id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 25.7k | answers dict |
|---|---|---|---|---|
56d39a6a59d6e414001467f6 | Frédéric_Chopin | Chopin's mazurkas and waltzes are all in straightforward ternary or episodic form, sometimes with a coda. The mazurkas often show more folk features than many of his other works, sometimes including modal scales and harmonies and the use of drone basses. However, some also show unusual sophistication, for example Op. 6... | చైన్ యొక్క Op. 63 సంఖ్య 3 ఏమి ఉంది ఆ అరుదైన ఉంది? | {
"text": [
"a canon at one beat's distance"
],
"answer_start": [
344
]
} |
56cff390234ae51400d9c151 | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | কোরআনে চঁপের পৌরানিক উপস ্ থাপনা চলচ ্ ছে? | {
"text": [
"triple time"
],
"answer_start": [
193
]
} |
56cff390234ae51400d9c151 | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | ఏం సమయం లో చైన్ యొక్క పాలోనీస్ను వ్రాయండి ఉంటాయి? | {
"text": [
"triple time"
],
"answer_start": [
193
]
} |
56d39abf59d6e414001467fd | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | চোপের দক ্ ষতা এমনকি তার দুই শিক ্ ষক স ্ বামীকেও ছাড়িয়ে পৌঁছাল, যেমন জোয়ানি বা কে? তাঁদের প ্ রতিনিয়ত শিক ্ ষাগ ্ রহণ করতে সক ্ ষম । | {
"text": [
"Elsner"
],
"answer_start": [
127
]
} |
56d39abf59d6e414001467fd | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | ఒక ఆధునిక Polonasises შექმნა జాప్న్ యొక్క సామర్ధ్యం కూడా తన గురువు, Zywny పరిష్కరించబడింది. | {
"text": [
"Elsner"
],
"answer_start": [
127
]
} |
56d39abf59d6e414001467fe | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | চঁপের পৌরানিক সঙ ্ গে প ্ রায়ই যে ধরণের কম ্ পাঙ ্ কের সঙ ্ গে তাদের নৃত ্ যশিল ্ প আছে? | {
"text": [
"martial"
],
"answer_start": [
229
]
} |
56d39abf59d6e414001467fe | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | చొప్నీ యొక్క పాలోనీస్ చాలా వారి పాటలు ఏ విధమైన వయస్సు కలిగి? | {
"text": [
"martial"
],
"answer_start": [
229
]
} |
56d39abf59d6e414001467ff | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | চঁপিং-এর ပိုলোনিয ় সের মতো কোন প ্ রয ় োগ প ্ রযুক ্ তি প ্ রয ় োজনীয় ছিল? | {
"text": [
"formidable"
],
"answer_start": [
345
]
} |
56d39abf59d6e414001467ff | Frédéric_Chopin | Chopin's polonaises show a marked advance on those of his Polish predecessors in the form (who included his teachers Zywny and Elsner). As with the traditional polonaise, Chopin's works are in triple time and typically display a martial rhythm in their melodies, accompaniments and cadences. Unlike most of their precurs... | Chopin యొక్క పాలోనీస్ అవసరం ఏమి విధమైన ప్లే సాంకేతిక? | {
"text": [
"formidable"
],
"answer_start": [
345
]
} |
56cff3f4234ae51400d9c153 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | কতোজন নেক ্ তকালের স ্ বচ ্ ছন ্ ন Chopin চর ্ চা করতেন? | {
"text": [
"21"
],
"answer_start": [
4
]
} |
56cff3f4234ae51400d9c153 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | ఎలా అనేక రాత్రి చాప్న్ రాగా లేదు? | {
"text": [
"21"
],
"answer_start": [
4
]
} |
56cff3f4234ae51400d9c154 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | কী হচ ্ ছে সেই ঘির ্ য মধ ্ যে ঘির ্ ণাঙ ্ গ নেপথ ্ যে, যা তাদের নাটকীয়তা বাড়িয়ে দেয়? | {
"text": [
"agitated expression"
],
"answer_start": [
177
]
} |
56cff3f4234ae51400d9c154 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | ఏమిటి Chopin యొక్క రాత్రి మధ్యలో గురించి ఆ వారి నాటకం იზრდება? | {
"text": [
"agitated expression"
],
"answer_start": [
177
]
} |
56d39bdf59d6e41400146807 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | চঁপইনের রাত ্ যহিক অনুষ ্ ঠান ছিল কাউকেவிட বেশী নির ্ ধারিত? | {
"text": [
"Field"
],
"answer_start": [
84
]
} |
56d39bdf59d6e41400146807 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | Chopin యొక్క రాత్రి ఎవరు కంటే మరింత క్రమబద్ధీకరించబడింది? | {
"text": [
"Field"
],
"answer_start": [
84
]
} |
56d39bdf59d6e41400146808 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | হাইল ্ ডের সাথে চোপের কি বছর পরিচয় হয়? | {
"text": [
"1833"
],
"answer_start": [
110
]
} |
56d39bdf59d6e41400146808 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | ఏ సంవత్సరం ఛాతిన్ ఫీల్డ్ కలుసుకున్నారు? | {
"text": [
"1833"
],
"answer_start": [
110
]
} |
56d39bdf59d6e41400146809 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | কোন ধরনের চোপের কম ্ পিউশনন প ্ রতিযোগিদের জন ্ য কঠিন ছিল তাদের মধ ্ য অংশের কারণে? | {
"text": [
"nocturnes"
],
"answer_start": [
7
]
} |
56d39bdf59d6e41400146809 | Frédéric_Chopin | The 21 nocturnes are more structured, and of greater emotional depth, than those of Field (whom Chopin met in 1833). Many of the Chopin nocturnes have middle sections marked by agitated expression (and often making very difficult demands on the performer) which heightens their dramatic character. | ఏ విధమైనChopin యొక్క კომpositons Perfomers కష్టం కాలేదు వారి మధ్య భాగాలు ఎందుకంటే | {
"text": [
"nocturnes"
],
"answer_start": [
7
]
} |
56cff427234ae51400d9c157 | Frédéric_Chopin | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | তার মধ ্ যে কি অংশ শেক ্ ষন তার প ্ রশিক ্ ষণে ব ্ যবহার করেছে? | {
"text": [
"études"
],
"answer_start": [
9
]
} |
56cff427234ae51400d9c157 | Frédéric_Chopin | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | తన యొక్క ఏమి భాగాలు Chopin తన సాంకేతిక విస్తరిస్తాయి అని ఉపయోగించారు లేదు? | {
"text": [
"études"
],
"answer_start": [
9
]
} |
56d39c5359d6e4140014680d | Frédéric_Chopin | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | বেশীরভাগ চঁপিং-প ্ রশিক ্ ষণগুলো কি ধরণের? | {
"text": [
"straightforward ternary"
],
"answer_start": [
31
]
} |
56d39c5359d6e4140014680d | Frédéric_Chopin | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | చైన్ యొక్క అధ్యయనం చాలా ఏమి రూపం ఉంది? | {
"text": [
"straightforward ternary"
],
"answer_start": [
31
]
} |
56d39c5359d6e4140014680e | Frédéric_Chopin | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | কম ্ পইন প ্ রায়ই তার 피아ন কৌশল শেখাচ ্ ছেন কোন ধরণের সঙ ্ গীত তিনি লেখছিলেন তা ব ্ যবহার করে । | {
"text": [
"études"
],
"answer_start": [
9
]
} |
56d39c5359d6e4140014680e | Frédéric_Chopin | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | చెప్న్ తన వాయిస్యొక్కఏ విధమైనసంగీతంఅనవసరంతరచుగాఅని బోధించాడు | {
"text": [
"études"
],
"answer_start": [
9
]
} |
56cff49a234ae51400d9c161 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | বেখের কি একটি অংশ সম ্ প ্ রথম অনুপ ্ রাণিত হয়ে তার প ্ রসঙ ্ গের জন ্ য? | {
"text": [
"The Well-Tempered Clavier"
],
"answer_start": [
211
]
} |
56cff49a234ae51400d9c161 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | బ్యాచ్ యొక్క ఏ ముక్క తన ముందువిషయాలు కోసం నృత్యం పట్టింది ఏమి? | {
"text": [
"The Well-Tempered Clavier"
],
"answer_start": [
211
]
} |
56cff49a234ae51400d9c162 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | কে ভেবেছিলেন যে চঁபன்ের প ্ রথমণ ্ ড সম ্ পূর ্ ণ অংশগ ্ রহণ করা উচিত হয়নি? | {
"text": [
"Kenneth Hamilton"
],
"answer_start": [
588
]
} |
56cff49a234ae51400d9c162 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | ఎవరు Chopin యొక్క ముగింపులను ఒక సమూహంగా ప్లే ఉద్దేశించిన లేదు అని సూచిస్తున్నాయి? | {
"text": [
"Kenneth Hamilton"
],
"answer_start": [
588
]
} |
56d39cea59d6e41400146811 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | শ ্ যাম ্ যান ধারনা করেছিলেন কিকে "প ্ রশিক ্ ষণ শুরু" হিসেবে? | {
"text": [
"The preludes"
],
"answer_start": [
0
]
} |
56d39cea59d6e41400146811 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | Schumann "ప్రయోగం ప్రారంభం" వంటి వర్ణించబడుతుంది ఏమి? | {
"text": [
"The preludes"
],
"answer_start": [
0
]
} |
56d39cea59d6e41400146812 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | তার প ্ রথম অনুষ ্ ঠানের জন ্ য চোপের উদ ্ বুদ ্ ধতা কোথায় ছিল? | {
"text": [
"J.S. Bach's The Well-Tempered Clavier"
],
"answer_start": [
199
]
} |
56d39cea59d6e41400146812 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | తన ముందువిషయాలు కోసం చైన్ ఏమి ప్రేరణ? | {
"text": [
"J.S. Bach's The Well-Tempered Clavier"
],
"answer_start": [
199
]
} |
56d39cea59d6e41400146813 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | ক ্ যান ্ থ হামাল ্ টিন বলেছিল, প ্ রথমভাগের অর ্ থ হয়ত কোন গ ্ রুপ হিসেবে পরিকল ্ পনা করা উচিত হয়নি, বরং কোন হিসেবে পরিকল ্ পনা করা উচিত? | {
"text": [
"generic preludes to others of his pieces"
],
"answer_start": [
506
]
} |
56d39cea59d6e41400146813 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | . కాన్త్ హమిల్టన్ సూచిస్తున్నాయి...... Preludes ఒక సమూహంగా అర్థం ఉండవచ్చు కాదు కానీ ఏమి వంటి | {
"text": [
"generic preludes to others of his pieces"
],
"answer_start": [
506
]
} |
56d39cea59d6e41400146814 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | কে এমন একটি রেকর ্ ড করেছে যেখানে 'Étude Op. 10 No. 5' অনুসরণ করে চলচ ্ ছে 'Op. 28 No. 7'? | {
"text": [
"Ferruccio Busoni"
],
"answer_start": [
643
]
} |
56d39cea59d6e41400146814 | Frédéric_Chopin | The preludes, many of which are very brief (some consisting of simple statements and developments of a single theme or figure), were described by Schumann as "the beginnings of studies". Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale... | எట్యూడ్ 10 సంఖ్య 5, రిటౌడ్ 28 సంఖ్య 7 అనుసరించండి పేరు ఒక రికార్డు లేదు? | {
"text": [
"Ferruccio Busoni"
],
"answer_start": [
643
]
} |
56cff536234ae51400d9c165 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | কয ় েকটা চ ্ যালেঞ ্ জ চলচ ্ ছে চলচ ্ ছে দ ্ বিতীয়, চ ্ যালেঞ ্ জ ৩৫, আর দ ্ বিতীয়, চ ্ যালেঞ ্ জ ২৮ টি? | {
"text": [
"four"
],
"answer_start": [
104
]
} |
56cff536234ae51400d9c165 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | ఎన్ని కదలికలు ఉన్నాయి సంఖ్య 2, Op. 35 మరియు సంఖ్య 3, Op 58 లో? | {
"text": [
"four"
],
"answer_start": [
104
]
} |
56cff536234ae51400d9c166 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | দুইজন কি বলতেন, Op 58 'র ব ্ রাহমস ্ থা প ্ রযোজ ্ য? | {
"text": [
"Kornel Michałowski and Jim Samson"
],
"answer_start": [
693
]
} |
56cff536234ae51400d9c166 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | ఏమి రెండు ప్రజలు Op 58 "బ్రామ్స్ యొక్క అర్హత" అని അവകാശించారు? | {
"text": [
"Kornel Michałowski and Jim Samson"
],
"answer_start": [
693
]
} |
56d39ed559d6e41400146825 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | সংখ ্ যাল চলচ ্ ছে চলচ ্ চিত ্ র সংখ ্ যাল 2, op. 35 এবং অবস ্ থাল চলচ ্ চিত ্ র সংখ ্ যাল 3, op. 58? | {
"text": [
"four"
],
"answer_start": [
104
]
} |
56d39ed559d6e41400146825 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | ఎన్ని కదలికలు ఉన్నాయి సంఖ్య 2, Op. 35 మరియు సంఖ్య 3, Op 58? | {
"text": [
"four"
],
"answer_start": [
104
]
} |
56d39ed559d6e41400146826 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | কোন ধরণের নৃত ্ যশিল ্ পী শ ্ যাম ্ যান ্ ডের সঙ ্ গীতের মধ ্ যে নেই? | {
"text": [
"The last movement"
],
"answer_start": [
349
]
} |
56d39ed559d6e41400146826 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | ఏ కదలికను కనుగొనబడలేదు సుమెన్ యొక్క సంగీతతృత్వంలో | {
"text": [
"The last movement"
],
"answer_start": [
349
]
} |
56d39ed559d6e41400146827 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | সংস ্ গীতের ইতিহাসবিদদের মতে, কোন সুনাট জার ্ মান ঐতিহ ্ যের সমান এবং ব ্ রাহমসের মত? | {
"text": [
"Op. 58"
],
"answer_start": [
72
]
} |
56d39ed559d6e41400146827 | Frédéric_Chopin | The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique—"a kind of dialogue between the public pianism of the brilliant style and t... | సంగీతం ইতিহাসবিদలుအဆို အရ, ఏ బారామ్స్ యొక్క సరిహద్దు మరియు జర్మన్ సాంప్రదాయం ఏ బారాటా యొక్క? | {
"text": [
"Op. 58"
],
"answer_start": [
72
]
} |
56cff5a8234ae51400d9c173 | Frédéric_Chopin | Chopin's harmonic innovations may have arisen partly from his keyboard improvisation technique. Temperley says that in his works "novel harmonic effects frequently result from the combination of ordinary appoggiaturas or passing notes with melodic figures of accompaniment", and cadences are delayed by the use of chords... | কম ্ পনের ধারনা কিন ্ তু শিল ্ পের দিক থেকে কি অন ্ য কম ্ পনের চেয়ে বেশী? | {
"text": [
"Claude Debussy"
],
"answer_start": [
512
]
} |
56cff5a8234ae51400d9c173 | Frédéric_Chopin | Chopin's harmonic innovations may have arisen partly from his keyboard improvisation technique. Temperley says that in his works "novel harmonic effects frequently result from the combination of ordinary appoggiaturas or passing notes with melodic figures of accompaniment", and cadences are delayed by the use of chords... | చైన్ యొక్క నడక గోయింగ్స్ శైలిలో ఏ ఇతర రాగాకుడు తో అదే ఉన్నాయి? | {
"text": [
"Claude Debussy"
],
"answer_start": [
512
]
} |
56d39fa059d6e41400146831 | Frédéric_Chopin | Chopin's harmonic innovations may have arisen partly from his keyboard improvisation technique. Temperley says that in his works "novel harmonic effects frequently result from the combination of ordinary appoggiaturas or passing notes with melodic figures of accompaniment", and cadences are delayed by the use of chords... | কম ্ পিউটার ব ্ যবহারের চশ ্ পনের বেপারে কিভাবে এরকম হয়? | {
"text": [
"harmonic innovations"
],
"answer_start": [
9
]
} |
56d39fa059d6e41400146831 | Frédéric_Chopin | Chopin's harmonic innovations may have arisen partly from his keyboard improvisation technique. Temperley says that in his works "novel harmonic effects frequently result from the combination of ordinary appoggiaturas or passing notes with melodic figures of accompaniment", and cadences are delayed by the use of chords... | బహుశా కీబోర్డులు తో చొప్పెన్ యొక్క పద్ధతి ఉన్న কারণে ఉన్నట్లు ఏమిటి? | {
"text": [
"harmonic innovations"
],
"answer_start": [
9
]
} |
56d39fa059d6e41400146832 | Frédéric_Chopin | Chopin's harmonic innovations may have arisen partly from his keyboard improvisation technique. Temperley says that in his works "novel harmonic effects frequently result from the combination of ordinary appoggiaturas or passing notes with melodic figures of accompaniment", and cadences are delayed by the use of chords... | কে চোপের "" উদ ্ ভাবন ্ য শ ্ রোমাঞ ্ চ প ্ রভাব "" নিয়ে লিখেছে? | {
"text": [
"Temperley"
],
"answer_start": [
96
]
} |
56d39fa059d6e41400146832 | Frédéric_Chopin | Chopin's harmonic innovations may have arisen partly from his keyboard improvisation technique. Temperley says that in his works "novel harmonic effects frequently result from the combination of ordinary appoggiaturas or passing notes with melodic figures of accompaniment", and cadences are delayed by the use of chords... | ఎవరు చొప్నీ యొక్క "వరుసంత సమతుల్య వాయిస్" గురించి వ్రాయబడింది? | {
"text": [
"Temperley"
],
"answer_start": [
96
]
} |
56cff635234ae51400d9c184 | Frédéric_Chopin | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | চোপের উৎপন ্ দন কির উপর ভিত ্ তি করেছিল? | {
"text": [
"independent finger technique"
],
"answer_start": [
523
]
} |
56cff635234ae51400d9c184 | Frédéric_Chopin | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | చైన్ యొక్క శైలి ఆధారపడి ఉంటుంది ఏమిటి? | {
"text": [
"independent finger technique"
],
"answer_start": [
523
]
} |
56d3a0d159d6e41400146835 | Frédéric_Chopin | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | কে কম ্ পনের জন ্ য আখ ্ যাস করেছিলেন, ব ্ যাপারস ্ টা? | {
"text": [
"Léon Escudier"
],
"answer_start": [
9
]
} |
56d3a0d159d6e41400146835 | Frédéric_Chopin | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | ఎవరు Chopin 1841 రిసైటల్ గురించి వ్రాయారు? | {
"text": [
"Léon Escudier"
],
"answer_start": [
9
]
} |
56d3a0d159d6e41400146837 | Frédéric_Chopin | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | চোপের কী ধরণের চর ্ চা-প ্ রসঙ ্ গ সবকিছুর নিয ় ে বর ্ ণনা করেন জের সাথে প ্ রতিনিয়ত সূক ্ ষ ্ ম নিয ় ন ্ ত ্ রণের সাথে? | {
"text": [
"his Projet de méthode"
],
"answer_start": [
556
]
} |
56d3a0d159d6e41400146837 | Frédéric_Chopin | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | చైన్ యొక్క వ్రాత గురించి మాట్లాడటానికి ఏదైనా పియానో ప్లే ఎలా కుడి వేలు తో చేయాలని有关? | {
"text": [
"his Projet de méthode"
],
"answer_start": [
556
]
} |
56cff6f3234ae51400d9c191 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | জে.ব ্ রি জনস এর মতে কেই সত ্ যিকারের শেক ্ ষাকৃতির অনুসন ্ ধানী? | {
"text": [
"Karol Szymanowski"
],
"answer_start": [
183
]
} |
56cff6f3234ae51400d9c191 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | J.బెరీ జోన్స్အဆိုအရ...... ఎవరు చెప్న్ మాత్రమే నిజమైన అనుసరతుడు ఉంది? | {
"text": [
"Karol Szymanowski"
],
"answer_start": [
183
]
} |
56cff6f3234ae51400d9c192 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | অনেকেই শপ ্ যানের উপর কি প ্ রভাব সৃষ ্ টি হয়েছিল? | {
"text": [
"national modes and idioms"
],
"answer_start": [
392
]
} |
56cff6f3234ae51400d9c192 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | చాలా మంది చొప్నీ యొక్క ఏమి ზეგავლენის లోకి పరిగణించబడుతుంది | {
"text": [
"national modes and idioms"
],
"answer_start": [
392
]
} |
56cff6f3234ae51400d9c193 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | আলেক ্ সান ্ ডার স ্ ক ্ রিবানের শিক ্ ষক ছিল কে? | {
"text": [
"Nikolai Zverev"
],
"answer_start": [
584
]
} |
56cff6f3234ae51400d9c193 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | ఎవరు అలెక్సాండర్ స్స్క్రిబెన్ యొక్క గురువు? | {
"text": [
"Nikolai Zverev"
],
"answer_start": [
584
]
} |
56d3a9282ccc5a1400d82dc8 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | জনসংখ ্ যানের মধ ্ যে শেক ্ ষাকার মতো শেক ্ ষাৎকার উত ্ তপাদনকারী ছিল কে? | {
"text": [
"Karol Szymanowski"
],
"answer_start": [
183
]
} |
56d3a9282ccc5a1400d82dc8 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | జోన్స్ ప్రకారం ఎవరు చాప్న్ యొక్క అర్హత విధికారుడు ఉంది? | {
"text": [
"Karol Szymanowski"
],
"answer_start": [
183
]
} |
56d3a9282ccc5a1400d82dc9 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | কে শপ ্ যানের সঙ ্ গীতের প ্ রতিনিয়ত ছিল? | {
"text": [
"Alexander Scriabin"
],
"answer_start": [
419
]
} |
56d3a9282ccc5a1400d82dc9 | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | ఎవరు Chopin సంగీతం కు దీవించిన ఉంది? | {
"text": [
"Alexander Scriabin"
],
"answer_start": [
419
]
} |
56d3a9282ccc5a1400d82dca | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | আলেক ্ সান ্ ডার স ্ ক ্ রিবানের শিক ্ ষক ছিল কে? | {
"text": [
"Nikolai Zverev"
],
"answer_start": [
584
]
} |
56d3a9282ccc5a1400d82dca | Frédéric_Chopin | Polish composers of the following generation included virtuosi such as Moritz Moszkowski, but, in the opinion of J. Barrie Jones, his "one worthy successor" among his compatriots was Karol Szymanowski (1882–1937). Edvard Grieg, Antonín Dvořák, Isaac Albéniz, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff, among other... | ఎవరు అలెక్సాండర్ స్స్క్రిబెన్ యొక్క గురువు? | {
"text": [
"Nikolai Zverev"
],
"answer_start": [
584
]
} |
56cff817234ae51400d9c1a3 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | কে বলেছিল যে বর ্ তমান বিরাট সংগ ্ রহের ধরণের সংগীত-স ্ টাইল সঙ ্ গে পৃষ ্ ট হবে, যখন শপ ্ যান প ্ রতিবন ্ ধ অনুষ ্ ঠানের প ্ রতি আকর ্ ষণী? | {
"text": [
"Jonathan Bellman"
],
"answer_start": [
0
]
} |
56cff817234ae51400d9c1a3 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | ఎవరు தற்போதைய పెద్ద కచేరీ శైలి తో క్లిష్టం Chopin యొక్క ప్రియమైన ప్రదర్శనలు యొక్క ఇష్టపడతారు ఆ వ్రాయండి? | {
"text": [
"Jonathan Bellman"
],
"answer_start": [
0
]
} |
56cff817234ae51400d9c1a4 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | চব ্ পইন কি ভেবে নিচ ্ ছিল? | {
"text": [
"rigid procedures"
],
"answer_start": [
500
]
} |
56cff817234ae51400d9c1a4 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | చైన్వాట్నివారించేందుకుకలిగిఏమి | {
"text": [
"rigid procedures"
],
"answer_start": [
500
]
} |
56cff817234ae51400d9c1a5 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | শিপ ্ যান কে কি ভুলভাবে বোঝানো হয়েছিল? | {
"text": [
"\"always crescendo to a high note\""
],
"answer_start": [
566
]
} |
56cff817234ae51400d9c1a5 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | చైన్ ఏమి అబద్దంగా నిచ్చెనబడుతుంది ఉంది? | {
"text": [
"\"always crescendo to a high note\""
],
"answer_start": [
566
]
} |
56d3a1e959d6e41400146841 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | চবিন কি বলেছেন একটি শিক ্ ষার ্ থীকে বিভিন ্ ন অনুষ ্ ঠানের মাধ ্ যমে ছাত ্ রদের পাশে রাখার জন ্ য? | {
"text": [
"hearing in them all the most beautiful things of art"
],
"answer_start": [
378
]
} |
56d3a1e959d6e41400146841 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | చైన్ ఏమిచెప్పారుస్వాటకాలువదువుతున్నఒకస్వాంకుడు | {
"text": [
"hearing in them all the most beautiful things of art"
],
"answer_start": [
378
]
} |
56d3a1e959d6e41400146842 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | কে চঁபன்ের ""শ ্ রোমাক সূচিকর ্ ম "" নিয়ে লিখেছে? | {
"text": [
"Berlioz"
],
"answer_start": [
699
]
} |
56d3a1e959d6e41400146842 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | ఎవరు చొప్నీ యొక్క "రామాక వర్ణకారాలు" గురించి వ్రాయబడింది? | {
"text": [
"Berlioz"
],
"answer_start": [
699
]
} |
56d3a1e959d6e41400146843 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | কে লিখেছে যে, যখন শেক ্ সান তার সঙ ্ গীতটা পরিবেশন করে, তখন তা হচ ্ ছে "কোরম ্ ণাঙ ্ গ প ্ রাচ ্ ছক"? | {
"text": [
"Hiller"
],
"answer_start": [
944
]
} |
56d3a1e959d6e41400146843 | Frédéric_Chopin | Jonathan Bellman writes that modern concert performance style—set in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordings—militates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "conce... | ఎవరు అతనిని ప్లే చేసినప్పుడు, ఆ చవిన్ యొక్క సంగీతం, ఒక "పువ్వుల రంగు వలయా" మారింది ఆ వ్రాయండి? | {
"text": [
"Hiller"
],
"answer_start": [
944
]
} |
56cff885234ae51400d9c1b3 | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | চোপের সংস ্ করণগুলো বেশিরভাগ সময় কির সঙ ্ গে বাজানো হয়? | {
"text": [
"rubato"
],
"answer_start": [
41
]
} |
56cff885234ae51400d9c1b3 | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | చైన్ యొక్క కచేతులు చాలా సార్లు ఏమి తో ప్లే? | {
"text": [
"rubato"
],
"answer_start": [
41
]
} |
56cff885234ae51400d9c1b4 | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | 'রবিতা' মানে কি? | {
"text": [
"the practice in performance of disregarding strict time"
],
"answer_start": [
50
]
} |
56cff885234ae51400d9c1b4 | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | rubato అర్థం ఏమిటి? | {
"text": [
"the practice in performance of disregarding strict time"
],
"answer_start": [
50
]
} |
56d3a2cd59d6e41400146849 | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | Chopin's music where strict timing is disregarded, what is it called? (হাসি) | {
"text": [
"rubato"
],
"answer_start": [
41
]
} |
56d3a2cd59d6e41400146849 | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | క్లిష్టమైన సమయాన్నిత్యవసరించేకోప్న్ యొక్కసంగీతం లో, అది ఏమి అంటారు? | {
"text": [
"rubato"
],
"answer_start": [
41
]
} |
56d3a2cd59d6e4140014684a | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | ক ্ যালস রোজারের মতে শেক ্ ষাকৃতির মধ ্ যে শেক ্ ষাকৃতির সংগীত শিল ্ পগুলোর মধ ্ যে নির ্ দিষ ্ ট সময় বজায় রাখেন কি? | {
"text": [
"mazurkas"
],
"answer_start": [
366
]
} |
56d3a2cd59d6e4140014684a | Frédéric_Chopin | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | చైన్ యొక్క సంగీతం ఏ విధమైన చాలా జాగ్రత్తగా పట్టుకొని లేదు కఠినమైన సమయ కోసం - చార్లెస్ లూన్ ప్రకారం? | {
"text": [
"mazurkas"
],
"answer_start": [
366
]
} |
56cff905234ae51400d9c1b7 | Frédéric_Chopin | Friederike Müller, a pupil of Chopin, wrote: "[His] playing was always noble and beautiful; his tones sang, whether in full forte or softest piano. He took infinite pains to teach his pupils this legato, cantabile style of playing. His most severe criticism was 'He—or she—does not know how to join two notes together.' ... | কে প ্ রসঙ ্ গির মধ ্ যে শেক ্ ষা করেছে যে, সূক ্ ষ ্ মভাবে রঙ ্ গিক সংস ্ থার সঙ ্ গে লুকিয়ে থাকতে? | {
"text": [
"Friederike Müller"
],
"answer_start": [
0
]
} |
56cff905234ae51400d9c1b7 | Frédéric_Chopin | Friederike Müller, a pupil of Chopin, wrote: "[His] playing was always noble and beautiful; his tones sang, whether in full forte or softest piano. He took infinite pains to teach his pupils this legato, cantabile style of playing. His most severe criticism was 'He—or she—does not know how to join two notes together.' ... | ఎవరు ఛాతిన్ తీవ్రమైన რითმისతో కర్ర అభ్యర్థించారు? | {
"text": [
"Friederike Müller"
],
"answer_start": [
0
]
} |
56d3a32259d6e4140014684f | Frédéric_Chopin | Friederike Müller, a pupil of Chopin, wrote: "[His] playing was always noble and beautiful; his tones sang, whether in full forte or softest piano. He took infinite pains to teach his pupils this legato, cantabile style of playing. His most severe criticism was 'He—or she—does not know how to join two notes together.' ... | কটি শিক ্ ষার ্ থী বললেন, চঁபன் তার শিক ্ ষার ্ থীরা জানাতে চাচ ্ ছে তার স ্ বর ্ গীতের ঐতিহ ্ যক, স ্ বচ ্ ছন ্ দ ্ রিক ধারনা? | {
"text": [
"Friederike Müller"
],
"answer_start": [
0
]
} |
56d3a32259d6e4140014684f | Frédéric_Chopin | Friederike Müller, a pupil of Chopin, wrote: "[His] playing was always noble and beautiful; his tones sang, whether in full forte or softest piano. He took infinite pains to teach his pupils this legato, cantabile style of playing. His most severe criticism was 'He—or she—does not know how to join two notes together.' ... | ఏస్వాంకుడు Chopin తన విద్యార్థులు తెలుసు ఖచ్చితంగా చేసిన చెప్పటానికి, ప్లే మానేయ, cantabile శైలి? | {
"text": [
"Friederike Müller"
],
"answer_start": [
0
]
} |
56d3a32259d6e41400146851 | Frédéric_Chopin | Friederike Müller, a pupil of Chopin, wrote: "[His] playing was always noble and beautiful; his tones sang, whether in full forte or softest piano. He took infinite pains to teach his pupils this legato, cantabile style of playing. His most severe criticism was 'He—or she—does not know how to join two notes together.' ... | ফ ্ রেডিরিকার মল ্ টারের মতে, চঁபன் বলতেন, তার ছাত ্ রদের মধ ্ যে সবচেয়ে নির ্ দিষ ্ ট মর ্ মে অনুসরণ আছে কি? | {
"text": [
"rhythm."
],
"answer_start": [
364
]
} |
56d3a32259d6e41400146851 | Frédéric_Chopin | Friederike Müller, a pupil of Chopin, wrote: "[His] playing was always noble and beautiful; his tones sang, whether in full forte or softest piano. He took infinite pains to teach his pupils this legato, cantabile style of playing. His most severe criticism was 'He—or she—does not know how to join two notes together.' ... | Friederike మిల్లెర్အဆိုအရ, చైన్ తన విద్యార్థులు ఏమి ఖచ్చితమైన అనుసరించవలసి ఉంటుంది అంగీకరించబడింది? | {
"text": [
"rhythm."
],
"answer_start": [
364
]
} |
56cffa2a234ae51400d9c1cf | Frédéric_Chopin | With his mazurkas and polonaises, Chopin has been credited with introducing to music a new sense of nationalism. Schumann, in his 1836 review of the piano concertos, highlighted the composer's strong feelings for his native Poland, writing that "Now that the Poles are in deep mourning [after the failure of the November... | শেক ্ ষনকে সঙ ্ গীতের কোন প ্ রবেশের জন ্ য আবিষ ্ কার করা হয়েছে? | {
"text": [
"sense of nationalism"
],
"answer_start": [
91
]
} |
56cffa2a234ae51400d9c1cf | Frédéric_Chopin | With his mazurkas and polonaises, Chopin has been credited with introducing to music a new sense of nationalism. Schumann, in his 1836 review of the piano concertos, highlighted the composer's strong feelings for his native Poland, writing that "Now that the Poles are in deep mourning [after the failure of the November... | చైన్ ఏమి కోసం సంగీతం పరిచయం వంటి చేయబడ్డాయి? | {
"text": [
"sense of nationalism"
],
"answer_start": [
91
]
} |
56cffa2a234ae51400d9c1d0 | Frédéric_Chopin | With his mazurkas and polonaises, Chopin has been credited with introducing to music a new sense of nationalism. Schumann, in his 1836 review of the piano concertos, highlighted the composer's strong feelings for his native Poland, writing that "Now that the Poles are in deep mourning [after the failure of the November... | শউম ্ যান কি বছর ধরে চওপ ্ যানের চলচ ্ চিত ্ র চলচ ্ চিত ্ র সম ্ পাদনা করেছিলেন? | {
"text": [
"1836"
],
"answer_start": [
130
]
} |
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