id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 25.7k | answers dict |
|---|---|---|---|---|
56d38fa059d6e41400146771 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | జాన్فیلడ్కనుగొనేందుకుఏ కొత్త Genre | {
"text": [
"nocturne"
],
"answer_start": [
39
]
} |
56d38fa059d6e41400146772 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | জনপ ্ রথম ব ্ যাখ ্ যা করা শুরু করা হয় শেক ্ ষা অনুষ ্ ঠানের জন ্ য কি? | {
"text": [
"ballades and scherzi"
],
"answer_start": [
155
]
} |
56d38fa059d6e41400146772 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | చైన్ వ్రాయడం లో మొదటి ఏమిటి کنسرتలు కోసం? | {
"text": [
"ballades and scherzi"
],
"answer_start": [
155
]
} |
56d38fa059d6e41400146773 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | কোন শঙ ্ গীত ধারনা শেক ্ ষন ব ্ যবহার করেছে? | {
"text": [
"concert étude"
],
"answer_start": [
370
]
} |
56d38fa059d6e41400146773 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | చైన్ఏ సంగీతతృశ్యవినియోగించారు | {
"text": [
"concert étude"
],
"answer_start": [
370
]
} |
56d38fa059d6e41400146774 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | আর কী তিনজন সঙ ্ গীতজ ্ ঞানী এই নতুন শাখার আবির ্ ভাব করছিল? | {
"text": [
"Liszt, Clementi and Moscheles"
],
"answer_start": [
435
]
} |
56d38fa059d6e41400146774 | Frédéric_Chopin | Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exp... | ఏం మూడు ఇతర ఇంద్రజాలికులు కొత్త రకమైన განვითარება చేశారు? | {
"text": [
"Liszt, Clementi and Moscheles"
],
"answer_start": [
435
]
} |
56cfee5d234ae51400d9c0f7 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | কয ় েকটা ပိုলোনিয ় া প ্ রকাশ করা হয়েছে? | {
"text": [
"seven"
],
"answer_start": [
363
]
} |
56cfee5d234ae51400d9c0f7 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | ఎలా అనేక పాలెజీలు జాప్న్ నివసించారు | {
"text": [
"seven"
],
"answer_start": [
363
]
} |
56cfee5d234ae51400d9c0f8 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | কয ় েক পলোনিয ় া কমিয ় ে প ্ রকাশিত হয ় েছে শপ ্ নেনের মৃত ্ যুর পর? | {
"text": [
"nine"
],
"answer_start": [
415
]
} |
56cfee5d234ae51400d9c0f8 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | Chopin మరణించాడు తరువాత ఎన్ని పాలోనీస్ వ్రాయబడ్డాయి? | {
"text": [
"nine"
],
"answer_start": [
415
]
} |
56cfee5d234ae51400d9c0f9 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | যা বেশ আন ্ তর ্ জাতিকভাবে পরিচিত? | {
"text": [
"mazurkas"
],
"answer_start": [
96
]
} |
56cfee5d234ae51400d9c0f9 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | చాప్న్ ఏమి మరింత అంతర్జాతీయ తెలిసిన తయారు కోసం ప్రశంసించబడలేదు? | {
"text": [
"mazurkas"
],
"answer_start": [
96
]
} |
56cfee5d234ae51400d9c0fa | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | চোপের ওয়ার ্ ল ্ স আর ব ্ যালস মল ্ যাম ওয়ার ্ ল ্ সের মধ ্ যে কী পার ্ থক ্ য? | {
"text": [
"faster tempos"
],
"answer_start": [
660
]
} |
56cfee5d234ae51400d9c0fa | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | ఏమిటి బ్యాల్హామ్ వాల్జ్ ఒక నడక వాల్జ్ తో చొప్నీ యొక్క వృత్యం గురించి వివిధ? | {
"text": [
"faster tempos"
],
"answer_start": [
660
]
} |
56d390b559d6e41400146789 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | তার সময ় ের আধুনিক নৃত ্ যশিল ্ পের মধ ্ যে চলোபன் কি প ্ রসারিত করেছে? | {
"text": [
"greater range of melody and expression."
],
"answer_start": [
47
]
} |
56d390b559d6e41400146789 | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | చైన్ తన Era యొక్క ఆధునిక నృత్యం ఏమి లేదు? | {
"text": [
"greater range of melody and expression."
],
"answer_start": [
47
]
} |
56d390b559d6e4140014678a | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | চোপের প ্ ল ্ যান ্ ড নৃত ্ যশিল ্ প কোন ধরণের শ ্ লানের জন ্ য আবির ্ ভাবিত হয়েছিল? | {
"text": [
"concert hall"
],
"answer_start": [
243
]
} |
56d390b559d6e4140014678a | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | Chopin యొక్క పాలీష్ నృత్య సంగీతం ఏమి విధమైన హాలులో నిర్వహిస్తారు? | {
"text": [
"concert hall"
],
"answer_start": [
243
]
} |
56d390b559d6e4140014678b | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | ইওর ্ পিনদের কাছে জনপ ্ রিয় করার জন ্ য চওপ ্ যান কি দায়ী? | {
"text": [
"the mazurka"
],
"answer_start": [
307
]
} |
56d390b559d6e4140014678b | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | ఏమి డౌన్ హోప్న్ Euorpeans లో ప్రజాదరణ తయారు కోసం కారణము? | {
"text": [
"the mazurka"
],
"answer_start": [
307
]
} |
56d390b559d6e4140014678c | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | তার মৃত ্ যুর পর সংখ ্ যা কতချီ চঁபன் পলোনিজ প ্ রকাশিত হয়েছে? | {
"text": [
"nine"
],
"answer_start": [
415
]
} |
56d390b559d6e4140014678c | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | తన మరణం తరువాత ఎన్ని జాప్న్ విలేఖనం చేశారు? | {
"text": [
"nine"
],
"answer_start": [
415
]
} |
56d390b559d6e4140014678d | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | চোপের কোন নৃত ্ যশিল ্ প-সঙ ্ গীতটা পরিবেশনা করার জন ্ য নৃত ্ যশিল ্ পীদের জন ্ য পরিকল ্ পনা করা হয়েছে? | {
"text": [
"waltzes"
],
"answer_start": [
545
]
} |
56d390b559d6e4140014678d | Frédéric_Chopin | Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka o... | చైన్ యొక్క ఏం నృత్య సంగీతం బ్యాల్ రూమ్ కంటే రిసైటల్లు కోసం మరింత వ్రాయబడింది? | {
"text": [
"waltzes"
],
"answer_start": [
545
]
} |
56cfef3c234ae51400d9c10d | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | অপেক ্ ষার দশম, শ ্ রেষ ্ ঠ দ ্ বন ্ দ ্ বে আরেকটি চমৎকার কী? | {
"text": [
"the Revolutionary Étude"
],
"answer_start": [
77
]
} |
56cfef3c234ae51400d9c10d | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | ఏ మరొక శీర్షిక ఉంది Op. 10, సంఖ్య 12 సంపాదించిన? | {
"text": [
"the Revolutionary Étude"
],
"answer_start": [
77
]
} |
56cfef3c234ae51400d9c10e | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | শুধুমাত ্ র কোন প ্ রসঙ ্ গের জন ্ য চঁபன் এর একটি সত ্ যিকারের শ ্ রেষ ্ ঠিত ্ ব প ্ রদান কি? | {
"text": [
"Funeral March"
],
"answer_start": [
192
]
} |
56cfef3c234ae51400d9c10e | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | ఏమిటి కేవలం ముక్క Chopin ఒక వాస్తవానికి శీర్షిక ఇచ్చింది? | {
"text": [
"Funeral March"
],
"answer_start": [
192
]
} |
56cfef3c234ae51400d9c10f | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | কোন প ্ রসঙ ্ গের অংশ হিসেবে গির ্ জাল প ্ রদর ্ শণ করা হয়েছিল? | {
"text": [
"Sonata No. 2"
],
"answer_start": [
623
]
} |
56cfef3c234ae51400d9c10f | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | స్మశానవాటిక మార్చి ఏ భాగాన్ని వ్రాయబడింది? | {
"text": [
"Sonata No. 2"
],
"answer_start": [
623
]
} |
56d3913859d6e41400146793 | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | কতোগুলো সঙ ্ গীত-চরিত ্ রকে চবিন একটা ব ্ যাখ ্ যানামূলক নাম দিয়েছিলেন? | {
"text": [
"one"
],
"answer_start": [
650
]
} |
56d3913859d6e41400146793 | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | ఎలా చాలా వాయిద్య పనిలు కోప్న్ ఒక descriptive పేరు ఇచ్చింది? | {
"text": [
"one"
],
"answer_start": [
650
]
} |
56d3913859d6e41400146795 | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | কোন ব ্ যাখ ্ যাক নাম দেওয ় া হয ় েছে Op. 10, No. 12? | {
"text": [
"Revolutionary Étude"
],
"answer_start": [
81
]
} |
56d3913859d6e41400146795 | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | ఏ descriptive పేరు gegeben ఉంది Op. 10, సంఖ్య 12? | {
"text": [
"Revolutionary Étude"
],
"answer_start": [
81
]
} |
56d3913859d6e41400146796 | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | কোন ব ্ যাখ ্ যাক নাম দেওয ় া হয ় েছে কন ্ যাট ্ রিক সিপ ্ টেম ্ ল ্ যান ্ ড সিপ ্ টেম । | {
"text": [
"Minute Waltz"
],
"answer_start": [
127
]
} |
56d3913859d6e41400146796 | Frédéric_Chopin | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associa... | ఏ descriptive పేరు ఇస్తుంది Op. 64, No. 1? | {
"text": [
"Minute Waltz"
],
"answer_start": [
127
]
} |
56cff00f234ae51400d9c113 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | শেষ কোন সংখ ্ যা শেক ্ ষন একটা পন ্ দনের জন ্ য দিয়েছিলেন? | {
"text": [
"65"
],
"answer_start": [
50
]
} |
56cff00f234ae51400d9c113 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | ఏమిటి చెప్నాకుఒక ఆర్ opus ఇచ్చింది చివరి సంఖ్య? | {
"text": [
"65"
],
"answer_start": [
50
]
} |
56cff00f234ae51400d9c115 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | কে হচ ্ ছে শপ ্ যানের সঙ ্ গীত-নির ্ মাতা? | {
"text": [
"Julian Fontana"
],
"answer_start": [
259
]
} |
56cff00f234ae51400d9c115 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | ఎవరు చాప్నీ యొక్క సంగీత సాధన ఉంది? | {
"text": [
"Julian Fontana"
],
"answer_start": [
259
]
} |
56cff00f234ae51400d9c116 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | আর কী পরিমাণ অপেক ্ ষাকৃত টুকরা জ ্ যালিন ফ ্ রান ্ তরান আটটি স ্ বরের সংখ ্ যানে আঁট করেছে? | {
"text": [
"23"
],
"answer_start": [
283
]
} |
56cff00f234ae51400d9c116 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | విలేఖనం మిణుగురుబూచి: ఎన్ని ముక్కలు విలేఖనం లేదు జూలియాన్ ఫ్రంటానా კიდევ ఎనిమిది opus సంఖ్యలు లోకి తయారు? | {
"text": [
"23"
],
"answer_start": [
283
]
} |
56cff00f234ae51400d9c117 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | আর কী পরিমাণ পল ্ যান ্ ড গান নিয়ে গল ্ প নির ্ মিত হয়েছে? | {
"text": [
"17"
],
"answer_start": [
402
]
} |
56cff00f234ae51400d9c117 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | Op. 74 ఎలా అనేక పానీయం పాటలు కూడిచివేయబడింది? | {
"text": [
"17"
],
"answer_start": [
402
]
} |
56d3929359d6e4140014679d | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | চোপের সর ্ বশেষ opus-এ কী সংখ ্ যা ব ্ যবহার করেছে? | {
"text": [
"65"
],
"answer_start": [
50
]
} |
56d3929359d6e4140014679d | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | చైన్ ఉపయోగిస్తారు చివరి opus సంఖ్య ఏమిటి? | {
"text": [
"65"
],
"answer_start": [
50
]
} |
56d3929359d6e4140014679f | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | Who groupd 23 unpublished pieces and published them as Opp. 66-73 in 1855? | {
"text": [
"Julian Fontana"
],
"answer_start": [
259
]
} |
56d3929359d6e4140014679f | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | ఎవరు 23 అన్వவேలియట్ భాగాలు విభజించబడింది మరియు 1855 లో Opp. 66-73 వంటి అవుపరిచింది? | {
"text": [
"Julian Fontana"
],
"answer_start": [
259
]
} |
56d3929359d6e414001467a1 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | আর অপেক ্ ষাগুলো কিভাবে প ্ রকাশিত হয়? | {
"text": [
"1857"
],
"answer_start": [
396
]
} |
56d3929359d6e414001467a1 | Frédéric_Chopin | The last opus number that Chopin himself used was 65, allocated to the Cello Sonata in G minor. He expressed a deathbed wish that all his unpublished manuscripts be destroyed. At the request of the composer's mother and sisters, however, his musical executor Julian Fontana selected 23 unpublished piano pieces and group... | opus. 74פורסם చేసినప్పుడు? | {
"text": [
"1857"
],
"answer_start": [
396
]
} |
56cff0c3234ae51400d9c123 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | কে গ ্ যাবলস ্ যাঙ ্ ক মানচিত ্ রটি এর নাম দেই? | {
"text": [
"Krystyna Kobylańska"
],
"answer_start": [
285
]
} |
56cff0c3234ae51400d9c123 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | Kobylańska జాబితా ఎవరు కోసం పేరు వచ్చింది? | {
"text": [
"Krystyna Kobylańska"
],
"answer_start": [
285
]
} |
56cff0c3234ae51400d9c124 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | কি বছর পরে প ্ রকাশিত চলচ ্ চিত ্ রগুলোর সংস ্ থান সংক ্ লিষ ্ ট হয়ে গেল? | {
"text": [
"1857"
],
"answer_start": [
22
]
} |
56cff0c3234ae51400d9c124 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | ఫాంట్ రంగు = "# D900D9 "ముసిముక్కలువెళ్లిపోయారా | {
"text": [
"1857"
],
"answer_start": [
22
]
} |
56d3946659d6e414001467af | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | কি 1857 এর পর প ্ রকাশিত চলচ ্ চিত ্ র উপস ্ থাপন করা হয়েছে opus এর সংখ ্ যা না করে? | {
"text": [
"alternative catalogue designations"
],
"answer_start": [
41
]
} |
56d3946659d6e414001467af | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | What have భాగాలు విలేఖనం 1857 కంటే విలేఖనం సంఖ్య ఇవ్వబడింది? | {
"text": [
"alternative catalogue designations"
],
"answer_start": [
41
]
} |
56d3946659d6e414001467b0 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | শিল ্ পকর ্ মী Chopin-এর সঙ ্ গীত নিয়ে কি ভাবে বর ্ তমান সাহিত ্ য বিখ ্ যাত? | {
"text": [
"the Kobylańska Catalogue"
],
"answer_start": [
168
]
} |
56d3946659d6e414001467b0 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | చైన్ యొక్క ముక్కలు కోసం ప్రస్తుత శాస్త్రీయసంవత్సరం ఏమిటి? | {
"text": [
"the Kobylańska Catalogue"
],
"answer_start": [
168
]
} |
56d3946659d6e414001467b1 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | ক ্ যাবিলেস ্ কার মানচিত ্ রের জন ্ য সংক ্ ষেপ দীর ্ ঘকরণ সংখ ্ যা কি? | {
"text": [
"KK"
],
"answer_start": [
231
]
} |
56d3946659d6e414001467b1 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | Kobylańska జాబితా కోసం క్రాంట్ ప్రదేశం ఏమిటి? | {
"text": [
"KK"
],
"answer_start": [
231
]
} |
56d3946659d6e414001467b2 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | কে কোবিলান ্ স ্ কাগ ্ রাট তৈরি করেছিল? | {
"text": [
"Krystyna Kobylańska."
],
"answer_start": [
285
]
} |
56d3946659d6e414001467b2 | Frédéric_Chopin | Works published since 1857 have received alternative catalogue designations instead of opus numbers. The present standard musicological reference for Chopin's works is the Kobylańska Catalogue (usually represented by the initials 'KK'), named for its compiler, the Polish musicologist Krystyna Kobylańska. | ఎవరు Kobylańska జాబితా సేకరించిన? | {
"text": [
"Krystyna Kobylańska."
],
"answer_start": [
285
]
} |
56cff179234ae51400d9c131 | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | চোপের প ্ রথম opus ্ লক ্ ষ ্ যের কি প ্ রকাশ ঘটাচ ্ ছে? | {
"text": [
"Breitkopf & Härtel"
],
"answer_start": [
187
]
} |
56cff179234ae51400d9c131 | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | ఎవరు చైన్ యొక్క పని యొక్క మొదటి వెబితా విక్రయించబడింది? | {
"text": [
"Breitkopf & Härtel"
],
"answer_start": [
187
]
} |
56cff179234ae51400d9c133 | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | Who edited the Polish "National Edition" of Chopin's works? | {
"text": [
"Jan Ekier"
],
"answer_start": [
403
]
} |
56cff179234ae51400d9c133 | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | ఎవరు చెవిన్ యొక్క படைப்புలు యొక్క పానీయం "National Edition" edited? | {
"text": [
"Jan Ekier"
],
"answer_start": [
403
]
} |
56d3971459d6e414001467cd | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | ম ্ যারিস শ ্ লেসিন ্ ডার এবং ক ্ যামিল প ্ লেইল -এই চোপের পক ্ ষে কি? | {
"text": [
"original publishers"
],
"answer_start": [
9
]
} |
56d3971459d6e414001467cd | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | Maurice Schlesinger మరియు Camille Pleyel | {
"text": [
"original publishers"
],
"answer_start": [
9
]
} |
56d3971459d6e414001467ce | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | শিল ্ পের আবির ্ ভাব কোথায়? | {
"text": [
"popular 19th-century piano anthologies."
],
"answer_start": [
112
]
} |
56d3971459d6e414001467ce | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | ఎక్కడ చెప్న్ యొక్క పని ప్రారంభించారు లేదు చూపించడానికి? | {
"text": [
"popular 19th-century piano anthologies."
],
"answer_start": [
112
]
} |
56d3971459d6e414001467cf | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | ১৯৩৭ থেকে ১৯৬ সালে শেক ্ ষাকার কাজের বিজ ্ ঞানিক প ্ রকাশের নাম কি? | {
"text": [
"Paderewski"
],
"answer_start": [
303
]
} |
56d3971459d6e414001467cf | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | What was the name under scholarly publications of Chopin's work form 1937 to 1966? | {
"text": [
"Paderewski"
],
"answer_start": [
303
]
} |
56d3971459d6e414001467d0 | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | Who edited the Polish National Edition? | {
"text": [
"Jan Ekier"
],
"answer_start": [
403
]
} |
56d3971459d6e414001467d0 | Frédéric_Chopin | Chopin's original publishers included Maurice Schlesinger and Camille Pleyel. His works soon began to appear in popular 19th-century piano anthologies. The first collected edition was by Breitkopf & Härtel (1878–1902). Among modern scholarly editions of Chopin's works are the version under the name of Paderewski publis... | ఎవరు విలేఖనం దేశం పేకాట? | {
"text": [
"Jan Ekier"
],
"answer_start": [
403
]
} |
56cff256234ae51400d9c145 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | চোপের প ্ রক ্ রিয়াতে কেন ্ দ ্ রবিন ্ দুটা কি? | {
"text": [
"Improvisation"
],
"answer_start": [
0
]
} |
56cff256234ae51400d9c145 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | చైన్యొక్కప్రయత్సరంవత్యవసరంఏమి | {
"text": [
"Improvisation"
],
"answer_start": [
0
]
} |
56cff256234ae51400d9c146 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | রোজন বলে, চোপের অসাধারণ কিছুর মধ ্ যে যেটা লক ্ ষ ্ য বিষয়, তা হল তিনি কি নিয়ে কাজ করেন । | {
"text": [
"the four-bar phrase"
],
"answer_start": [
879
]
} |
56cff256234ae51400d9c146 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | రోన్ యొక్క అసాధారణост యొక్క ఒక ცენტრალური భాగం ఏమి ఎలా అతను నిర్వహించేవి ఉంది అని సూచిస్తుంది? | {
"text": [
"the four-bar phrase"
],
"answer_start": [
879
]
} |
56d398a859d6e414001467e5 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | চোপের সৃজনশীলতার কেন ্ দ ্ রবিন ্ দু কোথায়? | {
"text": [
"Improvisation"
],
"answer_start": [
0
]
} |
56d398a859d6e414001467e5 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | చైన్ యొక్క సామర్ధ్యత అత్యవసరము ఏమిటి? | {
"text": [
"Improvisation"
],
"answer_start": [
0
]
} |
56d398a859d6e414001467e6 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | কে বলেছিল, "" উদ ্ ভাবন জন ্ য তৈরি হয়েছে দর ্ শকদের জন ্ য? "" | {
"text": [
"Nicholas Temperley"
],
"answer_start": [
116
]
} |
56d398a859d6e414001467e6 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | ఎవరు "నడవటం ఒక ప్రేక్షకులు కోసం పరిష్కరించబడింది" అని రాశాడు? | {
"text": [
"Nicholas Temperley"
],
"answer_start": [
116
]
} |
56d398a859d6e414001467e7 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | রস ্ তুত সে কি বলেছিল যা চঁபன்ের ব ্ যক ্ তিত ্ বের উপর গুরুত ্ বপূর ্ ণ? | {
"text": [
"his flexible handling of the four-bar phrase as a structural unit."
],
"answer_start": [
854
]
} |
56d398a859d6e414001467e7 | Frédéric_Chopin | Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for pia... | రోసన్ ఏమి ఆలోచిస్తాడు Chopin యొక్క వ్యక్తిగతం గురించి ముఖ్యమైన ఉంది? | {
"text": [
"his flexible handling of the four-bar phrase as a structural unit."
],
"answer_start": [
854
]
} |
56cff2e0234ae51400d9c14b | Frédéric_Chopin | J. Barrie Jones suggests that "amongst the works that Chopin intended for concert use, the four ballades and four scherzos stand supreme", and adds that "the Barcarolle Op. 60 stands apart as an example of Chopin's rich harmonic palette coupled with an Italianate warmth of melody." Temperley opines that these works, wh... | জে. বার ্ রী জনস কিনা একটা চমৎকার উদাহরণ হিসেবে দেখছে শপ ্ যানের চিত ্ রগুলির? | {
"text": [
"the Barcarolle Op. 60"
],
"answer_start": [
154
]
} |
56cff2e0234ae51400d9c14b | Frédéric_Chopin | J. Barrie Jones suggests that "amongst the works that Chopin intended for concert use, the four ballades and four scherzos stand supreme", and adds that "the Barcarolle Op. 60 stands apart as an example of Chopin's rich harmonic palette coupled with an Italianate warmth of melody." Temperley opines that these works, wh... | జా Barrie జోన్స్ ఏమి ముక్క యొక్క ఒక గొప్ప ఉదాహరణకు చొప్న్ యొక్క పాలెట్ యొక్క కోసం పిన్ సూచిస్తుంది? | {
"text": [
"the Barcarolle Op. 60"
],
"answer_start": [
154
]
} |
56d3997e59d6e414001467ed | Frédéric_Chopin | J. Barrie Jones suggests that "amongst the works that Chopin intended for concert use, the four ballades and four scherzos stand supreme", and adds that "the Barcarolle Op. 60 stands apart as an example of Chopin's rich harmonic palette coupled with an Italianate warmth of melody." Temperley opines that these works, wh... | জে.ব ্ রি জনস কি মনে করেন শপ ্ যানের বিভিন ্ ন সংগীতের চূড়ান ্ ত স ্ থান? | {
"text": [
"the four ballades and four scherzos"
],
"answer_start": [
87
]
} |
56d3997e59d6e414001467ed | Frédéric_Chopin | J. Barrie Jones suggests that "amongst the works that Chopin intended for concert use, the four ballades and four scherzos stand supreme", and adds that "the Barcarolle Op. 60 stands apart as an example of Chopin's rich harmonic palette coupled with an Italianate warmth of melody." Temperley opines that these works, wh... | జేన్ బార్రీ జోన్స్ ఏమి ఆలోచిస్తాడు ఏమి చెప్న్ యొక్క కచేరీ ముక్కలు అత్యవసరమైన ఉంది? | {
"text": [
"the four ballades and four scherzos"
],
"answer_start": [
87
]
} |
56d3997e59d6e414001467ef | Frédéric_Chopin | J. Barrie Jones suggests that "amongst the works that Chopin intended for concert use, the four ballades and four scherzos stand supreme", and adds that "the Barcarolle Op. 60 stands apart as an example of Chopin's rich harmonic palette coupled with an Italianate warmth of melody." Temperley opines that these works, wh... | সে কি ধরণের ভারসাম ্ য পাচ ্ ছন ্ ন, শ ্ যাপঞ ্ চির scherzos-র উপর ভিত ্ তি করে? | {
"text": [
"departure and return"
],
"answer_start": [
426
]
} |
56d3997e59d6e414001467ef | Frédéric_Chopin | J. Barrie Jones suggests that "amongst the works that Chopin intended for concert use, the four ballades and four scherzos stand supreme", and adds that "the Barcarolle Op. 60 stands apart as an example of Chopin's rich harmonic palette coupled with an Italianate warmth of melody." Temperley opines that these works, wh... | టెంపెర్లే యొక్క రకమైన ఏమిటి ఆ చొప్నీ యొక్క బ్యాలాడ్స్ మరియు scherzos ఆధారపడి ఉంటుంది అనుభూతి? | {
"text": [
"departure and return"
],
"answer_start": [
426
]
} |
56cff351234ae51400d9c14d | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | চঁপের mazurkas এ তাঁর অন ্ যান ্ য সংস ্ করণের চেয়ে বেশী কিছু কী বোঝা যাবে? | {
"text": [
"folk features"
],
"answer_start": [
135
]
} |
56cff351234ae51400d9c14d | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | చైన్ యొక్క mazurkas తన ఇతర రాగాలను కంటే ఏమి మరింత కలిగి? | {
"text": [
"folk features"
],
"answer_start": [
135
]
} |
56d39a6a59d6e414001467f3 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | চঁபன்ের মাজারক আর ওয়ার ্ ল ্ স কি ধরণের? | {
"text": [
"straightforward ternary or episodic form, sometimes with a coda."
],
"answer_start": [
41
]
} |
56d39a6a59d6e414001467f3 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | ఏం ფორმის లో చైన్ యొక్క mazurkas మరియు valtzes ఉన్నాయి? | {
"text": [
"straightforward ternary or episodic form, sometimes with a coda."
],
"answer_start": [
41
]
} |
56d39a6a59d6e414001467f4 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | চঁபன்ের কোন কাজ থেকে বেশী আন ্ দ ্ রিক দিক দেখাচ ্ ছে? | {
"text": [
"mazurkas"
],
"answer_start": [
9
]
} |
56d39a6a59d6e414001467f4 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | చైన్ యొక్క పనిகளில் ఏ మరింత మంది గాలిలు చూస్తుంది? | {
"text": [
"mazurkas"
],
"answer_start": [
9
]
} |
56d39a6a59d6e414001467f5 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | শিল ্ পের মধ ্ যে কী ধরণের বেস আছে? | {
"text": [
"drone bass"
],
"answer_start": [
241
]
} |
56d39a6a59d6e414001467f5 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | ఏ విధమైన బ్యాస్ కోసం చెప్న్ యొక్క mazurkas ప్రదర్శన? | {
"text": [
"drone bass"
],
"answer_start": [
241
]
} |
56d39a6a59d6e414001467f6 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | শির ্ পঞ ্ চলনের Op. 63 No. 3তে কি এমন কম নেই? | {
"text": [
"a canon at one beat's distance"
],
"answer_start": [
344
]
} |
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