text stringlengths 0 85 |
|---|
To make a virtue of necessity, |
And live as we do in this wilderness? |
THIRD OUTLAW. What say'st thou? Wilt thou be of our consort? |
Say 'ay' and be the captain of us all. |
We'll do thee homage, and be rul'd by thee, |
Love thee as our commander and our king. |
FIRST OUTLAW. But if thou scorn our courtesy thou diest. |
SECOND OUTLAW. Thou shalt not live to brag what we have offer'd. |
VALENTINE. I take your offer, and will live with you, |
Provided that you do no outrages |
On silly women or poor passengers. |
THIRD OUTLAW. No, we detest such vile base practices. |
Come, go with us; we'll bring thee to our crews, |
And show thee all the treasure we have got; |
Which, with ourselves, all rest at thy dispose. Exeunt |
SCENE II. |
Milan. Outside the DUKE'S palace, under SILVIA'S window |
Enter PROTEUS |
PROTEUS. Already have I been false to Valentine, |
And now I must be as unjust to Thurio. |
Under the colour of commending him |
I have access my own love to prefer; |
But Silvia is too fair, too true, too holy, |
To be corrupted with my worthless gifts. |
When I protest true loyalty to her, |
She twits me with my falsehood to my friend; |
When to her beauty I commend my vows, |
She bids me think how I have been forsworn |
In breaking faith with Julia whom I lov'd; |
And notwithstanding all her sudden quips, |
The least whereof would quell a lover's hope, |
Yet, spaniel-like, the more she spurns my love |
The more it grows and fawneth on her still. |
Enter THURIO and MUSICIANS |
But here comes Thurio. Now must we to her window, |
And give some evening music to her ear. |
THURIO. How now, Sir Proteus, are you crept before us? |
PROTEUS. Ay, gentle Thurio; for you know that love |
Will creep in service where it cannot go. |
THURIO. Ay, but I hope, sir, that you love not here. |
PROTEUS. Sir, but I do; or else I would be hence. |
THURIO. Who? Silvia? |
PROTEUS. Ay, Silvia- for your sake. |
THURIO. I thank you for your own. Now, gentlemen, |
Let's tune, and to it lustily awhile. |
Enter at a distance, HOST, and JULIA in boy's clothes |
HOST. Now, my young guest, methinks you're allycholly; I pray you, |
why is it? |
JULIA. Marry, mine host, because I cannot be merry. |
HOST. Come, we'll have you merry; I'll bring you where you shall |
hear music, and see the gentleman that you ask'd for. |
JULIA. But shall I hear him speak? |
HOST. Ay, that you shall. [Music plays] |
JULIA. That will be music. |
HOST. Hark, hark! |
JULIA. Is he among these? |
HOST. Ay; but peace! let's hear 'em. |
SONG |
Who is Silvia? What is she, |
That all our swains commend her? |
Holy, fair, and wise is she; |
The heaven such grace did lend her, |
That she might admired be. |
Is she kind as she is fair? |
For beauty lives with kindness. |
Love doth to her eyes repair, |
To help him of his blindness; |
And, being help'd, inhabits there. |
Then to Silvia let us sing |
That Silvia is excelling; |
She excels each mortal thing |
Upon the dull earth dwelling. |
'To her let us garlands bring. |
HOST. How now, are you sadder than you were before? |
How do you, man? The music likes you not. |
JULIA. You mistake; the musician likes me not. |
HOST. Why, my pretty youth? |
JULIA. He plays false, father. |
HOST. How, out of tune on the strings? |
JULIA. Not so; but yet so false that he grieves my very |
heart-strings. |
HOST. You have a quick ear. |
JULIA. Ay, I would I were deaf; it makes me have a slow heart. |
HOST. I perceive you delight not in music. |
JULIA. Not a whit, when it jars so. |
HOST. Hark, what fine change is in the music! |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.