\dots,p$ and $i_k \notin J$ for $k=p+1,\dots,r$. Then $a_{i_k} \in G({\mathcal D})$ for $k=p+1,\dots,r.$ Write $e_k=\nu_kc_k+\bar{e}_k$ with $0 \leq \bar{e}_k < \nu_k$ for $k=1,\dots,p$. We now have $a_{F}^E= (a_{i_1}^{\bar{e}_1}\dots a_{i_p}^{\bar{e}_p})(a_{i_1}^{\nu_1 c_1} \dots a_{i_p}^{\nu_p c_p}a_{i_{p+1}}^{e_{p+1}} \dots a_{i_r}^{e_r}) \in XG({\mathcal D}).$ Conversely, assume that ${\mathcal D}$ is of finite type over ${{\mathcal D}_{\textrm{soc}}}$. Take a finite set $Y \subset {\mathcal D}$ such that ${\mathcal D}=Y{{\mathcal D}_{\textrm{soc}}}$; then ${\mathcal D}=W {{\mathcal D}_{\textrm{soc}}}$ for the (finite dimensional) subcoalgebra $W$ generated by $Y$. We have a coalgebra decomposition $$W= (W \cap \mathcal{A}) \oplus \big(\oplus_{(F,E) \in \Gamma} (W \cap V_{\! (F,E)}) \big)$$ inherited from that of ${\mathcal D}$, see [@DNR Exercise 2.2.18 (iv)] and the proof of [@M Lemma 5.1.9]. As $\dim W < \infty$, the set $\Omega=\{(F,E) \in \Gamma : W \cap V_{\!(F,E)}\neq 0\}$ is finite. We can express $\Omega$ as a disjoint union of $\Omega_1=\{(F,E) \in \Omega: q_F^{nE}=1\}$ and $\Omega_2=\{(F,E) \in \Omega: q_F^{nE} \neq 1\}$. Then $a_F^E \in G({\mathcal D})$ for all $(F,E) \in \Omega_1$. For $(F,E) \in \Omega_2$ set $F=(i_1,\dots,i_r)$ and $E=(e_1,\dots,e_r)$, so that $a_{F}^E=a_{i_1}^{e_1} \dots a_{i_r}^{e_r}$. Remove from $F$ those $i_k$ such that $q_{i_k}^n=1\ (a_{i_k} \in G({\mathcal D})).$ In this way, $\Omega_2$ gives rise to a set $J=\{j_1,\dots,j_l\}$ such that $q_{j_k}^n \neq 1$ for all $k=1,\dots,l$. Since ${{\mathcal D}_{\textrm{soc}}}={\Bbbk}G({\mathcal D})$, we have another coalgebra decomposition ${\mathcal D}=\oplus_{g \in G({\mathcal D})} Wg.$ Let $i \in I$ be such that $q_i^n \neq 1$ and consider the simple subcoalgebra $\mathcal{A}a_i$, Proposition \[block\] (ii). There is $g_{i} \in G({\mathcal D})$ such that $\mathcal{A}a_i \subset Wg_i$. We know that $g_i^{-1}=u^ta_{F}^E$ for certain $(F,E)\in \Omega_1$. Then $a_ig_{i}^{-1}$ is of the form $u^ta_{F'}^{E'}$ with $q_{F'}^{nE'} \neq 1$ and $V_{\! (F',E')}=\mathcal{A}a_ig_{i}^{-1} \subset W$. Hence $(F',E') \in \Omega_2$ and so $i \in J$. This shows that $i \in J$ if and only if $q_i^n \neq 1$. We must finally prove that $q_{j_k}$ is an $\nu_k$-th root of unity for every $k \in \{1,\dots,l\}$. This is clear if the ground field ${\Bbbk}$ is finite. Assume that ${\Bbbk}$ is infinite. Let $e_{j_k}$ be the maximum exponent, in absolute value, of $a_{j_k}$ when occurring in the elements $a_F^E$ with $(F,E) \in \Omega_2$. Put $$X=\{x^sa_{j_1}^{\pm f_{j_1}}\dots\ a_{j_l}^{\pm f_{j_l}}: 0 \leq s< n, 0 \leq f_{j_k} \leq e_{j_k}, 1 \leq k \leq l\}.$$ Then ${\mathcal D}=W{{\mathcal D}_{\textrm{soc}}}\subseteq X{{\mathcal D}_{\textrm{soc}}}.$ Set $P=\{\pm f_{j_k} : 1 \leq k \leq l\}.$ Pick $z \in {\mathbb{Z}}$ and $k \in \{1,\dots,l\}$ arbitraries. We write $$a_{j_k}^z = \sum_{\sigma} \lambda_{\sigma} y_{\sigma} a_{F_{\sigma}}^{E_{\sigma}}, \qquad \ \lambda_{\sigma} \in {\Bbbk}, \ y_{\sigma} \in X, \ a_{F_{\sigma}}^{E_{\sigma}} \in G({\mathcal D}).$$ Observe that $q_{F_{\sigma}}^{nE_{\sigma}}=1$ for all $\sigma$. We assume that all terms $y_{\sigma} a_{F_{\sigma}}^{E_{\sigma}}$ in this sum are distinct. A priori, $a_{F_{\sigma}}^{E_{\sigma}}$ might be multiplied by a power of $u$, as $u \in G({\mathcal D})$, but by linear independence, this is not possible. By the same reason, no power of $x$ occurs in $y_{\sigma}.$ Set $F_{\sigma}=(i_{1},\dots,i_{r_{\sigma}}), E_{\sigma}=(\theta_{\sigma,1},\dots,\theta_{\sigma, {r_{\sigma}}})$ and $$y_{\sigma} = a_{j_1}^{\gamma_{\sigma,1}}\dots\ a_{j_l}^{\gamma_{\sigma,l}}, \qquad \gamma_{\sigma,1},\dots, \gamma_{\sigma,l} \in P.$$ Set $F'_{\sigma}=F_{\sigma}\backslash (F_{\sigma} \cap J)$. Take out of $a_{F_{\sigma}}^{E_{\sigma}}$ the $a_i$’s with $i \in F_{\sigma} \cap J$, join them to $y_{\sigma}$ and consider the corresponding list of exponents $E'_{\sigma}$ for $F'_{\sigma}$. Then, $$\label{sumel2} a_{j_k}^z= \sum_{\sigma} \lambda_{\sigma}a_{j_1}^{\gamma_{\sigma,1}+\theta_{\sigma,1}}\dots\ a_{j_l}^{\gamma_{\sigma,l}+\theta_{\sigma,l}}a_{F'_{\sigma}}^{E'_{\sigma}}.$$ Here we are abusing a bit of notation because some $j_{\mu}$ could not appear in $F_{\sigma}$ and, in such a case, we understand $\theta_{\sigma,\mu}=0$. Moreover, $\theta_{\sigma,1},\dots,\theta_{\sigma,l}$ correspond to $a_{i_1},\dots,a_{i_l}$ and subindices $i_1,\dots,i_l$ are not necessarily equal $j_1,\dots,j_l$. All monomials in the right-hand side of are different basis element. There must be $\tau$ such that $a_{j_k}^z=a_{j_k}^{\gamma_{\tau,k}+\theta_{\tau,k}}$ and $a_{j_{\mu}}^{\gamma_{\tau,\mu}+\theta_{\tau,\mu}}=1$ for $\mu \neq k$. From here, $z=\gamma_{\tau,k}+\theta_{\tau,k}$ and $\theta_{\tau,\mu}=-\gamma_{\tau,\mu}$. Recall that $q_{F_{\tau}}^{nE_{\tau}}=q_{i_1}^{n\theta_{\tau,1}}\dots\ q_{i_{r_{\tau}}}^{n\theta_{\tau, r_{\tau}}}=1$ and $q_i^n=1$ for $i \notin J$. Then $q_{j_1}^{\theta_{\tau,1}}\dots\ q_{j_{l}}^{\theta_{\tau,l}}$ is an $n$-th root of unity, say $\zeta$. Substituting the value of the $\theta$’s just found we get: $$q_{j_k}^z= \zeta \prod_{\mu=1}^l q_{j_{\mu}}^{\gamma_{\tau,\mu}}.$$ The right-hand side of this equality only takes a finite number of values because the $\gamma$’s are chosen from the finite set $P$ and $\zeta$ is an $n$-th root of unity. However, $z$ runs over ${\mathbb{Z}}$. This yields that $q_{j_k}$ is a root of unity. As a consequence of Theorem \[mainth2\] (ii), if some $q_i$ is not a root of unity, then ${\mathcal D}$ is not of finite type over ${{\mathcal D}_{\textrm{soc}}}$, establishing so Theorem \[question-ad\] announced in the introduction. On the other hand, if $\alpha \neq 0, \vert I \vert=1$ and $q_i$ is not a root of unity, then ${{\mathcal D}_{\textrm{soc}}}$ is finite dimensional. Its only elements are the group-like elements of Taft Hopf algebra. The proof of Theorem \[mainth2\] (ii) yields that when $\alpha \neq 0$ the set $$\{R_{t,(F,E)}: 0 \leq t < n, (F,E) \in \Lambda\} \cup \{S_{(F,E)}:(F,E) \in \bar{\Lambda}\}$$ is a full set of representatives of the simple right ${\mathcal D}$-comodules. Moreover, the ${S_{(F,E)}}$’s are injective. The multiplication rules for the above set are: $$\begin{aligned} R_{t,(F,E)} \otimes R_{t',(F',E')} \simeq R_{t+t',(F\cup F',E+E')}, \hspace{3.9cm} \vspace{8pt} \\ R_{t,(F,E)} \otimes S_{(F',E')} \simeq S_{(F\cup F',E+E')} \simeq S_{(F',E')} \otimes R_{t,(F,E)}, \vspace{8pt} \hspace{1.5cm} \\ \quad S_{(F,E)} \otimes S_{(F',E')} \simeq \left\{\begin{array}{ll} T_n(\omega) & \ {\rm if} \ F' = F\ {\rm and} \ E'=-E, \vspace{2pt} \\ S_{(F\cup F',E+E')}^{\,n} & \ {\rm otherwise}. \end{array}\right.\end{aligned}$$ The first isomorphism is clear because $u^ta_F^E$ and $u^{t'}{\hspace{-1pt}}{\hspace{-1pt}}a_{F'}^{E'}$ are group-like. The coefficient space of $R_{t,(F,E)} \otimes S_{(F',E')}$ equals $$({\Bbbk}u^ta_F^E)V_{(F',E')}=({\Bbbk}u^ta_F^E)(T_n(\omega)a_{F'}^{E'})=V_{(F\cup F',E+E')}.$$ Since the latter is a simple subcoalgebra, $R_{t,(F,E)} \otimes S_{(F',E')}$ is isomorphic to $r$ copies of $S_{(F\cup F',E+E')}.$ Comparing dimensions, $r=1.$ Similarly, $S_{(F',E')} \otimes R_{t,(F,E)} \simeq S_{(F\cup F',E+E')}$. Assume finally that either $F' \neq F$ or $E' \neq -E$. Then the coefficient space of $S_{(F,E)} \otimes S_{(F',E')}$ equals $V_{(F,E)}V_{(F',E')}=V_{(F\cup F',E+E')}.$ Now argue as before. In the case $F' = F$ and $E'=-E$, the coefficient space is $T_n(\omega)$. Observe that $S_{(F',E')} \simeq S_{(F,E)}^{\,}$ because ${{\mathcal S}}(V_{(F,E)})=V_{(F,-E)}$. Then $S_{(F,E)} \otimes S_{(F',E')}$ contains ${\Bbbk}$. Tensoring with ${\Bbbk}u^t$ and using the previous isomorphism, $S_{(F,E)} \otimes S_{(F',E')}$ contains ${\Bbbk}u^t$ for $t=0,\ldots,n-1$. Since it is injective, it must contain a copy of the injective hull of ${\Bbbk}u^t$ for $t=0,\ldots,n-1$. These are $n$-dimensional. Comparing dimensions, it must contain exactly one copy of each. Hence $S_{(F,E)} \otimes S_{(F',E')} \simeq T_n(\omega).$ Examples in positive characteristic {#sec:positive-car} =================================== In this final section we construct from group theory examples of co-Frobenius Hopf algebras, over fields of positive characteristic, that are not of finite type over their Hopf socles. Let $G$ be an infinite group and let $K$ be a finite abelian group of order $n$ acting freely on $G$ by group automorphisms. Then the group algebra ${\Bbbk}G$ is a left comodule Hopf algebra over the dual group algebra ${\Bbbk}^K$ with coaction $\rho:{\Bbbk}G \rightarrow {\Bbbk}^K \otimes {\Bbbk}G$, $g \mapsto \sum_{k \in K} \delta_{k} \otimes (k \cdot g)$. Let $H={\Bbbk}G \# {\Bbbk}^K$ be the smash coproduct Hopf algebra; this is the tensor product algebra, with comultiplication and antipode given by $$\begin{aligned} \label{comultsmash} \Delta(g \# \delta_{k}) & = \sum_{t \in K} (g \# \delta_{t}) \otimes (t \cdot g \# \delta_{t^{-1}k}), & {{\mathcal S}}(g \# \delta_{k}) &= k \cdot g^{-1} \# \delta_{k^{-1}}.\end{aligned}$$ Suppose now that ${\operatorname{char}}{\Bbbk}$ divides $n$. Then ${\Bbbk}^K$ is co-Frobenius but not cosemisimple. Being a cleft extension of co-Frobenius Hopf algebras, $H$ is co-Frobenius by [@BDGN Proposition 5.2]– see also [@AC Theorem 2.10]– and not cosemisimple because the Hopf subalgebra ${\Bbbk}^K$ is not so. \[decomp\] Let $\Gamma$ be a set of representatives of the orbits in $G$. For $g \in G$ let $\bar{g} \in \Gamma$ denote the representative of ${{\mathcal O}}(g)$. Let ${\Bbbk}{{\mathcal O}}(g) \subset {\Bbbk}G$ be the ${\Bbbk}$-vector subspace spanned by ${{\mathcal O}}(g)$. Then: 1. $H=\oplus_{\bar{g} \in \Gamma} \ {\Bbbk}{{\mathcal O}}(\bar{g}) \# {\Bbbk}^K$ as coalgebras. 2. ${\Bbbk}{{\mathcal O}}(\bar{g}) \# {\Bbbk}^K \simeq M^c_n({\Bbbk})$ as coalgebras for $\bar{g} \neq 1_G$ and ${\Bbbk}1_G \# {\Bbbk}^K\simeq {\Bbbk}^K$. \(i) By , ${\Bbbk}{{\mathcal O}}(\bar{g}) \# {\Bbbk}^K$ is a subcoalgebra, and clearly $H=\oplus_{\bar{g} \in \Gamma} \ {\Bbbk}{{\mathcal O}}(\bar{g}) \# {\Bbbk}^K$. \(ii) Let $\{c_{ij}\}_{1\le i,j\le n}$ be the canonical basis of $M^c_n({\Bbbk})$. We write $K=\{k_1,\dots,k_n\},$ where $k_1=1_K.$ It is not difficult to show that the map $\Phi:{\Bbbk}{{\mathcal O}}(\bar{g}) \# {\Bbbk}^K \rightarrow M^c_n({\Bbbk})$, $(k_i \cdot g) \# \delta_{k_j} \mapsto e_{il}$, with $k_ik_j=k_l$, is a coalgebra isomorphism. That ${\Bbbk}1_G \# {\Bbbk}^K \simeq {\Bbbk}^K$ is clear. With notation as above, the unique (up to isomorphism) simple right $M^c_n({\Bbbk})$-comodule is ${\Bbbk}\{c_{1j}: j=1,\dots,n\}$. Then, for $\bar{g} \neq 1_G$, through $\Phi$, the simple right $H$-comodule corresponding to the block ${\Bbbk}{{\mathcal O}}(g) \# {\Bbbk}^K$ is $S_{\bar{g}}={\Bbbk}\{g \# \delta_{k_j}: j=1,\dots,n\}$. Put $S_{\overline{1_G}}={\Bbbk}\{1_G \# \delta_{k_j}: j=1,\dots,n\},$ which is isomorphic to ${\Bbbk}^K$ as a right $H$-comodule. Notice that this is never simple if $K$ is non trivial. \[mainth3\] The Hopf algebra $H$ is co-Frobenius and not of finite type over ${H_{\textrm{soc}}}$. We show that $S_{\bar{g}}$ is not included in ${H_{\textrm{soc}}}$ for $\bar{g} \neq 1_G$. From Proposition \[decomp\] (i), each $S_{\bar{g}}$ is injective. If it is contained in ${H_{\textrm{soc}}}$, then $S_{\bar{g}} \otimes S_{\bar{g}}^$ is semisimple. Since $S_{\bar{g}} \otimes S_{\bar{g}}^$ must contain ${\Bbbk}$ as a direct summand, we would have that ${\Bbbk}$ is injective and hence $H$ would be cosemisimple, a contradiction. Taking into account again the coalgebra decomposition of $H$ in Proposition \[decomp\], only the simple comodules of ${\Bbbk}^K$ could be included in ${H_{\textrm{soc}}}$. There is a finite number of them (up to isomorphism), so that ${H_{\textrm{soc}}}$ is finite dimensional. Since $G$ is infinite, $H$ cannot be of finite type over ${H_{\textrm{soc}}}$. We just gave an indirect argument to show that $S_{\bar{g}}$ is not included in ${H_{\textrm{soc}}}$ for $\bar{g} \neq 1_G$. However, it is possible to compute the decomposition of $S_{\bar{g}} \otimes S_{\bar{h}}$: \[posdecomp\] As right $H$-comodules, $S_{\bar{g}} \otimes S_{\bar{h}} \simeq \oplus_{r=1}^n S_{\overline{(k_r\cdot g)h}}$. In particular, if $\bar{g},\bar{h} \neq 1_G$, then $S_{\bar{g}} \otimes S_{\bar{h}}$ is semisimple except when ${{\mathcal O}}(g)={{\mathcal O}}(h^{-1})$. Equivalently, when either $S_{\bar{g}} \simeq S_{\bar{h}}^$ or $S_{\bar{h}} \simeq S_{\bar{g}}^$. Define $f:S_{\bar{g}} \otimes S_{\bar{h}} \rightarrow \oplus_{r=1}^n S_{\overline{(k_r\cdot g)h}},(g \# \delta_{k_l}) \otimes (h \# \delta_{k_m}) \mapsto (k_r\cdot g)h \# \delta_{k_lk_r^{-1}}$, where $k_r=k_m^{-1}k_l$. Clearly, $f$ is bijective. We check that it is a comodule morphism: $$\begin{aligned} (f \otimes {\operatorname{id}})&\rho[(g \# \delta_{k_l}) \otimes (h \# \delta_{m})] = \\ &= (f \otimes {\operatorname{id}})\bigg[\sum_{i,j=1}^n (g \# \delta_{k_i}) \otimes (h \# \delta_{k_j}) \otimes (k_i \cdot g)(k_j \cdot h) \# \delta_{k_i^{-1}k_l}\delta_{k_j^{-1}k_m}\bigg] \\ &= (f \otimes {\operatorname{id}})\bigg[\sum_{i=1}^n (g \# \delta_{k_i}) \otimes (h \# \delta_{k_ik_mk_l^{-1}}) \otimes (k_i \cdot g)((k_ik_mk_l^{-1}) \cdot h) \# \delta_{k_i^{-1}k_l}\bigg] \\ & = \sum_{i=1}^n ((k_m^{-1}k_l)\cdot g)h \# \delta_{k_ik_mk_l^{-1}} \otimes [k_i \cdot (g ((k_mk_l^{-1}) \cdot h))] \# \delta_{k_i^{-1}k_l} \\ & = \sum_{j=1}^n ((k_m^{-1}k_l)\cdot g)h \# \delta_{k_j} \otimes [k_j \cdot (((k_m^{-1}k_l) \cdot g)h)] \# \delta_{k_j^{-1}k_m} \\ & = \rho (((k_m^{-1}k_l) \cdot g)h \# \delta_{k_m}) \\ & = \rho f[(g \# \delta_{k_l}) \otimes (h \# \delta_{k_m})].\end{aligned}$$ The comodule $S_{\overline{(k_r\cdot g)h}}$ is simple except when $\overline{(k_r\cdot g)h}=1_G$. This happens if and only if ${{\mathcal O}}(g)={{\mathcal O}}(h^{-1})$. In this case, $S_{\overline{(k_r\cdot g)h}}=S_{\overline{1_G}}={\Bbbk}^K,$ which is not semisimple. Finally, from and Proposition \[decomp\] (ii), it follows that $S_{\overline{h}}^ \simeq S_{\overline{h^{-1}}}$ for $\overline{h} \neq 1_G$. We finish this paper by providing an example of a commutative infinite dimensional co-Frobenius Hopf algebra whose Hopf socle is trivial. Assume that ${\operatorname{char}}{\Bbbk}=2$. Let $G={\mathbb{Z}}$ and $K=C_2$ with generators $x$ and $\sigma$ respectively. Let $K$ act on $G$ by $\sigma\cdot x=x^{-1}$. We have ${{\mathcal O}}(1)=\{1\}$ and ${{\mathcal O}}(x^z)=\{x^z,x^{-z}\}$ for $0 \neq z \in {\mathbb{Z}}$. We take $\{x^n : n \geq 0\}$ as a set of representatives of the orbits. We construct the smash coproduct Hopf algebra $H={\Bbbk}{\mathbb{Z}}\# {\Bbbk}^{C_2}$. The ${\Bbbk}$-vector subspace $D_n$ spanned by $\{x^{\pm n} \# \delta_{\sigma^i} : i=0,1\}$ is a subcoalgebra of $H$ isomorphic to $M_2^c({\Bbbk})$. By Proposition \[decomp\], we have a coalgebra decomposition $H={\Bbbk}^{C_2} \oplus (\oplus_{n \in {\mathbb{N}}} D_n)$. The simple comodule $S_n$ attached to $D_n$ is spanned by $\{x^{n} \# \delta_{\sigma^i} : i=0,1\}$. The only simple comodule of ${\Bbbk}^{C_2}$ is ${\Bbbk}$. Hence ${H_{\textrm{soc}}}={\Bbbk}$ by the proof of Theorem \[mainth3\]. In view of Proposition \[posdecomp\], the decomposition rules for the tensor product of the simple comodules are: $S_n \otimes S_m \simeq S_{n+m} \oplus S_{\vert m-n\vert}$ for $m \neq n$ and $S_n \otimes S_n \simeq S_{2n} \oplus {\Bbbk}^{C_2}$. Acknowledgements {#acknowledgements .unnumbered} ---------------- N. A. was partially supported by CONICET, FONCyT and Secyt (UNC). J. C. is supported by projects MTM2011-27090 from MICINN and FEDER and P07-FQM03128 from Junta de Andalucía. 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[^1]: This means that the isomorphism classes of objects form a set.	2024-05-26T01:26:57.367551	https://example.com/article/4015
Monday, October 16, 2006 Using sessions in PHP Building web applications with membership management is one of the most frequent tasks that every programmer does. Managing membership data, such as username, password and the member's profile with sessions in PHP is the easiest and simplest solution, although it is not the only one. With this tutorial, I assume you are using PHP 4.1.0 or the later. The first thing that we should know to use sessions is that you have to initialize the session. session_start(); Any script which has that line would make the script available to register a new session or read an existing session which we have defined on another page. Enough of the blah blah stuff, shall we now go to the example stuff? <?php// page1.phpsession_start(); $_SESSION["real_name"] = "Ashraf Gheith "; print "<a href='page2.php'>Go to this page</a>";?> <?php// page2.phpsession_start();print $_SESSION["real_name"];?> The above example shows you that I create a session variable named "real_name" storing my name as the value. Then on the second page, I print out the session variable and my name will show up. When you first access that page, it will display 1. Try to refresh the page and the number will grow. To destroy or delete an existing session variable, you can use the unset command. unset($_SESSION["session_name"]); Or if you want to delete all session variables (and the session itself), you can do it by using the destroy command. session_destroy(); The destroy command is usually used to log-off a user from the membership area. Let's make a membership area for our example. In the first page, I stated that sessions are usually used to create a membership management. Now, I want to show you a little snippet to create a login system, which you have to complete to create your own membership management. In the above example, we have built three pages. The first page is functions.php. In this page we build all the functions to do login checking, the login and the login detector. The second page is login.php. We will show the login form to our user and do some processes to register sessions when they have passed the login check. Third and the last page is the sample of how to use the system. This page is only available when user has logged in or has the session variable "member_id" with some value, not null. Well, now it's time for blah blah stuff. I hope now you know how sessions work in PHP. Sessions are a variable which act as a global variable and can be accessed from any page you want in your domain and also can be declared or destroyed from any page.	2023-11-12T01:26:57.367551	https://example.com/article/1086
Nickel-catalyzed Enantioselective Hydroarylation and Hydroalkenylation of Styrenes. We have developed a Ni-catalyzed enantioselective hydroarylation of styrenes with arylboronic acids using MeOH as the hydrogen source, providing an efficient method to access 1,1-diarylalkanes, which are essential structural units in many biologically active compounds. In addition, Ni-catalyzed enantioselective hydrovinylation of styrenes with vinylboronic acids is also realized with good yields and enantioselectivities. The synthetic utility was demonstrated by the efficient synthesis of ( R)-(-)-ibuprofen.	2023-09-12T01:26:57.367551	https://example.com/article/8916
After three years of research, eHarmony is getting ready to launch Elevated Careers this December. The goal is to help people find a fulfilling and meaningful job that lasts longer than the national average of 4.6 years. In light of this announcement, we spoke with Neil Clark Warren, the CEO of eHarmony, to learn more about the new jobs service and the idea of matching in general. Here is our lightly edited conversation. Business Insider: Why did you decide to expand into the careers space? Neil Clark Warren: We decided to turn this company back into a relationship company. So we had the core product — we've had 600,000 marriages now and our divorce rate over a 7-year period is only 3.8%. We've done really well with matching people for long-term relationships. We think no one has done as much matching of personalities as we have, and we have very specific ideas about how we can be a successful participant in [the careers] space. We think we can do it better than some of the other companies like Monster and LinkedIn. BI: Why do you think you'll be able to do it better than other companies? NW: Because we have spent way more time thinking about personality fit. We've spent way more time thinking about relationships, what is required to make a relationship great. People on eHarmony stay together, have a more satisfying experience, and the divorce rate is way lower than it is for people who meet in virtually any other way. We think we're better at matching people, we've spent more time at it. You don't find in these other companies anybody who has spent that much time. BI: What's your advice for finding a job that's a good fit? NW: The first thing that a person needs in order to have a meaningful job experience is he or she needs to feel that the culture of the company in which they're working is a very good fit with their own sense of cultural idealism. The kind of principles they stand for are the principles the company stands for. BI: How is eHarmony going to help its users figure that out? NW: The first thing we do when getting involved with a company is we want a short inventory filled out by every person in the company. Just asking how they perceive the culture of the company. We want that culture to be matched up with the culture of the person who's the applicant. The second thing we do is we want the org chart of the company, so that if an individual wants to work in a particular part of the company, we want to know what skills are required of the applicant. But in addition to that, we want to know whether the personality match of the applicant and the person they're going to report to is a good fit for the company and individual. If we can get the culture, skillset, and personality right, we're convinced that the typical 4.6 year average duration at a company in America, we'll be able to take that way up. And that will increase the productivity for the company, and that will certainly increase the experience for the applicant. BI: What is an example of how a job seeker would be an appropriate match for an employer? NW: I always say that you can't have one really bright person reporting to someone who's not bright or vice versa. You need to have the two persons within one standard deviation of intelligence. Education usually needs to be well-matched. BI: What are the risks of accepting a poorly-matched job? NW: My father-in-law graduated from MIT, and the first thing I learned about my wife was she had moved all over the country because her father could never find the right fit with jobs. Part of the reason was that he was in an industry that was changing enormously — electronics. But part of the reason too was interpersonally, he didn't end up reporting to people who had a similar personality to his. He would get in with companies that had a different cultural orientation than he had. My wife moved 17 times when she was growing up. It was colossally difficult for her. BI: Have you personally experienced some of these difficulties in your own career? NW: I've been a psychologist for 40 years, but I was not really emotionally a perfect fit for psychology. I taught in graduate school, and then I went into private practice for 30 years, and private practice wears you out. By the time you're done with the day, you're just worn thin. I don't think that was quite career for me, but nobody ever helped me find out what the correct company was for me. Eventually I founded eHarmony, and that's the perfect place for me. It has a combination of psychology but also has business. I learned myself that I hadn't been employed in quite the right career, and I wish somebody had taken the time to deal with the issues for me. BI: What got you interested in the whole matching business to begin with? NW: My folks were married for 70 years. My dad was an absolute genius; my mother was a farm girl who probably had an IQ one standard deviation above the mean, my dad was 4.5 deviations above the mean. They never talked, but they treated each other with a lot of respect. I never heard them yell at each other or anything like that, but they weren't well-matched on intelligence or interests. It was a marriage with duration, but it wasn't a great duration because they didn't have personality matching. Nobody had given them one word of advice about the kind of person they should marry. They sent to me this message, that I should be taller than the girl. That just seems so absurd. The second message was I should be a little older than the girl. And the third was if she wasn't a member of my religion she should be willing to switch. Those are all superficial. I began to see that length of involvement does not at all mean depth of a meaning and satisfaction. BI: What do you think about all of the more casual dating apps that are becoming more popular? NW: I'm sad about it, to tell you the truth, because it doesn't work. It won't work over time. These new apps tend to be so superficial. They will allure a lot of people into thinking that they belong together when they perhaps don't belong together at all. They're depending on superficial almost accidental compatibility. Compatibility is a serious matter, and it's very deep and very important to figure out. These companies that are bringing out these apps, they haven't done any careful research about what works. They're just trying to throw something out there that makes money for the company. I wouldn't put two people together who are not deeply compatible for a billion dollars. As a psychologist, I've presided over the funerals of an awful lot of marriages, and I've seen people suffer a tremendous amount of pain who went through horrible divorces. You've got to have personality — [a] spiritual, intellectual match. It's an underestimated skill you have to have to find the person you want to be with the rest of your life.	2023-08-17T01:26:57.367551	https://example.com/article/5750
Gavin Larsen Gavin Rolf Larsen (born 27 September 1962) is a former New Zealand cricketer who specialised in the art of economical bowling. He was known playfully by his teammates as "The Postman". He is currently chief selector for the national side. Domestic career Unusually for a New Zealand player, he played his entire first-class career with one team, Wellington. He also captained the side in the 1994 Australasian Cup in Sharjah in the United Arab Emirates, where New Zealand reached the semi-finals of a six-team tournament. His nickname of "The Postman" came about as a compliment: "John Graham, New Zealand's team manager during much of his career, explained the nickname in the foreword to Larsen's book Grand Larseny (yes, really): "He is the consummate professional, committed, conscientious, competitive and consistent. His nickname of 'The Postman' sums him up well, he always delivers!"" International career Larsen finished his career with an exceptional economy rate in ODI cricket of 3.76 – the norm at the time was usually somewhere between 4 and 4.50 – in his 121 ODIs, stretching over a ten-year span. He also played eight Tests with reasonable success, taking 24 wickets. However, as a useful batsman and handy bowler, he held a place in the one-day side and played a major part in New Zealand reaching the semi-final stage of the 1999 Cricket World Cup. Larsen earned his 100th ODI wicket in his home-town of Wellington, claiming the prize scalp of Indian batsman Sachin Tendulkar. After cricket Larsen is now the CEO of Cricket Wellington and has been appointed on July 8, 2015 as a selector of the New Zealand cricket team. References External links Category:1962 births Category:Living people Category:New Zealand One Day International captains Category:New Zealand One Day International cricketers Category:Cricketers at the 1992 Cricket World Cup Category:Cricketers at the 1996 Cricket World Cup Category:Cricketers at the 1999 Cricket World Cup Category:New Zealand Test cricketers Category:New Zealand cricketers Category:Wellington cricketers Category:New Zealand cricket commentators Category:People educated at Onslow College	2023-10-29T01:26:57.367551	https://example.com/article/9383
St. Albert the Great Albert so loved the natural sciences, waxing eloquent in his writings on everything from flowers to insects to fish to the squirrelly daily habits of the squirrels, because they all in small, diverse ways reflected the unspeakable, simple goodness and majesty of the Creator, from whom all creation flows. Albert knew so well how God speaks to us through creation, but he also knew that God has spoken to us directly too, in His revelation, and most directly of all through the words and the deeds of His Son incarnate. Albert’s love for God is seen in his extensive knowledge of the Scriptures, of Church history, of the liturgy, and of the Eucharist. Albert left extensive commentaries on the Scriptures, among the most prominent being his Commentary on Saint Luke’s Gospel. He wrote beautifully about the Eucharist and offered practical advice on mastering the art of prayer to express our love for God. Perhaps Albert’s most significant purely spiritual work, De Adherendo Deo (On Cleaving to God), is one that he might have not written in its entirety. The beautifully simple, although profoundly moving book, which has been called a worthy companion to Thomas à Kempis’s Imitation of Christ, is about “cleaving freely, confidently, nakedly, and firmly to God alone . . . since the goal of Christian perfection is the love by which we cleave to God.” Charging Champion The virtue of fortitude comes from the Latin fortis, “strength.” Saints Albert and Thomas would write a great deal about the nature of virtues, including fortitude, and Albert clearly not only knew of this spiritual strength but did not shy away from living it. Fortitude employs the irascible appetite and can raise our ire to fight back to defend the good, even when this means facing difficult obstacles. We saw that Albert was happy bravely to champion the cause of the rights of the Dominicans and Franciscans when challenged by the secular professors of the University of Paris. We saw too a flicker of Albertian ire when he railed at those even within his order who tried to squelch the study of philosophy. Perhaps the most poignant and powerful example of Albertian fortitude, though, is how he defended his own greatest student not long after that student’s death. On March 7, 1277, three years to the day after the death of Thomas Aquinas, Bishop Steven Tempier of Paris, having solicited input from various theologians, produced 218 propositions that were said to be contrary to the Catholic Faith. Among that list, sixteen propositions were clearly compatible with the writings of Thomas Aquinas. Some reports indicate that the elderly Albert traveled the three hundred miles to Paris on foot to meet Tempier’s challenge and champion his brilliant student’s thought. He began his speech to the learned professors by stating, “What glory it is for one who is living to be praised by those who are dead.” He went on to portray Saint Thomas as the one who truly lived, while his accusers of unorthodoxy were covered in shades of death through their ignorance and ill will. He defended the orthodoxy of Thomas’s writings, along with Thomas’s personal sanctity, offering to defend them both before an assemblage of competent men. He returned to Cologne and poured over Thomas’s writings, declaring to an assemblage of Dominicans that Thomas’s works were so masterful that he had “labored for all to the end of the world, and that henceforth all others would work in vain.” Of course, the writings of Saint Thomas did not put an end to works in theology but would stimulate an endless stream of new work inspired by his brilliance as the Dominican Order and countless popes across the centuries have sung the praises for his works of theology. Thomas’s philosophical and theological sons and daughters would come to be called Thomists, and Albert himself is the first and the foremost among them. Cherished Child For many decades Albert the Great shone as one of the brightest lights in one of the greatest of centuries. His learning was unequalled, and he was known far and wide as a man who could get things done. The bark of his preaching and teaching had inflamed the hearts of countless students, friars, nuns, and parishioners who had heard and seen him. Recall, though, the legend that Blessed Mary had foretold that at the end of his days he would be bereft of his vast knowledge. A poignant tale records that Archbishop Sigfried had come to the Dominican convent to visit the elderly Albert one day and, knocking at the door of his cell, called out, “Albert, are you there?” The venerable master did not open the door, but merely answered: “Albert is no longer here; he was here once upon a time.” It is said that the greatest encyclopedic mind of the century, the medieval memory master, began to lose his memory in the last weeks of his life. He retained the ability to say Mass, as he had done for so many years, but he removed himself ever more from the world, content to pray in his garden and his cell. The boots that had taken him all across Europe carried him daily to the site he had selected as the resting place of his body, as he prayerfully and peacefully prepared for the inevitable day of his death. His spirit strove solely to cleave closer to God. In the twilight hours of November 15, 1280, clothed in the habit of the Order of Preachers, seated in a large wooden chair in his cell and surrounded by his brother friars in Christ, Saint Albert whispered that it had been a good thing to be a Dominican, and then, like a cherished child, his soul left to meet his heavenly Father and Mother. + Art for this post on St. Albert the Great: Detail of Albertus Magnus auf dem Frankfurter Dominikanerstammbaum (Albertus Magnus on the Frankfurt Dominican family tree), Hans Holbein der Ältere, 1501, PD-US author’s life plus 70 years or less, Wikimedia Commons. Cover of Hounds of the Lord used with permission.	2024-04-22T01:26:57.367551	https://example.com/article/5123
RF tagging systems are well known in the art. In one such system, the existence of a single resonant circuit in a detection field or zone is utilized as an anti-theft type apparatus. Essentially, if an article having a single resonant frequency tag passes through a detection zone, an alarm is generated which indicates the unauthorized presence of store goods in the detection zone. Such resonant circuits have been constructed in accordance with standard printed circuit board techniques. Some prior RF tagging systems have provided multiple different tuned (resonant) circuits on a tag so as to specifically identify the goods to which the tag is attached or the destination to which those goods should be directed. Such systems have been proposed for parcel or other article delivery systems wherein resonant circuits are utilized to provide a destination or sender code rather than printed bar codes. The use of resonant circuit tagging is advantageous in that it is not subject to problems such as dirt obscuring a portion of a printed bar code and causing an error in determining the code associated with the article. Also, exact alignment of the tag with the detection system may not be required in RF tagging systems, since generally it is desired only to detect the presence of the resonant circuits somewhere in a broad detection zone. This can be achieved without precise alignment between the resonant circuit, the detection zone and the detection apparatus. In order to enhance the utility of such systems, RF tags having multiple resonant circuits have been proposed to thereby increase the number of possible different identification codes. Prior systems utilizing multiple tuned circuit detection contemplate sequentially generating or gating each of the different resonant frequency signals to a transmitter antenna. Each different resonant frequency in a multiple frequency system is provided by a master oscillator circuit or transmitter whose output is essentially swept or stepped to sequentially provide each desired output frequency. Then, reflected energy from each of the tuned circuits is detected. Some frequency tagging systems look for absorption of RF energy by the resonant circuits during the transmission of the test frequency signals. An improved RF tagging system is fully described in copending application Ser. No. 07/966,653, filed on Oct. 26, 1992, in the names of Sanjar Ghaem, Rudyard L. Istvan, and George L. Lauro, for RF Tagging System and RF Tags and Method, which application is assigned to the assignee of the present invention and fully incorporated herein by reference. The system there disclosed includes, as a significant feature, the simultaneous radiation of RF energy at a plurality of different frequencies in order to detect each of a plurality of different frequency resonant circuits which may be provided on a tag. Then a code signal indicative of which resonant frequencies for the tag resonant circuits were detected is provided. The above feature results in very fast detection of which resonant frequency circuits are provided on a tag in a detection zone. The provision of multiple resonant circuits on RF tags, while providing a multiplicity of possible different identification codes, has many disadvantages. For example, multiple resonant circuits can occupy considerable RF tag surface area. This is especially the case with resonant circuits formed in a common plane. Hence, as the number of RF resonant circuits is increased, the tag size must also increase. As a result, the utility of prior tagging systems has been limited to those applications wherein large tags may be accommodated or where relatively few resonant circuits are needed on a tag. Another disadvantage of tagging systems requiring multiple resonant circuits on each tag is in programming each tag to provide a particular identification code. Some prior RF tagging systems which contemplate printing a large number of different resonant frequency circuits on a tag create different codes by the selective adjustment of some of these resonant circuits. These systems have recognized that it may be necessary to adjust the resonant frequency provided for each circuit and such adjustment is generally contemplated as occurring by selective removal of metalization forming the resonant circuit. Some systems have recognized that step adjustments of the resonant frequency of such tuned circuits is desirable and this has been implemented by punching holes of predetermined diameters in capacitive elements of the resonant circuit to thereby reduce capacitance and increase the frequency of the resonant circuit. Such known prior techniques are not readily adaptable to mass production of customized resonant frequency codes by a post factory manufacturing operation. Many times, the actual code to be utilized will not be known until immediately prior to attaching a tag or label to an article. A different approach to provide RF tag identification codes utilizes a single resonant circuit on an RF tag which is resonant at a single frequency. When the identification code of the RF tag is read, a transmitter continually illuminates the tag with RF energy at the single frequency. Electronic circuitry on the tag selectively renders the resonant circuit reflective and nonreflective in accordance with a time function. A reader monitors the reflected energy and decodes the time function to recover the identification code. This approach is also limited in the number of possible identification codes for a given read time because only a single resonant frequency is utilized. Hence, there is a need in the art for an improved RF tag and RF tagging system utilizing the same which provide a greater number of potential identification codes than heretofore possible within given read time constraints. Such a system should provide the greater number of identification codes without requiring an increased number of resonant circuits on the RF tags. Further, the RF tags of the improved system should be arranged for ready programming of the identification codes immediately prior to being associated with their respective goods or articles. Still further, such an improved system should be capable of being implemented with known and commercially acceptable technology and techniques to render the improved system commercially advantageous.	2023-12-26T01:26:57.367551	https://example.com/article/4507
Chinese state media say disgraced politician Bo Xilai, who has been at the center of China's biggest political scandal in decades, has been kicked out of the country's Communist Party and will “face justice.” The long-awaited announcement regarding Bo's fate was made Friday by China's official Xinhua news agency. The brief announcement said Bo, once considered a rising star in Chinese politics, has been expelled from public office. In a separate article, Xinhua also said the 18th Party Congress, which will begin the process of transferring power to a new generation of leaders, will convene on November 8.	2024-01-09T01:26:57.367551	https://example.com/article/5842
Q: How to use an Azure blob-only storage account with Azure Functions - Trying to create blob snapshot I'm trying to set up a function to take a snapshot of a blob container every time a change is pushed to it. There is some pretty simple functionality in Azure Functions to do this, but it only works for general purpose storage accounts. I'm trying to do this with a blob only storage account. I'm very new to Azure so I may be approaching this all wrong, but I haven't been able to find much helpful information. Is there any way to do this? A: As @joy-wang mentioned, the Azure Functions Runtime requires a general purpose storage account. A general purpose storage account is required to configure the AzureWebJobsStorage and the AzureWebJobsDashboard settings (local.settings.json or Appsettings Blade in the Azure portal): { "IsEncrypted": false, "Values": { "AzureWebJobsStorage": "my general purpose storage account connection string", "AzureWebJobsDashboard": "my general purpose storage account connection string", "MyOtherStorageAccountConnectionstring": "my blob only storage connection string" } } If you want to create a BlobTrigger Function, you can specify another connection string and create a snapshot everytime a blob is created/updated: [FunctionName("Function1")] public static async Task Run([BlobTrigger("test-container/{name}", Connection = "MyOtherStorageAccountConnectionstring")]CloudBlockBlob myBlob, string name, TraceWriter log) { log.Info($"C# Blob trigger function Processed blob\n Name:{name}"); await myBlob.CreateSnapshotAsync(); }	2024-05-16T01:26:57.367551	https://example.com/article/1223
Herbogenomics: from traditional Chinese medicine to novel therapeutics. Traditional Chinese medicine (TCM) has a long history of development and application and has demonstrated on evidence basis its efficacy in the treatment of many diseases affecting multiple organ systems. In particular, TCM is effective in the prevention and treatment of chronic diseases and metabolic syndromes. However, the value of TCM has not been fully recognized worldwide due to the lack of definitive information of active ingredients in almost any TCM preparation. Novel functional genomics and proteomics approaches provide alternate perspectives on the mechanism of action of TCM. The target molecules on which TCM either activates or inactivates can be identified by functional genomics and proteomics, thus the affected critical signaling pathway cascades leading to effective recovery of chronic diseases can be studied. Several TCM preparations have been available for the treatment of liver fibrosis and cirrhosis, even advanced liver cirrhosis that has been shown to be irreversible and has no US-FDA approved therapy. In the TCM-treated livers with fibrosis and cirrhosis, some critical molecules that are significantly involved in the recovery can be identified through functional genomics and proteomics studies. These molecules become novel targets for drug discovery and development and candidates for the development of gene therapy. Gene therapy developed based on this strategy for the treatment of advanced liver fibrosis and cirrhosis in animal models has obtained promising results. This process thus establishes a herbogenomics approach to understand mechanisms of action of TCM and to identify effective molecular targets for the discovery and development of novel therapeutics.	2024-01-25T01:26:57.367551	https://example.com/article/9809
# Configuration options for development deployment export DEPLOYMENT=dev export INCLUDE_INCONTEXT_L10N=true	2023-09-28T01:26:57.367551	https://example.com/article/6503
Q: WOT convergence of the operators Let $\{A_n\}$ and $\{B_n\}$ be sequences in $\mathfrak{B}(H)$ such that $A_n \to A$ in WOT and $B_k \to B$ in SOT. Show that $A_nB_n \to AB$ in WOT. This is from Conway's book "A Course in Funcional Analysis". Thank you for any hints. A: Let $x,y \in H$. We have to show that $\langle A_n B_n x, y \rangle \to \langle A B x, y \rangle$. Try writing $$\langle A_n B_n x, y\rangle - \langle ABx, y\rangle = (\langle A_n B_n x,y\rangle - \langle A_n Bx,y\rangle) + (\langle A_n Bx,y\rangle - \langle ABx,y \rangle).$$ For the first parenthesized term, observe that $$\|\langle A_n B_n x,y\rangle - \langle A_n Bx,y\rangle\| \le \\|A_n\\| \\|B_n x - Bx\\| \\|y\\|.$$ Use the uniform boundedness principle to show $\sup_n \\|A_n\\| < \infty$ and conclude that this term goes to 0. The second term is easier.	2024-07-07T01:26:57.367551	https://example.com/article/8960
The present invention relates to a wire-winding box structure with an increased use area and, more particularly, to an improved wire-winding box structure, which has a communication wire capable of winding automatically to increase greatly the use area thereof so as to receive a longer communication wire. Appropriate communication wires need to be accommodated to achieve electrical connection when using communications apparatuses such as computers, modems, telephones, or facsimile apparatuses. To avoid entanglement of wire due to an excessive length of external wire or inconvenience of use due to an insufficient length of external wire, several kinds of wire-winding boxes applicable to various kinds of communications apparatuses have been proposed. Most of the wire-winding boxes comprise a wire-winding box body, a communication wire, a wire-winding disk, and a scroll spring so that the communication wire can be plugged into sockets of relevant communication apparatuses for communication of information. A communication wire may be under tension due to resiliency of the scroll spring when it is pulled out from a conventional wire-winding box so that a proper length of the communication wire cannot be kept outside, resulting in trouble in use for a user. To resolve this problem, in some wire-winding boxes, a swing sheet capable of resiliently swinging is utilized, and gaps and locking grooves disposed at the periphery of a rotating disk are matched, thereby accomplishing winding or locating function. In the above wire-winding box, however, the communication wire is wound around the wire-winding disk is limited in space by the wire-winding disk. Moreover, outer and inner ring portions of the communication wire disposed on the wire-winding disk need to be in proportional relation so that the outer ring portion of the communication wire disposed on the wire-winding disk is limited. Therefore, the use area of the wire-winding box is much limited, and the wire-winding box thus cannot receive a longer communication wire, hence limiting the usage of the wire-winding box. Accordingly, the above conventional wire-winding boxes have inconvenience and drawbacks in practical use. The primary object of the present invention is to provide a wire-winding box structure with an increased use area, wherein a communication wire is respectively disposed in a receiving groove and around a wire-winding pivot on two faces of a first disk body of a wire-winding disk. The communication wire is thus disposed at the receiving groove and the wire-winding pivot, which are staggered on the wire-winding disk. A power spring is received in the wire-winding disk so that the communication wire is less limited when wound around the wire-winding disk. Therefore, the use area of the wire-winding box increases greatly and thus is able to receive a communication wire of a longer length, hence facilitating the usage of the wire-winding box. To achieve the above object, the present invention provides a wire-winding box structure with an increased use area. The wire-winding box structure comprises a wire-winding box body, a wire-winding disk, a communication wire and a power spring. The wire-winding box body has a receiving space therein. The wire-winding disk has a first disk body and a spring receiving groove. A receiving groove and a wire-winding pivot are disposed on two faces of the first disk body, respectively. The wire-winding disk is pivotally disposed in the receiving space of the wire-winding box body. One end of the communication wire is wound around the wire-winding pivot of the wire-winding disk to form an inner ring portion. The other end of the communication wire passes through the first disk body of the wire-winding disk and is then wound in the receiving groove to form an outer ring portion. The communication wire can thus be disposed around the wire-winding pivot and in the receiving groove in two faces of the first disk body of the wire-winding disk, respectively. The two ends of the communication wire also protrude from the wire-winding box body. The power spring is received in the spring receiving groove of the wire-winding disk. One fastening end of the power spring is fastened at the wire-winding disk, and the other fastening end thereof is fastened at the wire-winding box body. The various objects and advantages of the present invention will be more readily understood from the following detailed description when read in conjunction with the appended drawings, in which:	2024-07-22T01:26:57.367551	https://example.com/article/4193
A 46-year-old man from Vancouver has been ticketed after driving more than 70 km/h above the speed limit while test driving a car. West Vancouver police said the driver was stopped by a traffic officer on Highway 1 on Sunday afternoon after driving at 161 km/h in a 90 km/h zone. A representative from the dealership, which police are not identifying, was also in the four-door sedan. Police said there's no evidence that the vehicle's owner directly encouraged or consented to the speeding. The driver is now facing a $468 fine and the vehicle was towed for a seven-day excessive speed impound. Police said that the vehicle owner would be initially responsible for the tow and impound costs, but that they could consider civil proceedings to recover any losses resulting from the impound.	2024-01-04T01:26:57.367551	https://example.com/article/7696
Self-prescribed high-dose vitamin D3: effects on biochemical parameters in two men. The lowest observed adverse effect level for vitamin D, said to cause hypercalcaemia in normal adults, is officially 95 microg/day. Serum 25-hydroxyvitamin D (25[OH]D) concentrations associated with hypervitaminosis D remain undefined. Reported 25(OH)D concentrations resulting from prolonged excessive vitamin D3 intakes have exceeded 700 nmol/L. We report self-prescribed high dose of vitamin D3 over 5-6 years by two men. Subject 1 had been taking 100 microg/day for 3 years followed by 3 years of 200 microg/day. Serum 25(OH)D concentrations averaged 130 nmol/L while taking 100 microg/day of vitamin D3. While taking 200 microg/day of vitamin D3, mean serum 25(OH)D concentrations were 260 nmol/L with no hypercalcaemia or hypercalcuria over the 6 years of vitamin D3 intake. Subject 2 was a 39-year-old man diagnosed with multiple sclerosis. He initiated his own dose-escalation schedule. His vitamin D3 intake increased from 200 to 2200 microg/day over 4 years. The first evidence of a potential adverse effect was that urinary calcium:creatinine ratios showed an increasing trend, which preceded serum calcium concentrations above the reference range (2.2-2.6 mmol/L). His serum 25(OH)D concentration was 1126 nmol/L when total serum calcium reached 2.63 mmol/L. He stopped vitamin D3 supplementation at this point. Two months later, all biochemistry values were within reference ranges; serum 25(OH)D concentrations fell by about one-half, to 656 nmol/L. These results help to clarify the human response to higher intakes of vitamin D3. Close monitoring of biochemical responses confirmed that an increase in urinary calcium:creatinine ratio precedes hypercalcaemia as serum 25(OH)D concentrations rise.	2024-02-28T01:26:57.367551	https://example.com/article/5936
E.R.R Monday, February 22, 2016 Mayor Thomas Koppl of Quickborn, Germany, posted a screengrab of the German constitution to back up arguments he was making about the Alternative for Germany party, he was probably too excited making his point he missed glaring 'errors' in the picture. The screen grab he posted included tabs of porn sites he had visited which include, 'Punishment Porn Videos', 'BDSM porno videos', 'German slut punished', 'HAMSTERS Gratis porn'. As is characteristic of politicians, he initially denied taking the pic saying someone else had taken the screenshot but eventually admitted that it was in fact him.Köppl claims he first heard about BDSM when overhearing a conversation on a ski-lift in South Tyrol, where he is currently on holiday, and was simply researching it.'I wasn't so up-to-date about that, which annoys me. They were mentioning the site 'Xhamster', and when I got to my room I wanted to get clued-up.'He claims his internet connection was too slow to watch any of the videos and he ended up reading a Wikipedia page on Fifty Shade Of Grey, the racy EL James novel, to find out about BDSM.But he claims the fetish is not for him, adding: 'I'm sure people who like it can have a lot of fun with BDSM. I find it rather disturbing. I have a problem with violence in general.'One internet user however seemed to support him saying, 'Any man who claims never to have visited a porn site is a liar or has a problem with his sexuality.'	2024-03-24T01:26:57.367551	https://example.com/article/1469
Hand Conditions include "header.inc";?> Hand conditions can have a profound impact on quality of life, your family, and friends. There are a wide range of elbow conditions, and you will find simple and informative articles about many of those conditions in this section. Every person is different, so symptoms of conditions may present differently for different people. Symptoms also vary depending on the condition, its severity, location, and other factors. There are 27 bones in your hand. These bones are connected by ligaments, tendons, and muscles that allow you to do things like type, grip things, and many other activities. Conditions that can arise from injury or degenerative conditions can cause serious pain and other issues.	2023-09-30T01:26:57.367551	https://example.com/article/9044
yet we know that a person is not justified by works You see then that a man is justified by works, and not by faith only. Galatians 2:16 James 2:24 774 shares	2023-11-07T01:26:57.367551	https://example.com/article/1987
Sip Wine for Breast Cancer Awareness Brian Duncan, Wine Director at BIN 36, lost his mother to breast cancer in 1985. He describes her as having strength, dignity, compassion and grace. What an amazing Cheeky woman, sharing her passion with others. Being Cheeky always means supporting other Cheeky chicks, especially those fighting breast cancer. Whether it is sporting a catchy t-shirt or changing a Facebook status to draw attention to the disease, maybe even running in a 5k for a breast cancer research organization, Cheeky is there. 100%. But what about the Cheeky guys out there? Well this year, Brian is taking this often women-centric momentum and spreading it to every corner of the city to honor his mother. And he is adding his very own spin: wine. Brian’s initiative, “Real Men Drink Pink,” is offering a glass of specially-priced rosé ($10! Wowza.) across the city to benefit Bright Pink, the only national organization that focuses on early prevention and detection of breast and ovarian cancer while providing support for those at high risk. Don’t be intimidated by the campaign’s name though! Guys and girls alike can enjoy the rosé at some of Chicago’s best restaurants – avec, BIN 36, Boka, Frontera, NAHA, NoMI, Publican, Rockit, Sunda, Telegraph, Topolobampo and Webster’s Wine Bar – until August 17th. “Real Men Drink Pink” is backed by BIN 36 and TimeOut Chicago, not to mention some of Chicago’s most amazing guys (why, hellooo there, Billy Dec of Rockit Ranch Productions and Robbie Gould of the Chicago Bears). Plus, the Raved mobile app is donating an extra dollar to Bright Pink when supporters download the app and rave about their rosé. So, go ahead, be yourself and hit up your fave eateries. Ask the waiter to pop open a bottle of rosé, and toast to Bright Pink and all the Cheeky Chicagoans out there who, above all, open their hearts and support others. Carlin is Cheeky's editorial and social media intern and a Chicago enthusiast. She is in love with learning about the city and all the interesting people that bring it to life. Carlin is a student at Northwestern University's Medill School of Journalism. Well, hello, stranger! Who is the Cheeky chick? She is fun, fabulous and fierce. She is chic, intelligent and in-the-know. But most of all, the Cheeky chick is the kind of woman who embraces, admires, respects, smiles at and opens her heart to other fabulous chicks. Now THAT'S Cheeky, darling!	2023-08-18T01:26:57.367551	https://example.com/article/3620
It has been two seasons of highs and lows since John Hufnagel stepped away from the sidelines. The long-time Stampeders GM knows this year will bring a lot of change, but still has high expectations for his club.	2024-07-07T01:26:57.367551	https://example.com/article/4183
CLASS net/minecraft/class_4655 net/minecraft/world/gen/stateprovider/PillarBlockStateProvider FIELD field_21313 block Lnet/minecraft/class_2248; FIELD field_24944 CODEC Lcom/mojang/serialization/Codec; METHOD <init> (Lnet/minecraft/class_2248;)V ARG 1 block	2023-12-23T01:26:57.367551	https://example.com/article/9167
446 So.2d 1090 (1984) PALM BEACH GARDENS COMMUNITY HOSPITAL, INC., Etc., Petitioner, v. Robert SHAW, et Ux., Respondents. No. 83-2355. District Court of Appeal of Florida, Fourth District. February 1, 1984. Rehearing Denied April 3, 1984. *1091 Glenn P. Falk of Thompson, Parenti & Falk, Miami, for petitioner. Kocha & Houston and Edna L. Caruso, West Palm Beach, for respondents. PER CURIAM. This is a petition for writ of common law certiorari addressed to a discovery order which required Petitioner Hospital to produce certain records. Certiorari relief is appropriate here. City of Williston v. Roadlander, 425 So.2d 1175 (Fla. 1st DCA 1983). The order is quashed insofar as it required Petitioner to produce records of its Infectious Disease Control Committee, as follows: 1. Complete Palm Beach Gardens Community Hospital's monthly infection reports by sites and pathogens for the years 1980, 1981 and 1982. 2. Complete Palm Beach Gardens Hospital's monthly infection reports of all nosocomial infections for the years 1980, 1981 and 1982. 3. Complete Palm Beach Gardens Community Hospital's monthly infection reports of clean surgery surveillance for the years 1980, 1981 and 1982. 6. Complete Palm Beach Gardens Community Hospital's antibiotic sensitivity studies and trends for the years 1980, 1981 and 1982. The hospital administrator swore that the foregoing items were reports of the Infectious Disease Control Committee and that the Committee was a medical review committee. This was not contested. We also note that the result we reach does not bar a cause of action for malpractice since evidence of malpractice is otherwise available. See Good Samaritan Hospital Assoc., Inc. v. Simon, 370 So.2d 1174 (Fla. 4th DCA 1979). We hold that the enumerated items are immune under Section 768.40, Florida Statutes (1980). See also, Segal v. Roberts, 380 So.2d 1049 (Fla. 4th DCA 1979). CERTIORARI GRANTED. LETTS, DELL and WALDEN, JJ., concur.	2024-07-13T01:26:57.367551	https://example.com/article/6650
The mantra of Indiana state Sen. Dennis Kruse (R-Auburn) seems to be: “Darn the Constitution, full speed ahead!” When it comes to injecting public schools with official religion, he isn’t going to let the nation’s governing document stand in his way. You may remember Kruse. In 2011, he proposed a bill that would have mandated the teaching of “creation science” alongside evolution in public schools. This year, he has proposed a similar bill that would promote “critical inquiry,” a euphemism for creationism, in the classroom. Last year’s venture gained a lot of legislative support until some lawmakers realized it would have been blatantly unconstitutional. It seems those same lawmakers are weary of Kruse’s “critical inquiry” bill, too. Rep. Bob Behning, (R-Indianapolis), chair of the House Education Committee, says he’s not inclined to bring it up. The Indianapolis Star reported that Kruse’s fellow Republicans are focused on job creation this year rather than culture-war bills, so it’s not clear whether the measure will gain much support. Senate President Pro Tempore David Long (R-Fort Wayne) expressed hesitation. “My initial instincts were that it was probably unconstitutional,” Long told the Star. “It’s a clear violation of the interpretation of the First Amendment by the United States Supreme Court.” Long showed sound reasoning there. He added that Kruse may have introduced the bill simply “to make a statement, not expecting a hearing.” Kruse made a statement all right – that he doesn’t care much for the First Amendment or religious freedom. The U.S. Supreme Court has been very clear on coercive prayer in public schools: the Constitution doesn’t allow it. But that’s not the only problem here. Which version of the Lord’s Prayer, exactly, would schools use? Did Kruse even consider that there are multiple forms of the prayer said by different denominations of Christianity? Then there’s the opt-out cop-out, which Kruse seems to think would make this plan less legally problematic. It doesn’t, and anyone who opts out would likely face some form of ostracism by the majority. Schools are supposed to make all students feel welcome, not create an atmosphere where minorities get bullied. Kruse’s agenda is clear: make public schools into factories that turn out indoctrinated children. What he doesn’t realize is that increasingly fewer Americans agree with him. Philip Schwadel, a sociologist at the University of Nebraska-Lincoln, studied data from 1974-2010 and found that since the mid-1970s, overall support for school-sponsored prayer has fallen sharply. In his soon-to-be published study, Schwadel noted that Roman Catholics and mainline Protestants now support school prayer at much lower rates than they did 35 years ago. The one group that remains unwavering on official prayer in schools? Evangelical Christians, who support it to the tune of more than 70 percent. There has been a lot of talk lately about prayer being the answer to the problems in our schools. The thing is, students are already free to pray as long as they aren’t disruptive or interfering with the rights of their classmates. Permitting coercive prayer would create many problems and solve none. Kruse needs to drop his unconstitutional agenda and work on what his fellow Republicans say they care about most: creating jobs.	2023-10-08T01:26:57.367551	https://example.com/article/8569
This is the second article in the Of Diamonds & Terrorist Attacks in India Series. In the first article 26/11 Investigators on a Hit List ? we discussed about the aftermath of the various terrorist attacks and more specifically the targeting of various individuals – investigators, lawyers, police linked to the investigation uncovering the role of diamonds in these attacks. However since it dealt only with the after effects of these attacks; it has been brought to our notice that it was difficult for many to follow it and grasp the concept. Henceforth considering the requests of you guys we’ll be producing a series of articles starting from the basics and covering every aspect of it in detail from the very beginning. Since the issue is very complex dealing with multiple forces converging at a point it is imperative to understand their histories and the intricacies involved in the diamond trade. Below, we produce a brilliant research article by Jason Miklian; a researcher at the Peace Research Institute Oslo published in Foreign Policy in the beginning of the year. It provides a basic understanding of the routes, processes, people, departments etc involved in the diamond business. Rough Cut Nearly all the world’s diamonds — legal or not — pass through this one Indian city – Surat The Gujarat Mail is just another red-eye train. Twelve powder-blue passenger cars crisscrossing, like so many hundreds of others, India’s northwestern breadbasket through the dark of night. At five minutes past two, the Mail begins its four-hour journey, lumbering south from Surat to Mumbai. Inside, the third-class cabins are equal parts scurrying roaches and dangling unwashed feet; fading monsoon rains that bleed through the iron-barred windows grant only fleeting mercies. A few hundred unwilling insomniacs are sandwiched together, helplessly sweating on filthy vinyl benches as the shrieking of the rails splinters dreams along every gentle bend. In this part of the world, it’s an utterly unexceptional journey. Aside from the $25 million or so in freshly polished diamonds on board, that is. The grungy wagons are filled with dozens of diamond mules, each man secretly carrying tens of thousands of dollars of stones inside custom-made tank tops with hidden stomach pouches. Everyone sleeps with one eye open. Despite their attempts at traveling incognito, the nervous paces of the conductor — and the fact that the doors are bolted from the outside for the entirety of the trip — belie the false sense of ease. Altogether, the mules on this sweltering, tense train trip shuttle almost every single diamond sold in the world today. The diamonds come to Surat, the world’s fourth fastest-growing city, to get cut and polished inside the microfactories within countless rows of crumbling, whitewashed concrete office buildings. Of Surat’s 5 million residents, an estimated 500,000 deal, polish, or move stones. The gems are flown, freighted, and trucked in from Africa, Central Asia, and other mining hot spots to take advantage of India’s cheap labor and no-questions-asked atmosphere. In Antwerp, Belgium, which for 500 years served as the world’s diamond headquarters, old money, rigorous documentation, and high security epitomized the business. But nearly 6,000 miles away in Surat, I discovered legitimate merchandise mingling openly with undocumented diamonds in a trading free-for-all. Indeed, so-called conflict diamonds — illicitly mined stones that fund conflicts in the world’s war zones — are for sale by everyone from small-time street hustlers to the Indian government itself. And the entire system is protected by an intricate familial society of brokers and middlemen that operates almost exclusively on the black market. Here in Surat, dirt-cheap wages and loose regulations have created a dream environment for the global diamond industry. It has turned a sleepy provincial town into a new megacity within a single generation, a business center where more than 90 percent of the world’s unpolished diamonds are now processed and polished. Individual stones can change hands up to a dozen times over a matter of weeks in polishing houses that grab from piles of legal and illegal stones like mix-’n’-match candy bins. Deciphering clean from dirty becomes nearly impossible. Once the Gujarat Mail reaches the end of the line in Mumbai, the stones have had their damning histories washed away, and buyers ship more than $40 billion of certified merchandise annually out of a country that international authorities say is clean. But if you own a diamond bought in the 21st century, odds are it took an overnight journey on the Mail. Odds are too, you’ll have no idea where it really came from. DIAMONDS CARRY a stately image that is as much carefully crafted corporate mythmaking as treacherous intrigue. They conjure glamour and promises of love, or perhaps shady backroom dealings by faceless financiers handcuffed to their briefcases. For years De Beers, the diamond trade’s dominant company and public face, sold the allure of the glittering stones while it ran the industry as a cartel, using its extensive reserves throughout Africa to create a near monopoly on the mining and trade of rough stones. To some, the firm seemed the pinnacle of luxury and success; to others, it was a cautionary tale of how Western greed funded conflict across the continent. The diamond world has changed, however, and cheats have found new ways to game the system. The De Beers empire has been parceled out and sold to even bigger conglomerates; marketplaces in Hong Kong and Dubai are replacing the old guard; and the world’s largest diamond bourse now sits in Mumbai. Meanwhile, efforts have been made to clean up the business, most notably the Kimberley Process — named for a diamond-producing region in South Africa and started in 2000 after human rights organizations and some industry players saw how the trade in illicit diamonds was fueling wars and warlords (and eroding the business). The Kimberley Process attempts to ensure conflict-free provenance by functioning like a passport for shipments of rough stones. But while the Kimberley certificate is today’s near-universal standard requirement to trade rough diamonds, it is still shamefully basic. It’s a single sheet of paper identifying only the country of origin, the country of import, value, and total carats of each diamond shipment — along with a serial number and a couple of signatures. It’s about as easy to fake as an old driver’s license. Because certificates only note the total amount of rough carats, it’s also easy to add or subtract polished merchandise to the bags as needed because polishing can carve away up to 50 percent of the original rough carat weight. As India is now the world’s third-largest diamond consumer (after the United States and China), leftover certificates from shipments intended for domestic sales are reused to smuggle conflict stones out of the country, providing another laundering avenue. And since there’s no established mechanism to ascertain the quantity of legitimate stones coming into India for cutting and polishing, it’s basically impossible to know where the diamonds leaving the country have truly come from. Of course, warlords and dictators have never stopped digging up conflict diamonds; they’re drifting into the market today through these enormous gaps in the Kimberley Process. While rough stones can be traced to their origin, every press on the polishing wheel removes a diamond’s distinctive and distinguishing surface features, like the “argyle pink” from certain Australian mines or the telltale nitrogen deposits on some South African stones. Kimberley Process officials declined requests for interviews, but what those involved in the trade told me is that smuggling stones directly into Europe or the United States is no longer necessary. It’s not worth the risk when they can be imported, laundered, and stamped with approval in India before being sold onward. And Surat’s where they go to get their shine. Thirty-five tons of rough diamonds pass through this city every year to be cut and polished, but fewer than two-thirds arrive by legal channels, according to investigations by Yagnesh Mehta of the Times of India. The rest sneak in by container or courier from Angola, Ivory Coast, the Democratic Republic of the Congo, and other areas. Or they come from Zimbabwe, where a major diamond-producing region was recently approved as conflict-free, though the country is still officially untouchable for U.S. diamond buyers. The Indian system rests on the back of a tight-knit, secretive familial network of many thousands of importers, dealers, and polishers. They come from small towns like Palanpur and the Saurashtra region, hundreds of miles away from Surat, and prospective employees need to be vouched for by current workers to have any shot at joining the business. No locals, nobody from other parts of India, and certainly no internationals can penetrate this cabal. The unarmed traders accept the smuggled stones for up to a 40 percent discount compared with accredited diamonds. Violence is rare, owing to their total monopoly, and authorities told me they feel pressure to look the other way to avoid tarnishing the image of India’s “Diamond City.” The real laundering begins in Surat’s Mahidharpura diamond market. Here, thousands of clubby traders congregate daily along a long pedestrian alley strewn with electric wires and dotted with sari-wearing mothers hauling construction bricks as tinny speakers blast Bob Sinclar’s “World, Hold On” into the throng. Each man is a walking bank, wearing an undershirt ballooning with diamonds. When it comes time to deal, they pull out a small, blue felt-lined tray and display the goods — right in the open on steps, sitting on the endless rows of parked motorcycles, or anywhere there’s a free space. Dealers mix the conflict stones with the legitimate, breaking them up into small parcels before doling them out to brokers. Paperwork is frowned upon. Instead, this $40 billion economy runs on Post-it notes. When deals are made, the parties exchange squares of paper that mark only the date, participants, carats, and value of the merchandise. No other transaction traces exist. If a dealer cheats someone, he’s kicked out of the circle forever and his debt is shifted to other family members. Their trustworthiness thus assured, the brokers fan out across the city, climbing the staircases of dozens of nondescript weathered buildings to deliver merchandise to the independent contractors who do the polishing. Surat hosts more than 3,000 polishing companies large and small. Like most of the complexes, the Diamond World towers have lighter security than a strip mall, with a sole half-asleep guard leaning on a bamboo stick that is both weapon and crutch. Beyond this inattentive gatekeeper are hundreds of compact, dimly lit polishing rooms, where rows of teenage boys work 14-hour shifts, each grinding and shining about $10,000 in diamonds a day. Ramesh Dhanjibhai and his cousin Kalpesh Mangukiya run two typical chop shops in Diamond World. Their workers earn about $1 for each of the 0.3-carat stones they polish, most of which will retail for about $1,000. The cousins process half a million dollars’ worth of polished stones a month. Dhanjibhai told me that most local polishers have “no idea where the stones came from or where they’re going, and we don’t really care.” Whether their merchandise is from Congo or Ghana, they export exclusively to the United States. “Our entire business is black market,” Mangukiya beamed. “We need Kimberley Process documentation if we want to legally import diamonds ourselves. Once we get them here, we just throw the certificate away — we don’t need it anymore.” When Dhanjibhai’s crew finishes the grinding, the stones begin the most dangerous part of their Indian saga — the transport to Mumbai. They go via the angadias, a secretive community of couriers who hail from the faraway Mehsana district in northern Gujarat state. They’re not much to look at: mostly middle-aged men with wrinkled collared shirts, knockoff Chinese suitcases, and ill-fitting slacks — the kind of potbellied guys all over India nobody ever thinks twice about. It’s a perfect disguise. From the smallest polisher to the biggest processing center, everyone counts on their delivery services across India, and that means the Gujarat Mail. “The whole trip is scary. It’s mentally very tough, and we don’t sleep much,” says Navrattambhai Patel, a senior angadia who goes on runs as a reserve agent when some of his 700 regulars can’t. Eschewing other means of transportation means cheap rates; shipping $20,000 in diamonds by angadia costs only $2, and one person carries anywhere from $10,000 to $150,000 in stones a night. Most angadia firms are small, family-based businesses. But to find the biggest, just wander down the hallway of burned-out light bulbs on the ground floor of Diamond World to the door with a haphazardly taped sheet of paper that reads “B.V.C.” Even the most hackneyed thriller novelist wouldn’t dare dream up B.V.C. Logistics Private Limited. It’s just too unbelievable. Out of a diminutive 200-square-foot office, Manisha Chinai claims to oversee the transport of an astonishing $5 billion in diamonds a year. B.V.C. is the most sophisticated of all angadia firms — it bypasses the Mail in favor of a single armored vehicle ingeniously cobbled together from an old Mahindra pickup truck and some spare steel plates. Chinai’s specialty is making deliveries for the larger firms that need multimillion-dollar deliveries on a weekly basis. Even the most hackneyed thriller novelist wouldn’t dare dream up B.V.C. Logistics Private Limited. It’s just too unbelievable. Out of a diminutive 200-square-foot office, Manisha Chinai claims to oversee the transport of an astonishing $5 billion in diamonds a year. B.V.C. is the most sophisticated of all angadia firms — it bypasses the Mail in favor of a single armored vehicle ingeniously cobbled together from an old Mahindra pickup truck and some spare steel plates. Chinai’s specialty is making deliveries for the larger firms that need multimillion-dollar deliveries on a weekly basis. Those angadias who don’t get the premium ride down south in B.V.C.’s makeshift Brink’s truck are rounded up every night at midnight, save Sunday, by jeeps darting around the city with police escorts. Then they’re unceremoniously dumped at the back entrance of the railroad station, where the couriers try to blend into the rest of the expectant crowd waiting for the train to Mumbai. SURAT MAY BE one of the world’s fastest-growing cities in economic terms, but it’s no paradise. Child labor is pervasive. When the movie Blood Diamond hit the screens in 2006, India cracked down on companies employing underage workers — including as many as 100,000 child laborers in the diamond industry — out of fear of similar scandal. But the kids don’t stop coming. They just move into the massive textile factories clogging the town, biding their time until they can shift to the more profitable polishing industry. Despite the promise of riches, it’s a hard life, as several current and former diamond workers told me. After two decades of constant squinting and 100-hour workweeks, most boys who come here to make their fortunes in the polishing trade no longer have the eyesight to do the work. By 35, if they haven’t been lucky enough to become dealers, those polishers already suffering from early-onset vision loss are shown the door and left to fend for themselves. And decades of continuously inhaling microscopic diamond grains often leads to tuberculosis and respiratory diseases (“diamond lung,” as it’s called locally), which afflict tens of thousands of workers. Most go back to their villages to try to farm the land they abandoned years earlier — literally sent out to pasture. Chanderbhai Suta knows firsthand how quickly fortunes (and reputations) can change in the market. In 2007, disgruntled with a system in which small traders were consistently cheated out of the best prices and best stones, Suta organized the first trader strike in the history of Mahidharpura market. By his own account, it was a spectacular success, winning “over 95 percent” of their goals of market fairness and self-policing against cheaters. Among his colleagues, he was a hero. Suta says that at about the same time, “foreigners started coming around asking around if we’d ever heard of blood diamonds. We’d never heard of them, or of the movie. After it came out, a few of us saw it and thought that we were funding wars and felt that it wasn’t good. But the stones without the Kimberley certification were 40 to 50 percent cheaper, so there were still a lot of buyers.” Emboldened by his newfound standing, Suta took on the cause. This time, the reaction was swift and vicious. “Once I came out [against blood diamonds], all the rough-diamond dealers decreased their support to me significantly,” said Suta. “The bigger traders were upset, asking, ‘Why do you want to publicize this thing? Everyone is making their bread in peace.’” Undeterred, he pushed on. “Then they started giving me death threats. I stopped — I didn’t have any other choice.” A short ride across town, the Directorate of Revenue Intelligence (DRI) isn’t exactly taking up Suta’s shattered mantle. The DRI is the main line of defense against smuggling, tasked with ensuring that all merchandise entering India has the requisite paperwork identifying it as legitimate. Its local headquarters in Surat feel as sleepy as its dilapidated waiting room, which is stacked floor to ceiling with slowly molding customs forms and newspaper clippings. Here, seven employees are tasked with tracking nearly all the illegal diamonds coming in and out of India; a few wormholed ledgers that need liberal doses of cellophane tape to stay in one piece tally their successes. Despite the anemic staffing, the longhand still tells of a few big scores: a staggering 48,000 Zimbabwean carats seized in April 2011, 10,000 carats from Congo later that year. What happens with the seized stones? The Indian government auctions them off. Local and international diamond firms are then free to bid on the lots. Stamped with a new origin in a Kimberley-approved country, these blood diamonds are handed right back to the global market — now totally untraceable and indistinguishable from legitimately sourced stones. Want to bid? Just sign up online. Proceeds are deposited into the Indian treasury. e-Auction Tender e-Auction of Confiscated Diamonds DOWN IN MUMBAI, the stones hit the catwalk. At the India International Jewellery Show (IIJS), which bills itself as the world’s premier diamond expo, some 25,000 buyers arrive each August from all over the world to make roughly $1 billion in deals with some of the industry’s biggest firms. If India is where the Kimberley Process goes to die, the IIJS feels something like its Las Vegas funeral. Display cases are stuffed with porcelain bowls glittering with loose diamonds. The hyaline saleswomen attempt to entice the slick-suited foreign dealers walking about with suitcases of cash. Conspicuously absent is any mention of the stones’ origins. As one major dealer told me, buyers don’t ask about working conditions in Surat because they don’t care; they don’t ask about the Kimberley Process in Mumbai because they know it’s useless. None of this is news to officials, who have their suspicions about how the Indian leg of the global diamond-processing chain operates. “The South African ambassador came here [in 2011] to see the Kimberley Process in action,” Dinesh Navadiya, head of the Surat Diamond Association, told me. “I showed them the small producers and how easy it is to mix up the packets when two bags [of legal and illegal stones] come in. Nobody can tell because [the Kimberley certificate] only lists total carats. And lots of people are coming from China, the U.S., and Europe to buy polished stones like this.” And Mumbai is where they come to buy. The massive convention center feels like it could be hosting any other trade show, with its stale air-conditioning, pop-up display structures, and cavernous rows of dealers, but upstairs from the showrooms is where the gem world’s biggest deals are now iced. Once a buyer’s eye is caught, he’s escorted above the display level into what would best be described as a “closing room” in a car dealership. Drink trays and potted plants decorate the mahogany desks behind which senior executives from Surat mill nervously about, quickly adjusting their ties and demeanors when the shadows of potential whales begin to creep up the staircase walls. If they make the right pitch, their polishing centers might be in business for years. Once there’s a handshake, everything else is a trifle. The Mumbai bourse, where inspection and pickup of the diamonds take place, is in the same neighborhood as the convention hall, and from there, the final hurdle is just across the street. In the shadow of Mumbai’s Chhatrapati Shivaji International Airport, the diamond division of the customs office is always bustling. Nearly $60 million in diamonds passes through every day in hundreds of packages on their way to North America, Europe, and East Asia. The 30 inspectors in this office epitomize Indian bureaucracy: They fly through reams of paperwork, stamping pages hurriedly while staring absentmindedly down the hallway; once in a while they breeze their box cutters across security-taped parcels to scan random bags of diamonds inside. They can be excused for their lack of vigilance — their work is purely a formality. The stacks of certificates accompanying every box mean that the onus of responsibility has been passed along to the dealers. “For us, the Kimberley Process has no relevance,” explained a frustrated senior official, Dinesh Nanak. The inspectors can’t even inspect; the law requires they let even the most suspicious shipments go if they pass the minimal Kimberley bar, which by the time the certificate reaches the airport customs office is worth about as much as a crumpled ATM slip. Nanak watched as a security guard dollied away a load of packages destined for the luggage holds of planes bound for New York, London, and Los Angeles. In the United States alone, cash registers ring up some $10 billion in holiday diamond sales each year. And it’s hard to fathom that most of that loot, at one point in time, passed through this dinky customs office. Meanwhile, at a quiet suburban Mumbai train station not far from the airport, the angadias are enjoying some well-earned downtime. A few huddle around one of India’s ubiquitous tea stalls, exchanging war stories and laughing together over lukewarm samosas as dawn breaks. The next batch of freshly dug rough stones will be filling their stomach pouches soon enough. But when the steel squeals of the Gujarat Mail start drifting back in, they’re now a welcome sound. It’s time to go home. ——————————————- End of Article ——————————————– In the next part of this series we’ll dwell more into how this multi-billion dollar business got intertwined with International Diamond Mafia and the events leading upto the terrorist attacks in India. Stay tuned. More related News Zimbabwe Government Stealing Diamond Funds with Indian Allies Records show that 10 million carats of Marange diamonds were exported to Dubai in late 2012 for $600 million, which the report said is an artificially low price because the same stones were sold for double their original price when they left Dubai for Surat, India — the world’s biggest diamond cutting center. It says the gems should have been valued at $1.2 billion. The low valuation lost the Zimbabwe nation considerable money and “underscores a price manipulation scheme perpetrated by Indian buyers and their Zimbabwe allies, with whom they are believed to share the spoils,” the report said. $2 billion ‘theft’ of Zimbabwe’s diamonds In February last year, Tendai Biti, the finance minister, disclosed that $300 million collected by the Zimbabwe Minerals Development Corporation (ZMDC) and the Mineral Marketing Commission had not been handed over to the state. Meanwhile, a stockpile of 2.5 million carats, conservatively valued at $200 million, simply went missing. The study concludes that most illicit revenue is raised through a “sophisticated price manipulation scheme” whereby diamonds are sold for knock-down prices within the legal monitoring system in Harare, then resold in trade centres like Dubai and India for twice the original price, with both the sellers and their Zimbabwean allies taking a cut. In all, some $2 billion has been lost to the state since 2008. Biggest fraud scandal in Belgium involving Indian diamond traders In 2009, the judicial authorities got access to a list of accounts on a Swiss bank, this included owners of diamond companies in Antwerp. These bosses had 700 million euro on these accounts, while none of this money was officially registered. It is very probable that it all concerns money from the black market. Amongst the bosses involved in this scandal there is a large number of Indian entrepreneurs. Surat dimaond traders arrested in China again Ahead of Diwali, 19 persons belonging to Indian diamond industry are arrested in China for smuggling of Rs. 250 crore diamonds. 3 of them are from family of Surat based diamond companies. Missing parcels from trains baffle angadias Angadia firm owners have been running from pillar to post for help, following repeated instances of their goods mysteriously vanishing from luggage coaches of long-distance trains. Under the RTI Act, a firm owner learnt that his packages had been offloaded minutes after the train began its journey from Mumbai Central station. The angadias say an organized gang could be on the prowl. Diamond industry hails the public sector banks for serving notice on a diamond group As per this RTI filed by Dinesh Navadia, SDA even the RBI has no information on Su-Raj Winsome Diamonds. In reply to more than 20 questions over the 7000 Crore loan provided to Jatin Mehta’s Surat-Mumbai-Antwerp based company RBI replied by ‘no information available’ to all questions in the RTI. The company filed bankruptcy as it said it’s Gulf customers failed to pay installments. However, insiders report that the money is already channeled into other businesses and even new Jewelry ventures. Share this: Facebook Twitter Google Email Print Reddit LinkedIn Pocket Digg StumbleUpon Pinterest Tumblr Like this: Like Loading...	2023-11-23T01:26:57.367551	https://example.com/article/2487
i also want an outdoor birth, but i don't know if that's feasable. if i'm pregnant now, i guess i'd be due in early june or so, and it would likely be warm enough so no issue there, but where would i birth? i live in a condo with no yard. we could rent a cabin somewhere, assuming we can afford it. that would be a preference. I uc'ed my dd 11 yrs ago in a two-person tent, pretty much outside. I bent the tent pole from holding onto it! I had very little stuff and was on the move, I really enjoyed being able to hear, see and smell the outdoors. I would have liked to birth my son outdoors but it was December, tho not that cold but I couldn't face leaving the van we were living in as it was just rocks outside so I had him in the van. I was born outside. My mom delivered me on a platform/bed my dad built outside the bus they called home. Birthing outside feels right to me. I have yet to do it though, and this baby is due early winter. Burrr. I'm not sure how to work it, maybe plan a summer baby next. I have heard of people birthing in hotsprings. I think that would be awesome. I had winter babies, besides I don't know what our neighbours would have thought. People freak out about UC imagine if we did it outside. : I think it would be great, Just not doable for everyone Wow! What a cool idea. Why did it never occur to me to birth outdoors? I'll be having this baby in mid to late May, so the weather would be perfect, and we'll be living in our new house which is on 4.5 acres. So it might really be possible. I've actually not really been able to find a room in the new house that feels like the place for the birth. Maybe outdoors is the answer. I thought about how awesome it would be to give birth on the beach in front of the pacific ocean, just listening to those huge waves crashing up against the shore. Ahhh, too bad I really like holing up in my "nest" for birth, or I'd probably get dh to drive us all to the beach for the day my baby is born! Both my children were born indoors, but I am definitely considering having the next one outdoors. My in-laws have 120 acres and were supportive of our UC choices. My DH and I have discussed the possibility of having the baby outside on "the land." It would, of course, depend on the weather, but I think it would be really neat. We had a nice outdoor wedding on "the land," so I think it would be sort of sweet and romantic to have an outdoor birth. The land is far enough out from town that it would be very safe and peaceful feeling--I love spending time there. After I started thinking about future births, I was a little surprised that I hadn't thought of it before, either! My best friend had or at least labored with 2 or 3 of her children in a hot tub outdoors and loved it! One was born on Easter morn under a blossoming tree in the hot tub-very special. And yes the neighbors heard... lol giving them a heads up on the possibility of an outdoor birth is probably a good idea if they're w/in hearing range of a laboring mama. Good luck in finding the "perfect" place to birth! Chelsie Jill of all trades! To view links or images in signatures your post count must be 10 or greater. You currently have 0 posts. Essential Oil Guru, Nanny Extraordinaire & Aunty to all To view links or images in signatures your post count must be 10 or greater. You currently have 0 posts., Organizer of all things, Gluten Free Baker & Nutrition Coach To view links or images in signatures your post count must be 10 or greater. You currently have 0 posts., & Favorite Substitute Teacher-EVER! Becoming a mama hasn't been in the stars so far for this life-maybe the next one To view links or images in signatures your post count must be 10 or greater. You currently have 0 posts. i've always wanted an outdoor birth, but i am due the end of December, and here in Nebraska, an outdoor birth would just not be ideal If I ever have another late spring or summer or early fall baby, i will definatlety consider it. I told DH if we weren't due in Dec and had the ability we would be planning a UC and just rent a cabin at Niobrara SP for the two weeks surrounding my due date so I could have the baby on the screened deck overlooking the Niobrara River. : That has to be my dream birthing place! My last one was born in between two blizzards, so outdoors was out of the question. This one is due the end of May/early June, so I'm thinking about it. The beach sounds nice but I'd be afraid of doing it at a public beach, someone might call an ambulance or something! Also, water birth outside at that time of the year would be too cold. In fact, it's hard to guarantee it would be warm enough anyway. I'm sure I will do some labouring outside, since I did with my last (early on we went for a walk in the snow) I recently told someone that I would love to give birth outside and she thought I was nuts and she is a homebirther! At least there are like minded people here for that one. I'm due in March though. I'm toying with the idea of UC for this baby...not sure though. I love the idea and have considered it, but I worry about being bothered by neighbors and have no desire to share the news I am in labor with them. Yes, that would put a damper on things. We live out in the country but I'm sure my neighbors could possibly hear me. Last birth I was quiet- completely quiet- until crowning, then I had to ROAR to get him out. Sounded like a lion. It took a tremendous amount of pushing and I had to vocalize behind it. I think it would be great to give birth outside, if I felt secure enough. If I was in a hot tub I would feel more secure than laying out in the open (although that would be pretty- but I doubt I'd notice much at the time!) I did like the fact that all the lights were off for our birth (inside, in a fishy pool) and it just seemed right. If it was overly sunny outside it might not be as gentle a birth as dim light. Outside would be possible at night though! All the neighbors would be asleep. Unless the dogs started barking! LOL My second was born outside on a beautiful summer morning. I was so exhausted and getting discouraged when a cold wind came off the mountain and reenergized me for the final few pushes. This time I am due at the end of November, but I keep on eyeballing my back yard trying to figure out how to make it work. It was a beautiful day, clear, high pressure, early June, about 80F.... My pool was set up on our back porch, I had hung sheets on the clothesline & the porch rail for privacy, the water was warm, labor was moving right along...everything was perfect. Our house obscured the view to the west, so we didn't realize the thunderstorm was upon us until the first raindrop fell. Dh asked what I wanted to do. I felt for my baby's head. It was about two knuckles in. I said "I'll stick it out." No sooner than I'd said that, thunder crashed right overhead. I said "I'm going in! Hold the door!" Dh piled our towels on the bathroom floor and put my drink on the counter. A few minutes later my baby boy slipped out into my hands as a thunderstorm boomed outside. I wasn't super committed to a waterbirth anyway. I'd only bought the supplies the day before. I was not at all disappointed in my birth, even though it turned out to be very different in the end. I like the idea of an outdoor birth, but I hate too many things about being outside LOL! Bees, wasps, spiders, mud, creepy-crawly anything. My dad lives way out in the country, but the neighbors on both sides are at least 1000ft away- too close, and especially the one lady, she would FLIP and call the cops. I labored outside with both my kids though. DH and I just kept walking around the block until I couldn't take it anymore.	2024-03-12T01:26:57.367551	https://example.com/article/2169
"use strict"; /* Generated from: * ap-northeast-1 (https://d33vqc0rt9ld30.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * ap-northeast-2 (https://d1ane3fvebulky.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * ap-southeast-1 (https://doigdx0kgq9el.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * eu-central-1 (https://d1mta8qj7i28i2.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * eu-west-1 (https://d3teyb21fexa9r.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * us-east-1 (https://d1uauaxba7bl26.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * us-east-2 (https://dnwj8swjjbsbt.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0, * us-west-2 (https://d201a2mn26r7lk.cloudfront.net/latest/gzip/CloudFormationResourceSpecification.json), version 16.2.0 */ Object.defineProperty(exports, "__esModule", { value: true }); const resource_1 = require("../resource"); class MemberConfiguration { constructor(properties) { Object.assign(this, properties); } } exports.MemberConfiguration = MemberConfiguration; class ApprovalThresholdPolicy { constructor(properties) { Object.assign(this, properties); } } exports.ApprovalThresholdPolicy = ApprovalThresholdPolicy; class NetworkFrameworkConfiguration { constructor(properties) { Object.assign(this, properties); } } exports.NetworkFrameworkConfiguration = NetworkFrameworkConfiguration; class NetworkConfiguration { constructor(properties) { Object.assign(this, properties); } } exports.NetworkConfiguration = NetworkConfiguration; class MemberFrameworkConfiguration { constructor(properties) { Object.assign(this, properties); } } exports.MemberFrameworkConfiguration = MemberFrameworkConfiguration; class NetworkFabricConfiguration { constructor(properties) { Object.assign(this, properties); } } exports.NetworkFabricConfiguration = NetworkFabricConfiguration; class VotingPolicy { constructor(properties) { Object.assign(this, properties); } } exports.VotingPolicy = VotingPolicy; class MemberFabricConfiguration { constructor(properties) { Object.assign(this, properties); } } exports.MemberFabricConfiguration = MemberFabricConfiguration; class Member extends resource_1.ResourceBase { constructor(properties) { super('AWS::ManagedBlockchain::Member', properties); } } exports.default = Member; Member.MemberConfiguration = MemberConfiguration; Member.ApprovalThresholdPolicy = ApprovalThresholdPolicy; Member.NetworkFrameworkConfiguration = NetworkFrameworkConfiguration; Member.NetworkConfiguration = NetworkConfiguration; Member.MemberFrameworkConfiguration = MemberFrameworkConfiguration; Member.NetworkFabricConfiguration = NetworkFabricConfiguration; Member.VotingPolicy = VotingPolicy; Member.MemberFabricConfiguration = MemberFabricConfiguration;	2023-12-27T01:26:57.367551	https://example.com/article/2048
Pain as a presenting symptom in children and young adults with newly diagnosed malignancy. The incidence and nature of pain in 92 children and young adults presenting with newly diagnosed malignancy at the Pediatric Branch of the National Cancer Institute over a 26 month period were assessed. At the time of their initial evaluation, 72 of the total 92 patients were experiencing pain that had been present for a median of 74 days (range 3-821 days) prior to initiation of cancer treatment. In 57 patients, pain had been an initial symptom of cancer; 42 patients had experienced sleep disturbance due to pain. Following the institution of cancer therapy, pain persisted for a median of 10 days. One patient died of malignancy after 5 months without resolution of her pain, and only 4 had persistent pain for greater than 9 months after the start of treatment. Persistent pain is an important symptom of cancer in children and young adults and is often present for long periods before the diagnosis of malignancy is made. Cancer in children usually responds rapidly to modern therapy, and pain usually persists only briefly after the initiation of treatment.	2024-05-20T01:26:57.367551	https://example.com/article/8948
Q: Concurrency in Python, multiprocess slower than single process I'm currently creating a simple script that simulates a maths problem. The problem is 'The Frog Problem', presented here by Matt Parker of standupmaths on his YouTube channel. But basically, the problem is about a frog trying to hop from one side of a river to another on lillypads in increments. My code simulates this by subtracting a random number from the number of lillypads left and continuing until that number is 0. This is the entire thing: import random import datetime from multiprocessing import Pool def frog_time(num_lillypads): jumps = 0 while num_lillypads > 0: num_lillypads -= random.randint(1, num_lillypads) jumps += 1 return jumps def frog_run(num_lillypads, iterations=10000): ave = 0 print("Running {} lillypads.".format(num_lillypads)) for i in range(1, iterations+1): ave = (ave*(i-1)+frog_time(num_lillypads))/i return ave def single_run(max_lillypads, iterations): start = datetime.datetime.now() results = [] for i in range(1, max_lillypads+1): results.append(frog_run(i, iterations)) time_taken = datetime.datetime.now() - start return time_taken def timing_run(max_lillypads, iterations): start = datetime.datetime.now() with Pool() as pool: pad_nos = list(range(1, max_lillypads+1)) results = pool.map(frog_run, range(1, max_lillypads+1)) time_taken = datetime.datetime.now() - start return time_taken def test(max=1000, iters=10000): print("Concurrent run") concurrent_time = timing_run(max, iters) print("Single run") single_time = single_run(max, iters) print("Single run took {} to finish.".format(single_time)) print("Concurrent run took {} to finish.".format(concurrent_time)) I decided to use this as en exercise to practice concurrent programming in Python, but I expected wildly different results. When I run this I get: Single run took 0:01:55.825933 to finish. Concurrent run took 0:02:00.110245 to finish. I thought that the run that implemented multiprocessing would be at least a little bit faster, if not significantly faster, but in this case it actually takes longer! Can anybody who knows more about python multiprocessing help me out by explaining this result? Is the overhead of creating a new process for each one of these too much to make a difference, or maybe python.random is too slow, or is there something else wrong about this? A: Right now, you aren't specifying an amount of processes to set up so it will default to maximum: [source] processes is the number of worker processes to use. If processes is None then the number returned by os.cpu_count() is used. Each worker process takes x amount of time to set up. So, let's use some arbitrary values to see how we do: - the function takes 120 seconds to run in one process - each process takes 5 seconds to start - each new process can divide the workload equally If that were the case: No multiprocessing: 120 seconds Multiprocessing with 2 processes: 60 seconds + 10 seconds = 70 seconds Multiprocessing with 3 processes: 40 seconds + 15 seconds = 55 seconds Multiprocessing with 4 processes: 30 seconds + 20 seconds = 50 seconds Multiprocessing with 5 processes: 24 seconds + 25 seconds = 49 seconds Multiprocessing with 6 processes: 20 seconds + 30 seconds = 50 seconds Multiprocessing with 7 processes: 17 seconds + 35 seconds = 52 seconds So, there is a point where you don't have gains by using multiprocessing, or you can limit the amount of processes to where you are still saving more time than the time lost creating the processes. If you use pool(2) or pool(3), etc. you will probably see time gains and then losses again. At much larger scale, the more processes you have the better off you would be, but at small testing scale that may not be the case.	2024-03-09T01:26:57.367551	https://example.com/article/5294
Scientists have discovered the world’s fastest ant which runs at speeds equivalent of 360mph in humans. The Saharan silver ant – named after where it lives – can put in 50 strides a second, covering a distance of nearly a metre (85.5cm). To put this in perspective Usain Bolt does four strides a second. The ants scavenge the corpses of other creatures during the hottest part of the day where temperatures can reach 60C. The length of their strides quadrupled from 4.7mm to 20.8mm as their speed accelerated, according to the paper published in the Journal of Experimental Biology. The ants also switched from running to galloping, with all six feet of the ground simultaneously and each foot only touching the ground for seven milliseconds at a time. Insects at risk of extinction Show all 12 1 /12 Insects at risk of extinction Insects at risk of extinction Wasps Wasps are of the order Hymenoptera, one of the most at risk Getty Insects at risk of extinction Dragonflies Dragonflies are of the order Odonata, one of the most at risk Getty Insects at risk of extinction Bees Bees are of the order Hymenoptera, one of the most at risk Getty Insects at risk of extinction Butterflies Butterflies are of the order Lepidoptera, one of the most at risk Getty Insects at risk of extinction Ants Ants are of the order Hymenoptera, one of the most at risk Getty Insects at risk of extinction Dung Beetles Two dung beetles making an effort to roll a ball through gravel Getty Insects at risk of extinction Caddisflies Caddisflies make up the order Trichoptera, one of the most at risk Getty Insects at risk of extinction Stoneflies Stoneflies are of the order plecoptera, one of the most at risk Getty Insects at risk of extinction Saw-Flies Saw-Flies are of the order Hymenoptera, one of the most at risk Getty Insects at risk of extinction Moths Moths are of the order Lepidoptera, one of the most at risk Getty Insects at risk of extinction Damselfly Damselflies are of the order Odonata, one of the most at risk Getty Insects at risk of extinction Mayflies Mayflies are of the order Ephemeroptera, one of the most at risk Getty “These features may be related to the sand dune habitat. [This technique] could prevent the animal’s feet from sinking too deeply into the soft sand,” said lead researcher Harald Wolf from the University of Ulm in Germany. “Even among desert ants, the silver ants are special”, he added. Scientists recorded the speed of the ants by mounting their camera on top of a tunnel going into the ants’ nest.	2024-02-01T01:26:57.367551	https://example.com/article/9841
Q: Boost mapped_file_source, alignment and page size I'm trying to parse some text files of size up to a few hundred megabytes in a context where performance is important, so I'm using boost mapped_file_source. The parser expects the source to be terminated with a null byte, so I want to check whether the file size is an exact multiple of the page size (and if so, fall back on a slower, non-memory mapped method). I thought I could do this with: if (mf.size() & (mf.alignment() - 1)) But it turns out on one test file with size 20480, the alignment is 65536 (on Windows 7, 64 bit) and the program is crashing. I think what's going on is that the page size is actually smaller than the alignment, so my test isn't working. How can I get the page size? Or is there something else I should be doing instead? (I need solutions for both Windows and Linux, willing to write system specific code if necessary but would prefer portable code if possible.) A: The simplest thing to do seems fixing the parser to take the end of the input into account (not too outrageous, really). Next up: a big warning. Relying on trailing bytes in the map (if any) to be zero is undefined¹: http://pubs.opengroup.org/onlinepubs/9699919799/functions/mmap.html So, just map the file using size+1, and deterministically add the NUL terminator. I don't think this is worth getting into platform specific/undefined behaviour for. In fact I just learned of boost::iostreams::mapped_file_base::mapmode::priv, which is perfect for your needs: A file opened with private access can be written to, but the changes will not affect the underlying file [docs] Here's a simple snippet: Live On Coliru #include <boost/iostreams/device/mapped_file.hpp> #include <fstream> #include <iostream> namespace io = boost::iostreams; int main() { // of course, prefer `stat(1)` or `boost::filesystem::file_size()`, but for exposition: std::streamsize const length = std::distance(std::istreambuf_iterator<char>(std::ifstream("main.cpp").rdbuf()), {}); io::mapped_file mf("main.cpp", io::mapped_file_base::mapmode::priv, length+1); (mf.end()-1) = '\0'; // voilà, null termination done, safely, quickly and reliably std::cout << length << "\n"; std::cout << mf.size() << "\n"; } Alternative spellings: mf.data()[length] = '\0'; // voilà, null termination done, safely, quickly and reliably (mf.begin()+length) = 0; // etc. ¹ AFAICT it might kill a bunny or crash your process.	2024-07-16T01:26:57.367551	https://example.com/article/9618
module.exports = function(api) { api.cache(true); return { "presets":["@babel/preset-env"], "plugins":["@babel/plugin-transform-modules-commonjs"], "babelrcRoots": [".", "node_modules"] }; }	2024-03-17T01:26:57.367551	https://example.com/article/9585
The payments company had three main business lines: PowaWeb, which built online shops for retailers; PowaTag, a mobile commerce app that lets people buy things by scanning pictures, QR codes, and sound waves; and PowaPOS, a card reader that could be used with a smartphone, built to rival the likes of Square and iZettle. Administrators Deloitte last week sold off two of the businesses — PowaWeb and PowaTag. Greenlight Digital, a digital growth agency, bought PowaWeb and CEO Warren Cowan told Business Insider: “One of the reasons we were so excited about the business was PowaWeb was the only bit that was making any revenue or profit in the entire business. As well as looking like a great business, the fact that it was revenue generative was a great incentive.” Cowan added: “What has been interesting is that, sitting inside the Powa business, there’s definitely indications that Peter was robbed to pay Paul on an almost weekly basis.” The phrase “Peter was robbed to pay Paul” is an idiom referring to old Church taxes, it means resources from one area are used to pay for the needs of another area. Cowan explained: “The PowaWeb business hasn’t had the sales and marketing backing of the wider business because it’s been incredibly consumed with pursuing its wider ambitions for mobile payment plays in China. That’s ultimately burnt out the company. The company was all ready for a significant sales push when it ran out of road.” Administrators Deloitte, who now act and speak for Powa, declined to comment. Dan Wagner, the founder and CEO of Powa, did not respond to a call and email requesting comment. PowaWeb hasn’t had the backing of the wider business because it’s been incredibly consumed with pursuing its wider ambitions for mobile payment plays in China. That’s ultimately burnt out the company. “It’s hard to go into the details but certainly in an organisation where PowaWeb was the only thing making money, I can imagine it would definitely have been the go-to source for additional cash if required.” Cowan wouldn’t disclose how much revenue or profit the PowaWeb business was generating. As for what that money was spent on, Cowan says: “From what we can ascertain there were a huge amount of employees all around the world costing a huge amount of money. I don’t think I can divulge any of the specific details but we did get a good insight into how the company sort of ran out of road.” As well as acquiring the PowaWeb platform, Greenlight Digital is taking on around 20 staff. Cowan says: “Initially we were only considering it from a technology perspective but when we had a chance to meet the PowaWeb team, we very quickly realised that Powa was a lot more than a technology, it was a business that was pretty much taking ownership of delivering global success for its clients.” “It was delivering technology, marketing services, trading and online support, analytical support. We looked at it and thought, it feels like a business just like ours.” Cowan wouldn’t disclose how much Greenlight paid for the business, saying: “I’ve been asked a few times did I pay £1 for it, what I will say is we’re happy we’ve been able to purchase a great asset with a great opportunity.” Business Insider has heard from multiple former Powa employees that PowaWeb was run on outdated technology and struggled to sign new clients, but Cowan says: “As far as we’ve been able to gauge from our technical due diligence, we’re buying a platform that’s successfully and very beautifully supporting the global business of a number of brands in over 55 global markets and is doing so reliably and compellingly and has continued to grow that revenue year on year.” PowaWeb’s clients include Harper Collins, Electrolux, and Hoover. Cowan says: “Everybody can make criticisms of the foundations of code. Fundamentally what we believe is we’re buying a great business with great potential and we’ve got the skills to take that technology to the next level. We’re very happy with what we’ve got.” Addressing the issue of new business, Cowan says: “The fact that a client has been able to obtain big global contracts and sustain them for years and years and keep those clients, I don’t think that would be a concern to anybody.” NOW WATCH: Money & Markets videos Want to read a more in-depth view on the trends influencing Australian business and the global economy? BI / Research is designed to help executives and industry leaders understand the major challenges and opportunities for industry, technology, strategy and the economy in the future. Sign up for free at research.businessinsider.com.au.	2023-11-11T01:26:57.367551	https://example.com/article/4297
Anglicans in Action – International Promotion of Abortion & Euthanasia Published July 26, 2018 Each week AFL posts an Anglicans in Action video, which gives practical suggestions, resources, and ideas for life-ministry. This week’s focus is on international promotion of abortion and euthanasia. You can see all the Anglicans in Action videos on our YouTube Channel. The Anglican Church in North America is part of the worldwide Anglican communion. A few weeks ago, I had the opportunity to travel to Jerusalem for GAFCON, a movement of the global family of authentic Anglicans standing together to retain and restore Bible principles to the heart of the Anglican Communion. My 2018 GAFCON experience shifted my perspective about life issues. Although I deal with them daily in the content of the United States and our government, the dehumanization of life and the legal definition of personhood are most definitely international problems. My research and preparation for the workshop I was teaching reminded me of God’s heart toward every nation, every tribe, and every tongue. Instead of just praying for our own nation to be delivered from the evils of abortion and assisted suicide, I realized that we need to be starting an international conversation. This week’s action idea is to think outside of the box in how we protect life. It can be difficult to do this in practical ways without being educated on what other nations are up against, especially when their problems are so different than our own. To start, let’s look at an organization that is supposed to promote peace and establish international order. The United Nations sets the precedent for many countries that are members and follow its ideals. Ironically, the United Nations has been pushing an agenda that promotes abortion, contraception, and sterilization as a means of population control. They provide inappropriate sexual education, imply that abortion is a human right, and deny the rights of the unborn. It saddens me to see an organization that was created to promote equality, outwardly degrading pre-born children based on their age or status. While the United Nations seeks to destroy life by targeting groups of weak, vulnerable, people like the disabled, the elderly, the unborn, and the terminally ill, there are organizations doing great work to uphold the sanctity of life. Here are three websites that you can visit for more information on how life issues span across all cultures: After becoming educated on international life issues, you can join me in praying specifically for our brothers and sisters in other nations. Prayer is our number one line of defense to the darkness that the enemy seeks to use to destroy each country! Our prayers for life matter. As my friend John Stonestreet, President of the Colson Center, says: “Next to Jesus Himself, life is the greatest gift God has given us. And as His children, we have to do all we can to help our brothers and sisters hold on to life – and to Him.”	2024-05-19T01:26:57.367551	https://example.com/article/1318
1918 Stanley Cup playoffs The 1918 Stanley Cup playoffs were played from March 11 until March 30, when the National Hockey League (NHL) champion Toronto Blue Shirts defeated the Pacific Coast Hockey Association (PCHA) champion Vancouver Millionaires for the Stanley Cup. NHL Championship Montreal had won the first half of the NHL split season and Toronto had won the second half. The two teams then played a two-game total goals series for the NHL championship and the O'Brien Cup. Toronto won the series and advanced to the Stanley Cup final. PCHA championship The Vancouver Millionaires defeated the defending Stanley Cup Seattle Metropolitans, taking a two-game total-goals series 3–2 on a 1–0 win over Seattle in the second game. Barney Stanley scored the decisive goal, the only goal of the second game. Seattle Metropolitans vs. Vancouver Millionaires Vancouver Millionaires win two-games total-goals series 3–2. Stanley Cup Finals Statistics NHL playoff scoring leaders GP = Games Played, G = Goals, A = Assists, Pts = Points References See also 1917-18 NHL season 1917-18 PCHA season Category:Stanley Cup playoffs Category:March 1918 sports events Stanley	2024-03-04T01:26:57.367551	https://example.com/article/9493
This invention relates generally to automatic test pattern generators used to develop test patterns for integrated circuits and particularly relates to automatic test pattern generators developing test patterns for integrated circuits using field effect transistors. Before integrated circuits are delivered to customers, they are tested to insure that they operate correctly. This testing is essential to the quality of the final project; generating the patterns of test signals for conducting the testing, however, remains a tedious and unrewarding task. Techniques have been developed for automating the generation of test signal patterns for each integrated circuit designed. Automating this generation relieves the engineer from manually determining the patterns of logical ones and zeros to be applied to the input pins of the integrated circuit and to be read from the output pins of the integrated circuit in testing each node or element of the integrated circuit. Customers demand products that have been tested to as close to one hundred percent of the circuit nodes as possible and customers also want to know if a node is untestable. These automation techniques have been joined together into programs known as the D algorithm, Podem and FAN. See Kirkland, Tom and Mercer, M. Ray, "Algorithms For Automatic Test Pattern Generation," IEEE Design and Test of Computers, June 1988, pages 43-54. These know programs generate patterns of test signals, also known as vectors, automatically by selecting a node between gates or transistors in the integrated circuit. The program then assigns a hypothetical stuck-at fault of a logical one or zero to that node. The logical state at the node then becomes sensitized back to the primary input or input pins of the integrated circuit to determine if there exists a set of input logic signals to cause the desired stuck-at fault logical state at the selected node. The logical state at the selected node also becomes propagated forward to the outputs to determine whether a set of logical states at the outputs reflect the stuck-at fault state of the internal node. If a test of the selected node logical state exists, the program stores that set of logical states to be applied to the inputs and to be read from the outputs and indicates the node to be testable. In the case of the program being unable to find a set of logical input and output states that reflect the selected logical state at the node, the program indicates to the user that the node is untestable. Often, however, the program unsuccessfully seeks to locate a pattern of input and output signals from all the available binary combinations or search space to test the selected node and, after a certain time, the program stops without giving the user information on the reason for failing to determine a test signal pattern. One problem with these previous programs is their inadequacy and inability to test integrated circuits using field effect transistors. This results because these programs recognize only a logical one state or a logical zero state and do not recognize any other value-strength of the network forming the node that can exist between field effect transistors. These different value-strength numbers for networks using field effect transistors result from the different sizes of the field effect transistors, and their capacitive and resistive characteristics. For example, a stuck-at fault of a logical one state at a selected node comprising field effect transistors can have several different value-strength numbers. Also, a stuck-at fault might change the value-strength of that node. Another problem with the previous programs was their inability to generate test patterns for bidirectional gates in which a stuck-at fault can occur at either side of the gate at different times depending upon whether that side of the gate is the load or the source. Another problem with the prior program was their inability to generate dynamic test pattern signals that deal with clock phases and sequential logic. These dynamic test patterns verify that the logic functions operate as expected within time interval specified by clock frequencies.	2023-09-02T01:26:57.367551	https://example.com/article/1908
James Milford 1831 - 1916 17 Feb 1857 The Parsee arrived, and on board were James Milford (26) and his wife of 4 years, Elizabeth (26). James was the eldest of at least 8 children. He followed in his father's footsteps and became a carpenter. His brother Henry (1840 - 1892) was sent to Western Australia as a convict. James and Elizabeth, both Londoners, lived in the Ipswich area and separated in 1858. The Dalby Herald reported in 1915 that James arrived in Dalby in 1859. Elizabeth either commenced a relationship with another man, or returned to England or relocated elsewhere in Australia. There is no record that James and Elizabeth Milford had any children. James married Catherine McLaren in 1864. They had 3 sons and 2 daughters who presented them with 27 grandchildren. Catherine had 2 sons by her first marriage to Walter Goodman. It is possible that James had met the McLaran family and Catherine in Ipswich in 1859 or between 1857 and 1859. Feb 1857 Parsee passenger list.James Milford (25) recorded as a carpenter from London, his parents were James Milford and Catherine Hoy. His wife Elizabeth (26) was also from London and her parents were James and Sophia Brown. Both James and Elizabeth could read and write and were of sound health. 1853 Milford - Brown marriage banns. James' father was also a carpenter and they lived at 12 Tottenham St, Balls Pond. Aug 1863 James Milford starred in performances by the Dalby Dramatic Society29 Aug 1863 The CourierDALBY DRAMATIC SOCIETY.The Dalby Amateur Dramatic Society gave two performances, on the evenings of the 19th and 20th instant, in the Union Hall (see comment below), which has been fitted up as a stage. "Schinderhannes, or, the Robber of the Rhine," was the leading piece. After which, the farce of the "Unfinished Gentleman." The scenery, which was entirely new, was of the most elaborate description; and whether we refer to the drop scene, to the picture of Shakespeare, the nymphs at the sides pouring water or oil from vases over their heads, the appropriate motto above the curtain, or the mountains on the Rhine with the castle and water in the distance, all showed the work of an artist. Where all were so good and strove so hard to please, it would be invidious to particularize; but we cannot refrain from alluding to the first rate personification of the Robber, by Mr. Estaughffe (who generally does the heavy father business); both by dress, voice and gesture, he well sustained the character of a perfect ruffian. Mr. Milford, as Count Aymeric, in military costume, with cocked hat, feathers, and sword, acted his part to perfection; whilst Mr. Bradly, as Sir Guyman Guffin, evidently showed he was no novice to the sock and buskin; and Mr. Miller, as the Hag of the Tomb, well sustained his character. The tableaux vivants, where the Hag shows the Count and the Robber the history of their past lives, were works of art. Mr. Goodfellow, as the Unfinished Gentleman, kept the house in roars of laughter; as an inimitable low comedian he is most promising. Mr. Warren's get up, voice, manner, and gesture, as Miss Charity, was true to nature. The house was crammed to suffocation, and the greatest cheerfulness and good humour prevailed; pipes and cigars were only allowed in the gallery; whilst neighbor Klein, whether as Jacob in the leading piece, or as caterer afterwards to the public appetite, gave very great satisfaction. Comment: The Union Hall was located on the corner of Scarlet & Myall Streets - see map. It was a timber structure built as a wool store by Charles Douglas Eastaughffe (see above - he arrived in Dalby around 1854) and then converted to a theatre. The hall burnt down many years ago. Around Dec 1863 James Milford placed a series of notices in Queensland newspapers alerting his wife Elizabeth (whereabouts unknown) to his marriage intentions. 17 Dec 1863 Brisbane CourierNOTICE. ELIZABETH MlLFORD, my wife, who left me five years ago, in Ipswich, Queensland, does not immediately communicate with me, it is my intention to re-marry. In the event of the said Elizabeth Milford being dead, any person giving satisfactory information thereof will be handsomely rewarded. In 1864 Captain Thunderbolt attended a Dalby dance. This account was published 60 years later in the Dalby Herald, 4 Apr 1924:The new Plough Inn gained a imputation as the "toff" hotel of Daiby, its deep morticed stumps may still be seen, and one at least of its decorated fence posts, while at the path-side is the slab of stone that formed its entrance. Behind the Plough inn, in Bunya street, an opposition hostelry raised its head in the form of the "Red Lion." The whole of this corner, then known as the "Old Corner," passed subsequently into the hands of the R.C. Church, and was used for some years as the convent. A story is told of Walker, the bushranger (known as Thunderbolt), appearing like an apparition at the door of the hall, which was in charge of Jim Milford, during the progress of a dance, and armed, cap-a-pie, Walker demanded to have the M.C. (Mr. Estaughffe), sent out to him and ordered him to hand over bottles of brandy to the freebooter. If true, the story adds a tinge of romance to the Old Corner. Comment: Malcolm Lewis McLaran (1886 - 1965) told tales of meeting Captain Thunderbolt. The bushranger preceded Malcolm by some 20 years so perhaps the story has been distorted / altered over time. This may be the original incident that inspired the oral family history. 18 Aug 1933 Thunderbolt's visit is recounted in more detail.This 1933 story about Thunderbolt and James Milford provides an insight to the character of the young James Milford. 15 Jul 1865 Court of petty debts, Dalby.DALBY.On Tuesday, the court of petty debts was held. There were a large number of cases to be heard, in consequence of Mr. T. Ross giving up business as a butcher, and therefore appealing to law in order to enforce his claims on certain very long winded customers. These cases were not defended, so judgment was entered for the plaintiff. Milford v. Koch, in which plaintiff was to sue for balance due on contract for building Brown's hotel, was the only case of interest; but it did not come off, plaintiff not appearing. Comment: It was common practice to take one’s grievances to the Dalby court. Businessman and self-titled King of Dalby, F.W. Roche, spent a lot of time in court pursuing monetary claims. Around this time Roche issued his own currency and at one stage bought up official Queensland Government notes at half their face value. Over the years, James Milford assisted at many accidents. 12 Jan 1867 Dalby HeraldFatal Accident. A lamentable accident resulting in the death of a boy, about fourteen years of age, named James Fitzpatrick, occurred on Monday last. Fitzpatrick was employed to cut wood and draw water for Messrs. Anderson and Twine, and about eight o'clock on the morning of the day in question was in the act of landing the bucket of water after winding it up when it is supposed his feet slipped from under him and he fell down the well, the back of his head coming in contact with the landing floor. No one saw the boy fall, but the noise of the windlass and a splash attracted the attention of Mr. Twine, who hurried out of his house to learn the cause, and not seeing the boy, who was known to have been at the well just previously, an alarm was raised. Mr. Milford, carpenter, went to the spot and descended the well, when the boy was found, quite insensible. On being brought to the surface it was found that he had sustained a severe fracture on the back of the head. He was put in a fast bath, and various remedies applied, but he showed no signs of life. On the arrival of medical aid the boy was dead. The well is eighty feet deep. On Tuesday morning a magisterial inquiry was held by F. W. Roche, Esq., J.P.Comment: In 1867 W.R. Twine was the mayor of Dalby. His nephew, Joseph White Twine, married Agnes Sullivan, daughter of Margaret McLaren & Denis Sullivan. W.R. Twine's brother, Robert Cumberland Twine, leased 640 acres beside Donald McLaran's selection at Wabba Ridges. Feb 1865 Dalby HeraldJames Milford was prominent in community affairs. 16 Dec 1916 James Milford passed away in the Dalby Hospital 23 Dec 1916The death occurred on Thursday night of Mr. James Milford, an old identity of Dalby, at the advanced age of 86 years (writes our Dalby correspondent). The deceased was a native of London, and had been resident in Queensland for about 60 years. He was married in Dalby to Miss (incorrect – Mrs) Catherine Goodman, and his wife predeceased him by five (incorrect – 3) years. He leaves a family of three sons (James, Henry, and Donald) and two daughters (Mrs. Jas. Ryan and Mrs. Jas Connell). The interment took place at the Dalby cemetery on Friday afternoon, the Rev. R. Millar (in the absence of the Rev. B. P. Walker) conducting the service at the graveside. Comments: James Milford's death certificate (part above) contains many errors in ages and spellings. James was married twice and 34 years of age when he and Catherine Goodman (nee McLaren) married in 1864. the obituary made no mention of the family living at Bell in the 1870's. Presbyterian minister, Robb Millar, officiated at the graveside. The christian names of both Catherine McLaren and Catherine Milford were often spelt "Katherine" and Catherine McLaren was sometimes known as "Kate". James' obituary failed to mention the significant contribution he and his family made to the lives of the citizens of Dalby over a very long period, or that he had lost a grandson at Gallipolli in 1915. Q & A: Questions and (possible) Answers: Q1. What became of James Milford's first wife, Elizabeth Brown?A1. It is likely that Elizabeth left James and either returned home or moved to another colony. Q2. Was James community-minded?A2. James Milford was involved in numerous community affairs in Dalby. The eldest of at least 8 children, he responded well in times of emergencies. Q3. What was James Milford's legacy?A2. James Milford's legacy included: a large and versatile family who excelled in many pursuits (music, football, cricket, boxing, horse racing, swimming, basketball) and occupations. Today, his descendants are spread over South East Queensland. the number of descendants of Catherine McLaren & James Milford rivals the number of descendants of Margaret McLaren and Donald McLaran. 3 grandsons who fought in World War 1 and 2 at Gallipoli, where Walter Milford was buried.	2023-12-02T01:26:57.367551	https://example.com/article/1970
package org.matsim.analysis; import org.matsim.api.core.v01.Coord; import org.matsim.api.core.v01.Id; import java.util.Collections; import java.util.HashMap; import java.util.Map; /** * class for records of type (time, x, y, attrib1, attrib2) as we often need them (noise, emissions, accessibility, ...). / public class XYTRecord{ // yyyyyy I am at this point unsure about times and time interpretation. Some option: // give only one time. This could be interpreted as (a) startTime (i.e. when vis moves to this data set); (b) midTime (i.e. when interpolation // scheme should display exactly this data set) // * give start/endTime. Problems: (a) what if endTime is not same as startTime of next data set? (b) how to encode gps trajectories (which // would only have a time step?) Clearly, for gps tracks one could just have endTime=startTime, or leave endTime empty. private double startTime ; private double endTime ; private Id<?> facilityId ; private Coord coord ; private Map<String,Double> map ; private XYTRecord( double startTime, double endTime, Coord coord, Id<?> facilityId, Map<String,Double> map ) { this.startTime = startTime; this.endTime = endTime; this.coord = coord; this.facilityId = facilityId; this.map = map ; } @Override public String toString() { StringBuilder str = new StringBuilder( "NoiseRecord=[ startTime=" + startTime + " \| endTime=" + endTime + " \| facilityId=" + facilityId + " \| coord=" + coord ); for( Map.Entry<String, Double> entry : map.entrySet() ){ str.append( " \| " ).append( entry.getKey() ).append( "=" ).append(entry.getValue()) ; } str.append( " ]" ) ; return str.toString() ; } public double getStartTime(){ return startTime; } public double getEndTime(){ return endTime; } public Id<?> getFacilityId(){ return facilityId; } public Coord getCoord(){ return coord; } public Map<String,Double> getMap() { return Collections.unmodifiableMap(map ); } public static class Builder{ private double startTime = Double.NEGATIVE_INFINITY; private double endTime = Double.POSITIVE_INFINITY; private Coord coord = null; private Id<?> facilityId = null; private Map<String,Double> map = new HashMap<>() ; public Builder setStartTime( double startTime ){ this.startTime = startTime; return this; } public Builder setEndTime( double endTime ){ this.endTime = endTime; return this; } public Builder setCoord( Coord coord ){ this.coord = coord; return this; } public Builder setFacilityId( Id<?> facilityId ){ this.facilityId = facilityId; return this; } public Builder put( String key, double value ) { // this is deliberately "double" and not "Double" since // * we might want to keep the option to back it by a data structure that allows primitive types // * if one wants to set a "null" value, one can alternatively not set the value at all. (A csv writer may then have to compensate // for that.) // kai, aug'19 map.put( key, value ) ; return this ; } public XYTRecord build(){ return new XYTRecord( startTime , endTime , coord , facilityId, map ); } } }	2024-07-22T01:26:57.367551	https://example.com/article/9738
Thanks for the quick response----is a Collection something I'd need to create as opposed to a playlist or am I somehow reclassifying a playlist as a collection? Sorry but I wasn't familiar with the Collection designation. vongola13 wrote:okay, tyvm. Now I have a song and I would like to find other songs that have a similar tempo to it and create a playlist. How can I add songs that have the same tempo as the selected song You can create an auto playlist to do this, BUT you have to have a value in the BPM field...Edit Properties>Details. I don't think MM does this, as I said, and I've not had much success with third party software. There is also a script called Stay in Same Style that has BPM as a choice. But again, you need a value in the BPM field. So I might be reviving a dead thread here, but I read the whole damn thing and couldn't find anything addressing this... If the now playing section has been populated with only part of an album using auto-dj/this script and then I start playing a new album from my library (i.e. the now playing section is repopulated with the album I double clicked in my library) once the auto-dj/this script starts adding songs into the now playing list it starts adding from where it left off adding songs to now playing (not where I actually left off playing songs). So if I double click the last song of an album in the library pane and I have auto-dj set to always maintain 20 songs then it will populate the now playing list with, for instance, all songs from an album that has 12 tracks and then the first 8 tracks from the next album. So far so good. If I only listen to 3 songs, then tracks 9, 10 and 11 will be added to the now playing list. Again, this works as intended. But if I now double click the last song of some other album in the library pane auto-dj/this script will add 20 new tracks to now playing list starting with track 12 of the album that was added previously. I would prefer it to start at track 1 of some other new album since, at least in this scenario, I never made it to even the first track of the album that is now being added to now playing starting on track 12. Best current workaround I have is to limit the auto-dj function to only add one track at a time, so at least I'm going back to the place I was previously listening to and only skipping one track. last.fm signatures don't work anymore, which is sad. Any easy replacement?	2024-07-26T01:26:57.367551	https://example.com/article/9360
Nebraska Abolishes Death Penalty - joshrotenberg http://www.nytimes.com/2015/05/28/us/nebraska-abolishes-death-penalty.html ====== perfTerm Good. The death penalty ensures a false incarceration can never be corrected, costs millions of tax payer dollars because of the long appeals processes, and shows no correlation with decreased crime rates (states with out the death penalty consistently have lower crime rates according to the FBI [0]) [0] - [http://www.deathpenaltyinfo.org/deterrence-states-without- de...](http://www.deathpenaltyinfo.org/deterrence-states-without-death- penalty-have-had-consistently-lower-murder-rates) ~~~ jwdunne The family of the criminal also suffers. If my child was a murderer, I would grieve. If my child was consequently executed I would grieve even more. That's an incredible amount of pain for something I didn't do. After it's said and done, my child would feel no pain. My pain would last forever. I would honestly want to commit suicide over my failure as a parent. ~~~ Dylan16807 There's also the opposite argument that it gives closure. ~~~ jwdunne As a parent, there would be no closure in my child's death, no matter what they have done. I look at my 2 daughters and see the most beautiful girls I've ever laid eyes upon. For one of them to commit such a heinous crime would ruin me. For their death to be added on to that, life would mean nothing at all. ~~~ swombat I think the parent meant closure for the family and friends of the victim, not of the murderer. ~~~ Dylan16807 I meant everyone. The murderer is no longer suffering, and there's no longer looming uncertainty as the days tick down toward a date that keeps changing. In certain circumstances death is easier to deal than almost-death. But that's more of an argument to stop death row from being a quagmire, rather than a pro-death-penalty argument. I probably didn't put the comment in the most ideal place. ------ jdreaver Good on them. I've seen way too many instances of people on death row that are eventually proved to be innocent. I think that even if the accuracy of death sentences was 99% (for every 99 criminals that truly did the crime, there is 1 that is innocent), that is unacceptably low. Furthermore, I am unconvinced that the death penalty actually deters crime. If you are committing a crime that results in you being sentenced to death, I don't think you are sane enough to have even considered the punishment. ~~~ Inception _> >Furthermore, I am unconvinced that the death penalty actually deters crime. If you are committing a crime that results in you being sentenced to death, I don't think you are sane enough to have even considered the punishment._ You would think that, but it turns out that isn't the case. [0][1] [0] - [https://www.dartmouth.edu/~chance/teaching_aids/books_articl...](https://www.dartmouth.edu/~chance/teaching_aids/books_articles/JLpaper.pdf) [1] - [http://www.deathpenaltyinfo.org/deterrence-states-without- de...](http://www.deathpenaltyinfo.org/deterrence-states-without-death- penalty-have-had-consistently-lower-murder-rates) ~~~ tptacek I'm not sure what either of these two sources are supposed to mean --- I mean, literally, I don't know which case you're trying to make (for or against deterrence). In any case: you can't reasonably make inferences about the effectiveness of the death penalty simply by counting murders in states that do or don't have it, since there are so many other factors influencing how many murders a state will record. ~~~ Inception I was trying to make the case against deterrence. You're right, it is hard to draw any conclusions about the effectiveness by looking at murder numbers alone. It seems most experts would argue against deterrence being effective though and I would agree. If you can't say for certain whether or not something such as the death penalty is effective, then I think it is best to error on the side of not killing people. ------ bpodgursky Going to be contrarian here. I see in other comments > costs millions of tax payer dollars because of the long appeals processes Well... yes, but the alternative is that you throw someone in prison for life (likely without parole). And since there is no upcoming "event" to force an appeals process (aka execution), it will just never happen. Is that really a better fate for someone wrongfully accused? If you are sentencing them to life in a cage, be honest and call it a death penalty. So sure you can save some money by getting rid of the death penalty, but it is not likely to make Justice any better served, it will just make you feel better and leave people in prison forever without a guaranteed appeals process. ~~~ mikeash I don't know that life in prison is better than being executed, but it doesn't seem substantially worse. There doesn't seem to be any decent argument _for_ the death penalty, since the only two possible reasons, cost and deterrence, don't hold up. In the absence of a decisive factor, I vote for not killing people. ~~~ michaelsbradley There is the retributive argument, in which condign punishments play an important role in maintaining the balance of justice. As summarized by the Catechism of Trent, a Christian religious text of historical importance: "Another kind of lawful slaying belongs to the civil authorities, to whom is entrusted power of life and death, by the legal and judicious exercise of which they punish the guilty and protect the innocent. The just use of this power, far from involving the crime of murder, is an act of paramount obedience to this Commandment [against killing] which prohibits murder. The end of the Commandment is the preservation and security of human life. Now the punishments inflicted by the civil authority, which is the legitimate avenger of crime, naturally tend to this end, since they give security to life by repressing outrage and violence." – _Catechism of the Council of Trent_ , Part III, 5, n. 4 (1566) [http://j.mp/CatechismTrentDeathPenalty](http://j.mp/CatechismTrentDeathPenalty) ~~~ dragonwriter While that quote uses the phrase "legitimate avenger of crime", the justification it gives -- that the punishments "give security to life by repressing outrage and violence" is _not_ the retributive theory of justice, but instead a utilitarian view akin to general deterrence in that the purpose of the punishment is to prevent greater harm by modifying the behavior of others in the community (but distinguishable from it, in that it does not seek to do so by creating fear of punishment.) ~~~ michaelsbradley Actually, the Catechism text encapsulates both retributive and deterrence arguments, though I would argue the text bears the former more strongly. The key is to see the "outrage and violence" part not only with respect to potential violence (which might be deterred in view of capital punishment) but also the natural repercussions of injustices left festering when civil authority fails to inflict fitting punishments on wrongdoers. ------ k-mcgrady Welcome to civilised society Nebraska! :) Good to see another state abolish this but as someone not too familiar with how the US law system works why is something like this decided at the state level? Shouldn't something like government sanctioned killing of humans be controlled at a federal level? Also does the federal government have a position on capital punishment? ~~~ koenigdavidmj Capital punishment still exists for federal crimes, which is why the Boston bomber was given the death penalty despite his offense occurring in Massachusetts, which doesn't have it at the state level. Also, federal law isn't simply a grab bag of "really important" laws, with states only existing to handle smaller, more trivial things. In theory, federal law is restricted to addressing the things enumerated in the Constitution. In practice, one of those is regulating interstate commerce, which since [1] has steadily increased in scope. Nonetheless, a federal law banning capital punishment would still need to be written with that in mind. 1: [http://en.wikipedia.org/wiki/Wickard_v._Filburn](http://en.wikipedia.org/wiki/Wickard_v._Filburn) ~~~ dragonwriter > In theory, federal law is restricted to addressing the things enumerated in > the Constitution. [...] Nonetheless, a federal law banning capital > punishment would still need to be written with that in mind. Considering 8th Amendment incorporation under the 14th Amendment and the enforcement clause of the 14th Amendment, that shouldn't be too difficult, without even coming anywhere near the Commerce Clause. ~~~ tptacek Since SCOTUS has already held that capital punishment is not intrinsically "cruel and unusual", I'm not sure how the 8th Amendment gives the federal government the power to regulate state capital sentences. Meanwhile: if capital punishment ever is held to be "cruel and unusual", no federal legislative action will be needed to abolish it; SCOTUS will do it by fiat. ~~~ dragonwriter > Since SCOTUS has already held that capital punishment is not intrinsically > "cruel and unusual", I'm not sure how the 8th Amendment gives the federal > government the power to regulate state capital sentences. SCOTUS has never held that disadvantaging the disabled is intrinsically a violation of the Due Process Clause of the 14th Amendment (relevant, as the provision under which it has incorporated the 8th against the states), nonetheless, it _has_ held that Congress acted within its power under the enforcement clause of the 14th (and did not violate State reserved powers under the 11th) in, under the ADA, requiring access to courthouses. While the enforcement clause of the 14th is a fairly lightly litigated power, its pretty clear that it _does_ extend beyond the things where legislation is not necessary because any violation of the law Congress might impose to under the enforcement clause would already necessary be prohibited by the bare text of the Amendment, which seems to be your position. ~~~ tptacek Prepared to be wrong, but: I don't think the federal government can pass laws that bind on state criminal sentencing laws, or on state judges. For instance, SCOTUS has held that federal sentencing ranges don't bind state courts, nor do sentences falling outside those ranges fail for being unreasonable. The federal government _can_ bind state courts not to violate the constitutional rights of the accused, and so for instance Washington can't pass laws requiring judges to apply mandatory sentences based on facts not established by juries. But those actions belong to the federal courts, not Congress. I don't think Congress can pass a law banning state capital sentences. ~~~ learc83 I bet they could something...something... interstate commerce. Ban the import and sale of lethal injection drugs, ban the manufacture of gas chambers and electric chairs, and force states to use firing squads at the very least. ------ tptacek Intelligence Squared had a pretty good debate on capital punishment a few weeks ago: [http://intelligencesquaredus.org/debates/past- debates/item/1...](http://intelligencesquaredus.org/debates/past- debates/item/1254-abolish-the-death-penalty) ~~~ aidos OT but I'd never seen that site before. Looks really interesting! ~~~ tptacek It's pretty great. The way debates are scored keeps any of them from being foregone conclusions, and some of the results are pretty surprising to me (given the NPR audience). ------ bklaasen I've never understood the logic of a state killing its citizens in order to show that killing is unacceptable. ~~~ LordKano Do you understand the logic of the state seizing people and locking them up in order to show that seizing people and locking them up is unacceptable? That's what we do to kidnappers. ~~~ bklaasen Right, and there's no qualitative difference between killing someone and locking them up. You've convinced me that I'm wrong. ~~~ koenigdavidmj Your argument against capital punishment was that the role of an actor was irrelevant to the morality of the action. It's entirely correct to apply that logic to other types of action. There may be plenty of valid arguments against capital punishment. Yours was not one of them. ~~~ bklaasen > the role of an actor [is] irrelevant to the morality of the action [carried > out by the state] That's precisely what I'm saying. You disagree, but that does not render my argument invalid. ~~~ koenigdavidmj Then we're back to the beginning. Here is a syllogism that you just said you agree with: 1\. An action is immoral without regard to the actor. 2\. Killing is immoral for a regular joe on the street. 3\. Therefore, killing is immoral for the government. However, you don't seem as comfortable with: 1\. An action is immoral without regard to the actor. 2\. Demanding someone's money by force (e.g mugging) is immoral. 3\. Therefore, it is immoral for the government to issue a fine. Or this one: 1\. An action is immoral without regard to the actor. 2\. Kidnapping someone and holding them for years is immoral for a regular joe. 3\. Therefore, imprisonment is immoral for the government. You could also remain consistent by saying that armed robbery and kidnapping are moral. It's up to you. EDIT: Typo and punctuation.	2023-10-29T01:26:57.367551	https://example.com/article/7339
--- title: Count Property, Word [vbawd10.chm159711234] keywords: vbawd10.chm159711234 f1_keywords: - vbawd10.chm159711234 ms.prod: office ms.assetid: f072f353-8dce-4f25-9007-99615f4cd893 ms.date: 06/08/2017 localization_priority: Normal --- # Count Property, Word [vbawd10.chm159711234] Hi there! You have landed on one of our F1 Help redirector pages. Please select the topic you were looking for below. [Rectangles.Count property (Word)](https://msdn.microsoft.com/library/8f8df110-2656-af0c-850a-2f21ac57030c%28Office.15%29.aspx) [HeaderFooter.Index property (Word)](https://msdn.microsoft.com/library/5281c150-1a61-670f-6b1f-37c43b717126%28Office.15%29.aspx) [!include[Support and feedback](~/includes/feedback-boilerplate.md)]	2023-08-04T01:26:57.367551	https://example.com/article/6906
The African Pediatric Fellowship Training Program in Pediatric Pulmonology: A Model for Growing African Capacity in Child Lung Health. Childhood respiratory diseases are the major cause of mortality and morbidity in African children. However, there is limited expertise in pediatric pulmonology in Africa. The African Pediatric Fellowship Program (APFP) was developed in the Department of Paediatrics and Child Health at the University of Cape Town in partnership with African academic institutions beyond South Africa to promote training of African child health professionals and to build capacity. From 2008 to 2016, 11 fellows have completed APFP training in pediatric pulmonology. Fellows have come from Kenya, Nigeria, Ghana, and Uganda. All but one returned to their home institutions, where they are building academic departments, improving clinical service delivery, growing research capacity, and advancing advocacy and policies to improve child lung health. In parallel, training of South African pediatric pulmonologists has been strengthened with a further nine South African fellows trained during this period. The African Pediatric Pulmonology program provides a highly successful model, with high retention of graduates in their home countries. The long-term goal is to grow African clinical capacity and strengthen services, research, training, and advocacy for child lung health in Africa.	2024-06-23T01:26:57.367551	https://example.com/article/9176
North Korea appears to have conducted its fifth nuclear test Friday, South Korea's military said, a move that may be aimed at showing its defiance against the international community. A magnitude 5 earthquake was detected near North Korea's nuclear site in its northeastern region, Seoul's Joint Chiefs of Staff (JCS) said in a statement. "We estimate the North has carried out the biggest-ever test given the yield of the North's nuclear test that reached 10 kilotons," the statement said. For comparison, the Hiroshima bomb had a 16 kiloton yield. The artificial quake was detected near North Korea's Punggye-ri at around 9:30 a.m. and the military is currently analyzing details of the possible nuclear test, the JCS said. A government source said Pyongyang likely conducted a nuclear test on the occasion of its 68th anniversary of the establishment of its regime, which falls on Friday. The epicenter is believed to be the same as the location where North Korea conducted its fourth nuclear test in January. Pyongyang also conducted nuke tests in 2006, 2009 and 2013. In March, the U.N. Security Council slapped its toughest sanctions on Pyongyang for its nuclear test and long-range rocket launch early this year. North Korea has threatened to conduct a fifth nuclear test, claiming it has the full capacity to carry out pre-emptive nuclear strikes. In March, North Korean leader Kim Jong-un ordered his officials to conduct a nuclear warhead test and more test-fires of ballistic missiles as soon as possible. South Korea's prime minister is chairing an emergency National Security Council (NSC) meeting to discuss how to deal with the latest development. Seoul's foreign ministry said it is discussing the issue with the United States and other countries via diplomatic channels. Related to North Korea's latest act, the White House said it is aware of seismic activity near the North's nuclear site as the communist nation is strongly suspected of conducting what would be its fifth nuclear test. "We are aware of seismic activity on the Korean Peninsula in the vicinity of a known North Korean nuclear test site," National Security Council spokesman Ned Price said. "We are monitoring and continuing to assess the situation in close coordination with our regional partners." (Yonhap)	2024-06-05T01:26:57.367551	https://example.com/article/5003
Search & Buy...... Enter your search term in the box & press 'GO' You will be re-directed to the Amazon.co.uk site. A small proportion of any purchase will be returned to The GLO Bookshop as referral fees. The amount you pay will be entirely unaffected. No responsibility is accepted for external sites. JESUS-DRIVEN MINISTRY PB Ajith Fernando identifies the foundational elements that allow Christian workers to be both effective and joyful - relating with people, re... Author Ajith Fernando believes that much ministry failureresults from neglect of the basics of the faith. Too often today'schurch is riveted on ministry technique to the neglect ofleadership lifestyle.In this book, Fernando identifies the foundational elements thatallow you to be both effective and joyful in your service. He showsfrom Jesus' own ministry that relating to the people you ministerto, retreating from busyness to prayer, being affirmed andempowered by God, discipling younger leaders, and gaining strengthfrom God's Word must be at the heart of your ministry.Rich in Scripture and full of stories from Fernando's own yearsof ministry, this book will help men and women commit themselvesafresh to those vital basics of ministry that make for long-termservice that is both fruitful and joyful.	2023-11-29T01:26:57.367551	https://example.com/article/4919
Clinical efficacy of gastric per-oral endoscopic myotomy (G-POEM) in the treatment of refractory gastroparesis and predictors of outcomes: a systematic review and meta-analysis using surgical pyloroplasty as a comparator group. Gastric peroral endoscopic myotomy (G-POEM) is a novel minimally invasive technique in endosurgery. Data is limited as to its efficacy, safety, and predictive factors. We conducted this meta-analysis to evaluate the clinical outcomes of G-POEM and used the outcomes of surgical pyloroplasty as a comparator group in the treatment of refractory gastroparesis. We searched multiple databases from inception through March 2019 to identify studies that reported on G-POEM and pyloroplasty in gastroparesis. Our primary outcome was to analyze and compare the pooled rates of clinical success, in terms of Gastroparesis Cardinal Symptom Index (GCSI) score and 4-h gastric emptying study (GES) results, with G-POEM and pyloroplasty. Three hundred and thirty-two and 375 patients underwent G-POEM (11 studies) and surgical pyloroplasty (seven studies), respectively. The pooled rate of clinical success, based on the GCSI score, with G-POEM was 75.8% (95% CI 68.1-82.1, I2 = 50) and with surgical pyloroplasty was 77.3% (95% CI 66.4-85.4, I2 = 0), with no significance, p = 0.81. The pooled rate of clinical success, based on the 4-hour GES results, with G-POEM was 85.1% (95% CI 68.9-93.7, I2 = 74) and with surgical pyloroplasty was 84% (95% CI 64.4-93.8, I2 = 81), with no significance, p = 0.91. The overall adverse events were comparable. Based on meta-regression analysis, idiopathic gastroparesis, prior treatment with botulinum toxin and gastric stimulator seemed to predict clinical success with G-POEM. G-POEM demonstrates clinical success in treating refractory gastroparesis. Idiopathic gastroparesis, prior treatment with botulinum injections and gastric stimulator appear to have positive predictive effects on the 4-h GES results after G-POEM. Outcomes seem comparable to surgical pyloroplasty.	2023-12-07T01:26:57.367551	https://example.com/article/4138
Kodak uploaded a video to YouTube recently thats been causing quite a bit of controversy. It’s a talk by Rob Hummel at Cine Gear Expo 2011 in which he states that bringing your digital camera onto an airplane will damage its sensor and cause dead pixels (it’s about 8min into the video). The reasoning is that at altitudes of 20,000ft and higher, you would need 125ft of concrete to shield yourself from the gamma rays, which induce voltages in the sensors and fry the photo sites. He also claims that manufacturers only transport cameras by sea, and that they all keep quiet about this because they fear a class action lawsuit. The comments on the YouTube video and the dpreview forums are filled with people who believe that this is simply an attempt by Kodak to spread fear, uncertainty and doubt (FUD) over digital cameras in an effort to lure more people to using film. So, which is it? Fact or FUD? (via dpreview and Photo Rumors)	2023-09-21T01:26:57.367551	https://example.com/article/6359
Feds: Security at heart of policy on space OTTAWA — A policy framework that will serve as a guide for Canada’s future in space makes sovereignty and security its No. 1 priority. Industry Minister James Moore unveiled the policy document on Friday at the Canada Aviation and Space Museum. Moore told industry representatives and a group of local students the document has five key priorities. “First, it puts Canadian interests first, ensuring that our sovereignty, our Canadian security and Canadian prosperity are at the heart of Canada’s space activities,” he said. Moore did not announce how much funding the government would contribute to the space program. Another priority is helping the space industry to develop cutting-edge technology. The others are partnering with other countries on major projects, promoting Canadian innovation and inspiring Canadians to pursue a career in space. “As we approach Canada’s 150th birthday in 2017, we want to continue to support a strong competitive and innovative space sector that will be here with us for the long term, making us proud,” Moore said. The industry minister also reaffirmed Canada’s continued support for the James Webb space telescope, which will eventually replace the Hubble telescope in space. He announced that Canada will provide a $17-million investment in the new telescope. “The telescope’s images will serve thousands of astronomers worldwide over the coming decades, including helping them to determine if there are other planets capable of supporting life,” he said. Canadian astronauts David Saint-Jacques and Jeremy Hansen and Walt Natynczyk, head of the Canadian Space Agency, also attended the event.	2024-04-05T01:26:57.367551	https://example.com/article/4144
1622030966 Clearing Inventory! Book has minor flaw, like bent or scratched cover. Total Satisfaction Guaranteed. Quick Handling. We work every day but Sunday. Standard delivery takes 4-14 business days. Please note: Shipping may take longer if you live in Hawaii or Alaska, Puerto Rico or Guam. Bookseller Inventory # ST9781622030965VG When the path ahead is dark, how can we keep from stumbling? How do we make our way with courage and dignity? “Inside each of us is an eternal light that I call ‘the One Who Knows,’ writes Jack Kornfield. “Awakening to this wisdom can help us fin dour way through pain and suffering with grace and tenderness.” For anyone seeking answer during a trying time, he offers A Lamp in the Darkness, a book-and-CD program filled with spiritual and psychological insights, hope-giving stories, and guided meditations for skillfully navigating life’s inevitable storms. The practices in this book are not positive thinking, quick fixes, or simplistic self-help strategies. They are powerful tools for doing “the work of the soul” to access our inner knowing and to embrace the fullness of our life experience. With regularly practice these teachings and meditations enable you to transform your difficulties into a guiding light for the journey ahead. Join Jack Kornfeld as your trusted guide as you explore: Shared Compassion—a guided practice for planting the seeds of compassion and opening the heart to all that life brings The Earth Is My Witness—a meditation to establish firm footing in the midst of darkness, centered by a steady witnessing presence The Practice of Forgiveness—what Jack calls “the only medicine that can release us from the past and allow us to truly begin anew.” The Temple of Healing—a guided visualization to meet our own inner healer Equanimity and Peace—a meditation for maintaining balance and acceptance regardless of the situation Just as it is certain that each life will include suffering, explains Kornfield, it is also true that in every moment there is the possibility of transcending your difficulties to discover the heart’s eternal freedom. With A Lamp in the Darkness, he offers you a beacon for yourself and others until joy returns again. Table of Contents Foreward by Jon Kabat-Zinn Introduction: An Invitation to Awaken The Wisdom of Our Difficulties The Earth is My Witness Shared Compassion Awakening the Buddha of Wisdom in Difficulties The Practice of Forgiveness The Temple of Healing The Zen of an Aching Heart Equanimity and Peace Your Highest Intention The Four Foundations of Mindfulness and the Healing Journey Afterword: The Return of Joy Excerpt If you’re reading these words, you’ve probably hit hard times. Perhaps you’ve lost a loved one, or maybe you’ve lost your job, or received a difficult diagnosis, or someone close to you has. Maybe you’re divorcing or you’re in bankruptcy or you’ve been injured, or your life is falling apart in any number of ways. Maybe daily life itself has become too much for you...or not enough. But even in the best of times there’s plenty to worry about: seemingly endless wars and violence, racism, our accelerating environmental destruction. In difficult times, personally or collectively, we often begin to wonder not only how we can get through this difficult patch; we begin to question existence itself. About the Author&colon; Jack Kornfield Jack Kornfield, PhD, trained as a Buddhist monk in Thailand, Burma, and India and has been teaching meditation internationally since 1974. He is one of the key teachers to introduce mindfulness practices to the West. He co-founded the Insight Meditation Society in Barre, Massachusetts and founded the Spirit Rock Center in Woodacre California. He holds a PhD in clinical psychology and has taught in centers and universities worldwide. Jack has led International Buddhist Teacher meetings with the Dalai Lama, worked with many of the great teachers of our time, and is a father and activist. He is co-creator of the Awareness Training Institute and has written more than a dozen books, including Meditation for Beginners; A Path With Heart; After the Ecstasy, the Laundry; and more. Jon Kabat-Zinn Jon Kabat-Zinn, PhD, is the founder and director of the Stress Reduction Clinic at the University of Massachusetts Medical Center and associate professor of medicine in the Division of Preventative and Behavioral Medicine. His clinic was featured in 1993 in the public television series Healing and the Mind with Bill Moyers. Jon Kabat-Zinn is the author of Wherever You Go, There You Are and Full-Catastrophe Living: Using Your Body and Mind to Face Stress, Pain and Illness. YOUR SATISFACTION IS GUARANTEED! We deliver as promised and want you to be happy with your purchase. Note, that we are very responsive to customer inquiries and ship quickly, but the postal service isn't always so fast with media mail packages. If you MUST have your book[s] quickly, it's wise to use priority mail--especially if you're on the West Coast. If you have any concerns about your shipment, contact us: ysgsales@gmail.com; typically it's the post office who has delayed things. We ship every weekday. Most orders go out within 24 hours. Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or over-sized, we may contact you to let you know extra shipping is required. *Please note: We do not offer expedited international shipping!	2024-02-16T01:26:57.367551	https://example.com/article/6506
Tools and Materials in Liqueur-Making At its simplest, liqueur-making involves fairly few tools: a jar to steep and/or age in, a funnel, a filter or two, and a sauce-pan to boil sugar and water together. But I quickly found that I wanted more specific tools, and a wider variety of options in my preparations. The most important part of liqueur-making is the glass jar. I use these jars for steeping, aging and for filtering back and forth. They make the perfect container for every stage of the process. From the beginning I've been using latched jars like these, primarily because Meilach and Meilach recommended it. These jars come in many shapes and sizes - pictured here is a square 1.5 liter jar from Fidenza of Italy. The rubber ring you see is supposed to be replaced and destroyed after one use, but thankfully they are a standard size and shape, so you can buy a stash of them and use them on every jar you own. After a few years of small batches, I decided I wanted to make liqueurs in somewhat larger volume than I had been, so I went down to my local beer-making store and picked up this fine 5-gallon carboy (shown here 3/4 full of steeping cranberry liqueur). I use it for cranberry production, mostly because I make more cranberry liqueur than anything else. But I don't think I'd have any troubles doing some other flavors in it. The only limitation is that the neck is only about an inch in diameter, making getting things out of the carboy somewhat difficult, so I couldn't do things like nectarine or apple. And since I only have one carboy, I can only age in it if I don't make anything else at that time. One important consideration before using the carboy is the array of items needed to support large-scale operations - basically big buckets and nylon mesh bags. To work with four or five gallons at a time requires that you have a complete set of tools of a large enough scale. If you're going to work with carboy-sized batches, make sure you also get a food-grade 6-gallon bucket with a spigot, and a large sparging bag (which will take the place of the cheese-cloth for the first filtration). The next item I have to show is a wonderful little device used for washing bottles. Basically, you screw it on to your kitchen faucet, and turn the water on. There's a thin metal rod which wraps around the outside, and extends inside the tip of the main tube. When there's water pressure, the rod is pushed out, which closes off the tube. Put the bottle over the end and press down on the rod where it bends off to the side, and you push the rod back into the tube, releasing the water. Since the end of the tube is much smaller than your faucet, you get a high-pressure stream of hot water, which scours your bottles out for you. You can also use it for jars and the like, or just to squirt water at your significant other.	2024-06-05T01:26:57.367551	https://example.com/article/8998
Molecular Diagnostic Assay for Detection of the Butternut Canker Pathogen Sirococcus clavigignenti-juglandacearum. Butternut canker, caused by the fungal pathogen Sirococcus clavigignenti-juglandacearum, is present throughout the range of butternut (Juglans cinerea) and is the primary cause for its decline. A quick and reliable method for identification of S. clavigignenti-juglandacearum would provide a valuable tool for the detection of the pathogen on propagative material to avoid spread, as well as assist studies targeted at the epidemiology of this pathogen, in particular the dissemination of the pathogen by seeds of the butternut. The objective of this study was to develop a diagnostic assay to detect S. clavigignenti-juglandacearum in butternut plant tissue. The primers were developed using an alignment of internal transcribed spacer (ITS) sequences from isolates of S. clavigignenti-juglandacearum and several closely related species. These primers were tested on J. cinerea, 48 isolates of S. clavigignenti-juglandacearum recovered from diseased trees, and 26 species of other fungi recovered from butternut tissue. The primers amplified a product from the DNA of all isolates of S. clavigignenti-juglandacearum, detected its DNA at a concentration as low as 1 pg/μl, and detected the pathogen at a concentration of 1 × 103 spore/ml. The primers developed in this study will be a valuable tool for the detection of S. clavigignenti-juglandacearum present on butternut seeds, and as a rapid diagnostic tool for early detection of the pathogen on butternut trees.	2024-06-01T01:26:57.367551	https://example.com/article/3080
Dr. Necmettin Şeyhoğlu Stadium Dr. Necmettin Şeyhoğlu Stadium, is a football stadium in Karabük, Turkey. It is mainly used for football matches and hosts the home matches of Karabükspor. Starting from 2010, the stadium underwent renovations which finished at 2014. Each stand was demolished and rebuilt. References Category:Football venues in Turkey Category:Multi-purpose stadiums in Turkey Category:Süper Lig venues Category:Sports venues completed in 1974 Category:Kardemir Karabükspor Category:Sport in Karabük	2024-02-11T01:26:57.367551	https://example.com/article/8334
The monument to the Unknown Hero on Avala adornes for almost eight decades the city of Belgrade and became one of its trademarks. However, the thing less known is that this monument was erected on the site of the former medieval fortress Žrnov, completely destroyed. The remains of the fortress several thousand years old, were removed on the orders of King Aleksandar I Karadjordjevic. There is no precise date when the fortress Žrnovo was built, according to some historians, it dates back to Roman times, to control the way to Singidunum. But it is almost certain that the fortress was built in the time of the despot Stefan Lazarevic. During World War I, in 1915, under Žrnov, in the battle between Serbian and German armies a fifteen year old Serbian boy was killed. Germans buried him and on the wooden cross over the grave left the inscription “Ein unbekannter serbischer soldat” or “An unknown Serbian soldier.” Many investigated about the identity of the soldier, but none has been able to figure out who he really was. Many years have passed since the Unknown Hero was killed, but he has become a synonym for all the sacrifices that Serbia maked in the First World War. The monument to the Unknown Hero is built from black granite, designed to represent the mausoleum, with four caryatids presented as women in traditional costumes. These eight statues symbolize the mother of soldiers, the nations and regions of the Kingdom of Yugoslavia : Šumadija, Voivodina, Montenegro, Kosovo, Dalmatia, Zagorje, Slovenia and Macedonia. The monument was erected in 1938 and represents the work of the most famous sculptor of the time – Ivan Mestrovic. On February 15 each year, on the National Day of Serbia, people pay tribute to all Serbian soldiers killed in the wars.	2024-07-05T01:26:57.367551	https://example.com/article/3253
Q: How to download multiple files from S3 as Zip format in Rails 5.x.x app? I am implementing feature which allows user to either download single file or multiple files from S3. Single file downloading is working properly, but for multiple files I am receiving error on Heroku, Errno::ENOENT (No such file or directory @ rb_file_s_lstat ) Controller code snippet for downloading files as zip format is as below, def method_name zipfile_name = "#{Rails.root}/public/archive.zip" Zip::File.open(zipfile_name, Zip::File::CREATE) do \|zipfile \| @transfer.transfer_attachments.each do \|attachment \| zipfile.add(attachment.avatar.file.filename, attachment.avatar.url) end end send_file(File.join("#{Rails.root}/public/", 'archive.zip'), : type => 'application/zip', : filename => "#{Time.now.to_date}.zip") end Gemfile ruby '2.3.1' gem 'rails', '~> 5.0.1' gem 'rubyzip', '>= 1.0.0' gem 'zip-zip' This zipfile functionality works proper with locally stored files. A: I would like to answer to my question. Steps are as follow, Downlaod files from S3 and store them locally Add them to zip by first creating zip and then add files to it. Download zip archive Here is controller code, require 'open-uri' def download_all_files folder_path = "#{Rails.root}/public/downloads/" zipfile_name = "#{Rails.root}/public/archive.zip" FileUtils.remove_dir(folder_path) if Dir.exist?(folder_path) FileUtils.remove_entry(zipfile_name) if File.exist?(zipfile_name) Dir.mkdir("#{Rails.root}/public/downloads") @model_object.each do \|attachment\| open(folder_path + "#{attachment.avatar.file.filename}", 'wb') do \|file\| file << open("#{attachment.avatar.url}").read end end input_filenames = Dir.entries(folder_path).select {\|f\| !File.directory? f} Zip::File.open(zipfile_name, Zip::File::CREATE) do \|zipfile\| input_filenames.each do \|attachment\| zipfile.add(attachment,File.join(folder_path,attachment)) end end send_file(File.join("#{Rails.root}/public/", 'archive.zip'), :type => 'application/zip', :filename => "#{Time.now.to_date}.zip") end A: Guess: You are adding attachments as urls, but you should be adding (local) file paths instead.	2023-12-04T01:26:57.367551	https://example.com/article/3660
Red Bull 1976 Something special seems to happen in the minds of skiers in the spring. Maybe it’s the energy of the warm sun we haven't felt all season, or the soft corn snow, or just maybe it has something to do with the abundance of beer being served on music-filled patios. Whatever it is, everyone’s moods are lifted, and the overall fun vibe seems to be contagious. This season the Red Bull 1976 event took the honors of the final slot in Mont Tremblant's four-week long Telus Sïkwâm, and turned out to be an event that would rival any gaper day. This was the first Canadian location for the multi-discipline retro event, which included a Snowblade Cross and Old School Air competition. Slightly more 80's than 70's, but fun nonetheless. A total of 19 teams of four donned their mustaches, bell-bottoms, polyester and neon to compete in the two events. A last minute forum call out for the entry of a Team Newschoolers brought together four NS members who had never skied together, and formed a group hell bent on showing that you don't have to be old to be old school. A few more Newschoolers members ready to go old school: Mitch, saxon, live-toski and dillon. Competing alongside Team Newschoolers was a team comprised of members whom without we'd likely still be throwing daffies and spreads. Team Jim Beam brought JP Auclair, Philou Poirier, Vincent Dorion and Mathieu Paquette back to their old stomping grounds to show people how it's done. JP eyes up the course with the original twin-tips, the Olin Mark IV’s. As the sun beat down on the course turning it into perfect spring corn, racers were equipped with the finest in snowblade racing skis and rode up the chair to take their positions. The qualification runs saw sets of four racers scream down the course amidst banked turns and rollers and over the final kicker to the cheering crowd below. Proper cross-style racing saw the competitors pushing, skating and crashing all over the place, which quickly weeded the field down to the final 16, and then eight, until only the final four were left standing under the Red Bull archway. After an exciting final race, the legendary Philou Poirier scored himself first place, with Sébastien Ross-Aubre in second and JP Auclair rounding out the top three. You don't often see racers laughing their way through the course...and you don't often see Philou Poirier and JP Auclair racing. A photo finish puts Philou on top. The snowblades were quickly swapped for the biggest collection of skinny long skis Mont Tremblant has seen in decades, and competitors once again returned to the top of the course to kick off the Old School Air. Each of the four-man teams were given two runs to impress the judges, with most of the them opting to drop in all at once to show off some form of synchronized carcass hucking. All of the teams pulled out all the stops, and since the name of the game was Old School, an impressive selection of spreads, daffies, twisters, penciled spins and flips were the norm. Team Newschoolers threw down an impressive first run full of tricks older than themselves on equally vintage equipment and managed to find themselves in the top three. With one of the judges proclaiming, “This competition is tighter than my pants!” all 19 teams returned to the jump for a second attempt. As teams continued to step up their game, so did the cheering crowd, who gathered to watch the collection of neon flying through the air. Following more flips, spreads, mule kicks and failed landings thanks to ancient bindings, we had our top five teams who would advance to the final, which included Team Newschoolers, who were once again in the top rankings and got the opportunity to throw down one more jump. Friendship Air In the end, friendship flips, showboating and bright costumes earned enough points to put Team OFR on the top of the podium, with Team Jim Beam in a close second and the Psychedelic Ski Bums in third.	2023-09-10T01:26:57.367551	https://example.com/article/3267
Research on Copolymering Mechanism of High Performance PAN-based Precursor and Spinning Process This paper discusses the copolymering mechanism based on practical experience,and,using results from an SEM analysis, also discusses the spinning process. The experiment shows that copolymering included four stages,and the copolymering temperature was below the decomposing temperature. A drawing stretch ratio of about seven was selected in order to make high performance precursor and optimum property carbon fiber.	2023-11-10T01:26:57.367551	https://example.com/article/1338
# Licensed to the .NET Foundation under one or more agreements. # The .NET Foundation licenses this file to you under the Apache 2.0 License. # See the LICENSE file in the project root for more information. ''' How to re-define an event in Python. NOTES: - all bugs in this module are currently test blocking. ''' import unittest from iptest import IronPythonTestCase, run_test, skipUnlessIronPython EVENT_COUNT = 0 @skipUnlessIronPython() class EventOverrideTest(IronPythonTestCase): def setUp(self): super(EventOverrideTest, self).setUp() self.add_clr_assemblies("baseclasscs", "typesamples") def test_sanity_interface_impl(self): from Merlin.Testing.BaseClass import IEvent10 global EVENT_COUNT EVENT_COUNT = 0 class PySubclass(IEvent10): def __init__(self): self.events = [] def add_Act(self, value): self.events.append(value) def remove_Act(self, value): self.events.remove(value) def call(self): for x in self.events: x(1, 2) x = PySubclass() def f(x, y): global EVENT_COUNT EVENT_COUNT += 1 print x, y x.add_Act(f) x.call() self.assertEqual(EVENT_COUNT, 1) x.remove_Act(f) x.call() self.assertEqual(EVENT_COUNT, 1) def test_sanity_derived_neg(self): ''' The snippet below does not work and the related bug, Dev10 438724, was closed by design. Keeping this around as a negative scenario. ''' from Merlin.Testing.BaseClass import CEvent40 global EVENT_COUNT EVENT_COUNT = 0 class PySubclass(CEvent40): def add_Act(self, value): self.Act += value def remove_Act(self, value): self.Act -= value def call(self): self.Act(1, 2) x = PySubclass() def f(x, y): EVENT_COUNT += 1 print x, y x.add_Act(f) self.assertRaisesMessage(TypeError, "BoundEvent is not callable", x.call) #x.call() #self.assertEqual(EVENT_COUNT, 1) #x.remove_Act(f) #x.call() #self.assertEqual(EVENT_COUNT, 1) run_test(__name__)	2024-07-03T01:26:57.367551	https://example.com/article/4733
Get breaking news alerts and special reports. The news and stories that matter, delivered weekday mornings. On the 48th anniversary of humanity's first steps on the moon, the bag of lunar dust collected by Neil Armstrong has sold for $1.8 million. The Lunar Sample Return Bag used by Neil Armstrong was auctioned for $1.8 million Thursday at Sotheby's in New York City. Sotheby's via EPA Most of the equipment used in the Apollo 11 mission is kept at the Smithsonian's National Air and Space Museum in Washington, D.C., but despite NASA's protests, a U.S. district judge has ruled that it can be owned by a private citizen. Let our news meet your inbox. The news and stories that matters, delivered weekday mornings. This site is protected by recaptcha The decision came after a legal battle between NASA and a Chicago lawyer who bought the bag of dust in 2015 for only $995, the Chicago Tribune reported. According to the paper, the lunar bag was mistakenly sold to Nancy Lee Carlson after a mix-up handed it to U.S. Justice Department for an unrelated investigation, which, in turn, auctioned it for the lower price. Carlson, a space enthusiast and collector, sent the bag to NASA for testing. When results revealed traces of moon dust on the fabric, the history of the bag was uncovered, and the space agency refused to hand it back to its owner. "This artifact was never meant to be owned by an individual," NASA said in a statement at the time. "We believe [it] belongs to the American people and should be on display for the public, which is where it was before all of these unfortunate events occurred." But Carlson won the court battle against the agency, which was forced to return it to her in February 2017 to be auctioned off again. The auction took place at Sotheby's in New York, where it had been expected to sell for $2 million to $4 million. Sotheby's wrote in the listing that Carlson plans to donate some of the proceeds to charities and to set up a scholarship at Northern Michigan University.	2024-04-29T01:26:57.367551	https://example.com/article/2993
Q: Not able to delete or save photos in Picasa for OS X I try to delete a photo or save an edit and it does not work. When I try to save I get a message Unable to write redeye due to disk error. The disk may be full or read only When I try to delete nothing happens and the photo is still there. This on a MacBook Pro running OS X Lion with plenty of disk space. A: When you do a red-eye (or a retouch) fix, Picasa immediately re-writes the photo (while stashing the original, un-edited version safely in a hidden folder in the same folder as the original photo). The error is saying that when Picasa tries to write to the disk where the photos reside, it is getting an error back from the operating system (or from itself). The thread Unable to write all files due to a disk error sums up all the known reasons for that error : The "Export location" (at the top of the Export to Folder window) might be set incorrectly. The solution is to click the Browse button and change it. The folder you are trying to export to is set to "Read only". Again, try another location or change the permissions on that folder. Picasa's internal bookkeeping may not have kept up with you (especially likely on a slower computer) and you just need to give it time to catch up. You might be using a network file system that does not work reliability with Picasa. A programming bug or some non-optimum code that causes this issue on some computers (but clearly not on most computers, since most people do not have the disk error problem) To which I add another : Some antivirus or disk-indexing product might be locking the file, so give it time to finish. (If it is Picasa that is locking the file against itself, this will never finish.) The thread Picasa 3.8 can't edit JPG saved with Gimp 2.7.1 has more to say : That "Unable to write all files due to a disk error. The disk may be full or readonly" error in Picasa seems to be a real "catch all" error... it is issued when some sort of error happens during an export... it's not at all specific enough to be helpful. Here's the workaround I'm using: when exporting a .jpg from GIMP (I'm in 2.8, Windows 7) use the "advanced options" and un-check the box "Save XMP Data." The resulting file works ok in Picasa for me. This seems to say that the error you are seeing may not really be a disk problem, but only a Picasa general catch-all message. If no other solution works for you, try to edit the photos in another way, maybe converting them to another format or stripping out all metadata. The thread Trying to fix error msg: Unable to write redeye due to a disk error goes further: I renamed the file to newimage.jpg and everything is good to go. I think picasa is having issues with the format of the extension "jpeg". From Red Eye error message : The red eye removal feature only works on photos stored on my Mac or another Mac OS Extended formatted drive; on FAT file system external storage devices (network drives, USB drives), the error message appears. From I retouch a picture and a window comes up : I'm not sure how the Red Eye function works but I suspect it uses a lot of scratch disk space. How long has it been since you used Disk Cleanup, defraged, cleared the caches, Recycle Bin, etc. Try also to update to the latest version of Picasa, as this may simply be some bug that is causing the problem. If all else fails, you could try to contact the developers through the Picasa Forums.	2024-03-03T01:26:57.367551	https://example.com/article/2358
I graduated from the Oregon State University College of Business in 2008. On March 1, I will begin two years of service with the Peace Corps in the Dominican Republic. You can follow updates on my experience by visiting my Peace Corps blog:	2024-07-26T01:26:57.367551	https://example.com/article/2275
a good size, quiet 2 separate entrance bedroom apartment with excellent location on Teréz korut, close to Oktogon in District 6. It comprises living room with comfy sofa, TV separate well-equipped kitchen with dining area (fridge, oven-hub, micro, dishwasher, exhaust fan and all the kitchen utensils) separated 2 bedrooms all of them has double beds, wardrobe, study area, one of the bedroom has a galery with study area guest room with single bed bathroom with tub, sanitary (washing machine) great choice for roommates with excellent location	2023-11-13T01:26:57.367551	https://example.com/article/5195
# _In This Skin_ _SIMON CLARK_ # Contents Title Page Foreshadowed Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 By the Same Author Copyright Not quite Hell and certainly not Heaven, Purgatory is believed by some to be the state in which souls are purified after death by suffering. Only when they have suffered enough might they rise to Heaven. And there are others that believe that this life we live is a form of purgatory. Many a drug vendor, psychologist, loan shark and guru would agree. Indeed, more than one bluesman has sung 'If it weren't for bad luck, I wouldn't have any luck at all.' A visionary by the name of John Henry Newman wrote what he thought it would be like to make that fatal transition from the world of the living to purgatory in _The Dream Of Gerontius_. And I drop from out the universal frame, Into that shapeless, scopeless, blank abyss That utter nothingness of which I came. How many of us worry about Heaven, Hell and purgatory? And how many believe that while we're in this skin we should boldy prove – _not_ that there is life after death – just that there is life before.... As the man said: 'It's your call.' Simon Clark South Yorkshire 2004 # Foreshadowed _We are nothing; less than nothing, and dreams._ _We are only what might have been..._ Charles Lamb Robyn first met Ellery before they were born. It's not possible to know how or why... or in what kind of world it was, this place where nascent minds originate. They were _there_ , just as we are _here_ now. When they met again in this strange state of affairs we call life they somehow knew they'd met before. Only they didn't know where. Anymore than they knew they'd brought more than their naked bodies into this world at birth. Invisible, but hanging on to their proverbial heels, as they slid from their mothers' panting bodies during labour, was an invisible stowaway with a revenant's heart. _We learn because it is a matter of LIFE and DEATH. We learn how to cross a road safely. We learn not to put our hands in fire. We learn not to drink bleach, not to step off the edge of an abyss, or walk alone at night where we know the streets are meanest. Your future happiness and survival depend on knowing the TRUTH. And it doesn't matter whether it's something you learn from a magazine, or from life, or from a book that you think is fiction. You know there are people who want to exploit you and control you. They will sneer that there is nothing important about novels – that a 'made up' story has no purpose – but that's where some of the greatest truths are concealed. Waiting for you to find them. To unlock their rich secrets. And only you can decide if the story contains a masked truth or not. It's important you know. What YOU learn today might save a life. YOURS. _ _We are nothing; less than nothing, and dreams. We are only what might have been...._ Ellery Hann had read the lines a full month ago, but they stuck in his mind as deeply as if they'd been machined into the oozing red stuff of his brain. Ellery murmured the words on his lips; they were like the lines of one of those songs that become a narcotic in your blood. You can't get enough. They go round and around through your veins. There's no dislodging them. _We are nothing; less than nothing, and dreams...._ It was his nineteenth birthday. April nineteen. He'd just stepped off the L that clattered along its track in the direction of Downtown Chicago. In the Windy City tonight, hot air breezed along the streets as if a furnace door had opened. Just yesterday it had been snowing. Now the crazy switch in weather had brought the kind of heat that made it hard to breathe and caused your skin to itch. In Ellery's imagination the face of the city had broken open to allow the hot winds of hell to blow through. Ellery Hann left the station as another train roared on to the platform behind him. He wished he'd not left it so late to return home. Darkness had already crept up through the roads and alleyways with all the sinister stealth of a tide from a ghost sea. Damn, he'd promised himself to get home earlier. He'd taken the train out to O'Hare to see Lain off on the Denver flight. His sister had lived there two years now and when she visited home recently there was always the rest of the family filling the apartment so he never got chance to enjoy the kind of conversations they used to have. And when you've got a devil of a kink in your tongue it's hard to compete when brothers, parents, cousins and neighbours are all speaking, too. Of course, he'd burned up the afternoon talking and talking until her flight had been called. Now it was too late. The sun had slipped away. It was as dark as it was going to get, and Ellery faced a fifteen-minute walk through a neighborhood of discount stores, used furniture warehouses and yeah... no bones about it... monsters with human faces. And speaking of monsters.... 'Hey, Ellery. Where you get the shirt?' 'That's no shirt, Logan. That's a blouse. A woman's blouse.' Keep walking: ignore them. 'Yeah, you can see his brassière through it. Guess, he's trying to turn us on, boys.' Ellery wasn't wearing any brassière; that's the way this kind of intimidation started. He'd gone to school with three of the guys who blocked his way. There was a fourth guy he didn't recognize. He looked around fifteen with wispy blond hair on his lip and a pointed chin that bubbled red acne. This fourth member of the gang looked suddenly interested. 'Hey, this is Ellery Hann?' 'Sure,' Logan said, with a grin all over his beer-reddened face. 'It's Ellery with a crick-crick-cricket in his mouth.' He laughed. The youth with the acne stepped aside as if to let Ellery by on the sidewalk. Logan put up his hands, indicating his beer buddy had made a big mistake. 'Whoa, Joe. You forgetting the deal?' 'No, but—' The acne kid looked suddenly uneasy. Logan stared the kid in the eye but nodded in the direction of Ellery. 'We all thought we had a deal. You want to hang out with us you got to prove yourself.' The kid stretched his arms downward, loosening the muscles. 'Sure.' Logan turned to Ellery. 'When we were at school you always knew what kids had to do to prove themselves, didn't you, Ellery?' 'I–I–I... The the... ss n–no... need anymore. S... S-School... S... S... S....' 'Shit.' The kid called Joe stared wide-eyed. 'Does he always talk like this?' He gave a whooping cry. 'Man, oh shit! He sounds like a snake!' Logan smirked. 'Ellery here's never said ten words straight in his life, have you, old buddy?' He shook his head in disgust. 'And we've known the poor fuck since kindergarten.' 'S... Fff... It's not ffff....' Logan tilted his head, listening to Ellery. 'Not what, buddy? Not fair? Not funny? Not fucking fantastic?' He spat into the gutter. 'No, not for you it isn't. OK, Joe, what the hell are you waiting for?' Ellery knew the score. He let his arms go limp at his side. Even trying to speak was pointless. Not that the devil's own twist in his tongue would allow him. Ever. Joe didn't have to be prompted twice. He lunged forward, punched Ellery in the side of the head, then tried to get an uppercut under his jaw to knock him out cleanly. More strength than style. The punch ripped into Ellery's nose rather than chin. The gush of blood flicked up into Ellery's eyes smearing the world outside his head crimson. Instead, it was the third punch to his cheekbone that knocked Ellery down. At times like this Ellery retreated inside his skull to a place so deep the fists cracking open his face didn't hurt so much. In there, he could tell himself it was happening to someone else; not him. It was there Ellery found those haunting words again. _We are nothing; less than nothing, and dreams. We are only what might have been._ 'What's that you're reading... Robyn?' 'Uhm? Sorry?' 'I asked what you were reading?' Robyn Vincent glanced across the living-room to where Noel stood rubbing his glistening black hair with a towel. Another short towel barely clung to his hips. She did a double-take of his flat, muscled stomach and bulging arms. She smiled back. 'It's a book of short stories.' 'Must be absorbing. You never even noticed me.' 'But I'm noticing you're half naked. And your mom'll notice too when she comes through that door.' 'She called when I was in the bedroom. She's had to pick up Louis from football. He's missed the bus again.' Shaking his head, he grinned that handsome grin of his. 'And you never even heard her call, Robyn? That _must_ be a good story.' She held open the book as he came across to stand behind her where she sat on the arm of the sofa. 'One of the writer's used a quotation by Charles Lamb.' 'Charles who?' He was teasing. 'I read the quote a couple of weeks ago and somehow I can't get it out of my head.' 'So it's got to be dirty then.' 'It's not.' She laughed. 'Stop jumping to conclusions about me.' 'Go on then, shoot.' 'Shoot what?' 'Read me the quotation. I want to know why it makes you forget everything that's happening around you.' Robyn didn't have to read it. She knew it off by heart. 'We are nothing; less than nothing, and dreams. We are only what might have been.' 'Sounds nihilistic to me.' 'But haunting somehow. As if human beings have taken the wrong path, and that we're not achieving our true potential. That what we've become is just a – Noel! You're mom'll be back soon.' 'Plenty of time. Plenty....' She felt his mouth on hers as he pushed her back on to the sofa then rolled her on to the floor. The scent of shampoo and his shower-warmed body filled her nose. She loved that smell, and when fresh perspiration broke through clean skin? That sent her... _wow!_... into outer space. But it was too risky here, even with the drapes closed. His mom and brother might walk in any moment. Besides, there was something else: it was preying on her mind. 'Noel... Noel....' He took that as a signal of her arousal. Within a moment he'd slid his hands up her short skirt, up her thighs, up over her hips, gripped her panties and drawn them down. 'Noel, you're going—' Then his mouth closed over hers. She felt with her hands and knew his towel had gone. Uh... God, he was so hungry for her. She'd barely felt the pressure between her legs and suddenly he pushed into her. This time his lovemaking was different. The sensation had altered entirely and although it didn't hurt it frightened her. For all the world she could have been a flimsy membrane stretched tight around his penis. She wanted to cry out to him to stop, but his mouth was on hers; he could have been sucking the breath from her body until she shrank even more tightly. All she could feel was his presence filling her belly. His cock grew inside of her, pushing into her in a way that became so frightening and invasive; as if it had become a predatory creature hunting for something concealed inside her skin. That one eyed snake, she thought, trying to be flippant, but her heart beat hard with fear. There was such a sense of impending disaster running through her. A bad thing was going to happen soon. She felt it loom over her. Like a thug coming toward her ready to beat her with his fists. This doesn't make sense, she thought. Noel's one of the gentlest lovers I've ever had. He doesn't bite. Not even in a playful love way. When he thrust into her he made sure he restrained himself from using the power contained within that muscular torso of his. He didn't pinch her nipples. Instead he preferred to kiss them or stroke the darkening tips. But now it seemed to her that her body tried to expel him. Her muscles tensed around his penis, crushing. 'Oh, wow, oh wow.' He panted in surprise. 'God, can you grip, Robyn.' It's because of what's on my mind, she told herself. I've got a secret. I should be telling Noel what it is. But I daren't. Now Robyn's stomach muscles cramped into hard knots. She panted, trying not to whimper with the hurt. Tears ran from her eyes. She wanted desperately to hide how much this was hurting her. Because now the pain _had_ started. She had to conceal it just as she desperately, _desperately_ wanted to hide the truth from him. She clenched her fists, trying not to imagine his penis as some violent probe hunting what lay hidden inside of her. As her fingers contracted, her nails on her left hand failed to dig into her palm. Then she knew why. She still had the book in her hand. No sooner had she realized that than the words of the man called Lamb, who was dust in his grave now, came to her more vividly and powerfully than ever: ' _We are nothing; less than nothing, and dreams. We are only what might have been_.' Robyn and Ellery met each other before they were born. Next week they're going to meet again. They're not going to recognize each other yet. But the shadows they cast even on the darkest of nights will know what they might have been. And what, God willing, they _will_ be. # Chapter 1 ## _One_ Benedict West pulled into the empty car lot. The Luxor Dance Hall stood there with all the brooding presence of a monument to the dead. The car's headlights lit the white face of the building with its Egyptian-styled columns. Benedict had not been inside there for five years but he knew every inch of it. 'I thought you were taking me to your place.' His date sounded far from pleased. 'I am.' 'Well, this can't be it.' 'No, it's the Luxor Dance Hall. Ever heard of it?' 'No, should I?' 'A lot of top acts played here right through from Jolson to BB King, to Little Richard, Buddy Holly, the Four Tops, Black Sabbath, The Ramones, REM...' 'It looks derelict.' 'Closed down ten years' ago.' Benedict realized the woman eyeballed him nervously now. 'Why did you want me to see it, Benedict?' 'I like to check it out every couple of days.' 'What you mean like you own it or something?' 'No. Call it academic interest.' 'You're funny.' 'Really?' He smiled. 'Not funny ha-ha.' She shrugged. 'Different. I don't think I've ever met a guy like you.' 'Yeah, you're probably right.' 'You smile... you've got a real nice smile, don't get me wrong.' She rested her hand on his knee. 'But you've got such sad eyes.' He shrugged. 'You're not sad now?' 'No. I'm happy to be with you....' He grimaced. 'Sorry?' 'You're forgetful, too. I'm Jessica. We met in The Light Out blues bar in—' 'I remember that.' 'And you drink apple juice on the rocks and nothing else....' She leaned close to him. Benedict felt her warm breath touch the side of his neck and smelt beer on her lips. He liked beer, too, when he didn't have to drive, but the tang of it in the confines of the car made him flinch. She ran her fingers up his leg. 'Time we went home, Benedict.' 'Sure,' he told her. 'Or did you want to do something here in the lot with me?' Her eyes were large in the gloom of the car. In this light her lips were nearer to black than the red gloss he remembered in the bar. Hell, he didn't even know this woman. What had made him pick her up in the first place? OK, she looked great in that short black leather skirt and tiny top that revealed a creamy V of cleavage. But suddenly it seemed so cheesy to chat her up then bundle her into the car as soon as he could. But he knew it was because of tonight. April 19. The tenth anniversary of his fiancée, Mariah Lee, walking into the Luxor and never walking out again. So he still pulled into the lot every couple of days. Stared at the shuttered doors for twenty minutes, then went home. But always, _always_ staring into the rearview convinced that as he drove away he'd glimpse Mariah skipping lightly from the building her blonde hair catching the street lights. 'Benedict?' 'Hmm?' 'You want to do this?' 'Huh?' 'Do you want me to come back to your place?' 'Sure I do.' He smiled. 'It's just that you seem to have something on your mind.' 'Oh, don't worry about me....' He nearly called her Mariah, but barely missing a beat added, 'Jessica.' He gunned the engine and turned the car in the vast wasteland of the lot, the lights sweeping into the distance to fall on derelict factories behind razor wire. 'I know what it is.' She spoke gently. 'You've just split up with someone. You're on the rebound, aren't you?' _Don't stare in the rearview. Benedict; just drive away_. 'The rebound?' 'Yep,' she said. 'She dumped you – or you dumped her, but anyway you're feeling all chewed up inside. Am I wrong?' He glanced in the rearview. A figure ran through the near darkness in front of the Luxor then threw themselves down on the steps as if worshipping there. The white marble made the figure stand out. They could have been praying to the Egyptian art-deco jackals that adorned slabs over the entrance door. 'Am I right, or am I wrong?' Jessica persisted. 'You've just split with a girlfriend? Or is she a wife? Hey! What's wrong with you?' 'Stay here.' He stopped the car hard, throwing the girl forward; the seatbelt dug between her full breasts. 'Benedict, what's happening?' Now she did sound scared. 'Where you going?' He turned off the engine, then unbuckling his seatbelt, he bailed out through the door and ran back to the Luxor that gleamed whitely in the starlight just fifty yards away. Christ knew he wasn't thinking straight. He saw the figure on the steps as Mariah Lee. He could see her blonde hair catching the distant streetlights. Where the hell had she been these last ten years? But this did make a weird kind of sense; there's symmetry here. Logic... a weird logic at that... told him that if Mariah was going to return it would be one decade to the day after she vanished. He started calling, 'Mariah... Mariah?' Then the figure turned to glare at him, half-crouching in an ape posture on the steps. Benedict stopped. His stomach muscles hurt like someone had rammed a fist into him. He could hardly breathe. The figure opened its mouth and cried out. A raw animal sound that turned Benedict's blood cold. 'Wh– war – wuu-or! I! I-I-I!' The figure wasn't Mariah. Didn't even look like Mariah. There on the steps, spotting blood on to white marble, was a young guy. A young guy who'd taken a hell of a beating. His nose had become a bloody mass. His lips and eyebrows were cut. One eye had closed up into a glistening strip that sickened Benedict to even look at it. The guy lacked the energy to climb to his feet. Benedict leaned forward his hands out at either side to show that he meant no harm. 'Wha! N-n... doh-don't! I-I-I can't t-take any m-more. Y-y-you... M-m-vvumr—' The guy's stammer had the rapidity and violence of a machine-gun – fragments of words exploded from his blooded lips. The guy was a wreck; panting, trembling, hands shaking. And that stammer? There was a brittle energy that made you think it would rise into a wailing scream. 'Hey, take it easy, buddy. You need someone to take a look at those cuts.' The guy put his hands up over his face as if to protect himself from a fresh assault. 'My name's Benedict. My car's just across there. I can take you to—' ' _Sh-shur-rayyy_!!' Benedict reeled back as the guy twisted round to scramble on all fours up the steps before rising on to two feet. He ran with a furious energy, arms working as if to claw himself through the air with his hands. 'Hey, wait!' Benedict called but the man was gone, running down the side of the Luxor and into bushes that choked the bank of the river as it cut a glistening line behind the building. He listened for a moment, but the crash of bushes as the guy pelted through them soon dwindled to silence. Benedict stood alone in silence on the old Luxor steps. The implacable face of the building stared him down. Above, the night sky burned with stars. The breeze that played across his face was unseasonably warm; it did nothing to ease the sick sensation oozing up from his belly. Who could beat a guy like that until his face looked like raw beef? Even to recall the appearance of the man's grossly swollen eye tightened Benedict's throat. Shit. Like you could guarantee the stars to shine at night you could guarantee man's inhumanity to man. Benedict shook his head. He had taken three paces in the direction of where his Ford stood on the black top, its rear lights still burning: that's when he noticed the engine was running. 'I switched it off, I know I did....' His heart sank. 'Hey!' he called. 'Jessica, it's cool. Don't—' All he got was the perfect view of rear tyres spinning as the girl he'd met just two hours ago took off in his one and only car. 'Damn.' Suddenly it got as if his knees could no longer hold him upright. Walking back to the marble steps, he chose one that hadn't taken a spattering of the boy's blood, sat down, and stayed sitting there as he shook his head and marvelled at how a night he knew would be painful just got a whole lot crappier. ## _Two_ For a whole quarter of an hour Ellery clung to the trunk of a willow at the river's edge. Night birds called across the water. The stars burned over downtown Chicago; he could hear the hum of the city from here. Mostly his face had a numb, dead sensation, as if it had become a thick rubber mask. If anything, it was his neck that ached, where full-blooded punches had whipped his head from side to side with such severity the muscles were strained. As he waited there, his teeth in the upper jaw came to the pain party, too. He pushed the double molars with his tongue. They were still there but loose. When he rocked them with his tongue his mouth filled with blood. At school Ellery had been first rung of the gang ladder. If you beat him up you'd be promoted from just a regular school kid to junior gang member. Now it looked as if his school days had just come back to haunt him. He couldn't even bear it when the guy tried to help him back there on the steps. All he needed right now was to hide away. Humanity sucks. Spitting blood into a river that rolled by like grease, he walked back to the white building. Painted on its flanks were the words LUXOR in letters six feet high. Moving cat quiet, he reached the door marked _Artistes Entrance_. The bottom door panel could be slid aside a few inches, just enough to allow his body (his scrawny body, his brother would taunt him) into the building. This was the place he could be alone. It was also the place where he could unleash his dreams. ## _Three_ After a few moments Benedict had to confront reality. Jessica's not coming back with the car, he thought. And you've got a long walk home. Standing, he brushed dirt from the seat of his pants. Once more his eyes were drawn back to the drops of blood spilled by the stammering teen. The round spots revealed themselves like a scattering of coins on the steps. Poor kid. He'd really soaked up someone's aggression tonight. Probably a tough guy didn't like the sound of the stammer. Yeah, this is the world where shit grows legs and walks and talks like a man, but it's still shit on the inside through and through. The hour's walk in front of him focused his mind now. There was no point in standing here gazing at the drops of blood on the steps, especially when there'd.... Now. He hadn't noticed that before. At the far end of the step amid the round splotches sat a dark, square object. He picked it up. The kid's wallet. It had to be his. It hadn't been dumped earlier by a thief because dollar bills, credit card and driver's licence were still there. He checked the name in the wallet. _Ellery Hann_. So.... The kid with the pounded face and the stammer had a name now. A slip of card showed a pale edge against the compartment for credit cards. An address maybe. Benedict checked. Nope. A neatly handwritten line. A proverb maybe? Benedict angled the card so it would catch the faint streetlight. _We are nothing; less than nothing, and dreams. We are only what might have been_. The words haunted Benedict West all the way home. # Chapter 2 ## _One_ At the same time Ellery Hann was slinking into the Luxor Dance Hall and Benedict West headed back to his apartment on foot, Robyn Vincent took a midnight shower. Normally she loved to sleep with Noel's semen inside of her, its warmth nourishing her contentment. They'd been together for almost a year, they trusted each other, so she'd been the first to tell Noel that she planned to take the pill. Those rubbers might only be a few microns thick but when they made love there might have been a brick wall between them rather than a sheer membrane of latex. For the last few weeks she'd return home from making love with Noel and she'd curl up in bed feeling his cum warm inside her, its heat spreading through her stomach to the tips of her fingers. Now was different. Robyn wanted it OUT of her. She'd taken the jets of water from the shower as hot as she could bear. It turned her skin red. Her back burned. She'd soaped herself between her legs with such force the lips of her vagina felt too tender to even touch. Get that cum out, Robyn told herself as showered. I want it out of me. Its smell sickens me. I don't like the slippery feel of Noel's semen on my thighs or my fingertips. 'Get out, get out, get out,' she repeated as she burned her skin under the blazing jets. But what's gone wrong with the relationship? Nothing. I love Noel more than ever, but... but – God, it's crazy really – I don't want him to fuck me. As simple as that. She ached to hold his hand, or feel his lips touch her cheek. But the prospect of his cock inside her made her want to scream out loud in disgust. But why? Why? The question rolled round inside Robyn Vincent's head with a ferocity that nauseated her. Her sudden change of feelings toward physical love bewildered her. Noel had said nothing to upset her. Certainly he'd done nothing. He was as sweet and as considerate as ever. Today Noel'd even bought her a delicate pewter bowl in the shape of a rose that he'd found at an antique fair. He'd watched her fiddling with a cruddy plastic box that she'd used for hairpins and silently filed the information in his mind to buy her something both pretty and useful. _So why the sudden revulsion over him making love to me_? Switching off the shower, she stepped out of the stall to walk through the billowing steam to the bathroom mirror where she wiped away the condensation. 'OK,' she told her reflection. 'Take stock. You're nineteen years old. You're solvent. So the office closed down under you last week, crap happens, but you're starting a new job at the end of the month. You've got twenty-twenty vision, you're in good health, all your own hair and body parts, and it's been six days since I even saw a zit or a blackhead on that face... a face I'm learning to live with – at long last.' She forced a smile. It was a good face, after all. Even though she'd hated it in her early-teens. It had been too angular. The shape of a triangle. Back then her eyes seemed too far apart as well, as if they were trying to put as much distance from her nose as possible. She used to stare at her eyes in the mirror and murmur gloomily, 'Those damn things are going to fall off of the side of my head one day.' Of course she'd grown from a gawky bag-o'-bones kid into an adult. A little more muscle upholstered those bones now. The awkward skinniness gone, replaced by womanly curves. Although her eyes were widely spaced they fitted in well with a face that had lost its peculiar geometric shape. Its structure had softened. By the time she hit her seventeenth, boys were taking a close interest her. She saw how their eyes were drawn to her face. There was something about it they liked. Her lips were fuller, too. With a touch of lipstick they became devastating. By the time she was eighteen she was in love with Noel. So what had gone wrong now? Robyn couldn't figure out why she suddenly hated him making love to her. She studied her face as if half expecting it to erupt tentacles or something. It was as if a circuit had burned out inside her head. Whereas before she sizzled, hornier than a timber wolf, for sex, now lovemaking repulsed her. Jesus... maybe it's just some hormonal glitch. She hoped so. Quickly, Robyn dried herself, then wrapped a towel around her head. What she craved now was to vanish into bed and sleep. Maybe, everything would be fine in the morning. She slipped on a robe, opened the door, and.... 'Mom?' Her mother stood there on the landing in a glamorous gown in purple silk. Her blonde hair rolled in extravagant waves down her shoulders. There was hardness in her eyes. 'Robyn? Do you know what time it is?' 'It's Friday, Mom.' 'I know it's Friday, but what made you take a shower? It's past midnight.' 'It turned so warm today I feel kinda—' 'It might be the weekend for you, Robyn, but Emerson has to be at the office by six in the morning. There's a shareholder meeting. He's been working weeks towards this. They're planning to merge with a company that tried to buy him out last year. Emerson needs to be able to get a good night's sleep before he—' 'OK, OK, Mom. I get the picture. I'm sorry. Good night.' Her mother looked her up and down as if suddenly noticing some change in her appearance. 'Robyn.' The irritable edge left her mother's voice. 'Robyn?' 'Mom?' 'Anything you want to tell me, Robyn?' 'No.' Robyn shrugged, genuinely puzzled. 'Like what?' 'You've not argued with Noel?' 'No.' 'There's nothing else the matter?' Her mother looked at her in that sidelong way as if she were sighting a target along the barrel of a gun. 'You wouldn't keep it to yourself if something was troubling you?' 'Of course not. Everything's fine, Mom.' 'Hmmm....' Her mother looked her in the eye as if reading hidden messages there. 'OK, if you want to keep it to yourself....' 'There's nothing bothering me. I'm OK. I'm happy.' Robyn heard the exasperation seeping through her own voice. Jeez, what does Mom want me to admit? 'Obviously I can't drag it out of you, Robyn. Perhaps you'll tell me in your own good time. Sleep well.' 'Good night.' With that her mother swept back to her bedroom, no doubt to stroke Emerson's troubled brow. Robyn went to her own room. There she lay on her bed. It was too warm to pull over covers. Switching off the light, she lay looking up at the play of shadows on the ceiling. So there's food for thought, she told herself. Her mother had seen something different in her, a 'something' that she thought Robyn was deliberately hiding. But could her mother have sensed a sudden aversion to sex with Noel? That would be ridiculous, wouldn't it? Those kind of things don't change the expression on your face, do they? It's not as if she suddenly wore a sign on her forehead in _big_ shouting letters: NO MORE FUCKING PLEASE. Jesus, this's weird. Maybe I should see a psychotherapist? Or would it be a sex therapist? 'Good morning, doctor. I can't take it up me anymore.' She murmured the words aloud trying to be flippant. As if rendering the problem into verbal sounds would somehow magically expel this weirdly inexplicable aversion from her body. She stroked her stomach. The muscles fluttered in the way her eyelid did when she was over-tired or stressed. It felt strange. Almost as if the muscles would go into spasm but they stopped short of a cramp. And with her period over two weeks away the sensation couldn't be attributed to that. So what else could have changed inside of her? She hadn't altered her diet. She'd not taken to snacking on narcotics or downing bottles of vodka. If it was a hormonal glitch what would.... 'Oh, God no.' The sounds coming through her wall were the last ones she wanted to hear tonight. Emerson was playing hide the wiener with Mom. 'Oh, shit, shit, shit....' Not that Mom didn't deserve a healthy love life. She just turned fifty-five. She'd re-married... Maybe it's me. I should get a place of my own and give those two love birds some privacy. But it's just that... agh, dear God, I don't even want to think the words... the images it puts into my mind of plump little Emerson making whoopee with Mom. Could Mom take her eyes off of that absurd hair weave thatched to his head... and Emerson made it so clear to her (probably to neighbours, too) what lit his flame. Emerson and her mother slept on a waterbed, so it wasn't a _creak-creak_ - _creak_ that revealed what Emerson did in the heat of passion. And here it comes right on cue, Robyn thought, with a sinking sensation. A slow measured sound: _crack_... _crack_... _crack_... _crack_.... That was the only sound of sex from the next room. The slap of bare palm on bare buttock shoved mental images rudely into Robyn's brain. And those were mental pictures she didn't want to see. Groaning, she curled into a ball, pulled the pillow over her head. That sound wouldn't stop for a long while yet. ## _Two_ Ellery Hann spent a long time in the men's washroom of the Luxor dance hall. He'd washed his face in cold water then stood for an hour or more staring into the mirror above the sink. Bruising from the fists appeared to swell like dark clouds across an evening sky. He watched the colour of his chin turn from an abraded red to purple with flecks of crimson at the centre. Dried blood glued his hair into hard points. And all this time Ellery didn't make a move or a sound. His breathing was barely perceptible. Distant sounds from a freeway filled the void of the building with a ghostly whisper that rose and fell to some mysterious rhythm. Electricity to the building had been cut years ago. The only lights were the random rays of starlight and streetlight that somehow struggled through dirty windowpanes. What Ellery saw was merely the gloomy reflection of his damaged face and the glint of his staring eyes. There wasn't any pain now. Just a stiffness; a dead sensation; as if his spirit had already begun to withdraw from his body. In a little while he'd go into the auditorium of the abandoned building. There on the dance floor a single armchair faced the stage. That's where he sat to enjoy the show. The best show on earth.... Ellery Hann blinked slowly at his reflection, then, leaning forward, whispered the words that meant so much to him. When he spoke there was no trace of stammer: 'We are nothing; less than nothing, and dreams. We are only what might have been.' A deep throbbing sounded deep in the shadowed heart of the building. The show would be starting soon. ## _Three_ ' _Oh_... _the keys_ _!_ ' Benedict spoke loudly enough to set the dog barking in the next yard. 'The damn apartment keys. They're with the car keys.' And where the car was now was anyone's guess. Yep, this's going to be a bad night. Ten years to the day since Mariah vanished into the Luxor. An hour ago the girl he'd picked up in the blues bar had driven his car out of the lot and into the night. Then the long walk home. Now the realization that he couldn't even get through the door because his keys were on the same fob as the car keys. _The devil's given me the kiss of bad luck today_. Benedict shushed the barking dog. It made the dog bark louder. Dogs don't take kindly to being shushed. 'Quiet, Butch. It's only me.' Suddenly the dog's big, mule-like head loomed over the fence as it stood on its hindlegs to confirm his identity. 'Jeez. You'll get me into more trouble barking like that.' Butch made a yip sound in the back of its throat. Benedict saw the eyes gleam brightly in the streetlights. The hound looked happy enough to see him anyway. It made the yip sound again as if asking a question. 'Don't ask, Butch. I've had a bitch of a night. A girl stole my car. I can't get into my apartment because the keys were in... oh, God. And I'm stood talking to a dog in the middle of the night and I'm not even drunk.' The dog tilted its head, its mouth open as it panted. 'What am I going to do, Butch?' A voice came from the house beyond the yard. 'Butch? What's there, boy?' Benedict put his fingers to his lips. He whispered 'Don't get me into trouble with old man Gartez.' The dog's head disappeared as it ran across the yard to its owner who had started to grumble. 'It'll only be a bunch of cats, Butch. Quit your barking; you'll wake up the whole fucking street.' Nice turn of phrase old man Gartez employed. Benedict moved off to the apartment steps. He lived in what had once been an old whiskey distillery. The iron staircase ran outside the building to connect with an exo-skeleton of iron walkways. Smart money had come along to convert the redbrick building into four floors of apartments with four units to a floor. Only now, of course, Benedict's home might as well have been tucked away on the dark side of the moon. Those hundred-year-old doors were tough cookies, too. He didn't see any chance of knocking the door open with his shoulder. When he reached the top floor he walked along the iron platform that formed a walkway along the outside of his apartment. It stopped with the ending of the wall. He leaned forward against the safety railing and looked alongside the building. In the distance, the skyscrapers of Chicago were shining; dusted with thousands of tiny lights. Above them stars burned bright on this unseasonably hot night. What drew his eye was the window to his kitchen. He'd left it open after grilling a meal of pork chops earlier. So he liked to crisp the fat with a lick of raw flame. It gave them a great flavour but it also blued the air with smoke, too. That's why the window was ajar. Benedict looked down into the shadows below, where solid earth lay fifty feet beneath his feet. Surely, bad luck wouldn't dog him all night? He put his leg over the railing. In the yard, he caught a glimpse of Butch running out of his kennel to see what the crazy homo sap did next. Keeping a healthy gap of fresh air between me and the dirt is what I'm aiming for, thought Benedict. He saw that a line of bricks moulded with a fossil ammonite pattern ran around the building three feet below the windows. These decorative bricks protruded a good four inches from the otherwise smooth wall. He saw if he could support his weight on those with his toes, while facing the wall, he could reach out to grip the supporting bracket of the satellite dish, then work his way along a couple of yards, before gripping the frame of the window where it was open. Then haul himself through. As theories went it was faultless. Benedict gripped the satellite dish bracket as he settled his feet on to the protruding lip of brick. He looked up as he did so. Big mistake. A shower of rust from the bracket cascaded into his eyes. Instantly he was blinded. He couldn't use his hands to wipe his eyes because he was hanging on for dear life fifty feet above the ground. Hell.... He snarled with frustration. Below him the dog sympathized with a loud bark. Through a smeary veil of tears he saw lights flicker on in old man Gartez's house. Great. He'd probably come thundering out into the yard with his shotgun. Gritting his teeth, Benedict shuffled blindly along, while facing the wall. Behind him, fifty feet of warm night air waited for him to back-flip into its embrace. Damn, the rust was even in his mouth. It grated against his teeth. Maybe he'd sinned in a past life to suffer this kind of bad luck. Hell, he must have been Herod, Stalin and the IRS rolled into one to deserve this. Panting hard, while sweating a river of moisture down his spine, Benedict thrust out his arm where the window should be. By chance, his knuckles rapped the windowpane. Below him the dog barked louder. Still unable to see, he worked his hands inside the open window until they found the lip of the sill, then gripping so hard he could believe his fingers would crunch through the timber, he side shuffled along until he reached the opening. Now leaning in through the window, he risked freeing one hand to wipe the rust dirt from his eyes. The aroma of his own home, and even the cold grease smell from grilling pork, seemed like the warmest of welcomes. His head and upper torso were home even if the rest of him wasn't. After he'd taken a moment for a breather he wriggled forward through the open window, just as old man Gartez came through his back door into the yard in his pyjamas. The perfect crime, Benedict thought, with a sudden wicked surge of excitement. He'd done it. He'd found a way home after what had to be the ultimate crappo evening of the year. Sliding over the top of the sink, he put his hand into cold water where the grill pan lay soaking. Even that didn't dampen the triumph over at least one portion of adversity. Of course there were still a few shitty problems: there was his car that he'd have to report stolen to the police. It still unsettled him to find the youth with the stammer scrambling like some wild animal over the steps of the Luxor. And, as always, his mind kept returning to Mariah Lee. She'd walked up those same marble steps ten years ago.... As he headed for the bathroom, ready to soak the blues away in a tub of hot water with a shot of whiskey he noticed the message light winking on the answer machine. He hit the replay button. Two messages. 'Hi, Benedict. It's Linda. You're needed in the LA office. Can you give me a call Tuesday?' Then came the second that made his eyes roll into his head. 'Benedict. It's Jessica. The girl who's name you can't remember. Remember?' She gave a nervous laugh then took a deep breath as if confessing. 'Sorry about freaking out like that. But I thought you might have got some buddies lying in wait for me out there at the Luxor. These things happen, you know. Anyway. Sorry for taking your car. I haven't bent it or anything. I found your address in the glove compartment, so I've parked the car on the street outside your apartment... oh, and I've left the keys inside your mailbox. I wish I hadn't shitted you. You're nice and I... well, it's down to me being more nervous than I look. Bye.' Benedict thought about the blind shuffle like goddamn Spiderman across the face of the building, with a bone-breaking plunge just waiting for him to put a foot wrong. And all the time his keys nestled snugly in his mailbox at the foot of the staircase that he'd strolled by ten minutes before. Hell, life's full of surprises. First, come what may, he was going to swill whiskey and soak chin deep in hot water. He emptied the change from his pockets, along with something he'd forgotten. He stared at the kid's wallet in his hand. In the bright lights of the apartment, he flipped it open and found an address printed on an adhesive label stuck on to the back of a library card. Life treated some people worse than it did Benedict West. That guy with the stammer had taken a hell of a beating earlier. A doctor really should check him out. Benedict'd ease his conscience a hell of a lot by returning the wallet to the guy in the morning; what's more, he could satisfy himself the man hadn't suffered any life-threatening injuries. But first... sweet Jesus... he needed that hot soak. # Chapter 3 ## _One_ Robyn Vincent's sleep was a restless one. The hot breeze tugged at the blind, swinging the weighted cord so it tapped the glass. With the window open, street sounds were louder than usual. Cars, trucks, the rumble of distant goods trains. A sighing whine of aircraft far away. Somewhere down on the sidewalk a man laughed. Maybe a prowling madman because he gave a burst of chuckling laughter every twenty minutes. Earlier she'd been afraid that he was down there on the lawn. Only if there were a madcap intruder, he'd have triggered the security lights that guarded the large house. He must be outside the fence. Drunk, drugged, or simply high on mania. She rolled around the bed. Perspiration dampened her hair. The weight on the cord rapped the window like tapping fingers trying to attract her attention or drive her insane – or both. Robyn swooped in and out of sleep. One minute she'd be staring at the play of shadows roaming across her ceiling and _trying_ not to match mental images to the spanking sounds from the next room, while no doubt.... Ugh. Don't go there, Robyn, she told herself. The next minute she'd be asleep. Then dreams erupted with a blazing ferocity. They were as unsettling as the night sounds that tormented her. She dreamt she ran along a river that vanished into a wood. There, trees were twisted, ugly things where toadstools formed weird growths on the branches. She saw the toadstools swell with lumps that split open to reveal glistening eyes that watched her as she ran past. Deep in the wood she found a clearing. In it were dozens of figures. They were waiting for her, she knew it. She paused at the edge of the clearing staring at the people assembled there. Her first thought was: _They're all dead_. But they were staring at her with bulging eyes. Their mouths were open as if frozen in screams of pain or terror. Even though they were still, as if carved from stone, she knew they were alive somehow. Only they couldn't move. She walked toward them. Oh, God, she swallowed down a ball of vomit that had suddenly pushed up into her throat. What's wrong with those people? They'd all been twisted out of shape. Their necks were too long, their torsos were elongated, then twisted. Arms were longer than bodies. Faces were wrangled into monstrous shapes. Bottom lips became swollen red dripping things that hung down on to their chests.... Her instinct had been to turn and get away from there. But as she ran she found herself running toward them. A desperate, headlong run. As if the most important thing in the world was for her to reach them and.... The snap of the blind woke her with a start. The breeze must have been strong enough to spring the mechanism and the whole thing had rattled up furiously on to the roller. Outside the madman laughed. A train sounded its horn on the track. A forlorn sound, so mournful and tragic that Robyn found a wave of sadness rise through her so powerfully tears sprang in her eyes. My God. For some reason I can't stomach the idea of Noel making love to me, now I'm having nightmares and crying without knowing why. Had she lost her mind? Was that it? Had madness taken root inside her brain? ## _Two_ Benedict woke at three in the morning just as on the other side of the city Robyn Vincent lay perspiring on her bed. He opened his eyes, running the hypnotic line through his head: _We are nothing; less than nothing, and dreams. We are only what might have been._ Doesn't that have to be the most melancholic statement ever? We are nothing. Less than nothing... no wonder the kid with the stammer had copied the statement on to a card that he kept in his wallet. If you're unable to speak in a world that oils its whole educational, financial and social mechanism with the lubrication of communication, then the stammerer and the voiceless could wind up suffering beneath a profound handicap. Hell, these days if you don't have a mobile phone and an e-mail address you're looked down on as if you're the last granddaddy of Stone Age man. 'And, shit, I should be sleeping... not pontificating.' Benedict sat up in bed to rub his eyes. They were gritty with rust due to his acrobatic swings from the satellite dish. Hell, Buster Keaton he was not. Benedict guessed he found it hard to sleep because of that nagging concern for the guy he saw bleeding all over the Luxor steps. He'd drive over to the address he found in the wallet first thing. Just check the guy was OK. Already his imagination supplied him with graphic images of the kid lying unconscious with internal bleeding. But he'd been lively enough running away from the Luxor. So maybe the wounds were just skin deep. But then he might have been harbouring a ruptured kidney.... 'Shut up, Benedict,' he hissed. 'Get some sleep.' He settled on the bed. Outside, down in the yard, Butch give a single deep _woof_. Benedict's imagination roved too freely at night. Maybe he was lonely. How about going down to see the old man in the morning and offer to buy Butch? He liked the dog. He'd be good company. This apartment had become a limitless cache of loneliness. A dog pattering round on the wood floors would make a pleasant change from wall-to-wall silence. Good God, you are lonely, old buddy, he told himself. You're getting forgetful, too. It's time you put a woman in your life. Not a dog (even though dogs are fun, funny and loyal). You need love. But then he had love. For three years he was blissfully happy with Mariah Lee. Then one day she got cranky like you wouldn't believe. He'd never seen her like that before. The next day she'd left their home in Atlantic City where they both worked on web design back in the good old days when corporate bosses were both terrified of the internet and yet knew at all cost their companies needed big sparkling websites. Back when he was twenty-four, Benedict had been stuck working the mailroom. He'd pinned a card on the canteen noticeboard that announced to colleagues that he'd build websites for them. His intention was to put together family websites so his peers could post wedding photographs and hobby stuff on the internet. Then one day he'd been called to a meeting with the president and vice president of the company alongside a whole bunch of marketing and accountancy people. Back then, there'd been a Bernard West in accountancy. Benedict West had been ready to tell them that they'd confused the names and called him by mistake. Instead, the vice president had looked him up and down, studying the lowly mailroom assistant, no doubt wondering if he was an E-popping punk, then cleared his throat uneasily and said, 'Benedict. I hear that you know something about' – he checked the unfamiliar wording on a memo – 'website design?' The move from denim and sneakers in the mailroom to a business suit in his own office with _Web-design Manager_ on the door took less than forty-eight hours. His bosses were as ignorant of designing corporate websites as they were afraid that a rival might lure their long-haired whiz-kid away, so they went into a panicky huddle on the top floor, before dispatching the head of personnel to ask tentatively if Benedict would be happy with a fifty per cent raise. Yesterday, Benedict had been ready to accept with the naïve eagerness that comes when you're twenty-four. Instead, he laid down the newspaper he'd been reading on the bus that morning. There was a page of advertisments in situations vacant clamouring for web designers. 'Mr Ryde, a fifty per cent raise would put me on a salary of fifteen thousand a year. There's a dozen companies here willing to recruit website designers at salaries of thirty thousand a year.' 'Come on, West, that would be out of the question. Last week you were sorting mail in the basement.' Benedict said nothing. Merely looked Ryde in the eye. Ryde had let out a breath of air that said all too clearly: _I'm an_ _important_ _man, West, and you're wasting my time_. Irritably, Ryde had snapped, 'It's not for me to agree that kind of raise. I'll have to refer your demands upwards. But you might regret it.' Ten minutes later came one of the moments that only happen a few times in life. Ryde returned red faced but wearing a fixed smile. 'I've put your request to the vice-president himself. You'll need to sign a new contract of employment with a clause prohibiting you from working for any of our competitors.' He cleared his throat. 'We're prepared to offer you a salary of thirty thousand dollars a year, plus bonuses, plus a company car. Ahm... how does that sound, Benedict?' This sounded sweet. The silver BMW added an extra spoonful of honey to the deal, too. That embarrassed climb-down by Ryde fanfared the start of a very happy time. Within months he was dating Mariah. By Christmas she'd moved into a new apartment with him that overlooked the ocean. Then one day in the spring of ten years ago, Mariah upped and left. She didn't say where she was going or why she'd left. He'd simply returned home bursting with news of a promotion to head office in New York and she wasn't there anymore. She'd taken most of her clothes, her car, and transferred her savings to a checking account. The police figuring a spat between lovers did nothing. It took him three weeks to learn through her sisters that she'd moved to a bed and breakfast hostel in Chicago. Why Chicago? That question had haunted him long enough. She didn't have family or friends there. The last time he saw her was when he tracked her down to an old dance hall called the Luxor. On placards flanking the entrance to the car-parking lot were signs announcing: THE LUXOR BIDS YOU GOODNIGHT AND GOOD-BYE. FAREWELL CONCERT SEASON MARCH–JUNE. He'd parked the car facing a flight of marble steps that lead up to an Egyptian-style façade, complete with columns and carvings that could have come right out of a pharaoh's tomb. Tonight a tribute band was playing Motown hits. He'd watched Mariah walk up the steps and into the Luxor alone. She'd been wearing a short black dress; her long pale-blonde hair had hung loose down her back. She'd paused at the top of the steps then glanced back as if sensing he'd been there. Only she hadn't seen him. Then she'd turned and walked through the colossal doors. Benedict waited all night, long after the crowds had streamed out of the Luxor and the lot had emptied of cars. Mariah had never left the building. ## _Three_ Ellery got out of his head. He didn't need vodka or drugs or solvent adhesives, or any of the shit others used to get wasted. Ellery Hann got out of his head by sitting in this old armchair in the middle of the Luxor dance floor and just... just letting go. That's the only way he could describe it. It came naturally. Always had. He didn't have to force it. When he used to seek refuge from the street kids in his grandfather's cigar store as a child, he'd sit and stare at the carved Apache chief that stood in the doorway and 'let go'. Then he'd be whoever he wanted to be, in any place he wanted to be at: an astronaut on the moon; an explorer in a jungle; a diver in a drowned city at the bottom of the ocean. He'd found it easy to daydream. Later he found it a vital component in his survival mechanism. Especially at school when the stammer marked him as an outcast. Now here, ten years later, in the Luxor his mind really took flight. There was a potent quality here in the atmosphere that fuelled his imagination on mind-blowing journeys. So he sat there alone in the abandoned building in total darkness. And night after night, Ellery Hann got comprehensively out of his head. For a hundred years the Luxor's walls had absorbed tobacco smoke, liquor vapours and cologne and adrenalin and superheated pheromones of generation upon generation of Chicago's youth. Now the brickwork exhaled their exotic perfume. Ellery's bloody nostrils sifted the aroma of cigars smoked when Buster Keaton still performed for adoring cameras and F. Scott Fitzgerald sat writing his first novel. There was the phantom hint of cigarettes spiced with marihuana and cloves from when nascent hippy bands played here in 1965. Greatly attenuated vapours reduced to nothing but a molecular trace rose from the wooden floor. They carried faraway echoes of beer spilt in a riot when Splinter Davis boxed here in 1917. There's the tang of prohibition spirit on a Chicago gangster hired the hall for his daughter's wedding in 1931. Embedded in those scents lay the trace of a cocktail spilt on the days when you'd hear the hits of The Ramones and The Sex Pistols first played on the radio. In the final set of some forgotten heavy metal band, during a howling guitar solo, a string broke and cut the guitarist's right cheek. In his mind's eye, Ellery saw the dime-sized brown mark on the stage where the blood had beaten the industrial cleaner. All the scents blended into one piquant aroma flowed over Ellery like a spirit of awesome power. He closed his eyes, breathing deeply. The pain from the punches could no longer reach deep enough into his brain to hurt him. In his imagination he walked a path along a fast-flowing river. Cool air played on his face. The hissing of the water played a mysterious song for him. Ahead, lay a forest. The branches of the trees were con torted in weird shapes. Fungus sprouted from the trunks. Beyond the forest, hills rose toward crags where blades of rock thrust upward out of the ground. Moving faster along the path, Ellery sensed a growing excitement. In this place he was free. There was no one to insult him. No one attacked him or hurt him. He created this world with the power of his imagination. He ran through the forest his mind had extruded from nothing. His blood surged in his veins. He tingled with the sheer power of his creativity. What else did he want in this forest? Birds with ten-foot wingspans – no, make them twenty-foot spans. Above him vast birds the size of jet fighters glided through the air, calling across the tree-scape. The sky boiled with cloud. This was the weather he loved most. Passionate weather that was full of fury and thunder and lightning. Ellery whooped with triumph in the world he created. Now he wanted animals. Big, BIG animals with pelts of rough red fur. And he wanted them as big as a Woolly Mammoth. But he didn't want grass eaters. He wanted carnivores that used their ten foot of curving tusk to tear open the bellies of their victims. And he wanted the trunks to suck the blood from the screaming men and then spray it so a red mist filled the air. Ellery got what he imagined. Meat-eating mammoths hunted down screaming men in the forest. The men he recognized. They had the faces of the gang that had beaten him earlier that night. Now he watched huge beasts with shaggy pelts of copper hair pursue the men, trample them into the dirt and shit on the forest floor, then rip open their chests with the points of massive tusks. This dream was so vividly powerful Ellery could smell moist soil beneath the trees and lick the dew from the leaves to quench his thirst. This was his world. He'd built it since childhood. He'd worked on every detail, every scent and sound. It was more real than the brutal city that he'd grown up in. For the moment he was happy to walk in the wood with it lying at peace again, without carnivorous mammoths. Even the birds that had once glided overhead had vanished. He was content with the serenity of the place. The way the cool breeze whispered through the branches to stir the sticks into a faint hiss. So what he saw next took him by surprise. He came upon a sudden clearing in the forest. There, stood dozens of pale figures. They were a bluish grey. The same colour as corpse skin when the blood has drained from it. He paused for a moment to stare at this weird assembly. They did not move, even though, somehow, they all appeared to be staring in his direction. Ellery gave an amused laugh and clapped his hands. The sound was startling in the peace of the forest. He'd intended the clap to animate his creations (although he didn't recall intentionally creating them in his imagination, but sometimes it played tricks like that... the beasts he created could appear spontaneously as if formed in his subconscious). These figures simply stood and stared. He moved nearer for a closer look. Hell, his subconscious had worked hard. They were monstrous figures that were vaguely human. Deformed? No, that wasn't the right description. It looked as if they'd become soft and pliable and some demon hand had re-moulded them into bizarre and horrifying forms. Heads were elongated. Eyes had plumped out to bulge from sockets. Mouths were misshapen. Some possessed naked bodies covered with blue-grey skin that puckered into lumpy hides on their chests, while shoulders were smooth with the exception of wart-like lumps from which silver bristling hairs grew. One had a bottom lip that was so grotesquely swollen it hung down as far as his chest. Their arms were ape-like. Long powerful arms that terminated either in clawed hands or a single thick tentacle that dripped thick, glistening mucus on to the grass. His eyes were drawn back to _their_ eyes again. They burned with an uncanny fire. Indeed, they were brighter now, as if they'd woken to see someone they knew. They were fascinating creatures. Ellery was tempted to stay longer but he knew it was time to quit the daydream and go home. Already his mother must be wondering what had happened to him. Even though he was nineteen he didn't like to cause her worry. Ever since the operation she looked so fragile and vulnerable. Her other sons didn't notice – or care. They still demanded their meals at the same time every day, and their shirts washed and ironed ready for when they cruised away into the night to chase women in bars, or play pool until dawn. This is the neat trick. Ellery didn't like to end a daydream by quitting it as if it was a computer game. He'd evolved a process of exiting the world he imagined just like it was real and he was taking the proper route out of a three-dimensional territory. In his mind's eye he turned his back on the collection of immobile figures and walked swiftly back into the wood. Ahead of him ran a straight path between the trees. It led to a pair of towering elms that had been joined at the tips to form an archway. Beyond that, a path ran into a shadowed void. Ellery's imagination conjured an image of him sitting in the armchair in the middle of the Luxor's dance floor. This was the exit from his world. He'd walk through the archway and back to his daydreaming self that sat with eyes closed, and hands and forearms resting on the two arms of the chair. Ellery had done this so often the transition from one world to another seemed real. He passed from the cool, ozone-rich air of the forest to the hot, dry air of the Luxor. From fresh plant aromas to the smell of dust. From exotic bird song to the sound of trucks and cars rumbling on the freeway in the distance. Beneath his feet the leaf-covered ground gave way to a wooden floor. He was through. But as he passed into the main body of the building he glimpsed movement from the corner of his eye. A grey figure slipped through beside him. Just for a second, Ellery glimpsed a monstrously elongated form with a misshapen head. It was close enough for him to see its glistening skin and ragged clothes. The thing glared out into the hall, not at him. Even so, he'd glimpsed the blazing eyes that bulged from its repulsive face. The figure ran on two powerful legs with a savage stride. The pace of a hunter seeking new prey. Seconds later it bounded into the darkened doorway that led to the rear of the stage and vanished. Footsteps receded into the distance. Ellery, sitting once more in the armchair, opened his eyes. He was pleased his imagined world had grown even more vivid. The quirky, spontaneous image of the weird beast-man slipping out of his dream world and into a dark Chicago night pleased him. He wished with a sudden passion – that tightened his throat and made his heart beat furiously – that the wonderful world he'd built in his mind could erupt into this grim state of affairs that people call reality. Mate the two worlds together to create something beautiful! He clenched his fists as the sheer force of his wish tore through him. _Please God, yes. Make it HAPPEN!_ # Chapter 4 ## _One_ The address in the wallet took him to a place that looked a lot like a motel. A long, two-storey block faced with white boards. You reached the second storey by an external staircase that opened on to a walkway bolted along the face of the building. A dozen doors led to a dozen apartments. The odours changed radically with every step along the walkway as his eyes flicked over the plastic numerals looking for number 21. The first step he smelt urine. The second step brought a blast of spicy chilli from an X-pelair set in a kitchen window. The next brought tobacco smoke. The next step he was engulfed by the smell of toadstool decay from an apartment with boarded windows (although the bottom panel of the door had been kicked through, letting the stink ooze free). Another step took him into the cabbage-rich embrace of boiled leftovers. The landing here didn't look as pretty as a picture either. Every couple of paces, a used diaper lay on the boards, while chained to the railing were the bare bones of a dozen bikes. Most had wheels or handlebars missing. One miserable specimen had been stripped down to nothing but a dilapidated red frame. The drive chain hung miserably from the cog. Stepping over diapers and strewn toys, Benedict West headed for the door bearing broken plastic numbers that he managed to decipher as 21. A rock ballad wailed from an open window. It's OK, Benedict reassured himself, as a sour cabbage smell swamped his nostrils again, I'm just doing my good deed for the day. Even so, he wanted badly to return to his car. With the time nudging past noon and the sun shining bright on this raunchy suburb of Chicago, he didn't feel personally at risk. He feared for his car though. From up here he could see two burned-out car wrecks in the corner of a football field across the road. While down in the lot an unhappy SUV without wheels sat with its belly touching the asphalt. Every window had been smashed. Great, a little of the third world right in my hometown, Benedict thought sourly, then grimaced. Hardly the most sensitive observation. People didn't live here through choice. When factory owners decide they can reduce labour costs by shifting their gearbox plant from Idaho to Korea, or their plastic extrusion unit from Florida to Brazil, this kind of shit happens. Hell, even his old employer who had paid him a nice fat salary for inserting them squarely into the groovy new electro-cosmos of cyberspace, had recently fired their website team. Then his former bosses had contracted out to a freelance operation on the other side of the globe in India. Just last week he'd been e-mailed by Ross Damay who headed the team after Benedict's departure. Ross lamented that he'd had to sell the car just to meet his mortgage payments. If Ross didn't land some work soon then he could be facing a move to a grunge-ville apartment block just like this one. Benedict thought: Get it over with and get out. The smell had begun to rake over the pasta he'd eaten for lunch. Meanwhile, in the next apartment a baby started to wail. A woman responded with a bad-tempered yell. With no bell that he could see on the door frame, Benedict West knocked on the panel. No reply. In the apartment someone hiked the music volume to bury the baby's cries. Again, he hit the door. Looked like there was 'no-one home' in the old fashioned sense that none of the occupants wanted to open the door. He was ready to give it one last rap before dropping the wallet in the mailbox, when it sounded as if someone kicked the timber from the other side. A muffled voice came through the panel. 'Who keeps piling all this crap against the door. Can't you take it to the trash?' The door opened to reveal a man of around twenty-five. He wore a grey T-shirt with a ratty collar. It looked as if he'd spent the morning chewing on it. Benedict met the man's gaze, noting the irritable glint in his eyes. The man said nothing, waiting for Benedict to speak. 'Sorry to disturb you....' Hell, why should I begin by apologizing; it's me doing the favour. He checked the name in the wallet again. 'Is Ellery Hann home?' The man in the gnawed T-shirt merely widened his eyes a little. Benedict interpreted that as _what's it to you_? Benedict smiled. 'My name's Benedict West, I live over on Flyyte.' He realized he was giving irrelevant information but the occupant's lack of verbal response encouraged Benedict to fill the void. 'The reason I'm here is I found a wallet belonging to Ellery Hann and it gave this address.' 'Sure....' Result. The man speaks. 'Give it here. I'll see he gets it.' The man held out a hand with fingers prematurely yellowed by nicotine. 'Ah... I'd prefer to hand it to Ellery Hann in person.' First off, he wanted to see if the kid with the stammer, who'd suffered such a cruel beating, was still in the land of the breathing. Second, he now began to doubt if this was Hann's current address. He might simply be handing over the wallet, stuffed with dollar bills and credit cards, to new tenants. The man in the grey T-shirt looked insulted. 'I said I'd give it him, didn't I?' Benedict stuck to his guns. 'Call Ellery Hann for me. It won't take a moment.' The man stared, the sullen brown eyes getting bad-tempered, the way a dog looks when its territory's being trampled. 'Is Ellery in?' 'Sure.... Probably.' He shrugged. 'I dunno, I'm not his baby-sitter.' 'Look, please. Ask Mr Hann to come to the door. I just want to leave here with a clear conscience that I've done the right thing and returned the wallet to him.' 'Jesus H. All this for a friggin' wallet. Just give me the friggin' thing. I've got to leave for work by half-past.' 'Look, it's not a big deal but—' The man's face flushed now. 'My Dad's asleep back there. If he wakes up he's gonna be pissed at you.' 'I just want to make sure I've got the right apartment.' Benedict felt a growing exasperation. Those sullen brown eyes were really starting to tick him off. 'Bring Ellery here; I'll give him the wallet.' 'Keep it down, you'll wake Dad.' 'If I don't see him, I'll drop it off at the police station.' The guy turned his head to look back in the apartment, the muscular cords in his neck pressed out against the ragged neck of the T-shirt. 'Dad... _Dad_? There's some guy here who's going to turn El's wallet over to the cops!' 'Who the fuck is it?' The voice came like an animal's roar from a cave. Benedict flinched. This simple good deed of returning the wallet was turning to nightmare. 'Who are you?' asked the man in the T-shirt. 'I told you. I'm Benedict West. I found the wallet—' 'Who the fuck are you? What the hell are you doing handing my boy's wallet over to the cops?' This came from 'Dad' who prowled into the hallway. 'I warned you.' The younger man took a step back. There was a gleam of anticipation in his eye now. The man's glance at the way his father bunched his hands at his side wasn't lost on Benedict. No doubt the son had seen his lumbering grizzly of a father settle disputes with his fists before. The man might be the far side of fifty, but he had the physique of a pro-wrestler. Immediately Benedict took a step back while thinking back to the kid's mashed face that bled all over the Luxor steps. Maybe old Pop had been disciplining his son the only way he knew how. The big man grunted, 'Give me the fucking wallet.' 'No.' 'You better. It's my son's.' 'Look.' Benedict took a deep breath. 'I only wanted to make sure that I was handing over the wallet to the right person.' The man's bulging eyes rolled down to the wallet then he turned to his son. 'Is that El's wallet, Matt?' 'How the fuck do I know?' 'Watch your fucking language. Your mother's got ears you know.' The younger man took two steps back into a doorway. He obviously detected the early warning signs when his old man might start swinging those mallet fists. 'I'll be gone as soon as I see Ellery Hann.' Benedict kept his voice calm. 'I only want to reassure myself he's all right, then I'll—' 'Why shouldn't he be all right?' Best not mention the beaten face. Those two huge fists at the end of Pop's arms might have been the weapons involved. 'Call me Miss Prissy, but I just wanted to satisfy myself that I'm giving the wallet to the guy it belongs to.' 'You know, El?' 'I saw him in a parking lot.' 'Oh?' this was the son making a noise as if his suspicions had been confirmed. The father shot him an angry look. 'What's that supposed to mean, Matt?' 'Nothing.' 'I know your fucking _nothings_.' Obviously there was a lot of angst in the home over some secret issue. Benedict wanted even less to do with this family than before. Already he saw himself three minutes from now lying face down on the ground with blood pouring from his nose. Hell, was this his lucky day – no, scratch that – lucky weekend or what? Now old Pop had been riled by the son's insinuation; suspiciously he rounded on Benedict. 'So what's Ellery to you?' 'Nothing.' 'You met him?' 'Yes, only briefly in a parking lot.' 'What for?' 'I don't know what you're suggesting?' Benedict took another step back, gauging whether he'd take less of a blooding if he simply vaulted over the rail and took his chance dropping fifteen feet to the dirt below. 'You know what I'm suggesting, you fucking fairy. Whatcha do to my son?' 'Nothing. I found the wallet, that's—' 'Give it here then get out of my house.' 'Listen.' 'I'll give you to the count of three. One.' The younger guy nodded with a look of glee pasted across his face. He loved to watch Pop mash guys' faces. 'Two.' 'Look, I'm....' Benedict's voice faded as a thin, sick-looking woman wearing a caftan limped into the hallway. A young guy assisted her. She could have been the same age as Pop, but her body had the withered appearance of an octogenarian. She glanced up with no real interest. 'Dinner's on the table, boys. I'm going back to bed for awhile.' Benedict saw that the young guy – the guy he now knew to be Ellery Hann – still helped her by the arm. A moment later, Ellery Hann slipped out the bedroom and gently closed the door behind him. He had none of the coarse features of his brother and father. The bones of his cheeks and jaw were fine. Even the skin looked smoother and brighter than the dull, stubbled and blotchy faces of the two men nearest Benedict. The one called Matt caught Ellery's eye and jerked his head in the direction of Benedict. 'This guy says he's got your wallet?' Ellery's bright, intelligent eyes fixed on it. He nodded. Matt sniffed. 'El says it's his.' To Ellery, Benedict said, 'Do you want to check the contents to make sure the—' Matt interrupted. 'It's cool. Besides it wasn't the money you were interested in.' Benedict leaned forward to catch a close look at Ellery. It also took him so close to Pop that he could smell the man's pungent breath. 'I just wanted to make sure you were OK when I brought the wallet back.' Pop growled. 'Why shouldn't he be OK?' 'Yeah.' Matt sniffed. 'What you do to him?' That was obviously intended to stir the big man's anger again. Matt was disappointed that the old man hadn't slung a couple of punches in Benedict's face. Thanks for nothing, Matt, Benedict thought. Just when he figured he could slip away from this house-of-not-so-many-delights without a pair of black eyes. 'Yeah....' Some mental image sidled into the man's heavy skull. A mental image that disgusted him. Rage flared in his eyes. 'Yeah, what have you done to my son! You sort revolt me! You know that!' Benedict stepped back. This time Ellery slipped under his father's elbow as the big guy posed there with his hands on his hips, all belligerence and venom. Ellery stood between the two, looked down at the wallet and nodded. Benedict handed it to him. Ellery glanced up at him with two clear blue eyes. He nodded a thank you then ducked back under his father's timber-like arms to disappear into the gloom of the house. There was one of those pauses, an empty void that begged someone to say something, or _do_ something. 'Whatcha want? A certificate of gratitude?' Pop swung the door shut. It crashed against the jamb two inches from Benedict's nose. For a second Benedict didn't move, despite the urge to head back to his car as quickly as he could. In the bright light of day he'd got a close look at the young man with the stammer. Last night the guy had the face of a crushed strawberry. His nose and eyes were split. Blood splashed everywhere. Less than twenty-four hours later, Benedict had seen Hann's face close up as he took the wallet. Was there a scab or a graze or a bruise? No. Nothing. Only the faintest mottling on his cheek that could have marked the position of two-week-old bruises. Nothing else. So, Ellery Hann, how do you heal from a vicious beating in twelve hours? Answer me that one. As Benedict returned to his car he found himself puzzling over a question without an answer. ## _Two_ By late Saturday afternoon, Noel was getting horny again. They were alone in Robyn's house. She _knew_ it was right for him to slip off her skirt, then start kissing her inner thighs the way he always did. Only in her heart it didn't feel right. Why is it that my libido's decreased while Noel's has skyrocketed? Robyn Vincent pulled his head to her chest as they lay together on the couch. She ran her fingers through his softly curling hair while he massaged her breasts. Oh, God, I want to run screaming for the bathroom. If he tries to push himself into me I'm gonna scream. I know it. I'm gonna yell, scratch him. But that's the last thing I want. I love him. He loves me: this should be perfect. She closed her eyes. Music from the stereo filled the room. Romance should have floated in the air. Instead.... 'Robyn?' 'Hmm?' 'You all right?' 'Yeah. I'm fine. Why?' 'The muscles in your arms are like steel.' 'Must be a little tense.' 'A little?' He sat up. 'Anything you're not telling me?' She almost flinched. Had she been so transparent that he saw her anxiety? She forced a smile. 'I'm cool, baby.' 'Good.' He kissed her on the mouth. 'You were starting to worry me there. I thought you were building up to break some bad news to me.' Robyn tried to laugh in a lighthearted way as if what he'd said was ridiculous. It sounded strained to her ears. Off the top of her head she said, 'Mom and Emerson are at a shareholder's meeting today. He's been planning a merger with one of his major rivals.' She shrugged. 'Everyone's been walking on eggshells here lately.' 'It's that important?' 'You should hear Emerson rehearsing his shareholder's speech in the bathroom day and night. I know more about the plastic injection moulding than any other nineteen-year-old I know. Ow.' 'What's wrong?' Natural concern came so easy to Noel. A guy in a million. Sensitive. Good-looking. Talented. 'Ouch... ouch. I must have been sitting awkwardly. It's just cramp.' 'In your stomach?' She smiled. 'It happens.' 'But I didn't think your... ah... you know?' 'Period? It's OK to say the word, Noel.' She laughed, genuinely amused at his sudden shyness. 'No. I'm not due for a couple of weeks.' 'Phew. What a relief.' Grinning, Noel unfastened a couple more shirt buttons. Then placed a muscular hand on her knee. 'Come on, let's go through to the bedroom. It's time I put some real effort into relaxing you properly.' He kissed her on the mouth again, his hand running up the outside of her thigh. Crunch time. She'd been trying to postpone this. There was no way she could permit him to make love to her. Yesterday she'd almost gone out of her mind when he slipped inside of her. His penis had felt invasive... something completely alien. Repellent. Now she'd have to come out with the word: NO. Tell him she couldn't make love. But what excuse could she make that didn't sound lame? A headache? Would he suspect her of falling in love with some other guy? As his tongue worked against hers and the rush of his respiration filled her ears her mind clamoured. Striving to find some excuse. 'I'm going to undress you slowly,' he murmured, his eyes inches from hers. 'Then I'm going to start at your toes. Kissing... kissing all the way up... then I'm going to make my tongue work for a living.' He smiled. 'I'm not going to rest until I've....' He shut one eye and grinned. 'Not rest until I've pleasured you. Then I'm going to make love to you very gently, very slowly. I'm going to take at least an hour. Because I want to stay inside you for as long as I' – he kissed her throat – 'possibly' – then kissed her chin – 'can.' Standing up, he picked her up from the sofa effortlessly. Once she'd adored it when he cradled her in his arms. She'd always felt so safe and so loved. Now she wanted to scream. It took all her will-power not to fight her way from his grip. A crunch of gravel came from outside. She stiffened. 'That's my mom's car.' 'Are you sure?' 'Positive. Can't you hear the garage door?' 'Oh, damn.' He wrinkled his nose in disappointment. 'Don't worry, lover man.' Relieved, she kissed him on the cheek as he put her carefully feet first on the floor. 'I'll fix some food and we can watch TV in the conservatory.' 'I'd rather be making whoopee with you, Robyn.' 'You and me both.' _Wow_. A little white lie. He hugged her. 'But it won't be long until we're alone again.' He gave her a loving squeeze. 'Mom and Dad will be playing tennis tomorrow morning. Come over then.' Robyn scrunched her shoulders and smiled as if nothing could give her greater pleasure. The thing is, she felt a massive sense of relief that her mom was home. 'Back early isn't she, Rob?' Noel frowned. 'I thought you said six. It isn't even four yet.' 'Change of plan, I guess.' She touched his chest. 'Don't forget these. I'll go brush my hair.' She left him to fasten his shirt buttons. When she returned from her bedroom she found her mother standing at the top of the stairs, blocking the way. She looked formidable. A guardian of the gate. 'Mom?' 'I've asked Noel to go home.' 'You've done what?' Robyn shook her head, bewildered. 'Why on earth have you—' 'Robyn... _Robyn_. Hear me out. _Please_.' Standing there in her business suit, she wore the grimmest of expressions. 'But why send Noel home? What must he be thinking? I'm nineteen, I—' 'Robyn, Emerson's downstairs in the lounge. He has to make some telephone calls... a lot.' She managed to make 'a lot' sound so ominous that Robyn's words dried. 'You're right, Robyn. You're nineteen. You're not a child, so I'll tell you how we stand. The shareholders voted for Emerson's company to merge with JLZ.' 'That's what he wanted, isn't it?' 'Yes.' Her mother's eyes glittered. 'But they're ungrateful sons of bitches, Robyn. They also passed a vote of no confidence in Emerson. He's had to resign from the board.' 'They can't do that, surely.' 'They can. The shareholders own a majority of Emerson Holdings' shares.' Robyn's stomach muscles twitched. The spasms were returning. When her mother stopped speaking, Robyn whispered, 'He's going to be all right, isn't he?' 'We'll survive.' 'They'll have to buy out his interest in the company, won't they?' Her mother took a steadying breath, so she could regain that glacial composure of old. 'Everything's in hock to the bank. He doesn't have one red cent that he can call his own.' Pale faced she let her eyes rove back down the stairs, taking in the walls and expensive rugs. 'Last year, Emerson's company went through a bad patch. I mortgaged the house to get him on his feet again.' She turned round and walked swiftly downstairs with the words, 'Don't get sentimental about this place, Robyn. It belongs to the bank now.' The muscles jerked so painfully in Robyn's stomach it came like a blow. She turned away so her mother didn't notice. The pain doubled her. Unable to straighten, she somehow managed to reach her bedroom where she folded in on herself, lying down on the floor, her knees up to her chest. Spasms tore through her body as if the muscles fought one another, trying to tear themselves free. The pain came with such a flaming intensity she couldn't think coherently. When the pain subsided at last, the one word that formed clearly in her mind was: homeless. Insanely, the second the word _homeless_ formed in her mind, her stomach muscles fluttered again, threatening to spasm with that searing flash of agony. At that moment she knew a profound change had taken place inside of her. But what change? _Why do I feel as if I've lost control of my body_? In the distance she could hear Emerson shouting into the telephone. In another room her mother was weeping. # Chapter 5 ## _One_ _Unless you plan suicide, or you've been nailed with a date for execution, you rarely know when tragedy is going to strike in your life. Tonight's finger of fate is going to point at these two teenagers. They're walking toward the haunted-looking structure known as the Luxo_ r.... 'You're kidding me.' 'No, I'm not.' 'You gotta be.' 'Have you seen the prices those old posters are fetching on e-bay?' 'But in there? At this time of night? You don't know who's lurking—' 'It's deserted, Kay.' 'Yeah, apart from the psycho with the butcher knife.' 'Here's the flashlight. Wait...' He caught her by the wrist. 'Don't switch on here.' He grinned in the gloom. 'Wait until we're inside. OK?' 'Or the cops will see us? Right.' Uneasily she looked up at the mock-Egyptian tomb-maybe-temple façade of the Luxor. 'Knowing my luck I'll be going home in a cop car – or a casket.' He wasn't listening. 'Come on, there'll be a way in somewhere.' Kay followed. Despite her initial aversion to Leon's plan, a growing excitement tickled her veins. She'd been a tomboy as a kid. She loved these wacky stunts. Sneaking into orchards to steal apples or even petty shoplifting in her local supermarket. It had only been items like candy or products she didn't even want or need: oven cleaner or dental floss. The buzz was the thing. _The buzz_. A blast of adrenalin that filled her with electricity that made her feel alive. The other great love of her life when she was twelve was to run with a gang of boys to the railway track and leap on to the coal trucks as they rumbled toward one of the power plants. They'd ride them for a mile until the train hauled by an aggregate yard. There, they'd jump from the train on to mounds of bright yellow builders' sand. All the time yelling, laughing, waving their arms, screaming 'SHIII-IIIT!' at the tops of their voices. Then came the added rush of being chased out the yard by the security guard who only had three speeds – tortoise, slow, and waddle. Jeepers-creepers! He had man-tits that jiggled like a hooker's when he moved. Now five years on and aged seventeen the old magic returned. That old Buzz. 'Hey, slowdown, Kay.' 'What's the matter?' 'We're supposed to be doing this quietly. You know? Surreptitiously?' 'Come on, Leon. No one can see us here. This place hasn't been open in years.' 'Well, take it nice and easy, girl, OK? If I get in any more shit my probation officer's going to quit saving my ass.' 'Leon, you won't get jail for this. It's only a few posters.' 'Right.' He grinned again, and brushed a curl of hair from her cheek. A friendly gesture of affection. 'But take it easy. There might be broken glass and stuff.' Kay found herself smiling one of those aren't-I-pretty kind of smiles that she hated to see on a girl when they were going all drippy-luvvy-duvvy. 'Aw, come on, Leon. Let's find those posters.' They walked along the Luxor, keeping close to the wall. With the time creeping toward midnight they moved in all but total darkness. Kay felt the crap of ten years' neglect shift and crackle beneath her feet. Broken bottles. Cans. Fast food clams. Discarded tyres. A child's buggy even sat outside the fire-exit. For one queasy moment Kay thought a baby sat in the a buggy but it was only a nude plastic doll minus a head. 'Charming place,' Leon whispered. 'Yeah, reminds me of home.' 'Waity, waity, girl. This looks like it.' He'd noticed a loose board over the door. The panel beneath had been kicked through. 'Looks like someone's already been inside.' 'They might have taken the posters.' 'Nah, they'd have been looking for lead piping or brass fittings.' He grinned. Kay noticed for the first time what a beautiful white his teeth were. 'They won't have been interested in posters. They'd have been a pile of crap to them. Grab this. I'll go first.' He handed her his flashlight as he went down on all fours to crawl into the shadowed interior of the Luxor. With a tingle down her spine she saw how rounded his buttocks were, while the muscled thighs made her knees begin to twitch. Stop it, you idiot, she scolded herself. This is Leon. You've hung out with him since you were ten. The strongest emotion you ever felt over him was when he threw a Star Wars action figure at you and cut your lip. You kicked him between the legs so hard he'd had to sit on his rear for a full ten minutes, nursing his bruised nuts with both hands. Of course, they'd only been eleven years old then. They were still out enjoying adventures together. Even though they'd hit seventeen. This time Leon suggested they visit the old Luxor where his ma used to work as a waitress twenty years ago. He'd been trawling through the auction pages on e-bay and found that collectors were paying hard cash (and plenty of it) for old pop and rock memorabilia. High on the list of collectibles were concert posters. A dog-eared Talking Head poster from 1977 fetched twelve hundred bucks, while an early REM poster signed by the band brought some lucky owner more than five thousand. And if you had a poster of a pre-army Elvis, or pre-Yoko Beatles, then you had the price of a new car. Leon's idea was simple. Get into the Luxor. Get some posters. Auction them on e-bay. 'You've gotta believe it, Kay,' he'd told her. 'There's gotta be posters in there. We'll be banking thousands, just you wait and see.' So she went along with it. They'd ridden out here in Leon's decrepit Honda with a pair of flashlights and high hopes. Only now she found herself taking a weird turn. She couldn't stop gazing at Leon. She found herself scanning his face as if she half-expected to find something hidden there. And she kept finding reasons to touch him. Whether to make a joke so she could pat his muscular arm, or playfully jab him in the stomach with her fist. He took it in good part just like when they were kids, laughing and dancing round her. But the reasons why she patted him or play punched him were... well, they were different now. She tingled in his presence. She couldn't stop touching her hair, fluffing it, pushing it back, stroking strands down over her shoulder. 'Whoa. Kay. You going to stand there all night?' 'Uh?' 'Flashlight. It's black as midnight in here.' 'Sorry.' She handed him the flashlight, heard a click and saw the wash of radiance illuminate a red painted concrete floor. 'Pass me your flashlight through first. Take it easy coming through, there's some tacks jutting out the doorframe. There's no broken glass or nothing. You'll be OK.' She crawled through then held up her hand for him to help her up. She wanted to feel that big strong hand round hers. He misinterpreted. Instead, he gave her a flashlight. 'There's no windows here, so no one's gonna see lights from the road. Come to that' – he flashed her a beautiful neon-bright grin again – 'we could scream our heads off and no one would hear.' 'That doesn't fill me with confidence Leon.' Her voice fell to a whisper. 'What if there's a bunch of crack addicts in here?' 'Yeah, they're having a violent offenders convention, can't you hear the music and happy laughter?' 'Hardy ha-ha, Leon you big dope.' Kay wanted him to walk with his arm protectively round her, only he'd laugh like a loon if she even suggested it. She could even imagine his incredulous, 'You gone crazy, girl?' Then booming laugh. ''Cos you walk, talk and look crazy!' Instead he scanned the walls looking for posters, no doubt hoping to see them covering the building like wallpaper. Here, there was zilch. They'd come in via a door that had _Artistes Entrance_ painted next to it. Here there were signs saying _This Way_ and _No Admittance_ and _Security_ and _Janitor_ : that's all. There were also wall brackets where fire extinguishers had once hung. But no posters blazing out Tonite! One Nite Only! Buddy Holly and the Crickets. Not even one lonesome flyer for Barry Manilow. Sweeping the lights through the darkened building, they ventured deeper. Kay glimpsed doors leading to artists' dressing-rooms. She marvelled how clean the place was after all these years of abandonment. The drab green walls were unmarked. No graffiti. No sign of drunks appropriating the joint as a shelter. No urine splash marks on walls. No spiders' webs. No junk strewn on the concrete floor. Eager now, they surged down the tunnel-like corridor that (according to signs) connected with the backstage area. The place had only been stripped clean of furniture, not trashed. The air didn't even smell stale. It was as if a through draught continually refreshed the atmosphere of the Luxor. Kay's heart beat faster. This place excited her. She felt the old Buzz come back to tingle through her blood to her fingertips. It was especially exciting to be here alone with Leon. His athletic body loped along the corridor with the grace of a panther. The shadow he cast revealed itself as a giant form that ran alongside him. She followed him through a wide pair of doors into the backstage area, then on to the stage itself. The boards creaked with mousy squeaks beneath her feet. She was treading in the footsteps of musical giants. In the middle of the stage stood a simple wooden table, perhaps from one of the back offices. Someone had brought it so far then couldn't be bothered to heft the thing any further. 'Wow, what a place,' Leon breathed, while shining the flashlight round the cavernous interior of the auditorium. Kay shone her flashlight on to the dance floor. In the darkness it appeared as a vast plain stretching far away to entrance doors that must lead to the box office and lobby beyond. The dance floor itself was featureless save for a single armchair dead centre. She held the light on it for a moment. It was a comfortable club armchair; the kind you might have in an ordinary domestic living-room. Why someone had gone to the trouble to position it there, facing the stage, as if ready for some phantom show to start God alone knew. Leon whistled. 'Some place. I wonder why they don't reopen? It would make a great club.' 'Too far from town.' Her voice sounded small in the vastness. 'There's nothing here. All the factories have closed down.' 'You stay here. I'll check the lobby. If there's any posters they'll be there.' 'Leon....' She wanted to add, _Don't leave me alone here_. But that would have sounded girly. Instead, she added, 'If you need a hand give me a shout.' Still running, he turned back. 'Sure.' A second later he vanished through the doors. There was no glass in them so she couldn't even see the flashlight anymore. Come to that, she couldn't hear his footsteps. The doors are soundproofed, she reassured herself. They'd have to be to stop the people in the box office being deafened by the music that once rocked these walls all those years ago. Now there was no deafening guitar riffs; no bass; no drums to pound the air. A silence settled of the kind she'd never experienced before. All her life she'd lived in the shadow of an over-pass that carried an eight-lane highway. Motor noise had seeped into the very molecules of her body. Now this kind of silence.... Whoooo... this was something else. Sweeping the beam searchlight-style she scanned the void above her head, picking out the lighting gantry, and even the twinkling remnants of foil Christmas decorations from decades ago. In her imagination she could conjure the ghosts of men and women dancing out there on the floor. They danced round that solitary armchair to a fusion of funk, jazz, blues, soul, Motown, psychedelic free form, grunge, speed metal. She smiled to herself. How easy the images came to mind This was the place to daydream, she told herself. A cool draught came from somewhere... that's strange, really, as outside the Chicago night air was unseasonably warm, blowing from the cornfields of the south not the Great Lakes to the north. This cool, refreshing current of air carried the scent of lush grass, woodland and the tang of fast-flowing rivers. The music she'd imagined receded into silence. Now she stood by the table on stage and sensed the weight of the Luxor's years pressing down on her. Shadows slid with all the relentless advance of floodwaters. Two minutes ago her flashlight could penetrate every corner to fill them with dazzling radiance. Now the bulb had weakened. The light yellowed. Shadows ran fearlessly from the walls. When she shone the light above her head it could no longer reach the ceiling. Instead she might as well have been trying to shine a light on the dark side of the moon. Above her lay a black void. In that darkness she sensed movement. She detected a whispery rustle. Bat wings? Kay hated bats. She remembered when she used to take a shortcut through a cemetery at night to reach the 7-Eleven the bats used to flit amongst the graveyard. Little scraps of darkness. Like the souls of dead children trying desperately to find a way home. They'd dart in at her face to within inches. So close their slipstream felt like cold breath in her face. Now they were here in the building with her. Circling somewhere just beyond the light. Her heart beat harder. Blood pulsed in her neck. She became exquisitely conscious of the tides of red flowing through her body. Where was Leon? What had happened to him? She recalled his joke about a psychopath lying in wait here. She shuddered. Points of moisture formed on her upper lip. _Oh God. I want out of here._ ## _Two_ Darkness reached out to her. She felt it breathing down her neck. Why did Leon leave me alone? Perhaps he's returned to the car for a joke? Maybe sitting there chuckling, waiting for me to run screaming from the building. Maybe he'd gottern bored and driven home. That's a long walk for a girl. All alone. A lot of hungry predators out there. Not hungry for food but another kind of nourishment a girl could offer. Kay's breasts goosed over, pushing the nipples against the fabric of her T-shirt. She crossed one forearm protectively across her chest so her right hand rested on her left shoulder. Oh God! There is someone in here. I can hear them. They're watching me. Suddenly she saw herself. A slender girl standing on the stage, glancing with frightened eyes at every creak and rustle. Imagining them to be footsteps... or the sound of a knife blade slipping from a sheath. Now she knew someone would speak to her. Only too well she knew what the gloating voice would demand. Maybe a door would bang open and Leon's head would come tumbling across the dance floor toward her, spitting blood, trailing strands of glistening muscle. The door to the foyer banged. A rolling shape bounced through. 'Kay!' She screamed. 'Kay? What are you playing at?' 'Idiot!' She sighed deeply; her knees weakened so much she had to lean back against the table. 'You frightened me, Leon! Don't you ever—' 'Hey, Kay. I damn well got it.' 'A poster?' 'A beautiful one.' He brandished a cardboard cylinder like a sword over his head. 'I had to go through about ninety of these tube things in a storeroom back there. They were all empty except this one.' Infected by his excitement she forgot to be angry with him. His return had dispelled the mind ghosts. 'Who is it?' 'Flaming Torch. There's even the year they played. 1990.' 'Cool.' 'I'll say, girl.' He vaulted up on to the stage. 'Soon as I get home I'll run it through the scanner, slam it up on e-bay, then watch them bids roll in. It's got to be worth a hundred bucks at least.' He flashed the neon grin at her. 'I'll cut you in. Fifty-fifty.' 'No.' 'No?' 'No.' She sensed a weird expression on her face. One she'd never worn before. It was a smile. Only a different kind of smile. Not the tomboy grin. 'Leon, I want you.' 'Kay?' She pounced. For a second he froze solid in total surprise. Her mouth went to his as if she'd been born to it. Simultaneously, her hands snaked round his back to hug him close. His chest crushed against her breasts. Inside of her everything exploded. Lights detonated. Flames ignited. Her skin burned like it was on fire. She kissed him with such ferocity he staggered back against the table. He's going to push me back. He's going to hate this. He'll have nothing to do with me ever again. The cold blue fear of rejection appalled Kay. Even imagining the rejection plunged her into bleak despair. But even as she thought of fleeing she felt his arms envelop her. His muscular lips worked against hers. His tongue filled her mouth. She couldn't breathe, his grip felt it would break her back. But, oh God, she loved it. She freed his T-shirt from his jeans so she could rub his back. 'Please, yes please. Please...' she panted. In seconds he peeled her out of her clothes, picked her up and sat her on the table. Her mind whirled. She'd never had sex before. She'd allowed some fun groping by boys in cars and in alleyways but always slapped their hands away with a joke, telling them it wasn't serious; that they shouldn't get too intense. But for the first time _ever_ she longed to feel a man inside her. With a furious energy she dragged open his jeans so she could grip his penis with her hand. Already it had hardened like steel. A pulse beat inside of it. Her fingers searched its contours, ridges, the round, bulbous head. Leon panted; groans and gasps of surprise spurted through his lips. He was on the crazy passion ride, too. 'Leon, this is what I want. Believe me. Don't worry, don't worry. This is what I want. What I – _ohhh_!' Somehow she thought the moment was still an impossible distance away. That a long process would lead to him eventually bringing the penis tip to the outside of her vagina. But with the rapidity of a lightning flash, he'd slipped inside her. Eyes wide, gasping, heart thumping against her ribs, she gaped in surprise at Leon's face as he pressed his lips together in concentration. His cock slid deep inside of her. She could have believed that bulbous head would bump against her thumping heart. Her first time. Jeez! She'd always worried about it hurting. Leon filled her like he would burst her. Only there was no hurt. Her vagina didn't sting. There was no sense of skin tearing. There was only a blissful sense of melting release. As if this should have happened long ago. Now it _had_ happened. Fantastically, Leon's cock was inside her. His pelvis rotated against her pubic hair. A machine-like rhythm that stirred her nerves and shook her bones. This was the most wonderful thing that had happened to her. This opened a doorway to her soul. Breathing deeply, she closed her eyes to savour that sensation of another being merging with her. The intimacy was breathtaking. As he quickened the rhythm, she opened her eyes to gaze above Leon's glistening forehead. The flashlights illuminated the lighting gantry above the stage. There, a stranger stared down. As he leaned forward to see closer Kay saw the state of his face. Her speechless surprise turned to pure shock. Then she screamed. ## _Three_ Kay ran still tugging up her jeans. Behind her, Leon managed to fasten his belt while carrying both flashlights; they lit the corridor with light beams that skittered crazily along the walls, ceiling, floor. In ten seconds, Kay had reached the door at the back of the building to slip through the gap beneath the panel. She felt a tack snag a triangular rent in the denim. She didn't care. She wanted out of the Luxor. She _needed_ out. All too clearly she remembered the face that stared down as they made love on the table. The head was shockingly misshapen. Its eyes bulged like two pulpy balls from the head, while the mouth seemed to be formed from flaps of red skin, arranged like the petals of a rose. The figure had leaned forward resting its belly against the lighting gantry guard rail, its two arms resting on the horizontal bar; only the arms were impossibly long. They were thin as rods and appeared to taper into points rather than terminate in hands. Those monstrous eyes had looked deep into hers as if it recognized her. Dear God.... Kay brushed the knees of her jeans with hands that fluttered like wings. She was shaking all over. Great juddering tremors ran down her back. Leon scrambled through. 'Kay?' And was it wearing clothes? She remembered a lot of dark-grey skin that glistened like the underbelly of a slug. A suggestion of mucus oozing through pores the size of wormholes. But clothes? Yes, there'd been dark clothes, only so worn they hung in fraying loops like bandages.... 'Kay?' ... something like a loosely wrapped Egyptian mummy. And those eyes that bulged from the face. Tumor eyes, she thought, sick to her stomach. Tumor eyes that each held a fierce black pupil that— ' _Kay. Come on, snap out of it_.' She blinked. Leon stood with his hand on her shoulder, gently shaking her, his face was so full of gentle concern for her that it made her give a gulping sob. 'Hey, don't worry, girl,' he whispered. 'We're fine now.' 'Leon.' A tremor in her voice yielded words in a stutter. 'D-did you see w-what was in there? Oh, Christ, did you see its face!' 'Yeah, some guy who jerks off while watching couples make out... the freak.' 'Freak?' She shook her head trying to figure out what she'd seen on the gantry. 'Leon, _it wasn't human._ ' 'Hey, come on, Kay.' He hugged her. 'It was just a weirdo in a mask. He was trying to put a scare on you.' 'No.... You didn't see him properly. His face was all—' 'Shh... hey. It was just some jerk. Forget it.' He held her, making gentle cooing noises. Then he kissed her forehead. 'Take the keys and lock yourself in the car.' 'What for?' Then she realized. 'No, Leon; no way.' 'I left the poster behind on the stage, didn't I?' 'Leon, don't go back in there, please.' 'I'll be thirty seconds.' 'Leon, that thing was... if you'd seen it, you wouldn't go anywhere near it.' 'If I see him I'll stuff that mask so far up his ass he'll choke on it.' 'Leon, don't.' She grabbed his T-shirt to stop him. 'Come back to the car!' 'Thirty seconds. Tops.' 'Forget the poster.' 'But that's throwing away good money, girl. And who was kick-boxing champion in the county league?' 'Please—' 'Here, take the flashlight.' He grinned. 'Start counting. Bet you a steak and shake I'm back at the car with that poster before you reach thirty.' 'I'm staying here then,' she said, defiant. 'I'm not waiting in the car.' 'OK. Start the count.' It was an old game they'd played since junior high. They'd time each other climbing trees or racing through the old service duct that ran in complete darkness under the tumbledown power plant near home. They'd synchronize the pace of the count to make it fair, so one wouldn't count faster than the other. Leon started as he hunkered down to climb through the busted door panel again. 'One... two... three... four... count with me, girl. Five... six....' She forced a smile to hide her fear. 'Seven... eight... nine....' Counting under his breath, he climbed through on all fours into the Luxor. Keeping a safe five-yard distance from the door, she crouched to watch him go, her light revealing his muscular legs as he stood up and loped away along the corridor. Within seconds he'd vanished. She shuddered. What if Leon came face to face with the figure with those pulpy eyes? Hell, girl, Leon's a kick-boxer; he can take care of himself. But what if.... She counted louder to stop herself thinking about what might throw itself on him in the dark. 'Fifteen... sixteen... seventeen....' The man – if he really was a man – might have a knife? My God, if he's gotta gun.... Crushing down images of Leon falling in a hail of bullets, she counted, 'Eighteen... nineteen....' ## _Four_ 'Twenty... twenty-one... twenty-two...' Leon murmured, as he loped along the corridor. The flashlight blasted shadows away to reveal closed doors to dressing-rooms, stock rooms and an assortment of back offices of the dance hall. If that freak showed his face then Leon would do more than kick fucking ass. He'd break the guy's arms. Leon had been on the brink of shooting his load into Kay when the pervert showed himself 'Twenty-three... twenty-four....' Still, there was the car. He knew quiet places where he and Kay could finish what they started. 'Twenty-five....' Lord, she was hot. Beautiful breasts. Small, but peach-firm. 'Twenty-six....' He jogged through the backstage area. Here, the ceiling hovered high above his head, while hangings that were thirty feet long hung down over the walls. 'Twenty-seven... twenty-eight....' He paused before he entered the stage. A cool breeze blew. Suddenly the hot midnight air had been replaced by air that was damp and smelt of woodland in late fall. Mushroom smells; the tang of fallen leaves. That sharp scent of dew formed by melting frost. Mystified, Leon shook his head but didn't miss a beat on the count. 'Twenty-nine. Thirty.' Maybe the freak had left by another exit, leaving the door open to admit a breeze from the river. He knew it was close by. That might be the source of this chilling draught and woodland odours. On the stage boards by the table lay the card tube that contained the poster. Great, the freako hadn't touched it. What's more, the guy must be long gone. There was no sign of him. Leon couldn't hear anything above the sound of his own steady breathing. Pleased that he'd regained his prize, Leon crossed to the table where just moments before he'd been making out with Kay. 'Thirty-one.' He smiled to himself. OK. So he owed Kay a steak and shake. He'd not make it back inside the count of thirty. Not that he minded. More than ever he wanted to spend time with her... sheesh, and what times they could spend. He could still feel the tingle of her lips on his. ## _Five_ 'Thirty-one... you owe me dinner, Leon.' Her eyes were fixed on the door with the busted panel as she spoke. 'Thirty-two.' He promised he'd be back by the time I counted to thirty. You're slowing down, Leon. 'Thirty-three.' You're turning from a hare into a tortoise. She kept the joky thoughts running through her head to keep the other thoughts at bay. That Leon might be in trouble in there. He might have fallen? Or that thing with the devastated face had.... 'Thirty-four, thirty-five, thirty-six.' She was counting faster now, almost in the hope it would make Leon's return be all the speedier. A clatter followed by a bang made her squeal. Gunshots? No, she steadied her breath. The plywood that had been used to board the door had simply slipped back down to cover the hole, that's all. She took a deep, steadying breath, but her heart thumped painfully against her ribs. 'Thirty-seven....' ## _Six_ 'Thirty-eight.' Leon reached down to grab the tube with that all-too valuable poster. Hmm... he could almost smell the money. He paused. Shit. What's that? The floor looked different. Maybe an effect of the flashlight, only it looked as if there were fallen leaves scattered across the stage. What's more, just a stride or two from the card tube there was a branch. He shone the light full on the hunk of wood. It was covered in moss. A bright green frog sat in the branch's fork, watching him with bulbous black eyes. Hell, what kind of trick was that freak playing here? The cold breeze that surged over him chilled his blood. Straightening sharply, he looked up. A sudden understanding that he was no longer alone crackled through his nerves. _That guy's back_.... But it was no single individual. A dozen figures stood in a line in front of him. When he saw their faces he cried out in shock and disbelief. When they lunged forward and brutally hauled him into the shadows that's when Leon began to scream. ## _Seven_ 'Seventy-six. Seventy-seven... seventy-eight....' He's not coming back... something's happened to Leon. Kay's heart beat hard. She couldn't take her eyes from the board that covered the entranceway to the Luxor. She'd anticipated that any second she'd see it slide back and there would be Leon. There'd be a huge grin slapped across his face and he'd crack a joke about her being fraidy cat. But he's not coming back. He's never gonna come out of there. She'd counted in a whisper listening hard, trying to catch some sound of him from the ghostly building... nothing. The place had swallowed him down into its guts. _He's not coming back_... _he's not coming back_.... Now, Kay counted slowly. 'Seventy-nine... eighty... eighty-one....' if she didn't rack up the number so fast then it might not seem so bad. 'Eighty-two....' She thought: Don't be stupid. Counting slow or counting fast isn't going to make a shred of difference to how quickly Leon comes back. Go in there. Find him! Gripping the flashlight tight in her right fist, with the light blazing hard and bright on the lose hunk of hardboard, she lunged at it with desperate energy. She had to find him. He might be lying hurt. He'd need her to be brave now. Gripping the splintered edge of the board, she swung it aside and shone the light inside. A face lunged forward, framed by the hole in the panel. Two monstrous eyes stared at her. She recoiled, screaming at the misshapen head. Veins stood proud of the skin at its temples. Hair stood in short dark spines, more like thorns than real hair. The mouth pulsed – a sight that sickened her: it looked like a red rose that had been dipped in mucous. Silver strands of goo dripped down to the ground. Eyes blazed as the head lunged forward, pushing itself through the hole toward her, at the same time, a savage hiss escaped from the pulsating mouth. Screaming, she flung the flashlight. It missed the monster's face and smashed against the wall, killing the light and scattering plastic shards and batteries on to the ground. The world blurred as she ran through near darkness. Ahead, sat the car alone in the lot. Beyond that were distant streetlights and diamond glitter of skyscrapers downtown. Something coiled round her bare wrist. For a second she thought a hand had grabbed her, but she saw it was long and wet and grey and tapered to a point. Something like an impossibly long cow's tongue or... she fought to identify the glittering limb... or a tentacle. Screaming, she jerked her hand free. Then she ran harder, her feet sounding like pistol shots as they slammed against the black-top. Any moment she expected that grey glistening thing to loop around her throat. Without stopping, she fumbled the keys that Leon gave her from her pocket. Keyed the button to unlock the doors. Work... work! Please work! Lights flashed. A mechanism clicked. Unlocked, thank God. Without looking back, she flung open the door, rammed herself into the driver's seat, winding herself on the steering column; she started the engine. Within seconds she was fishtailing that Honda across the car lot toward the exit. When her eyes were repeatedly drawn to the rear view mirror to see if that thing followed, she slashed the mirror from the windshield with her fist. Dear God, I don't want to ever see that face again. Her stomach churned at the thought of those eyes looking at her. Huge, glass ball eyes. They were so knowing. They recognized something in her face. Kay barrelled on to the highway, floored the pedal, pointed the car's nose in the direction of home. When at last she pulled up outside the apartment not only was she trembling and breathless she realized she was still playing their old counting game. 'Four hundred and five, four hundred and six.' She wanted to stop counting but couldn't. What's more, she knew right then that she'd be counting a long time before she accepted the one true fact: Leon was never coming back. # Chapter 6 ## _One_ Sunday couldn't have been much gloomier if there'd been a death in the house. Robyn took her book to read out on the patio because she couldn't fail to hear Emerson's endless telephone calls to former associates. 'You heard what the bastards plan to do to my company?' Emerson's voice rumbled from his den like thunder. 'They're asset stripping the fucking factory then moving the whole operation to Mexico where they'll hire kids your daughter's age to pump molten plastic into the moulds. They don't know what they're doing... if the inside of the mould is wet they'll explode and rip the kids' heads off. The fucking shareholders haven't a clue....' Robyn tried to return to the book. Reading was the only thing that distracted her from a whole swarm of worries. On top of her mother's husband being sacked from his own company and the bank foreclosing on the house (Robyn couldn't think of him as 'Dad' or even 'Stepdad') her body was still behaving so weirdly. Her stomach fluttered like there were butterflies trapped inside. While at night she flooded the pillow with perspiration; what's more, she had such weird dreams about people with deformed faces. And she worried about Noel. What made him so physically repulsive to her now? She loved him. She truly did. But on Saturday when he came close to making love to her she'd wanted to puke. Now she tried to lose herself in this novel. It would give her a break from all this chaos erupting in her life. Only it wasn't going to be so easy. 'Robyn?' Her mother sashayed out of the house in a black and gold silk kimono. She wore a kind of gypsy scarf on her head that Robyn always thought peculiar in the least but Emerson liked it. Nuff said. 'Lovely morning. I can't remember the last time it was as warm as this in April. Good book?' 'Hmm.' This kind of opening gambit of her mother's always tweaked the suspicion chain in Robyn's head. 'Are you and Emerson still going to dinner at the Braithwaites' tonight.' 'That pair? I wouldn't go there if you paid me. They held a ten per cent share in the company. They couldn't vote Emerson off the board fast enough. They're nothing less than traitors.' The colour rose in her mother's cheeks. She took a steadying breath. 'Emerson's determined not to be beaten. He went to see one of his old friends. He owns a truck repair shop over in Goodison Avenue.' 'Oh?' Robyn wondered why she was being told Emerson's plans in such detail. 'Well, it seems this friend of Emerson's has a workshop he doesn't use and he's prepared to rent it to Emerson for two hundred a week.' 'What does Emerson want a truck repair shop for?' 'Ah, that's the clever part. It's big enough to house the plastic injection moulding unit Emerson used in his factory.' Robyn shook her head puzzled. 'But I thought the manufacturing equipment was the property of Emerson Holdings, and that's now owned by the shareholders?' 'Emerson's going to start over. Buy new machines. He calculated he only needs a workforce of ten to get up and running again. It'll mean that he has to handle some of the driving jobs as well as managerial responsibility, and I'm going to help out in admin, so we can—' 'But Emerson doesn't have any money, does he? You had to remortgage the house to bail him out last year.' 'Not bail him out, dear.' Her mother looked hurt by the implication. 'He had cashflow problems caused by his distributor going into liquidation. All that stock of his was tied up in their warehouse.' 'You think a bank will give him credit?' 'No, that's out of the question unfortunately.' She looked Robyn in the eye, then her gaze slid away as she wrestled with some difficult line of conversation. 'Robyn, Emerson needs to regain control of his life again. It's more than losing his business; it's as if he's lost a limb.' 'I'm sorry, Mom. I hope he gets back on his feet again. Only I—' 'Your father left you a trust fund, Robyn.' 'I know. But what's that got to do with Emerson starting a new company?' 'Oh, Robyn, do I have to spell it out?' 'Mom, I'm nineteen. I don't have access to the trust until I reach twenty-one.' 'I've been reading the terms of the trust. It stipulates if there's a financial crisis you can apply to dissolve the trust and liquidate the bonds.' Robyn stared. 'Mom, that's the money that Dad left for me.' 'Emerson and I have run the trust figures. Its value stands at just over one hundred thousand dollars. Emerson calculates he can get a new factory up and running for sixty-five thousand.' Robyn rose to her feet. Her stomach spasmed hard enough for her to totter. Whatever was happening to her body was frightening her more than she dare put into words. Now this. 'No, Mom. Dad put that money in trust for me.' 'Emerson will make you a shareholder. He'll see that—' 'No, no – no! I'm not giving him Dad's money!' Gripping the book so hard her knuckles turned white, Robyn walked back to the house. ## _Two_ That Sunday morning, Benedict West planned to take a drive along the shores of Lake Michigan to a beach of pure white sand. With a warm breeze rolling up from the south it would be a pleasant foretaste of summer. He'd pulled his sandals from the back of the closet where they'd hibernated for the winter, then changed his sweater for a Hawaiian shirt blazing with impossible sunsets that looked more like the product of a delirious acid trip rather than calculated fabric design. I need this, he told himself. A few hours' break on a beach, soaking some sun, getting sand between my toes. Breathing that zinging fresh air. I can enjoy lunch at a diner. Crisp salad with salmon steaks. Just the thought of it made his stomach rumble hungrily. First – suncream. He'd fair skin and those first hot days of spring would charbroil his nose if he didn't slap on a palmful of Factor 20. He remembered that there'd still be a tube of cream in his suitcase. And that would be... where? He thought for a moment. Yep, in the spare room, under the guest bed. Whistling, he went into the room he used as a general dump stroke guestroom. He flicked open the blind admitting a dazzling blast of that unseasonably intense sunlight, then went on to his hands and knees to drag out the suitcase. As always there was pile of other crud in the way. A block of music zines, tied with hairy string. An electric sandwich toaster. He hated toasted sandwiches. He'd once snapped a tooth on concrete-hard baked crust. But it was a birthday gift from his mother and... yeah, he'd get that old twist of guilt dumping it. 'OK, suitcase,' he muttered into the darkness beneath the bed. 'Where ya hiding?' The thing must have sneaked further under the bed all by itself. 'Now, I've heard of cases on wheels... never one sprouting dinky little legs and scurrying away to hide. Ugh, dust bunnies... lots of dust bunnies.... Benedict, you live like a pig, my man. You should excersise that Hoover more.' He kept up the prattle. It was a deeply entrenched habit after living alone all these years. 'Now, you old suitcase, come to poppa.... Ah, there you are....' He caught sight of the suitcase that must have been pushed right back to the wall. Before he could reach it, he had to slide out a trio of bright blue plastic storage boxes. He'd been feeling upbeat. The warm spring day provided him with a candy coating of optimism. The moment he dragged out the boxes it was as if a dark cloud had suddenly suffocated the sun. A shiver trickled down his spine to coil its cold presence around his intestine. Damn.... I should have avoided these. Through the transparent lid he saw the wad of photographs of Mariah he'd had printed up when she went missing. They say that your first real love always lays claim to a special part of your heart. Seeing her smiling up through the mist of dust on the plastic cover found that hidden corner of his heart and gave it a painful twist. He'd not seen the photograph in months. Her beauty caught him by surprise. Somehow the memory of the way she smiled and the way her blonde hair shone had faded. Benedict raised the lid. There it was. The secret obsession. The obsession that dominated his life. It was the reason why he'd moved here to Chicago from Atlantic City. It was the reason he freelanced from home so he could drop what he was doing the moment the call came. 'The call for what?' The answer crept up on him. The call that tells me what happened to my ex-fiancée Mariah Lee. Yeah, past events were like filthy great nails, fixing him to the cross of love. He shook his head. Melodramatic phrases aside, he knew he couldn't move on in his life or form new permanent relationships until he could answer the one question that obsessed him. ### What happened to Mariah Lee? These boxes contained files, correspondence, computer disks, photographs, videotapes. The result of three years' work when he turned himself into a detective to learn what happened to the love of his life (even though she'd walked out on him: another truth he found hard to face). Really, he could reduce all the known facts relating to her disappearance to a few stark words: On the night of 19th April, ten years ago, Mariah had gone to a concert at the Luxor alone. She'd gone in. He, Benedict West, had secretly watched her from his car pass through the Egyptian-style entrance into the Luxor. Doormen, the girl in the box office, bar staff, even the band's bassist who'd tried to buy her a drink, could testify to that she'd spent the whole evening in the club, sitting alone in the corner as if waiting for someone who had never shown. Then, at the end of the night, she'd never left the building. As simple as that. A great big hole could have opened up on the dance floor and swallowed her into some bottomless abyss. No one saw her leave. Benedict sitting in the car, his eyes locked on the entrance never saw her leave either. Of course, the police assumed she'd done just that. They argued with Benedict that she'd slipped out some back way (maybe with the horny bassist, who seemed a little wacko to them anyway). After all, a search of the building with dogs never revealed a trace of Mariah. Although, one cop later did admit that the dogs went crazy in the building. They threw back their heads and yowled. When they were slipped off their leash with a command to search they'd scuttled outside with their ears flattened to their heads. Then they'd even tried to bite their handler when they were hauled inside again. But that was that. Benedict knew the police believed that Mariah wanted to make a clean break from Benedict by moving to Chicago (their glances at one another suggested they figured Benedict might just be another possessive ex-lover who couldn't take 'It's over' for an answer). What's more Mariah Lee was an adult. There was no sign of a crime being committed. She'd already closed down her bank accounts – and probably opened new ones under a different name – that was the police line anyway. 'So, Benedict, old buddy, it was all down to you.' He'd rented an apartment here and became his own private police force of one. He didn't find a trace of Mariah in all those years of searching. But he found out secrets about the Luxor. What he learned repeatedly drew him back. Hell... if the Luxor was shaped like a cross and he, Benedict West, was nailed to it by the hands and feet, he couldn't be any more closely fixed to it. He pulled out a wad of letters and began to read. At that moment he knew the drive to the lake was on hold. This box of files was pulling him back in time to the years he spent every waking moment searching for Mariah. ## _Three_ 'Robyn?' The voice of her best friend on the telephone rose in surprise. 'Robyn? Haven't you thought of the obvious?' 'I'd planned to make an appointment with my doctor in the morning.' 'First things first,' her friend said. 'Meet me outside the Target in half an hour.' 'The supermarket? Gillian? What on earth for?' 'They have a pharmacy.' ## _Four_ With his father snoring on the sofa and his mother asleep in her room, Ellery Hann moved through the apartment like a ghost. His brother had taken the opportunity of stealing a twenty-dollar bill from the wallet the stranger had returned yesterday. Now big bro had gone bowling with his buddies. If you were interested, you could flip a coin to see if he would be home by midnight or whether they'd get a call from the police. The odds were the same. Ellery's brother had a knack of getting into fights, or being accused of petty theft or criminal damage. Last week it was trashing a payphone with a tyre iron, just for the hell of it. Not that Ellery bothered about the twenty-dollar bill. Ever since he'd started spending time at the Luxor stuff like money and personal possessions became unimportant. He should have learnt the lesson years ago because the times his elder brothers and father took the cash grandparents gave him, or smashed his toys... he shrugged. No, that didn't matter anymore. Silently, he walked into the lounge where his father grunted through forty winks on the sofa. Ellery checked the mirror. He looked at the line of his own delicate jaw then glanced at his father's chunky slab of bone that formed the bottom jaw. His elder brothers could have been delayed clones of the snorting bear of a man, but Ellery looked nothing like him. Ellery's cheekbones were high and moulded silkily fine skin. His father's were buried beneath bulging flesh that was blemished with red veins that looked like pen doodles. The woolly mane of crinkly hair was nothing like Ellery's either. His was pure black, fine and absolutely straight. Ellery's gaze roamed the apartment that his mother had battled to keep clean for so long it had broken her health. Bronchitis and a heart murmur kept her bed-ridden for most of the day. The only time she rose was to cook meals, or tidy at least a little of the mess his father and brothers made. For the last half an hour Ellery had ghosted through the place, silently washing the dishes, straightening curtains, wiping away dust and grease spills on work tops, emptying ashtrays. He'd lived here twelve years. It seemed no more like home now than the day he walked through the door. In elementary, his schoolteacher had asked the class to draw a picture of home. Ellery had turned in a detailed and precocious drawing of a vast structure that lay in ruins beneath clinging shrouds of moss, vines, spindly bamboo canes, and olive trees whose thick limbs were somehow ape-like. Beneath the growth and the decay his pencils had sketched an uncanny trace of domes, towers and a bizarre external staircase that climbed across the face of ancient walls. In Ellery's mind's eye that was the place he saw when he thought the word: HOME. ## _Five_ Robyn stood in Gillian's bathroom staring at her own reflection. Her eyes looked back at her. It's strange, even though you've had the biggest shock of your life and your mind's in turmoil you can look calm. Untroubled even. It was so weird. She should be screaming or beating her head with her hands. But look at that, she thought, not a flicker of emotion. The sound of fingernails clicking on wood reached her. Robyn realized that Gillian had tapped before, trying to attract her attention. 'Come in,' Robyn told her, in a voice that sounded strangely flat to her ears. 'It's not locked.' Gillian slid her head round the edge of the door as if uneasy about walking into the bathroom. 'Everything OK?' 'I guess it must be. At least it explains why I felt so weird.' She forced a smile. 'And it proves I'm not dying.' Then Robyn held up the pen-sized cylinder of plastic from the pregnancy test kit for Gillian to see. Her friend took one look then put her hand to her mouth and cried, ' _Oh my God! I don't believe it_!' # Chapter 7 ## _One_ Robyn Vincent was in no state to take the train home. Instead, Gillian drove her. Robyn knew the question would sound idiotic beyond belief, but she found she had to voice it. 'Pregnant? How on earth can I be pregnant?' Gillian glanced at her but said nothing. The answer was blisteringly obvious. 'I – I know _how_....' Robyn shook her head in disbelief. 'But pregnant! It doesn't make sense.' 'Don't beat yourself up over it, Robyn. These things happen.' 'You don't have to drive so slowly, you know? My condition isn't _that_ delicate?' 'Sorry.' 'This can't have happened. It can't have. You know me, Gillian. I'm so damn careful about everything. I don't cross the road unless I've looked both ways a zillion times.' 'Rubbers?' Robyn shook her head. 'Birth control pill.' 'You might have missed taking one.' 'Aw, please, Gillian, that's the oldest excuse in the book. Sorry, dear, I forgot to swallow the pill one night. I'd have thought anyone with a scrap of sense....' She pushed her knuckle against her lips. She realized she was pouring scorn on herself now, not on some wide-eyed high-school student who insisted she was pregnant because of industrial sabotage in the condom factory, or the birth pill she took must have come from a dud batch. 'Shit, how can I have got in such a mess, Gillian?' Her friend gave her a sympathetic glance. 'You know this is just crazy... absolutely crazy....' Robyn stared out the side window. Suddenly sidewalks seemed to be full of pregnant women or young couples with buggies that contained screaming babies. 'We were careful. I never missed a single pill.' 'I'm sorry, Robyn. You shouldn't be going through this.' 'Sheesh, it all happened so quickly. I only finished my period two weeks ago. Women ovulate fourteen days after that. _I'm_ fourteen days in and I take a pregnancy test and I get a positive result. That's not physically possible, is it?' Gillian could only make a painful hop of her shoulders. 'It's too early to know I'm pregnant. Unless the tester kit was faulty.' Robyn saw a glimmer of hope. 'They're not one hundred per cent accurate, are they?' 'You'd best make an appointment to see your doctor, Robyn.' Ahead lay Robyn's house on a street of mansions with swimming pools. Hell, she couldn't even call this home soon. The bank would repossess within the next few weeks. What then? Raise her child in a two-bed apartment with Mom and Emerson? Good God. What a start in life. She shuddered. The sound of Gillian's car slowing down at the house brought reality kicking its way savagely back. 'I'll have to get it over with and tell Mom, now.' Robyn unbuckled the seatbelt. The fluttering movements sprang up in her stomach again. Jeez, there could have been a bird in there beating its wings like crazy. Another thought struck her. 'And how on earth do I tell Noel?' 'Robyn, its not easy, but my advice is as soon as possible.' 'I don't know how he's going to take it. He's only just started college. He'd even planned to take a year out when he qualified to travel round the world. Now with this....' She rubbed her stomach. 'My God, what's he going to say, Gillian?' Tears welled up in her eyes. Gillian hugged her. 'My sister was a year younger than you when she had Benjamin.' 'Eighteen? She was still a kid herself.' 'She coped... no, more than that, she did great. She's so happy you'd think she'd burst.' Robyn dabbed her eyes. 'OK. Time to face the music.' ## _Two_ At home, Benedict West drew the blinds to shut out the sun. Down in the yard the old man's dog was barking at birds in the sky. Butch did that when he saw the migrating bird flocks in the spring and fall. Maybe Butch had been born with the soul of a bird and wanted to join the flight. Benedict loosened a button on the Hawaiian shirt then poured himself another coffee. With that done, he switched on the Betamax VCR. He'd had to hunt through many a junk shop to find a Betamax machine that still worked. All those years ago after failing to interest the police in making a serious search for Mariah he'd returned to the Luxor, determined to discover the truth himself. By that time the place had closed. The receivers had nailed boards over the doors and windows and erected a sign at the entrance to the parking lot. FOR SALE: REDEVELOPMENT SITE. Nothing short of fury erupted inside of him. He wasn't going to take these kind of setbacks anymore. Not from indifferent cops. Not from a boarded-up building. He'd pried off one of the boards guarding a rear door then kicked through a door panel. They were only ply, so he smashed a large enough hole to crawl through. The place had been stripped bare of fixtures and fittings. But in the lobby he'd found stacks of cartons. Someone had scrawled the word 'trash' on them. In one he found six of the old-style videotapes with typewritten labels glued to them that read _Benjamin Lockram. Volume 1 – A Memoir_ and so on right up to volume seven. Volume five was missing. That's how one Benedict West had turned detective. But how the hell do you start investigating a missing person's case? He didn't know. All he could think of was that the first step would be to take all these cartons home and sift through them for clues. After all, he was convinced of one thing: _Mariah Lee had walked into The Luxor. Mariah Lee had never walked back out_. So, as the hot spring morning became a hotter spring afternoon, with the sounds of Chicago enjoying that first taste of summer, Benedict slotted _Volume 1_ into the hulking case of the ancient Betamax machine with its chromed levers and knobs. Then he sat down to watch Benjamin Lockram, one time manager of the Luxor, give him a guided tour of the building that devoured Mariah Lee. ## _Three_ 'Where's, Mom?' Emerson padded out the house to block her way as Robyn headed to the patio at the rear. Mom all but camped out there with Minute Maids and a stack of novels when the sun shone. 'Never mind your mother, Robyn. We've important matters to discuss.' Sunday. And Emerson stood there in a grey business suit and striped tie. Through the thin hair weave his bald head shone glossy as an egg in the sunlight. Robyn blinked at him. She had the most important news a daughter could share with a mother, and yet Emerson blocked the path that ran through the gap in the hedge. This she didn't need.... God, she had to see her mother now while she had the courage to get the words through her lips. _Mom. I'm pregnant_. Now Emerson stopped her. 'Emerson. I've got to see, Mom. I need to speak with her.' 'Later.' 'No, I need to—' 'Robyn, listen to me. You've lived at my expense for the last three years. I haven't complained. I'm not complaining now.' 'At your expense? _This is my mother's house_.' Her stomach fluttered. Those weird spasms were coming. Jesus, it was like a war being fought in that area between her hips. Do all women get these sensations when they're pregnant? I feel so weird. Light-headed. I need to sit down. But all Emerson did was block her way while jabbering away about family responsibilities. He pointed his finger at her like it was a gun. Jeez, what was wrong with the man? Come to that, what's wrong with me? I feel so hot I could explode. My stomach's really hurting. This wasn't pregnancy, this was torture. 'So, Robyn, what's your answer?' Dear God, _what_ was the question? Robyn's head swirled. The sun blazed into her eyes. At the edge of her vision green streaks flowed by as her eyes blurred. Emerson's face loomed at her, swollen-looking, angry. Even the man's eyes bulged. 'Don't be evasive, Robyn. I've run my own company for twenty years. I know when people are shitting me.' 'I'm not shitting you.' 'Give me an answer then. Will you permit your mother to liquidate your trust fund?' 'That money's mine. Dad left it for me.' 'Robyn, we are going to be homeless. Understand that, you silly, selfish child. For your mother's sake allow me to invest that money for you, so this family can live as it always has done. In comfort... with dignity.' Robyn nearly lost her balance as vertigo took hold. 'No. It's not yours. My father left me that money when—' She didn't get any further. Emerson's full-blooded slap drove her back against the wall of the house. Standing there, gasping, her hand held to her cheek, she stared at Emerson in horror. The look of fury in his eyes told her he was going to strike her again. She even saw him bunch his fists and take a pace forward. Then, at the last moment, he slammed his fist down against the side of his leg and walked back into the house. ## _Four_ ' _My name is Benjamin Isaiah Lockram. I am eighty-four years old. For the last half of a century I have been the owner and manager of The Luxor Dance Hall. Seventy years ago I walked through those doors back there... through the turnstile and on to the dance floor where I'm standing now. That's when the Luxor stole my heart. The look of the building, the sounds, smells, the feel of the place fascinated me. Obsessed me might be a more apt description. It's still got my heart. I'll never leave_....' Sitting alone in the gloomy living-room, Benedict West watched the video. It had been recorded back in 1979 according to the date on the cassette label. He knew it off by heart he'd seen it so many times. Why had the owner of the dance hall gone to the trouble of making the homespun TV documentary? At first Benedict had dismissed it as a hobby thing. A way of passing time on a wet Sunday. Using then what must have been a sparkling new invention. Home video equipment had been in its infancy then. The shot of Lockram standing there on the dance floor sparkled with flashing dots, courtesy of the ancient tape, while the soundtrack had a back fizz of static. Every so often the entire image would take a little walk off screen before bouncing back as the tracking mechanism took control again. Benedict sipped his coffee while watching the Luxor's then owner talk. The old guy wore a sober suit in a dark material with a white shirt and plain blue tie. A sharp dressed man. For an 84-year-old he looked fit, with a wiry frame that crackled with an energy all its own. The body language could have been poached from a younger man, too. When he talked, he moved lightly on his feet, gesturing with his arms. The face was pure give-away though. Deep lines etched the forehead. More lines radiated sunburst patterns from his eyes to a hairline that although hadn't receded had turned pure white. Ohhh, Benedict. Why do you do this to yourself? Switch off. Drive the car. Sit on the shore. Find a diner. Eat lunch.... He always ran through the mantra as soon as he watched Lockram's tapes. He didn't need to do this. Mariah Lee had gone. She wasn't coming back. He'd tried to trace her. Failed. There was no shame in that. He should let go.... But I can't, he told himself grimly. Just like the Luxor claimed the heart of a 14-year-old Benjamin Isaiah Lockram all those years ago it's got its hooks into me. There's something about the place.... Shit. When Lockram held out his hands on the flickering screen and uttered the melodramatic words Benedict found himself mouthing them with him. ' _Behold the Luxor_!' In a few moments Lockram would begin a tour of the Luxor. A detailed tour that took in every passageway, storeroom, closet and office, as well as the dance floor and stage area. He filmed architectural details in close-up. Revealed carpentry techniques. The voice-over also compared the Luxor to the great Chicago dance halls of the Jazz Age. The Paradise. The Aragon. The Trianon. Huge pleasure palaces for working man and woman that could hold 8,000 people. Magnificent buildings that were designed in imitation of Moorish castles with full-sized palm trees in the lobby and maple dance floors that rode on cushions of felt and springs so the clientele would feel as if they literally danced on air. Those were smart places where tuxedoed floorwalkers patrolled to make sure that people didn't dance the forbidden jitterbug, or scandalously dance too close. The Luxor, though splendid in its Egyptian tomb get-up, was smaller, lay further out of town, and was a 'come-let-your-hair-down' kind of place. If you wanted to jitterbug the night away, or dance cheek-to-cheek with the warm flesh of your choice, then, why, you go straight ahead and do it. Almost ten years ago Benedict had watched these videotapes for the first time. What unfolded wasn't an old man's bit of hobby programme making it was something else. The description had eluded Benedict for a few moments as all those years ago he'd sat in this very room watching the screen in a half-doze, not considering it to be of any importance at all. It was only when Lockram, who must have been operating the camera by himself, filmed a sequence of shots in an apartment with a ' _T_ _his is where I live. The apartment lies directly over the lobby and ticket office_....' that Benedict lurched up straight on the sofa. A ghostly sense of premonition warned him he was nearing a significant part of the video. The camera floated through the apartment. A kind of ghostly eye, seeing everything. A sequence of views: the kitchen with brass pans hanging from a rack; the living-room with a big old hunky TV in the corner and a radiogram beside it. Van Gogh prints of cornfields and starry nights on the walls. A hallway. A glimpse of an open bathroom with a shower. Then a shot straight into a wall mirror that proved Lockram operated the camera. His deeply lined face appeared like some ravaged landscape behind the camera. And what a camera? A huge twin-lens monster that trailed cables down to the video tape deck that Lockram carried slung over one shoulder on a strap. The manufacturer must have been straining the world 'portable' to near destruction when they applied it to that fifty pounds of hardware the old man hefted around. As the screen revealed a travelling shot of the hallway toward a half-open door at the end, Lockram spoke the commentary live. Exertion forced him to take deep breaths between sound bites. Respiration came as a whoosh. ' _People tell me_... _that the Luxor is haunted_... _they're afraid to be alone here... after dark.... No.... No_... _there aren't any ghosts here in the Luxor. There is something else though_... _far more powerful_... _far more destructive... infinitely more dangerous than shades of past lives_... _. This TV recording is_... _my testament_... _. Now_... _this is the nursery_....' A shot of a room containing a crib in the corner and a bed in the centre. Toys line a shelf in a neat row. They look as if a child has never played with them. Pristine. Barely touched. ' _This is the bedroom. And this is Mary, my wife_....' That was the moment of revelation for Benedict. There on the bed lay Benjamin Lockram's wife. Benedict had sat up straight, heart thumping, nerves jangling. His eyes widened as the shot went into close-up on her face. When Lockram filmed this the woman was dead. From the appearance of the deeply sunken eyes she'd been dead a while. The videotape ended with a click. Then Benedict had understood. This was Lockram's confession. # Chapter 8 ## _One_ The clock ticked. In a neighbour's yard kids were fooling around with lawn sprinklers. Robyn could hear excited squeals as they ran into the icy spray. She listened for a moment, catching some half-vanished recollection of herself screaming with delight as she squirted a hose at her father. She'd have been five then. By Christmas he and Mom had split. He joined a dental practice way down somewhere in Florida. Within a year he'd wound up dead from an embolism developed after scuba diving. It was only in her mid-teens she'd learned about the trust fund he'd created for her before he died. Maybe she could have talked to him about all the problems she faced now. He'd have been a much-needed confidant. Robyn touched her face where it still burnt from Emerson's slap. Her other hand rested on her stomach that fluttered and twitched. This weekend I've lurched from disaster to disaster, she told herself. Mom dismissed Emerson striking me as hysteria on my part. When she heard about my being pregnant she sniffed as if she'd half anticipated that eventuality all along and merely asked if I was going to keep it. Now I've got to tell Noel. From the roll I've been on this is going to be a disaster, too. Even as Robyn picked up the phone she could imagine Noel telling her they were finished. He was at college. He planned to travel the world. No way was Noel going to be tied to a wife and kid in some two-bit apartment with wall-to-wall rot and roaches. She raised her eyes to the mirror. 'You've got to do it, girl. There's no putting it off any longer.' Thumbing the call button, she heard ringing followed by a click and Noel's voice. 'Noel? There's something I've got to tell you....' ## _Two_ Noel drove. Robyn sat in the passenger seat staring forward as the April sun dipped toward factory smokestacks. 'Robyn,' he said after a long silence. 'You're pregnant. I'm going to stand by you; but you shouldn't—' 'I've made up my mind,' she told him. 'I'm not going back.' 'But you can't just walk out of your home like that.' 'Just try and stop me.' 'I'm not suggesting you stay there forever; take a few days to think it over. It's a big step to—' 'Noel. Listen. Years ago my dad set up a trust fund for me. When I'm twenty-one I can access it, only Mom and Emerson want to crack the trust. When they do, Emerson's gonna blow it all on a stupid business venture.' 'Robyn, he—' 'That guy couldn't make money out of a dog that shits gold.' There was a pause. Then Noel glanced sideward a couple of times at her before asking, 'What happened to your face?' 'Nothing.' 'A red and sore-looking nothing.' 'Sunburn, that's all.' He glanced again. She kept her face turned away unable to meet his gaze. 'Did you fight with your mom?' 'What do you expect? She was shocked to hear she's going to be a grandma.' 'She shouldn't have hit you.' Robyn kept her lips together. Telling Noel what Emerson had done would only complicate things. As it was she found herself on the brink of crying again. Noel had been so sweet when she'd told him that she was pregnant. He hadn't questioned the whys and wherefores. He accepted it as a done deal. He promised to stick by her. That this wouldn't come between them. What had troubled him most was Robyn's decision to leave home there and then. There was no way on God's earth she was going to endure another argument today. So she'd written a note for her mother and left it on the kitchen table. Only it's one thing to walk out of a home, she told herself: it's another thing entirely to find a new one. ## _Three_ After a break for a sandwich and more coffee, Benedict West eased tape number two of Lockram's video testament into the machine. Outside the setting sun cast a blood-red flame against the blinds. Benedict sat on the rug with his back to the wall to watch the TV. This time Lockram stood in the same dark suit in front of the Luxor's art-deco entrance. He'd been explaining how the pillars had been cast from concrete and that while the lotus blossoms had been carved from wood, the pharaoh's faces set above the entrance were plaster casts. Then they'd been painted to resemble a creamy white marble. A wind blew tugging the man's hair into rippling strands of white. Lockram glanced back up to a window set high in the wall above the entrance as if he half expected to see the face of his dead wife peering out. Benedict realized now that the man had set up the camera, left it running, then stepped in front of the lens to address the viewer. It must have cost a lot of sweat to position the camera, adjust focus, then step up to a mark he'd chalked on the floor, so he'd be picture centre. Then on top of that, to talk like a seasoned TV veteran. Benedict listened to what Lockram was saying on screen. ' _Before the Luxor stood here it was the site of a sawmill. Barges brought the logs down on the Flyyte that runs behind the Luxor there. No doubt you can still find timber sawn here in old buildings in Chicago. The sawmill closed in 1914 after its owner died. His house stood right here in what is now the parking lot. There was a local legend that when a person was dying all the crows from miles around would fly in to settle on the roof of the house. Those that couldn't fit on the roof sat in the trees. There, these feathered omens of death, would wait patiently for the man or woman to die. For a long time they wouldn't make a sound, but then as the doomed individual reached their final hours on earth the crows would become restless. They'd make sounds that matched the dying person's respiration. The crows you see were considered to be the Devil's own birds. They were here to catch the person's soul as it fled to Heaven. If they caught it they dragged it away to Hell. Then they'd fly round screaming out all happy and excited that they'd claimed another soul for their master. If somehow the deceased's soul managed to dart between them and escape to Heaven then the crows would sit in the trees around the house in absolute silence. Sulking, I suppose you could say, over their failure_.' Benedict rubbed his tired eyes. 'You should go to a bar,' he told himself. 'Find some company.' He sighed. 'Find a girl.' But no, once he'd started watching Lockram's damn videotapes he'd remain locked in them until he'd devoured every last one. The key to Mariah's disappearance lay hidden in those tapes. He was sure of it. As always he'd scan the line of the tapes on the coffee table. There they all were standing like dwarf tombstones. Volumes one through seven. Number five was missing. With every hour that passed that stifling Sunday afternoon Benedict West grew more certain that the missing tape held that key he was so desperate to find. ## _Four_ 'Robyn, it's going to be dark in an hour.' 'Keep driving. We're bound to find one soon.' 'Round here? There's nothing but wasteland. All these factories are derelict.' 'So? When we find a motel it's going to be a cheap one.' 'Yeah, a motel cheap like the Bates's place.' He gave a grim smile. 'Light, heat, vibrating beds and a knifing in the shower; all inclusive.' 'Pessimist.' She smiled, then laid a hand on his knee. 'Thanks.' 'For what, Robyn?' 'Being so patient... for your forbearance.' She looked at him. 'For not mentioning the word "abortion".' 'I'd never ask that,' Noel said, as they drove between lines of warehouses. 'Never ever. Whatever choice you make I'm going to support you. Remember that.' 'Thanks.' 'Look, Robyn,' he said gently. 'We're not going to find a motel here.' 'Not even the Bates's caring scaring kind?' 'Not even with a mad old mom in the house on the hill.' 'Shoot.' He took a right at random. 'Isn't there a friend who could loan you a bed for a couple of nights?' She shook her head. 'That's one way to kill a friendship, throwing yourself at their mercy.' 'I'm sure they wouldn't see it like that.' Robyn rubbed her stomach. The sensation was so strange. As if there were a nucleus of heat buried deep in there. In her mind's eye she found herself picturing a glowing orb inside her womb. Almost dreamily, she murmured, 'I was certain I'd find somewhere round here. There's got to be a motel or lodging-louse.' 'Lodging-house? Sounds a tad Wild West to me.' 'I could have been certain.' 'You've been here before?' 'No.' Noel shot her a puzzled glance. Robyn knew her conviction sounded bizarre. This was an industrial zone. She'd never visited the place, so why did she believe with such burning intensity that there'd be a place here to call home? Hell, she only had two hundred bucks in her checking account. Even a crumbling motel in downtown psychoville wouldn't come free. She'd have to eat (for two, she added). That couple of hundred would only last a few days. Noel had already offered a little money but being a college student he had next to nothing anyway. Maybe the shock of learning she was pregnant had sent her loopy. When you come to think of it, searching an industrial zone for a locost motel wasn't the act of a sane 19-year-old was it? The next time Noel spoke he clearly knew they needed a change of plan. 'It's a longer drive, but if I headed out by the lake we should be able to find a bed and breakfast. If they didn't charge much I could tell my old man that I need to take a field trip from college. Then he might spring for—' ' _Noel_!' 'What's wrong?' Startled, his eyes jerked down at her stomach as if she were about to give birth right now. 'Pull in there. No! To your left!' 'Robyn, that's not a motel.' 'I know but... shit, Noel, just drive up to the front of it. _Please_!' Even in her excitement she recognized that sideward glance of his at her again. _He's starting to think I'm nuts, too_. Even so, he did as she asked. Heart beating wildly, she leaned forward against the seatbelt to look up at the façade of the building that glowed in the setting sun. 'The Luxor?' Noel read the words blazed in crimson and gold paint above the entrance. 'Jesus H. Who'd stick a dance hall out here in the middle of nowhere?' ' _Noel, I've been here before._ ' Excitement fired electric tremors through her voice. 'Look at those carved heads! They're Egyptian pharaohs.' _Duh_... _You don't say_. If Noel had been thinking it, he didn't say it. Instead: 'When on earth did you visit a place like this? It must have been closed years.' 'I don't know... but I'm sure I've been here before. It must have been when I was very young. Perhaps with Dad.' 'Robyn.' Suddenly Noel sounded very adult. Very serious, too. 'Won't you think about going home to your mom's for a while?' 'I've got to take a closer look at this.' Before Noel could react she'd shrugged off the seatbelt and bolted from the car. She walked alongside the building looking up at paintings that imitated Egyptian hieroglyphs mingling with repros of tomb paintings. They ran in a yard-deep band just above her head across the wall. Egyptian eyes, bandaged mummies, sarcophagi, shawabti, hawk heads, cats, jackals with up-pointed ears, crocodiles; a man beheading prisoners. One odd sight struck her. _Where have all those crows come from_? They'd settled on the roof of the Luxor in such great numbers they formed a thatch of glistening black. Making no sound, they tilted their heads as they watched her go by. # Chapter 9 ## _One_ 'Noel... Noel?' 'Are you coming back to the car now, Robyn?' Robyn raced round the corner of the dance hall to where Noel stood by the car. Shielding her eyes against the red glare of the setting sun, she called out excitedly, 'Noel, have you got a flashlight?' 'A flashlight?' 'Yeah, one of those electric-light-up-your-room things!' Robyn laughed. She hadn't experienced this nerve tingling excitement in months. Christ, it was almost orgasmic. She laughed again, loving Noel's expression of amazement at her happiness. 'A flashlight, lover boy. Have you got one... or are ya' just pleased to see me?' She bounced up and down. A kid at Christmas couldn't be anymore full of jump-in-the-air excitement. 'Yes, I've got a flashlight,' he began. 'In the trunk. It should—' 'Come on then, quick! Get it.' 'Robyn?' 'I want to show you something.' Looking unsure of how to deal with her elation, Noel popped the trunk lid and retrieved a hefty rubber-sheathed flashlight. She bubbled, 'Doesn't this place look amazing? Look at all those gold paints and blues... see that bright shade of blue just like the Egyptians used! Those scarab beetles up there are pushing gold disks that represent the sun: it's all to do with the Egyptian belief of death and rebirth.' 'Don't get too carried away. It's only a mock up, not the high temple in Karnak.' He smiled, but there was a whisper of uncertainty. Wow! Noel figures I've flipped. Maybe I have. Assemble the clues: Finding out I'm _with_ child (curse those birth control pills; probably made by the same folk who built the _Titanic_ – heh heh!) – that's a _big_ shock. Same weekend you learn you're going to be homeless. Another _big_ shock! When you tell your mom's boyfriend he can't take your dough he slams you in the kisser. Another _big_ shock. All those _big, big_ shocks have flipped my brain over into glorious, purple-spangled madness. Ooooh, that's what I call a bummer of a weekend. 'Robyn? Robyn?' Behave yourself, boyfriend Noel is talking. 'Robyn, what was it you wanted me to see?' 'This way, buster!' She grabbed him and twirled him round in a twisting dance. A huge grin took control of her face. 'You think I'm nuts, don't you?' 'I think you've got mood swings. Twenty minutes ago you were so down I thought you were going to—' 'Crack up? Leap into the river?' She grabbed his hand. 'I'm going to have a baby. That's a good thing, isn't it?' 'Absolutely. We'd be in trouble if people stopped being born.' 'It must be the hormones shooting through me. But I feel great. Really alive. Happy!' She squeezed his hand. 'So in love with you I could go pop.' 'Don't go pop here, think of the mess.' She saw Noel grinned, reflecting her own happiness. 'Everything's beautiful,' she laughed. 'Look at that gorgeous sunset. It's as if huge rose petals are floating in the sky. And this building! It's incredible. It's like something I've dreamt about and now I suddenly find it here. I love you, dance hall. Luxor, you're beautiful!' She patted the mock Egyptian columns that flanked the entrance. Then she made the suggestion that turned off Noel's grin and replaced it with an expression of shock. 'Come on, let's take a look inside.' 'In there?' He stared in disbelief. 'We can't, it's all boarded up.' 'Don't underestimate your girlfriend. She's found a way in round the other side.' 'Robyn. It's not wise.' 'Afraid of trespassing?' 'No – afraid for you.' 'I'm pregnant, not a delicate little flower you have to keep in a glass box.' 'But you've only just found out. You said that your hormones were all—' 'Come on, Noel. Live a bit.' 'The sun's almost set.' 'So?' 'It'll be dark soon.' 'And we're all alone.' She laughed. 'This way.' Pulling him by the hand, she walked him round the corner of the Luxor. Here the parking lot ran another fifty yards before ending in a swathe of trees and bushes that formed a dense green barrier. A little way to her right, she fancied she glimpsed the shimmer of late sunlight falling on what appeared to be a canal or river. Surrounding the plot on which the Luxor stood like some lonely desert fortress, were derelict warehouses, cranes, service roads without traffic and factory after factory that hadn't cast a gear cog or moulded so much as a beer can in two decades. So maybe the comparison of the Luxor standing alone like a fort in a desert wasn't far off the mark. She reached a door where a sign on the wall said _Artistes Entrance._ Noel shrugged. 'See? No way in. It's locked down tight.' 'I have a nose for these things. After you.' Smiling, she pulled aside a two-by-four board that covered the bottom half of a door. The ply panel beneath had been kicked through making a man-sized hole that would allow them to slip into the building. 'Robyn, you're kidding me.' Smiling at his expression of dismay, she shook her head. 'But—' 'I know – it'll be dark in half an hour.' 'That and the fact this old ruin might be crawling with crack addicts.' 'You only live once.' 'That's a fact,' he said pointedly. 'OK.' She kissed his cheek. 'Here's the deal. Humour me. Put this down to my hormones going haywire because I've got an egg fertilization situation going on here.' 'You've got to take it seriously, Robyn.' 'I am... _I am_. Maybe I just want to get all goofy for an hour or so and blow off steam. It's been a hell of a day, you know?' 'I do know.' There was a genuine sympathy in his eyes. 'We've still to find you a motel, remember?' 'I remember. Look....' She took a deep breath. 'Here's the deal. For a dollop of light-hearted relief let's take a look inside.' 'Robyn—' 'It'll be so cool. And if we do, I promise to go home to Mom's... at least until we can find some place to live. OK?' She watched his eyes lift up to run over the building as if he saw dangers lurking there in the walls. From this angle Robyn realized that he couldn't see the crows gathering on the roof. She didn't mention them. Then he glanced across at where the sun had all but vanished behind the skyline. The shadows of trees that had run across the lot now lost their sharp edges to bleed into one another to form a dark lake that heralded the coming of nighttime. 'Promise?' he asked. 'I promise.' 'OK.' He sighed. 'I'll go in first. But we're only in there ten minutes then we're going back to the car.' She smiled. 'You're the boss.' A moment later Noel had crawled into the building. His feet were the last to disappear. 'Noel?' When he didn't reply Robyn Vincent crawled after him into the dark belly of the Luxor. ## _Two_ That Sunday evening as night fell, Benedict spent half an hour checking the rest of the files that were devoted to his missing ex, then reinterred them to their resting place under the guest bed in his apartment. Then he returned to the living-room where the old-style Betamax tapes guarded the coffee table. Little black oblongs the shape of tombstones. There should have been seven cassettes but one of them – volume 5 – was missing. So what had happened to it? Had the former owner of the Luxor, Benjamin Lockram, destroyed it? Hidden it? Benedict sat on the edge of the sofa and stared at the videotapes. If he searched for the missing volume 5, where should he start? Down in the yard below the dog started to howl. ## _Three_ 'Noel? Noel, where are you?' Robyn rose to her feet in total darkness. She turned round, trying to see into the velvet black interior of the Luxor. 'Noel?' Despite the complete darkness and despite not knowing the layout of the building, or if there was any junk lying to trip her up, or deep holes in the floor to swallow her, a sudden desire to run flooded her with a passionate intensity. Marvelling at this reservoir of shadow she moved through, Robyn longed to plunge into it. I want to run and run and run... she thought, excited. It would be like flying through space. Think of the exhilaration. She stepped forward, walking faster, leaning forward ready to break into a full-blooded run... but not knowing if she headed toward a solid wall. It doesn't matter, she thought. I feel so full of energy I could burst. I want to run and shout... anything to release it. She moved faster, her feet whispering against the smooth, but unseen, floor. 'Ouch... Robyn, careful.' 'Noel?' 'That's me. You've just rammed me in the back. Are you sure you were never in a women's football team?' 'I couldn't see.' He didn't sound angry, merely concerned for her. 'It's wisest to stand still while I... damn.' 'What's wrong.' 'Flashlight's on the fritz... wait, the battery cover's loose.' A grating sound as he twisted plastic against plastic. 'There.' With a click, light sprang from the bulb. She blinked at its sudden brilliance. 'OK,' Noel whispered. 'Ten minutes then we're out of here.' He shone the light along the passageway. A painted sign read: _Rear Stage Area_. An arrow pointed underneath. 'This way, I guess. Now... hold my hand, Robyn. If we see anyone lurking about in here, we get out fast, OK?' 'OK.' She smiled. 'And thanks for humouring me.' He grinned back. 'I'm not humouring you. We can both use some fun.' Holding his hand, she set off eagerly. 'Come on, let's find some spooks.' 'Spooks aren't a problem: it's the gang of winos that concerns me.' 'We'll be fine.' She wanted to laugh out loud as excitement buzzed in her veins. 'Wow, isn't this something? I wonder how old it is? Look at the doors... they're solid oak. Even the handles are antiques.' 'The whole building's an antique. You seen up there?' He shone the light up at S-shaped iron pipes that curled ornately from the wall every ten paces or so. 'They even retained the old gas lamps.' 'There's electric lights too.' She flicked a switch. 'Oh.' 'They'll have cut the power when they mothballed the building.' He glanced at his watch. 'Five minutes left, Robyn, then I drive you home.' 'Come on, let's find the dance floor.' She let go of his hand to run lightly ahead into the dark throat of the passageway. 'Robyn... hey, Robyn, wait for me. You won't be able to see where you're going.' Robyn found laughter bubbling from her lips as she ran. Jeez, what is happening to me? An hour ago I was headed for the biggest depression of my life now I feel as if I've been drinking Champagne. I feel so... so... good. Elated. Upbeat. Optimistic. Exhilarated! This must be a side effect of being pregnant. It's gotta be those old-time hormones flooding my nervous system with feel-good oestrogen. Shoot, it probably won't last so enjoy it while you can, girl. 'Keep up, Noel,' she called back. 'Hey, slow down, Robyn. You don't know what's down there.' 'Only spooks and vampires and psychopaths.' She giggled. 'It isn't funny.... Damn.' He slipped on the concrete floor and went down on one knee. 'Robyn, don't go any further.' A note of pleading ran through his voice now. Even so he held the flashlight as high as he could while angling the light so it shone in front of her, revealing the passageway. Bless him, he doesn't want me to hurt myself in the dark. She ran by doors that lined the corridor. Dressing-rooms. Stockrooms. Offices. All the doors were shut. All but one, that is. As she ran by, she glanced to her right to see inside. There in the randomly deflected light beams of Noel's flashlight lurked a man. He stood just inside the doorway staring out at her. She had the impression of someone waiting for her arrival. Her momentum carried her on down the corridor, even when she stopped running her soles slid along the smooth concrete floor. By this time Noel had picked himself up. He ran along the corridor toward her. Although she could see little but the dazzling blaze of light from his flashlight. She shielded her eyes. And in a split-second the image came back to her. There was something wrong with the man's head. It was shockingly misshapen. The eyes had stared out at her, large and round. And what was it with his mouth? Something had been stuck over the mouth... at least, that's what it looked like to her. Something like a red rose or some big flower. Surely those couldn't have been his lips? They were huge. Pendulous. And slick with moisture... almost syrupy. Robyn had to look at the man again. She ran back the way she'd come as Noel raced toward her with the flashlight jigging, sending light beams exploding all over the walls. Damn... why's he shining the light in my eyes? I can hardly see. 'Noel....' Her complaint froze in her mouth after the first word. The flashlight suddenly failed. Instantly, darkness plunged in at them. Robyn half-stumbled sideways until her hip collided with the wall. She heard Noel curse, then: 'It's OK. I've got it.' White light sprang from the bulb again. She saw she stood opposite the open door. 'Robyn, this thing isn't working properly. We need to get out before—' She held her finger to lips to silence him. Then she pointed at the open door while mouthing, _There's someone in there._ Noel nodded. Tensing, he gestured her to walk back the way they'd come. Instead, what she did next shocked him. She ran into the room to locate the owner of the face that had seemed so uncannily unreal. Noel followed her, angry at her recklessness. 'Robyn, are you crazy?' Robyn stood in the centre of the room staring at the far wall. A mirror framed by dusty light bulbs stood intact above a table that still bore the multi-coloured smudges of stage make-up. The man with the bulging eyes.... Her heart beat hard. 'Robyn? Are you trying to give me palpitations?' She shook her head puzzled. 'Then why tell me there was some guy lurking in here?' 'There was a man here. He was standing just there in the doorway.' 'It's not funny Robyn.' 'I wasn't joking. He was standing right where you are now.' She looked round the room that was empty apart from the mirror and the table. Here the walls were painted a bedroom pink. Artistes (some probably long dead by now) had pencilled (or lip-sticked) messages – telephone numbers, names, running orders of musical numbers, a line or two of a song: _That old devil, Magic_. There were doodles, cartoons, jokes, even a prayer to the king of rock 'n roll. But no man. No man with eyes that bulged like glass balls from a monster face. 'Robyn, I'm taking you home.' Her stomach muscles fluttered as the glowing nucleus of heat returned to the pit of her body. 'Robyn....' 'When the flashlight went out....' She nodded, realizing what happened. 'When it went all dark he must have slipped by me. For a minute I couldn't see a thing.' Noel checked the flashlight. 'There's no telling how long this thing'll last out. I must have cracked the battery cap when I dropped it. Look it's—' Robyn walked past him. 'You promised me a look at the dance floor. I'm going to see it.' Whether he followed or not she'd made up her mind to finish her exploration of the Luxor. ## _Four_ Benedict West kept his father's camping lantern in the closet. OK, it was a clunky weight of pressed steel that could half drag your shoulder out of joint, but once it was lit it had the power to light an acre of forest on the darkest winter's night. He hefted it from the closet and gave it a shake. The liquid sloshing sound from the tank told him that there was plenty of propane there. For half an hour he'd sat and thought about the missing Lockram videotape. So where's the best place to start looking? he'd asked himself. That's obvious. The Luxor. All those years ago he might have missed the fifth tape. OK, the chances are slender that it's still there, but it's the obvious place to start. Within five minutes he'd climbed into the car and pulled away with its nose pointed in the direction of the distant Luxor dance hall. The daylight had all but gone now. He flicked on the car's lights, chasing the shadows away. He couldn't help but notice the way the shadows still clung beneath cars or in alleyways. As if they were living creatures, only briefly skipping away from the car's bright lights to watch him pass by. The mental image of the shadows being somehow demon-like took on a sinister aspect in his mind. He shivered. But this isn't the time to wimp out, he told himself. _Before sun up, I'm going to search the Luxor from top to bottom._ # Chapter 10 ## _One_ Robyn Vincent knew: _He'll have to follow. He won't leave me._ She was right. Noel followed as she ran back into the corridor, turned left and headed for the large twin doors at the end that were marked _Backstage Area. No Unauthorized Access_. One of the doors was partly open. Robyn breezed through to find herself in a cavernous room. A curtain twenty feet high by more than thirty wide separated the backstage area from the stage itself. Noel's flashlight cast disks of white against the walls and the ceiling high above, where a railed gantry ran along the back wall then out over the stage. Robyn pushed through a gap in the curtain. The weight of so much material required some degree of physical effort to make it through. Then she found herself on the stage boards. A table sat stage centre. Beyond the stage stretched a seemingly limitless black void. It didn't smell how she expected. Instead of stale odours laced with hobo urine it smelt surprisingly fresh. Cool air played on her face. From an open window somewhere? That didn't seem likely. Outside, the air had been unseasonably warm. This was refreshingly cool. There were woodland scents, too that took her back to visiting her grandparents' farm with the orchard. She caught that faint tang of bark, green vegetation when wet. An aroma of moist soil. Noel appeared flashing the light. 'Wow, what a cavern. Look at the height of the roof. It must be a good forty feet at the apex.' Lightly, she jumped down from the stage. In the centre of the otherwise empty dance floor sat a club armchair. 'And a seat for one.' She turned back to Noel as he played the light on the far wall with doors that must lead to the lobby. 'Someone's been watching their own private show.' Noel grimaced. 'Hmm, no prizes for guessing what kind of show... ugh, you're not going to sit in that thing, are you?' She flung herself into it grinning and kicking one leg high. 'This has got to be the best seat in the house.' 'Watch it, Robyn. Someone's probably been shooting up in that.' 'It's just a chair, Noel. It's so clean you could eat your breakfast off of it.' 'I'd rather not.' She stroked the chair's arm. Felt quite sensuous really. For the first time in days an erotic shiver tickled her spine. 'Noel?' 'We should be leaving now, Robyn.' Robyn closed her eyes, breathing in the cool air that was laden with moisture and the tang of moonlit forests. She remembered the face she'd seen just moments ago peering out from the dressing-room. How the gleaming eyes had stared at her. And how big and round they were in that misshapen face. For some reason she had an impression of the man's arms, too, as he'd stood in the room. They were long... impossibly long; they tapered to points rather than terminated in a pair of hands. But maybe that was just her imagination playing tricks. 'Robyn, it's time you went home.' Noel sounded insistent. 'There's no point prolonging it.' He'd climbed down from the stage to walk across the expanse of dance floor. He shone the light at the doors to the lobby maybe figuring if there was a quicker exit to be had there. 'I don't want to go home,' she said. 'Besides, I left Mom a letter to say I was leaving.' 'I'm sure she wouldn't mind—' 'That I come crawling back to her? No, she wouldn't mind; she'd love it.' 'It's late, Robyn.' 'We could still find a motel.' 'Is that what you want?' 'What I _really_ want is _not_ to go home.' 'Your money won't last long, Robyn. After a week at a motel what then? When we can't afford a room?' 'I've got my trust fund.' 'You said that wasn't released until you're twenty-one?' 'Mom said it could be liquidated if we served notice through an attorney.' 'Yeah, but you're nineteen; you're still a minor. You need your mother's written consent.' 'Shit.' She put her head back on the backrest and gazed up into the fog of shadow. 'No problem. I'll sleep here in the chair tonight.' 'Robyn. Be realistic.' 'I'm not going back, Noel.' A rock solid certainty hardened inside of her. 'Listen, to me. I'm going to find somewhere to live.' The next voice she heard didn't belong to Noel. The stranger said: ' _Why don't you stay here_?' ## _Two_ Night had fallen by the time Benedict West pulled into the Luxor's parking lot. He stopped the car with the lights shining on the entrance doors of the dance hall. It brought to life the gold paint detailing and vivid red and blue and plaster work that adorned the frontage in the form of a mock Egyptian temple (or was it supposed to be a tomb?). The moulded heads of pharaohs gazed down at him with cold, dead eyes. OK, he told himself. The plan's simple. Take the lamp from the trunk, crawl into the building through the hole in the door then search the place for the missing videotape. But it's more than that, isn't it? Every time you return here you believe down to the roots of your nerves that you're going to see Mariah skip down those steps (even though logic told him it was impossible, simply because the doors were sealed with heavy-duty boards). Now he realized that the search for the missing Betamax tape was only an excuse to enter the Luxor after five long dead years. If he searched every room somehow he might miraculously find Mariah in there. In his mind's eye she'd be alive – vivaciously alive at that – with bright, sparkling eyes, her hair gleaming with that just-brushed shine, while her skin would glow with health. There she'd be, slim and beautiful and overjoyed to see him. All this diverges from reality, he thought sourly. But then a close relationship with reality was never your strong point was it, Benedict, old buddy? You were an escapist teenager with a love for comic books, Star Trek, Star Wars prog rock with a cosmic slant. The facts are that if Mariah made a pyrotechnic abracadabra appearance centre stage she'd be ten years older – thirty-three, not twenty-three. The other jagged shard of reality he tended to avoid – and he knew it! – was that all those years ago Mariah had walked out on him. She'd quit the relationship, quit the apartment, quit her entire fucking life in Atlantic City to move to Chicago. A place she'd only ever known as a child. 'Benedict. Quit brooding. Start searching.' He climbed out of the car with his father's old gas lamp. Despite his attempt to catch hold of the shoe heels of reality, his eyes still roamed over the face of the Egyptian-esque building with its hieroglyphs and dog-headed statues. Then he paused. He'd not noticed that before. A gleam of a metallic surface caught the beams of distant streetlight. He took a few paces to his right to grab a good look down the side of the building. 'That's bombed it,' he whispered to himself. 'So who do you belong to?' There, sitting in the night shadow of the building, was a Ford coupé. A fancy model at that to be here all alone in the lot of a redundant building. Maybe a couple had driven here to make out somewhere quiet? Seemed likely. Or maybe the car had been dumped after kids had taken it for a joy ride. Also possible. Although car-stealing kids tended to be shy of parking neatly in painted bays. What's more, they tended to flick a lighted match into the car so they could watch the poor machine burn its heart out. He wasn't sure if the car was occupied or not (seats reclined? Possibly) or whether the occupants had decided to take a midnight stroll around the Luxor. If that was the case, it would only complicate things if he went blundering in there with his father's old camper's lamp hissing light all over the freaking place. Shoot. Probably best kill the lights of his SUV then sit tight for a while in the hope they got bored and quit the place. Also better to be discrete. After all, he was technically trespassing with intent to steal. Even if he was only entering an abandoned building that was destined to die beneath a wrecker's ball. And what he intended to steal would have a value of less than ten cents, if that. Benedict sat back in the car, started the motor, then eased it slowly and quietly to the far side of the lot where the fringe of trees that separated the black top from the river cast a protective, and secretive, canopy of branches over his car. There he'd wait. He'd give the sightseers an hour to leave the Luxor. If there was still no sign of them he'd go home and try again tomorrow night. With the engine and car lights off he sat there in silence. This area was an eerie, desolate place. Even though the towers of downtown Chicago were little more than half an hour away, he could have been sitting on the far side of the moon. Here there were no people, no houses, no traffic. Years ago this had been an industrial zone. Factories, warehouses, smoking chimneys, trucks, goods trains – the works. Now industry had shut down in this part of town. The last factory to close had been three years ago when its owners had transferred the manufacture of computer monitors to Vietnam. Labour costs were lower there. 'So, welcome to Dead-ends-ville,' he murmured as he unwrapped a stick of gum. As Benedict sat with the window down to admit the warm night air, he noticed a flake of sooty material drift down in front of the windshield to settle on the hood. He allowed his eyes to rest on it for a moment but it seemed nothing of interest or potential harm to the car's paintwork so he skimmed his gaze back to the Luxor. The place looked as deserted as ever. Maybe he should risk a peek inside? The owner of the coupé parked on the far side of the building might be snuggling up to the love of his or her life in the vehicle after all. A scrap of black spiralled down from the trees above to alight on the windshield. Another joined it. Then another slid down the glass to the wiper blade. He glanced sideways out of the open window. Black motes spirallled earthward. A couple more fell whisper silent in slow motion on to the car's hood. Black snow? Benedict leaned forward to take a closer look. More flakes of black stuff rode the warm, stifling air. The sight was uncanny. Frowning, he shook his head trying to make sense of the freakishly dark snow. Black snow isn't black snow, he told himself. It must be flakes of soot from a fire, or.... He held out a hand through the window to catch one of the flakes. Then pulled it close to examine it. 'I'll be damned... a feather. But where are you all coming from?' Flipping down the glove compartment hatch, he pulled out a slender penlight. Then he leaned his head out through the window while shining the thin beam of light upward into the canopy of branches. A deep grunting told him he'd disturbed something that didn't want to be disturbed. Dark shapes moved on the branches, ruffling wings, sending more feathers spiralling down. Tiny eyes like splinters of sharp glass blazed at him. 'Good God,' he breathed. 'Crows.' There were hundreds of them in the trees. Big black crows. Restlessly, they shifted on their perches. Feathers dislodged from twitchy wings drifted down in that black magic snowfall. What on earth were those birds gathering here for? They could've been assembling for the biggest crow party of the year. Only there was something so antsy about them. The couldn't sit still; they shuffled; some used their wicked yellow beaks to tug a feather from their breasts or even from their backs of their tightly packed neighbours. And, sweet Jesus, crows are satanic-looking things this close up. So what's the deal? Why the mass gathering? And what's the collective noun for a bunch of crows? A murder? Yeah, that's it. A murder of crows waiting impatiently for the big event. Then, as if a play button had been touched in his mind, he remembered the videotape shot by Lockram, the owner of the Luxor. The old guy had stood in the parking lot, talking to the video camera that he'd set to run by itself. Lockram had discussed the history of this plot of land and how a sawmill had once stood on the site of the Luxor. The man had repeated an old legend that hereabouts people once believed having a flock of crows coming to roost in trees nearby, and on the house itself, was an omen with lethal implications. The gathering crows – a murder of crows – were a sign that someone in the house would soon die. Legend stipulated that the crows waited for the death of the victim so they could catch the soul as it left the body. If they failed to grab the departing soul the birds would fall into a glum silence before dispersing. If they captured the soul for the Devil they'd caw and scream excitedly, and wheel in huge flocks above the house – an airborne victory dance, celebrating the soul's seizure. Benedict's eyes flicked from tree to tree, at branches swollen black with the sinister birds. 'OK, I know why you're here, guys,' Benedict breathed. 'So who's going to die tonight?' ## _Three_ After the silence.... The stranger repeated the words: 'Why don't you stay here?' Robyn rose from the chair. She looked about her, searching the shadows for the source of the voice, and all the time she thought of the monstrous figure in the dressing-room doorway. How those bulging eyes had blazed at her as she'd run by. 'You can stay here.' Noel clutched her by the elbow as he swept the light through that cavernous room. Good God, she thought, almost in wonder as much as fear. There's something about that voice... it seemed to ghost here from another world. Noel bristled aggression. 'Who's there?' A sound came of an intake of breath as if the unseen man tried to speak but all of a sudden couldn't. 'Stop jerking us around,' Noel snapped, still searching the corners with the light. 'Come out here where we can see you!' 'Ah... I....' Robyn heard strange inflections in the start of the failed sentence. Could such a voice come from that weird configuration of a mouth she saw on the figure earlier? With lips like the overlapping petals of a blood-red rose. She looked round the dance floor expecting at any moment to see eyes burning with a cold fire. 'Hey, buddy!' Noel's sharpened with anger. 'Better show yourself.' 'I'm....' That's all the stranger said, but the sound of a foot scraping against the floor made both her and Noel spin to face the doors to the lobby. Noel aimed the flashlight at a bulky pillar. A figure stepped from behind it. That was the second that the flashlight failed again. 'Blast the thing.' Robyn heard Noel twisting the battery cap, then slamming the flashlight against his hand to get it working. It stayed dead. That all-encompassing darkness pressed hard against her eyes. She could see nothing. When she stared in the direction of the pillar from where the figure had stepped she saw nothing but black. Struggling to force herself to see only produced purple blotches flecked with crimson to bloom in front of her, phantom images produced by an optic nerve striving to catch a glimpse of the figure. But just before the light had failed she'd glimpsed the stark, white face. Two wide eyes had fixed on her. She reached out for Noel but he must have moved a step away from her as he struggled to fix the light. But which way did he step? Heart thumping against her ribs, she reached out to where she _thought_ he was. All her fingertips touched were cool currents of air. Noel muttered, cursing the flashlight, but the acoustics of the hall bewildered her. 'Damn light...' came from behind her, while his, 'Stay close to me, Robyn,' floated from some distance in front. She turned round taking three steps forward her hands out, her eyes registered nothing. 'Noel?' 'Damn... I dropped one of the batteries....' He sounded preoccupied with his problem now. Probably he was on his knees searching. Somewhere in front of her came a steady footstep. She caught her breath. The beat of her heart grew fiercer against her chest, for she knew that the figure with the starkly white face walked across the dance floor toward her. She could hear the slow but rhythmic step of his foot. Her mind whirled back to seeing the figure in the dressing-room. The monstrous face set with eyes like glass balls, the red mouth that looked like the freeze frame of an explosion. And those arms? They were long and tapered. They tapered to pointed tips, not hands. _If he should reach out and touch me with one of those?_ 'Noel?' She clutched where she anticipated he might be in the darkness. Nothing but air... cool, moist air that sent a shiver up her bare arms. Noel? Now she could no longer bring herself to utter his name out loud, because she knew it would erupt from her mouth as a piercing scream. The footsteps were closer. Slow, methodical... almost clinical... the touch of the alien limb... a tentacle that would caress her lips.... It would happen soon... she was sure. A blaze of light exploded in her face. Beyond the tongue of flame that created it a pair of eyes stared into hers. Now the scream did burst from her lips. 'Robyn... Robyn!' Noel's shout sounded too far away. She must have wandered away in the dark. Behind the flame a mouth opened. ' _Ss-sss,_...' She blundered back, trying to move away from the figure with the light. The back of her legs hit the armchair and she knew she could retreat no further. ## _Four_ 'Sss – ssss...' came the hiss. 'Sorry, I didn't mean to ff-frighten you.' The figure lowered the flame. Robyn met the eyes of a man about her own age. Faint bruises marked the side of his face. His right eyebrow had been parted vertically by what had been a cruel cut. Noel lunged out of the darkness. 'What the hell were you playing at, you creep?' 'N... noth... nothing.... I'm not p-playing.' 'Shit man.' Noel stopped short of punching out, but he came close. 'You were playing some weird fucking game.' 'No... no... I... ah....' The words lodged in the stranger's throat. He blinked and bobbed his head. Robyn noticed the sheer effort on the man's face as he tried to speak. 'I didn't.... Ah, I – I dee,...' He gave up on the sentence as if it knotted his vocal chords. Instead he switched to what seemed a passably practised statement of fact. 'Hmm-my name's Ellery.' He sighed, relieved at getting at least those words out. 'Ellery.' Robyn echoed. She tilted her head to look at his face in the light of the cigarette lighter he held. That face... there was something familiar about it... familiar... so incredibly familiar it sent a rush of shivers down her spine. I've seen him somewhere. 'I don't give a fuck what your name is. I should rip your head of for trying to scare the crap out of us. Now, go away!' 'Light....' He gestured at the flashlight in Noel's hand. The batteries were in Noel's other hand. 'You n-need....' His head bobbed while a look of pained frustration returned to his face as the word failed to find form on his lips. 'He's right,' Robyn told Noel. 'That thing won't help us, will it?' 'Shit.' Noel spat the word. Then grudgingly. 'OK. Will you hold the lighter so I can see to put these back?' He slipped the batteries into the cylinder then screwed back the cap. He thumbed the switch. Light instantly blazed from the bulb. 'Thanks, Ellery.' Robyn flashed the man a smile. He was certainly not the monster she'd seen back in the dressing-room. In fact there was delicate beauty there. The bone structure of his face had the lightness and fragility of a bird's. 'Yeah, thanks,' Noel muttered, looking at his watch. 'Robyn, nearly midnight, we need to be making tracks.' Robyn flashed Ellery a bright smile. 'Thanks again.' She turned to follow Noel but then Ellery's first words struck home. 'Wait a minute, Noel.' She looked back at the teenager who stood there holding the cigarette lighter. 'You said we could stay here? What do you mean?' Ellery's face broke into a smile. 'F-f... follow me.' He turned to walk toward the doors that led to the lobby. Robyn went, too; the light-hearted skip returned to her step. Behind her, she could hear Noel's voice rise in disbelief as she carelessly followed the stranger. 'Robyn?' # Chapter 11 ## _One_ Noel's voice came as a hiss of disbelief. 'I can't believe you're doing this.' 'Wait and see what he has to show us.' They followed Ellery through the doors, by the glass-walled ticket booth, to a door painted the same colour as the walls. In its top panel a fan pattern of frosted glass radiated from a sign that ordered: _No Admittance_. Ellery pulled a key from his pocket then unlocked the door. 'I overheard y-you... you were looking for somewhere to st-stay... I can help.' 'Help us?' Noel still shook his head in disbelief. 'Believe me, buddy, we're not planning snoozing in a derelict building.' 'It's not derelict, Noel,' Robyn answered. 'Look, it's clean.' 'It's a dump.' 'It's just been mothballed, that's all.' 'Thar... thar... that's right.' The stranger looked back at them with large soulful eyes. 'It's... hibernating. That's all. Hibernating.' He held out a hand, inviting them through the door. 'You first.' Suspicion hardened Noel's voice. Does he wonder if Ellery's leading us into a trap, Robyn asked herself. No. Ellery has an aura of child-like innocence. The stutter crucifies him but he's not bitter or cruel. Ellery led the way up a flight of carpeted stairs. 'I found the keys in the box office. They... they'd been overlooked by who... whoever... giss....' He shook his head when he couldn't finish the sentence and left it at that. Noel walked in front of Robyn lighting the way. She heard him mutter, 'This is still madness.' 'You... you can stay he... here if you like. No one will know.' 'Where?' Noel sounded short on patience. Ellery turned the key in a lock, then pushed open the door. 'Here.' Robyn hung back no longer. She walked between Ellery and Noel into the hallway of an apartment. The place was sixties' time capsule with wallpaper screaming out in wild purple swirls. 'Eye catching.' She pushed open a door to a small guest bedroom piled with redundant furniture, including a child's crib. 'Please....' Ellery dipped his head and smiled shyly, while pointing to a door with frosted glass. Eager now she opened the door to a pleasant living-room. The air smelt fresh. No cobwebs or dust bunnies in sight. Again that flower-power sixties' look. The sofa and armchairs were covered with a nylon fabric that boasted a hell of a vibrant paisley pattern in shades of delirious green. She looked round liking what she saw. _My God, this is all in fashion again. What goes around comes around_. Those curtains with the noonday sun design on a brown background were totally hip – chic stores were charging fortunes for them downtown. 'Some place you've got here, Ellery.' 'It... it's not m-mine.' She smiled. 'You just woke it from hibernation?' Ellery smiled back, nodding. He looked pleased, as if she understood him. Noel became uncomfortable. 'We're trespassing.' 'Like who'd know?' she asked. Ellery indicated a set of glass shelves. 'Candles. Matches. G-gas. I found the mains lever.' 'Electricity?' He shook his head. She sighed regretfully in the direction of an antique TV. 'I'll catch up on my books.' She looked back at Ellery. From his hopeful expression he longed for them to like the apartment. 'It's wonderful, Ellery. We'll take it.' 'Robyn?' Noel didn't believe his ears. 'Live here? You can't be serious.' 'I am. Deadly serious.' She spoke to Ellery, 'Are you sure we wouldn't be in your way?' 'Oh? No, no... I'm... I live....' He pointed through the window at some point across town. 'Th-this is yours... private. I live with my ff-family.' Robyn scrunched her shoulders apologetically. 'I'm afraid I don't have much money....' 'No, it's not... not for me to charge anything. Ss... yours.' In less than two minutes Robyn had examined the apartment. Ellery had been right. The stove worked. The heating, too. They ran from mains gas. Even though there was no electricity there were plenty of candles. The place was clean. Ellery had been thorough. It's almost as if he knew a pair of young runaways would show up needing somewhere to stay, she thought. Well, the guy had certainly saved the day. When they'd checked out the last room she held out her hand to Ellery. Shyly, he looked at it then reached out to shake it. Robyn's eyes widened in surprise. A tingle ran through her fingers and along her palm. She must be over-tired but it seemed as if a surreal energy had crackled through that handshake. 'I'm Robyn, by the way, and this is Noel.' For a moment she thought there'd be an awkward moment when Ellery offered his hand to Noel. Noel looked at the man's slender hand with the evenly trimmed nails. But hesitation was negligible. Noel shook Ellery's hand. 'Thanks for helping us out, Ellery.' 'No problem. I... I'll leave you to make yourss... selves at home.' 'Thank you.' He handed Robyn the keys. 'Only keys... you'll have com-complete privacy.' When Robyn said good night to Ellery it shared the same sensation of saying farewell to an old friend from a place she'd lived in for years. After he'd gone she sang brightly. 'Home sweet home.' Noel shook his head. Despite his natural caution he was smiling. 'I can't believe I'm doing this... camping out in a derelict dance hall.' 'It's not derelict, it's—' 'I know. Hibernating.' He put his arm round her shoulders and hugged her tight. 'Hell of a day, kid?' 'You can say that again.' She kissed his lips. He glanced at his watch. 'It's late.' She yawned, enjoying a warm glow inside. 'We'll make an early start tomorrow.' 'How early?' 'We need to make this place properly habitable. We'll buy food, towels, bedsheets, cleaning materials. You name it.' The glow spread through her entire body. She wanted to hug herself she felt so happy. 'This is our great adventure, isn't it?' ## _Two_ Ellery Hann caught the late bus home. Beyond the window most of the houses were in darkness. In the distance he caught glimpses of skyscrapers that still bore a dusting of silver lights against the night sky. Every so often he allowed the focus of his eyes to shift so he looked at his reflection in the window. The moment he'd seen the couple of runaways talking in the Luxor he knew that they were _meant_ to be there. What's more, he knew with a conviction that hummed in his bones that they'd agree to stay in the apartment. At times it puzzled him why he'd cleaned the rooms so thoroughly after he'd found the key. Because there was a _purpose_ , he told himself. There's more to the Luxor than meets the eye. It's more than a refuge where I can go dream of other worlds. The Luxor is waking from its ten-year hibernation. He knew in his heart of hearts things were going to happen soon – amazing things, miraculous things – but what? And the girl, Robyn? A shock had run through his body when he first saw her, a lightning bolt of energy that raised the hairs on the back of his neck. He was sure he'd seen her somewhere before. But when? She was more than just a familiar face. She seemed significant to his life somehow. Ellery watched as houses gave way to apartment blocks. A stolen car burned brightly on wasteground down near the railroad track. It was just another night in this low part of town. Most of the inhabitants lived in fear. Even now they'd be lying in bed praying that those raised voices in the street wouldn't draw close to their door. Or that when they woke in the morning their TV would still be in the lounge or their car still parked in the street where they left it. This's the kind of place that crushed hope under the heel of a boot. Miracles died at birth. But just a little distance away in an old dance hall called the Luxor everything was different. Ellery gazed at his reflection in the glass. Miracles in the 'burbs of Chicago are scarce... but not impossible. He angled his face to see faint bruises on his cheek and jaw. Three days ago his old compatriots from school had deployed their fists and feet as vicious weapons. His face had been blackened, the skin grazed, bloody; his eyebrow had split when his face had been smashed against the sidewalk. In less than seventy-two hours the wounds looked a month old. Who ever said there was no magic left in the Luxor Dance Hall? ## _Three_ Benedict West sat in the car beneath the overhanging fringe of branches. He chewed gum, listened to the radio at low volume. Every few seconds another black feather from the crows in the trees floated down on to the car. By this time the pale hood was spotted with feathers, a Dalmatian pattern that crawled across the metal every time a breath of night air disturbed them. At a little after midnight Benedict had seen a figure emerge from rear of the Luxor. The owner of the car? Nope... now there's a mystery. He watched the figure of a young man run across the parking lot away from the building and the parked car. So where's the driver? The man had turned right to follow the industrial service road back to the highway. Just for a second Benedict caught sight of the face beneath a street light. It was too far away to be sure but.... 'Good God, it's the guy I saw on Friday night,' he breathed out loud. 'Ellery... what was the name?' He brought to mind the library card in the wallet. 'Ellery Hann.' The same guy with the savagely beaten face who appeared at his apartment door just hours later with only the faintest of bruises. So tell me, how does anyone heal that fast? Moments later, Ellery Hann had vanished into the shadows as he headed for the distant highway. Either he'd not noticed Benedict's SUV parked beneath the crow-laden trees, or he'd chosen to ignore it. Benedict returned to his vigil. Maybe the driver would appear next then Benedict could search the Luxor; maybe track down that elusive videotape. And yet for all he knew there might be an all-night party going on in there. Promising himself to give the occupants of the parked car another hour to leave, he settled back into the driving seat. The glow from the radio lent a green tint to his hands as he drummed his fingers on the wheel. The numerals on the dash clock had just flicked on to 12:37 when Benedict noticed a stillness extend its dead hand over the trees. Switching off the radio, he realized there was no longer any movement in the branches above the car. Feathers had stopped falling. There came a sense that the entire world was holding its breath at that moment, expecting something to happen. He leaned out through the side-window to look up. The crows were still there. Carved lumps of darkness hunched on the branches. They no longer moved, or cried out, or pecked restlessly at their neighbours' backs. What on earth were they doing? They hadn't all gone to sleep, surely? He thought: _Crows are harbingers of death. They're here for the soul of the victim_. The words pealed through him with all the morbid force of a funeral bell. At that moment the entire feathered nation of birds erupted in furious calling. Without rising from the branches they flapped coal-black wings. Feathers swirled in front of the windshield; a dark fog that obscured his view of the Luxor. And at that instant he heard a scream rise into the night air. # Chapter 12 ## _One_ It started with a scream... an awful scream, rising and rising in pitch, until Benedict had to slam his hands over his ears. Above him, birds beat their wings with frantic violence even though they remained on the branches, talons dug into bark. Their cries echoed from the building, multi-tracking the cacophony into a vortex of distorted screeches. The scream rose further in pitch and volume. Benedict still forced his hands against his ears, trying to dampen the sound so it would no longer hurt his ears. Just feet from the car a blurred shape tore past him in a thunderbolt of noise, light and fury. Benedict flinched half-expecting the speeding object to crash into the front of the Luxor. A split-second later he realized what the projectile was: a motor cycle ridden at a speed that had to be little short of madness. Its rider had already lost control. The bike slid from under the guy who tumbled across the parking lot. In a blaze of dazzling sparks the bike skittered across the pavement, too. Two seconds later, both bike and rider slowed to a stop outside the main entrance of the Luxor. Benedict swung himself out of the car to walk – not run – toward the fallen rider. He swallowed, queasy. He anticipated finding a torn corpse not a walker. Behind him, crows unfurled wings, creating a black surge through the branches – a weird Mexican wave effect. This surge of darkness ran along the line of trees from one end of the lot to the other. And all the time the infernal birds kept up their damn _cawing_. Hell... now he noticed even more birds on the roof of the building. As he closed in on what he'd taken to be the corpse of the rider, the guy suddenly sat up on the ground, dragged off his helmet, letting it roll out of his hands and across the black-top. Benedict moved faster. Ever get that feeling of _déjà vu_? he asked himself. This came close to an uncanny replay of Friday night when he'd followed Ellery Hann to the steps. A shiver trickled up his spine. Come to that, was this Hann again? Had he grabbed a bike from somewhere then come tearing back to spill himself all over the asphalt? When he was thirty paces from the biker he saw it wasn't Hann. Whereas Hann was slender, almost elfin-like, this guy was chunkier with a dark beard. The man climbed to his feet and began to run. In an echo of Hann three nights ago, the biker lurched up the stairs to the Luxor's main doors. He pushed at the boards, then grabbed the leading edge of one and tried to tug it free. Christ, what now? Do I check the guy out? He took a hell of a fall. Or do I write him off as some crack-head and return to the car and go home? As for searching the Luxor for that damn videotape, tonight's a total bust. The place is busier than Grand Central Station. Noisier, too, the crows were going apeshit in the trees – flapping, crying out, calling like they'd seen something that excited them. Benedict stood at the bottom of the steps watching the guy trying to break through the doors. But those things had been battened down firmly with slabs of timber. You'd need a 'dozer to bust through. One moment the guy had been battling with a furious kind of passion to open the doors then he stopped. He'd not said a word but Benedict had heard his panted grunts. All of a sudden he leaned forward against the door then slowly turned so he could slide down to a sitting position on the top step, his back to the building. Even in the post-midnight gloom, Benedict saw the streak of glistening black down the pale hue of the board. Only it wasn't black, Benedict realized on looking closer. Dear God. It was red. A wet, living red, rendered dark by the sodium flare of distant streetlights. Benedict ran up the steps. 'Hey, buddy, take it easy. I'm going to call an ambulance.' He unclipped the mobile from his belt. The biker's face sagged as he began to lose consciousness. Even so, he shook his head. 'No,' he grunted. 'Take me inside.' 'Don't you worry, I'll get you to hospital.' Again the guy shook his head. Escaping his lips, a guttural, 'No.' Benedict crouched down to see blood dribbling down the guy's chin. He also saw a bloody hole in his T-shirt just beneath the collarbone. As the guy sagged forward a few inches before pushing himself back up against the door, Benedict saw a corresponding hole high between the shoulder blades. The man had been shot. Benedict knew this didn't look good. The bullet must have top-sliced one lung before it exited. Blood pooled around the guy's buttocks, so it looked as if he sat on a red cushion. Benedict checked the mobile phone. Damn, it was showing the 'no signal' icon. He had to make the call fast. This guy wasn't going to make it. He could hear the laboured breathing; the ruined lung was working hard but it wouldn't be enough to.... Benedict paused then looked back. No. It wasn't the man's breathing he could hear. The birds made a sound that imitated the respiration of the wounded man. It was close to the rasping tone of a carpenter sawing wood. A slow tearing inhale, followed by a long sighing exhale. Crouching down beside the man, Benedict looked closely at his face. The man had a knife tattooed on his cheek with a swastika between the eyes. Now the eyes gleamed with a dull light as if a murky film oozed over each eyeball. The man found it hard to keep his head up. Gravity drew the man's chin to the chest with its gory hole. His breathing slowed, yet the rhythm stayed even. In the trees and on the roof the birds mimicked the sound of the breathing. Slowing the copycat sound of breath in, breath out. They were still again. Expectant. Waiting for the inevitable. Harbingers of mortality. Benedict found himself remembering the legend again. Crows were messengers of an imminent death. They gathered at places where doomed people would expire. They synchronized their cries to the rhythm of the dying's breath. What was it the old man said in the video? Crows gathered here to try and capture the soul as it fled the deceased's body. If they were successful they flew in jubilant circles while crowing triumphantly. If, however, the soul was nimble enough to elude them, then they'd sit there despondent, before dispersing in ones and twos to fly back miserably to the cornfields outside town. Benedict felt a hand touch his foot. He looked down. The man had rolled his eyes up toward Benedict's face. 'I'm going to have to drive to a payphone,' Benedict began. The man shook his head hard enough to send blood drops flying from his chin. 'No... don't even think about it. Get me inside.' He snapped his head back, knocking the boarded door with his skull. 'Get me in there!' 'The place isn't used anymore. There won't be a phone that works.' 'No. I've got to get in there... you're gonna help me.' The man's eyes burned with a sudden intensity. 'You've gotta get me inside.' 'There's nothing in there.' 'There is.' 'Is there someone you know in the building?' 'No. I've gotta get home.' 'Home? It's an old dance hall. There isn't any—' The man stiffened as a sudden pain shot through him; he bunched one hand into a fist on his lap. All of a sudden the pace of his breathing changed. It quickened. It was shallower, too. In the trees the crows matched the shift in respiration. Their cries became a rapid pulsing _ah-ah-ah-ah-ah_.... They kept perfect time with the wounded biker's respiration. Damn the fucking things. It's just a fairy story, Benedict thought in dark fury. Those damn birds can't actually predict a man's death. They can't parody his dying breath. _But they are_! They're matching every stroke of his breath. When a blood clot caught in the back of his throat and he had to labour painfully to cough it free, the birds copied the crackling cough with mocking cruelty. When the pain from the man's smashed ribs made him grimace and stop breathing for a moment they paused too, filling the night with uncanny silence. Then he started aspirating again – faster, shallower; panting. The flooded lungs were failing to deliver oxygen to heart muscle. And the birds copied the sound too. A shallow rasping sound issued from the hundreds of beaks in diabolical harmony. Benedict knew that the time for an ambulance had passed. The man's breathing echoed by the birds, built to a climax. His body shook. His face lifted to stare in horror at the sky, then with a single wrenching spasm, his body slumped sideward, the eyes fixed. The eyelids froze, too, in mid-blink. With a shudder Benedict climbed to his feet. The crows were still again. They'd stopped calling. Not one moved in the darkened trees. But according to the myth this isn't the end of the process, is it? Benedict told himself. He stared at the dead biker at his feet. Then the shrill, excited cries of the birds drew his attention back to them. In less than a second the birds had taken off in one shrieking black mass. A thousand feathered demons, baying excitedly, calling to each other. He watched them ascend in a swirling mass against the stars. For all the world, it looked as if they plunged through the night sky in search of prey. They zigzagged, lunging after something that Benedict could not see. _The birds pursue the fleeing soul of the dead man_ , Lockram had said. Right at that moment Benedict believed. The birds were in pursuit. They called to one another, urging their neighbours to fly faster and not let their quarry escape. The sound came all too suddenly. And Benedict flinched. With the abruptness of a roar of victory from the crowd at a football game the birds all cried out at once. The cries quivered with a nerve-bruising intensity. At that moment he realized he could also hear sirens emerging through the whoops of the birds. He looked across the parking lot to see half-a-dozen patrol cars come swinging through the entrance. Blue lights spun. Above them, a helicopter hung in the sky. Benedict turned to gaze down at the man with a bullet hole in his chest. The chase was over. ## _Two_ The detectives would need a statement later. Benedict had no problem with that, although the cop reassured him that the helicopter had recorded all the important details with its nightscope TV camera. Benedict's involvement was strictly limited to that of innocent bystander who just happened to witness the closing stages. The cop didn't show any reticence in reporting the facts to Benedict as they watched the coroner's van pull away with the corpse in the back. The biker had been a two-bit crook, by the name of Garth Pearson, who'd been out of jail for a month. He'd stolen a motor cycle, bought a gun, then gone out to raid an all-night store. An off-duty policeman picking up a snack, happened upon the robbery and planted an accurate .38 round through the chest of the crook who was threatening to blow the clerk's head off. The crook dropped the gun. Fled to the bike. Made it as far as the Luxor where Benedict saw him die. The cop's matter-of-fact tone told Benedict that the situation was a regular occurrence. If anything a single shot had saved tax dollars on a trial and jail-time. The police weren't even interested in why Benedict had chosen to spend the middle hours of the night sitting in his car in a lonely parking lot. But then insomnia, or solo jaunts to deserted industrial zones weren't illegal. Chicago PD had better to do with their time than investigate the harmless excursions of night owls like Benedict West. As most of the cars and vans rolled away into the night, leaving just Benedict and the last pair of cops who sluiced the blood from the steps, the crows returned to sit in the trees where they called to each other. The sheer elation of the creatures crackled in the air. A cop paused as he opened the door of his cruiser. 'One thing, Mr. West: we'll take a full statement in the morning, but did Pearson say anything to you before he died?' 'Only that he wanted to get inside the old dance hall over there.' The police officer glanced at the Egyptian façade of the building. 'In there? Did he say why?' 'He told me he was trying to get home.' The cop smiled. 'He wouldn't find his home in there. Home for Pearson was a bail hostel way over the other side of town.' He shrugged. 'But if you can drop into the station tomorrow, sir, to give us the full story we'd be obliged.' 'I'll be there.' The officer noticed the noise the crows were making in the trees. He and his partner turned to look at them. 'What in damnation is wrong with those things?' 'They're in a good mood.' Benedict felt a grim smile tug at his mouth. 'They've just caught something for their supper.' # Chapter 13 ## _One_ Robyn and Noel decided to find a supermarket where the chances of meeting anyone they knew were slim. Noel drove them to a Target way out near O'Hare. As they walked across the lot after parking, passenger jets swam through clear blue skies just above roof level as they descended toward the runway a quarter of a mile away. Thankfully, at that early hour the supermarket was deserted. 'You feeling OK?' Noel asked. Robyn nodded. She felt gloriously happy. This was the first day of a new life, and a new home with Noel. It didn't matter that 'home' for now was the illegal occupation of an apartment in a closed-down dance hall called the Luxor, a building adorned with mock Egyptian tomb paintings and the moulded heads of pharaohs and ancient gods. And she felt instantly at home there. Both she and Noel had slept so soundly last night, not waking once. All she recollected of the nighttime were dreams of motor cycles and police sirens; perhaps her sleeping self had picked up far away highway sounds. With another surge of happiness she felt that warm flutter again in her stomach, almost like the brush of butterflies against skin. Her baby was growing inside of her. She could feel it. Noel pulled a shopping cart from the corral. 'OK, uncrack that list. Where first?' 'Hardware. Hammer, nails, screws....' Noel planned to make the building secure against intruders. He'd figured out a way to batten timber behind the loose board where they climbed through the broken door panel. 'We've got to be safe in here,' he'd kept repeating to her, as they'd got ready to sleep on the bare mattress the night before. Robyn marvelled at the list. 'I can't believe how much you need to stock a new home.' 'Yeah, thank God we don't have to buy furniture, rugs and curtains.' Robyn checked her list. 'Detergent, pan scrubs, kettle, matches, bedsheets, comforter, pillows, batteries for flashlight and CD player, soap, shampoo, razors.' 'Hey, checkout these pyjamas with the red chilli peppers.' He grinned. 'I'll look quite the dude in these.' Robyn scanned the list. 'And food. Canned stuff, packets, bread, crackers, coffee. We won't be able to keep milk fresh so we'll use powdered whitener.' 'I'll learn to love it black. What do you think to the PJs – cool or what?' 'Stick them in the cart.' She smiled. 'New home, new life. We should have new clothes as well.' 'If the cash holds out.' 'We can treat ourselves to some new today. We deserve it.' 'Can opener.' Noel picked one from a display. 'Get the one on the hook below, its half the price.' 'Whoa, thrifty.' 'We're gonna have to be, lover boy. We're on a budget. Same goes for cutlery. Get those in the economy pack on the bottom shelf.' 'Don't worry. I'll find work soon.' 'Work my eye, you've got to finish college.' He smiled and slipped his arm around her shoulder. 'We're going to grow accustomed to dinners of crackers and water.' 'If I'm with you I can become accustomed to anything. There... candles. We best grab another couple of dozen.' 'Budget or deluxe wicks?' 'Stop teasing.' She laughed as he pulled a pretend expression of angst. 'Add a carton of sandalwood night lights. They'll make the room smell nice.' 'And romantic, too.' She walked alongside him resting her hand on the cart. The supermarket was light and airy, adding to her sense of well being. We're going to do all right, she told herself. Everything's going to turn out just fine. ## _Two_ At the same time as Robyn and Noel were piling groceries into the cart in the supermarket, Ellery headed off to work at the electrical repair shop. He'd quit his original job at the insurance office because this is what he loved: fixing broken appliances. TVs, refrigerators, computers, microwave ovens – it didn't matter to him. He had an affinity with damaged things. The significance wasn't lost on him. _I can repair a TV. I can bring back sound. I can make the picture bright again. I can restore the colour, definition, contrast. But I can't fix my own stutter. Go figure._ It made him light up inside when he'd been able to provide the runaways with a place to stay. Later, he'd drop in and see how they were doing. He'd take along fresh apples and melon from the wholesaler next door. A carton of bright red strawberries would look good, too. 'You're dead, Hann.' He looked sideways across the pavement. Logan, one of the old High School monsters leaned against the wall. He pinched a cigarette between his forefinger and thumb. The expression on his face looked as if it had never cut a smile. The same old mean eyes and snarled lip. 'You walk through this place like you own it, Hann. Fuck knows why, the times you've been pounded. So why do you walk like you're Mr Important? Like the world can't touch you.' 'I... I wish... wer....' The words wouldn't come. He shook his head. Logan took it as a sign of contempt. Fury burned through his gaze. 'You should learn some respect, Hann.' 'Hey, look who it isn't.' Ellery turned to see the kid called Joe walking up to join Logan. Joe was eating red grapes and spitting the seeds on to the pavement. 'I didn't think he'd show himself round here again,' Joe said as he bit into a grape. 'Yeah especially after we taught him some respect.' 'I... there's n-now—' Joe frowned. 'Hey, what's he done to his freaking face?' Logan noticed, too. 'We walloped you good, Hann, what gives?' Joe took a step closer staring at Ellery's face in complete surprise. 'We whipped up some wicked bruises. Where the hell they gone?' Logan sneered. 'You can't hit as hard as you say, Joe.' 'Shit... sure I can.' 'You've got a pussy slap, kid. You hardly marked him.' 'I nearly ripped off his fucking face, so how—?' 'Tell you what,' Logan stepped up to look Ellery in the eye. 'Don't use this street again, Hann. If you do we'll break your kneecaps, got that?' 'I have t-to come here. I work jurr-just there at B-ber-ber—' 'Bear, bear, bear,' Joe mocked the stammer. 'You mean Burski Electrical?' 'Y-y—' 'Well, find another job, Ellery wuss-boy. Because I'm telling you. You're not allowed in this street again. Your face offends us, got that?' 'Hey... hey.' Joe's face brightened. 'I know how he did it?' 'Did what?' 'Hide the bruises. He must be wearing make-up.' 'Oh, crap, Joe. All you did was tickle the cunt.' Logan turned back to Ellery. 'Remember, cunt boy. You come down this street again and you're going to spend the summer walking with a zimmer.' He flicked the cigarette butt in Ellery's face. The burn stung like the point of a needle had been jabbed into the skin. Even so, he didn't flinch. Here it comes, he thought. They'll leave me a reminder. A punch. Or a couple of kicks. Instead Logan laughed. 'C'mon. It's time to collect off of Marko.' Ellery watched them slouch off along the sidewalk. They didn't look back. All of a sudden Ellery Hann meant nothing more to them than an insect. After a moment, breathing deeply to steady his racing heart, he crossed the road to the repair shop. At the end of the day Steve from deliveries dropped him at the station in the truck, but tomorrow morning he wouldn't be so lucky. He'd have to walk this way again to work. No doubt Logan and Joe would be waiting. What then, Ellery? The question circled his mind as he pushed open the door to the repair shop. _What then?_ ## _Three_ In the sunlight it all seemed uncomfortably conspicuous. Noel stopped the car close to the door with the loose panel. Then they unloaded the trunk as quickly as they could, pushing bags of groceries through into the shadowed void of the Luxor, along with bags of clothes from home and pairs of shoes – these they hadn't had chance to unpack from the car before now. Robyn noticed that Noel shot glances in the direction of the access road. Not that there was any traffic. Apart from anyone choosing to drive aimlessly round this area of bankrupt factories there was nowhere to go. Even so, Noel was uneasy. 'I don't think it's a good idea to leave the car here. It draws attention. It'll probably wind up being trashed, too.' 'It's quiet.' 'Someone might come by.' He closed the boot. 'Once we get all this stuff up to the apartment I'll hide the car.' 'You could always sell it. The money would come in useful.' 'I might,' he agreed, 'if we need to. But we best keep it for a while just in case we need to move on.' He smiled. 'I sure as hell don't want to shift all this stuff by bus.' 'Where will you leave it?' He looked the car over as if half concerned it would make a break for a place of safety all by itself. 'I've been thinking... probably one of the student lots at college. There are always cars there. It won't attract attention.' He glanced at her. 'You don't mind walking to the bus stop? It's remote here.' 'It'll be like being stranded on a desert island.' She smiled. 'I love it.' He grinned. 'Come on, let's take our shopping home.' Robyn had added a flashlight to the cart along with heaps of groceries, hardware and cleaning materials. Now they had the chore of moving armfuls of goods up to the apartment, requiring a walk through the darkened interior of the building to the lobby, then up the stairs to 'home'. All the ground-floor windows were tightly boarded, so there wasn't so much in the way of daylight until they reached the apartment. Its windows were so high and set back behind the Luxor hoarding that only vandals in a helicopter could break the glass. The same thought had also occurred to the workmen who'd mothballed the building years ago. They'd not bothered with the apartment windows, content to leave the blinds down. So at least Robyn and Noel didn't have to use candlelight by day. Moving the mountain of stuff they'd bought took over an hour. By the time they'd finally locked the door of the apartment behind them both were perspiring. 'The sodas are still cold,' she said. 'Do you want one before they get tepid?' 'I could use a shower, too.' With a deep sigh he sat on the arm of the sofa. 'Go ahead. The water heater's gas fired.' He glanced at his watch. 'I'll wait till later. Robyn?' 'Hmm?' 'It's the car....' 'No problem. Go ahead and move it.' 'Are you sure?' 'Go on. It'll only take a couple of hours, won't it?' 'If that.' 'OK.' 'Well?' 'Well what?' He nodded at her bare feet. She'd kicked off her shoes the moment she'd closed the door. 'You'll need something to protect those beautiful tootsies.' 'I'll be fine here.' 'Alone?' 'Yes.' 'Ah-ah.' He shook his head. 'I'm not leaving you alone here.' 'Why not?' 'Robyn, it's not as if we're in some condo with a concièrge and panic alarms. We're holed up in an apartment in a derelict building in the middle of nowhere.' 'It's broad daylight. Besides, I'll lock the door to the lobby and the one to the apartment.' She smiled at him. 'Safe as houses, dear.' He gazed out the side window in the direction of the car. In his mind's eye he was no doubt seeing a bunch of kids jumping on the hood. A fate that would befall the machine if he left it there much longer. 'Noel. Take the car to the college. It'll be safe there.' 'I know... but... Jesus Christ, Robyn, I don't like the idea of leaving you here alone.' 'That's sweet.' She kissed him on the lips. 'But listen to me. I'll be OK. I'll lock myself in. I've got loads to do. Unpacking groceries. Organizing cupboards. Wiping down shelves. There's a pile of old videotapes in the larder. I'll empty those out and put all our lovely groceries in there. I've planned out how the cans will go with the packet food on the top shelf.' 'Promise me one thing.' He looked at her with a serious expression. 'What's that?' 'That all the food will be in alphabetical order when I get back.' 'Idiot.' 'OK.' He shook his head. 'I'm crazy for doing it, but I'll leave you here on the understanding that you lock the apartment door and the door to the lobby behind me.' 'Yes, husband dear.' He reacted to her joke with something like shock. 'My God, that's what we are, aren't we? We're suddenly husband and wife.' Hairs rose on her arm with a shiver. 'I never really thought about it, but yes. I guess we are.' The expression on his face turned to delight. 'We're a couple living under one roof.' He stroked her stomach. 'With junior on the way.' At that moment she thought Noel looked suddenly taller. Pride illuminated his face. 'OK, Pop. The sooner you hide away the car at college, the sooner you'll be back. I'll have everything tidy and in its place. I'll even make a hot meal.' She said, beaming. 'It's a deal.' He picked up the flashlight that stood by the new one they'd just bought. 'Come down the stairs with me then I can hear you lock the door. I want to know you're safe and sound, d'ya hear?' She smiled. Two minutes later she locked the door that led from the apartment's stairwell to the lobby. There were also a pair of bolts. She slid those home, too. From the other side came Noel's muffled voice. 'I'll be back in two hours tops. OK?' 'OK.' The door was heavy-duty oak with a fan design of narrow strips of glazing in the top third of the door. It gave a sunrise effect when Noel's flashlight caught it on the other side. The radiating glass strips were so narrow and so heavily frosted she saw nothing of Noel but a blurred pale patch where his face would be. Then it moved away from the door. She heard footsteps recede. In her mind's eye she saw him heading across the lobby, through one of the sets of doors into the dance floor, across to the stage then along the shadowed artery of a passageway to the rear doors, where he'd climb through the busted panel into sunlight. Then he'd be at the car. Returning upstairs, she locked the apartment door behind her before moving into the lounge. Ahead of her she could see over the heads of the Egyptian gods that were cemented to the wall just outside the windows. God, yes. They'd got a Sahara desert all of their own. Stretching in front of her under the noon sun was the barren waste of the huge car lot. Beyond that, arid service roads linked vast tracts of waterless industrial land. Wavering in the heat-haze stood (or half-stood) abandoned warehouses and factories denuded of roofs. Whereas in the desert you might find cattle skulls, here she could see the skeletons of cars torched by joy-riders; rust-brown bones baking in the sun. Out in the lot to her right, an old cashier's safe, abandoned long ago after its door had been hacked off by thieves. Faintly, she heard the sound of a car's motor. Seconds later, Noel's car appeared round the corner and ran out across that black-top desert to the access road. She watched him wave from the window and flash the rear lights. A kind of cheery I-won't-be-long farewell. For a moment the conviction struck her that he wouldn't be coming back... a change of heart... a car crash.... She watched the car dissolve into shimmering heat-haze before dwindling into the distance to vanish completely. She shivered. The moment passed, however, as soon as she turned round to see the brightly coloured cartons containing kitchen scales, saucepans, kettles and bowls. They'd also paid more than they budgeted for on a set of dinner plates and bowls. But they were painted in a beautiful Picasso style that would blend perfectly with the sixties' décor of the apartment. Humming to herself, she began to unpack their purchases. This felt like home. Not for a moment did Robyn fear being left alone in this remote and solitary building. # Chapter 14 ## _One_ Robyn started work.... No, not work, she thought. This is pleasure. I've got the apartment to myself. I can arrange everything in the kitchen cupboards just how I want it. Noel had been gone an hour. Already she'd lost track of time. First she'd made coffee. Then she snapped open the blister pack of batteries and slotted them into the portable CD/Radio she'd brought with her from home. The station she punched in at random played upbeat songs, mainly golden oldies; they suited her happy mood. Dancing and singing to the music, she unpacked groceries into the larder (having first moved the carton of ancient videotapes into the spare bedroom). The cans they'd use most often she stacked at eye-level. Above those went pasta, rice, noodles, sugar and salt. On the larder floor she laid the bag of potatoes. Every so often she touched her stomach and made a comment. 'We're going to wipe down the stove now, junior.' Or, 'Hang on tight, I'm going to push the sofa back to the wall... uh... come you... ah... there. See we've got heaps more space now.' She smiled. 'You'll have lots of room to play with your toys. And if I turn the armchair this way, we've got a lovely view outside. You can even see the big buildings downtown.... Oh, do you hear this song? I heard this on my first date. It was Robbie Veiner in junior high. He took me for a burger in a diner. I thought he was so cool walking out without paying. He didn't even run. I worshipped him all week for that.' She pulled a duster from the back pocket of her jeans and went to work on the glass shelves. 'Then I heard that Robbie Veiner's mom owned the diner. The magic went out of the relationship after that. But don't you try and impress your mom... or any girl come to that... by breaking the law.' She warmed to chatting to the tiny glob of cells in her stomach that was little more than a fertilized egg: the medical term being the spectacular sounding 'blastocyst'. However, she still preferred 'junior'. Arms, legs and a heartbeat were still weeks away. Robyn eased scatter cushions out of their plastic wrappers and arranged them on the sofa, then she went to hang the new towels in the bathroom. 'I hope Noel takes his time driving the car across to college. This is fun. Phew, but hot, too.' Spring sunshine blasted through the windows. She opened one a couple of inches. The air outside bore the scent of sunr-warmed trees that fringed the bank of the river. When she'd gone to bed (last night they'd collapsed exhausted on to the bare mattress) she'd let thoughts run through her mind in an unchannelled way, so they wove in and out of her plans for the apartment. Suddenly Emerson and Mom belonged to her past. They were ancient history. Even though it was only yesterday that Emerson had begged her to liquidate the trust fund, then struck her when she refused, it could have happened a decade ago. By one o'clock hunger began to needle her stomach. She broke for ten minutes for orange juice and bread spread with a soft yellow butter that they'd bought at the supermarket. Just baked warmth still clung to the centre of the bread, releasing its delicious aroma when she broke it open. You're eating for two now, she thought happily, as she spread butter in a golden layer through the heart of another roll. She ate a whole tomato as if it were an apple, laughing when juice dribbled down her chin. She'd never tasted tomatoes as sweet. Come to that everything tasted better. Her senses had never been so receptive. Perhaps it was a symptom of pregnancy? Or the pleasure of moving into a home of her own with Noel? Probably a heady cocktail of the two. After she'd eaten she wiped out the cutlery tray in the drawer by the sink, then carefully laid out the knives, forks and spoons into their own distinct compartments. Using kitchen tissue, she polished each item of cutlery in turn until the stainless steel reflected sunlight with the brilliance of laser beams. She couldn't resist setting the table for the meal on Noel's return. She put out the new plates each flanked by a knife and fork. Carefully, she arranged salt and pepper pots, wine glasses, and tumblers for water. Without a working refrigerator she ran cold water into a bowl before standing the bottle of white wine in there to cool. Wine with a meal had to be a one-off special event. That visit to the supermarket had reduced the money in her checking account by more than half. By mid-afternoon she'd finished the first phase of her layout plan. Noel had been gone over two hours. He'd be back any moment. For a while she stood gazing out over the vast open spaces of the parking lot waiting for a first glimpse of him walking along the service road which led from the highway where the bus stop was located. He'd be thirsty after walking in this heat. Maybe soon they could find some way of restoring the electricity; they'd able to use the refrigerator, and even that antique TV as well. The heat climbed in the apartment. Most of the window locks had stuck fast due to lack of use. So far, she'd only been able to open one window. Now the swathe of trees that ran alongside the rear of the Luxor looked inviting. She imagined the pleasure she'd draw from strolling through their shade to the river. I could sit there for a while. I could probably even find a spot where I can see into the parking lot and check for Noel... poor Noel! Slogging his way back through this heat. Only I promised him I wouldn't leave the apartment. But then we didn't know how stuffy it would get up here. What's more after a cold and windy Chicago winter the sunlit afternoon begged her to step outside for a while and enjoy. Then, before she could think of any reason why she shouldn't leave the safety of the apartment, she slipped on her shoes, grabbed the new flashlight from the shelf in the kitchen, and headed for the door. ## _Two_ Robyn unbolted the apartment door, turned the key, then slipped it into the pocket of her jeans. The door opened smoothly to reveal the flight of stairs down to the next door that separated the accommodation area from the lobby. Flicking the switch on the flashlight, she ran downstairs still humming to herself. This felt like _her_ property now. She should buy Ellery something nice for telling them about the apartment. He must be our guardian angel in disguise, she thought with a smile, she tugged at the door bolt. Damn! Pain flashed across her knuckle. She must have caught it when she snapped back the bolt. Directing the light to the back of her hand she saw a gouge in the skin that spanned two knuckles. Even as she watched, the injured skin beaded with blood. A crimson blob trickled down her finger to drip on to the mat. Damn thing. She turned the light on the bolt. It had been damaged at some point in the past and a sharp lug of metal protruded from the end of the bolt case. She must have gashed her hand on the flicking thing. Ouch. The wound burned, it oozed blood, it stiffened her whole hand. Stupid careless thing to do, she thought angrily. But I'm not letting it spoil my walk. Tugging a square of clean kitchen tissue from her pocket, she folded it into a wad, then pressed it to the wound. After that she took the duster that dangled from her back pocket and wrapped it round both the pad and her hand in a DIY bandage. There... it would have to do. Bunching her right hand into a fist to hold the duster in place, she gripped the flashlight between her chin and collarbone and unlocked the door with her good hand. After some manoeuvring using a foot and elbow, she opened the door. Once through it, she found herself in the lobby. 'Wow, groovy, groovy place.' Robyn swept the walls with light. The Egyptian theme extended inside here, too. Moulded faces of pharaohs, beautiful princesses and gods bulged from the walls. On a gold pillar was more hieroglyph decoration, while burning down from the ceiling was that distinctive Egyptian eye with the swirling lines curling around it. It had been painted on to a huge gold disk that must have been fully fifteen feet in diameter. 'Oh, I get it,' she murmured. 'The eye of Ra... the sun god looking down.' Now the buzz came. She wanted to explore. After all, this was _home_ now. And that was a good feeling – a good, good feeling. Robyn checked out the ticket office. There were brass slots in the desk that would have once dispensed tickets. The wooden cashier's drawer was still there with the compartments for dollar bills and all denominations of change. The wood had turned dark and shiny after decades of use. Moving quickly, she pushed through the heavy twin doors into the dance hall – a vast cave of a place. Here the sound of her footsteps was altered by its dimensions. The pat-pat-pat of her feet on bare wood vanished into the colossal space above her head. Shining the light round, she saw the walls here were bare of decoration. There were no windows. The main features were the stage and the ironwork of the lighting gantry that ran beneath the ceiling out from the stage in the shape of a T. There were more steel rails at either side of the gantry's walkway that would have accommodated stage lights; although the lights themselves were long gone now. Robyn panned the instrument as if it were a searchlight. The light rays were tightly focused so they'd carry a long distance, but they only lit a small area. Outside of that darkness buried everything else. She paused for a moment. All she could hear now was the sound of her breathing. Silence dominated the Luxor as powerfully as the absence of light. A casket of silence and shadow, she thought. That's what it amounts to. The walls hold all this dark as if it's water in a tank. Just a few feet away beyond that membrane of brickwork would be brilliant sunshine. The thought prompted her to walk toward the stage. In a few seconds she could pass through the back stage area, down the passageway then out through the broken door. She quickened her step, but she forgot about her makeshift bandage; it unravelled itself, ditching the wad of tissue on the floor. Damn. The wound still bled. Now her mind turned back to it she realized how much the ripped skin hurt, too. It felt like someone had lit a fire in the gash. _Shoot, we never even bought painkillers this morning._ Once more she tugged clean tissue from her pocket and tried to fix the duster-turned-bandage so it wrapped around her fist. There in the middle of the dance floor with the flashlight in her other hand it was awkward. Glancing round, she noticed the old armchair going solo on the dance floor. Of course, it was part of the suite from the apartment. Had Ellery brought it down here for some reason? Not that it mattered now. What mattered was that it was a place to sit while she wound the duster round her hand again. She could even rest the flashlight on the chair's arm so it shone on her hands as she worked. Robyn sat down on the armchair, sinking deep into its soft cushion. Deciding not to risk knocking the flashlight off the chair arm, she rested it across her lap, then leaned to one side with her hands outstretched so they caught the wash of light spraying from the lens. Now it was easy to position the pad of tissue over the cut, then wrap the duster round her hand. _There. I'm fixed._ Even so, the wound throbbed. It hurt when she tried to move her fingers. Maybe if she sat here a little while it would ease. The pain sickened her. That butterfly flutter sprang up in her stomach again. She ran her fingers just below her navel. 'Don't worry, my little sunshine. I'll be good to go in a minute. Mommy just needs to take it easy for a while.' The silence all but snatched the words from her mouth. With her good hand she picked up the flashlight and shone it at the stage. Beyond the table on stage the curtains that reached up behind the proscenium arch were a drab grey. Yawning, Robyn settled deeper into the armchair. All that work (and maybe pregnancy) were catching up. Suddenly a deep exhaustion swept through her. She yawned again. The flashlight wobbled in her lap as she shifted to make herself more comfortable. The disc of yellow radiance wobbled, too, against the curtain. For a moment she was content to leave the light there. She'd rest a while. Silence swelled in the darkness above her. It formed a growing presence there, combining with the Luxor's shadows into a vast body that was more than the mere absence of light and sound. That nexus of quiet and shadow seemed to Robyn a living, breathing creature hovering there above her. Drowsily, she allowed her head to lean back against the chair so she gazed up at the invisible ceiling up there in the distance. I could be staring up into space, she told herself. I could be looking into darkness that lies between the stars. A breath of cooling air slid over her, touching her bare ankles, then caressing her bare arms before running chill fingers around her throat. The dimensions of the building seemed to be changing. The walls were rolling back on invisible wheels, the ceiling lifted up into the sky... or at least that's what her drowsy mind imagined. Sleep was creeping in from the margins of consciousness. Dimly she realized that. She knew she should rouse herself, return to the apartment where fresh bed linen waited for her. After all, it wasn't wise to simply go to sleep in this armchair on the dance floor, was it? The Luxor lay all alone in the middle of a wasteland. Who knew what kind of people had slithered through that hole in the door? This was the kind of place to hide after robbing a gas station. Or maybe this was the destination to bring a victim. Her imagination spun out lazy images into the darkness above her head. A teenage girl gagged with tape, her wrists tied with lighting flex. She's been bundled into the building then led on to the stage. There's a couple of guys smelling of diesel and whiskey. Stubble blackens their jaws. They strip her... lay her on the table there on the stage.... She hears their panting breath filling the room.... _Even when Robyn blinked trying to shrug off the sleepy weight pressing down on her she still hears the deep rasp in the building. The currents of air grow colder. The darkness grows deeper, engulfing the hidden places within the room. The void beneath the stage.... There's an open hatch to the understage area. She hasn't noticed that before. _ Those currents of air ran fingers of cold through her hair, down her neck. She shivered. The air had a different smell now. Cool, damp places. It reminded her of forests in the early morning with dew on the grass. The kind of wilderness where huge shaggy beasts grunt beyond the veil of trees. The grunts and snorted breath made her picture a hungry grizzly bear. Her eyes roved across the wall of darkness that surrounded her. It's in here with me... the certainty came with a biting ferocity. Why can't I shift this drowsiness... it feels as if I've been drugged. I want to stand up. I want to shine the torch at whatever's in here with me... only I can't. I can hardly move. That darkness is pressing down on me. More certainty came rolling out of the darkness like a stab of black lightning. _Noel's not coming back. He's left me here alone. I've been abandoned. No one's coming back. I'll never be able to leave. I don't know my way to the bus stop. Gangs roam the streets here. They won't listen when I tell them I'm pregnant. They'll only laugh when I start to beg._ Once more the image rolled back at her of the teenage girl being dragged to the table on the stage. Wrists bound with wire. Mouth covered with tape. Frightened eyes darting into the darkness. Then the brutal guys with tattooed arms and shadowed faces force her back on to the table. The tape is ripped off, raising a scream from her bleeding lips. In Robyn's mind's eye the girl on the table turns her head to look at her. Robyn recognized the girl. 'It's me: I'm the victim.' The words roll like stones through her skull. 'I'm seeing what will happen to me.' She shook her head trying to dislodge the deepening fog of sleep. Why couldn't she rouse herself? Why was she so drowsy? Despite the crimson flare of terror crackling through her brain her limbs were paralyzed. She desperately longed to run and to scream out loud. But all she could do was turn her head slowly. The only noise she could make was the breath coming through her lips. And all the time her mind's eye was fixed on the naked girl being tortured by the men. Because I'm alone here in the dark. Noel is not coming back. And seeing the terrible things they're doing to the screaming vision of me is what _will_ happen. From the darkness, purple death heads bloomed. Blood-red streaks flared in gory sunbursts. Cool currents of air slipped inside her T-shirt to touch her stomach, then slithered upward across her chest. On stage the girl choked out a fountain of blood that rose in a crimson plume a foot above her lips. Robyn saw the reason. In pre-orgasmic frenzy the two men plunged knives into the girl's chest. One point pierced her nipple to run all the way through her torso to nail her thrashing body to the tabletop. Robyn saw the dying girl, the one who wore an exact copy of Robyn Vincent's face, roll her head to one side. Their eyes met. _I've seen the future_.... Robyn sat up straight with a gasp. Her neck was stiff. Her skin felt colder than glass. Now fully awake she glanced down at the flashlight in her lap. Its light still burned brightly; the batteries hadn't become exhausted. She licked her lips. Her mouth tasted crappy. The duster had loosened from around her hand. She tightened it again. Jesus, she really needed to return to the apartment and lock those doors. It had been an act of stupidity – no, madness! – to wander down here to sit in the chair and dream of.... She shuddered. The vision of her lying there naked on the table as the two men knife fucked her body blazed with vicious clarity. No wonder the darkness frightened her so much her heart pounded in her chest. And what had happened to Noel? He must be hours overdue. Had he been in an accident? Another vivid image came of him lying bleeding in a car wreck, his face torn from his skull. She blinked the frightening vision away. She had to return to the apartment now! As she struggled to rise from the deep well of the armchair her flashlight rolled off her lap on to the cushion lens down. The moment glass pressed flat against the material it stopped the light escaping. Instantly she was plunged into complete darkness. Hungrily the dark leapt at her, smothering her senses. Gasping with fear, she searched down between her thigh and the arm of the chair for the hard cylinder of the flashlight. In a second she had it, dragged it out. Panicky she slashed the light round the dance floor. One sweep of the light revealed a figure. With a determined walk it hurried toward her. Noel? No, not Noel. Although her eyes were watery with shock and she couldn't see clearly, that burst of white light had revealed a misshapen head set with two blazing eyes. The mouth was a red mass of overlapping lips. One hung low in a loosely swinging flap that covered its throat. It began to run toward her. ## _Three_ Ellery Hann worked on the VCR. The fault sheet taped to its side read: _Chews tapes. Fails to eject cassette fully_. As he loosened the screws on the machine's carcass Logan's threat came back to him – if Ellery walked along the street to work again, he'd become a target of Logan's rage. Why had the guy taken an insane dislike to Ellery? Maybe it was the stutter? Who knows? Logan didn't make empty threats. If he saw Ellery on Fairfax then Ellery would take what punishment was dealt out. Logan's head was completely fucked. He didn't care about legal retribution. He'd spent six months in jail for biting off a guy's nose in a fight. There were rumours that he'd been quizzed by cops about the fatal shooting of a drug dealer a while back, too, but there'd not been enough evidence – nor witnesses with the guts to testify – so the police hadn't filed charges. Ellery lifted the carcass of the VCR. A black clump of tape choked the heads like a glossy tumor. He could fix this easily enough. If only he could fix the Logan problem. He glanced up at the workshop clock. Four in the afternoon. Around sixteen hours from now he'd have to walk to work along Fairfax. Logan would be waiting for Ellery with his sidekick. In sixteen hours Ellery might be lying in the gutter with busted kneecaps. ## _Four_ Robyn Vincent ran back to the doors that led to the lobby. She'd not played the light on the monstered face for long. A mask... yeah, gotta be a mask. But those eyes? They bulged out hard from the head like glass balls. And they fixed on her. They burned like... like.... Oh, Jesus Christ, she wanted out! The void of the dance hall swallowed her cry of terror, so it sounded strangely small... more of a whimper than a cry. And suddenly the floor between her and the twin doors stretched out as a huge plain. A cold breeze – that cold, impossible breeze! – blew in her face; laden with moisture it made her shiver to the roots of her bone. Behind her, feet made a slushing sound as if they ran through leaves. She ran hard, breathing in the sharpness of the air. Dear God, he was closer. That face with the red blossoming mouth... she closed off the image. Whatever you do, don't look back. Concentrate on getting back to the apartment. Lock the doors. But I've got the flashlight in one hand. The other hand's ripped open and bloody. How will I manage to handle the key? It'll slow me down. He'll be on me before I— Oh God, the image came of her lying naked on the table as the men with the knives stabbed her. It must have been a vision of the future... that's what _will_ happen. Only it's minutes away not days; not weeks. Panic detonated inside her head. Lights flashed before her eyes as emotion overloaded her nervous system. She raised the light trying to pick out the doors to the lobby.... They'd gone. Stunned, she searched the wall for them. Phantom lights surged in front of her to form a wall of misty grey. It had to be shock that was doing this. She was hallucinating; sheer panic blew apart her ability to think straight. Robyn lunged forward, scything with the flashlight, hoping to pick out the doors. At last she could bear it no more and glanced back. The man followed. That horrible face fixed on her. His arms were extended toward her. Again she had the impression that the arms didn't end in hands; that they were long, tapering.... A blow knocked her down. Gasping, her heart pounding, she looked up at the tall dark column that she'd just run into. It must be one of the mock Egyptian pillars. Dazed, her side aching from the concussion, she pulled herself up with it. But the pillar wasn't smooth and dry. It was rough and slimy. Before Robyn moved away from it she caught a glimpse of bark mottled with dark-green moss. Moisture glistened. A tree? How can I run into a tree _inside_ a building? But she didn't have time to figure it. She had to escape from the man with the monster face bearing down on her. As she ran she swept the light to her right and behind her. The lobby doors! Goddamn. She must have been running _away_ from them in confusion. She'd been heading for the stage. Then how in God's name had she run into a tree growing from the dance floor? _It's shock. You imagined it._ To her left, the figure tried to cut her off. He ran at her, arms reaching out. That red mouth dilated showing a dripping hole that stretched deep into the face. Rimming that, an aureole of teeth. Oh, God, Oh God... chest burning, heart hammering, legs weakening, she willed herself to run faster. Suddenly the doors were in front of her; she crashed through them. At the same time she tried to fumble the key from her pocket. Please don't drop it. Please don't drop it. If it slipped from her fingers there'd be no time to pick it up. The man would be on her. Grabbing her with those tapering arms. She imagined his face looming up close to hers. Dear God, to look into that monstrous face so closely would be enough to kill her. She was certain. Only there was no danger of dropping the key, because with the makeshift bandage her hand was too bulky to even reach into her pocket for it. With a scream of frustration as much as fear, Robyn bounded across the lobby, then by the glass-fronted ticket office. Ahead was the stout door that led to the stairwell. A second later the man crashed through the door behind her. He was just feet away from her. Glancing back, she saw the figure appear in the wildly ricocheting light beams from the flashlight. The huge glistening balls that were the eyes fixed on her with all the intensity of a predator locked on to its prey. ' _No_ _!'_ The word burst from her lips in something close to a scream. The figure turned sharply – too sharply on the tiled floor. His feet carried on from under him and he went skidding into the shadows with a crash. With one hand gripping the flashlight, she shook the duster bandage from her other hand and then used her bloodstained fingers to fumble the key from the pocket. No... no! The key flipped from her fingers. Just like she knew it would. She'd dropped it. She saw it tumble end over end in the light from the bulb. Instinctively, her free hand shot at it with the speed of a cobra strike and caught it before it reached the floor. Without even pausing she ran to the stairwell door. Jammed the key in the lock. Turned it. It won't open. I'll stand here fumbling with it until I feel the man's arms round my neck... those slithering, tapering, glistening arms.... Robyn twisted the key with all her strength. Behind her she heard approaching footsteps. The sound of its breathing... wet, sucking breathing... it filled her ears. _You're twisting the key the wrong way_ _!_ In a split second she twisted the other way. _The right way_. The lock mechanism engaged, clicked, turned. The bolt snapped back. Swiftly she pulled out the key, shoved open the door and half-tumbled tumbled through. How she did it she didn't know but she simultaneously slammed the door shut behind her. This time not bothering with the key she shot both bolts home. Then, gasping for air, she fell back on the stairs. The door handle on her side turned as the man... or monster, or freak... tried to open the door from _his_ side. Then he pushed at it. Shaking it against the frame. The bolts vibrated. The man tried again... then again and again. When she looked up at the fan design of glass strips she saw the grey misshapen face distorted even more monstrously by the frosted glass. The face pressed close to the glass as if gazing through at her. The dark eyes resembled those of a fish. They chilled her... froze her blood as they stared at her. But _it_ couldn't come in. The door held. She didn't know how long it stared in at her because she pulled herself into a foetal position as she sat on the stair. She kept her head down on her knees and her eyes tight shut. Robyn sat like that for hours feeling the cold force of that stare through the glass. When it seemed as if this would be her life for evermore, a loud tap on the door startled her. Her eyes snapped open. 'Robyn. Hello.... Hell-owe-hoe! It's me, Noel. Are you going to let your lover in?' # Chapter 15 ## _One_ Noel was full of stories. 'I'm sorry I'm late.' With a huge, happy grin on his face, he tore round the apartment, washing his hands, kicking off shoes. He'd also brought a holdall containing books that he stashed in the bedroom. 'I met Wilson in the college parking lot. He told me to put the car in the residents' compound. He can see it from his room. Did I tell you about, Wilson? His family owns a radio station in Tennessee. And the kid wants to become an accountant. Can you believe that? Anyway, Wilson will keep an eye on the car. I also lent him a spare set of keys. He'll drive it over here if we need it. That'll save hiking out for the bus. Hey, guess what?' 'What?' She smiled, happy he was excited. 'I saw Joe Steers from my course. He lent me a bunch of books so I can work on my assignments here. That means I'll only need to go into college for lectures three days a week. And Thursday's will be only for the afternoon anyway. All we need do is keep you locked up tight here while I'm away. And then I bumped into Randy who told me that Bocko's quit college. He's joined a rock band that's just got a contract to tour military bases overseas. I thought he was the last person on earth who'd do that. He was always real shy. Hell, I didn't even know he could play guitar. Wow, Robyn, what did you do to your hand?' 'Oh, nothing.' 'Looks nasty. And you can't use that duster as a bandage.' He shot her a look of concern. 'You've been overdoing things.' Smiling, she shook her head. 'I'm five days' pregnant not eight months.' He took her hand to examine it more closely. 'Come over here by the sink. I'll clean it up.' 'Noel, honestly....' He shushed her. 'There's quite some blood here.' 'I caught it on a shelf. Must be a nail or splinter or something.' _So_... _a little white lie. But I can't tell him I've been wandering around the dance hall, can I_? 'Well, let me take care of it.' 'OK, but then I'll fix something to eat.' 'I'm fine. I had a hamburger with Joe. You know, he's just landed a sponsorship deal with a company of civil engineers. They're going to pay his college fees.' 'That's lucky.' 'I'll say, I don't know how I'm going to cover next year's tuition.' 'We'll find the money. You're not missing the chance of a college education.' 'Maybe I'll find a part-time job. They're hiring at.... Huh?' 'What's wrong?' Noel was rinsing her hand under the cold water tap. 'Where did you say the cut was, Rob?' 'On the back... just over the knuckles.' 'You sure it wasn't a paper cut?' 'No. Why?' 'I can't find anything.' With kitchen tissue she dabbed away the water and blood smears. 'You were putting me on.' Noel laughed. 'You daubed ketchup on there and pretended you'd cut yourself.' 'I didn't.' 'Attention seeker.' Playfully he tapped her butt with the flat of his hand then kissed her on the side of the face. 'Yo! White wine.' He pulled the bottle from the bowl of water where Robyn had left it to cool 'I'll open this and fix you a sandwich.' 'A bit early in the day for wine.' 'Early? It's after seven.' He darted another kiss at her. 'I'm sorry I was so late, babes.' She studied the back of her hand. Puzzlement gave way to a shiver. 'Don't worry about it... I never noticed the time, so....' Her voice trailed. The rip in her skin had been a deep one spanning two knuckles. Blood had rushed out in a gory waterfall, so how come the wound had vanished? Holding her hand up to the window to catch the evening sun, she could make out a faint pink line where the wound _should_ be squirting blood. If anything, the pink line, looked like a cut that was weeks old and had all but healed. Just looking at the mark brought back what happened a couple of hours ago. The man with the monstrous red mouth. How he'd chased her. For a moment she really believed she'd be— 'Robyn... Robyn?' 'Hmm?' 'Planet Earth calling Robyn.' Noel pretended the wine glass was a microphone. 'Planet Earth calling Robyn Vincent. Over.' 'Sorry, I was miles away.' 'Light years more like. Are you sure you were OK here by yourself this afternoon?' 'Great. No problems.' She smiled. 'I loved playing house. And I arranged all the food in the larder. There was a carton of old videotapes there. I put them in the spare room.' No way, Robyn, she ordered herself. I'm not telling Noel about the seeing the stranger. Or even that I left the apartment. If Noel thought for one minute that there was some weirdo lurking in the dance hall he'd make me go. And leaving here means going home to Mom and Emerson. I couldn't stand that. Especially now Emerson's broke and the bank is going to repossess the house. Because I know both will pressure me into liquidating Dad's trust fund. And come hell or high-water I'm not giving that money to Emerson. She realized she hadn't been listening to Noel. But then he hadn't noticed her attention had drifted. He was talking about Joe and the night they both got so drunk at a frat party that they'd fallen asleep on a bench and woke in the morning with frost on their clothes. 'It's a wonder we didn't lose our hands to frostbite. Say... Joe gave me something. A kind of house-warming present.' 'You told him that we—' 'Yeah, I had to really. Don't worry. He's one of the good guys.' She sat down as he poured wine into her glass. 'What kind of present?' 'Wait a mo. I'll get it from the bag.' He only left the room a few seconds then he was back with a canvas wallet the size of a hardcover book. 'Don't be shocked,' he told her. 'But after talking it through with Joe I realized he was right.' 'Right about what?' He opened the wallet and laid it on the table in front of her. Robyn stared at the contents. For a moment she couldn't believe what she was seeing. Lying inside the wallet beneath restraining straps gleamed a handgun. ' _Noel_.' She stopped her voice rising into a shout. 'What do we need a gun for?' 'Face the facts, Robyn.' He sounded persuasive rather than defensive. 'We're squatting in an apartment in a derelict building in the middle of nowhere. We don't know the kind of people who might come snooping round here.' Her voice was small and whispery. 'Joe gave you this?' 'He was concerned about us. He wants us to be safe.' He ran a finger along the stubby barrel. 'It's a .38 Police Special. There's ammunition in the pocket there at the end.' She shook her head. 'Joe's got more of these?' 'He runs the college gun range. This is from his own collection.' He looked at her, concern returning to his eyes once more. 'It worries you, doesn't it?' 'The gun?' She gave a weak smile. 'More surprised than worried.' 'It'll give us peace of mind.' 'I guess so.' Her hands shook a little as she took a deep swallow of wine. 'Just promise me you'll keep it in a safe place, Noel.' 'Don't worry, you can trust me.' He folded the pistol wallet shut, then pulled a chair up alongside her. 'I'll hide it away on top of the closet. Now, let me pamper you; you look exhausted. What would you like in the sandwich?' 'Tuna and salad would be wonderful.' 'You've got it. Let me top up that wine glass, too.' 'You're a star.' 'Now where's the bread?' 'In the basket with the word BREAD written on the side.' She smiled. 'There, by the wall cupboard. And the salad is in the rack by the door.' 'I'll have to get used to the layout.' 'While you get some practice I'm going to grab a shower.' 'Good idea. Take your time. Enjoy.' He opened doors randomly until he found the larder. 'It'll take me a while to make the sandwich anyway.' Robyn walked through into the bedroom to undress. The sight of the new bedding helped restore her sense of well-being. This place looked like a home now. _Their_ home. As she slipped down her jeans some material smeared her fingertips. Puzzled, she looked at it. She'd inadvertently wiped a smudge of green from the fabric that covered her hip. For a second she stared at the trace of moss on her fingertips without understanding where it had come from. Then she remembered. The chase across the dance floor. Colliding with the tree – that impossible tree inside the building – a tree that was sheathed in cold, wet moss. She'd rationalized that she'd run into a supporting pillar. But here was moss on her fingertips. Moss. Undeniable moss. ## _Two_ Ellery was in no hurry to get home. His father and brother would be sleeping after their usual afternoon beer fest. His mother would have long since retired to her bedroom. He took in an early movie at a cinema alone. The time was a little after eight. The moments were ticking away. In a dozen hours he'd have to walk along Fairfax to reach the repair-shop. That's where Logan and his sidekick would be waiting for him. ## _Three_ Benedict resurrected those VCR tapes again that brought back to life the image of old Benjamin Lockram. Earlier, Benedict had returned from the police station where he'd dictated a statement to the officer, recording what he'd witnessed the night before when the crook expired on the Luxor steps. Then he'd spent the day reviewing the VCR material. The latest footage was still more than a decade old. Earlier tapes had featured the old man's fascination with his dance hall, the Luxor. Tape number five was missing, while tapes six and seven didn't include any commentary by Lockram or even tell a story. They consisted of hours of material culled from security cameras in the building. Merely a series of what appeared to be random shots of the public flowing into the hall through the lobby early evening, then flooding back out at the close of business at midnight. For a while he hoped it might show a glimpse of Mariah Lee, the vanished love of his life. Even though he'd believed he'd seen her there, moving with the tide of people, a closer look at the freeze-frame image told him he'd mistaken a blonde stranger for her. As the last rays of sunlight disappeared from the sky, he once more retrieved his father's gas lamp from the cupboard. Last night the dying hoodlum killed any chance of a search of the Luxor. Maybe he would be luckier tonight? # Chapter 16 ## _One_ That Monday evening the heat lingered on after sunset. This was the second night in the Luxor's apartment. Robyn sat on the couch with Noel's head on her lap. With no electricity for light they'd set half a dozen candles round the room; one was scented and it filled the air with sandalwood. The candles cast a pleasant soft light. Shadows fluttered as candle flames dipped in the draughts. The CD played music at a low level, as if they didn't want to hurt the silence that dominated the building. They chatted to each other in gentle voices. Mainly about Noel's college work. That and his ideas about making the rear door secure so only they could access the building. Robyn's thoughts strayed to emptying the spare bedroom of junk. Even so, she'd added to it earlier when she'd moved the carton of videotapes from the larder. If they stayed the spare room would become the nursery. It even possessed a crib. Robyn loved being here. Being alone with Noel in their new home. She couldn't be certain how long this would last, so she'd make the most of it. Her stomach fluttered every now and again. Junior making his presence felt, even though the foetus could only be days old... sleepily, she realized that wasn't possible. Then again this was the Luxor. For almost a century it had been a place of unreality where people went to see a show or a concert or to dance. This was a tiny enclave of glittering show business in the middle of a vast industrial zone that now lay neglected and derelict beyond the boundaries of the Luxor's parking lot. This dance hall was the place to step out of your mundane day-to-day world. It had been conceived and built with the intention of being a magical, otherworldly place. The Egyptian façade with its temple columns, moulded pharaohs and bird-headed gods enhanced that exotic quality. So it shouldn't have come as a surprise that junior is doing a jig in my stomach, or my hand healed within a matter of hours, or I encountered the figure in the dance hall, she told herself, drowsily. This is a place of gods, kings, monsters and make-believe. Her mind went back six hours; when she sat in the armchair on the dance floor. How she'd seen the figure come racing at her through the beams of the flashlight. Vividly she recalled the huge ball-like eyes. The monster mouth that seemed to be made of lush red rose petals. The tapering arms reaching out. How it chased her. But I'm safe now, she thought. That's all that matters. And I will maintain that aura of contentment and satisfaction at living here. Otherwise Noel will force me to return home to Mom and Emerson. With a shiver of surprise she told herself. _If I go back to live with them I'll kill myself_. ## _Two_ When the movie was over, Ellery Hann returned home. Well, 'home' was a convenient label for the place where he and his parents lived. He never thought of it as _home_. Home for him was the place he saw in his dreams. A shining city high on a mountain with domes and spires and buildings that gleamed like gold in the setting sun. As he let himself into the apartment he heard his father call from the couch, 'That you, Ellery?' 'Y-yy—' 'There's chilli on the stove if you want it... Ellery, I need to go downtown in the morning. Loan me thirty bucks won't you?' Morning? Ellery Hann glanced at the kitchen clock. In around eight hours he'd have to walk along Fairfax and face Logan. A powerful emotion gripped him with the ferocity of an iron fist. Time was running out. ## _Three_ Benedict headed down from his apartment to the car. By now it was fully dark. Streetlights cast an orange glow across the city. With it being so warm he only wore a shirt with his jeans. Opening the trunk, he carefully secured the camper's lantern behind the toolbox, so it wouldn't roll around in there during the drive to the Luxor. 'You're chasing spooks, Benedict, old buddy,' he told himself, as he opened the driver's door. 'But it's your old obsession, isn't it? Find out what happened to Mariah Lee... or die trying.' ## _Four_ Pregnancy makes you do funny things. Funny-strange, that is. Pregnant women compulsively Hoover. Or they might need to paint every room in the house. Or they crave pizza oozing beneath chocolate spread, or even a desire to eat classroom chalk or coal. These things are bizarre, but it's nature's way of prompting the Mom-to-be to prepare the home for the new baby or to ingest minerals required by the growing foetus. The moment Robyn went to bed the craving gripped her. It wasn't the need for tuna blended with ice cream, nor was it to scrub floors. _I want to go down to the dance floor again. I want sit in the armchair and feel that cooling draught on my skin._ But after what happened earlier in the day? When I was chased by that man... no, not a man, a monster! I'm not going down there alone. Robyn lay on the bed with Noel beside her. They'd only been in bed two minutes at the most and already she heard the deep rhythm of his breathing as he slept. Now she lay on her back gazing up into the dark air above the bed. _I want to go downstairs... I want to walk out on to the dance floor_.... The words repeated themselves. They irritated her. _I want to go downstairs_.... 'Well you can't,' she whispered out loud. 'You can't leave the apartment. You don't want to walk into the monster-guy, do you?' She spoke half-flippantly. Even so, she wanted to push that whining voice out of her head that demanded she slip on her sandals and leave the safety of the locked apartment. 'You go down there, girl, and you'll find yourself stiff as a pole in a body bag.' _Now sleep_! Noel slept on. Come on, Robyn, she told herself. It's those pregnancy hormones getting you all riled up. Relax. Get some sleep... Robyn Vincent closed her eyes. ## _Five_ Robyn Vincent opened her eyes when the baby started crying. It was distant but the terror in the baby's voice came at her in chilling waves that froze her heart. 'I'm coming... don't be frightened. I'm coming.' Heart pounding, she climbed out of bed. The cries sounded panicky now. Distress stuttered through the cry. Not even pausing to slip on a robe or her sandals, she hurried through to the spare room. That's where the crib was, so that's where the baby would be. Starlight filtering through the windows revealed the crib lay empty amongst a sea of junk. No, how could a baby have been left in the crib all these years? The realization brought her suddenly awake. For a second she thought the cries issued from a dream, but she heard the cries continue. Downstairs.... But she couldn't go down there alone. Someone's abandoned a baby, she told herself. It happens. Panicking teenage mothers give birth without anyone knowing they were even pregnant, then they leave their child wrapped in a towel in a bus station or shopping mall. Now someone had abandoned a newborn infant downstairs in the Luxor. My God, how long had it been there? It must be hungry and cold.... 'Noel,' she called back along the hallway to the bedroom. 'Noel. There's a baby downstairs. Bring the new bath towel. I'm going down.' Later, she'd swear that he'd answered her. That he'd called he'd be right down. The baby's cries grew louder. There was real distress now... maybe even pain. If someone had left the baby on the ground, were there rats in the Luxor? They might be.... Closing off the thought she grabbed a candle they'd left wedged in a bottle by the apartment door. Beside it, a book of matches. Quickly she lit the wick. 'Noel, when you get the towel bring the flashlight, too!' Again later she'd swear that he'd answered that he would. Of course, by then it was all too late. ## _Six_ The cries from the baby grew more desperate. 'Don't be frightened. I'm coming!' Robyn unbolted the door to the lobby then drew it open. The cries sounded louder in the lobby. With the candle burning in the bottleneck she held it high as she hurried by the ticket office. From the walls, the eyes of plaster pharaohs gazed down coldly. The single candle cast only a weak light. It couldn't reach the shadowed corners. Even so, she knew within moments that the baby wasn't in the lobby. The dance floor. It has to be, she told herself as she pushed through soundproofed doors into the cave-like void beyond. Here the candlelight was even feebler. It couldn't reach the high ceiling, nor the walls. All she could do was walk in the little patch of light it sprinkled around her. Now the cries were louder, more persistent, more heart-breaking. 'I'm coming... please don't be frightened anymore. I'm here....' The cries came from the armchair in the centre of the dance floor. _There, that's where the baby has been left. It's a miracle it hasn't tumbled from the cushion on to the floor_. Robyn walked as swiftly as she dare. The draught might kill the candle flame. Without any pockets in her nightdress she'd not brought the matches. Only that wasn't important now. Besides, Noel would be here any minute now with the flashlight, and the towel. What was vital was she reach the baby. Once more she thought about the rats that must roam the place. The baby would be so vulnerable. She shivered, afraid of what she might see when she found the infant. She advanced on the armchair. Its shadow changed shape, shrinking into a crouching thing as she raised the candle higher so she could look on to the cushion. At that moment the crying stopped. The abruptness of its ending made her catch her breath in shock. Instantly, silence swam at her with all the menace of a shark. And then she realized the truth. I've done what I promised I wouldn't do. I've come back down on to the dance floor alone. Where's Noel? She turned to stare at the lobby doors. In the weak light of the candle they revealed themselves as dark upright slabs in the gloom. There was something of the cemetery about them; tombstone shapes suggestive of loss and sorrow and death. Noel's not coming. He's asleep up in the apartment. I've been tricked into coming down here. There never was a baby, there never was a baby, there never was— Robyn shuddered. Jolts of dark electricity shivered down her back. She thought: No. There never was a baby. Someone mimicked the cry. This is a cheap trick and I've fallen for it. Now she turned round and around, trying to light the darkness that crept in at her. Somewhere in the shadows was the thing with the monstrous face. _And, dear God, here I am_.... She took a step in the direction of the lobby. To simply turn and flee would invite the thing to pounce. If she made herself appear brave it might discourage them from attacking. I will not run... I will not run.... Hot candlewax fell on to the hand that held the bottle. Wincing, she bit her lip. The liquid wax burned as it trickled toward her wrist. But no sudden moves. If you move too quickly the draught will snuff the candle. _Then you'll be snuffed next_. The thought came with deadly resonance. She was in danger now and she knew it. Monstrous shadows gathered just beyond the reach of the candlelight. They lurked there as ghostly as they were menacing. From far, far away she heard the sound of footsteps. They shimmered over a colossal distance. As if someone ascended from a deep subterranean vault. Here he comes, she thought. _He_ knows I'm here. Robyn's throat closed. She could hardly breathe. The terror was a crushing weight. She had to get back to the safety of the apartment. More candlewax dripped on to bare skin. Now she saw that all that remained of the candle was a one-inch stump. In a few minutes it would burn out. As if sensing this, shadows crept in closer. At the same time a cool breeze played around her ankles. It swirled up her bare legs to tug at the nightdress. There was something about that sudden draught. It was cold. It had a wet touch. It smelt of dew and fallen leaves. There were feral animal smells in the mix. Damp fur. Organic odours. The draught became a breeze, one that chilled Robyn to her nerve roots. It sent a whistle through the dance hall. The sound of air currents blowing through the bones of the dead in a vast and desolate place. A lonesome sound that pulled the strings of her heart. The breeze blew again. Her eyes went to the candle. Its flame became a shrunken sputtering point of blue light. The cold breeze ran ice fingers over her face and through her hair. That was the moment the candle flame died. For a full moment she stared at the ember glowing orange in the tip of the wick. She willed it to burst back into life. It didn't; the spark in the wick died, too. Darkness rushed at her. The wind – the impossible wind in the dance hall – surged... a savage exultation whooped through it. Now there was nothing to do but run. Gripping the bottle by the neck, in case she had to use it as a weapon, she plunged through the darkness, hoping instinct alone would guide her to the lobby doors. In front of her a splash of grey revealed itself. A dull thing like starlight falling on a curtain or a wall. Were these the doors? She ran at that wash of grey that stood in front of her in a vertical block. The grey gleam expanded as she ran toward it, but suddenly she realized the ground beneath her feet had become soft. Her shoulder slammed into a hard object. She raised a hand to push her attacker away. Only her fingers swept through a mass of twigs. Below them she felt the corrugated hardness of tree bark. It was wet, too. Once more she felt moss. Just like yesterday, she thought, bewildered. She'd run through the darkened building to find leaf mush beneath her feet. And she'd run into a tree trunk, just like yesterday. But how can a forest appear _inside_ a building? I'm asleep, she prayed. I'm asleep in bed beside Noel. This is a dream.... Only the physical presence of the forest exuded itself so powerfully she knew she couldn't be asleep. Coldness penetrated the thin cotton nightdress. Forest air rolled with biting clarity into her nostrils. She smelt mushrooms, wet leaves, all mingled with the spiky scents of wild animals. Looking up, she saw treetops through layers of mist. Grey light seeped through bleakly. Dazed, she wove a line amongst the tree trunks. Water dripped on her from stark branches that clawed at the sky. A bird screeched somewhere to her right. While to her left she could hear a coughing snarl of some heavy beast in the undergrowth. 'Noel!' She shouted for her boyfriend, even though she knew he couldn't hear. He was asleep. Oblivious to what had happened. What _was_ happening. What WILL happen! Get out... GET OUT! She knew she had to leave this place. It would suck her in and never let her go if she didn't. She ran frantically, her bare feet slipping on wet leaves. Further to her right she saw a fast-flowing river. In front of her would be a clearing where she would see a gathering of.... How did I know that? How did I know there would be a clearing beyond those trees? Because I've been here before. I've been here in my dreams. I remember the fast-flowing stream. I remember this forest. I remember that I will reach a clearing. And in that clearing there will be people... a gathering of men and women... only they are distorted monster things... with twisted faces, elongated limbs, swollen eyes that stare at me. They have veins that pulsate in bulbous throats. They're waiting for me to go to them. At all costs, she couldn't – she had to find a way out of here. Turning, half-falling as her feet skidded from beneath her, she ran back the way she'd come. At least the way she thought she'd come. Only the dim half-light and the maze created by hundreds of tree trunks meant that she couldn't follow her original trail. The ground wasn't flat either. It rose in front of her then dropped down into gullies with banks higher than her head. And all the time the water dripped on her as the wind whistled through the trees, as if calling to an intelligence far away. Once more the snorting of an animal reached her. It seemed to have circled behind. Gritting her teeth, she forced herself faster across the rotting vegetation, her bare feet threatening to shoot from under her at any moment. She raced into a screen of bushes. In a second she was through into.... Into the clearing. Gathered there were men and women. They stood as if waiting for her presence. Men and women? Robyn's heart clamoured in her chest. No... not men and women. They had the faces of monsters. ## _Seven_ For a moment she paused, her breath coming in panting gasps that sent clouds of white vapour balling in front of her. One second the assembled creatures stood glaring at her without moving. The next they exploded into movement. They moved forward on over-long legs that bent the wrong way at the knee. Jerky, weird steps that chilled. Their eyes seemed to swell in their heads as they fixed on her. Mottled skin flushed pink and white in rapid succession, as if the excitement of seeing her had sent whatever alien hearts they possessed into over-drive, pumping blood into vessels near the skin. They didn't shout out but she heard the quickening of their breath, the roar of air from their nostrils. They were perhaps fifty yards from her when she snapped out of shock. She turned to run back into the bushes. At that moment the figure she'd seen before in the Luxor broke through the undergrowth. The globe eyes blazed at her. The mouth made from flaps of skin flushed red as blood flooded veins in the lips. Robyn's heart cracked against her ribs. Her breathing came in shallow tugs that hurt her entire body. Even as she tried to run past the creature, with its thin arms reaching out to her, her senses swung dizzily. Just for a second it felt as if a huge weight had crushed down on her chest. Now breathing really had become impossible. Eyes wide, she sensed her balance go out of kilter as she toppled forward on to the ground. Rolling over on to her back, she saw the creature with the mouth that covered the bottom half of its face loom over her. Before her eyes closed she felt the cold touch of its limbs on her bare skin. # Chapter 17 ## _One_ This was the first thing Benedict West saw when he pushed through the stage curtain at the Luxor. His lamp picked out two figures there on the dance floor. One was a tall man, the other a woman in a white nightdress. The fabric was darkly stained. Could that be blood? The guy carried the girl – only sort of twisted the top half of his body so he hunched over her, with his arms beneath her torso, and he was dragging her across the dance floor, her bare feet sliding on the timbers. Benedict saw she was unconscious (or dead?) while the guy's face almost touched hers. But there was _something_ with the face. The man appeared to be wearing a red dust mask... at least a kind of mask that covered the bottom half of his face. Then with a series of tingling shocks Benedict interpreted the information his eyes supplied. The arms of the man were unusually long and slender, malformed even (where were the hands?). While the figure's eyes were shockingly large (where were the eyelids?). Then he saw the mask wasn't a mask at all but a mouth... a huge red mouth that dripped saliva in silver threads on to the girl's throat. The mouth went down to the girl. Benedict saw the jaw move. _Dear God, was it about to gnaw the girl's face_? ' _Hey_ _!_ ' Benedict's shout cracked through the silence with the power of a thunderclap. Instantly the man looked up – but, sweet Jesus – what kind of man? Benedict found himself looking at a face with a huge flowering growth of a mouth, while the eyes were glinting balls... hard, glassy, lidless orbs that chilled his blood. The creature froze only like that for a second, holding the woman in its arms, then lowered her to the ground. Stepping over her, it crouched on bent knees. Benedict conjured images of hyenas protecting their kill, ready to attack rather than allow some scavenger make off with their meal. 'Hey! Leave her!' Benedict shouted again, as he ran forward, blasting the creature with the light from the lamp so it flinched before its brilliance. Dropping down from the stage, he advanced on the creature, swinging the light as he did so, feeling the reassuring weight of its metal casing in his hand. The camper's lamp hissed loudly. The light filled the entire auditorium. The creature glared at him through the light, the eyes not narrowing but bulging, becoming even larger in that monstrously distorted head. 'Get away from her!' He swung the light as if to strike the creature. For a second, the monster ducked forward, ready to lunge at him, but a close sweep with the hissing lamp forced it to re-evaluate. Instead it sprang to its feet and bounded toward the stage where it leapt with the agility of a baboon on to the boards before vanishing through the gap in the curtain. There was no doubt in Benedict's mind. Trying to follow the speeding creature would have been a waste of time. Besides, the girl needed his help now. Putting the lamp down on the floor he ran toward her. She looked young... late teens, he guessed. Her skin had a grey pallor while her hair was mussed. Bits of leaf and matchstick-size twigs stuck to her hair. Mud painted dark stripes down her nightdress (not bloodstains, thank God), while her feet and knees were coated with filth. Worst of all, he saw that her face glistened with a silvery slime. That thing's drool had covered her lips. Had it been about to bite her? Or had it been sucking her mouth? He thought of that huge red mouth with what looked like a complex mass of lips and he shuddered. Dear God, another minute and.... She stirred. A grimace twisted her expression. 'Are you all right?' 'Noel?' She opened her eyes. They were unfocused; she could see nothing. 'No. My name is Benedict West. Don't worry. I'll get you out of here.' ' _Noel_ _?_ ' 'Look, I'll have to carry you. Don't be frightened. I'm going to get you to a hospital.' 'No... I can't leave.' 'Tell me your name, miss.' 'Robyn... please help me get home.' 'That's what I intend. But I'm going to have to pick you up. OK?' 'Help me....' She seemed to be coming to. 'Get me home please. Before he finds out....' 'Where's home, Robyn?' 'Here.' ## _Two_ The young guy in the pyjama pants with the chilli pepper pattern stared at Benedict in something that yelled out both disbelief and pure shock. ' _You found her where_?' 'On the dance floor.' 'Who the hell are you!' 'My name is Benedict West.' 'What have you—' 'Please, sir. She's very cold. If you step aside I'll carry her in... up the stairs?' 'Huh?' The young guy couldn't absorb what he was seeing with Benedict standing there at the door with the muddied girl in his arms. 'Upstairs? Is that where your rooms are?' 'Yeah. Sure. This way.' The guy got his act together. 'I'll follow you up. I need to use the flashlight so you can see.' 'OK, keep it on the stairs in front of me. More to the left... your left....' 'Jesus. What happened to her?' 'Let me get her somewhere warm first.' Benedict cradled the girl in his arms as if she were a child as he carried her. 'Are you her husband?' 'Partner. My name's Noel.' 'OK, Noel, which doorway?' 'This one. It's the lounge.' 'I'll put her on the couch. Can you grab a blanket? Her skin's like ice.' 'She's cold?' Noel couldn't understand. 'It's more than seventy degrees tonight. How can she be cold?' 'I think she's been _out_.' 'Outside?' 'In a way.' Benedict laid her down gently, supporting her head on a cushion. Behind him Noel lit an array of candles. 'No electricity?' 'No.' 'You're squatting?' 'I guess.' Then Noel turned his attention to the girl. 'Robyn... Robyn? Are you hurt? Has someone attacked you?' Benedict noticed Noel's eyes flicked down to her hips. No prizes for what the guy was thinking. ' _Noel_!' Robyn opened her eyes. For a second they held a light that blazed with sheer panic. Furiously she glanced round the room as if expecting to see... what? When she realized she was safely home she sighed and relaxed back on to the pillow. 'Noel, oh thank God, thank God.' 'Listen to me. Have you been hurt?' Noel crouched beside her, holding one of her hands in both of his. She shook her head. 'I heard a baby crying. I went to look for it when you said you were following me down on to the dance floor, only when I got down there, you didn't follow and I was alone then....' The words had burst from her lips; now she stopped, closing her eyes, shaking her head. 'Oh my God. I saw them, Noel.' 'Saw who, sweetheart?' 'I... I don't know. They were....' She shrugged, struggling to find the right words. 'Awful. Deformed. Monsters – I don't know....' Benedict saw the man glance up as if to ask for more information. Benedict shrugged, too. 'When I walked on to the stage I saw Robyn here. She was....' He winced, seeing the distress on the young guy's face. 'She was being dragged across the floor by this guy.' 'A guy... what guy?' 'I don't know... only he... he... there was something about him. Something... _wrong_.' 'How do you mean wrong?' Noel sounded angry now, rather than concerned. 'You stood and watched?' 'Look. Her skin feels like ice. Let me find a blanket. And a sponge and warm water so you can clean her up. Looks as if she's taken a bad fall in a lot of dirt.' Benedict didn't wait for the OK from Noel. He left him running his hand across the girl's forehead, trying to soothe her. But in truth it was the young guy who looked most het up. Benedict brought in the comforter, found a plastic bowl that he filled with warm water and then hunted round until he found a face cloth and towel in the bathroom. After a while beneath the comforter, Robyn became more alert while the colour returned to her face. Her blue-grey lips pinked. Her eyes were brighter. Benedict saw that she talked earnestly to her boyfriend telling him what happened. In the main, Noel shook his head doubtfully. Benedict returned to the kitchen where by the light of a single candle he boiled a kettle on the stove. When he couldn't find a jar of coffee in the larder he settled on drinking chocolate. He spooned the mottled brown powder into a pair of cups, added more sugar as an antidote to the shock that the young couple must be experiencing, then poured the boiling water. By the time he carried the steaming cups back to the living-room it was almost 1.15 in the morning. Through the apartment windows he could see the glow of downtown Chicago in the distance, while above it the stars burned like witch-fire. 'It'll taste sweet,' he warned. 'But it'll make you feel a little better at least.' 'Thank you,' Robyn said, pushing herself into a sitting position. Leaves still adorned her hair. Noel took his with a 'Thanks' and Benedict noticed a sideways glance of suspicion. Benedict asked, 'How are you feeling now, Robyn?' 'Grubby. Like I've played football single-handed against the Chicago Bulls....' She forced a smile. 'And lost.' Noel flexed his powerful fists; muscles bulged in his forearms. As he stood up he ran his fingers back through his hair. There was an edginess there, still. Looking at Benedict he said, 'I don't understand what Robyn was doing outside.' 'I don't think she left the Luxor as such.' 'As such? What do you mean?' Noel ran both his hands through his hair as he paced. 'And what were you doing here?' 'Noel—' Robyn began. 'But you've been attacked, Robyn. I want to know how... I want to know who by? When I went to sleep you were with me. Now I find you—' 'Noel, let me—' 'Attacked... and – and this guy says you went outside without leaving the building. It doesn't make one jigger of sense, does—' 'Noel.' Robyn took a deep breath. She gazed into the hot chocolate in the cup, seeing her reflection floating there. For a second she recalled terrible things. Benedict could tell from her expression. Gently Benedict broke the silence. 'It's a long story, but I'm trying to discover what happened to my girlfriend... ex-girlfriend,' he corrected with a grimace. 'Mariah Lee. One night she walked into this building. She never left.' 'We've seen no one else here,' Noel said quickly. 'I don't doubt you,' Benedict replied. 'She disappeared ten years ago.' 'Ten years!' 'Yeah, I know. The trail's going to be pretty cold after all that time.' He shrugged. 'It got under my skin. I can't stop looking.' Robyn shivered. 'Lucky you did.' 'I guess so.' Noel shook his head. 'But what made you go down there, Robyn? You knew that anyone could have been wandering round the building.' 'Not just anyone.' A tremor sounded in her voice. She took a deep swallow of the hot beverage. 'Sit down, Noel. Here beside me.' She wriggled herself into a sitting position beneath the comforter, her legs straight out on the sofa. Then she nodded at the armchair. 'Take a seat, Benedict. I want you to hear this, too.' After taking another grateful swallow of hot chocolate, she began to relate events from the moment she climbed out of bed at midnight. ## _Three_ Robyn explained what happened. How she'd heard the baby's cry and how she'd found no sign of an infant in the dance hall. Now she realized that it must have been a trick to lure her down there. As plainly as she could she then described losing her sense of direction in the dance hall when the candle blew out. Then came the weird sensation of passing through some boundary into a forest where – just as she'd dreamt many times before – she'd encountered monstrous figures in a clearing. As she'd fled, the creature with a great crimson eruption of a mouth had pounced on her. That's all she remembered. 'I must have passed out,' she added. 'Then I woke up on the dance floor with Benedict helping me.' 'But you never went outside the building?' Noel was still struggling with what he'd been told. 'No. The forest was inside, but....' She struggled with the explanation. 'But not inside, if you see what I mean? I saw streams and open sky. There were hundreds of trees. Thousands.' 'Take it easy, honey, 'Noel said gently. 'I guess you must have dreamt the trees when you fainted.' 'No, it was real.' 'But how can there have been trees _inside_ this building?' Robyn looked at the man called Benedict. He nodded. 'There's leaves in her hair. Moss stains and mud on her nightdress.' 'That proves she went outside. There's trees and a river back there.' 'But look at the leaves... this one here.' Carefully he untangled one from her hair. 'It's red but still supple; it's come from a tree in the fall.' He nodded at the billowing trees beyond the window, revealed as humpy silhouette shapes by starlight. 'This is spring. All the leaves are green. Besides' – he studied the star-pointed leaf – 'I reckon I've never seen a leaf like this before.' 'I don't know about that.' Noel began running his fingers through his hair again. 'But these people Robyn thought she saw. Obviously, she dreamt it... or it's the shock making her imagine she saw—' Robyn clenched her fists. She willed him to believe. 'I did see them. One attacked me.' 'And don't forget,' Benedict added. 'I saw him, too. And he wasn't what I'd describe as human.' ## _Four_ They talked for another hour. Robyn repeatedly had to reassure Noel that she felt fine. That all she'd done was suffer from shock. Which was true. A symptomatic effect of shock is that it affects the senses. Robyn found that the colours of her surroundings had almost faded to black and white. While objects on the periphery of her vision were fuzzy. Benedict had no problem with her story. From what the man said he'd been learning that the Luxor was a place with one hell of a mystery at its heart. Robyn watched the man talk. He had a pleasant crinkling smile but there was sadness in his eyes. He spoke more about Mariah Lee. Clearly she'd been the great love of his life; it pained him that he'd lost her. He also still loved her. He'd devoted his life to searching for the woman. He'd even moved from Atlantic City to be close to the place where she disappeared. Every few weeks the Luxor had drawn him back to sit in the lot and watch the door as if she'd magically reappear. At last understanding emerged like sunrise on the horizon. Robyn's fingers tingled, shooting flashes of electricity up her arms. 'Benedict. You haven't said what you're really thinking,' she told him. 'Thinking about what?' She looked into those sad eyes. 'You figure what happened to Mariah nearly happened to me. Mariah Lee walked out on to the dance floor where she found herself in that forest. Only for some reason she could never find her way back.' His cheek tremored as he spoke. 'In all honesty? That's the conclusion I've been reaching. She went in. She didn't come out.' Robyn glanced at Noel who said nothing. She could see two forces tore him. One made him want to cry out 'Stop talking this nonsense!' The other: Well... belief in what she'd told him was snaking its way into his brain. 'So you're looking for evidence of what happened to Mariah?' she asked. 'That's about the size of it. But I'm no great shakes as a detective. After all, I'm a freelance web designer by profession.' He gave a sad smile. 'The best I've got is a collection of old video tapes. The previous owner of the Luxor, one Benjamin Isaiah Lockram, made a series of documentaries about the place. He shot them himself on a domestic video system.' 'So you _do_ know what's been happening here?' 'Let's say I've had some tantalizing glimpses and mysterious clues, if that doesn't sound overly melodramatic.' He knitted his fingers together. 'But the problem is I have six videos numbered one through seven, but—' Noel made the mental jump. 'But one's missing?' Benedict nodded. 'Volume five. I figure that's the one that contains one God Almighty revelation.' 'Video tapes?' Robyn echoed. 'Yeah, that's all I could find. They're the obsolete Betamax cassettes that are about—' Robyn guessed what he was going to say. 'So big.' She held her fingers apart showing the span. 'That's it. Big clunky old things they are... hey, Robyn, you should be sitting down. You've suffered a—' 'No... I'm fine.' Robyn stepped away from the couch. 'Take it easy, you're—' 'Noel. Let go. I'm fine.' She felt a burst of triumph. 'I found a box of old video tapes in the larder yesterday. I put them through....' This time a wave of vertigo pulled her back. Both Noel and Benedict caught her as she crumpled. # Chapter 18 ## _One_ Robyn understood the moment she saw Noel. He laid the revolver down on the bedside table and began to untie his sneakers. She glanced at the little travel clock she'd brought with her from home. The time was 4 a.m. Beyond the windows it was still dark. Her eyes were drawn to the handgun. In the candlelight it gleamed a blue-black, reminding her strangely of bat skin. She shivered. 'Noel?' 'It's OK, honey. Go back to sleep.' 'You've been down to the dance floor, haven't you?' He blew out the candle. 'I didn't mean to wake you, sorry.' She heard him slide under the comforter beside her. 'How are you feeling now?' 'I'm fine.' She felt his lips find the side of her face in the darkness and kiss. 'Noel?' 'Hmm?' 'You went looking for the man... that thing... that attacked me?' 'After what happened tonight I thought it best to check that there was no one around.' She tried to make a joke of what she said next but her voice came as a nervous laugh. 'You didn't shoot anyone, did you?' 'No. I saw nothing.' 'You do believe me, don't you?' 'Yes.' 'Because there was this guy, or – or thing with a mouth that was huge and red; its head was misshapen, and the arms.... I'm sure there was something—' 'Robyn, hey Robyn,' he hushed. 'Take it easy. You're trembling.' 'I'm not frightened. I just want you to believe what—' 'I do believe... that guy Benedict saw it, too.' 'What do you think it is?' Noel hugged her in the dark. 'Robyn. Its four in the morning. It's not the time to speculate on... you know, weird guys. The main thing is he didn't hurt you.' 'You should have seen the eyes. The way they stared at me; they were so cold. You could have—' He shushed her softly. 'Please, Robyn. Try and sleep. You need rest now, you've had a hell of a shock tonight.' 'OK.' She turned over so her back was to him. But it wasn't in anger; she needed to feel his muscular presence form a protective barrier close to her. 'I'll stop talking,' she murmured. 'But hold me, will you?' 'My pleasure.' He put his arms round her and rested his face against the nape of her neck. 'Noel?' 'Hmm...' he sounded half-asleep. 'Promise me you won't go hunting anyone with that gun again?' ## _Two_ At the same time Noel and Robyn were drifting into sleep with the handgun squatting darkly on the bedside table, Benedict sat in his apartment with the box of videotapes beside him on the couch. By the time he'd kicked off his shoes, poured himself a stiff one, and started to sort through the twenty or so Betamax tapes his heart had begun to pound. After Robyn had shown him the tapes she'd found in the Luxor's apartment (she'd been pretty unsteady on her pins after being attacked by that _thing_ on the dance floor) he'd left the building by the hole in the rear door of the building, then driven home faster than was legal or safe. But he sensed he was so close now to learning about what happened to Mariah Lee. He was certain the key to the mystery lie somewhere in this pile of old videotapes. Now the moment had come to search through the cassettes unease twitched his gut, because at the back of his mind he'd always anticipated a reunion with Mariah. And that she'd be as lovely and as fresh-faced as he remembered her. Now, after hearing Robyn Vincent's account of what had befallen her in the Luxor, Benedict began to doubt that he'd ever see Mariah again. Benedict recalled Robyn's description of what happened to her. How she became disorientated on the dance floor in the dark. How she'd found herself running not on timbers but over leaves. How she'd stumbled into a damp, dripping forest peopled by monsters. It should have been easy for him to down those shots of whiskey, then dismiss Robyn's statement about encountering hideous, malformed figures in some alien forest. Only he couldn't. For he'd seen the monster, too. ## _Three_ In his dream Ellery Hann stood beneath grey skies. All around him ran a vast forest. The coming winter had stripped branches of their leaves. The scene wasn't unlike the scenes he conjured into his imagination as he sat in the armchair in the Luxor. Beyond the forest, mountains rose. On one mountain stood a city that shone so brightly it could have been a chunk of the sun embedded there. Ellery smiled. That distant citadel called to him. In his bones he knew that was the place he truly called 'home.' It was a city of Persian style domes and ancient spires. Clustered below dreaming spires were thousands of houses, each with its garden where grape vines clung to walls, where roses lined pathways led to orchards of lemon, orange and pomegranate. Deep down, the sleeping Ellery Hann knew he was dreaming. Even so, he thought: _If I could only reach the city before morning I might actually wake and find myself there._ Ellery began to run. If only he could run fast enough before he woke. Then he might open his eyes in the shining city instead of waking in an apartment that stank of sweat and stale beer, and the spiky odour that proved both his father and brothers were none too accurate when they relieved themselves in the bathroom. Ellery ran harder through wet grass. He plunged into the belt of trees, wove in and out of tree trunks and leapt over root clusters. _If only I can keep running for an hour. I'll leave the forest behind me. I'll be in the foothills. The city can't be much further than_ — Music jarred him out of his sleep. A lavatory flushed in the next apartment. Bacon smells seeped beneath the door. His father's snore droned through the thin wall. One of his brothers cussed over some irritation or other. Ellery groaned with disappointment. For a second, even though his eyes were open, he could still see the shining city in front of him. Then as a baby began its thin cry on the landing the beautiful vision faded. Ellery groaned again. This time the groan formed a name: 'Logan.' ## _Four_ Ellery turned left on to Fairfax. A quiet street. There were a few stores selling second-hand furniture; a couple of derelict commercial buildings: not much else. The sun burned hot against his back as he walked. On TV that morning the weatherman had said he'd never seen a Chicago April as warm as this one. 'So toasty it proves the world's gone weird,' he'd added. Not that the state of the climate concerned Ellery Hann on that Tuesday morning at a little after 8.30. You can never tell with Logan, he thought. At school he wasn't your typical bully. He'd explode some guy's nose one day then talk to him the next as if nothing had happened. Logan'd work himself into a rage then threaten to mutilate you, but then he'd get distracted (short attention span for sure) and go kick some other guy instead. But what Logan was never short of was an appetite for violence. Sometimes it didn't really matter whose face he was bloodying, as long as he was getting high on punching someone. Yesterday, he'd threatened to splinter Ellery's leg bones but over-night Logan might have redirected his violent urges at some other innocent victim. Oh yeah, and it complicates things that since leaving school Logan'd decided to build a career in petty drug dealing (not to mention rumours that he mugged the elderly for both fun and profit). A weight settled in Ellery's stomach as he walked along Fairfax. Ahead stood the workshop where he worked. In less than four minutes he'd be safely inside. The problem was there were alleyways running off at either side of the street. You only saw who was in them when you actually walked by the entrance. But then maybe Logan wouldn't be there? Or maybe he'd be stoned and just glassily stare at Ellery as he walked by? Perhaps the cops would have caught up with the thug? Maybe he was locked down tight in jail? Maybe a rival dealer had slit his— 'Ellery... what did I promise to do to you if I saw you on my territory again?' All the maybes vanished from Ellery's mind. He turned to see Logan standing in the open gateway to a derelict warehouse. Logan's tattooed fists hung down loosely by his side. He wore a red bandanna so low down over his forehead it covered his eyebrows. A cigarette jutted from the side of his mouth like it was a bone-white nail hammered into his teeth. The guy stood framed by the brick archway – a looming giant of a figure that oozed menace. He used one of his big muscular hands to draw the cigarette from his mouth in a swirl of blue smoke. 'I'm going to keep my promise. Enjoy the use of your legs while it lasts, buddy.' 'I – I – th... thar—' Ellery began. 'What the hell made you come back here, when you knew I'd cripple that skinny little bastard body of yours?' Logan glanced to his right and Ellery saw that he'd brought along a whole pack of his bodies to enjoy the show. 'You should have stayed away Eh-Eh-Eh-Ellery.' Logan mimicked Ellery's stammer with a smirk. 'I w—wer—-work here. I've g-got to come.' 'You should've quit, then you'd have avoided all the hurt. Now....' He shrugged. 'It's pow-pow time.' Ellery glanced along the street. Unless you counted an old guy walking a dog and a couple of school kids there was no one to help Ellery. Trucks rumbled by but no way would they stop and save Ellery's skin if the drivers saw some kid they didn't know being bounced around by a street gang. The best Ellery could hope for was for a stranger to summon an ambulance to scrape his busted bones up from the pavement. _Damn, this is it_. Ellery thought: Run! _OK, I run, I get away from them but I'd only have to walk down this street tomorrow to work_. Like dozens of times before a sense of acceptance of the inevitable ran through him. _Might as well let them do some shoe work on my face and legs. They're going to get me in the end anyway._ The younger kid called Joe circled behind Ellery and shoved him forward into the courtyard of the old warehouse. Now he wasn't even in plain view of the street. Ellery noticed a row of aluminium baseball bats lined neatly against a wall. They'd planned this. Now they were going to execute the plan. Logan grinned at his buddies. 'Some of you know Ellery here: some of you don't. He can't speak... not like a human anyhow. He yabbers like a monkey....' Ellery thought about the Luxor. About the woman and the man he'd met there, and given them a place of safety in the apartment.... 'Funny thing is about Ellery,' Logan was saying. 'He never ducks a punch or tries to run. Show 'em, Joe.' Joe threw a punch at Ellery catching him on the cheekbone. Ellery staggered but regained his balance. Ellery thought about the city he dreamed about. The one that shone as bright as the sun on the mountainside. He wished he were there right now. That was his home... not this town. And in the shining city lived his _real_ family. 'Hey; Beanie.' Logan nodded at a guy with a shaved head. 'Take a poke at Mr Ellery here.' Another punch split Ellery's eyelid. Blood ran like crimson tears down his cheek. These guys were Logan's new recruits. This was more than just sadist playtime. There was an important purpose to all this. Firstly, Logan was tying the partnership bonds with his new buddies by indulging in this illegal blood ritual. Also, when they left Ellery with broken shinbones and a busted face, Logan's new team members would be thinking, _Jesus Christ, I'm glad that didn't happen to me_... then realizing it _would_ happen to them if they disobeyed Logan. Ellery began the retreat deep into his skull where they couldn't hurt him. Another guy stepped up to the mark to punch Ellery in the stomach. He doubled, gasping. A crimson bolt of pain surged through his abdomen. 'This is a neat trick with Ellery.' Logan grinned. 'Grab him by his hair with one hand. Then use the other to break him up round the eyes a bit. Good short jabs. That's all you need.' Logan grabbed a handful of Ellery's hair at the back of his head. _Please_ , Ellery thought, _vanish into the back of your mind. They can't hurt you there. They can't reach you_.... As he searched through his mind for an image to lock on to so it would distract him from the beating, he found himself thinking about Robyn Vincent. He remembered how convinced he'd been that they'd met before. She was important to him... but why? He couldn't remember meeting her before. The hand tightened at the back of his head, ripping hairs out from the scalp. 'Ten bucks says I can break the fuck's nose bone with the flat of my hand.' Logan glanced round, looking for takers for the bet. His buddies grinned then nodded. _Come on, disappear into yourself_. Ellery tried. Only he couldn't. His heart pulsed in painful squelches. Dear God, he was going to feel every blow. For some reason he couldn't hide inside his imagination. For some reason his mind kept going back to Robyn Vincent. She had hair as fine as a baby's. Her features were delicate. And there was some light in her eyes that Ellery had felt so compelling. When she'd first entered the dance floor with her boyfriend, Ellery had experienced something like electricity crackle through every nerve in his body. _She's special_.... _But why is she special?_ What had he identified there in the light of her eye, or in the arrangement of delicate, otherworldly features? 'On the count of three.' Logan raised his open hand so the palm would snap Ellery's nasal bone. Behind him the other thugs chose their baseball bats. 'One....' _She's so special... because THEY need her baby._ Logan smiled cruelly. 'Two.' The words soared up from somewhere deep inside of Ellery. When he spoke there was no stutter. 'She needs my help.' The clarity of his voice made Logan pause. A puzzled frown twisted the skin between the thug's eyes. 'Hey, Logan,' Joe laughed. 'Monkey man spoke properly.' He jabbed Ellery in the side with the end of the baseball club. 'Who needs your help, monkey man?' They all laughed. Logan's lip curled. 'It's you who needs help, Eh-Eh-Ellery.' He lifted his hand ready to deliver the nose-breaking slap. 'Ten bucks says I do this, right?' 'Right!' they chorused. 'Three.' Between the start of Logan's hand moving and contact with Ellery's face, Ellery knew that Robyn _needed_ him. He didn't know why. It was as if he'd been given important information years ago. For a long time it had been hidden in mists of forgetfulness, now the reason why he needed to be close to the stranger, Robyn Vincent, began to emerge. He needed to go there now. Even _now_ might be too late. But nothing – _nothing_ – could get in his way. _Nothing_ should delay him a moment longer. The urge to run to the Luxor blazed in his bones; a fire of urgency that meant he couldn't stand there as limp and as passive as a corpse. He twisted to one side as Logan's open-handed blow sliced through the air. Even though the thug held Ellery by the hair he turned his head far enough so it was his cheek that took the force of the blow. The fact that Ellery had moved at all when normally he stood there still as a scarecrow to take the kicks and punches surprised Logan into releasing his hair. 'So you want to dance, Ellery? I figure I can still nail you down with a couple of jabs.' Logan said this to his buddies as if it was all part of a performance. He wanted to look good in front of them. The worm Ellery Hann meant nothing to him. He'd be crushed soon anyway. Ellery knew he should go to the Luxor _now_. He needed to find Robyn _now_. At that moment he was only half-aware of his actions. A remote but powerful intelligence pulled the strings. Looking up, he saw Logan towering over him. The underside of the jaw was black with stubble. A smear of yellow egg yolk from breakfast gummed the hairs. The big Adam's apple bobbed as he boasted how he'd break Eh-Eh-Ellery's kneecaps. Jesus, no. Ellery willed himself not to but he couldn't stop what he did next. With all his strength he jabbed his fist upward at the underside of the thug's chin. So hard was the blow it sent a lightning bolt of pain cracking along Ellery's forearm. Just for a second Logan jerked his head down to lock his gaze on to Ellery's frightened eyes. The big man couldn't believe what Ellery had just done. All these years the stammering jack-rabbit of a kid had taken abuse without a whimper.... Ellery tensed expecting a flurry of fists to beat him into an early grave. But Logan stared at him with absolute wide-eyed surprise. Then the man's eyes clouded as for a split-second the force of the uppercut made itself felt. Logan staggered back, tried to recover his balance... failed... then dropped backward to land butt first in a sitting position in the courtyard dirt. The others could have mashed Ellery into the ground in one second flat, but they were so surprised to see their boss knocked from his feet by the ninety pound kid all they could do was stare with the stupidest expressions on their faces. The all-important split-second passed. Logan's eyes sharpened as full consciousness kicked back in. He glared up at Ellery. 'That's it, Hann, you bastard. You've made your last mistake. You are a _dead man_!' Ellery turned and ran. Joe went to block his way but the force that had driven the uppercut to topple the thug flashed through Ellery's muscles again. He ran straight at Joe, shoulder charging him into the wall. From the corner of his eye, Ellery saw Joe double up, winded. Ellery Hann knew he couldn't stop running now. Somehow he'd have to make it to the Luxor. But even as he ran he heard feet drum against black-top. Logan's gang wasn't going to let him escape so easily. # Chapter 19 ## _One_ RUN! The word was more than a word. It was a command. A need. A lightning strike bursting in his brain, igniting his nerve endings. RUN! Ellery blasted along Fairfax, his legs pounding. Already his heart surged against his ribs; the sound of his panting filled his ears. Glancing sideward into a store window, he saw his reflection. A thin 19-year-old with an elfin face and black hair. Running so hard his limbs were a blur. He saw Logan's gang, too. They were running hard. Some carried baseball bats. And in that furious pack would be Logan, urging them to shatter Ellery Hann's bones. The day job meant nothing to Ellery now. He knew his destiny lay at the Luxor. Somehow it was wrapped up in the teen runaway Robyn Vincent. He had to lose the gang, then get to the Luxor as quickly as possible. Ellery ran past the entrance to the repair shop. At that moment he had no plan. All he knew was: _RUN. Keen running. Don't let the thugs catch you_. OK, so those guys bulged muscle but they were heavy. Wet through, Ellery weighed ninety pounds. Lean and nimble, he wove around parked cars. All the time he scanned ahead, hoping to see some way of evading Logan's buddies. For they had the blood lust on them now. They yelled insults. Promises of revenge flew from Logan's lips. Ahead, a few cars cruised along Fairfax. Traffic lights ran through their sequences. A light scattering of pedestrians ambled to work in the cheap stores. A pain stabbed into Ellery's side. Exhaustion began to drag at his legs. The stitch worsened. _I'm going have to stop running soon,_ he told himself. _I can't keep up_ _this pace._ _Only the moment I stop_.... A flurry of bloody images raced through his head. The thugs smashing their fists into his face. Logan stamping on his head. Fear jolted him, giving him enough energy to drive his legs even harder, although it didn't last more than a moment or two. Then his pace slackened. Logan would destroy him. Ellery's vision blurred with exertion. Sunlight became a tunnel of dazzling streaks through which he ran. Buildings became gooey blocks. He never even noticed the drivers who pounded their horns as he ran down the centre of the road. _I'm slowing... I'm slowing_.... Behind him the gang sounded close now. He could even hear the way the phlegm crackled in their throats as they closed in. Ellery's heart hammered. His own respiration whistled through his throat. The windpipe was contracting, narrowing to a chokingly narrow tube. Now it was a battle to draw air into his lungs. This chase would end in seconds. Desperately he cut to his left where an on-ramp linked to a freeway. Trucks and cars rumbled along at sixty miles an hour. Maybe if he took the chance he could run across the busy road. The flow of traffic might stop Logan and his gang from following. He risked glancing back. Logan was perhaps five yards behind him. The thug's eyes burned with the power of laser beams. The vicious snarl had returned to the stubbled face. Written through it: _I'M GOING TO KILL YOU, HANN._ Also plunging down the freeway on-ramp sped a flat-bed truck. Its driver had his eyes over a shoulder, concentrating on finding a space in the flow of vehicles on the freeway. He didn't notice the running teenagers charging alongside the road. Ellery realized that his pursuers had to jump on to the dirt strip at the side of the road to avoid being smashed on the truck's fender. The trucker slowed sharply, air brakes squealed. He'd seen a space in the traffic where he was going to slot his vehicle. The cab came level with Ellery, then passed, the engine growling as the trucker applied the gas. The flat-bed came alongside Ellery. It was a low-loader and carried, of all things, a police car tied by heavy-duty ropes to the back. _It's now or never_. Grunting with effort, Ellery grabbed one of the restraining ropes and flipped up on to the back of the truck so he laid flat on its boards alongside the police car riding piggyback. The concussion knocked the air from his lungs. His shoulder took a wrench while his foot twisted so hard in the leap the pain blazed up his calf muscle. The trucker never noticed. He found the gap in the traffic and sped away. Hair rippling in the slipstream Ellery lifted his head from where he lay clinging to the rope. Logan's crew ran on as if even then they somehow hoped to catch the truck but one by one they stopped, then leaned forward, supporting the weight of their torsos by gripping their knees. Even though they were exhausted, Ellery could see frustration rage across their faces. Some of the gang flipped him the finger. One shook his fist. Logan merely stared. Even from this distance Ellery recognized the promise of revenge it held. ## _Two_ 'You're due in college this morning,' Robyn told Noel. 'I'll fix you breakfast while you shower.' 'I'm not going.' 'You've got to go, Noel. You'll drop behind.' 'I'll fix it,' he told her. 'I can work on an assignment here in the apartment.' Robyn watched him lay a folder on the kitchen table. Beside it he set pencils and a pen. Concern filled her. 'Noel. We can't let this affect your studies.' 'Thank you.' He smiled. 'But there's no way on earth I'm leaving you alone after what happened yesterday. What if the guy with the....' He made rotating motions with his fingers near his mouth to allude to the creature with the petal-like profusion of lips. 'What if that thing tried to get in here while I was out?' 'I'm OK, Noel, I'm sure it's long gone. We should—' But he wasn't listening. 'Jesus. My mind keeps going back to it. That thing had a hold of you. What if Benedict hadn't interrupted what... whatever it planned to do to you? My blood runs cold just at the thought of it.' Robyn put her arms round him. 'Listen. I know you care and you're concerned for me... knowing that makes me love you even more. But this apartment's like a fortress. No one can get in here if the doors are locked.' 'But it's going to be hard to walk out of here, knowing you're alone.' 'I'll be safe. I've got Percy the Pistol, remember?' Even his frown gave way to a smile at the jokey reference to the gun. She sandwiched his face between the palms of her hands and brought it down so she could kiss him. 'And what is essential – no, vital! – you've got your studies. Be brilliant. Pass your exams. Qualify. Then we can make sure Noel Junior has a great start in life.' Smiling now, he relaxed. 'Yeah, and we've got to open Junior's college fund.' 'Exactly.' 'Even so, I'm not going to college today. No, don't try and talk me out of it, Robyn. Crazy horses wouldn't drag me away from this place today.' He'd barely got the sentence from his lips when a fierce pounding started on a door somewhere downstairs. 'That's the door to the lobby,' she said, noticing the way the colour drained from Noel's cheeks. Grim faced, he nodded. 'Looks as if we've got a visitor.' Robyn watched him get the gun. ## _Three_ At the same time as Noel collected the revolver from the bedroom in the Luxor, Benedict West stood in his own apartment gazing at the black slab of plastic that housed the Betamax tape. 'OK, Benedict, old buddy. Are you going to stare at this all day, or you going to watch it?' The tape seemed to pulsate in his hands. He sensed that it contained the answer to what had happened to Mariah Lee in the Luxor ten years ago, and explained what had befallen Robyn Vincent just hours ago. 'Hell, I should get some sleep.' Only he knew down to the roots of his bones he'd never sleep until he watched this damn VCR tape. But then what he saw revealed there in those grainy shots might chase away sleep for a good time to come. He was hunting answers. And yet he suspected the answers contained in this tape might be very dark ones indeed. Taking a deep lungful of air, he switched on the TV, slotted the cassette into the machine, then depressed the button marked _Play_. ## _Four_ From where Robyn stood on the stair she could see the pale face through glass strips in the door to the lobby. With the glass being heavily frosted, the face was a distorted mask set with two over-large eyes. The lower half of the face was a mass of red. Instantly she recalled the figure that had lunged at her in the forest. The thing had the face of a monster. Worst of all had been the huge red mouth with over-lapping lips that dripped saliva. 'Stay back on the stairs,' Noel told her. Even though he kept the muzzle of the pistol pointing downward she heard the click as he drew back the hammer. 'Noel, don't open the door.' 'It's OK, Robyn.' 'I know what's out there. It's the thing that attacked me.' 'Stay back,' he whispered. 'I'll just open the door a couple of inches.' This time he raised the pistol so it pointed at the door. 'Noel, please. It's that _thing_. Keep the door locked.' 'If it is, it'll save me hunting the bastard down.' Noel opened the door. From where she was standing she couldn't see who'd been knocking on the door. But she saw Noel flinch backwards with a startled. 'Oh, my God.' Without thinking she bounded down the stairs to be at Noel's side in case he needed her. When she saw the caller she stopped dead, too. 'Ellery,' she breathed. 'My God. What on earth happened to you?' ## _Five_ 'This is turning into a hospital emergency room,' Noel said, with a tight smile as Robyn worked on Ellery. 'Robyn last night. Ellery this morning.' 'I – I'm s—sorry to bother you.' Ellery said. Robyn shushed him. 'No problem. Tilt your head back to the light. There... it looks worse than it is.' She wiped away the bloodstain from his mouth that formed a red-brown beard pattern. It was blood smeared there that led to her mistaking Ellery for the creature with the multi-lipped mouth. Ellery's eye was also swelling from a blow that had left a vertical split in his eyebrow. Noel shook his head. 'These guys that did this to you Ellery, you've got to report them to the police.' Ellery winced. 'No... no. Ei – it will owe... only make thing w-worse.' 'Worse? They tried to kill you, Ellery. They split your lip open.' 'I—I did that myself. Jer-jumping on to a truck. Ankle, too.' Both Robyn and Noel had to help him walk. He'd yanked his ankle pretty badly. The foot had swollen so much he'd been forced to remove his sneaker. 'I'll find the first-aid kit,' Noel told them. 'But you should reconsider about going to the cops. Those thugs don't deserve a second chance.' Robyn continued to gently sponge around the wounds as Noel went to bring the kit. 'They've done this before?' she asked. 'Yes. A kid called Logan... he's not usually as bad as this. But he's setting up some drug deal close to where I work. As well as marking out his territory, he's also proving to his buddies that he's a hard man.' Robyn looked at Ellery in something close to wonder. 'Ellery?' 'Hmm?' 'Your voice... you've lost your stammer.' Ellery's face registered surprise too. And when he spoke he phrased the words carefully as if testing it out. 'I don't know why... I don't know why that is.' His face brightened into a smile as he realized the words were forming themselves perfectly. 'Maybe it's a day for miracles.' The smile broadened into a grin. He winced as the raw wound pulled. 'Ouch.' 'I wouldn't call being beaten a miracle.' He shrugged. 'I don't know. But it made me realize I had to come back here straight away.' 'Why?' 'I don't know that either. It's strange but I _know_ I have to be here.' She smiled. 'I got the same feeling when I saw this place for the first time. Maybe we're just a couple of dreamers.' He let his eyes travel round the room. 'There's something about the Luxor, isn't there, Robyn? There's a kind of beat in the air. Like a heartbeat. It feels as if the walls are coming alive.' 'It certainly got lively a while ago.' She shivered. 'Last night was something else.' 'Noel said that you had trouble. What was it?' 'I'll make a jug of coffee. It's a story and a half, believe me.' 'I've been coming here to the Luxor for years. There's a buzz about the place. And when I ss... sss-sit in the ch-chair I – I—' The moment that Noel returned with the first-aid box Robyn noticed that Ellery's voice petered out into a welter of broken syllables and false starts. She also noticed the change in expression on Ellery's face as he realized the stammer was back. Clenching his fist against his lips, he fell suddenly silent. In fact, he said nothing for a full ten minutes as Robyn applied sticking plaster on the cut above his eye and gently rubbed cream into the grazes on his face. At last he took a deep breath, tensed as if forcing the words, then said, 'Than – Thank you.' Noel said, 'I don't keep my car here so I can't give you a lift I'm afraid. But I could use my mobile to phone for a taxi?' 'Nn... thanks.' He shook his head. 'Low—Logan. The guy who – who wants t-to scramble my fay—face knows where I... where I....' His voice jammed up tight. 'Knows where you live?' Ellery nodded. 'I nee... need to find a place to... to l-lie low for ah – ah – a while.' Robyn clapped her hands together. 'Problem solved,' she told him firmly. 'You're going to stay here.' 'Here?' Noel echoed doubtfully. 'Why not? There's a spare room. We've food. Candles galore. Hey, we've even got a place where we can go dancing right outside our front door.' The expression on Noel's face asked: _Robyn, have you thought this through_? while Ellery Hann looked to be hugely relieved. As if this is what he wanted more than anything but was afraid to ask. 'Of course Ellery should stay here. If this place is big enough to house two teenage runaways it's big enough for a third.' She smiled. 'Isn't that so, Ellery?' Ellery smiled and nodded so vigorously it twinged his strained neck muscles. Rubbing his neck, though, he still continued to smile. 'I suppose—' Noel began. 'Besides,' Robyn told them, seeing the answer to a problem. 'With Ellery here to look after me there is nothing to stop you, Noel, from going to college.' ## _Six_ Logan was pissed. 'I'm going to break Ellery Hann into pieces. He's never going to walk again this side of Christmas.' He looked at his buddies as they swaggered along Fairfax. 'He thinks he was smart getting away like that, but I know where the fuck lives.' 'If he's smart enough, he won't go back home in a hurry,' Joe said. 'Yeah, but I know something he doesn't.' Logan smiled a cruel smile. 'I know where he goes to hang out when he wants to be alone: A dump across town.' He pulled a cigarette from the carton with his lips. 'It's called the Luxor.' ## _Seven_ Benedict West sat on the couch for a full hour after the videotape had played out to the end. The missing Volume Five. Made by the owner of the Luxor. For years Benedict had believed that tape five held the key to the mystery of Mariah Lee's disappearance. That belief had grown and grown until he half-accepted he shared the apartment with that belief like people share their homes with a pet. That it acquired an independent life. The elusive missing tape had haunted his waking hours. Now that he'd finally found it and watched its contents flickering there like ghosts on TV he knew that it would still continue to haunt his life. With a far greater power. And a darker power. He would give a million dollars not to do so, but he knew he had to watch the video tape again. And this time make notes. The contents of the tape were important. What's more, Benedict West knew that lives depended on his ability to understand what that flickering footage contained. After rewinding the tape, he pressed the play button. This is what Benedict saw. # Chapter 20 ## _One_ _We are nothing; less than nothing, and dreams. We are only what might have been._ Benedict West sat forward on the couch, his elbows resting on his knees, the palms of his hands pressed together, the two forefingers touching his lips. He looked like a man on the verge of contemplating prayer. As if he was about to ask Divine protection from what would emerge on the TV screen. _We are nothing; less than nothing, and dreams. We are only what might have been._ Those grimly fatalistic words floated in heavy black print above a shot of the Luxor. The footage was old. Faded. Poor tracking caused the picture to quiver, then lurch to the left before the tracking system automatically wrenched it back screen centre. It took no specialized detective skills to date the video footage on what had been the elusive Volume Five. The Luxor had still been open for business. Bands still played there. In the parking lot were a dozen cars representing models from three decades ago. Parked at the rear doors a truck unloaded kegs of beer. This was the same entrance that Benedict had used, gaining access via the smashed door panel. Now a trucker rolled a keg through wide-open doors. A fresh looking poster by the ticket office entrance advertised: _Hot New Talent Night. The Stars of Tomorrow Perform Today. Doors Open 7.00._ This had been filmed on a grey winter's day. Leafless trees rocked in the breeze. Even the dance hall itself seemed to tremble as air currents tugged the camera, shaking the lens. Only that statement superimposed on a cloud-bearing sky remained as immovable as a monument to the dead. _We are nothing; less than nothing and dreams. We are only what might have been._ Viewing the tape second time around that morning, Benedict found himself picturing the maker of this homemade documentary film. He knew that the footage was the work of Benjamin Isiah Lockram, the then elderly owner of the Luxor. Clearly the place fascinated Lockram. Whether it had begun as a hobby Benedict couldn't tell, but the old man had set out to make a video about the building, the history of the site and to talk about the acts that had played there in its eighty years of business. Everyone from vaudeville acts, to minstrel bands, boxing matches, all-night jazz festivals with Harry Clark's Syncho Six, blues concerts through Buddy Holly, Grateful Dead, The Four Tops, REM to Nirvarna and beyond... while a whole phalanx of bands had come to strut their thing, then passed on never to be heard of again, their singers destined to wait tables, their drummers fit tyres, and legions of guitarists forced to reconcile themselves that they were never going to rival Jimi Hendrix. The Luxor was a conduit to fame for some, or the slimy slope to oblivion for others. Again, Benedict marvelled at Lockram's burning passion to capture images of not only the fabric of the Egyptian-style building with its gods and pharaohs, but the spirit of the place. That numinous effulgence that lit the hearts of so many who passed between the mock pillars to hear music and dance deep into the night – and briefly escape their day-to-day lives. Lockram had set out to capture the magic of the place. What he actually recorded was the nightmare that lay at the Luxor's dark heart. Benedict recalled seeing the earlier video recording in this sequence of seven volumes. The first volume contained a seemingly pedestrian film about the Luxor. It had ended with a shot of Lockram's wife dead in the apartment. He'd filmed her lying on the bed with her face shrunken and her eyes falling inside the head as body tissue shrivelled. To film your dead wife's morbid enough, Benedict reflected, but Lockram had to have a valid reason. He appeared a perfectly rational man. Now this videotape – Volume Five – at last began to provide some answers. When the exterior shot of the Luxor faded along with the _We are nothing_ line it was succeeded by a simple shot of old Mr Lockram. He was siting in a typist's swivel chair in the centre of the Luxor's dance floor in pretty much the same place as the armchair sat now. A single baby spotlight illuminated him from the overhead gantry. A tight shaft of electric radiance that reminded Benedict of that 'beam me aboard, Scotty' column of shimmering particles that drew Kirk and crew back to the ship in the old _Star Trek_ show. Even though the aged tape spangled of its own accord, Benedict could discern the twinkle of dust motes in the spotlight that duplicated the otherworldly special effect. Benjamin Lockram appeared calm on screen. Although now Benedict might substitute the description with: _resigned_ , or even: _fatalistic_. Whether this presentation of Lockram's 'confession' using video footage revealed the old man's love of the theatrical, or whether he genuinely believed it the most effective way of telling his story, Benedict didn't know. Whatever the man's intention it was disturbing. It had the power to frighten. On the sofa, Benedict held his breath as chills needled their way to his fingertips, the grey-haired man was about to speak. The voice came whispering from the TV. Somehow there was a sense it came in ghostly waves across a vast, dark gulf. _'I am dead. Or should I say, by the time you – whoever you are – see this I will be dead? And I will have followed my wife to whatever... or wherever_....' Lockram cleared his throat. Benedict West's attention was drawn to the man's eyes – those eyes that were full of quiet wisdom but sadness, too. The eyes of a saint. After looking directly into the camera lens, the effect being that Benedict felt as if he locked gaze with Lockram himself, the man resumed speaking in his slow, rhythmic way as he sat there in that beam of white light that formed a shining aura around his head. _'My life began leading up to this moment the second I walked through those dance-floor doors when I was fifteen years old. I am now eighty-four. From that instant the Luxor had its grip on me. I knew then that this place was special. And it was more than knowing – it was – it was feeling too The Luxor cast its spell. Soon I was working here. Within ten years I managed the Luxor. Ten years after that I'd bought the place. It became mine I possessed it. Hmm.... I possessed it? At least at the time, that's what I thought. As you saw on the earlier tape I'd moved into the apartment upstairs and lived there with my wife for fifty years. And that's where Nathaniel was born. This is the fifth film I have made using video equipment I acquired recently. I'm no moviemaker; however, the camera and editing machinery are simple enough to operate. Oh? But why have I chosen to go to the trouble of producing this document as a TV_ _programme when I could have more easily kept a diary? Well I believe the reasons will become transparent when you see the programme I made. And yes, there are rough edges. There will be shots that are blurred, sound that is muffled. I haven't mastered the camera-operator's art of the dissolve or the tracking shot. My hands are rather shaky these days. But I have made this programme to the best of my ability so you – whoever you are – will understand what has happened here in the Luxor. What you will witness are equal measures of the miraculous and the monstrous_.... ## _Two_ Floating free in the back of his mind were still recollections of the crook he'd watched die on the steps of the Luxor just days ago, and seeing that thing with the gross red mouth bending over the girl he now knew as Robyn Vincent, who lived with her boyfriend in the Luxor's apartment – the same one inhabited by Lockram years ago. Those recollections were there because with an uncanny symmetry the video he now watched matched some solutions to earlier puzzles. In that slow, rhythmic way Benjamin Lockram's words came ghosting down the years through the mediumistic power of the TV. _Many happy decades I enjoyed at the Luxor. I shook Buddy Holly by the hand at the bar over there in the corner. He was a tall man, softly spoken, and he had a smile that lit up a room. And Mr Buddy wanted to know why so many crows had settled on the roof. At the time I didn't know the significance of this, that it was an evil omen. He'd even picked up one of the long crow feathers and tucked it into the tuning peg of his guitar. A little while later I heard about his fateful flight into a snowstorm. The same night as the Holly concert there was a guy here celebrating that his girl had agreed to marry him. I remember that, too. He bought the champagne we used to stock then. Chermpagne. A sticky sweet liquor brewed from cherries of all things. But sometimes it's as if there's a great spirit in the sky that weighs up how much happiness you have. And if you have too much it takes some back. The same happened with this kid. It seems the girl's sister was jealous for some reason and told the happy guy that the only reason his girl had agreed to marry him was because she was pregnant by someone else. The guy went out into the lot where he'd parked his truck and blew off his head with a hunting rifle. Right there_ _and then, at the same time that Buddy Holly was blasting out Peggy Sue on stage. While I was out there with the police and the ambulance guys, I watched how the crows all took off in one great big black cloud that swirled around and around the top of the Luxor. And the noise they made, calling out? Inside my head I can hear it now. An awful, awful sound._ _Of course, I couldn't blame myself for the guy's death. It was suicide. Life went on. The fifties exploded into the sixties... and if you were there, you know what I mean... suddenly clothes were every colour of the rainbow, the music got more colourful too. Only they called it psychedelic. By then I was into my sixtieth year and my wife was fifty. That's when life changed. And strange things began to happen in the Luxor. On reflection, maybe they'd always been happening. But the first thing that made me sit up and take notice_.... On screen the twitchy image of Lockram sat up straight. The power of the memory had brought a shiver to those old bones. _The first thing that made me take notice was men and women began to be drawn to the Luxor. They'd come at odd times of the day and night and want to take a look inside. They were scared and excited all at the same time. The strangest thing is they all had some excuse why they wanted to see the dance floor... maybe to relive a little of their youth... or out of architectural interest... some claimed they were Buddy Holly fans and wanted to see where the guy had played. But the Luxor was one of the smaller venues... we weren't the Winter Gardens, or the Hollywood Bowl. We were a little dance hall in an old industrial zone. We had plaster mouldings of Egyptian pharaohs, fake gods and phony tomb paintings. Why the Luxor? And the audience changed. For example we'd have a pop band with nothing but teen appeal, yet we'd find a middle-aged woman or two in the audience, or an elderly man. Were they eccentrics? I don't know... or at least didn't know. All I knew then was that they joined the audience but sat there not paying any attention to the band but looking round as if they expected to find someone or something there that... that... I don't know... would transform their lives. _ _About this time my wife fell pregnant. Is there anything so strange in that you might ask? Not strange. No. A miracle for us. We'd tried for children, but we weren't blessed. Only one day my wife says to me, Ben, I've __been to the doctor and I'm pregnant. Remember, I was sixty and Mary was fifty. Pregnancy at that age isn't impossible but it is rare. I wasn't the world's most demanding husband back then. Even so Mary moved into the spare room. She didn't say as much but I knew she couldn't bear for me to touch her in a way that would... you know, lead to something sexual. It was as if she became so nervous of the idea of making love that she wanted to keep me at arm's length. I understood – or thought I did – she didn't want to put the unborn baby at risk at her age. This was the one last chance in her life to have a child. Even though it seemed to me she rejected me, that she couldn't bear to share a bed with me, I figure I did the right thing by being supportive and aiming to be as understanding, as possible. _ _Anyway. At that time we had a break-in. An intruder got into the Luxor in the early hours. I was alone in the place with Mary. When I looked down from the apartment window and saw the broken glass by the door I figured that some punk had grabbed liquor from the bar and taken off. So rather than call out the police I took a flashlight and my old twelve gauge to check out the damage myself. I planned to nail a board to the broken glazing then report the crime in the morning. You see Mary was in a jumpy state about her pregnancy. I didn't want to alarm her._ _The moment I stepped out on to the dance floor I saw the intruder. It wasn't some scuzzy bum looking for whiskey. It was a woman of around thirty-five. She wore a flared skirt and schoolmarmish blouse. She had_ respectability _stamped right through the centre of her. You couldn't have found someone who looked less like a thief if you'd tried. I could see there was no point waving the gun and yelling the cops were on their way. Instead I switched on the house lights. My appearing like that in my robe and slippers with a shotgun under my arm didn't even surprise her. Instead she looked at me with this expression of wonder on her face. She filled the room with her happiness: her eyes shone; she kind of puffed herself up with excitement holding her hands up like this_.... Benedict saw the man on screen raise his hands at either side of him until they were as high as his shoulders. _I figured she'd seen the gun and was surrendering, hands held high. I told her, 'Don't worry, ma'am. I'm not going to shoot.' But she never even noticed the gun, I'd swear to that, because she was so thrilled at being in the Luxor – my Luxor, my little old dance hall in the middle of nowhere_. _Then I asked her, 'Ma'am why are you here... you know it's late and this is private property?' Then she turns to me and says, 'Do you know what happened to me last week?'_ _'No, ma'am, I don't.'_ _'I went to see a specialist at the hospital and he told me I have cancer of the liver. I won't be alive six months from now.'_ _'I'm sorry to hear that.' I told her, and offered to drive her home._ _She didn't seem sorry. She looked happy as a sand boy. Straight out she told me, 'Last night I was doing the dishes and crying so hard I had to wipe my eyes with a towel but then all of a sudden I said to myself, 'Grace, the time's come to go home.' But I am home I thought. 'No', said this voice in my head. 'Return to your real home.' I didn't even have to ask myself where that was. I knew I had to drive to the Luxor, where I used to come dancing when I was seventeen. This is_ home.' _'Your home is here in the Luxor? I'm sorry, but this is just a dance hall.'_ _She looked at me, her eyes all bright and shining, she had this huge smile on her face then she says, 'Please don't ask me how I know this is home. All I know is I'll find it here.'_ _By now, I'm thinking she must be on some pretty powerful medication. In any event, the poor lady's mind must be every which way due to the shock of learning she was dying. That'd do strange things to a person. I'm also thinking how I can persuade her to give me the telephone number of a family member who can collect her. And all the time she's talking about how happy she is to find her way home... to her real home that is. _ That was the moment that Benedict West brought to mind the crook whom the off-duty cop had shot in the convenience store. For some reason the dying man had taken off on his motor cycle, driven across town to the Luxor, then tried to claw his way into the building. All the time he'd been claiming he was going home. And he was dying, just like the woman Lockram had found on the dance floor. Both had said that their home lay somewhere in the Luxor. Benedict's mind leap-frogged forward to finding Robyn being carried by the creature with the blossoming mass of lips, and the arms that looked not like regular arms but... he strived to pull a description... stems? Did the arms resemble stems? Robyn had stated without a glimmer of doubt in her eyes that she'd somehow found herself in a forest _inside_ the Luxor. Benedict had seen for himself the leaf fragments clinging to her hair. Was that the key to all this? If so, could all this somehow relate to Mariah Lee's disappearance? Benjamin Lockram's slow voice drew his attention back to the TV where the thirty-year-old videotape ghosted images of the (now) dead man across the screen. _This woman Grace, was so full of the joys of spring, as the old saying goes, that I didn't know how to begin calming her. I started to tell her to take it easy, that I'd get her a drink of water... a drink of brandy, come to that... then arrange a ride home. Only she'd have none of that. She just told me how excited she was at this miraculous vision of where her_ real _home was. That she'd seen it before in dreams when she'd been ill with rheumatic fever as a child. That_ home _lay beyond a grey forest on a mountainside. And there were towers and domed buildings – and that you could hear the sound of hundreds of bells pealing away; that it wasn't discordant but beautifully harmonious 'A symphony for the soul' was how the woman described it. And that she'd been able to smell a wonderful perfume floating through the streets of this magical city. By this time I didn't know what I could do with the woman: she was so happy she was close to mania. I was afraid she'd start dancing about the place. Just as I decided I'd have to get mean with her to calm her down (after all, I didn't want Mary to hear the commotion and come downstairs in her state. She was close on six months' pragnant by then)... just as I decided I had to grab the woman by the wrists she stopped and turned to look at the stage like she'd heard something. Only she couldn't have. Because apart from Mary asleep in the apartment the only people in the Luxor was the happy bouncing lady with shiny eyes and myself, one Benjamin Lockram. Grace stared toward the stage. I found I stared too half expecting a second intruder. Only I saw nothing But I _felt _something. I_ felt _a cool breeze blow into my face. A cool wet breeze like you get in the fall. I could smell fallen leaves, moss, wet wood. Dew. Toadstool. Mushroom. Those forest smells that fill your nostrils after it rains in the great outdoors._ _The lady's eyes were wide..._ wide _!_ _Like balls of glass in her head as if she's seen the Second Coming. 'It's here!' she shouts. 'It's here!' Then she dashed forward. I mean she just catapulted herself, skirts flying, her arms stretched forward; she moved so fast her hair rippled straight out behind her. I ran after her. For some reason I thought she'd deliberately run into the stage to hurt herself. I remember telling myself it was those_ _pain-killing drugs scrambling her head. As I ran, my slipper flicked off my foot. The bare skin couldn't grip the floorboards properly and I went forward headfirst to land on my belly. It knocked the air right out of me. The gun and flashlight went skidding out in front of me. For a second I couldn't breathe. My ribs ached like hellfire from the belly flop. Even though it was only for a moment, I screwed my eyes tight shut as I caught my breath. I put my hands out to push myself up so I could sit upright. I recall the ground being soft and wet. One of the cleaners had left behind a wet cloth I reasoned. Then I opened my eyes. The woman had gone. Vanished as if she'd stepped through a hole in the atmosphere and into another world... the comparison was a truer one than I could have believed. The gun and the flashlight that went skittering away across the floor had vanished, too. And when I looked at my hands I saw I'd bunched them into fists because the pain in my ribs had been pretty bad. When I opened them I found I was clutching two handfuls of soft, wet leaves._ Benedict remembered the strange looking leaf that he'd untangled from Robyn's hair and began to understand. ## _Three_ In that slow voice that held a gentle resonance, Lockram finished his story. This is where Benedict leaned forward hands gripping his knees. Waiting expectantly for the final shot, daring it to be as he remembered it from when he'd first watched the tape an hour ago. Benjamin Lockram sat in that tight column of white light where silver flecks danced. He gave a little shrug. _No, I never did find out what happened to the lady I knew only as Grace. She'd entered the Luxor; she never left. Not in a way I understood as leaving, that is. I'd have seen if she'd doubled back and exited through the broken glass. And when I checked, all the other doors to the rear were secure. My gun and flashlight had vanished, too. All I had in return were two fistfuls of wet leaves. One of the star-shaped leaves attracted my curiosity. I dried it, pressed it, then took it to the library to try and identify the species of tree. I never did find a match. But by then I doubted if I ever would. I knew people were coming to the Luxor 'to find their way home' as they described it. Some left disappointed, but I could see all __were obsessed with the notion... 'compulsion' would be a better word. Later, I took to watching videotapes from security cameras. I'd watch some individuals walk in through the lobby back there. I learned to spot the ones. They didn't dress like the fans of the Ramones or Jethro Tull, or whoever was playing. They stood out from the crowd. For some reason I could never see them step out on to the Luxor's dance floor and into that other place they called home. Only I saw, when I played back tapes of the audience leaving at the end of the night, that they'd never left._ Mariah Lee. Ice-water shivers flooded Benedict's bones. Mariah Lee had walked into the Luxor. Benedict had seen with his own eyes. She'd never left. She'd never.... _The Luxor underwent a transformation in those last years before I finally closed its doors forever. It had always been an otherworldly place that was a step away from our mundane day-to-day world. For decades I ascribed that to it being a venue where generations of young people went to have fun: it was a little glittering splinter of show business in a land surrounded by grim factories. My Luxor was a place to escape your daily cares about holding down a job, keeping the house tidy, raising kids. But there was more to it than that. I researched its history and learnt about the crows – those gangsters of the bird world – how they're omens of death... and that the creatures lay in wait to catch the soul the moment the person died and the body released its spirit. The name for these soulcatchers is a psychopomp – a funny name for a creature that struck terror into the hearts of our ancestors. All that and more. Much more. For some reason certain individuals were drawn here. They believed – and _still _believe that their home lies through some invisible doorway on the dance floor. I don't know how they know. Come to that I'm certain_ they _don't know. They're driven by instinct just the way bears_ know _when it's time to hibernate, or geese_ know _when it's time to migrate thousands of miles._ _Now it's time to draw this to an end_.... On screen the old man glanced at his watch; those sad eyes tired now. ... _but there is one last act. My wife you will recall was pregnant. She gave birth to a healthy son whom we named Nathaniel. The doctors marvelled at the sight of such a robust baby boy delivered by a mother of fifty. Right from the start I knew he was special. Within days he was_ _taking notice of his surroundings. When he looked at me I saw his eyes were knowing. He even seemed amused as if to say, 'Well hello there, Pop. You think I'm just a little baby. There's far more to me than meets the eye, you know.' Within a month he'd dispensed with night feeds and was sleeping through. He didn't cry so much as shout when he was hungry. Nathaniel lit up Mary's life. It seemed as if she'd waited half a century to be so happy and so fulfilled. We were old parents, by most standards, I guess, but Nathaniel gave us the shine of a married couple in their twenties. We were overjoyed, we_.... He tailed off remembering some bitter reality with a vividness that choked the words in his throat. He took a deep breath, then forced himself to continue. Benedict's eyes fastened on the screen, Benedict couldn't look away now even if he wanted to. And, Dear God, he _wanted_ to. ' _After what happened to Nathaniel it robbed Mary of every shred of happiness. After a while she took to her bed. You've heard of the phrase 'died of a broken heart.' My Mary did just that. Not in a biological sense, naturally. But the heart of her personality; the core of Mary, that contained her hopes, faith and ability to be happy was destroyed. Within a year of losing Nathaniel, Mary fell asleep and never woke up. And as for our baby boy? What happened to him? Now you'll realize why I've made this video recording. I couldn't bring myself to tell you. I don't possess the descriptive words. I don't have the heart to tell. But I can show you. On the evening of 20 April 1971, Mary and I put Nathaniel into his crib. Outside it was unseasonally warm so we left a window open in his room. I noticed a flock of crows flying toward the Luxor just as the sun was setting. By eleven that night we were tired so we decided not to finish watching the show on TV and go straight to bed. Also, I'd arranged a meeting with a booking agency in the morning and needed to be clear headed. Like we did every night we looked in on Nathaniel. He was sleeping like a lamb. Then we went to bed and sometime during the night there must have been... there must have been some_.... Benjamin Lockram shook his head. In the brilliance of the spotlight tears shone in his eyes. He pressed his lips together, straightened his backbone, then took a deep breath. _What you will see next, my friend, is footage I have taken from the security camera that covers the dance floor. The time counter in the bottom right-hand corner reads 3.08 in the morning. The light source is from a sixty-watt bulb left burning for security purposes. That light is situated above the doors from the dance hall to the lobby. There is no one in the building apart from Mary and I who are asleep upstairs in the apartment at his time. Oh? And let me tell you – on the thumb of Nathaniel's left hand is a brown birthmark that resembles the Man in the Moon._ Tears filled the man's eyes with liquid silver. _This, then, is the security footage_. The edit was a rough one. The image jumped from a man sitting grieving for his lost son to a high-angle black-and-white shot from a camera fixed mid-way up the dance hall wall above the lobby doors. In the light of that sixty watt bulb, Benedict could see the stage only dimly as if it were part-hidden by a pearl-white mist. For a moment nothing happened. The dance floor was bare. The place deserted. And, of course, without taped sound the CCTV footage was completely silent. When the time bar in the corner of the screen clicked over to 3.09 a shadow appeared on the floor. An elongated one of a figure as yet unseen coming through the doors on to the dance floor. Benedict found he was holding his breath. Moving slowly, without hurry, but with a purposefulness that breathed of sinister intent a figure walked out. The picture quality was poor. The light source insufficient for real clarity, and yet Benedict saw enough to snap his muscles tight and quivering. The figure moved ten paces toward the centre of the dance floor. Benedict shivered as his eyes widened, striving to process every black line, every grey smudge on the cathode ray tube into a coherent picture. He saw the figure was walking hunched over the bundle it carried, hugged to its chest. Benedict saw the spindle legs sheathed in torn material. The dome of its head was over-large and swelled from one temple, lending it a lumpy, lop-sided look. A froth of wispy hair floated around the skull so thinly it barely appeared to grow from it. The mystery figure paused for a moment, standing there, as if waiting for some inexplicable event. As Benedict watched, a cylindrical shape slipped from the bundle the figure carried to dangle beneath. Benedict leaned forward, his eyes watering as he stared hard to identify what he saw on screen. Yes... he was right the first time. He was looking at a baby's leg. The leg moved in a kicking motion. The baby – Nathaniel Lockram – was awake. Of course, Benedict heard no screams because the camera system wasn't wired for sound. Then, just for a second, as if the figure had heard something, it swung round to look back toward the lobby. And just for that dreadful, heart-stopping second, Benedict looked into the face of the figure. He saw a pair of eyes that were huge and round and hard as glass blazing back into the camera. He saw the mouth, too. A series of roundel lips one inside the other growing smaller as they reached the core where a hole pulsated. The creature didn't grasp the crying baby – that oh-so silently crying baby – in a pair of arms. No. They were long tapering limbs. Something like pale, fleshy stems. Then the misshapen figure turned its monstrous back on the wall-mounted camera (as Benedict, sat with his knuckle between his teeth). Quickly, it moved forward carrying the baby parcelled in its crib blanket. It must have been the poor quality of the light, its low power, surely, but the effect that Benedict saw on that grainy, indistinct security footage was of the figure vanishing into a pearl mist on the dance floor. Benedict sat with his eyes locked unblinking on to the screen. The figure never emerged. The dance floor lay nakedly empty. A moment later the screen crashed to black. A line of print appeared in the centre— _We are nothing; less than nothing, and dreams. We are only what might have been._ # Chapter 21 ## _One_ Benedict West left his apartment at noon. The sun blazed from a clear sky with an intensity that soon had him reaching for his sunglasses. He walked down the steps holding an envelope that contained notes he'd made as he watched Lockram's tape. Images still whirled in Benedict's head. He recalled the footage of Lockram sitting in a luminous glow in the spotlight as he described what had happened to him in the Luxor. Of the men and women who visited the building in the belief that somehow they could find their way home – to their true 'home' – through a portal that manifested itself on the dance floor. Was that invoked by the nature of the dance hall itself? The excitement of the young people year after year, heading to the Luxor determined to escape their day-to-day reality for a few hours as they danced, flirted, and watched their favourite band perform. Or had that portal to another world always been there? Ten thousand years ago had Native Americans stood on that same tract of land with their spears and stone axes and gazed in wonder at that block of mist opening up to admit the brave – or the foolhardy – to another world? Benedict moved quickly across the parking lot to where his car sat in shimmering heat-haze. His plan now? He couldn't begin to formulate one. But the obvious move was to head to the Luxor. He had to warn Robyn and Noel that the place wasn't merely uncanny it was dangerous, too. Despite waves of heat beating across the black-top, raising a rich tar smell, Benedict shivered as if crystals of ice formed in his veins. Because the clearest memory came from the closing seconds of Lockram's videotape. The man's baby son had been abducted by something that Benedict could only describe with one word, and that was: _MONSTER_. ## _Two_ _Ellery's in the chair_.... The words ran through Ellery's head as he sat there that Tuesday, a little after midday. He'd escaped Logan and his gang for the time being. He'd moved in with Robyn and Noel – again for the time being he guessed. Although deep down he knew he had to stay close to Robyn here in the Luxor – _Ellery's in the chair_... he'd left Robyn and Noel to have time to themselves in the apartment upstairs. They weren't keen on him venturing down here alone, but Ellery knew the couple must have privacy every now and again. Even so, they told him they'd make up the spare bed in the room that contained the baby's crib. The wounds on his face that he'd gotten from Logan's gang that morning still stung. The split in the eyebrow burned like it harboured smouldering wood. During the walk to the chair on the dance floor he'd had to hobble. His ankle had puffed up to resemble a hoof. Ellery knew that the floor was free from debris in this part of the Luxor, so he'd elected to walk barefoot. Come to that, the cold floor felt good against the inflamed skin. Jeez, he must have ricked his foot pretty ferociously leaping on to the truck like that. Now he was in the chair – _his chair_ – the chair where he dreamed himself into a better reality. A candle burnt beside him on the floor. Its light barely touched the dance-floor's walls. The stage was nothing more than a shadowed void. Ellery believed he was sane... as much as anyone can believe they are sane. He knew that the world he dreamed himself into was the product of his imagination. Even so, with every flight of fancy there it became more real. His imagined world fed every sensory organ. He saw the grey forest and the way melting frost dripped from the twigs. He smelt woodland odours – leaf mould, moss, mushrooms, the musky sharpness of animal spoor. Heard the call of birds; the creak of trees in the breeze. And his skin was sensitive to the touch of cool air currents, or the tingling drop of water from a branch. In the dance hall, shadows leapt across the floor with the agility of panthers. Ellery glanced at the candle at his feet. A draught had tugged the flame, sending shadows leaping one way then the other. Whereas the building's atmosphere had been stuffily warm now there was freshness to it, laden with moisture and an ion-rich zest. Ellery closed his eyes. He could feel imagination pull him in the direction of the place he thought of as home. As he'd done so many times before, he willed himself into a forest of dripping trees. There was wintry freshness. No leaves remained on branches. In the distance he could see the shining city on the hill. Pain left his face now. The sting of broken flesh couldn't reach him here. He was entering the place he loved. ## _Three_ 'We're doing the right thing?' Noel asked, as he made up the bed in the spare room. Robyn worked a pillow into a cotton case. 'You mean about Ellery?' 'Everything. You leaving home. Us moving here. Ellery moving in with us.' 'Ellery will be fine.' 'But we don't even know the guy.' 'He's as gentle as a kitten.' 'I'm not suggesting he's a serial killer or anything, but it's a gamble us living under one roof.' She smiled. 'We'll survive, Noel.' He returned the smile. 'I guess I'm going through overload. So much happening so quickly.' 'Don't worry. Everything will become routine, just you watch.' 'There's the bed. We've got a spare sheet for the mattress but apart from that....' He shrugged. 'I don't know what to suggest for bedding.' 'You brought your old sleeping bag, didn't you?' 'Sure, but it's none too fresh.' 'We can hang it out of one of the windows to air.' 'You think of everything, don't you?' He kissed her on the lips. 'Just call me Mistress Organization.' He kissed her again. She rested her hands against his forearms. The muscles bulged against her palms. 'Robyn, we might as well make the most of being alone, you know?' 'We are doing. We're fixing up the spare room for our houseguest.' 'That's not what I mean, you minx.' He slipped his arms around her. The next kiss was on her lips; she felt his stubble lightly prickle her top lip. 'Ellery might be back any minute.' 'He said he'd be no less than thirty minutes. That gives us twenty to claim our bedroom as our own.' 'Only twenty?' she joked. 'We'll need longer than that.' Even though she'd pretended levity her stomach twitched unpleasantly. Kissing was nice. Holding hands was nice. He whispered, 'That bedroom's virgin territory as far as we're concerned.' Hugging was nice; caressing was nice. But she felt a rising panic. I can't let him make love to me, she thought with a surge of revulsion. I can't allow him to push himself inside me. I can't.... But why couldn't she? Robyn didn't understand why the prospect of Noel making love to her terrified her and repulsed her all at the same time. Her stomach erupted into a mass of fluttering as if winged creatures were trapped there and were beating frantically to escape. It was ever since she became pregnant... she knew she couldn't bear to feel Noel's penis slide inside of her. She detested her sudden squeamishness, but it was her body that rejected the notion of lovemaking. It was as if her stomach muscles had revolted over the idea of such an invasive act. Maybe, it was an unconscious reaction? The baby inside her might be at a vulnerable stage. This was a purely automatic defence mechanism to prevent harm to the foetus. Even though consciously she knew lovemaking wouldn't harm it, unconsciously her body refused sex point-blank. 'Hmm, you smell nice. Your hair is soft... fluffed just how I like it.' Noel hmmed and ahed. She could sense Noel's rising excitement. She anticipated his hurt expression when in a few moments' time she knew she'd confess that she couldn't allow him to make love to her. ## _Four_ Deep in the forest of his imagination, Ellery saw the man watching him from the shadows. Ellery hadn't deliberately produced this image of the tall, watchful man with the muscled torso of an athlete. The man's stare revealed curiosity. But a kind of informed curiosity as if he knew Ellery would walk this way through the forest. The man was a good fifty yards away but Ellery could judge his age to be perhaps mid-thirties. The skin shone a bluish-white, resembling the smooth hardness of marble. After a moment gazing at Ellery with interest, the statue-like man walked away into the trees. Within ten paces he'd vanished into undergrowth. Even though he only caught a glimpse, Ellery realized that the figure his imagination had spontaneously created wasn't mortal. From beneath a pair of faded blue jeans extended bare feet, or what should have been feet. But Ellery saw that instead of feet taking the weight of that athletic figure, there was a pair of muscular human hands. ## _Five_ Robyn took a step back each time as Noel kissed her. She'd have to speak out. She couldn't go through with this. Not yet. Her stomach twitched; muscles spasmed, while she sensed a presence that was solid and powerfully muscular turn over and over in her stomach. The image that came was of a fish swimming in panicky circles inside a small glass bowl. 'Noel....' 'I love you, Robyn.' 'Aren't you going to let a girl come up for air?' She took another step back and felt her bottom press against the wall. She couldn't retreat any further. Revulsion roared through her; she wanted to scream at Noel: STOP IT! STOP IT! How would he react? He'd be appalled by the expression of disgust on her face. Then from outside she heard the surge of a motor. 'Noel... Noel. Stop.' 'What's wrong?' 'There's a car outside.' 'Aw, crap.' Robyn looked through the glass, shading her eyes against the force of the sun. 'It's the guy from last night.' 'Benedict?' 'Noel, honey.' She smiled. 'Best let me go so I can straighten my clothes. We wouldn't want him to think I was being molested by monsters again.' 'Robyn, that's not funny.' Noel sounded deadly serious. 'Joke.' She kissed the tip of her finger and pressed it to his lips. 'Come on, let's say hello to the guy.' Noel shook his head. 'Jeez, this place is turning into a public drop-in centre.' Robyn headed for the apartment door. ## _Six_ Jets of ice thrust into his veins with brutal power when Benedict saw them. He parked the car at the back of the Luxor and watched for a moment. 'You bastards,' he murmured. 'You evil little bastards.' He'd seen them within seconds of pulling into the Luxor's parking lot. Now as he climbed out of the car into the hot noon air what he had noticed provoked a visceral reaction: rivers of ice blasted through his veins to chill him to the bone. For there, forming ugly clots on the branches of trees and congealing in a black mass on the Luxor roof, were those harbingers of doom. Feathered demons. Squawking promises of death. They were more than black bodies: they were tiny gravepits of darkness that sucked the sunlight out of the sky. Benedict stared, his mouth turning dry as bone dust. Because there they were. Crows. Thousands of crows. They sat in the trees. They squatted on the roof. They spiralled down from the vastness of the blue sky; black snowflakes from a nightmare world. _And what is the name for a flock of crows? It's called a Murder of crows. A Murder of crows aptly sums up that sinister-looking infestation._ The crows are back. And that meant one thing... and one thing only. He whispered to himself, 'Someone going to die soon. Someone here at the Luxor.' ## _Seven_ When Robyn entered the dance floor from the lobby she saw Ellery standing in the centre of the floor by the chair. A candle burnt beside it. Noel carried the flashlight. Another light appeared to move like some luminous spirit on to the stage. 'Good afternoon, Benedict,' she called, when she saw who handled the lamp. Noel waved a greeting. They walked across the dance floor to meet Benedict halfway. As well as the flashlight, he carried an envelope that looked as if it contained a wad of papers. Robyn glanced at Ellery then looked more closely again. For a moment he appeared so dreamy she thought he'd fall asleep where he stood, then his eyes sharpened into focus. Robyn paused, realizing something wasn't quite right. Noel shone the light on Ellery and saw what she'd missed. ' _Ellery? What on earth's happened to your face_?' # Chapter 22 ## _One_ Benedict thought: they've become insane. Both Robyn and Noel were staring at the young guy he knew as Ellery Hann (the very same guy who dropped his wallet on the Luxor steps). They were staring strangely – all wide-eyed and astonished, as if Ellery Hann had removed his head from his shoulders, then bounced it round the dance floor with all the panache of a basket ball pro before screwing the severed head back into his neck hole again. Then what Benedict said next made Robyn and Noel stare at him as if insanity had stolen _his_ wits away. Benedict had panted out, 'Listen, I've got to warn you guys. Crows have started to settle on the roof.' On reflection Benedict realized the statement about crows sounded bizarre when the three people here didn't know about the ominous significance of the birds. But, in the blink of an eye, the insanity had passed to Noel. 'Have you seen Ellery's face? I mean, have you seen what's happened to Ellery's face! Jesus H. Christ, it was—' 'Shine the light on Ellery. Let Benedict see!' This was Robyn, her eyes fixed on Ellery in nothing less than unwavering fascination. 'But you should have seen it, Benedict. Just twenty minutes ago!' 'The crows,' Benedict began. 'There's hundreds of crows,...' Dear God, now I'm babbling. We're all babbling at each other and we don't know what the other person's talking about. Despite himself, he blurted, 'The baby was kidnapped here by something that didn't have a human face... but I need to tell you about the crows first.' Dear God, now I'm wearing the Insanity Hat. What had been important subjects he needed to discuss with these people came tumbling out of his lips in a series of sentences that must have sounded just plain nuts... Crows... Kidnapping! Only Robyn and Noel were too preoccupied to notice the wackiness of it. Ellery stood there with a quiet dignity, his arms straight down by his side while Robyn and Noel shone the flashlight in the poor guy's eyes while exhorting Benedict to see something remarkable about Ellery's face. Not that there was anything amiss. The guy still possessed the same delicate fine-boned features, same high, smooth forehead. Same thin, dark eyebrows arching above a pair of gentle eyes. 'You should have seen his face,' Noel shouted. 'Now there's nothing,' Robyn enthused. 'Nothing! Not a mark!' 'Wait.... _Wait_.' Benedict began to connect their excitement with what he'd seen before. 'You're saying that there was something wrong with Ellery's face?' ' _Yes_!' the pair shouted together. Noel continued, 'He came here this morning with cuts here and here.' With his free hand Noel pointed at his own lips and eyebrow. 'Now they've vanished.' Robyn's eyes shone with wonder. 'But they were there just a few minutes ago. You couldn't miss them. His lip was bleeding like – like—' 'But there's not a mark now,' Noel interrupted. Benedict West thought back to the first time he'd seen Ellery. The guy had taken a horrific beating. His face was torn to hell and back. Covered with blood. Only hours later when Benedict visited Ellery at home to return the wallet there had been barely a mark on him. OK, so there was the faintest trace of bruising on his face, only the wounds looked two weeks old at least. Now Ellery Hann had gone and done the face-repair trick all over again. 'How can you explain something like that?' Noel demanded, as he blasted the light into Ellery's face. 'This's got to be a miracle... but how does anyone explain it?' 'I can't explain all of it,' Benedict told them. 'But I believe I can supply some answers.' He looked at Noel. 'You might want to stop shining the light in Ellery's face now. The guy's dazzled enough as it is.' 'You know what happened to Ellery?' 'Let's say I'm beginning to... I've also come with a serious warning: you're in danger.' 'Crows.' Previous to this single word, Ellery had said nothing. Hadn't moved. Hadn't even flinched when Noel beamed the hard white light into those calm blue eyes while raving about his face – like Noel'd seen exclusive images of Heaven complete with full-on dancing angels projected there. Now that single word: _Crows_. Benedict looked at him. 'Ellery? You know about the crows?' Ellery nodded, his face serious. 'Crows are an omen of death. If flocks settle on a house roof that means someone in the house will die soon.' The words came in soft breaths from his lips without a trace of stammer. 'The crows are here?' Benedict nodded. Robyn stood back and extended a hand toward the lobby door, inviting them to pass through. 'We need coffee,' she told them. 'We also need to hear what Benedict has to tell us.' ## _Two_ Ellery sat in an armchair while Robyn and Noel chose the couch. Benedict decided to position himself facing all three so he could talk to them. A straight-backed chair that had to be an orphan from a long gone dining-room suite stood against the wall. He picked that up and carried it to the position he'd selected. As he sat down Robyn poured coffee into cups on the low table beside her. 'I'm sorry we don't have matching cups,' she began, then stopped herself as if the apology appeared absurd in the light of unfolding events. 'Help yourselves to sugar.' Benedict glanced out the window. More crows circled the building. They glided without flapping their wings. From the angle of their beaks he knew the birds stared at the Luxor. For a second he could imagine the dark beat of thought inside the creatures' brains: _Someone's going to die soon. Someone's going to die. Someone's going to die soon down there_.... But who's going to die? Benedict looked round at the three young people in the room. Ellery met his gaze with an unblinking calm. He knew about the crows, too. Robyn sat with a cup clutched in both hands. 'OK, who goes first?' Benedict shrugged. 'In a way I guess it doesn't matter who talks first. My feeling is that whatever we've experienced individually relates to the same central....' He shrugged again. 'Occurrence? Event? Situation? How does one describe it?' Ellery gave a ghost of a smile, 'Aw-aw- all r-roads lead to the Luxor.' 'He's not kidding either,' Benedict said. 'Think about it. All of us have been drawn to this abandoned building in the middle of derelict wasteland. It's a magnet.' Robyn nodded. 'We couldn't stop coming here if we tried.' Noel shook his head. 'Not me. I don't feel its pull.' 'That's because you were loyal,' Robyn told him. 'You thought I was crazy at the time because I so wanted to be here, but you were prepared to stick with me.' 'And that's what I'm going to do.' Benedict saw Robyn glance at him then at Ellery. 'But you and Ellery, Benedict. I didn't realize you knew each other.' Benedict sighed. 'All roads _do_ lead to the Luxor... for certain people anyway. I was here indulging my own personal obsession with the place on Friday night when I saw Ellery on the entrance steps.' Ellery started to say something, found the words wouldn't detach themselves from his lips, so pointed at his face with a shrug. 'Ellery had been beaten up pretty badly. He'd taken a lot of damage to his face....' Benedict explained what had happened. That he'd tried to help Ellery (whom he didn't know at the time) and that Ellery, overwhelmed by pain and a not unreasonable suspicion of strangers, considering, fled into the belt of woodland behind the Luxor. Benedict added that he'd found Ellery's wallet so he set out to return it to him the next day. That's when he found to his surprise that Ellery's face had healed overnight. As soon as Benedict spoke about Ellery's miracle recovery, both Robyn and Noel exchanged wide-eyed glances. 'That's exactly what happened today. Ellery came here, needing somewhere to stay because a bunch of thugs have threatened him. We saw Ellery had been hurt. Noel and I cleaned up his cuts in the kitchen.' She winced. 'There was a lot of blood. Ellery must have been in agony. Then....' She turned to Ellery. 'Is it OK if I tell Benedict or do you want to?' 'I... ah... mmm.' Ellery raised a hand in frustration. The stammer had screwed his ability to talk. 'Robyn... you... ss-ss OK.' 'I'll tell Benedict what I know.' She shot him a reassuring smile, then turned to Benedict. 'Not that there's much to tell, other than Ellery told me he'd take a walk around the Luxor... or a hobble, rather. He'd wrenched his ankle escaping from those thugs. It had swollen like a balloon.' Benedict noticed they all glanced at Ellery's bare feet. There was no sign of swelling in either foot. Benedict couldn't even tell which one had been injured. Robyn continued, 'He'd been gone twenty minutes when I noticed your car, Benedict, so I suggested to Noel we come down to meet you.' Her shoulders gave a little hop. 'We walked across the dance floor to where Ellery stood. And we saw that where there should have been wounds on Ellery's face there was nothing. No marks. No bruises. No scabs. His face had healed in minutes.' Benedict looked at Ellery, their eyes locking. 'So what's the story, Ellery? How can you heal so quickly?' 'I... ah uh... I....' Ellery wanted to tell. He was _bursting_ to tell. Only he couldn't free a single coherent sentence from the prison his stutter had built for him. Benedict sensed the war being fought inside the kid, between his desire to speak and the cruel stammer that vandalized the words as they passed his lips. Veins stood out from his throat. Hands bunched into quivering fists. Perspiration formed glistening drops on his forehead. Ellery was going through hell. 'Ahm... there's, oh! There's a place... A _place_!' He grabbed on to the only words he could. 'A PLACE.' His face crimsoned with effort. 'I... was... am th-thaay.... Uh. I'm sorry. Sorry.' He dropped his head until his chin touched his chest. Total defeat. 'A place?' Benedict echoed gently. 'What kind of place?' Benedict saw Robyn regard Ellery with such deep sympathy. She spoke for him. 'Woods. A fast flowing stream. In the distance, a city on a hill.' Ellery's head snapped up to stare at her in amazement. 'I know The Place,' she told them. 'Because I've been there, too.' ## _Three_ 'I'd been in the grey forest when I was attacked by the creature,' Robyn explained. 'Benedict saved me from it. Before then I'd walked on to the dance floor but somewhere out there I found myself in woodland in winter with bare trees. Then there was a group of people... people?' She shuddered. 'Monsters.' Pausing to glance at Ellery she added, 'I think you and I have been to the same place, Ellery. The Place with scary people. And The Place where Ellery's injuries heal in the blink of an eye.' Benedict realized it was time to fill the gaps. He leaned forward on the chair, his fingers knitted together. 'You know I think we're all contributing to the big picture here. Ellery was right about saying all roads lead to the Luxor. Certain individuals, for reasons we don't know, are drawn here. They're compelled to walk across the dance floor where they find a gateway to another place... _The Place_ we'll call it for want of a better name. The Place is a forest inhabited by men and women who are different to us.' 'Different?' Robyn shivered. 'That's putting it mildly.' 'We know certain people can enter The Place via the dance floor. We know that those beings that dwell in The Place can leave it to enter this building. One tried to abduct Robyn.' 'Wait.' Noel frowned. 'Wait, you're making all kinds of assumptions. How do you know that monster guy was aiming to abduct Robyn? He might have....' He grimaced. 'Well, the freak might have had other ideas about Robyn.' 'No,' Benedict disagreed. 'My belief is it planned to abduct her.' He recalled Lockram's videotape that showed the figures with the monstrous mouth carrying Lockram's baby son into the pearl-white swathe of mist on the dance floor – and never emerging. 'You'll remember that for the last ten years I've been searching for my ex-partner, Mariah Lee. She moved to Chicago after she left our home. If you ask me, whatever's here in the Luxor called to her, like it called to you, Robyn, and to you, Ellery. Ten years ago to the very week, I traced her to this town and followed her to the Luxor. I guess I needed to confirm to myself that she'd found another boyfriend. Maybe then I'd return home without any fuss, telling myself it was really over. But I sat out there in my car in the parking lot, watched Mariah enter through the main doors. There, I waited the whole evening. At eleven I watched everyone leave. Everyone but Mariah. For some reason she stayed in the building and never left. Now I know why. Call me obsessed, but for the last ten years I've lived in Chicago, I kept looking for Mariah. Hell, come to that, I repeatedly drove out here to wait in the parking lot expecting her to come skipping out of the building as if nothing had happened. Shoot. Even when the dance hall closed I'd still drive here and wait. Some years ago I broke into the Luxor when I saw contractors had begun to strip out its fittings. I found a bunch of videotapes... those big old Betamax tapes... but then you've probably never even heard of Betamax. That's an old VCR system that's been obsolete for decades. Anyway, I found the tapes. On one, the owner of the Luxor had recorded a homespun film about the Luxor. He also included a shot of his dead wife...' _Lying dead on the bed in that bedroom through there._ _With her eyes sunk into her head_. Benedict was sensitive to the fact that including the fact about the corpse decomposing in the same place as the couple slept wouldn't be a wholesome image for them. An image they'd conjure all too readily at bedtime. '... What was missing was another tape. I began to realize that this must be the crucial one that went someway to explaining what's happening here.' Robyn held up a hand as if in class. 'The missing tape amongst those I found in the larder?' Benedict nodded. 'And what amazing material it contained, too. At some point I want to show it you. As you've got no electricity here I'll drive you to my place to view it. But in the meantime, I've made notes. I think it's important that I describe its content best I can.' He smiled. 'You'll gather I'm not the world's best detective if I've been searching for my ex-girlfriend for ten years and still haven't found her.' He pulled papers from the envelope. 'If you'll excuse me referring to notes that I made I'll begin.' Benedict told them about how he'd watched the VCR tape, making notes as the extraordinary story unfolded. He explained that the former owner of the Luxor, one Benjamin Lockram had reached the same conclusions as they had. That certain men and women found themselves drawn to the Luxor. That they believed it contained a supernatural gateway that would allow them to return home. Again no one could explain what 'home' was, only the instinct burned so brightly within them they found it hard to resist once that fire had been lit. He mentioned Lockram finding the terminally ill woman in the Luxor at the dead of night, how she claimed she'd experienced visions of finding her way home; that Lockram insisted she'd vanished into thin air as she walked across the dance floor. Benedict noticed they listened closely to what he had to say. But when he talked about people making for home through some fabulous conduit in the Luxor, then he noticed Ellery Hann lean forward to clutch at every single word, his hands gripping the arms of the chair. The reference to a return to a mysterious home electrified the man. But it would take careful handling to question Ellery further. The stammer was as good as a security guard protecting the guy's cache of memories. When Benedict reached the part about the abduction of Lockram's child from the crib in the apartment, Noel and Robyn shot alarmed glances at each other. Like Ellery, they leaned forward to hear Benedict's every word as he described how he'd watched security footage of the dance floor on that night three decades ago when a figure had emerged through the lobby doors carrying the infant Nathaniel Lockram in a blanket. The figure had turned to look up into the camera – an act of defiance? Or simple curiosity over an unfamiliar device bolted to the wall? Benedict saw Robyn shudder when he painted a description of the monster face that had gazed up in stark black and white. That the head bulged as if volcanic forces were pushing from the inside of the skull; how it possessed two eyes round as pool balls. Then there was the mouth... Jesus, the mouth... that was the worst. A huge freak of a mouth with lip after lip, one within the other. Forming concentric circles that were suggestive of gunnery targets. Of circles of diminishing size – one inside the other – shrinking down to a black hole in the centre Benedict finished by telling them the figure had then calmly walked away, carrying the wailing infant, into a knot of mist on the dance floor and vanished from sight. Vanished from this world. 'He's back then,' Robyn said, after they'd sat for a while dwelling on the grim abduction image that Benedict had painted. 'Who's back?' Noel asked. He looked shaken. 'That guy who tried to make off with me. Or one like him.' She tried to laugh, but it looked as if an arctic chill had settled on her shoulders. 'Shall we give him a name, so we know who we're referring to in future?' 'Robyn—' 'The Face Monster? Lip Lad? Mush Man?' Her eyes fixed into a glassy stare as recollection of the face reared up in her mind with an ugly power. 'Kisser Kid? Mouthy? Lippy? Wonder Chops? King Lip? The Mouth? The Luxor Lip....' 'Robyn.' Noel spoke gently. 'It's OK. Take it easy.' Benedict realized the events of the last forty-eight hours had returned with a savagery that robbed her of peace of mind. She trembled now, and she rubbed her stomach round and round. At last she took a deep breath. 'I'm OK. It's just hearing that this guy's been lurking here for years brought it all back to me.' 'We'll keep the apartment door locked and bolted at all times.' Noel put his arm around her shoulders. 'Don't worry.' 'Good idea,' Benedict agreed. 'We're here with you anyway; you're safe.' Noel look up at him. 'But what's this with the crows? Both you and Ellery were worried about the crows. Surely they've got nothing to do with this?' 'They fit in. Don't ask me how exactly.' 'Psychopomps,' Ellery said. 'Psychopomps. What does that mean?' Noel looked puzzled. 'The word psychopomp refers to animals that appear as omens of death. Sometimes it's moths landing on your pillow, or hearing an owl hoot in the daytime. In local mythology the psychopomps are crows that are harbingers of death.' 'That's a picturesque story but why do we have to worry about these crows now?' 'Because they're here. They're gathering on the building.' Through the window, Benedict watched crows spiralling in to land. 'When the crows come, it means that someone here will die.' # Chapter 23 ## _One_ CROWS. Big BLACK crows. Black, FRIGHTENING crows. They are omens of DEATH. Someone will DIE. Here... SOON. Robyn Vincent sat beside Noel on the couch listening to Benedict speak. Ellery sat in the chair, hands resting on its arms, his head tilted slightly, demonstrating the intensity of his concentration. Ellery listened to every word. Lives depended on it. She knew that now. Outside in the afternoon sunlight, crows flapped on death-dark wings. They homed in on the Luxor. She saw them grow larger as they glided in to land on the roof. Just above her head. They must be swarming there in a great glistening black clot. Harbingers of death, Benedict had told them. Someone here in this building would die soon. If anything, Noel rebelled against the notion that these creatures defied the laws of time and space. 'You mean,' Noel asked, 'that crows can somehow see into the future?' 'No. Not exactly.' 'But you said the crows knew that someone will die here soon?' 'It's an old legend. In most societies there are beliefs in animals being able to sense impending disaster. Certain cultures have developed a more elaborate mythology that describes how animals or insects can predict not only the death of an individual, but that at the point of death the creatures either help the soul's passage into the after-life, or have a more sinister agenda, and try to abduct the soul as it quits the body.' Robyn shivered. 'And in this locality the crows are the bad guys, right?' 'Right. They're not only a sign of an impending fatality, they're here to claim the soul.' 'But they're not always successful?' 'No.' Benedict gave a grim smile. 'According to local legend, the departing soul is a pretty nimble entity. The crows have a tough chase. If they fail to catch the soul they sulk and sit around for a few hours not moving or squawking. If they catch the soul' – he grimaced – 'well, it's welcome to the soul party. The crows will fly in circles, above the place where the corpse lies, celebrating as noisily as only crows can. After they've sang their own praises for a day or two then the flocks disperse.' 'Until the next time,' Robyn said. 'Until the next time,' Benedict agreed. Robyn couldn't stop her eyes being drawn to the apartment window. Beyond the glass, airborne crows thickened into a pure black blizzard of the repellent creatures. Noel asked: 'Why don't we just leave? Let the damn birds sit here and wait for some other victim.' 'The crows aren't perpetrators. They won't cause the victim's death. And running away would do no good.' Robyn nodded. 'If fate has its finger pointed at you I don't think driving over the State line's going to shake it off.' Noel became angry. 'If this crow legend is right that means someone here is as good as dead. For me the two big damn questions are _who_? And _when_?' Robyn watched Benedict give an unhappy shrug. 'That, I'm afraid, isn't known to us.' He nodded at the crows just beyond the window. 'Those.... They're the ones with the answers.' Even though her unborn baby must only be a cluster of cells so small you'd need a microscope to see it, it felt as if miniature limbs flapped inside her stomach in eerie mimicry to the dark-as-midnight wings outside the windowpane. ## _Two_ Logan sat opposite Joe in the kitchen of his apartment. Frankly, the place was a pile of shit. Water dripped through the ceiling like the whole building wept over its sorry state. Roaches gorged on pizza crusts, dropped fries, along with vomited dinners that could only be identified by a forensic scientist. Even the walls were poop brown from dirt, nicotine and beer stains. On the table were a hundred silver wraps. 'There should be a thousand here,' Logan told Joe. Joe looked up from where he'd been picking black gunge out of his fingernail. The kid's eyes bled alarm. 'There is a hundred. You watched me count them, man. Are you saying I'm cheating you?' 'No... there _should_ be a thousand. A hundred's not enough to get us out of shit city is it?' He gestured at the fungal kitchen with a cigarette. 'There's not enough profit in this to buy me a new refrigerator, never mind a fucking house with a fucking pool and shit.' 'Beard said that you were on probation. He said if you sold these without bringing any hassle down on him he might supply you one fifty.' 'Joe, shit to Beard. He's only the fucking supplier. He's not the boss of me, is he? _Is he_?' 'No, Logan. I'm with you, man. But if he doesn't supply any more what the fuck we going to.... Hey. Hey! It's cool, buddy. I'm with you. I'm on your side. It's cool!' Joe was reacting with plenty of emotion... the right emotion. Fear. Because Logan had just pulled a sub-machine-gun from a sack on the floor. He laid it on the table by the parade of silver-uniformed crystals of crack. Joe still bug-eyed at the gun, figuring that Logan planned to start shooting. 'Logan, I'm your buddy. You know that. Please man... it's cool, take it easy. We'll sell the crack then go back to Beard. He'll give us one fifty. We—' 'I'm not bothered about Beard. Not yet anyway.' 'Look, I'm your buddy... your best buddy, Logan.' Joe looked to be having plenty of trouble swallowing the lump in his throat. He still figured that by nightfall he'd be chilling on the _big_ slab with a name tag knotted to his big toe. 'We need to make a statement,' Logan told him. 'A statement?' Nerve spit glistened on Joe's lip. 'We're not gonna do any writing lessons, are we?' 'Listen. If we do something that makes all the dealers, and suppliers, and fucking users in the neighbourhood take notice of us, then we'll advance our career prospects. You follow, Joe?' 'Sure. Sure I follow,' Joe responded eagerly. 'A big statement. Advance our career prospects.' He still found it hard to pull his eyes away from the snub-nosed machine-gun. 'One look at that baby will earn you plenty of respect, Logan. Plenty.' Logan picked up the gun and kissed the muzzle. 'This fires thirty rounds in three seconds flat. And this baby ain't for _looking_ at, Joe; it's built for using.' 'Using? Hell, Logan. That's heavy shit. 'Specially if you take on Beard. He's got a Yardy crew pulling his strings.' 'Beard's a future project. I just want the word on the street that we're two guys to be respected. And taken so fucking seriously like you wouldn't believe.' 'This is freakin' heavy, Logan. You know that? Machine-guns and shit.' 'You think that people out there should say we two are a joke?' Joe stared at the machine-gun dominating the table – hell, it dominated the whole freaking apartment. 'No, no way, Logan, I'm there with you, buddy.' 'Yeah, well that's good to know. Because I've a plan that's going to give us career enhancement. I'm going to use this baby to rip up Ellery Hann. Once this beauty's done with stutter boy you'll be able to spread him on a cracker with a butter knife.' 'Ellery Hann? I know you hate the motherfucker's guts but he's nothing to us.' 'And nothing to any one else. But once word gets out on the street that we gunned him because we were so inclined' – Logan grinned – 'that's when we get respect from everyone... and I mean everyone. You follow, Joe?' Joe stared at the gun with a lethal fascination. 'I follow. Ellery Hann it is. Bang, bang....' ## _Three_ After Benedict had finished talking they settled into uneasy silence only interrupted by patchy attempts at small talk that quickly petered out. Robyn poured more coffee, then went into the kitchen to cut slices of cake. She didn't know if her guests would want any. The discussion they'd just undertaken might suppress any appetite for some time to come. But she needed the ordinariness of opening the cake carton, removing the cake. Setting it on a plate. Cutting nice even slices of the moist delicacy. Those _ordinary_ actions might help soothe her nerves. 'Calm down, junior,' she murmured, as she eased the blade through moist lemon cake. Her stomach still fluttered as if tiny legs kicked and matchstick-size arms windmilled in her stomach. When she returned to the living-room Benedict was slipping papers into the envelope. He looked like a man on the move. Noel donned his jacket. 'Cake anyone?' she asked, wondering if the invitation to eat after all that had happened didn't sound blindingly trite. Benedict shook his head. 'We best make a move now before it gets dark.' 'Make a move?' Robyn experienced a jolt of surprise. She glanced at Ellery who sat motionless in the armchair. His expression revealed a cloud of worries. 'We've nowhere to move to?' Noel spoke quickly. 'Benedict's offered us his spare bedroom.' 'You can stay as long as you like,' Benedict told her. 'You too, Ellery.' 'Wait... just wait a minute.' Robyn thought: I'm losing control over my life. Decisions have been made on my behalf. I'm going to be like a little kid again, being bossed by people who think they know better than me. 'Leave here?' Her stomach spasmed so painfully she almost doubled up. But no... no way. She wouldn't even flinch as her muscles twisted and bunched into knots. She wouldn't allow anything to give another human being leverage on her own free will... her own ability to decide what she did with her life. Noel picked up the flashlight. 'We can leave most of our things here. If the door's locked they should be safe. But take anything of value. Do you want me to pack your clothes?' ' _No_.' She took a deep breath to steady her jangling nerves. 'Noel, we've been making this place our home.' 'Robyn?' He smiled as if she'd cracked a silly joke. 'You've seen those damn birds outside. Last night a guy with a heap of chopped liver for a mouth tried to drag you away to... God knows where. Surely you don't want to stay here?' 'Yes. I do want to stay here, Noel. I want to stay here with you. We've worked to make this apartment into a home where we can live together as a couple.' 'But not after everything's happened. That would be....' He stopped short of saying _crazy_. 'It wouldn't be wise, honey.' Robyn glanced at Benedict and Ellery. Both appeared uncomfortable witnessing this argument between boyfriend and girlfriend. She closed her eyes for a moment, sensing powerful tidal forces flow through her mind as well as her body. 'Please, Noel... I'm staying here. I _have_ to stay here.' 'Robyn—' 'I don't know _why_. All I know is I _must_ stay.' 'You can't. It's dangerous. You heard what Benedict said?' 'Yes. I heard perfectly. In fact, he described people who felt the same way as me. They were compelled to come here. I'm compelled to _stay_.' For the first time in a while Ellery spoke. 'M-me, too.' Robyn saw the way that Noel glared at Ellery. There was fiery light in Noel's eye. One that suggested jealousy and suspicion. You could almost hear him thinking: _Now why does Ellery want to stay close to Robyn_? Calmly but firmly Robyn said, 'Please don't make me leave this place, Noel.' 'But it's too dangerous to stay.' 'I'm even nauseous at the idea of going,' she insisted. 'If you don't feel what I'm feeling... or what Ellery's feeling... it's hard to explain. But if you make me leave here I think I will die.' Ellery gave a serious nod. He felt the same. 'I – I don't know,' she said. 'I can't put the feeling into words. But it would be like telling a pregnant woman in labour not to give birth. It's physically impossible to will yourself to stop the contractions.' Robyn looked at the crows beyond the windows. 'Maybe those birds feel the same way. Something calls to them and they fly here. They can't stop themselves. They only know they've got to come.' Benedict let out a lungful of air in a whistle. 'That's a persuasive argument for staying.' Noel fixed Robyn with pleading eyes. 'Are you sure you won't even try to leave?' Robyn shook her head. 'No. I'm staying. I must.' 'I'm ss-staying, too.' Ellery squeezed the padded arms of the chair as if to prevent anyone from dragging him outside by force. 'Nn-need to.' Noel shot Ellery that fierce look again, then said, 'Shoot.' He ran his hands through his hair with such a look of concern in his eyes that Robyn nearly broke down and wept. Instead she clenched her hands and straightened her back. 'We....' She corrected herself. ' _I've_ got to see this thing through. I'm here for a reason. I know I am.' Noel stared. For a second she thought he'd beg her to leave or begin yelling at her to pack her things. Then the stare of disbelief softened into one of acceptance... reluctant acceptance. 'It's OK,' he told her. 'I'm not going to force you. I'm staying.' She noticed Ellery visibly relax now he knew Noel wasn't going to haul her from the building. Now everyone turned to Benedict for his response to this uncanny attachment to the old Luxor. For a moment he said nothing. He gazed through the window at the accumulating mass of crows. Then softly he spoke. 'There is a time to be born, a time to die, a time to reap and a time to sow.' He took a breath. 'That is to say, that a certain _quality_ exists in a moment of time, and that _quality_ is attached to the relevant hour or moment. Astrologists call that the 'objective time moment'. Scientists call it 'synchronicity'. Now I'm going to call it _destiny_.' His gaze roved around the room, as if he could see the uncanny glimmer of supernatural forces sizzling across walls to leap into their hearts and minds, and plant a deep root there that would embed the spirit of the Luxor inextricably inside of them. He said, 'This is our destiny to be in the Luxor over the next few hours. Because something is coming. Something big... something bigger than we can imagine. And we're required by powers unseen and powers unknown to be here in this building when it does.' Outside, the crows – those circling blots of grave-pit darkness – began their chilling call. # Chapter 24 ## _One_ Waiting... waiting for what? And when? And how? Waiting hurts sometimes. Waiting. It can have the mean ability to ache your body from head to toe; _waiting_ becomes a source of physical hurt. Robyn lay in bed beside Noel. She gazed up into darkness seeing nothing with her eyes, yet her thoughts gunned images through her brain. Crowding in there were vivid recollections of the creature that possessed a great red blossom of lips that erupted from the bottom half of its face. She recalled the vivid mental picture of it seizing her in the grey, dripping forest. One that could be accessed in some deeply mysterious way through the dance floor. She recalled Benedict describing what he'd seen on the old videotape. How a creature had abducted Lockram's son. Her mind kept returning to Ellery. She couldn't get his face out of her head. Surely it couldn't be sexual attraction, could it? On seeing him for the first time she _hadn't_ thought: _Oh, he's so good looking._ No, her reaction was that she knew him once. Knew him as well as her own family... no! Better than her own family. When she'd seen him her heart had leapt, while every nerve in her flesh had zinged with an electricity she'd never experienced before. Now Ellery slept on the couch. Benedict had been good to his word and chosen to stay. Ellery – good, kind hearted Ellery – had insisted that Benedict take the bed in the spare room. The one that housed the crib (where Nathaniel Lockram must have slept all those years ago, and from where the creature had stolen him wrapped in a blanket). Now the time stood just one minute after midnight. Her mind jostled with a thousand images and a thousand questions. Robyn couldn't sleep. Her stomach fluttered. Images of tiny limbs stirring in her womb joined the restless throng inside her head. When she rubbed her belly, trying to soothe those twitchy movements, it must have alerted Noel that she was awake. 'Can't sleep?' he asked. 'There's too many things going round in my mind.' 'Me, too.' 'Would you like a drink?' 'No,' he whispered. 'I'll tell you what I do need right now. I need to hold you, Robyn.' In a small voice, Robyn said, 'Thank you.' She knew what he'd do next. There, in the darkened bedroom, he slid across the bed to her, slipping his arms around her as he came closer. She felt his lips on hers. Her lover's muscles were rock-like with tension. She knew she could help him relax. She had the ability to relieve that angst. Just a couple of months ago when he'd got himself all wired over an incident at college, when he'd been wrongly accused of copying another student's assignment, she'd eased him from his anxiety. Noel's arms had been as tense as this; the muscles in his face had been so hard that, to the touch of her lips, it seemed as if his skin overlay a structure of solid steel. But she'd run a deep tub for him into which she'd poured scented oil. After that, she'd lit sandalwood candles. Then she'd seduced him. By morning he lay sleeping with a relaxed smile on his face; all his features softened. Now he needed to make love. It makes perfect sense, she told herself. This is what we both need. Lovemaking will release all that pent-up muscle-tension. Afterwards, we'll sleep until morning. Now come on, Robyn, let him inside of you. You can do this. You've done it before. Jeez, how do you think you became pregnant? An immaculate conception? You became pregnant because you got naked with Noel and consented – eagerly, lustfully consented – to him making love to you. It was only the fault of that perfidious little pill that you must have forgotten to swallow that got you impregnated.... The wash of thoughts as Robyn felt his mouth pressed hard to hers was intended to flood away the instinct to reject his attentions. She tried hard. She knew sexual penetration couldn't harm the foetus. This would be good for both of them. After all, this was a virgin bed as far as they were concerned. It was time to hit that first big erotic home run. Noel's passion became a tidal wave of love, sweeping over her, leaving her breathless as he kissed her. His hands caressed her body. Slowly, he slid his hand up the inside of her nightdress. Fingertips found her breast, stroking one then the other, then lightly pinching her nipples. The rush of his respiration became a hurricane. He rolled her on to her back, then used the stroking of her inner thigh to gently ease her legs apart. She thought: _Let him do this, Robyn. You love him. He loves you. You want to be with him. Sex is good. Sex mates life-partners._ He shrugged off the T-shirt he wore for bed, then moved over so even though she couldn't see him she sensed him poised above her in the darkness. His excited breath brushed against her face. He shifted his balance so he could lower himself on to her as a prelude to slipping his penis between her legs. As always he was gentle. Considerate. Despite his muscular power never clumsy. Never thoughtlessly rushed. But... dear God... I want him to stop. I want him to stop now. I can't bear him to enter me. Once more that alien revulsion she'd experienced before at the prospect of sex with Noel erupted inside of her. It roared through her arteries; screamed through bones, through her nerves. No. No! NO! Her muscles formed fierce knots that sent flashes of agony searing through her stomach. She clenched her jaws together to stop herself from screaming out. She knew her face twisted and contorted into a mask of pure revulsion. Common sense told her sex with Noel would be good, would be beneficial. Life-affirming. But something in her body wouldn't permit it. Tension formed hard fingers that fiercely gripped her heart, squeezing it with such savagery she nearly passed out. She knew that if Noel pushed his penis into her it would kill her. The notion was absurd, it was insane... but there it was... the overwhelming furnace of instinct that blazed inside her. Whatever happens she must not let Noel enter her body. _If he makes love to me he will KILL the baby._ These thoughts flashed through her head in a split second as she struggled not to cry out as cramps jagged her stomach. While all the time the potential murderer of her unborn child spoke lovingly to her, stroked her thigh, kissed her breasts. One of her hands was pressed to Noel's back. Robyn kept her fingers bunched into a fist because that alien, evil-minded instinct, urged her to dig her fingernails into his skin and claw him away from her... anything to protect the baby swimming inside her womb. Her other hand gripped the bed frame at her side. Even at this moment the rational side of her hoped she could ride out this emotional storm. That she could lie there. Let Noel make love to her. Then it would be over. But the rational side sank beneath an instinct that raged she should protect herself from penetration. 'I love you,' he told her. Then it started. The gentle pressure against her vagina. A muscly torpedo shape, engorged with blood. A pulse beat within its shaft. Noel let out a heartfelt sigh of pleasure as he eased himself down. ' _No_.' Robyn's rejection of Noel came as a hiss through gritted teeth rather than a shout. Her hand whipped outwards to the bedside table. As if watching from a distance, she saw herself grab the clock radio and smash it into the side of Noel's head. It all happened in a split second in the dark. And, dear God, she was appalled.... 'Noel, I'm sorry. I didn't mean to hit you. I don't know what's—' ' _Robyn_.' Noel switched on the flashlight. The light bounced back from the wall revealing her boyfriend kneeling up in bed, looming over her. His eyes glittered with total shock. 'Robyn, what the hell did you do that for?' 'Please. I'm sorry. I felt sick. It's what's happening here... Noel? Noel, what are you doing?' Panic rose inside of her as she watched him move. 'Noel, please come back to bed.' Instead, she watched him drag on his jeans. He didn't bother with a T-shirt or shoes. In horror she watched him open the drawer in his bedside table, pull out the canvas wallet that contained the handgun. In silent rage he dragged the gun from the wallet, threw the canvas bag aside then checked the gun, spinning the magazine so he could see the brassy gleam of the ammunition. 'Noel... oh, God, please don't do this.' He picked up the flashlight. The hard white light reformed his face into a mask riven by gullies; scarred by shadow. God, yes, there was a fury there. A blazing fury that screamed violence. He hissed, 'Here we are, holed up like rats in a stinking box. But I'm not taking any more. I've got this.' He held up the handgun that gleamed with all its hard, dark lethality. 'I'm going to search this place – every damn room and closet – if there are any freaks in this building I'm going to find them.' He strode from the room, the light of fury burning in his eye. When she heard a door thump shut in the distance she knew Noel had left the apartment. Robyn knew, also, she had no other choice of action. She would have to follow her boyfriend into the Luxor's dark and brooding heart. ## _Two_ Robyn Vincent followed the man she loved most in the world into darkness. Pausing only to light a candle and to drag his denim jacket over the long nightdress, she went downstairs. In his rage, Noel wasn't thinking straight. He'd left the stairwell door open to the lobby, oblivious to the chance of an intruder slipping in. Then this wasn't like Noel. That fury had exploded his reason. But then he had good reason to be angry. She'd rejected his romantic advances by hitting him on the side of the head with the clock radio. At that moment instinct had overwhelmed reason. If there'd been an axe on the bedside table she'd have struck him with that. The battery-operated timepiece was lightweight. It couldn't have inflicted any real wounds to his head. If anything it would have felt more like a slap. But a slap that was charged full of rejection and numerous implications. In the fury of rejection – and denied sex – he was determined to vent that anger. He loved her enough not to discharge his fury on her; even so, she was scared what he'd do. Maybe he'd find an outlet for his sexual and emotional frustration by killing crows with the gun. But what if some vagrant had found shelter in one of the dressing-rooms backstage. _Sweet Jesus, someone's going to get hurt tonight._ ## _Three_ Logan waited in the shadows. Twenty paces away, Joe beat the door to the apartment where Ellery Hann lived with his family. After ten minutes of poundings a growling bear of a man appeared. In answer to the question the man told Joe that no, Ellery wasn't home and then snarled at Joe to 'Fuck off.' Joe didn't need telling twice and returned to Logan. Joe began, 'Ellery's not—' 'I know: not fucking there.' Logan eased the sub-machine-gun back into the folded combat jacket he carried. Even in this district, even at midnight, he wouldn't be careless enough to walk around with the firearm in plain view. He nodded at the streets that wore the weight of midnight with a sinister air. 'I know where the stutter monkey is hiding.' He grinned. 'And if I'm right, he'll think he's sitting pretty where no one can find him. But that's going to suit us fine, Joe, because it's miles from anywhere. No one's gonna hear the stutter monkey scream.' Logan and Joe went back to the purple Chevy with its crust of rust defacing once pristine paintwork. Its motor ran sweetly though. And within moments Logan was cruising with a menace-laden confidence in the direction of the Luxor dance hall. ## _Four_ Robyn Vincent crossed the lobby. The burning candle she carried revealed her ghostly reflection in the glass walls of the ticket booth. All around her, the Egyptian décor seemed to sway in the wavering light. Shadows bloomed, to swell across reproductions of tomb paintings, or to run fingers of darkness across plaster mouldings off pharonic faces. Above her, the painted Egyptian eye gazed down from the ceiling. Barefeet whispering on carpet, she approached the doors that led to the dance floor. 'Noel?' She found it hard to lift her voice much above a whisper. 'Noel?' Maybe the savage rage had driven him to run across the dance floor to that labyrinth of corridors and empty rooms. Even when she paused she couldn't hear his footsteps. She glanced back at the door that led to the apartment, hopeful that Benedict or Ellery would have woken and joined her. Maybe she would have roused them? No, better this way. She didn't want them to see Noel gripped by this ugly anger. He'd never been like this before. Soon it should pass and he'd become the gentle man that she loved. Taking a breath as if she was about to plunge into a cold lake, Robyn pushed open one of the large doors that led on to the dance floor. Candlelight spilled through to illuminate at least a little of the void. She made out the glimmer of bare wooden floors. The stage revealed itself as a faintly pale line in the midst of all that darkness. Swallowing, she moved out on to the dance floor. An uncanny excitement at being here traded sparks of fear of what she might encounter. And a fear of what might happen because of Noel angrily storming through the building with the loaded gun in his hand. And above her head, above the roof, the crows must still be squatting there, waiting to capture a soul that would be released here soon. Robyn shivered. Hot dry air seemed to be yielding to a cooler draught. The shiver ran deep into her bones. This is the place where others had passed through a supernatural gateway to The Place, as Ellery had called it. A cool, dripping woodland Place. Populated by... shivering she closed off the thought. Moving further across the dance floor, she saw the armchair in its centre emerge from the darkness as candlelight touched it. Only from here it had the loathsome squatting presence of a huge toad. The kind of monster toad that would come hopping and all bulging-eyed from The Place. The Place would breed creatures like that, just as surely as it bred the distorted men and women she had seen. Refusing to be frightened into retreat by what both candlelight and her imagination conjured for her, she walked forward slowly, holding the candle high like she'd become some fragile Statue of Liberty with a living, beating heart. Once she'd taken enough steps toward the squatting toad monster that waited for her on the dance floor the candlelight killed the object's toadiness. She saw it was nothing more than the armchair after all. Still she walked forward. Now the light revealed the raised stage that contained the table. Beyond the table hung the stage curtain that was high as the wall and as wide as the stage itself. In the centre, standing close on six feet tall, a stain had formed in the lower part of the curtain. In the dim candlelight it showed as an elongated shadow. Bulbous at the top. Narrowing toward the bottom. Robyn walked toward it, watching the candle's radiance brighten against the material of the old stage curtain. Again her imagination and the candle's random trickery conjured odd images – just as they'd conspired to make the armchair resemble a toad. Now, there in front of her, the curtain appeared to bear a kind of Turin Shroud image. The stain in the fabric forming the silhouette of a man with an odd lumpy head, long arms— Robyn stopped sharply and drew in a breath of shock. _That's no stain._ There, in the faint light of the candle, stood a figure. It remained as still as if it'd been carved from granite. It'd been watching her all the time as she'd walked across the dance floor. 'Robyn. You shouldn't have followed me down here.' Startled, she nearly dropped the candle as she spun in the direction of the voice. Noel had walked on to the side of the stage from behind the curtain, then called out to her. He was perhaps fifteen paces to the right of the figure standing centre stage. Noel shone the flashlight in her direction, temporarily dazzling her. 'Robyn? Has something happened?' Even though blinded by the light she still stared at the misshapen figure. What's more, she guessed Noel had suddenly figured out what she was looking at. He turned the flashlight from her. Through phantom light spots that haunted her dazzled retina, she could see what happened next only too clearly. He directed the hard beam of light full on to the figure. She saw the shellfish grey pallor of its skin. The same misshapen head. Its glass ball eyes that blazed at her. The mouth pulsed like an excised heart there on its face. A pulsating flapped and flanged thing that burned a shocking crimson against the lifeless grey. Then it turned and raised an arm toward Noel – an elongated arm that tapered to a point where a human hand _should_ be. Robyn caught her breath. She saw that Noel not only pointed the flashlight. In the other hand he aimed the gun, too. The flash lit up the dance floor like a lightning burst. The report sounded more brittle than an explosion. It was the same sound as a bone snapping, only amplified to earsplitting volume. The creature spun round, slashed open the curtain with its stalk-like limbs then vanished into the backstage area. Gunsmoke hung there. A ghostly blue presence on the post-midnight air. Noel ran to the centre of the stage where the monster had stood. He shone the light at the boards, then he turned to her and called out, 'There's blood... _I've hit it_!' # Chapter 25 ## _One_ Benedict West pushed through the lobby door on to the Luxor's dance floor. Behind him, Ellery followed, still pulling his T-shirt over his head. Both men carried flashlights. The time was fifteen minutes past midnight. Benedict had woken hearing voices. Realizing it was Robyn and Noel talking in angry whispers, he decided to stay put in bed. Maybe Noel had taken the opportunity to try persuading Robyn to leave the Luxor. It was only when he heard the apartment door bang that he'd woken Ellery. Together they'd headed downstairs. And together they'd stopped dead by the ticket booth when they'd heard the gunshot. Racing through the doors they saw the scene that confronted them now. _My God, they're staging a play_.... That was the conviction that for a split-second occupied Benedict's mind. Standing there on the stage, gun in one hand, pointing it toward centre stage, smoke still drooling from the muzzle in veins of blue, was Noel. In the other hand he held a flashlight which he directed to that same part of the stage. And there was such an intense expression moulding his face. Fascination, mingling with horror and amazement. A wide-eyed look that had been frozen on his face as he held that immobile, gun-in-hand, pose. Meanwhile, on the dance floor, equally statue-like, stood Robyn in a white nightdress and denim jacket. No... not a play – reality. Cold, hard _reality_. Something had happened to them. Benedict moved forward. 'Robyn. Noel. Are you two, OK?' Robyn remained fixed in that position. Noel, seemingly, could only move his head. He rotated it so he turned his face to Benedict. Now the man's expression morphed to one of triumph. 'I've shot it,' he told them. 'I've gone and damn well shot it!' The act of Noel speaking dissipated Robyn's shock. She let out a breath, her knees buckling a little as she glanced back at Benedict and Ellery. 'It was right there on the stage. It was looking at me when Noel came through from the backstage area. It was looking at me, then—' 'Then it turned, saw me, and lunged at me,' Noel interrupted. 'I squeezed off a shot before it could touch me.' Benedict reached Robyn. 'It was the same one?' Robyn gave a laugh that was glittery with shock. 'Lip Boy? The Mouth Monster? Yes, it was the same one.' Benedict turned to Ellery. 'Stay here with Robyn.' He ran to the stage and vaulted on to it. Then he swept the blazing light over the area Noel had indicated. A Frisbee-sized pool of red glistened on the boards. 'Noel hit it,' Benedict confirmed. 'There's blood . . lots of it, too.' He looked up as Noel walked forward to stare in fascination at the disk of gore. At last he lowered the gun. 'Noel? Do you know where the bullet struck?' 'I didn't see the point of impact. But I aimed at the centre of its chest.' 'There's no doubt it's comprehensively wounded.' Benedict glanced at drops of blood that formed a trail away from the big scarlet disk. 'And there's no doubting its direction.' He nodded at the curtain that separated the boards from the backstage area. 'Ellery, take Robyn back to the apartment. Make sure you lock the door after you.' Ellery nodded, although Robyn took a step toward the stage. 'Wait, you're not thinking of trying to find that thing, are you?' 'We need to.' Noel sounded like a man with a hunter's spirit upon him. Benedict knew he had to add a justification. 'If we can find this creature it will be evidence. We need to show the police something solid they can believe in.' 'Oh, they'll believe in that monster,' Noel said with conviction. 'Robyn, please return to the apartment with Ellery. We won't be long.' Fear flared in her face. 'Listen, what if there are more of them. It won't be—' 'Robyn. We'll be fine.' Noel presented the gun, muzzle pointing upward. 'We're protected.' 'Please,' Benedict insisted. 'Return to the apartment and lock the door. We need to do this and we can't afford to wait any longer. From what we've seen before it's the nature of this beast to vanish into thin air.' Benedict watched Robyn nod an assent then allow herself to be guided back to the apartment by Ellery. Waiting for just long enough for the pair to pass through the lobby door, Benedict turned to the eager Noel and jerked his head at the curtain. 'Come on, we've got to find this thing.' ## _Two_ At the same time that Benedict and Noel pushed through the now wetly stained curtain in the Luxor, Logan and Joe were twenty minutes away from the building. Street lamps trailed through the sky, looking like processions of shining space ships at this time of night. Logan carried the sub-machine-gun on his knee as he drove the Chevy. The pockets of his combat jacket were stuffed tight with lovely, lovely ammo. Hot shit! Excitement buzzed from his gut to his brain. He turned to grin at his buddy in the passenger seat beside him. 'Ever seen a dead man, Joe?' Joe shook his head. 'You will tonight, man. You will tonight.' ## _Three_ On immediately passing through the curtain to the backstage area, Benedict paused. He swept the flashlight left to right, revealing the high ceiling with vine-like ropes that hung down from gantries and steel bars that once supported scenery flats. Up one side of the wall climbed a fixed iron ladder to the lighting gantry. Regular access to that would have been required by the technician to adjust the stage lights; these valuable lights were long gone. Probably sold to another concert hall or theatre when the Luxor closed its doors for the last time. Noel stood close by. He used the light to probe shadowed corners. From the gleam in his eye he clearly expected to see the creature slumped on the floor, pumping blood from the gunshot wound. At last Noel conceded, 'Nothing here.' 'It probably headed down one of those corridors either to the left or the right. Do you know where they go?' 'When we looked round here the first time we found all kinds of offices, stock closets and dressing-rooms.' 'It probably crawled into one of those,' Benedict whispered. 'Come on.' 'Sure you don't want to find a weapon first?' 'I'll rely on your gun.' 'I'd best go first, then.' 'As you wish.' Benedict stepped back to allow Noel to take the lead. He walked cautiously enough with the gun pointing as he tracked the flashlight beam from side to side, chasing away the crouching shadows with its brilliance. 'My guess is, it took quite a whack from that slug,' Benedict breathed, as they moved slowly down the corridor. 'It's probably more concerned with fleeing than fighting.' 'What do we do with the sucker when we catch him?' 'There should be some way of holding him in one of these rooms until we can whistle up some cops.' Noel nodded. 'Even if we have to nail the fucking door shut.' 'Noel?' Benedict touched Noel's arm then nodded down at the concrete floor. A dime-sized disk of red glistened on the floor. Noel nodded. 'Close?' 'Maybe. Keep your guard up.' Noel cocked the hammer on the revolver. Now, as he walked he scanned each room they passed through the pistol's sight, ready to fire the moment Mouth Boy showed his monster face. Some doors were ajar. Some shut. Cautiously, expecting that monstrosity to come screaming at them every time, Benedict pushed open each door with the flashlight. Stock closets, offices, dressing-rooms. All empty. Every five paces or so another drop of blood would signal the way. Mouth Boy might already be dead. He... it... might have struggled down this way before expiring in a pool of blood in a dressing-room where, a long, long time ago, Buddy Holly once tuned his guitar or Black Sabbath had strutted their thing in black leather and shades. Only... so far... the rooms remained resolutely empty. The moment Benedict withdrew the flashlight, darkness returned, plunging into every corner, swarming across every inch to claim the void within those four walls. The search so far could only have taken moments, but time seemed to be playing uncanny tricks. They could have been walking along the corridor for tens of minutes rather than tens of seconds. All Benedict could hear was the hiss of their own breathing, and the thump of his heart, pushing blood to feed heightened senses. Seemingly, the corridor would never end. What's more it wasn't straight. It repeatedly doglegged to the left hugging the line of the rear stage area. This meant that they could never see more than a dozen paces ahead. Hell. You couldn't tell who lay in wait around the next damn comer. In another five steps Benedict realized two facts. One: the corridor followed a crooked line. If they kept turning left it would take them back to the stage area at the far side of the building. While the corridor that jutted away at right angles would take them to the rear of the Luxor. Point number two: Had the wounded creature simply run along the corridor lying parallel to the stage area, re-entered the dance floor, then raced after Robyn and Ellery as they made their way to the apartment? Briefly, a cool breeze played on Benedict's face, and once more he thought about the uncanny gateway to the grey, dripping forest. A misty borderland between this world and some other existence. He thought of Mariah Lee, his former lover. A decade ago Mariah had walked into the Luxor and never left. With breathtaking clarity now he knew that Mariah Lee had entered the twilight region Ellery had called the Place. Noel held up a hand. 'Wait.' 'What's wrong?' 'I can't see any more blood spots.' 'It might have cut off for the door at the back of the building.' Noel grimaced. 'If it got out it could hide in the woodland along the river-bank. We'll never find it there.' 'Damn. Best step on it, then, before it gets too far.' Noel moved faster now along the corridor that led to the rear of the Luxor. Ahead of them, their lights blasted away the darkness. Noel scanned the floor. After fifty paces that took them within sight of the big transit area behind the boarded exit, Noel said, 'No. It's not come this way.' He used the light to scan the floor. 'Look. No blood.' 'Maybe it ducked into a room we didn't check.' 'But we checked them all, didn't we?' Benedict took a deep breath. 'Then maybe it ducked into who knows where. It might be with its own kind now.' 'Shoot, we were so close.' 'Come on, best retrace our steps, we might have missed a closet.' Benedict soon realized they hadn't. Moving faster now they pushed open doors, blazed flashlights round empty rooms then moved on to the next. At the junction of the corridor Benedict slowed down to search the area more closely. His eyes followed the disk of light as he skated it back and forth across the concrete surface that still bore the scuffs and scars of the feet of the famous and not so famous passing and re-passing between stage and dressing-room. An abandoned cupboard still stood with its back to the wall, its door yawning open. Close to the cupboard Benedict noticed four spots of blood close together. Yet another spot almost touching the cupboard had been smeared. 'Noel... Noel?' The man with the gun was keen to find his prey and had hurried along the corridor. ' _Noel_.' Not wanting to alert the creature by shouting, Benedict hissed, ' _Noel. Here_.' Noel jogged back his feet barely making a noise. 'What is it?' Benedict pointed with the toe of his shoe at the blood spots. 'It paused here for some reason. Look at the smeared patch of blood.' 'You think it's hiding somewhere close?' 'I think it stopped here, then retraced its steps to the cupboard. It smeared one of the blood spots with its own foot.' Benedict looked inside the cupboard. Mostly there were short lengths of wood, perhaps from some old set design. There were also boxes of rusting screws and a carton containing rags that had probably been used to wipe spills at one time or other. Along the upper edge of the carton ran a brown-red smear. 'That's why we can't find any more blood on the floor.' Benedict shone the light at the rags. 'It's used one of these as a dressing for the wound.' 'Shit.' Dark fury settled on Noel's face. 'That means it could have gone anywhere.' 'My guess is, it'll head back to the dance floor so it can follow the route back to wherever it came from. This should do.' He picked out a wooden pole the length of his arm that had been sawn to a point. 'We'll be able to search the place faster if we split up.' 'I've got this cannon.' Noel raised the revolver. 'Are you sure a stick's going to stop that thing?' 'I figure that slug you put in it will have dented its fighting spirit. Besides' – he gave a grim smile – 'If I find it I'm going to yell loud enough so you hear, believe me.' Noel grinned – a wild-looking grin in the bouncing radiance of the flashlight. 'Don't worry. I'll come running.' He checked the gun. 'But if I see so much as a hair of its ass, I'm going to shoot first. There's no way I'm letting Monster Boy run out on us again.' They went their separate ways. Noel headed off to the stage door where he said he'd work from the back. Benedict made for the dance floor. Within seconds he'd crossed the stage, dropped down on to the wooden floor. His sweeping light revealed the table, armchair, blood on stage. Nothing else. So where could the critter have hidden itself? The dance floor atmosphere was dust dry. Warm. No trace of that cooling flow of moist air from The Place. No sign of that pearl-misted entranceway, either. Benedict didn't know what supernatural law governed the portal opening and closing, but nothing was happening at the moment. It was just a regular dance floor in a regular (if abandoned) building on the edge of town. What's more, he'd not felt that flow through of cold air in a while now. So it seemed unlikely the creature had slipped away to its nether world. Think it through, Benedict told himself. Think like a detective. Analyse the clues. The drops of blood that led to nowhere; or seemed to lead to nowhere until Benedict realized the creature had employed a rag to staunch its blood flow. So if you've eliminated all the hiding places behind the stage, and it's not exited the building, where is left to conceal itself and nurse its pumping wound? _Obvious, obvious, obvious_.... The word spat through Benedict's head as he ran as lightly as he could for the doors that led to the lobby. In turn the lobby led to the apartment entrance. Images ballooned in his mind. The creature's wounded, but still agile; still strong; it doubles back across the stage to the lobby where it catches Robyn and Ellery as they unlock the door to apartment stairwell. And – _yes!_ – still strong... add to that a fury fed by pain... the images his imagination produced now were of Robyn and Ellery lying with their throats crushed by those tapering limbs. With the flashlight beating back the darkness in front of him, Benedict pushed through the doors, anticipating finding two lifeless bodies beneath the all-seeing Egyptian eye painted on the ceiling. No... no bodies. The lobby was deserted. The door to the apartment stairs shut. He tried it. Thank God, it was locked, too. Robyn and Ellery must be safely inside. Benedict swept the light round the lobby with its exotic décor. There he glimpsed a profusion of repro tomb paintings and hieroglyphics and crocodile-headed gods. Plaster casts of pharaohs with heavy-lidded eyes brooded on eternity. If the creature hadn't made it to the apartment then where could it be? Above you? Benedict shone the light up over the walls and across the ceiling expecting it to be clinging to the mock Egyptian carvings before it dropped down on to him with lethal intent. Only there was no grey-skinned figure. Letting out a breath of air, his shoulders drooped, relaxing a little now the chase seemed to be at an end. There was nothing more to do but wait for Noel to return, still no doubt hungry to squeeze off more shots from that gun of his. Benedict had recognized the hunter-lust fire up the man's eyes. Benedict walked back across the lobby, ready to meet Noel on the dance floor, with the words, 'Nothing doing, buddy. We might as well go back upstairs.' What gave it away, Benedict didn't really know. A shadow might have flickered on the glass, or it might have been a faint noise, or even a scent that he hadn't consciously registered but had stirred a predator instinct deep inside. _The ticket booth: it's no longer empty_. Stealthily... and holding the shaft of wood as if it was a spear... he advanced toward the booth that faced the locked and boarded main entrance. Above the front of the booth ran the word. 'Tickets'. Three sides of the booth were glass from waist height upward. The fourth side consisted of the brick wall that separated lobby from dance floor. At the bottom of the front glass panel there was an aperture that was big enough for customers to slip through their dollar bills then receive tickets in return. Access to the booth was through a side door also of glass. The bottom half of the booth possessed timber panels over-painted with copies of more tomb paintings – jackal gods, mummiform coffins, kneeling priests, men with bird's heads, the blue-green corpse of Osiris: lord of the underworld, the god of the dead. Heart beating hard, hardly daring to breathe, Benedict West approached the ticket booth door and pushed it open with his foot. Then using the torch as a weapon to dazzle and the sharpened pole ready to stab he looked inside. ## _Four_ There it sat on the floor. Its back to the board opposite the door, legs outstretched toward Benedict. Dousing it in brilliant white light, Benedict's eyes took in every detail. The creature was long and thin. The over-large head rested on thin shoulders. Its clothes had degraded to rags. The skin glistened a disgusting grey colour. Large pores oozed a thin slime. Two limbs that did not terminate in hands clutched a wadded rag to its chest. Blood shone wet and gory in the light. A bony chest heaved as it fought for breath. And just as someone who has been in the company of a smoker carries tobacco odours with them so this wounded creature wore the aroma of a forest in winter. Nerves tingling with darting electric shocks, blood pounding through his neck, Benedict stared. He'd planned to shout to Noel at first sight of the thing but now he couldn't bring himself to breathe a whisper. His gaze travelled up the torso to the face. There was the huge flower of a mouth. Above that, two tiny holes sunk into the skull where a nose would be. Above those, a pair of eyes. Dear God in Heaven. They were huge eyes. Twin balls that shone like glass. While the fierce pupils glared at Benedict, whether in terror or hatred he could not tell. Benedict's gaze flicked down to the tapering stalks that pressed the rag to the wound. They were trembling. His own eyes returned to the _thing's_ face. Close up, he could see the mouth consisted of concentric circles of lips, one within the other, growing smaller in size until they reached the centre. And at the centre was a dark hole, an airway or passageway for food, he wasn't sure which. All the time the lips moved with the same undulating motion of sea anemone stalks underwater. A slow rhythm that, repulsive though the sight was, possessed an uncanny hypnotic power. The lips flushed deep red before the colour drained to deathly grey; then a moment later they would flush a fiery red again, before once more draining of colour. The time it took for man and monster to regard each other could barely have been five seconds. In that time the creature didn't make an attempt to move its body. Benedict was locked in the same position. Any time now Noel would walk into the lobby, size up the situation, then step forward to fire at point blank range. And BANG— They'd possess physical, incontrovertible evidence for whatever government agency took this case. In the distance he heard footsteps. That would be Noel crossing the stage. He was coming. Benedict pictured the gun in the man's hand. The weapon was as black as the crows that swarmed on the roof, waiting for an occupant of the Luxor to die tonight. His eyes focused on the face again with that monster mouth pulsating from red to grey. Its eyes locked on his. They had that same cold alien quality of a fish. Even so, they acquired a subtly altered expression. As if whatever brain worked within its skull shaped new thought patterns. Even the mouth twitched, missing a beat. The lips curled inward before blossoming outward. Those flaps of skin went from flaccid to tense as tiny muscles under the flesh shaped them. Then Benedict understood: _the creature is going to do something_. Benedict managed a single step back as the creature struck. The arms – that weren't arms – released their grip on the bloody rag. With sinuous ease they lashed upward with the speed of a striking rattlesnake. Benedict didn't even have time to shout before the glistening tentacles gripped him, one coiling round the back of his neck the other lassooed his waist. Then with a speed that caused the pole to jerk from his hands and for the walls of the booth to blur, the creature yanked him toward it. There was no question of resistance. The powerful octopus-like limbs drew Benedict face-to-face with the creature. Such was its muscular power it held him suspended there just a dozen inches from its face with that eruption of red flesh. Revelation, precognition, clairvoyance, prescience... whatever it was, Benedict sensed a truth surface inside his head. A terrible forceful truth that he resisted. For a whole ten seconds the monster held him suspended there in the air by its two limbs that glistened with mucus. The chill from its flesh seeped through his clothes to touch his own body. He locked eyes with those two glass-bright eyes. He felt its cold breath on his lips. And all the time he struggled not with it, but with the realization that surged up inside his own mind. Footsteps sounded on the dance floor. Noel coming. Gun ready in his hand. The man was a shooter now. He would shoot again. Benedict found his eyes drawn to the mouth as muscles worked that delicate array of lip within lip, within lip, with its puckered ridges and deep, moist gullies... a fabulous mouthscape of eldritch complexity. _Mouthscape_... he wanted to focus on that word to the exclusion of all others as with a growing dread he anticipated the words that would soon rise up into his mind. The creature spoke. And all hope of suppressing the truth from himself was gone. Because the monster possessed a voice that he'd heard thousands of times before. A voice so familiar it made his heart surge. It said, ' _Benedict... help me_.' # Chapter 26 ## _One_ 'Sorry, old buddy. Nothing doing.' Benedict saw Noel grimace with frustration at the 'Nothing doing' as he walked across the foyer. 'Nothing at all? No blood?' Benedict shook his head. 'I guess it gave us the slip after all.' 'Damn. We needed the body of the creature. We could have brought the cops down here to figure this out.' Benedict was careful to stand with his back to the ticket-booth door that he'd closed after him the moment the creature had set him back down again with those uncannily powerful limbs. _Benedict. Help me_. Its plea ran like hot wire through his veins. Now, it was all he could do to keep his voice under control and his expression one of pretended disappointment at not capturing their prey. 'We could make another sweep of the building?' Noel suggested. 'We'd be wasting our time. It's returned to its own world. That's the only explanation.' 'I guess.' Noel cast a longing glance at the doors to the dance floor. The hunter's spirit was on him now. And, dear God, did the man _want_ to hunt! His hand appeared to pulsate as he repeatedly tightened his grip on the pistol. He itched to squeeze the trigger, blazing red-hot bullets from the muzzle. 'We'd best let Ellery know we're back,' Benedict suggested, while praying that Noel wouldn't think to look inside the booth just feet from him. 'Yeah, you're right. Although I doubt if I'll unwind enough to sleep tonight.' He walked by the ticket booth. _Keep looking forward, keep looking forward_. Benedict held his breath. If Noel should glance to his right.... No, don't even think it. The man craved to fire the handgun again. Noel went to the door. Tapped on a window slat at the top. Almost immediately it opened. Ellery must have been waiting for their return; he stood there, a scared expression on his face. Seeing it was friend – not foe – he sighed with relief. Benedict kept himself between Noel and the booth in the hope his own body would obscure the view at least enough for Noel not to notice that glass sided office might offer a hiding place. In seconds, however, they were through the door and climbing the stairs to the apartment. Behind them Ellery closed the door, locked it, bolted it. Checked, re-checked, it was secure before following them. Dear God in Heaven. Benedict broke sweat. That was close. How could he have explained to the trigger-happy Noel that he, Benedict West, not only knew the identity of the mouth creature, but he had loved it, too? Of course, ten years ago its bodily shape had been different. And Benedict had known it – _no, her_ – as Mariah Lee. ## _Two_ At this time of night the ghostly blend of darkness and starlight transformed the parking lot. Vast. Flat. A blue-black expanse that appeared more liquid than solid. A lake of asphalt that might contain unknown creatures that prowled beneath the surface. Standing as if it were a rocky island was the building known to Logan as the Luxor. An old dance hall where his mother used to jive her teens away. Logan's stepfather had rowed about the mess Logan had once made when he spilt milk on a new rug. Accidentally on purpose, right? Logan hated his stepfather. And stepdad yelled on demand just like he always did. 'Krista, look what the little bastard did. Jesus Christ, look at the mess. He's spilt... uh, the bastard... wait until I get my hands on him!' Logan had been hiding in the crawl space under the house, but he heard every word stepdad raged from his big mouth. 'I'll kill the little pig.' His mother drawled, sleepy from her trip to the bar. 'He didn't mean no harm. He's just a kid.' 'Just a kid? Yeah, and I know where you got yourself fucked up with the little bastard.' 'Ooh, Dwaa—ayne....' 'You got yourself fucked up in the parking lot at the freaking Luxor; that's where you conceived pig boy.' Now, years later, Logan sat here in his Chevy in the parking lot where his blood daddy's sperm went gushing to his momma's waiting egg that would become Logan. Full circle. Logan grinned. _Just like coming home, huh?_ 'What's funny?' Joe asked from the passenger seat. 'I'm making my own entertainment, that's what.' Logan rolled the window down, tossed out the cigarette stub. 'Pass me another beer.' 'We going to sit out here all night?' 'If it takes.' 'Logan, it's one o clock in the morning. My butt aches.' 'What ya' want me to do about it?' 'Nuthin'.' 'Well keep your butt to yourself, man.' Logan took a mouthful of beer. 'Are you sure the Ellery kid's in that dump?' 'He'll be there.' Logan patted the sub-machine-gun that nestled in his lap like a puppy dog. 'When he steps out of that place he'll never know what hit him.' There was silence for a while. Both drank beer as they gazed through the windshield. At last Joe grunted. 'What you make of all them?' 'All them what?' 'Can't you see 'em?' Joe pointed vaguely with the beer bottle. 'All those birds on the roof.' He squinted through the gloom. 'Crows. There's fucking hundreds of them.' ## _Three_ _I'm too wired to sleep_. That was the gist of what Noel had told Benedict before they returned to the apartment together. By two in the morning Noel said he was going to return the gun to his bedside table. A moment later Robyn had gone through into the bedroom to check on him when he didn't return. She walked back into the lounge and whispered that Noel had lain down on the bed and fallen into a deep sleep. That explosion of rage and, not to put too fine a point on it, bloodlust had exhausted him. She'd also taken the opportunity to change into jeans and T-shirt. Now, there's just we three, Benedict mused. That alters the dynamic of our little group. Ellery's less edgy without Noel's presence. The stammer drops away a little; he speaks with more confidence. Still way, waaay short of chatty, but he articulates more. Robyn always tends to glance at Noel when she's talking to others. She and Noel had only just upgraded their relationship to live-together partners. For now, she tended to reassure herself that Noel approved of her point of view. And it was clear to any outsider that they're both deeply in love with each other. 'More coffee?' she asked. Ellery shook his head. 'N-no, thank you.' 'I'm fine,' Benedict told her. Robyn sighed. 'I just wish we could have found the Mouth Man.' Her shoulders gave a little hop. 'It's a silly name, but we can't keep calling it _It_ can we?' 'I'm _not_ fine,' Benedict said, his voice tight with emotion. He saw Robyn react with puzzlement, but she reached for the cup as if he'd accepted her offer of more coffee. 'I'm not fine,' he repeated. 'And we don't have to call the thing we saw It.' Robyn looked stunned. 'You mean you know what it is?' 'Yes... no. I don't know... I'm sorry, I'm expressing myself terribly... incompetently.... Shoot.' He glanced at the two people. Their eyes were trusting; they cared about him. 'Benedict?' There was sympathy in Robyn's voice as she coaxed him to say more. Here goes, he thought. 'Robyn. Ellery. I've a confession. I did find the creature that Noel shot.' 'Where is it?' 'Downstairs in the ticket booth. But I'm afraid she might be dead by now.' Ellery blinked. 'She?' Benedict took two goes to swallow the lump in this throat. 'Not It. Not He... yeah, _She_.' He saw Robyn and Ellery look at each other. Flashes of understanding seemed to leap from one to the other, then back again. Instead of being near-strangers, they appeared as close as brother and sister. Robyn stood up. 'I'll wake, Noel.' 'No, please don't.... Noel's a good man, but he's desperate for hard evidence to show the police. I think he'd use that gun of his before we could persuade him otherwise.' 'Is... is sh-she badly hurt?' Ellery looked troubled. 'Yes. Noel knew where to place the shot to do the most damage. When I saw her, she was dying.' Robyn asked, 'Benedict, who is she?' 'The girl I've spent the last ten years searching for. Mariah Lee.' 'Ellery, bring the flashlights.' Ellery nodded, but Benedict held his hands up. 'Whoa, what are you doing?' Robyn sounded in gear. 'If that is Mariah down there we're not going to sit here while she bleeds to death. We're going to help her.' 'Please don't wake, Noel. The mood he was in—' 'Don't worry. It'll just be the three of us.' 'You're not going to tell him?' 'Only when the time's right. Best bring candles, too. We'll need as much light as we can get. Right, I'm going to my room. I've got bandages there.' Benedict thought: _There. I've done it. I've told them_. He picked up a carton of candles. _I only hope I've done the right thing._ # Chapter 27 ## _One_ _She's gone_. The words blossomed with dark despair inside Benedict as he looked through the doorway into the ticket booth. There was blood pooling on the carpet. More bloody smears on the panelling. Shadows danced from the light of the candle he held. 'She's gone.' This time he spoke the words aloud. Robyn stepped forward, shining the flashlight into the glass-walled cubicle. 'No... Benedict, see? She's hiding under the desk.' Benedict stooped to look. There she was, Mariah Lee. Earlier, the only thing he'd recognized had been her voice. Even though the words were spoken by that fulgent mass of overlapping lips the voice had been instantly recognizable. Now her breathing was shallow, the skin greyer than ever. The bulging glass ball eyes had dulled. Still she clutched the bloody rag to the wound in her chest. 'Mariah.' Benedict spoke gently. 'Mariah, this is Robyn and Ellery. They are friends of mine. They won't hurt you. They're here to help.' 'We'll need to bring her out of the booth so we can dress the wound,' Robyn said, business-like. 'Will she come if you ask her?' 'I don't know. I'll try.' He looked at the circular eyes that gazed dimly back at him. 'Mariah? Mariah, can you hear me?' A tiny nod. The mouth pulsed from grey to pink. Colour was leaving it. Blood loss taking a lethal toll. 'Let me help you.' He leaned forward into the booth reaching out his hands. But to willingly touch those cold grey tentacles that served as arms? He didn't know if he could. 'Here, let me,' Ellery said. The appearance didn't faze him. Gently he took one of the tapering limbs and helped her to her feet. She walked unsteadily while still pushing the rag against the bullet wound, trying to stem the cruel out-flow of blood. Mariah's knees buckled and all three caught her to prevent her from falling. They laid her on her back. Benedict searched her face again looking for some residue of a familiar nose, or jaw line of the woman he'd loved. But nothing. Her entire body had been reconfigured; reshaped, remoulded into this thing he saw now with the misshapen head and petal-like eruption of a mouth. Even the flesh had been transformed from smooth skin that once shone with youth and health to this sickening covering of grey membrane, speckled by deep black pores that oozed mucus. What's more there was no human warmth. She felt cold to the touch. To make physical contact with her evoked memories of handling raw fish from the refrigerator. What sick, evil force has done this to Mariah? he asked himself. How has she become MONSTERIZED? It was an ugly word that you'd never find in any dictionary, but it applied only too well to the woman he'd once shared a bed with. She had been MONSTERIZED. She had been wrought into the shape of a monster. But had that force reshaped her mind? 'Give me as much light as you can,' Robyn told them. 'Ellery, pass the bandage pack. Thanks.' By flashlight Robyn worked to save Mariah. She wadded the wound, so the raw puncture in the strangely flat chest was plugged. Then she helped Mariah to sit so she could wrap the bandage around her torso to hold the wadding in place. The image of a part-wrapped mummy figure was oddly apt with the Egyptian tomb paintings covering the walls. Then Robyn said something that Benedict had wanted to suggest, only had evaded because it might test her loyalties. But Robyn knew what they had to do. 'We've got to look for somewhere to hide Mariah. Noel can't find her. Or even know she's here. Not yet.' Ellery nodded. 'Th-the stage.' 'There's a hiding place near there.' 'Beneath... there – there's... uhm,' The words were jamming tight again. 'Sherrr... show you.' Benedict glanced at the door to the stairwell. Noel might burst through any minute with the gun in his itchy fingers. Benedict knew the man would fire the moment he saw what he believed to be the monster that molested Robyn. Love can be savage beyond belief. ## _Two_ With the wound bound, and she and Ellery helping Mariah, they made good progress. Benedict lit the way as they crossed the dance floor. Robyn glanced at Benedict. The man's face bled pain and shock. What must it be like to search for the person you loved, only to find them transformed into the most repellent thing you've ever seen in your life? The pulsating mouth that stood out from the creature's face was as large as an apple. It flushed red then bleached to grey, no doubt being coloured by tiny capillaries that carried its now diminished blood supply. The rhythm of the colour change must match the beat of its heart... _her_ heart, Robyn corrected. Close up, the mouth reminded her of stomach churning moments on TV – it looked like a beating heart exposed during surgery; yet it resembled mollusks in the depths of the sea: pulsing, undulating, expanding, contracting, aspirating. And it evoked a mêlée of images of fast-motion photography of a bud blossoming into a rose, with pink lip after a lip unfolding, peeling back before the whole process flipped into reverse to contract down to that fruit-sized lump. 'Where now, Ellery?' Benedict asked. 'Stage... n-no. Not up. Down... lower.' Robyn looked at where Ellery pointed with his free hand as he supported Mariah. Benedict played the light on the vertical timber panels that formed the front elevation of the stage. They reached little more than waist high before they met the boards that formed the horizontal plane of the stage itself. Then he saw what Ellery pointed at. Recessed in the timber was a D-ring. Benedict pulled it and a low hatch opened on hinges to form a dwarfish doorway into the underside of the stage. Robyn glanced back at the lobby to make sure Noel hadn't woken and followed them down here, then she turned to regard the bulging eyes of what had once been a human being. The eyes were dull; the breathing shallow, breathless sounding. Mariah was very weak. What's more, the bullet was still inside her chest. It would require surgery to remove it. Already Robyn's mind spun possibilities of what to do next. Call nine-one-one? Or find a veterinary surgeon? She hated the seemingly flippant thought. But perhaps medical help should come from someone versed in non-human anatomies? 'Here. Careful,' Ellery whispered. 'There are s-steps down.' Robyn expected the void beneath the stage to be only around four feet high, But the ground had been excavated when the Luxor was built. Stage boards formed a roof above a large vault some seven feet high that ran the breadth and length of the stage. Over the years it had become a dump for scenery flats, cables, redundant (or broken) spotlights, miscellaneous tables, chairs. Even an electric guitar with a broken neck haunted this dusty, forgotten place. _Forgotten_ , that is, with the exception of Ellery. 'Bed... we can m-make her...' He nodded at pieces of furniture that included a mattress and plush velvet curtains folded on a shelf. Robyn saw they would serve as blankets to cover the cold-as-fish Mariah. But was this her natural body temperature? 'We can't keep her here for long,' Benedict said, with distaste at the surroundings. 'She'll need expert care.' 'I agree. But we've got figure out who to call.' 'After all,' Ellery told them with sudden clarity. 'Mariah is just like us. She's here for a purpose.' ## _Three_ When the clock on the dash pulsed 3.30 a.m. Logan decided they'd waited long enough for that stutter monkey Eh-Eh-Ellery to leave the Luxor of his own accord. Even though Logan had convinced himself that Ellery was in the place, there was a powerful suggestion that someone else was in there, too, bearing in mind the car parked nearby. Maybe both were naked, making out onstage with a _oooh-oooh-ah!_ Logan laughed. The image was even funnier because to kill the boredom he'd just shared a spliff or three with Joe. 'What's so funny,' Joe asked, chuckling. 'I'm just figuring I could nail the pair of love-birds with one shot right through the ass.' 'Uh?' 'It doesn't matter. Come on.' 'Where we going?' 'Looks as if stutter boy ain't coming out. We best go find him before it gets light.' 'You really gonna do this thing, Logan?' 'Sure.' 'Ya gonna kill him?' 'That guy's going to be so dead he'll wish he'd never been born.' Both crumbled into spluttering laughter. Joe wafted dope smoke from his face as he rocked backwards and forwards in the car. 'And if there's anyone else in that crap heap....' Logan gestured drunkenly at the Luxor. 'They're gonna get themselves so dead they'll wish they'd never been born either!' Smoking dope made the joke even funnier the second time round. Roaring with laughter they rocked the car and slapped the dashboard. 'Come on old buddy, bang bang time.' Rather than Joe, Logan addressed this to the machine-gun. 'Time to sing for your supper.' He hauled himself out of the car. Above him, stars painted blurry trails of silver in the sky. Wow, that was good smoke. He was still feeling that spiffy-spliffy cosmic buzz. 'Shit, man. I'm stoned.' Joe made it out the car then fell to his knees. 'Absolooot-tilly stoned.' 'Get up on your fucking feet, man. Work to be done, you know?' 'I'll be all right.' 'Ya'll be all right, or my boots gonna connect with your asshole... ya asshole.' Both laughed again. Then Logan pulled a snub-nosed revolver from the pocket of his combat jacket. 'You take this.' 'I don't know about any guns, man.' 'You take this.' 'Aw shit.' Chuckling, Joe took the revolver from Logan. He eyed the sub-machine-gun in Logan's other hand. 'Hey, yours is bigger than mine.' 'Yeah. 'Cos I'm the boss man.' 'Lead on, boss man.' 'Wait... wait. Flashlights.' Logan pulled a couple of flashlights from the trunk. 'Here. You take the smaller one.' 'Aw, size matters, man.' They walked across the nighttime parking lot. There was no traffic nearby. A silence settled on the place as deep as that you'd find in a tomb full of stiffs. Even though hundreds of crows formed a lumpy black thatch on the roof they didn't move. It looked as if the suckers were waiting for something to happen. Weaving a little across the black-top they made it to the Luxor. They had to walk round the building twice before they found the entrance through the loose panel on the stage door. The beer and dope had started to wear off now. The stars refocused into tight little points of life instead of those smeary trails. Walking in a straight line became easier, although they both grinned at each other then grinned goofily at the guns in their hands. Logan slipped the panel aside. His flashlight revealed the hole in the door and the maw of the Luxor's interior beyond. 'After you, my dear Joe.' Joe chuckled his tipsy laugh. 'No, after you, my dear Logan.' 'No after you, my dear Joe.' 'After you, dear boy.' 'No after you, good sir.' The imitation of drunken English lords being overly polite tickled their funny bones again. Then sobriety kicked in hard. 'After you, my dear Logan.' 'No.' Logan pushed the gun muzzle on to the tip of Joe's nose. 'After you, old buddy. I insist.' The fuzzy warmth vanished in an instant. Joe's eyes sharpened into an expression of fear. 'I don't want you yellering out on me, Joe. We're gonna go in there and blow those motherfuckers away. D'ya hear?' Joe heard good. Scared, he nodded then ducked through the broken door into the Luxor. Logan followed. _Man, this is what Logan'd waited for. Bang-bang time_. ## _Four_ At the same time as Logan followed Joe into the Luxor through the hole in the stage door, hefting the sub-machine-gun pregnant with thirty rounds of 9mm ammunition, Robyn, Ellery and Benedict worked beneath the stage. From bits of furniture, mattress and a dustsheet they rigged a bed for Mariah. Benedict watched as Ellery and Robyn carefully covered the grey form with velvet curtains. It was hard to tell if Mariah was in pain. There was no human expression on that face. The mouth still pulsed from red to white, the lips curled then uncurled with that alien rhythm. At least now she appeared to be resting more easily. The breathing didn't seem so laboured. Only, a troubling question haunted Benedict: Why didn't Mariah speak again? She'd spoken one sentence when she asked him for help. What stopped her from speaking now? The gunshot wound? Or had her mind been monsterized as much as her body? Apart from that moment of lucidity when she could articulate her need for assistance perhaps she'd abandoned human speech? 'We'll have to leave her now,' Robyn told them. 'If Noel wakes up he's going to come looking for us.' Benedict said. 'First thing in the morning I'm going to bring back help.' 'Who?' He gave a grim smile. 'That, I haven't figured out yet.' He glanced at Ellery. Ellery had told them that Mariah was here for a purpose. Maybe _he_ was figuring that whatever they planned didn't matter a hoot anyway. Other forces were at work. Dark and powerful forces with plans of their own. 'Don't w-worry,' Ellery said to Benedict. 'She will be safe here.' Benedict nodded; silently, however, he was reluctant to leave her alone in this cobweb-smeared void beneath the stage. He crouched down beside Mariah as she lay on the mattress. 'Rest here. Don't worry, Mariah. I'll come back. Then I'm going to help you.' She gazed up into his eyes. He looked into the twin glistening eyeballs that seemed to float in the gloom above a mouth that pulsated like a disembodied heart. Had she understood? 'We'll leave a flashlight,' he told her. 'I'll put it down here beside you.' But can a monsterized woman with tentacles instead of arms operate a flashlight? Look at her, dressed in rags. She can't even change her clothes.... Robyn crouched down to reassure her, too. Telling her they'd make sure she got well, soon, and not to be afraid. Smoothly, yet with the speed of a cobra striking at its prey, Mariah lashed a tentacle out at Robyn. Benedict's blood froze, expecting that glistening limb would coil around Robyn's neck with crushing force. Instead with sinuous grace, the pointed tip of the tentacle touched Robyn's stomach with a controlled gentleness. For a moment the tentacle rested just below Robyn's navel area then as quickly withdrew. Benedict, Robyn and Ellery traded glances sharing, he guessed, the same thought. It was Ellery who put that thought into words, with barely a stammer. 'Mariah knows you are having a child.' Then he repeated what he'd said earlier. 'She _is_ here for a purpose.' # Chapter 28 ## _One_ Noel was waiting for them. No he's not, Robyn corrected herself, he's seeing what Benedict and I have seen for the first time. They emerged from the void beneath the stage through the dwarf door; Ellery eased it shut so as not to disturb Mariah resting on the bed. Noel didn't see. Noel didn't hear. Noel sat in the armchair and stared in the direction of the stage, but not at it. From the expression of wonder on his face he was seeing marvellous things. This was the same expression Thomas wore when the risen Christ invited him to touch the wound in His side made by the centurion's spear. Noel's face blazed, transformed by the expression of a man who gazed on a miracle. He breathed, 'It's happening....' Robyn walked forward with Benedict and Ellery flanking her. Her eyes followed Noel's line of sight. Ellery shone his torch to reveal a pearl-white area of light five feet wide and almost eight high. Hanging like a cotton bedsheet on a windless day from a line, it rose vertically from the floor. Mist spilt from the front of it. And a moment later Robyn shivered as she moved from the warm dry atmosphere of the Luxor into an envelope of chill moist air that smelt of autumnal woodland. A river of cooler air was spilling from the white shape that manifested itself on the Luxor dance floor. Noel stared at it – _into_ it – seeing wonderful things. 'It's happening again,' Benedict said, hushed. 'The doorway has reopened.' 'It – it won't stay open long,' Ellery told them. They walked to stand beside Noel as he sat in the chair, gazing with rapt attention. The revolver rested on the arm of the chair, temporarily forgotten. He'd obviously woken and come looking for them, but something far more potent had attracted his attention. Robyn's heart rammed against her breastbone. It was like looking through a partially misted windowpane. But here and there through the fogged patches she could see huge trees reaching up toward a bone-white sky. Branches and trunks presented a mass of contorted grey limbs that erupted from a mass of fallen leaves. Above the tree-line she could see distant hills that formed a wall of black between the trees and sky. And on one hillside perched a town. The town glowed as if it had been fashioned from the same stuff as a shining full moon. It burned with its own light, as if every stone and dome and tower radiated a silver glow. Above it, even though they were so far away as to be at the limits of visibility, birds circled in the sky above the citadel. Robyn had the impression of huge creatures that could soar for days on outstretched wings. The scene began to be overlaid by a dappling of denser fog patches. 'It's going.' Noel sounded disappointed. 'I can't see the city on the hill.' 'Incredible,' Benedict whispered. 'Incredible. It's more than a window into another world. It's a doorway. Can you feel the air flowing through? You can smell fallen leaves and the plants. It has an odour of mushroom and herbs.' Robyn moved forward with Benedict. It was more than curiosity. They were being drawn to that misty divide between this world and The Place, as Ellery had dubbed it. Benedict set down the light. He wanted to look closer before it vanished. He needed this opportunity to peer into another world; maybe he feared he'd never get another chance. Benedict was just a pace in front of Robyn. Ellery remained beside Noel who still sat in the seat, gazing as if hypnotized. 'It's closing fast,' Benedict told them. The grey light filtering through the vertical oblong of mist had dimmed. The fogging effect had all but obscured the view of the forest. 'You know, this doorway doesn't have physical form or colour. The misting effect is simply the warm air of the Luxor hitting the cold air of the forest. Water vapor is condensing into mist. See? It's even wetting the dance floor all around it.' He glanced back at Robyn with a delighted grin. 'Amazing. It's making it rain _inside_ the Luxor.' He turned back to look through the opaque wall of white vapour. That was the moment a figure lunged through. Robyn had the impression of a gargoyle face; of an open mouth filled with thick brown teeth. Above that two red eyes blazed. A pair of muscular arms thrust outward from the vapour, seized Benedict and dragged him back into the mist where he vanished in a rippling swirl of whites and greys. Robyn heard no shouts. Nothing. Then... she was next. ## _Two_ Robyn recoiled from the boiling mass of white. For, within three seconds of Benedict West being dragged bodily _into_ the mist, men burst _out_ of it. Only not men. Creatures. One stood eight feet tall, spindly limbed as a giraffe, its thin neck topped by a small head that was almost monkey-like. Behind that came a shorter figure with thick powerful arms. It possessed an elongated face that was flat as a mule's and set with a pair of eyes that couldn't have been much larger than a rat's. Another figure lumbered through with the bulk of a pro-wrestler. The naked body was a bluish white, patterned with a cross-hatching of black lines that gave the skin the appearance of being tattooed with a net design. Robyn turned away to try and escape them. They snarled with fury and lust. The eager hands of the creature with the net-pattern flesh grabbed her, ripping the neck of her T-shirt so it all but tore the garment off one shoulder. Her feet slid under and she fell on to the floor. Noel tried to rise, grabbing the gun as he did so but the spindle-limbed beast lashed out a bony arm and sent him rolling back over the armchair, knocking Ellery to the floor at the same time. Robyn looked up at the creature that pushed her savagely down to the boards of the dance floor. Its arms were so long it barely needed to stoop. Through the net pattern of its face it glared down at her. Even from here she could feel the force of the creature's breath blasting into hers. God, it stank of rotting things. With one thick-fingered hand pushing down against her chest so firmly she might have been nailed to the dance floor, the second hand moved to her bare shoulder. There between thumb and forefinger it pinched the skin. What it saw through its red eyes pleased it. It gave a satisfied snort. Then the fingers hooked inside the T-shirt and ripped it free of her body. ## _Three_ Logan believed he was free of the dope he'd smoked with Joe. Only that couldn't be because his senses were fucked. When he reached the stage, toting the big motherfucker sub-machine-gun, loaded with head-bustin' hollow-nosed slugs, its black body matching the feathery sheen of the motherfucking crows that swarmed like a disease all over the fucking roof, he thought: _I'll be fucked._ The _fuck_ word was going to keep treading through his head for a whole while longer, too. In the light cast by a medley of flashlights, he saw the freakiest dance in the world ( _sans_ music). Three monster guys leapt all over three regular dudes who lay on the floor... _writhing_ on the floor... trying to avoid the monster guys. 'Fuck,' Logan said. 'Fuck,' Joe echoed. A naked monster guy was busily ripping the clothes off a long-legged woman, who lay flat on her back as it held her down with one hand. While a dude with arms and legs thin as bamboo canes beat up on two guys on the ground (fuck, it had to be the dope still monkeying round with the beer he'd drunk to create this wacky eyeball distortion). One thing Logan's eyes didn't lie about was the ID of one of the regular guys. The guy who'd punched him down in front of his buddies. Now, that was total humiliation. Just seeing the stutter monkey Ellery Hann gyrating with giraffe boy sent his blood scalding through him. 'Fuck!' he yelled. Pulled back the sub-machine-gun bolt, aimed.... ... knock out the big guys first, came the voice of common sense. The big guys might be mean dudes with guns. With them knocked out, then you can take your time making Eh-Eh-Ellery squeal for a while before you shut the fucking stutter for good. Squinting through the sight he brought the bead on to the face of the blue-white net boy merrily ripping away the girl's clothes. _Just a little squeeze, Logan. Don't empty the magazine._ The machine-gun made with its own kind of stutter. Three rounds flew from the barrel like shooting stars, flying with an accuracy that surprised even Logan. They gracefully entered the blue-white man's face, bursting his head in a glorious sunburst of red. It slumped over the girl, legs twitching, butt jerking, like it was doing a post-mortem kind of fuck thing to the half-naked woman. 'Fuck!' Logan shouted. 'Joe! You going to leave me doing all the shooting?' Joe loosed off a couple of boozy rounds from his revolver. The bullets knocked white marks in the wall by the doors but were as wide as a country mile from hitting any of the guys on the dance floor. 'Fuck!' Logan snapped, at Joe's crappola performance. Logan aimed again at raffa-jaffe boy with the cane legs and arms and grapefruit-sized head. Squeeze the trigger. Nice and easy does it. The weapon kicked back in his hands. Furious, he'd intended to hose everyone down with what ammo was left in the 'zine. Only it shot off two rounds before jamming. 'FUCK!' Even so, it was enough to topple the tall stick man. He broke off trying to flail at Ellery with his whippy arms. Turned back to the stage, noticing the gunmen for the first time, then looked down at his bony chest. Two boreholes sunk by the 9-millimetre slugs pumped a gusher of blood. The thin man stared at Logan in surprise then dropped down on to the floor, its mouth making like a goldfish as it chewed on air, trying to draw it down into its ruined lungs. 'Here.' Logan thrust the jammed sub-machine-gun out for Joe to take. 'Give me yours.' He held out his hand for Joe's pistol. Logan hadn't done with Ellery Hann yet. # Chapter 29 ## _One_ Robyn saved them. She didn't realize at the time. It was only later that it came home to her. After she'd struggled from under the corpse of the blue-white creature, its head now sickeningly deflated after being hollowed out by the machine-gun rounds, she'd grabbed a flashlight to see who was doing the shooting (her first thought had been: COPS!). By chance she grabbed the heavy-duty flashlight with the pistol grip. She'd aimed at the stage, thumbed the trigger button. Its dazzling white light had blasted the stage and the two guys who'd come to the rescue. Only they didn't look like rescuers. They wore torn denims; one a combat jacket; their hair hadn't encountered shampoo in weeks; from the way they stood groggily off balance she guessed they were a little bit stoned, too. One held a sub-machine-gun; the other was aiming with a handgun... aiming at Ellery. The powerful wash of light dazzled the two guys. Both used their free hands to shield their eyes. 'Robyn.' Ellery tugged her by the elbow. 'They... thowe... those men. They'll kill!' Ellery's statement got all the reinforcing it needed when the guy with the revolver peeled off a round. Blinded by the light, he'd fired a wild shot; the bullet parted the air five feet above their heads to smack into the wall. ' _Robyn!_ ' She didn't need a repeat warning. She was already running. Ellery stooped to grab a flashlight and ran, too. Picking up on her cue, he shone the light back at the two men to keep that glare in their eyes and spoil their aim. She glanced to see Noel slithering on all fours through the blood of the two fallen monstrosities. 'Noel, come on! Leave it!' But Noel wasn't leaving it. He found his gun beneath one of the bleeding creatures before running with a slip-sliding motion across the spilt blood. Even though, he struggled to maintain his balance, he half turned at the waist and fired back at the two men. The bullet went nowhere near, but it was enough to make the two guys scatter in a crouching lope to the cover of backstage. By this time, Robyn was remembering to try and cover her naked top half with the remains of the T-shirt as she ran. Five seconds later, all three burst through the doors into the lobby. Noel motioned them toward the door that led to the apartment stairwell. Robyn nodded. The foyer with its Egyptian tomb paintings swirled past them in a blur. Above them the Egyptian eye of their sun god painted on the ceiling gazed down impassively. It had witnessed drama and tragedy many times before at the Luxor. It would witness more before the next twenty-four hours were done. ## _Two_ Safety's a relative state of affairs at the best of times, Robyn reflected, as they locked the two sets of doors behind them. And this is as safe as we're going to get. Panting, Noel flopped down in the hallway with his back to the door, saying, 'They're going to have to get past me and Mr Colt here.' He held up the gun. 'Holy Mary, I sure could make use of a soda.' 'And cleaning.' Ellery nodded at their bloodstained state. Only it wasn't their life-blood but the crimson gore pumped from the wounded monsters. And apart from a few scuffs and bruises the things had seriously hurt no one. Robyn told them she wouldn't be a minute. Quickly she cleaned herself up in the bathroom (although a shower would be lovely it would have to wait) then she changed into sweat pants and a long-sleeved sweater. It was warm enough for a T-shirt, but after the last encounter she felt the need to cover up as much skin as possible. The creature's cold, damp touch still clung to her where it had pawed her naked shoulder. Ellery went next to the bathroom. This time she did hear the shower run, even if only for a moment or two. Robyn handed him one of her T-shirts to replace his, that now carried blood smears and gobs of monster brain. Thankful, he bundled his soiled garment into the trash then slipped the fresh one over his slender torso. Taking grateful swallows from the soda, Noel still sat in the hallway with the handgun resting on the floor close by. 'They're going to have to get past me first,' he said again. 'If they've the guts to try.' Robyn remembered the painfully loud _crack-crack-crack!_ of the sub-machine-gun and looked at Noel's pistol. Suddenly, it looked feeble in comparison. Also, she remembered clearly enough that three monstrosities had emerged from the wall of mist. Only two had been shot. That meant one remained at large in the building. 'I'm keeping you company.' Robyn sat down on the floor beside Noel. When Ellery left the bathroom, his hair damp from the shower, he joined them, so all three formed a line against the wall. For a moment they sat gathering their scattered wits. At last Noel said, 'Those two guys are really out to get you, Ellery?' 'Ah... th-th... uh!' The words refused to come. Instead, he gave a nod of his head. That was eloquent enough. _Yup. They're out to get me._ ## _Three_ 'Fuck.' Logan was furious. 'They got out through the front doors,' Joe said. 'No they didn't. Them doors are nailed tight. They're hiding through there.' From around the corner of the wall that formed the bottom of the proscenium arch, Logan shone his flashlight on to the dance floor. Two corpses of... what exactly he didn't know... lay flat out. There'd been a third one with a weird flat face and ratty eyes. Only the third had vanished into the shadows when the shooting started. He didn't think he'd hit it. And he was pretty certain he'd not managed to put a slug into Ellery or his two cronies because they'd been down on the floor beneath the plane of flying bullets. But he'd get them. Also, he'd started to consider the long-legged woman he'd seen. The one who'd had her T-shirt torn off to expose her breasts. Well... he'd started to think about her a lot. But first things first, he told himself. 'Joe, shine the light on the gun. No, here on the firing chamber.' He worked the firing bolt; jiggled it until he loosened the fuck round that had jammed the gun. 'Bingo.' He eased the round from the spent case ejector. 'Bent cartridge. Some dumb fuck must have stood on it.' He tossed the round aside where it went tumbling across the stage with a pit-pat sound. After that, he fed more rounds from his pockets into the magazine clip. With a spare 'zine jammed into the belt of his pants, he had sixty rounds of happy shooting ahead of him. 'Now you reload,' he told Joe. 'You really going after these people?' 'You bet. You saw what we did to their ugly buddies? You think they're not going to tell the cops?' When Joe had finished slotting fresh rounds into the revolver's ammo cylinder, he handed him one of the two flashlights. 'Time we finished this chore, bud.' Logan crossed the stage then dropped down the four feet to the dance floor. In the centre lay the mess of two corpses and toppled armchair. He only gave them a scant glance now. Time to finish Ellery Hann, the stutter-monkey. Also he couldn't get the long-legged girl out of his head now. _Shit, she's something_. Soon they were through the door into the lobby. Logan swept the light round checking out the glass ticket booth... all the shadowed corners where stutter monkey and pals might hide. It took mere seconds to confirm there was no one here. 'They did come through here, didn't they?' Joe sounded doubtful. 'I couldn't see shit 'cos, of the light in my eyes. They might have got behind the bar at the back.' 'It's got shutters up.' 'There might have been a way under the bar flap. They might slip out the back while we're friggin' around here.' Logan considered. 'OK. You go stand in the doorway back there. You can watch the bar and keep an eye on here in case they come out one of those doors. One of the creeps has a gun. Got that?' 'Got it, boss.' Logan watched Joe walk back to the dance-floor door, push it open, then hold it open with his back. He had his left foot in the dance floor and his right in the lobby. Straddling the doorway like that he could check out both areas. Logan examined the ticket office more closely in case anyone was squatting under the desk. No one there but he saw the brown slick on the floor. Someone had done a tubful of bleeding in there. He grinned. Shit, there'd be plenty more to come, too. He shone the light round the walls. There were paintings on them that he recognized as ancient tombs and pharaoh stuff. Real curse of the mummy shit. Five doors led off from the foyer. Some had signs like _Manager's Office_ and _Private. No admittance._ All were locked. So any one of them could be barring his way to Ellery Hann and the other two (his imagination neatly supplied the image of the long-legged girl with the gleaming naked top half). Five doors. He could punch a heavy-duty nine-millimetre round through each door, until he heard a squeal from inside. That would leave him twenty-plus rounds to finish Ellery Hann and his buddies. More than enough.... He stood back. Sized up the first door that bore the _Manager's Office_ sign. Then he raised the stock of the weapon to his shoulder, his finger eager for the trigger. Before the gun barked he heard a shout... no, more than a shout. A yell. A scream. Turning, he shone the light back at the lobby door; it swung shut. Another cry echoed, only this one rose higher as if some poor fuck was having his balls crushed. You could hear pain – pure, unalloyed pain – transform the voice into a quavering note sustained beyond what seemed humanly possible. 'Joe?' Logan ran for the door, holding the machine-gun straight out in front of him like it was pistol. 'Joe!' The screech of agony cut off to a silence that seemed big enough to crush his ears. ' _Joe!_ ' Logan shoved open the door, then sprayed the dance floor with light. His finger tightened on the trigger, ready to blast whoever was hurting his buddy. Only there was emptiness as well as silence now. The two corpses had vanished. 'Joe?' Silence stole away the word into nothingness, then the quiet returned to press down on him with a weight that was near physical. Logan shone the light at the floor. A smear of liquid painted a line toward the stage. Logan guessed what it was. When he touched it and shone the light on to the strawberry coloured smudge on his finger, identification came instantly. Joe's blood. The revolver lay on the floor where his buddy had dropped it without firing a shot. Logan picked up the gun and shoved it into his belt. Even as he did this his eyes followed the trail of blood. Joe had been hurt, then dragged. Easy to figure that one. He'd follow the trail then knock a few holes into Joe's assailant. Bingo. Logan followed the thin line of blood until he was ten yards from the stage. There it ended as suddenly as if some phantom had flown Joe away from the face of the earth. Logan even shone the light up at the featureless ceiling expecting to see Joe floating up amongst the shadows. The moment he did so he felt a breath of cold, wet wind as if just for a moment a door had been opened on another world. ## _Four_ Benedict West saw bad things... then worse things. He woke to find himself staring up at branches without leaves. When he raised his head that still throbbed from the blow, he saw a grey forest surrounded him. He tried to move but found he'd been tied with strips of filthy rag. Trussed, he lay on wet leaves, smelling their spiky aroma. Inches from his head, bone-white toadstools pushed through the loam like the pale fingertips of the dead breaking through to the living world. Only this wasn't the bad thing... the worse thing.... Walking through the wood with a slow-measured step came a creature with a flat face and tiny, rodent eyes. Its mule face grimaced as it walked, due to the effort of dragging the man it held – one ankle in each meaty paw. The man lay on his back with his arms straight above his head, trailing limply across the fallen leaves. He was unconscious, the head rolled from side-to-side with every step of the creature. Benedict thought: _It must be Noel or Ellery_. From where he lay on the ground, Benedict tried to lift his head higher so he could see. No. The man was a stranger. He'd unkempt hair and wore scruffy denims. Although he couldn't have been out of his teens yet, he wore the older, chewed-up face of someone who'd discovered the delights of hard liquor and hard-hitting drugs early in life. Benedict blinked, still groggy from the slam on the skull that had knocked him cold. By this time the creature had almost reached where Benedict lay. There was a brutal muscular power in its compact body. But it wasn't matched by any symmetry of limbs. Balance and a harmonious structure of the body were completely absent. It looked as if a careless god in a hurry had moulded the creature. Then it had been tossed down here into the grey forest where it had been left to fend the best it could. Its head was misshapen. It limped because one leg was a couple of inches longer than the other. One arm was jointed in at least three places between shoulder and wrist, whereas the other only boasted one joint. One nostril appeared to be a narrow slit, the other a circular hole that glistened silver snot. The split of a mouth looked an afterthought, too. The unconscious man groaned as he was dragged. Benedict guessed he was coming to. A bloody cleft above an eye told him the man had taken a harder blow than Benedict. Ten feet from Benedict the creature stopped dragging the man, dropped his legs, then grunted. For a moment Benedict wondered if he'd been the one grunted at. Only when he followed the creature's line of vision from its tiny eyes he realized it watched something else – behind Benedict. Benedict rolled back to look, his heart beating hard. Standing there in a line of eight, were more misshapen figures. Tall, short. Shovel-shaped mouths; spindle-thin arms; bulging arms; inverted triangle eyes; slit eyes; bulging pear-shaped eyes; skins of a different hue – the creatures were all unique in their own tortured style. Dear God, Benedict thought. The sight of so much monstrous flesh winded him. Every nerve of his body longed to crawl away from the repulsive creatures. That's when the worst happened in his life so far, when he saw something that would stay burned into his mind for as long as he lived. He watched the creatures bound toward the man as he sat up, waking properly. They moved in, chins jutting forward. Staring at him as eagerly as a pack of hungry dogs rushing to their first meal in days. In terror, the man held up a hand as if he really believed he could push them all back. The panicked moans he started making segued smoothly into a scream as they dug their fingernails into his face. Benedict couldn't look away, no matter how hard he tried. Even though he knew that those creatures were peeling the skin from a living, breathing human being. ## _Five_ When the intruders – human or non-human – never came, Robyn, Noel and Ellery moved into the living-room. The first thin glow of dawn had started to seep over the parking lot to touch the Luxor. Moments later, a red stain like a show of blood appeared on the horizon prior to the sun's arrival. Although the black gave way to deep blue, two stars clung on to shine with all the brilliance of new nailheads gleaming in a casket lid. One by one the three were drawn to the windows to watch the night steal away; not beaten back by the sun, but withdrawing to rest and regroup before returning when the sun sank into the west once more at the end of the day. As they watched the solemn change over from darkness to light, they heard a sudden clamouring on the roof of the Luxor. A furious scratching sounded through the ceiling. Scraps of feathery black fell like devil snowflakes beyond the glass. 'It's the crows.' Robyn knew the statement was unnecessary even as she spoke it because they could see the birds taking off in their hundreds from the roof and from the trees behind the buildings. They whirled up into the sky, wings beating. She could hear their excited calls that ran from the deep _caw_ sound to a piercing cry. When she spoke again she thought of Benedict West. 'Someone's died here tonight.' She remembered what Benedict had told them. That the crows gathered at the place where a doomed man or woman would live out their last minutes on earth. And that when they did breathe their last breath the crows would pursue the departing soul as it rose upward. Furiously they'd hunt it – whirling, darting, soaring. This is what she witnessed now. The night-dark creatures spun and twisted as they flew in pursuit of some airborne thing she could not see. They moved with savage bursts of speed, keen to catch their prey – turning in tight circles, beaks snapping open and shut. In her mind's eye she saw the soul struggling to make a desperate dash to evade the claws, the beaks. Robyn held her breath, momentarily sharing its fear and its panic. Hundreds of crows clouded the sky. A whirling vortex of the creatures turned above the Luxor as the grim chase reached its end. After five minutes at most, the birds returned one by one to sit on the roof or settle into the trees. Almost immediately they squatted there like strange feathery fruit. They no longer moved. They no longer made a sound. Within ten minutes the sky was free of the sinister creatures. 'What was that Benedict said?' she murmured. 'If the crows continue to fly around the building and call out that means they've captured the soul and are celebrating. But if they return to their roosts and keep silent....' She trailed off thinking of Benedict. In a whisper Ellery said, 'Whoever it was, they're free now.' # Chapter 30 ## _One_ Logan knew. The facts were bright and hard and immovable in his mind. When he'd sized up the locked door in the lobby as a prelude to blasting a slug through it someone had grabbed Joe and hauled him away. That _someone_ had to be one of Ellery Hann's buddies. Maybe one of the big ugly guys they'd been cavorting with on the dance floor in some kind of horror orgy. Hell, yes. Logan still had clear recollection of the ugly guys; they _seemed_ real. Even so, he suspected the cocktail of liquor, dope and residual traces of cocaine, E and assorted narcotics still haunting his veins might have reworked what he actually _did_ see into what he _thought_ he saw. But that shit didn't matter. What mattered was, was that Eh-Eh-Ellery, the stutter monkey, had gone and made a fool of Logan again. When his back was turned Joe had vanished. Vanished to where he didn't know, but Joe, the poor bastard, would probably be floating butt up in the river before long. _So what does that spell out? R-E-V-E-N-G-E. That's what it spells. I'll not have weirdo Ellery making a monkey outa me._ Logan settled down in the backstage area, resting his back to the wall. He lusted for a beer and a smoke right now but he was going to damn well sit here with a view through the curtain to the dance floor and lobby entrance. The two flashlights rested close by where he could grab them the moment he heard stutter monkey's feet (or those of Hann's weirdmonger buddies). Pow! He'd hit the flashlight button, then spray his God-given enemy with bullets. What's more, he'd even got Joe's revolver if the machine-gun jammed again. Thoughts of stutter-monkey doing the death dance with hot ammo ripping up his body made Logan smile. Hell, he'd enjoy some long distance dissection. He stroked the weapon. All except the long-legged girl, though. He had sweet, _sweet_ plans for her. ## _Two_ The sun broke over the horizon. Downtown Chicago glinted in the dawn light. Arms folded, preoccupied with thoughts of what had happened just a couple of hours ago, and a nagging worry of what might have befallen Benedict West, who'd been dragged through that pearl-white doorway to who knows where, Robyn Vincent stared without really seeing the world outside. Noel dozed on the couch. Ellery had gone to check that no one had tampered with the apartment doors. When he returned to the living-room he whispered to her, 'Nothing.' She took that to mean the door was untouched, and that there was no sign of Benedict, the creatures, or the two hoodlums who'd sprayed the dance hall with bullets. Ellery's calm presence reassured her. Once more the thought occurred to her: _I know him. I've met him somewhere before_.... The bruise on his forehead from the tussle earlier had faded a little. While the graze on her own back had subsided from soreness to a tingle. They'd been lucky to escape largely unscathed. But what now? She knew they should check on Mariah Lee in the under-stage void. Only the idea of venturing beyond the locked door to the lobby was a real no-no. For Godsakes, what on earth lurked down there? Or waited in the shadows of the dance floor? She remembered the creature that tore the T-shirt from her body only too well; the way its eyes burned with— 'Robyn.' Ellery broke into her thoughts. 'The crows have returned to the roof and the trees.' Again when he spoke to her the stammer vanished. 'They have not dispersed... this means someone else will die, soon.' ## _Three_ Benedict West couldn't have known that the crows had, only moments before but on a different physical plane, pursued the fleeing soul of the guy who had been dragged here by the ankles. All Benedict could see of the man who had once possessed the shriveled face of a heavy-duty drug user, were separate mounds of wet meat and internal organs that still steamed in the cold air of this grey forest. Benedict lay on the ground. Bonds of dirty rag still secured his arms and legs. He'd run nowhere fast in a while, he knew that for sure. Cold numbed him now. Damp leeched from leaf mould into his skin. Above him the branches stirred with a whisper as a chill breeze blew through them. In the distance he heard the harsh cry of a bird. He'd swear no human ear was familiar with that alien song. When he closed his eyes to avoid gazing at those piles of human meat and bone, not to mention the pool of blood that soaked into the earth leaving a muddy brown residue, Benedict still recalled with sickening clarity the creatures tearing the man's skin from his body. They'd peeled him alive, removing his face and scalp of ratty hair in one piece. Then they rolled the skin from his arms as if easing off long over-the-elbow gloves. The skin of his torso they split (using their fingernails) along a line just below the navel then up the centre of his chest before following a course around his collar bone. This piece they peeled off as if it were a tight fitting vest. The rest of the skin came off in glistening red scraps. Surprisingly the man survived a long way into the ordeal, screaming with ear-splitting power for whole minutes after they'd removed his face. Death had only come quickly when they tore open the belly area. The man's guts and skeleton didn't interest them and they left them just feet away from Benedict. Benedict lay there, trying not to inhale the organic smell oozing richly from the human spoil heap. A spicy undertone suggested the dead guy's last supper might have involved teriyaki sauce in the mix. Benedict's throat twitched convulsively. Don't vomit, he told himself. Not while you're lying here. You'll choke on it. Numb with cold he tried to move a little to ease the pressure of wet earth against his side and maybe encourage his circulation to move faster. All he succeeded in doing was rolling on to his back. Once more he could see the creatures that had skinned the young man. Although they stood with their backs to Benedict, he could see arms moving as they worked at a task he couldn't quite see. Then one must have sensed it was being watched. It paused before turning to look back at Benedict. Benedict stared. He was looking into the face of the guy who'd just been skin-stripped. Cold pooled in his belly as he understood what he was seeing. One of the creatures wore the dead guy's face as a mask. Red monster eyes glared through the eye-sockets. The ratty scalp of hair rested on the creature's head; now caked with drying blood the hair stuck up in crispy points. One by one the monsters turned to watch Benedict. Then that pool of ice grew outward through his body. They weren't merely glancing back at him. They were sizing him up. When the others turned he saw each one wore scraps of the man's bloodstained skin. Some pieces had been stretched too tightly over muscular shoulders so they split. Others had been roughly tugged on like a young child would pull on a sweater, wrinkling it, leaving a collar or a sleeve rumpled. After looking him over they took a step forward. And that's when Benedict West thought: _Now it's my turn._ ## _Four_ They came in their scrappy pieces of skin, wearing them like ill-fitting clothes. A creature with the strip of silver hair down its spine wore the man's peeled face as a mask. Blood had dried in tiger stripes across it, while the mouth formed a misshapen grin because the skin had been pulled over-tight across its jaw. A monster wore arm skin like a sleeve. Another wore torso flesh like a ripped vest. Another had tied a bloody strip that Benedict didn't even want to identify around its head bandanna fashion. Bound as he was with strips of rag, Benedict could barely move, even so he did his best to squirm away from them through the mat of rotting leaves, his mobility reduced to nothing faster than worm. All the time he kept his eyes on the advancing creatures in the breathless hope that he could somehow stare them down. There was no staring these monsters into retreat. He realized that as they reached him. They bent down extending their hands and Benedict saw that the thickened fingernails were sharp as blades. His heart pounded; he breathed so hard his vision blurred as he bordered on hyperventilating. Above the monster heads he saw grey branches forming vein patterns against a bone-white sky. He clamped his teeth together, anticipating that first sharp nail to saw through his skin. A shout of frustration as much as fear began to build in his throat, but the cry he heard when it came didn't erupt from him. It was an aggressive yell. The kind of noise you might make at a strange dog that had prowled up, snarling. Suddenly the figures around Benedict were moving fast, only they weren't attacking him. They blundered away with their arms raised to protect themselves from a long object that swished violently through the air. And that object didn't merely part cold forest air but made contact with a shoulder or arm accompanied by the sound of a batsman striking a home run. Squealing a braying hurting squeal, the creatures scattered. Benedict rolled on his side. A tall guy with an astonishingly handsome face plunged into the gang of murderers. He wielded a branch that must have been eight feet long. Clubbing, slashing, jabbing, he drove the pack away. Benedict stared. The man was naked apart from a pair of faded blue denims. His skin shone a hard bluish-white reminding Benedict of polished marble... no, more than mere marble, but marble sculpted into the form of a warrior hero. A living statue? Benedict shook his head, trying to collect his breath as well as his scattered senses. When the man bent down and effortlessly snapped the rags that bound Benedict, he saw his rescuer had human hair that surrounded a human face into which were set two very human eyes that revealed both intelligence and concern. 'We'll have to move fast,' his rescuer said. 'Those are slow-witted but they're smart enough to reach the conclusion enough that there are two of us and eight of them.' 'They'll come back?' 'Certainly. They want your skin.' After being tied for a couple of hours at least, Benedict's limbs were numb, alien things that didn't belong to him. He stumbled repeatedly, even falling on all fours, worryingly close to the steaming mound of internal organs that had once been sheathed within the dead guy's hide. The stranger helped him to his feet. Together they moved across the forest floor. Benedict glanced ahead, then left and right. No sign of the psycho-skinners yet. They wouldn't be far away. Regrouping. Planning something deeply painful. Where now? Was his rescuer leading him deeper into the forest? Maybe his rescuer wasn't the benevolent kind but a human hyena that stole the prey of other predators? Maybe here in The Place man-skin was a commodity to be fought over? 'Where are we going?' 'Ah.' The man stopped suddenly then continued, but limping painfully. 'What's happened?' Benedict asked, as the man tried to carry his weight on his left foot. 'I'll be all right. We must get away from here... _uh!_ ' Without a shadow of a doubt he wasn't all right. Pain hardened his face. Benedict looked down at the man's feet that were part hidden by fallen leaves. He was barefoot... no... Benedict saw that wasn't exactly true. The man didn't have any feet at all. His legs ended in a pair of hands – not feet. They were palm down, fingers pointing forward as toes, yet splayed out wide. By now, Benedict had learned the fast way not to be surprised by what anatomical oddities presented themselves in The Place. Hands instead of feet? Go figure. One of the hands didn't make contact with the ground; obviously the man found it too painful to put his body weight on it. 'Hurry. We can't wait here,' the man urged. 'You're not moving anywhere fast like that. Let me check your....' Benedict nearly said 'foot'. Instead he crouched down with a curt, 'Raise your leg.' The man bent his knee, raising his calf and uncanny foot-hand behind him. Immediately Benedict saw the problem. 'A thorn,' he said. 'Dirty great big one. This is going to sting.' The man merely nodded his head – as good as a: _go on, get it over with_. Benedict gripped the thorn – a monster thorn; what else would you expect in this weird, monsterized forest? The size of his little finger, the thorn had buried itself nearly up to its hilt in the lined palm. 'Hurry,' the man said. 'They've gotten round to deciding they outnumber us.' Benedict glanced back through the trees. A hundred yards away, striding around the tree-trunks, came the skinners. They looked determined. Their eyes were locked on Benedict. One still wore the drug-guy mask, neck skin flapping in the breeze. 'OK.' Benedict gripped the thorn as hard as he could between finger and thumb. Then pulled. It slipped out smoothly followed by an upswell of blood from the wound. 'Wait... it's bleeding.' 'It'll be fine,' the man insisted. 'Move as fast as you can.' Benedict raced after the man. He – it? – moved swiftly with no trace of a limp now the thorn was out. Benedict found himself gazing at him in wonder as they ran. Not because that blue-white man possessed the magnificent physique of a warrior hero, but because what Benedict had just seen when he'd extracted the thorn. There had been a distinctive pattern on the huge thumb that helped the man balance with consummate agility. Without trying, the words of old Benjamin Lockram came back to him from the video recording. Lockram had sat in the spotlight, speaking about his kidnapped son. ' _On the thumb of Nathaniel's left hand is a brown birthmark that resembles the Man in the Moon_.' Despite everything, Benedict felt a shiver tingle his spine as he told himself, if not the lingering ghost of the former owner of the Luxor, 'Mr Lockram. I've just gone and found your only son.' # Chapter 31 ## _One_ Benedict West ran hard. The man who had rescued him was none other than Nathaniel Lockram, the son of old Benjamin Lockram. Here, running effortlessly on big muscular hands instead of feet, was the adult of the baby who'd been abducted all those years ago. Benedict perspired. His throat narrowed from the exertion of the chase. Breathing grew harder and harder. His heart pounded. What's more, running through the grey forest wasn't easy. The rug of fallen leaves was slippery. Knots of roots erupted from the ground to form sudden obstacles that he had to leap over. Here, branches hung so low that he had to stoop double to run beneath them. And then there were the skinners. Yes, the skinners. The nickname came easily enough when he thought how'd they peeled the guy alive. The skinners followed at a full-blooded run, easily weaving round tree-runks, their eyes gleaming; no doubt lusting after Benedict's epidermic covering. 'I... I...' _I can't run much further_ were the words he was aiming to pant out to Nathaniel. Only exhaustion robbed the air from his lungs. The big guy didn't appear to notice the broken start of Benedict's sentence. Instead he pointed to a screen of undergrowth. 'Go through there. Keep running forward. Don't stop for anything. Don't look back. Don't fall.' Jesus Christ. That's a tall order. It's all I can do to keep my footing on this slippery mush. On glancing back now he saw that the skinners were only fifty yards behind. And, boy, were they coming on strong. They'd got the hunter's fire in their hearts now. They'd not stop until they had their fingers under his face. Ripping... peeling.... Benedict put his head down to charge through bushes into a clearing. Before he could even interpret what he saw, a block of mist standing in the clearing engulfed him. Cold and warm air currents moved the air in turbulent twists. Drizzly rain wet his face. There was a sense of the ground being dropped away beneath his feet, so like one of those cartoon characters sprinting over a cliff edge, suddenly his feet paddled air, not solid ground. Immediately his balance was shot. He felt himself stumbling. What's more he could see nothing but pearl-white mist pouring against his face. Then his feet slammed against a surface. Not spongy, not uneven. But still slippery as hell. Arms flailing as he tried to regain his balance he spun, fell butt first, then looked round. Absolute dark. He saw nothing. Heard nothing. And yet, he knew immediately where he was. The warm dry air bearing a smell of dust gave it away. The Luxor. 'Give me your hand.' Nathaniel's voice was evenly balanced. No sign of exertion. Benedict held up his hand and felt another close round his. 'Stand. I'll lead you.' As well as freaky feet the guy had got perfect night vision, too. 'Where are we going?' 'The apartment. I know your friends are there.' 'How do you know that?' 'We've been watching.' Benedict allowed himself to be led through absolute darkness that pressed with velvet softness against his eyes. 'I know something, too,' he said. 'Oh?' 'Your name is Nathaniel Lockram. Your father once owned this place.' 'You're right,' Nathaniel agreed. 'I've plenty to tell you, too... Careful of the door. We're moving into the lobby. There, do you see?' Benedict saw. The security boards didn't quite cover the glass panels over the front entrance. Here and there, morning sunlight formed rods of gold that shone through cracks to illuminate areas of carpet or fragments of tomb paintings on walls. Benedict saw Nathaniel pause to look at the reproduction mummy painting then raise his head to gaze at the eye of the sun god on the ceiling. 'What about those things following us?' Benedict regained his breath. 'They'll catch up soon enough.' 'No. I closed the doorway as soon as we passed through. They'll still be running in circles in the clearing and screaming at each other, wondering where we went.' He shrugged, then added. 'Like I say, they're not very bright.' 'But very dangerous?' 'Yes.' 'What if they reopen the doorway?' 'That they can't do.' 'I'll see if I can raise my friends.' Benedict walked to the door that led to the apartment. He knocked. 'Before I share information with you, perhaps there is something you can tell me...?' 'Benedict.' 'Benedict. I'm concerned for my friend. I haven't seen her in a while.' 'Oh?' 'You might have encountered her here.' The blood drained from Benedict's face as he realized what the man would say next. 'Benedict, I'm looking for a woman called Mariah Lee.' ## _Two_ Logan had considered blasting the two men into the hereafter as they crossed the dance floor. Only when he fired next he was keen that Ellery Hann would be the numero uno in his sights. The first he knew about the arrivals was a scuffling sound as if one had fallen. He chose not to use the flashlight; instead he relied on a dim light that came from a source he couldn't identify. Strangely, though, there looked to be a mist on the dance floor that just for a second glowed with its own radiance. Then it had gone, returning the building to darkness. Logan couldn't see anymore. But he'd glimpsed enough. One big guy built like a pro-wrestler along with his smaller _amigo_. Logan had recognized neither. Unless they were armed he didn't see that they posed a threat. And at that moment Logan had no fear of them using a mobile to contact the cops. They were up to something freaky. No way were they going to bring the forces of law and order here. Soon those two, along with Eh-Eh-Ellery's buddies, would know the feel of red-hot metal boring holes through their bodies. Logan kissed the barrel of the sub-machine-gun then settled down to wait some more. ## _Three_ Opening the door to a man with blue-white skin, the same smooth shining texture of marble, and who stood close at seven foot and weighed perhaps in excess of 250 pounds, came as no surprise to Ellery. He'd seen him before. He'd even seen that his muscular legs, clad in denim, ended not in feet but hands. Ellery had believed he'd watched the man during an excursion into imagination. Only now he knew differently. The man, and the grey forest he, Ellery, called The Place, and the shining city on the hill were as real as the skyscrapers of Chicago town. Benedict spoke softly, 'Don't worry, Ellery. He's with me.' Ellery stood back to allow the giant to enter through the doorway. 'Are-are you all right?' Ellery asked Benedict, seeing his clothes and face smeared with dirt and fragments of dead leaf. 'Fine. Nathaniel here, got me away from some guys who were _really_ bad guys.' Benedict nodded upstairs to the apartment. 'Are Robyn and Noel here?' Ellery nodded. Benedict rubbed his jaw thinking hard. 'Nathaniel here is going to tell us something we need to know. I put the emphasis on _need_. He's also here to find Mariah. But before he goes upstairs I have to reassure Noel, and make sure he stows the gun. The last thing we need is any more shooting.' For no reason that Ellery could determine, he shivered with that goose-that-walked-over-my grave sensation. _The last thing we need is any more shooting_. Crows gathered on the roof. Foreboding cast long shadows inside his mind. Death stalked through the Luxor's dark heart. At that moment Ellery Hann sensed there would be more shooting. And dangers worse than they could possibly imagine. # Chapter 32 ## _One_ Robyn had seen enough visitors from The Place not to be fazed by Nathaniel. With the exception of hands for feet he could have mingled easily in any gathering of gold-medal-winning athletes, while his face framed by soft curls of hair could be described as handsome by anyone's standards. Perhaps the only give away of his otherworldly origins would be the bluish tan of his skin. I have a monster in my kitchen, she thought. There is a monster sitting at my table. The thought didn't send her giggling insanely or gasping with shock. After tending to the injured girl with the red blossom mouth and being attacked by three creatures that had burst from the supernatural netherworld this was... well, this appeared mild in comparison. Even Noel accepted the facts as they were. After being reassured by Benedict that Nathaniel was one of the good guys, Noel left the handgun in the bedroom and pulled up a chair to the table as if the big blue-white man was simply another houseguest. So here we are, she thought matter-of-factly, sitting round the table with cake on the plate and coffee in the cups. First of all they introduced themselves, then they exchanged recent experiences. Robyn, Ellery and Noel being attacked on the dance floor by creatures that they now referred to as skinners, after hearing of Benedict's encounter. With their surreal visitor accepting a glass of water, but politely declining food, they reached a point of psychological acceptance of the situation they found themselves plunged into. Robyn found herself asking Nathaniel the question that she guessed the other three had been thinking: 'In the last few hours so much has happened to us. On Sunday I learned I was pregnant even though' – she felt a blush heat her cheeks – 'even though Noel and I were careful and took precautions. The foetus inside of me can't be much more than a fertilized egg, and yet over the last couple of days I felt something fluttering and moving inside of me. That happens months into pregnancy, not within a few hours of conception.' Nathaniel had been looking her in the eye, but he slipped his gaze away as she spoke, as if he couldn't bring himself to make eye contact. _He knows something is going to happen to me. Something connected with this weird pregnancy_. Even though the revelation sent a flood of ice through her veins she didn't allow herself to falter as she spoke. 'From discovering I was pregnant I was forced, due to family circumstances, to find a new home. By instinct I was drawn to the Luxor with Noel. We wound up meeting Ellery who suggested we stay in this apartment. Poor Noel must have figured I was off my head. Only for me it seemed the most natural thing in the world to make my home here in this sixties throwback apartment, in a redundant dance floor, in the middle of nowhere. But, of course, I didn't know then that there were other forces at work, did I?' Pausing only to note Nathaniel's nodded agreement, she surged on, 'We know from what Benedict told us after watching your father's video that the Luxor has exerted a compelling influence on men and women before. That on the dance floor there is a doorway to another world filled with m—' She stopped herself finishing the word. 'Filled with individuals who have been physically reworked by forces we don't understand, that maybe those same forces compel us to come to the Luxor.' 'And some of those individuals believe that their real home lies through that doorway,' Benedict added. 'Beyond the grey forest.' Robyn continued, 'So: what is happening here? What is this place – this city on a hill – some people think is their real home? Why is there something moving in my womb when it should only be a pinhead of cells? What happened to Mariah Lee to change her anatomy? Why do Ellery and I feel as if we can't leave this building? What's so special about it? How can Ellery's injuries heal so fast in the other place? Why are creatures leaping out from the supernatural doorway to attack us? Why, Nathaniel, _why_?' She finished the questions in a rush, her heart beating hard. Calmly, Nathaniel considered the outpouring of questions for a moment, then: 'Robyn, the answer to all those questions, and more, is....' He pointed a massive finger at her. 'Me?' 'You.' He nodded. Noel stirred, angry, wondering perhaps if Nathaniel planned some stunt. Robyn noticed Benedict leaned forward listening hard, while Ellery nodded, too, as if that was the answer he'd expected. Outside, the morning sun shone bright, while more crows glided in to join their black-as-midnight comrades. _Me? I'm the answer_. Robyn took a deep swallow of coffee. The fluttering started in her stomach again. As if butterflies beat their wings against the walls of her womb. There was a sense of tightness, too. Something in there was larger than before. A _something_ that grew _fast_. ## _Two_ 'Me?' Robyn Vincent held the coffee cup tightly. Her hand shook a little, raising concentric rings in the dark liquid. 'Me? How am I the answer to the questions I asked _you?_ ' Nathaniel brought his large soulful eyes to rest on hers. They were an intense electric blue. There are secrets there that involve me, she told herself. He's finding it difficult to broach them. He doesn't want to frighten me. _But, dear God, what truth can be_ that _frightening?_ 'There are worlds that run parallel to this one,' Nathaniel told them. 'In the past, different cultures had different names for them Elysium, Valhalla, The Happy Hunting Ground, Hades, Heaven, Hell.' He spoke gently, mingling the manner of a priest and schoolteacher. 'Christians believed that between Heaven and Hell there was a third place called Purgatory. This is where the souls of the dead could be cleansed by suffering. That is to say, if they suffered enough torment and pain their sins would be erased. Then they would be free to continue to Heaven.' Robyn made the link. 'You're saying the grey forest through the doorway is Purgatory?' Nathaniel shrugged a muscular shoulder. 'I don't have the wisdom to make that pronouncement. But it is a kind of holding ground for people who are emotionally damaged in someway. They are prevented from passing to the city on the hill.' 'Surely you're not telling us the route to Heaven is through a dance floor?' 'No... I'm not; definitely not. And I'm not saying that we, the people who inhabit the grey forest, are sinners, that we've been condemned to rot there. No. Individuals there are emotionally damaged. They have suffered so much in their lives, for whatever reason – financial crisis, upbringing, bereavement, illness – that their instincts are faulty. Imagine a migratory bird that's suffered a brain injury as a chick, then we can conceive that instead of flying south as winter approaches, it might leave the flock and fly north or west or east. Or it might not feel that in-built urge to migrate at all. These people – my compatriots – are the same. We understand we should move on to the place we know of as home but we can't. We're stuck. We're bogged down emotionally. We don't _know_ how to continue the journey.' 'Wait a minute here. Wait just one minute.' Noel's slow burn anger had started to flame. 'You're telling us that through the doorway is a kind of after-life. But everyone we know who's gone through into that forest have been _alive_. What's more, Ellery, Benedict and Robyn – and you, Nathaniel – have returned. You're not ghosts, so don't give me that Heaven and Hell stuff.' 'No. It's more complex than that.' Nathaniel still maintained the calm voice, concerned that they understand him. 'I figured it would be.' Noel scowled. 'I used those references to other planes of existence because they were terms of reference we are familiar with. For years now physicists have been talking about other dimensions beyond our three dimensions. Before the universe was formed, science tells us that there were many more dimensions. Astronomers talk about black holes where time and space are distorted by huge gravitational tides. If anything, science is only now beginning to explain, in technical terms, what men and women for twenty thousand years have known intuitively.' 'That there are invisible worlds running parallel to this one.' Benedict nodded. 'You'd be hard pushed to find an ancient culture that didn't have myths and legends relating to some other-worldly paradise or dark nether region where the damned suffered for all eternity.' 'And, furthermore,' Nathaniel added, 'these alternative realms were often home to gods, angels or a whole zoo of supernatural creatures – dragons, ghosts, goblins, demons, genii, giants, chimera—' 'OK. OK.' Noel rubbed his jaw. 'Supposing there are these other worlds—' 'There are an infinite number.' Nathaniel held up a finger. 'The dance floor is a route to just one.' 'OK, the grey forest is part of another world. The Luxor dance floor holds some here today, gone tomorrow doorway. I'll go along with that.' Noel clenched his fist on the table. 'But why are some people lured here thinking this is the way _home?_ And why do perfectly regular people, who find themselves stranded there, become... well, changed? Reconfigured?' Nathaniel rested his fingertips together. 'I could sit here for the next six months and explain. But still I wouldn't have explained it all. It is complex. Thousands of years ago our ancestors mated with visitors from these alternate worlds who either by accident, or design, entered the world we know as earth. You might have inherited their genetic material. This has been passed down from parent to child for hundreds of generations. And this genetic material does not degrade or corrupt. You, Noel, have dark hair with a kink at the crown. I daresay your father has the same kink and so does your grandfather. The genes you carry have programmed that kink in your hair. If you could travel back ten thousand years you'd probably find your ancestor had that same identical kink. Robyn here, has almond-shaped eyes that hint at Asian ancestry. However, she might trace her family history back to Ireland, say, or Italy for hundreds of years, but what she doesn't know is that her ancient ancestors might have migrated from the Indian sub-continent to Europe five thousand years ago. And yet the almond-shape trait remains.' 'And how does this tie in with my Cro-Magnon great, great, zillion great grandmammy making whoopee with one of these world-next-door guys?' 'Because, it means you would still contain a certain amount of genetic material in your body from your other-world ancestor. And just as that genetic material dictates hair colour, or the shape of your nose, or even if you're predisposed to premature deafness, male-pattern baldness, or some other condition that develops later in life, then it also implants into you certain instinctive behaviour.' Robyn began to understand. 'So if you carry this other-world gene it might give you this over-riding impulse to return to the world where you were born?' Nathaniel's eyes lit up with delight at getting his point through. 'Exactly. Just like salmon are genetically programmed to return to mate in the river where they were spawned. And just like how Canada geese have the instructions to migrate etched in their very cells, so certain men and women who carry the other-world gene find their desire to return to the world of their ancestors is triggered at times of stress or during serious illness. It's an instinct for self-preservation. If you're threatened in some way the imperative surfaces to return home. You follow?' They nodded. Even Noel added, 'And this is a mysterious process? Like salmon know how to navigate across thousands of miles of ocean to reach one particular river, so these people who get the buzz to return home know, somehow, to come to the Luxor.' 'Absolutely. Zoologists believe salmon can navigate using the earth's magnetic field. Something similar must happen to the individuals whose instinct guides them here.' 'But you still haven't pulled all the strands together,' Robyn said. 'OK, we now know some carry The Place gene, for want of a better description... that they come here, go through the portal on the dance floor, and home in on that city on the hill. And we know that certain individuals are emotionally damaged, their inner guidance system fails, so they are stranded in the forest....' 'Where they become monsterized, if you will excuse the ugly phrase,' Benedict interjected. Robyn continued, barely missing a beat. 'And they are reshaped by powerful forces. But why-oh-why, Nathaniel, am I here? Tell me how do I fit into this?' 'A number of people are natural born healers.' Nathaniel found it hard to make eye contact with her again. 'Just like the people who instinctively need to lead others, or aspire to become artists, there are others who are drawn to heal the sick, or care for the disadvantaged.' He took a deep breath. 'In the forest there is a powerful energy that flows through the fabric of the world there. It nourishes all forms of life. People, like me, don't need to eat. Only there's a malignant quality to the energy. It scrambles the genes that govern anatomical growth. While it means that injuries heal fast there, miraculously fast, it also reconfigures the men and women who are stranded in the forest. They won't go hungry; they won't get sick; they won't die of old age, but they exchange human frailty for a monstrous robustness.' 'That's evil,' Noel breathed. 'The poor devils.' 'Almost like Purgatory.' Benedict gave a grim smile. 'And those monsterized men and women are like souls in Purgatory being spiritually cleansed through suffering.' Nathaniel allowed the comparison with a nod. 'There is suffering and torment beyond comprehension. Those individuals you called the skinners, Benedict, have been driven insane by decades of pain resulting from a mutant redevelopment that dissolves bone mass before forming new skeletal structure and abnormal tissue growth.' He shrugged. 'It hurts. And the skinners have reached the schizoid conclusion that if they wear the skin of someone from this world it will heal them.' Benedict said, 'So if an individual who is a genetic healer enters the grey forest then there's a chance they can actually remedy the physical damage.' 'A healer is far more powerful than that. They can heal the emotional wounds that stranded those men and women in the first place. The instinctual guidance system will be repaired and they can continue on to the land of their genetic ancestors.' Robyn saw the four people at the table turn to look at her. 'So' – she forced a weak smile – 'this is the reason why I'm here. I possess the healing gene.' 'You do carry the gene.' Nathaniel's voice softened. 'But no, you're not the healer, Robyn. The child you now carry is the healer.' 'I'm sorry,' she said. 'Then you've a long wait.' He gave a small shake of the head. 'That is why I had to cross over to your world. I'm here to tell you, Robyn, that your child will be born tonight.' # Chapter 33 ## _One_ Robyn Vincent recoiled from the words as if they'd been stones hurled into her face. I'M HERE TO TELL YOU, ROBYN, THAT YOUR CHILD WILL BE BORN TONIGHT. Standing, she backed from the creature that owned a blue-white skin and hands for feet. With a savagery that blazed through every nerve the words reverberated in her head. I'M HERE TO TELL YOU, ROBYN, THAT YOUR CHILD WILL BE BORN TONIGHT. 'No. I don't believe you.' She looked from Nathaniel to Ellery, Benedict, Noel. 'It's not true, is it?' she appealed. 'That's not possible.' The expressions of the three men were as compassionate, yet as helpless, as a family gathering round the bed of a terminally ill relative. 'Benedict, you know it's impossible for a woman to go full term in days.' She pressed her hands against her stomach. 'This baby won't be born until the end of the year. It takes nine months,' she insisted. 'Nine months. The baby was conceived just a few days ago. Isn't that right, Noel?' He looked up, feeling for her, but helpless. Ellery said, 'Please sit down, Robyn. If Nathaniel says it _will_ happen—' She stared at Ellery in horror. 'You believe him?' She turned to the man she loved. 'Noel?' Noel doubted everything that Nathaniel had told them. He wouldn't swallow that, surely. Not the ridiculous notion that a woman could fall pregnant one week then give birth the next. Noel would never ever accept that in a hundred years... only she saw the expression on his face. Horror, struck through with fascination. 'Noel, you believe it, too, don't you?' She pressed her hands harder to her stomach her fingers splayed, as if they'd become the bars of a cage, keeping in what desired with all its other-worldly heart to break out. Benedict said, 'We'll look after you, don't worry.' 'Don't worry? _Don't worry!_ ' She looked from face to face. They blurred as her eyes skated from one anxious expression to another. 'DON'T WORRY. Of course I'm damn well worried. I'm terrified. I'm so scared I could kill myself!' She looked down at her stomach as a surge of fluttery movements erupted. 'Oh my God. What have I got inside of myself? Nathaniel, it's not human, is it?' Nathaniel looked at her with those wise eyes that could have been a thousand years old. He'd seen so much. He knew _too_ much. At least more than he found easy to live with. Then he told her something that rocked her backward. She knew she'd remember the words for as long as she was given life on this earth. Gently, he said, 'The child you carry was not conceived in the normal way. Your body responded to the needs of all those damaged people in my world. Something inside of you _willed_ the fertilization of the egg.' Robyn fumbled back to the chair. Sat down with her arms on the table taking her weight before she fell down. Heart pounding, short of breath, mouth dry; the room tilted as vertigo threatened to overwhelm her. 'You carry that other-world gene,' Nathaniel told her. 'Those that do can sense it in others. If you meet someone with the same gene you feel a kinship with them even though they might be strangers. You wonder if you've known them before in the past.' Robyn managed to raise her head to meet Ellery's eye. Yes, that's why she felt that lightning flash of recognition when she first met Ellery. From his expression he knew it, too. Nathaniel continued, 'That other-world gene also permits your body the ability to function in a different way to those who don't carry it.' 'Such as spontaneous conception?' she said, her voice strained. Nathaniel nodded. 'But believe this, Robyn. We will take care of you. Just as Mariah was sent here to guard you.' Benedict frowned. 'I could swear that Mariah was attacking Robyn the first time I saw her.' 'Mariah was saving her from being attacked by those unfortunates in the wood. Most have been driven to insanity, they're so desperate to be rid of their pain. They will have sensed that Robyn here was carrying a child that will heal them. In their desperation....' He shrugged, grimacing. 'You mean they would have torn her apart to get at the unborn child?' A look of absolute horror took possession of Noel's face. Nathaniel gave a regretful shrug. 'As I say, their desperation for a saviour has shattered their logic. They have the capacity to do terrible things. But it isn't their fault.' Noel stood. 'We've got to get out of here.' 'That's not possible.' 'For one, we need to take Robyn to hospital.' 'I repeat: _not possible_ ,' Nathaniel told him. 'She must have the baby here.' 'No, way, buddy. Robyn and I are leaving.' Nathaniel didn't move. His solid presence even more statue like. 'Noel, Robyn will die if you try and remove her from the building.' 'That's true,' she said, as certainty gripped her. 'The same force that drove me here won't let me leave. Not until it's over.' Ellery nodded; he felt it, too. 'OK,' Benedict said, 'that's as maybe. What we must do is bring in specialist help.' Noel shrugged, bewildered. 'Help? What kind of help?' 'A doctor, and whatever medical supplies Robyn will need.' 'Shoot, how the hell are you going to convince a doctor to come out here?' 'I've got plenty of cash in my checking account. That's a powerful persuader. Anyone have a mobile phone? I'll start making calls.' Ellery shook his head. Robyn exchanged glances with Noel. 'We have phones but we've no electricity to recharge the batteries.' 'That's not a problem.' Benedict sounded businesslike. 'I've got the car. I'll drive home and make the calls from there. I'll also get the cash.' Robyn found it hard to speak. 'Thank you... I don't know... we haven't got any cash to repay you. Unless there's a way we can owe—' 'No, don't mention it.' Benedict shot her a reassuring smile. 'I've been hoarding for the day I found Mariah. Now that I've found her, well... let's say priorities change.' That was it. Plans were made. Benedict would bring a doctor. And just for a moment the prospect of accelerating through nine months of pregnancy in maybe a dozen hours didn't seem so horrific. Then it all changed. A furious knocking sounded on the door downstairs. A cold hand gripped her heart. That pounding signalled the death of Benedict's plans. ## _Two_ The sound puzzled Logan. It jiggled his curiosity enough to want to grab the flashlight and see what was happening on the dance floor. Only to do that would give away the fact that he sat here behind the stage curtain with a sub-machine-gun on his lap. A funny sound though... funny weird... funny peculiar... funny sinister. Like people who walked strangely were shuffling across the floor, dragging their feet. He could even hear the snorting way they breathed. Shit, did they have lung complaints or what? You had to suffer something bad to make that kind of noise – sucking and blowing with a wet bronchial crackle. Now, who wouldn't want to turn on the flashlight and have a gander at that crowd? But he needed that element of surprise. So lay off the light, buddy, he told himself. You only want to flick the switch when you know Eh-Eh-Ellery Hann is standing there. That's when you can hose him down with these nine-millimetre slugs. The funky footsteps weren't headed Logan's way. That was good. Instead they retreated through the darkened interior of the dance floor. That was puzzling. Where were they headed? Through the dark came the sound of the big doors to the lobby opening. A glimmer of daylight beyond revealed a bunch of silhouettes bobbing through. _That was revealing_. Now he knew more than ever that Ellery and his buddies were holed up behind one of those locked doors through there. Some cash office or liquor store or something. A suspicion confirmed when he heard a fist pounding on a closed door. _Let us in, let us in, old friends_.... That might have been the meaning, but it was a mighty powerful knock. These newcomers could have been aiming to smash the door rather than making a _rappity-rap_ to attract attention to their arrival. OK, he thought, running a hand down the barrel of the gun. Let's see what shakes down next. ## _Three_ Have you ever thought what DEATH would sound like if he ever came knocking at your door? During many a sleepless night after Mariah's disappearance, Benedict had imagined how it would sound. And it would sound just like that. A measured pounding that was so deep and so powerful that it would shake the very walls of the building. 'They've followed us. They know that Robyn is here.' 'The skinners? You said they were too stupid to open up the doorway.' Benedict rose to his feet as the pounding grew louder. 'No. Not skinners. These are the others. They can open the doorway if they want to badly enough. They sense that the birth is imminent.' 'They want my baby?' Benedict saw the girl's eyes open wide with fright. Nathaniel nodded. 'They crave release from their agony.' He clenched his fists, angry. 'They're so desperate they'll ruin everything. They always do.' 'It's happened before?' As Benedict asked the question he saw the look of dread seep into Nathaniel's once calm eyes. 'Yes.' Nathaniel touched his chest. 'I might have helped them. I had the gene.' 'That's why you were abducted as a baby?' 'But there was some defect in my body, too. I never grew into the Healer they needed so desperately.' He stood up taking his weight on those massive, splayed foothands. 'I grew into something else instead. Now, damn them, they're going to wind up destroying the very thing that can save them.' 'Dear God....' Robyn swayed. She wasn't far from collapse. The shocks of the last few hours had been like hammer blows. Benedict doubted she could take any more. If they broke in, she knew that they would— CRASH. This time the blow had a splintering after-noise. Wood rending. Noel bounded through the doorway. 'I'm not letting the bastards touch her!' Benedict followed with Nathaniel joining them. Glancing back, he saw that Ellery had crouched beside Robyn to put a protective arm around her. Instead of heading for the stairs Noel detoured to the bedroom then returned with the gun. The man's eyes blazed fury. Downstairs, the door shivered on its hinges. Pressure followed blow. Those things were trying to push the door open. Either they were strong or there were many. The door curved inward beneath the force of the push. Beyond the narrow slats of frosted glass in the top of the door, Benedict glimpsed misshapen heads bobbing as they clustered there. Beams of light shining through the boards on the main Luxor doors caught a gleaming eye or a domed skull. Noel paused just for a second. The door creaked, groaned. The frame cracked as wood fibres yielded. Screw heads moved loosely in the holes. The pressure was immense. Those creatures would soon burst through to snatch Robyn... or at least snatch the thing they craved in her womb. Noel raised the revolver. Aimed, then fired two shots. One smacked into heavy timber. The second passed through a narrow slat of glass to smash into the blurred face of one of the creatures that shoved at the door. Benedict heard a bark of pain. 'Good shot,' Benedict breathed. 'Got any more guns?' 'No. And I've only twenty rounds left.' 'Damn. It's not going to be a cinch popping out for more.' 'Shooting them isn't the answer,' Nathaniel told them. 'No shit,' Noel countered. 'It _felt_ good to me.' 'You've dissuaded them for the moment,' Benedict said. 'What we need to do is barricade the door. If we plug the stairwell with furniture that should stop them.' 'Hey,' Noel turned, startled by the suggestion. 'I thought you said we'd bring medical help for Robyn?' 'As I said, popping out is no longer a cinch.' 'Benedict's right.' Nathaniel nodded. 'You mean we're under siege?' 'But we can stop them getting in.' Benedict climbed the stairs. 'We'll stuff so much furniture behind the door they'll never push it open.' With the formidable strength of Nathaniel it didn't take much more than ten minutes to carry closets from the bedrooms down to the door that was now taking a tentative shove or two. They wedged the bulky (and meatily robust) closets up against the door with the ends wedged against the stair risers. After that they created a heavy plug of more of that old-fashioned furniture – bedframes, chairs, a table, a chest of drawers. This filled the stairwell. If the creatures ever got through the door – presumably having to bite it out piece by piece – then they would be faced with close on 800 pounds of well-carpentered timber and upholstery, interlocked and jammed. Benedict was wondering if words like 'There, a job well done' wouldn't sound too trivial at a time like this, when all three stopped dead and looked at each other. They heard a sound that chilled their blood. From the direction of the kitchen came Robyn Vincent's piercing scream. # Chapter 34 ## _One_ Noel was first back to the kitchen where Robyn stood at the sink, doubled up in pain and pressing both hands against her stomach. Ellery was at her side, worried yet helpless to stop the hurt. 'It's changing,' she said, through gritted teeth. 'It's _growing_. I can feel it. Ah... it's hurting now.' Pain made her too restless to sit. Instead, she paced the kitchen until the spasm passed. A few moments later she sighed. 'It's feeling better now... I'm OK.' She returned to the chair. 'Wow, junior's going to put me through it, huh?' The smile tugging her mouth was a false one. Her eyes brimmed with horror. A thump sounded from downstairs as mutant fists punched the door. Even the brave attempt at a smile died. Fear tightened her face, pulling back her lips to expose her teeth. 'Robyn, trust me: you're safe.' 'Safe? How can anyone be safe with those things breaking down the door?' Benedict saw the way her eyes darted toward the hallway as crunches of breaking wood came in jagged waves from the door. The girl was frightened. And not just frightened of _them_ – but frightened of what grew inside her body. 'Robyn,' Benedict said, 'we've packed the stairwell with furniture. Even if they get through the door they're going to find their way blocked.' Noel reloaded the pistol. 'And I've made sure I left a gap big enough so I can keep pumping shots through. That's going to reduce their enthusiasm for breaking in.' Nathaniel reacted to Noel's own enthusiasm for killing with a wince. 'When all's said and done those are my own kind down there.' 'They're the bad guys, Nathaniel.' He clicked the magazine drum back in place. 'They'd hurt Robyn if they got the chance.' 'They're _desperate_ guys, Noel.' Nathaniel's eyes filled with sadness. 'They don't know what they're doing.' Noel stood up. 'Until they get their heads back together and stop trying to bust in here they're still bad guys in my book.' Noel went into the hallway to stand guard at the top of the stairs. Nathaniel's expression of concern intensified. 'I wish I could see Mariah.' 'I'm sure she'll be safe where she is,' Benedict told him. 'The entrance to the void under the stage is concealed. No one should find her.' 'If she's hurt then she should be taken back to my world. She will heal quickly.' Benedict's heart went out to the giant. 'Don't worry. We'll go to her as soon as we can.' Benedict wondered. What's Nathaniel's story in relation to Mariah? Nathaniel's concern was both touching and revealing. Twelve years ago Benedict realized he loved Mariah more deeply than anyone else in his life before. Ten years ago she'd vanished. Obsessively he'd searched for her. Even put his life on hold while he sifted meagre evidence from the Luxor, or sat in the parking lot hoping that somehow, impossibly, she'd come skipping out through the doors as if nothing had happened. Now he did know what had happened to her. A decade ago she'd passed through that portal to The Place. There she'd been stranded. Over the years she'd become monsterized – that word again, that ugly damn word. Monsterized. Monstrofication. Mutation. Whatever freak name you gave to the process, she'd undergone profound anatomical changes. Over the last few hours he'd pictured her lonely and terrified, surviving in the forest, as she mutated into a tall sexless creature, with grey skin, and boneless arms that resembled tentacles. What could it have felt like knowing that her mouth was growing... even blossoming... into a multi-lipped horror on her face? Only now as he watched concern grow in Nathaniel's eyes Benedict could relate another possible version of events: _Had Mariah really been so alone? Might she have found happiness? _ Benedict jumped, startled when Robyn grunted. 'Please,' she hissed, 'will you get me a glass of water?' ## _Two_ Robyn thought: _There are crows on the roof, soothsaying one of us is going to die soon. There are monsters trying to break down the door. There are strangers in the Luxor with guns. And there is something inside of me that wants_.... 'Please, another glass.' Ellery refilled the glass from the faucet. Robyn knew she stared at the shining jet of water with greedy eyes. Water. She had to have that water _now!_ Why was he taking so long? 'Please, hurry,' she panted, as thirst withered her throat. But, dear God, why do I crave water all of a sudden? As if in answer, her stomach twitched. Inside her womb a solid mass turned. Then stretched. Uh! That hurt... that hurt so bad her eyes blurred. _And where's the damn water?_ 'Here... careful.' Ellery spoke gently. 'Shall I hold the glass for you?' 'No.' She all but snatched the water from his hand, spilling precious glistening drops on to her skin. She drained the glass then licked the beads of fluid from the back of her hand. 'More, please.' Taking a steadying breath, she added, 'I'm sorry. I don't mean to be rude but all I can think about is water... drinking water; lots of it. Jeez, I know what a crack addict feels like now.' 'More?' 'Please.' Once more she realized she didn't just look at the glass as he filled it with the crystal clear liquid, she lusted for it. An expression of sheer greed must have transformed her face. Ellery handed her the glass. She gulped at the cold water. It tasted the sweetest thing. 'It's part of the process,' Nathaniel said. 'Your body needs water.' 'It's growing,' she whispered. A statement of fact. Incontrovertible fact. 'I feel it. It's stretching, enlarging.' She rubbed her stomach, trying to ease the tight muscles as the foetus developed with supernatural speed. 'Junior's going to need plenty of fluid. All that extra body mass... ever see speeded up film of plants growing?' She realized her speech was slipping free of logic now. The faces of Ellery, Benedict and Nathaniel proved that. They worried about her. At that moment a gunshot cracked, making her jump. 'Don't worry,' Noel called from the hallway. 'I'm letting those guys know that they can't just stroll in here.' Robyn sat at the table with her fist clenched on the checked cloth. She focused on that for a moment, willing herself to stop gulping down glass after glass of water. Failed.... 'Another glass, Ellery. Thanks. Will you fill me a pitcher, too?' Draining the glass in one thirsty swallow, she relished the liquid's cool flow down through the core of her body; a body that burned as arid as any desert. 'Pitcher's in the wall cupboard.' She spoke breathlessly. 'Another glass please, Benedict. I'm sorry.' As Ellery found the pitcher Benedict refilled the glass at the sink. 'Don't apologize, Robyn. We're here for you. Anything you want, we get, OK? Do you want to eat?' 'No. Drink's fine... just keep it coming.' That was the moment she stepped over the threshold into her own personal hell. Outside, the midday sun shone. Downtown Chicago sparkled on the horizon. More crows glided in from faraway fields to settle on the roof of the Luxor. Inside the dance hall she could hear creatures tearing down the door. Inside _her_ she knew another life was growing... and growing at a hell of a rate, too. And all she could do (even though she longed to scream and tear out her hair)... all she could do was sit here drinking glass after glass of water. What's more, she had an audience of three. One – Benedict, an amateur detective who'd learnt that his long lost girlfriend had been transformed into something hideous. Two – Ellery, a guy who's cruel stammer had forged the expression of a martyred saint. Three – Nathaniel, a giant with blue-white skin that resembled cemetery marble; whose legs terminated in large splayed hands. _More water_. She could, as the saying went, drink a river dry. The water didn't fill her stomach. Instead, it was channeled directly to the _thing_ growing inside of her. _Thing_ _?_ Could she be nurturing a monster in her womb? She glanced at Nathaniel and she shuddered. ## _Three_ Logan sat and listened to the crazy music of fists ceaselessly pounding wood, with a chorus of breaking glass and splintering panels. Shit, what was going on over there? He nursed the sub-machine-gun on his lap. Tempting to check out the loony-tunes, he told himself. But he'd lose the element of surprise. But what surprise? Ellery hadn't shown his stutter-monkey face. And here Logan waited for what seemed like ever and a day. His butt was numb as corpse-meat because he'd sat on this stage for so long. Christ on a motor cycle. If Ellery and his clan didn't give their ugly faces an airing soon he'd have to do _something_ that would _make_ them come out. Logan reached out in the darkness to what he knew hung there. His fingers brushed the fabric of the back stage curtain that covered an entire wall. He smelt dust and dryness. Logan began to consider possibilities. # Chapter 35 ## _One_ 'What's happening?' Robyn glanced up at Noel in the doorway. 'Thirsty.' She drained another glass. 'What's happening out there?' 'They're still trying to get in through the doorway, but there's so much furniture and junk behind it they can't open it more than a couple of inches.' Nathaniel said, 'I'll pile more furniture into the stairwell.' 'Thanks.' Over the rim of the glass as she drank, she could see Noel's puzzled expression. 'Robyn? Should you be drinking so much water?' Seeing that she was reluctant to halt her H20 intake Benedict answered on her behalf. 'The child inside of her requires fluid to grow... it'll need protein, vitamins and minerals, too. But I guess its drawing those from Robyn's body.' 'I wish you hadn't said that.' Robyn panted with the effort of drinking so fast. 'Makes junior sound like a cannibal.' 'You should lie down,' Noel told her. 'I'm staying here near the water.' OK, so the statement wore an edge of craziness. _But that's exactly what I do need,_ she thought. _I need to keep drinking. I know I'll die if I don't keep the water going down inside of me._ The foetus demanded more water than she could supply through drinking alone. Her eyes had become dry. The moment she took the glass from her mouth her tongue became as arid as a rock in a desert. Her fingers looked smaller. Even her skin became tightly dry so that she felt it pull as she moved her limbs. The thing inside is sucking all the juice out of me. Forget cannibal. Read _vampire_. The notion shook her. Fear sent shivers through her bones. Crows cawed. Echoes of her death cry to come? She closed her eyes, struggling to break the morbid cycle of thought. But even as she diverted thought away from whatever grew inside of her, her imagination fired images into her brain of those creatures breaking into the apartment. What then? She pictured them holding her down on the table and ripping open her stomach to insanely drag the unborn child from her womb.... _Drink_. The command came again from within. _Drink. Drink_. Ellery filled the glass. Trembling, she raised it to her lips to pour more water down her throat to nourish the creature inside her. ## _Two_ After three hours of drinking glass after glass of water (how many she didn't know), her stomach had become swollen. To her fingertips it was hard. As if a boulder lay behind the skin. This wasn't water filling her belly, it was solid tissue. Her unborn baby had grown to the point when she could have passed for six months pregnant. Stomach muscles stretched. The internal pressure became enormous. Almost explosive. Her body must be close to bursting wide open... at least, that's how it felt. Discomfort evolved into full-blooded pain. Every so often the stretching sensation drove her to walk around the kitchen, only now her legs had weakened. The baby had robbed her own body of nourishment. The extra weight, too, weighed her down. After a circuit of the kitchen (that gave her a view of the sinister crows sitting in the trees) she had to sit down again before she fell down. By now Ellery and Benedict didn't speak. Their eyes said it all, anyway. Nevertheless, they continued to refill the pitcher and glasses without being asked. Out in the hallway Noel and the giant guarded the stairs. Robyn pressed her lips together to prevent her from groaning out loud. The baby kicked hard inside her. It moved constantly. Stretching. Turning. Flexing newly formed limbs. She clutched her belly as pain stabbed into her. What would the baby look like? What would it resemble? The face... what about the face? _Would it even have a face?_ A human face, that is. Nathaniel told her it would be a Healer of his people. Even those breaking down the door. But right now she felt as if the unborn baby would be the death of her. ## _Three_ An hour later the pressure inside her body made Robyn want to scream. 'You should lie down,' Benedict told her gently. 'It's making demands on your body that must be hard to bear.' 'I'm staying here.' But, God-oh-God was he right about the unborn infant's demands. It sucked the moisture from her flesh. Even from her blood, which squelched through her veins with the thickening consistency of mud. Her eyes were gritty. Arms and legs were stick thin. Her body was shrinking in on itself in its effort to feed the baby. Only her stomach had grown. Now it had become gross. Engorged by the baby (the creature?) it contained. Her T-shirt and sweat pants had stretched with her belly. Everything seemed at bursting point. Stinging pains darted across over-stretched skin. Go on: SPLIT! I dare you! SPLIT! She stared at her belly expecting at any second to see the skin part with a ripping sound. Then two hands would appear. Too bloody hands that would push aside her gory entrails as the monster escaped from her womb.... Vertigo spun her senses. Images of the monster baby breaking out of its dungeon of flesh boiled inside her mind. Even her brain must be shrunken with dehydration now. Thought became harder. Only the irrational mind movies became more frequent and increasingly vivid. She barely moved now. All she did was drink. Rock slightly on the chair. Stare at her stomach. Flesh quivered, stretched, pulsed as some entity swam through its pre-natal ocean. The view of her own body mingled fascination with absolute horror. Meanwhile, a voice in the back of her head said: _Not long now._ ## _Four_ This was hell. Logan was numb in the rear end. His back ached. He was sick of waiting here in the dark, listening to the lunatics beat on wood beyond the doors. Logan couldn't wait any longer. They'd already killed his buddy. What did he want to wait for? To invite the jerks out for dinner? With the surge of impatience that ran in scalding rivers through his body came the recollection he needed the element of surprise. More of them than me, he reasoned. Of course he could give them a hell of a surprise. He thought about that 400 square feet of stage curtain. Then he visualized the cigarette lighter in his pocket. ## _Five_ At six in the evening it came. A savage pain that plunged all the way from Robyn's heart right down to the bottom of her stomach. Lightning bolts of pain forked, one ran down her left leg; the other seared her right thigh. A squeal burst from her lips. Anxious, Ellery offered her another glass of water. Robyn shook her head. 'No. I don't need anymore... I don't need – ah!' She bit her lips as muscle spasms detonated nerve endings. 'It's starting... the baby's coming....' Her eyes blurred with those cruel surges of pain; she could barely see. She heard Benedict, though. With a tautness in his voice that did nothing to put her at ease he told Ellery to bring Noel to the kitchen, adding, 'You better warn Noel. He's going to see things that are going to be difficult to handle.' Christ. Spasms tore at her. Grunting she clenched her fists and ground her teeth. 'Time to lie down, Robyn.' 'No. I don't want to lie down.' 'Robyn—' 'No! Lying down will make me feel vulnerable. I don't want to feel vulnerable. This is _my_ child. This is _me_ giving birth. I'm going to be in control!' She stood up, grunting with pain at the downward pressure exerted between her legs. Shit... felt as if she was going to extrude a two-ton granite boulder from that little private place.... Grimacing, she made it to a bare expanse of kitchen wall, then stood leaning back on it, so it took her weight. She shuffled her feet apart. Meanwhile her heart thundered in her chest; her respiration came in rapid tugs. And just when she thought there was no moisture left in her body to perspire, all of a sudden the sweat did come, pricking through the glands in her skin to raise beads of moisture on her face. She cried out. 'Oh! It's going to come fast.' A scream sounded in her ears. For a second she didn't even realize that yell blasted from her own lips. 'Robyn....' She glanced up through blurring eyes to see Noel hurry toward her, his arms outstretched, ready to hold her until it was over. 'Noel... you're not seeing this.' 'Robyn. I'm going to stay with you.' 'No you're not.' She panted. 'I love you. I want us to be together for years and years and... uh.' That pain kicked in hard. 'I don't want you remembering this every time you look at me.' Groggy, she looked to her right. 'Benedict. Ellery. Will you help me?' Through her own grunts of pain she heard them promise they would. She nodded. 'Noel, leave the kitchen.' 'Robyn, I love you. I want to—' 'Nathaniel. Drag him out if you have to. OK?' Through smeared vision she managed to make out Nathaniel's nod. Noel didn't have to be forced, however; reluctantly, he returned to the hallway. She prayed he understood. Nathaniel placed his hand on Noel's shoulder. A gesture of both affection and compassion. The door closed. 'Right,' she panted. 'First things first. Help me out of these clothes.' ## _Six_ No food, no water, no light, no cigarettes. Nothing soft for an aching butt. Blood sugar levels falling. Irritation climbing. Anger taking flight to screaming red skies. Shit, Logan had more than he could stomach of this. When his body had squeezed what fuel it could from his muscle tissue it extracted residues of all the narcotics he'd devoured over the last couple of weeks. From his liver, kidneys, spleen, even from the body fluids held in reserve in his scrotum. The chemicals all but flew through his arteries to his brain. When those babies hit, all trace of logic and rational thought withered to be replaced by a cranky, bad-tempered mindset to get this job finished. Wired, Logan moved fast. Jerking the lighter from his pocket, he rotated the milled wheel. With a pop the blue flame appeared to dance on the wick. Oh, man... he could even smell the funky lighter fuel smell. A sexy liquor perfume that warmed his blood. 'Party's over, Eh Eh-Ellery.' Seeing clearly now in that beautiful blue glow he touched the stage curtain with the flame. _Boy-oh-boy_ – was he right, or was he right about that dry material...? ## _Seven_ Benedict barely had time to drop Robyn's sweat pants in the corner where they'd be out of her way. Then Robyn's baby came. With the face of an athlete racing toward the finishing line, eyes staring straight ahead, mouth open, panting, she concentrated on nothing but pushing the baby along the birth canal. Perspiration dripped down her face. Still with her back to the kitchen wall, she slid into a crouching position. Ellery stood by her side, unable to help in real terms, but attentive. 'It's coming,' she panted. ' _Oh, God, it's here_....' Benedict moved to be close to her but instinct had kicked in. The woman delivered her own baby, taking it in her hands, as it slipped smoothly, wetly, from her body. Her abdomen convulsed with powerful muscle tremors as she expelled the child completely. Benedict noted there was no umbilical chord. Then this was no ordinary pregnancy. The child would be different, too. Perhaps in ways he could not even imagine. Ellery moved as if he'd had years of experience of assisting at births. He picked up the big, soft bath towel he'd left across the back of the chair for this purpose and with Robyn's help wrapped the baby. When he placed the bundle, coccooned in fluffed cotton, in her arms she looked down at the newborn child. 'Ellery,' she said softly, 'would you move the towel down a little. I want to see my baby's face?' Ellery did so, delicately teasing the towel down so Robyn had a clear view. Benedict West found himself holding his breath in anticipation of what the new mother would see when for the first time, she closely examined what she had just given birth to. ## _Eight_ The moments went spinning out as if everyone in the kitchen at the Luxor dance hall had been cut free from the time and space. Here was the most natural thing in the world. A mother with her newborn baby. Only forces beyond Benedict's understanding had interfered with the processes of conception, gestation and birth. This was no ordinary situation repeated endlessly in maternity wards. This might only happen once every thousand years. Benedict could barely breathe as he watched Robyn examine the child as only a mother could. His heart beat with hammer-like fury against his ribs. He found himself anxious how he would react if she looked up at him in horror and screamed out that the child possessed some monstrous feature or alien limbs. Those moments went spinning out and out as if forever. He waited for her to utter the results of her scrutiny. He felt the itch of a fear-sweat on his back. Surely, she'd have to speak soon. Maybe she was afraid to express what she found in words. As for Benedict, he couldn't bear to look at mother and child. Instead he focused on the kitchen table, not daring to even glance through the window in case he saw something hideous reflected in the glass. A hand touched his forearm. He looked down to see Robyn as she sat there on the floor, back to the wall, the baby bundled in the towel. 'Benedict.' She breathed out the words. 'He's perfect.' Ellery flashed Benedict a sudden grin that lit up his face. 'A boy.' Benedict crouched down, too. 'And he's....' 'Fine. Perfect. A beautiful baby boy.' Benedict glimpsed a tiny face with plump cheeks. A wet cowlick of hair stuck to a forehead. Blood stains still smudged the clenched hands that poked over the edge of the towel. One hand gave a little twitch, briefly small fingers extended. Four fingers. One thumb. Each with a delicately formed fingernail. Benedict sighed with relief. 'I'll go tell Dad.' But he'd only walked halfway across the kitchen floor when he paused. 'Wait... does anyone smell burning?' # Chapter 36 ## _One_ Benedict went to the end of the hallway to see what he could see down the furniture-choked stairwell. Behind him in the kitchen Noel and Nathaniel had gone to see the baby for themselves. Benedict could hear Robyn (now dressed once more) reassuring an anxious Noel that the baby was perfectly healthy, and perfectly normal. Benedict guessed Nathaniel was anxious, too. If the baby was this much-needed Healer then he needed to know the newborn was in good shape, too. There was also the question: how would this healing process in that grey borderland between the two worlds work? Although that mystery would have to wait. Those monsters at the other side of the barricade were still hammering at the door (and ripping away chunks by the sound of it). Another powerful question needed an answer, too: where the hell was that smoke coming from? ## _Two_ Shit... this wasn't the best decision he'd ever made. In fact his whole strategy had gone butt-side up. Logan backed across the stage, watching the sheet of flame spread up the massive stage curtain. Heat stung his face. By the light of the fire he'd started, he could see smoke pouring across the dance hall ceiling more than twenty feet above his head. Already the lighting gantry had vanished into a blue fog. Gobs of burning material fell from the curtain to the stage. The heat scorched his exposed skin. Shit no, not your best decision, old buddy. But I couldn't wait forever. I needed to get this show on the road. Only now his enemies would probably scatter from the inferno before he could extract retribution with the gun. Whoever was pounding on wood hadn't let the fire disturb them. Maybe they didn't even know that this dry-as-paper place had caught alight? The idea of a bunch of goofballs sitting round Ellery Hann playing a big marching drum or whatever the hell the source of the noise was, sent balls of flaming anger surging through Logan's veins. I'll show him he thought. I'll show the weird little stutter monkey.... With his fury as much alight as the Luxor now Logan jumped down from the stage. Illuminated by the fire that engulfed the entire curtain he raced across the dance floor toward the lobby. As he ran he dragged back the bolt of the sub-machine-gun, his finger snaked sensuously around the trigger. With a yell of exultation he burst through the door. Shit.... What the hell were they doing? _What the hell were they?_ Anything between a dozen and twenty men and women clustered round the far side of the lobby. Men and women! Freaking hell, they weren't people they were monsters. They were misshapen things with weird manes of hair, bulging eyes, axe-slash mouths... some didn't even have arms, but limbs that coiled like serpents. And they weren't beating a party drum but wrecking a door, clearly aiming to break into what must be a locked room. They didn't pay attention to Logan when he stood there aiming the sub-machine-gun at them. All their attention was nailed tight to that door they were assiduously tearing to pieces. Boy, there must be some treasure and a half beyond it. Logan called out to them. 'Hey.' They carried on working on the door, tossing aside chunks of timber behind them. 'Hey!' Still they worked without even glancing back. 'Hey. I said _look at me!_ ' Enraged by being ignored, Logan let the motherfuckers have it. The whole clip. The entire thirty rounds. A yard of fire spurted from the muzzle. Its clatter snapped at his eardrums. In the gloom of the lobby he even saw the nine-millimetre slugs speed toward their monster targets. Fiery meteors, shooting awaaa aaay.... Keeping his finger tight on the trigger he raked the crowd. Seconds later the ammo clip emptied. Silence rushed back. Gunsmoke hazed the air blue. In front of him the entire pack of creatures had fallen. Awed by the killing power of the weapon, Logan took two paces toward the dead and dying creatures that lay in a growing lake of their own blood. Hell... he'd downed the lot. Not one left standing. But where's Ellery Hann? A crash sounded from the dance floor; Logan glanced back. Dirty rivers of smoke poured through the lobby doors. The whole place was going up. With the front entrance boarded shut there was only one way out. Logan decided to retreat to a safe distance and watch Ellery Hann emerge when the heat got too much for the stutter monkey. Then: _Bingo!_ ## _Three_ Benedict had advanced down the stairwell as far as the tangled plug of assorted furniture that formed the barricade to keep the creatures at bay when he heard machine-gun fire. Instantly, it put a stop to the sound of the door being smashed. The downside was that after the clatter of the gun died away, the smell of burning grew stronger. Mingled with acrid gunsmoke were the aromatic scents of burning wood. Damn, he thought. The Luxor's on fire. Sitting in the apartment waiting for everything to get better by itself wasn't an option. A second realization hit him: Mariah Lee's still under the stage.... Benedict ran back to the kitchen where Robyn and Noel sat side by side on the floor with their backs to the wall. Both gazed in wonder at the bundle in the towel. Ellery and Nathaniel sat on the chairs at a respectful distance, watching the baby's arm wave in the air. Noel said, 'We need to get Robyn and the baby to hospital. They've got to be checked over.' 'No.' This came with a steely firmness from Nathaniel. Benedict noticed Noel glance at the revolver he'd put down beside him. The king and queen of all arguments was on its way, but Benedict had more pressing news. 'We've got to get out of here.' 'There w-was gunfire,' Ellery said, cocking his head to one side, perhaps realizing that the hammering on the door had stopped. 'There was,' Benedict agreed, his words coming out in a hurry. 'But don't ask me who was shooting. Listen: the Luxor's on fire. I'm sure of it.' 'On fire?' 'Where, I don't know. But the only way out is through the stage door at the back of the building. If we don't move now we'll be trapped.' Noel looked stunned. 'But what about those things downstairs? They're not going to let Robyn stroll out here with the baby.' 'We'll have to fight our way through if need be. It's either that or stay here and fry.' Benedict saw Ellery's eyes stray to the window. 'Don't even think about exiting that way. It's a thirty-foot drop to hard top. Jumping twenty feet to the ground's lethal in most cases. That kind of distance is the same as a bullet in the brain.' Noel checked the gun. 'Fully loaded. Robyn, can you walk?' 'Yes, but help me up.' Benedict turned to Nathaniel and Ellery. 'See if you can find weapons. A knife or hammer.' Nathaniel spoke doggedly, 'Robyn must not leave here with the baby. The baby is a Healer. He is needed by my people.' He nodded with conviction. 'The baby stays here.' 'The baby's going to die if he stays here. Come on.' Neither Nathaniel nor Ellery chose a weapon. Benedict chose a carving knife from the drawer. New and wickedly sharp. As Ellery took the baby, Noel helped Robyn stand. Meanwhile Nathaniel pounded through to the stairwell where he began dragging out the furniture. The giant moved with speed and controlled power. Benedict stood back to allow him to dismantle their barricade so they could descend the stairs and confront whatever waited in the lobby. ## _Four_ Noel insisted on going first. He moved down the stairwell holding the handgun in front of him. He paused at the shattered door then glanced out into the foyer his head turning in rapid twists as he shone the flashlight. Then he looked back up at them as they waited at the top of the stairs. 'Come on down' he told them. 'It's not pretty, but it's safe.' As soon as they reached the foyer Benedict saw what Noel meant. There'd been slaughter here. That machine-gun fire had killed the creatures where they stood. Benedict judged there to be fifteen or so corpses lying clustered about the doorway. Gingerly, he stepped over the gory bodies, feet squelching into blood-soaked carpet. 'The smoke smells stronger down here,' Noel said. 'My guess is that someone's set fire to the building to drive us out.' 'Those?' Ellery asked, nodding at the dead creatures. 'Could be. Or whoever killed them.' 'A m-man called Logan,' Ellery said. 'He... he's promised to kill me.' 'Looks as if the guy's gone on a whole killing spree.' Noel helped Robyn through the swamp of crimson gore. She held the baby tight in its towel shawl. Remarkably, her expression was calm. She knew her priorities. This bloodshed wasn't going to faze her. Her son came first now. 'We have to exit through the stage area,' Benedict said. 'I'll bring Mariah out.' 'I'll come with you.' Nathaniel's eyes blazed with a cold fire of their own. There was something unreadable in the giant's expression. There's a secret hidden behind that blue-white face, Benedict told himself. The man is planning something.... Noel opening the doors released a wall of dirty black smoke into the lobby. 'We're going to have to move fast,' he shouted. 'The whole place is going up!' Mariah... Benedict thought of her trapped beneath the blazing stage. Smoke... heat... she can't survive this. In seconds, they were through the doors on to the dance floor. They no longer needed the flashlights. The inferno filled the room with white light. The entire wall that backed the stage appeared to be blazing. More pools of fire formed on the timber stage itself. The heat was nothing less than a physical presence scorching their skin, stinging their eyes. Smoke rolled like a weird black sea across the ceiling, sending waves of poisonous fumes from one side of the room to the other. Acrid gases irritated the backs of their throats. Coughing, they made for the side of the stage where the flames were smaller. 'You're not going to make it that way,' Nathaniel rumbled. 'You'll burn.' 'It's the only way out,' Benedict told him. 'We have to cross the stage then head through the corridors to the stage door.' 'You won't make it.' Benedict turned to Noel. 'Lead Robyn and Ellery through there... there's a break in the fire. Get out of the building.' 'You'll need a hand.' 'No, take Robyn and the baby out of here. Nathaniel will help me get Mariah out?' _If she's alive_ , was the unspoken thought he tagged on to the sentence. There was no other exit. They psyched themselves to enter the firestorm that raged in front of them. ## _Five_ The burn on his left cheek hurt Logan. It made him angrier than ever. He'd just gotten through the burning stage area in time before the timber stage itself caught light. Even so a hunk of stage curtain had fallen like a blazing meteor to brush the side of his head. As well as the burn on his cheek, his ear had been seared, too, and a chunk of his hair had gone in one singeing flash. Man, was he pissed. Now Logan crouched in the corridor that ran back from the stage toward the back doors. Common sense told him to wait outside where it was safe. But fuck common sense. He wanted to see Eh-Eh-Ellery burn, or go down with a couple of hot slugs busting his gut. The heat from the fire was intense but he could bear it here. What's more, he could watch the dance floor in the brilliant light cast by the inferno. If they came this way, he'd see all right. Three minutes later, Logan grinned. Man-oh-man, good call. He'd been proved right. 'Cos here comes the stutter monkey and posse. Comprising: one girl with a baby. Two regular guys and one giant... the giant seemed to have weird feet, but with the fog of fumes Logan couldn't figure it out. He grinned. Not that it mattered: in another sixty seconds he'd have Eh-Eh-Ellery in his sights then he'd start shoo-shoo-shooting.... ## _Six_ The sheet of flame that was the stage curtain covered the entire wall behind the stage. Benedict heard coughs from Robyn and the rest develop into hacking rasps. The heat had become nothing less than a physical barrier that they had to push against, their faces stinging. Benedict feared for the baby in Robyn's arms. Robyn, too, was exhausted. Nine months pregnancy crushed down into a matter of hours. Giving birth. Now this. How much more could she take before she collapsed? They were halfway across the dance floor when Nathaniel stopped them. 'You're not going to make it through the fire.' Noel's face blazed with fury at their way being blocked by the firestorm. 'That's the only way out!' 'There's another route.' Nathaniel had barely spoken the words when Benedict felt a sudden wash of cooling air that was fresh as woodland mists in the fall. 'No. We're not going through there.' Noel shook his head. 'What choice do you have? Think about your woman and your child.' A hole had appeared in the smoke. Ringed by mist it contained a cool grey light in its centre. Nathaniel must have opened the portal by whatever mysterious process he employed. For a second it seemed the firestorm fought back against the cooler currents of air from that other place. Smoke rolled over them in waves. The heat intensified. Sparks drifted down on to their heads from the blazing stage curtain. Robyn glanced at Noel. 'We don't have a choice.' Not waiting for him to reply, she hunched herself over the child in a stoop to protect him from the falling sparks. Then she ran at the ten foot halo of fog that hovered just an inch above the dance floor. Without a flicker of self-doubt on his face Ellery followed, too. Nathaniel gripped Noel by the elbow. 'Take care of them.' For a moment Benedict wondered if Noel would turn the gun on the giant. His eyes burned with fury. He figured that somehow Nathaniel had planned all this, so they'd be forced into that other grey world, where men who were monsters waited for the coming of the Healer. Half the blazing curtain fell with a soft _whump_ sound. It covered the stage in a carpet of fire. Sparks flew, ferociously stinging any exposed skin they found. Noel jerked his elbow free of Nathaniel's massive hand. A moment later he vanished, following Robyn and Ellery into that other realm. Benedict turned to the fiery stage. Then shot a glance at Nathaniel. 'I don't know if she will have survived.' 'I'm bringing her out.' Benedict disagreed. ' _We're_ bringing her out.' Running to the front elevation of the stage where the dwarf door was located, Benedict saw smoke curl out where the door met the jamb, and he dreaded what he'd find in there. # Chapter 37 ## _One_ Logan blinked against the inferno's glare. He'd seen Ellery Hann and the others start running. Then they disappeared into the smoke never to come out. The big weird guy and his buddy raced at the stage as if they were going to take their chance hopping over the flames, only they ducked down beneath the edge of the stage and vanished, too. What crazy shit were they aiming to pull? When no one appeared Logan decided he'd have to go to them. Clearly they weren't going to come running to him, waiting here ready and rarin' to go with his fully loaded SMG. Inconsiderate bastards. ## _Two_ Robyn didn't know how she _did_ it, but she did it. She kept her footing as the hard, flat dance floor dissolved under her feet to be replaced by uneven ground, covered with a slippery mat of rotting leaves. Instantly the smoke vanished. Cool, damp air washed across her hot face. She ventilated her lungs, expelling the toxic fumes from the burning Luxor. After blinking away the tears caused by the smoke, she saw that she walked through a small clearing in the grey forest. All she saw were tree trunks, branches without leaves and a bone-white sky above her head. There were none of those menacing figures that she'd encountered before. Carefully, she eased the flap of towel away from her newborn son's face. He was unscathed by the inferno. Sleeping untroubled, his lips were a healthy pink, while his hands that were bunched up near his face twitched a little as he dreamt of... of what? This world? His prophesied destiny? Healer of its monsterized inhabitants? With her legs weak and trembly now, she made it to a fallen log and sat down. Seconds later she watched as Ellery lightly stepped through the twist of fog in the clearing. He was followed by Noel who slipped and dropped to one knee before pulling himself to his feet. Noel's face was dark. The man was troubled and perplexed by this strange world of grey dripping trees. On the other hand, Ellery appeared calm, relaxed even, as if he'd stepped into a reassuringly familiar environment. Noel came up fast, his eyes radiating concern. 'Robyn. You OK? The baby....' 'We're both fine.' Ellery glanced round. 'We're alone. We haven't been seen yet.' A tingle of astonishment ran through her exhausted body. Ellery spoke without hesitation, or even a suggestion of a stammer. His words possessed a silvery clarity that she'd not heard from him before. 'This is where you want to be, isn't it, Ellery?' 'This is the way that _leads_ to it.' He smiled. 'Beyond the wood there's a town on a hill.' 'Home?' she asked. His smile broadened. 'Home,' he agreed. Once more secret understanding seemed to pass between them as they looked at each other. Noel sounded prickly. 'We can't stay here long. For one we need to get you to a hospital. You should get checked out by a doctor.' 'I feel fine.' 'You've just given birth, Robyn. You need a medical examination. And then there's the baby. He will need feeding.' Ellery shook his head. 'Not here. I don't know how it works but all the nourishment we need is in the air... in the fabric of the world. It will feed us.' 'It heals, too,' Robyn said. She repositioned the baby in her arm so she could rub her stomach with her free hand. 'I can feel it... it's repairing the damage caused by the birth... one hell of a fast birth,' she added with feeling. 'What now?' Noel asked. 'Wait for Benedict and Nathaniel.' 'But wait with caution,' Ellery said, glancing about him. 'They might already know we're here.' Ellery didn't need to specify 'they.' Robyn didn't doubt that the occupants of this grey world would delay in finding them. ## _Three_ Logan leapt over clumps of fire on the boards. By this time the stage timbers were alight. Fires snapped and popped all around him. The smoke blinding. Holding the sub-machine-gun in both hands, he dropped from the stage on to the dance floor. Golden sparks fell like burning snowflakes. Logan ran through swathes of smoke, hunting down Hann and his cronies. Only the place was deserted. Maybe another door exited to the parking lot? If so, where the hell was it? His eyes smarted as he scanned the walls, searching for an open door that would mock his failure to catch Hann. No door. No window. So how could they escape the Luxor? He doubled back through blinding fumes toward the stage. He couldn't stay here; the atmosphere was choking. Clumps of black smoke haunted the dance floor like ghosts. He tried to avoid their toxic presence by dodging between them. And when he found himself confronted by a patch of grey vapour he figured it would be less poisonous than its dark siblings, so he chanced dashing straight through the heart of it, determined to reach the backstage area that was, for the present, free of fire. The world pulsed around him. Fiery atmosphere vanished to be replaced by a cool wash of backwoods' air. Beneath his running feet the floor softened into mush. He skidded, regained his balance, and ran into a world very different from the one he'd known before. ## _Four_ Robyn blinked as the scruffy guy in a combat jacket tumbled forward through the halo of mist. He recovered his balance. That's when she saw the sub-machine-gun in his hand. Ellery breathed in sharply, shocked by the man's sudden appearance. The gun, the thuggish appearance, the angry light in his eye. None of it reassured Robyn either. Beside her, Noel moved smoothly to his feet and aimed the gun. But the guy was fast. Recovering from the transition to this world of grey trees beneath a bone-white sky, he jerked up the muzzle, pointing it at the three of them. 'Throw it away, buddy,' the man warned. 'This pumps out ten rounds in the time it takes you to sneeze.' Noel hesitated. The guy continued, 'It won't just be you, your wife and kid'll get blasted, too.' Noel foresaw the outcome of a shootout all too vividly. He dropped the gun on to the ground where it fell with a soft thud. 'Kick it over here, buddy. ' Noel obeyed. The thug guy picked up the revolver, shoved it into his belt. He nodded at Ellery. 'Eh-Eh-Ellery. How ya' doin?' Robyn saw Ellery wince at the man's cruel mimicry of the stammer. 'Yo, stutter monkey, aren't you going to introduce me to your _amigos?_ ' Ellery said, 'These are my friends, Robyn and Noel. This is their son.' 'Got a baby here in funland? What's his name?' 'He doesn't have a name yet.' Robyn spoke forcefully, annoyed at being held at gunpoint by this no-mark jerk. 'The baby with no name,' the guy mused. 'Hey, Ellery, aren't you going to introduce me to your friends? You ignorant or something?' 'This is Logan,' Ellery said. 'We went to the same school. Logan made it his duty to bully me whenever he could.' 'Bully? Me? Shit! I was teaching you life lessons, bud.' Then something occurred to the man. 'Hey, Ellery? What happened to the stutter?' Ellery didn't answer. Instead, 'Let my friends go. They've got no argument with you.' 'Hey, listen. I tell you who I do or don't have arguments with. Got that, stutter monkey?' Robyn noticed that the vastness of the silent forest distracted Logan from getting angry with Ellery – at least for the moment. He kept the gun levelled at them, but his head turned this way then the other, taking in the sight of all those dripping trees. He frowned. 'What happened, people?' he asked. 'How did we get here?' 'Through the Luxor. There's a route into this world.' Ellery nodded at the halo of mist hovering just above the leaf rug. 'That's the doorway.' 'No, kidding. Yeah....' Logan grinned. This pleased him. 'It's cool. What a freakin' dance floor. You can dance from world to world!' The smile vanished as his eyes widened in surprise. _'Hey, Ellery. I know this place!'_ He shook his head, trying to work it out. 'I don't know why I know it, but I do. Like I've been here before, you know?' Robyn whispered, 'He's got the gene, too.' 'Gene? Hey! What with the fuck gene?' 'You were born with a gene in your body that contains, among other attributes, an instinctive recognition of this place.' 'Attributes? Recognition? No shit.' He sounded pleased as he looked round, nodding. 'Yeah, I do know this place.' His face brightened even more when he made the mental link. 'So this is where the freaks crawl out of? The ones that me and my buddy here, Mr Tommy Gun, dealt with.' He laughed. A laugh splashed with a hint or two of neurosis Robyn thought. Noel spoke. 'Have you seen anything like this before?' 'After the shit I've pumped into my veins? Hell, yes. More far out than this... and more colours, too. Bright, bright colors. This veers toward grey too much, huh? Too monochrome for me.' He changed tack. 'Say, Ellery, weren't I just about to blow your fucking head off?' Ellery stood facing him, not breaking eye contact with the thug. He wasn't backing away. He wasn't going to beg for his life either. Logan pulled back the bolt of the machine-gun. 'Hell, I won't even set it to auto fire. One bullet's more than enough for a week-kneed girl-boy like you.' 'Logan, I knocked you down, remember?' Logan remembered, grimacing. 'Sure you did.' With that he strode forward and beat Ellery down with the butt of the gun. Blood oozed over Ellery's cheek as he lay on the ground. 'For that reason, Hann, I'm going to take my time with you. You're going to suffer. You follow?' The swish of feet on leaves drew Logan's attention. Robyn followed his line of sight. Emerging from the halo of pearl white mist walked Benedict. Following him, Nathaniel. The giant man carried a figure in his arms. # Chapter 38 ## _One_ _This is sweet!_ Logan had Ellery Hann's buddies at gunpoint. 'Welcome to funland... Come and stand here near Ellery. I want you bunched tight where I can keep an eye on you.' Logan gestured with the gun, shepherding them together by the fallen log. If need be he wanted to kill the entire bunch with a single burst from the sub-machine-gun. He noticed the big guy hang back, with his fists bunched. Big guy's planning something clever. 'You too, monster man. I'm watching you. I know you're figuring to jump me. But no dice, monster man. See this?' Logan jabbed the gun barrel toward his face. 'This is a gun, monster man. It go boom-boom. It blow big holes in your freaking face. Got that?' 'I know what a firearm is,' the big guy responded. 'And there's no need to speak Pidgin English at me. I understand you perfectly.' 'Pidgin what?' 'He means, there's no need to make fun of him.' Robyn hugged her baby close. 'We all understand what you're saying.' 'Hey, Ellery, how's the face? Did I pop any teeth?' Ellery didn't reply. The cut on his cheek caused by the SMG butt had congealed. Shit, it didn't even look as bad as it did a few minutes ago. No bleeding. No bruising. Then Logan recalled seeing Ellery soon after his beatings. What should have been a bruised musheroo had healed uncannily fast. Maybe there was more about this oozing woodland than met the eye. Nodding, getting a buzz from his deductions, he stood back to examine his captives. 'Yo. What a pretty bunch you are. Shame I ain't got a camera; a photo of all you beauties would look good on my bedroom wall.' A barking laugh erupted from his mouth. 'Hey, who's the gorgeous babe?' 'Mariah Lee.' 'Wow, what a mouth! Bet she could kiss for gold with that one.' Logan peered at the woman (woman? Ha!) now sitting on the ground with her back to the fallen log. Her head... and, sheesh, what an over-large uneven head... lolled as if she was only half-conscious. 'What's wrong with her?' 'She's been hurt.' 'How?' 'Shot.' 'Not by me?' 'No.' 'Who then?' 'Noel.' 'Who's Noel?' 'Me.' 'Eh, college boy, huh?' The one called Noel nodded. 'You shot her? Hey way to go, man. I'm impressed.' 'I didn't realize that—' 'Got her nice and square in the chest.' Logan found it hard to tear his eyes from the woman's mouth. A bulbous red thing, it pulsated. What looked like a million lips formed concentric circles, like some weird, exotic blossom. Wow... how much would a news channel pay for an exclusive like that? Images of limousines and houses with pools came to mind. Not to mention an endless coke trail, for yours truly. The opportunities were as mesmerizing as the monster girl's big – BIG! – glassy eyes and multi-lipped mouth. Money. Fame. Respect. All those good things beckoned Logan. Then came a bonus; he noticed that instead of arms she had snake things coming out of her shoulders. Jesus H Christ. And the big blue guy sprouted hands from his ankles where feet should be. _Hell and damn... those two alone are cash cows._ All he need do was blast the regular people, then get monster man and monster girl out of here. Dreamily now, thinking of his rich future, Logan allowed his eyes to drift away from the group to rest on a line of bushes that bordered the edge of the clearing. A familiar face looked back at him through the twigs. 'Joe?' The face stared like it didn't recognize his old drug buddy. 'Joe, what the hell are you doing here?' The face moved forward through the bushes, the body still obscured by a cluster of twigs. 'What's wrong, Joe?' Then Logan saw what was wrong. This wasn't Joe. Not exactly, Joe, that is. It was one of those misshapen creatures. Only it wore Joe's face. Whooping, shaking their arms above their heads, a bunch of God ugly creatures burst through the bushes. Ellery's group reacted with shock. The blue-white guy picked up a forked branch and held it like a club. One of the other guys shouted a warning. ' _Skinners!_ ' ## _Two_ Benedict had called out the warning, 'Skinners!' The creatures whom he'd seen peel a guy alive came at a run. One wore their butchered victim's face as a mask. It had been in good enough shape to fool Logan who thought it had been his friend. Now a dozen of the man-shaped monsters came bounding toward them, grunting, their eyes blazing with blood lust. Each wore parts of the man's anatomy like clothes. One wore the skin of their victim's torso like a vest. Others wore arm skin like tattered sleeves, or hand skin like fingerless gloves. Dried blood dappled their bodies. Benedict shouted, 'Keep together. Don't let them get hold of you!' Logan stared in amazement. 'Hot damn... what the hell are they?' 'I don't know,' Benedict replied. 'But they'll skin you alive if they get the chance.' 'That what happened to Joe?' Benedict nodded, then braced himself for the monstrous onslaught. Logan barked out that laugh again. To Benedict's ears there was an insane quality to it. What's more, the man's face shone with excitement. 'Yeee-ha! Here comes your medicine... in nine millimetre caplets!' Logan aimed, then pulled the trigger. The soft earth swallowed the reports, dwindling the sound to snaps. Cordite smoke billowed, misting the air blue. Logan had set the SMG to fire single shots. And, boy, he knew how to use that firearm. Skinners dropped one by one. Logan blasted the one wearing Joe's face in the centre of the head. It fell like a log, blood bursting from the back of its skull. 'There's too many of them!' Benedict warned. Nathaniel used the hefty branch to swipe one of the skinners to the ground. It clawed at the branch as Nathaniel used the end of it to push the thing against the earth. Noel called to Logan, 'Give me back my gun.' 'No way, _amigo_.' 'There's too many!' 'Yahoo! I'm keepin' all the fun-stuff to myself.' Logan fired two fast shots into the gut of a tall, spindle-limbed creature that collapsed with its stick-like fingers clutching gory wounds. 'Logan—' 'Shut your mouth, college boy... damn.' The machine-gun was out of ammo. Logan detached the clip and slung it casually away, pulled a fresh ammo clip from his pocket, fiddled around with the thing trying to locate it into the bullet feed aperture. One of the skinners darted in trying to snatch the baby. Noel and Benedict grabbed the monster and swung it away. In horror, Benedict thought: These creatures are strong. We can't fight them all with our bare hands. More pounded barefoot across the leaf mush toward them. 'Damn things,' Logan muttered, referring to the SMG. 'You'd think they'd design them so they were easy to reload.' 'Logan!' Noel bellowed. 'Give me back my gun!' Logan glanced up, assessing the situation as ten more skinners raced toward them, while the blue-white giant kept another pinned to the earth by a branch. 'OK, OK. But it's a loaner, right? You give me the motherfucker back as soon as we're done.' 'All right!' Logan casually pulled the revolver from his belt and lobbed it under arm to Noel. With seconds to spare Noel cocked the revolver, aimed. Again that oddly flattened crack as the cartridge detonated, discharging the bullet to drop a mule-faced creature in its tracks. 'I'm cookin' on gas again, people,' Logan sang out. Then he used the SMG on its single shot setting to pick off the skinners as they charged. Benedict saw that together Logan and Noel made short of their attackers. Those who weren't killed gave up the assault when they saw how their numbers had dwindled. With bellows of frustration they scampered away into the undergrowth. Logan grinned. 'All done.' Then he noticed the creature Nathaniel held down with the point of the branch. It still clawed, trying to reach the big man. Logan stepped forward to fire point blank at the skinner's head. 'All done now,' he confirmed. Noel wiped his face, panting, the gun still gripped in his hand. 'Time to hand me the piece back, bro.' Logan thumbed a switch at the side of the SMG. 'It's only a loaner, remember?' Noel paused just one moment too long. 'Don't dick me around, college boy.' With that Logan fired a short burst into Noel's feet. With a cry of pain Noel fell. He writhed in the dirt, clutching an injured foot, as Logan picked up the gun. 'Warned you, didn't I, bro?' ## _Three_ Ellery helped Benedict pull Noel to the log, until he sat with his back to it alongside Mariah. Blood pumped from two savage wounds – one in Noel's shin the other in the top of his foot. Pain twisted the man's face. 'There was no need for that,' Robyn shouted. Even though she held her newborn son to her chest she had enough anger boiling in her veins to attack the thug. 'Hey, who's in charge here?' Logan sneered. 'I don't see any of you bozos with a weapon.' Ellery noticed Nathaniel step forward as if to make a run at the guy. 'Whoa, big boy. Get back in line.' Ellery watched Logan's face as he ordered them to stay still, to shut up, not to look at him... just like old times at school when Logan and his buddies would swagger round the halls shoving kids around, or bullying those who didn't obey. The hatred burned in Logan's face just the same. It had always been there right from kindergarten. A malignant cancer of a hatred that had never gone into remission. It had got worse down the years, poisoning lives. There was a guy in school he'd bullied for month after month, burning his face with cigarettes, stealing his money, tripping him in the lunch hall. The guy had hanged himself when he was sixteen. The coroner called it suicide but Ellery knew it was murder all right. Logan was the murderer, or as good as. He'd driven the kid to take his own life. And here he was again. In another world with different victims. But the routine was the same. Order them. Threaten them. Hurt them when they didn't comply fast enough. Noel had weakened from blood loss. He could barely raise his head. Even though Mariah had little strength left in her body, she reached out one of her delicately tapered limbs and stroked Noel's arm. With that gesture she did what she could to comfort him. All the time Logan ranted at Benedict, Robyn, Nathaniel and even Noel, sometimes reinforcing his offensive comments with a kick at Noel's injured foot. Ellery knew the game plan. Logan was working himself up into self-righteous anger. Then when anger broke the seal of self-restraint he'd start killing. For years Logan had intimidated Ellery. The thug had repeated the act so often that he didn't even harangue Ellery now. He ignored him. In Logan's mind Ellery was no longer a threat. There was no need to break Ellery's spirit because it was already smashed to pieces. For Logan, Ellery had gone beyond being one of his victims at that point. He'd become invisible. Just some minor detail to be dealt with in his own good time. As Logan told Benedict to kneel down on the ground with his back to him and his hands in the air, Ellery stepped forward. No reaction from Logan. Then another step. Logan didn't notice. Another two steps forward. Logan was too busy aiming the sub-machine-gun at the back of Benedict's head to bother about nobodies like Ellery Hann.... Ellery pounced. ## _Four_ Relying on body mass, Ellery charged the thug, knocking him sideward, though not down. 'Hann, you little shit... you're next. _You're next!_ ' Logan moved so he could bring the muzzle to point at Ellery but Ellery gripped the gun barrel, managing to push it away. Now they were so close they were eyeball to eyeball. Ellery could even smell the saliva in Logan's mouth. From the corner of his eye he saw Nathaniel and Benedict coming at him. Three on to one would end this wrestling bout. When Logan couldn't break Ellery's grip on the gun, a glint of cunning sneaked into the thug's eye. Pushing Ellery back hard, Logan then let go of the gun so Ellery went tumbling back to fall flat on his back with the gun still gripped tight in his hands. Ellery was fast to his feet. Leering, the man mocked him, 'Eh-Eh-Ellery. You know, there aren't any bullets in that gur-gur-gun.' The leer broadened. 'I used the last ones on college boy. I was only jerking the other guy round... winding him up, you know?' Ellery glanced down at the gun in his hands. How did you tell if a SMG was out of ammo? Its shells were completely encased in the magazine clip. Logan used the distraction to pull Noel's handgun from his belt. He also dug deep into his combat jacket pocket and tugged out a second pistol. 'Whoa... got you under control again, haven't I?' He pointed one pistol at Ellery and the second at Robyn. Quickly, he glanced from Ellery then back to the bunch by the log again, checking that no one was moving. 'Better throw the machine-gun down, Ellery; it's no good to a stutter monkey like you.' Ellery moved his hands across the gun, keeping it pointed at Logan, while finding the trigger with his finger. 'Won't do you any good, stutter monkey. Don't you listen? I told you, the gun's out of ammo. It won't fire, stupid.' Logan's stubbled face seemed to morph in front of Ellery Hann, switching between the juvenile who had tormented him so much he could hardly speak, then flipping over to the thug who faced him now. Who threatened not only him but his friends, too. 'What you gonna do, Eh-Ellery? You going to try and shoot a gun with no bullets, bud?' Logan eased back the pistol hammer with his thumb. 'What you gonna do, Eh-Eh-Eh-Eh-Eh-' This time Logan chanted the stammer Eh-Eh sound, mimicking Ellery, goading him. His voice oozing with scorn. 'Eh-Eh-Eh-Eh-Eh—' The baby gave a sudden cry. Logan didn't stop the cruel mimicry – 'Eh-Eh-Eh....' But his eyes flicked to the infant wrapped in the towel. ' _Eh-Eh-Eh_ —' Ellery snapped his finger against the trigger. Logan had lied. The sub-machine-gun clattered out bullets in a jet of fire. They struck Logan in the centre of the chest, knocking him backward with a force that lifted both feet in the air. Slowly Ellery lowered the smoking gun. His tormentor of the last fifteen years lay flat on the dirt of the grey forest. Both arms were flung outward, the pistols still gripped in his hands. Grunting, panting, Logan's entire body jerked as muscles spasmed, then with a jolt that lifted the upper part of his body clear off the ground he flopped back to stare at the bone-white sky. Ellery couldn't move. He stood and stared at the corpse. Whole minutes later he heard Nathaniel speak. 'They're here.' Walking through the trees were men and women. Hundreds of them, Ellery told himself. In a few moments he would find out he was mistaken: there were thousands. And they were heading his way. # Chapter 39 ## _One_ Benedict watched as the figures moved through the forest toward where he was standing with Ellery and the others in the clearing. On the ground, Logan's body still steamed as hot blood leaked into cold air (proving that even though you might never die of old age here, if you're shot dead you _stay_ dead). Benedict's gaze was held by the spectacle of the creatures as they approached. They were monsterized human beings, too. Like Mariah and the others, they'd lost their way in the woods as they tried to make their way to the shining city on the hill that instinct told them was their real home. Nathaniel had spoken of people who were damaged in some way, whose inner guidance system couldn't direct them safely through this grey landscape. So here they'd stayed. The power that oozed from Nathaniel's world – a world that lay at right angles to our own – had not only nourished them it had reshaped their bodies into hideous monsters. He saw men with mule-like faces. Women with arms that had melted and reformed into tentacles. Some had bulging eyes. Others were weirdly deep-set, forming twin pits sunk into their heads. Others, like Mariah, possessed huge multi-lipped mouths that pulsed crimson. There were creatures that were eight feet tall and thin as bamboo cane. Then there were squat creatures with tiny eyes that disturbed Benedict enough to think of hogs. He also recalled the desperate creatures who'd laid siege to the apartment. They knew their Healer was close by. Mindlessly they had tried to break in to seize him. Now here came more of the monster men and women in their thousands, seeping through the forest like an incoming tide. He stooped down by Logan and tugged one of the revolvers from a dead hand. Nathaniel stopped him from raising the gun. 'Don't, Benedict,' he said. 'These aren't dangerous people.' 'But those at the Luxor, they were—' 'They had been driven to insanity by their pain. These people have borne their torture with more fortitude.' At the edge of the clearing the figures stopped. Benedict stepped back, feeling the weight of so many eyes staring at them. A light touch on his forearm made him turn back. He saw Mariah stood there. The mouth had grown full and red once more. The wounds on her chest were now healed-over scars. That power had healed her as she lay against the fallen tree. A glimmer of the old Mariah appeared in her eyes. She wanted him to be calm. 'You're safe,' she whispered. Nathaniel said, 'They know about the birth. They're here to see for themselves.' Robyn held up the baby for Ellery to take. He did so, and Benedict noticed the child appeared to have grown in the few minutes they'd been in this place. He held his head up unassisted. His large, and very human eyes, were bright, intelligent – absorbing what he saw of his surroundings. There was no fear in the child. He was in a place he knew from before birth. Robyn climbed to her feet. Colour had returned to her cheeks. She had the air of someone who was healthy and well rested. Ellery held out the baby to her. She shook her head. 'He doesn't belong with me.' A sad smile touched her lips. 'He's needed here.' Nathaniel stared. 'You're prepared to give up your child?' 'He's a child of this world. He wouldn't belong in mine and Noel's.' Noel nodded. 'Robyn's right. He's no more a citizen of our world than Ellery here.' Benedict saw the implications sink in to Ellery's mind. As they did so a smile spread over Ellery's face. 'I'm going to _my_ home. I'll take your son with me.' His voice became serious. 'Don't worry, I'll look after him.' Nathaniel put his arm around Mariah's shoulders. 'He'll have all the help he needs, too.' Robyn heard a gulp of emotion in her voice as she tried to joke, 'Good babysitters are hard to come by.' A tear slid down her cheek. Quickly she kissed the baby. 'Take care,' she whispered into the tiny ear. 'When you can, come back and see me one day.' She turned away. Benedict knew if she stayed close to the baby any longer she wouldn't want to leave him. 'Name him,' Nathaniel told her. 'It's your right.' Without so much as a glance back, she said, 'David.' That was all. Yet she spoke the name with enough force to suggest to Benedict there had been someone of that name in her life before. The name was important to her. Nathaniel said, 'Wait here until the fires have burned down in the Luxor, then it'll be safe to return.' Carrying the baby carefully in his arms, Ellery nodded a farewell to them then joined the figures at the edge of the clearing. Nathaniel paused, waiting for Mariah. Then understanding hit Benedict with a force that almost winded him. Mariah was leaving. This would be the last time he saw her. And she was going in the company of the man she loved. Benedict glanced at Nathaniel then back at Mariah. The lips moved around her mouth, a subtle ripple effect. 'Thank you for waiting for me, Benedict. But it's time for both of us to move on.' Her voice was a compassionate whisper. 'Take care of yourself... and find someone you can love.' Benedict watched her walk away with Nathaniel, the giant's arm around her shoulders. Just as Benedict anticipated he would experience the bitterest emotion of his life, he found he was smiling. For the first time in years he knew he could let Mariah go. He'd found closure. She'd found love. He could move on. He glanced at Robyn. She stood looking away from the mass of people as they left with her baby. Noel tested his feet; he'd realized the force that wrought such changes in the bodies of those people had begun to heal his wounds. Gingerly, he used the log for support as he pulled himself to his feet, then limped across to Robyn and put his arm around her. She rested her head against his chest. For a long time Benedict watched the figures file away through the forest, then he said all of a sudden, 'I'll be back soon.' ## _Two_ Benedict knew the truth: _This is a world where time is as malleable as the bodies of its inhabitants. A week might seem like a day. Ten seconds_ _here might pass as quickly as a year in downtown Chicago_. He couldn't judge what span of time passed as he followed Nathaniel, Mariah and Ellery, who carried David, through the forest. All he knew was his instincts told them that they'd covered a vast distance. Presently the forest ended as the ground sloped upward. There, Benedict paused to watch the 5,000 strong crowd form itself into a long, winding procession with Ellery at its head, carrying the baby. They were perhaps half a mile from Benedict; he could barely make out individual figures in the mass of creatures. And yet he saw clearly enough their destination. In the distance, shining with a light all of its own on the mountainside, was a city. A wonderful city bristling with exotic towers and buildings of surreal splendour. It may have been straining to see into the distance; it may have been the breeze touching Benedict's eyes that made them water, distorting what he saw, and yet from here it seemed to him that the figures were monsters no longer. Misshapen heads regained their symmetry. Limbs softened, melted – reformed into human arms and legs. Nathaniel now walked on feet, not hands. Mariah was, once more, the beautiful woman who'd shared his life for a few short years. He watched the procession wind its way up the hill toward the shining city. He kept watching, not wanting to even blink, lest he'd see the people as those otherworld creatures again. But to the last they remained beautifully human. Perhaps the Healer they'd waited so long for had cast his spell after all. Benedict remained there, watching them grow more distant, as they journeyed toward that far-off city... until, at last, he realized he could see them no more. ## _Three_ Benedict stepped through the mist-ringed portal into what was left of the Luxor. Robyn and Noel followed. The now long dead fire had taken the roof, so the old dance hall lay open to blue skies. They walked across a carpet of black ash to where the entrance doors had been reduced to charcoal. Without speaking, the three stepped outside into the warm afternoon air. As they walked away Robyn glanced back. She saw that all the crows had returned to their cornfields. And the Luxor stood only as an empty shell; a charred skull on a desert of black top. Many years ago it had heard its last song, witnessed its last dance. Now it would be lost forever to the sands of time. When Robyn Vincent continued walking she never looked back. # _By the Same Author_ Darkness Demands Stranger # Copyright © Simon Clark 2004 First published in Great Britain 2004 This edition 2012 ISBN 978 0 7198 0627 8 (epub) ISBN 978 0 7198 0628 5 (mobi) ISBN 978 0 7198 0629 2 (pdf) ISBN 978 0 7090 7655 1 (print) Robert Hale Limited Clerkenwell House Clerkenwell Green London EC1R 0HT www.halebooks.com The right of Simon Clark to be identified as author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988	2023-09-16T01:26:57.367551	https://example.com/article/8588
Q: Java - Memory allocation for int value 1 vs 2,147,483,647 Java allocates 4 bytes of memory to an integer. But does this happen for all the int value no matter what the value is ? For example 0 or 1 can represented by a bit against a larger value like 2,147,483,647 which could need 2^31-1 bits. When JVM allocates memory for an integer does it blindly allot 4 bytes for every single int var or does it allocate more memory as the number gets bigger? A: An int variable will always take 4 bytes. It would be a waste of time trying to optimize the space used depending on the actual value. The programmer is responsible for making the decision how many bytes he needs for a variable.	2023-09-23T01:26:57.367551	https://example.com/article/2833

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