utterance stringlengths 2 2.34k | corrupted_uncased stringlengths 0 2.34k | corrupted_cased stringlengths 0 2.32k | utterance_uncased stringlengths 2 2.34k |
|---|---|---|---|
Please. | please. | ||
To just get us started? Is it sex symbol? | to just get us started? is it sex | To just get us started? Is it sex | to just get us started? is it sex symbol? |
Sex symbol is right. Good job. | sex symbol is right. good | Sex symbol is right Good | sex symbol is right. good job. |
Number two, where rich people protect their money from the IRS. | number two where rich people protect their money from the | Number two where rich people protect their money from the | number two, where rich people protect their money from the irs. |
A tax... | a | A | a tax... |
Yes? | yes? | ||
...shelter. | ...shelter. | ||
Tax shelter. Good job. | tax shelter good | Tax shelter Good | tax shelter. good job. |
(Soundbite of laughter) | (soundbite of | (Soundbite of | (soundbite of laughter) |
Here's your next one. NBA team from Arizona. | here's your next one. nba team from | Here's your next one NBA team from | here's your next one. nba team from arizona. |
Basketball team in Arizona. | basketball team in | Basketball team in | basketball team in arizona. |
Yeah. What's the biggest city in Arizona, Lydia? | yeah what's the biggest city in arizona | Yeah What's the biggest city in Arizona | yeah. what's the biggest city in arizona, lydia? |
Phoenix. | phoenix. | ||
Yeah. That is your X and what's... | yeah that is. your x and | Yeah That, is your X and | yeah. that is your x and what's... |
Phoenix Suns. | phoenix | Phoenix | phoenix suns. |
The Phoenix Suns is right. | the phoenix suns is, | The Phoenix Suns is; | the phoenix suns is right. |
A revolver with half a dozen chambers? | a revolver with half a, dozen | A revolver with half a, dozen | a revolver with half a dozen chambers? |
A six-shooter? | a | A | a six-shooter? |
Six-shooter is right. | six-shooter is | Six-shooter is | six-shooter is right. |
Items sent by mail in a 2001 Post Office scare. | items sent by mail in a 2001 post office | Items sent by mail in a, 2001 Post Office | items sent by mail in a 2001 post office scare. |
I think the first word is anthrax. | i think. the first word is | I think the first word. is | i think the first word is anthrax. |
Yeah. And what parts of anthrax? | yeah and what parts of | Yeah, And what parts of | yeah. and what parts of anthrax? |
Oh, spores. | oh | Oh | oh, spores. |
Some of these rules are straightforward. Rule Two is, Grab them by the throat and never let go. He means grab us, the audience, with great plots, winning dialogue, and big Hollywood stars like Marilyn Monroe. | some of these rules are straightforward rule two is grab them by the throat and never let go he means grab, us the, audience with great plots winning dialogue and big hollywood stars like marilyn | Some of these rules are straightforward Rule Two is Grab them by the throat and never let. go He means grab us, the audience with great plots winning dialogue and big Hollywood stars like. Marilyn | some of these rules are straightforward. rule two is, grab them by the throat and never let go. he means grab us, the audience, with great plots, winning dialogue, and big hollywood stars like marilyn monroe. |
(Soundbite of song) | (soundbite of | (Soundbite of | (soundbite of song) |
(Singing) I want to be loved by you, alone, boop-boop-e-do. | (singing) i want to be loved by you alone | (Singing) I want to be; loved by you alone | (singing) i want to be loved by you, alone, boop-boop-e-do. |
But a few of these rules are a little more abstract but essential if you're in the business of making movies like Hollywood producer Tom Jacobson. He Xeroxed that list. Well, technically he had the rules printed on a 5x7 beige cardstock. | but a few of these rules are a little more abstract but essential if you're in the business of making movies like hollywood producer tom jacobson he xeroxed that list well technically he had the rules, printed on a 5x7 beige | But a few of these rules are a little more abstract but essential if you're in the business of making movies like, Hollywood producer Tom Jacobson He Xeroxed that. list Well technically, he had the rules printed on a 5x7 beige | but a few of these rules are a little more abstract but essential if you're in the business of making movies like hollywood producer tom jacobson. he xeroxed that list. well, technically he had the rules printed on a 5x7 beige cardstock. |
And I would occasionally give them out to writers until I decided it was slightly obnoxious. | and i. would, occasionally give them out to writers until i decided it was slightly | And I. would occasionally give them out to writers. until I decided it was slightly | and i would occasionally give them out to writers until i decided it was slightly obnoxious. |
Tom Jacobson takes material from writers and shapes it into movies that audiences will hopefully find enjoyable. So Rule Seven is especially important. | tom jacobson takes material, from writers and shapes it into movies that audiences will hopefully find enjoyable so rule seven is especially, | Tom. Jacobson takes material from writers, and, shapes it into movies that audiences will hopefully find enjoyable So Rule Seven is especially | tom jacobson takes material from writers and shapes it into movies that audiences will hopefully find enjoyable. so rule seven is especially important. |
Let the audience add up two plus two. They'll love you forever. And simply what that means is, don't tell the audience, four. Don't underestimate the intelligence of the audience. Treat your audience intelligently. And that's sort of what movies can do in their best, is they let us in, they show us things, they don't t... | let the audience add up two; plus two they'll love you forever and simply what that means is don't tell the. audience four don't underestimate the intelligence of the audience treat your audience intelligently and, that's sort of what movies can do in their best is they let us in they show us, things they don't tell | Let the audience add up two plus two They'll love you; forever And simply what that means is don't tell the audience four Don't underestimate the. intelligence of the audience Treat your audience intelligently And that's sort of what movies can do in their best is they let. us in they show us, things; they don't, tell | let the audience add up two plus two. they'll love you forever. and simply what that means is, don't tell the audience, four. don't underestimate the intelligence of the audience. treat your audience intelligently. and that's sort of what movies can do in their best, is they let us in, they show us things, they don't t... |
There's a scene in Double Indemnity when a murder is taking place in the backseat of a car and the audience never sees the killer do the deed. Instead, it's a shot of the victim's scheming wife in the front seat, looking straight ahead, cold and emotionless, maybe even a little turned-on. | there's a scene in double indemnity when a murder, is taking place in the backseat. of, a car and the audience never sees the killer do the deed instead, it's a shot of the victim's. scheming wife in the front seat looking straight ahead. cold and emotionless maybe even a. little | There's a scene in Double Indemnity, when a murder is taking, place in the backseat of a car and the audience never sees, the killer do the deed Instead it's, a. shot of the victim's scheming wife in the front seat looking straight ahead cold and emotionless maybe even a little | there's a scene in double indemnity when a murder is taking place in the backseat of a car and the audience never sees the killer do the deed. instead, it's a shot of the victim's scheming wife in the front seat, looking straight ahead, cold and emotionless, maybe even a little turned-on. |
(Soundbite of movie "Double Indemnity") | (soundbite of movie "double | (Soundbite of movie "Double | (soundbite of movie "double indemnity") |
We recognize that same icy stare at the end of the movie right before she shoots her lover. Wilder's last rule was about how to end a movie. He advised, let it build, build, build, and then that's it. Don't hang around. Take Some Like it Hot, a classic story of boy meets girl, girl is a boy in drag, first boy can't tak... | we recognize. that. same icy stare at the end, of the movie right before she, shoots her lover wilder's, last rule, was about how to end a movie he advised let it build build build and then that's it don't hang around take some like, it. hot a classic story of boy meets girl girl is a boy in drag first boy can't take a... | We. recognize that same icy stare at the end of the; movie right before she. shoots her lover Wilder's last rule was about how to end a movie He advised let it build build; build and then that's it Don't hang around Take Some Like it Hot a classic story of boy meets girl girl is a boy in drag first boy, can't take a | we recognize that same icy stare at the end of the movie right before she shoots her lover. wilder's last rule was about how to end a movie. he advised, let it build, build, build, and then that's it. don't hang around. take some like it hot, a classic story of boy meets girl, girl is a boy in drag, first boy can't tak... |
(Soundbite of movie "Some Like it Hot") | (soundbite of movie "some like it | (Soundbite of movie. "Some Like it | (soundbite of movie "some like it hot") |
(As Jerry/Daphne) I'm gonna level with you, we can't get married at all. | (as jerry/daphne) i'm gonna level. with you we can't get married at | (As Jerry/Daphne) I'm gonna level with you we can't get married, at | (as jerry/daphne) i'm gonna level with you, we can't get married at all. |
Mr. JOE E. BROWN (Actor): (As Osgood Fielding III) Why not? | mr joe e brown (actor): (as osgood fielding iii) why | Mr JOE E BROWN (Actor): (As, Osgood Fielding. III) Why | mr. joe e. brown (actor): (as osgood fielding iii) why not? |
They're skimming across the water together on a power boat. | they're skimming across, the water together on. a power | They're skimming across the, water together on a, power | they're skimming across the water together on a power boat. |
(Soundbite of movie "Some Like It Hot") | (soundbite of movie "some like it | (Soundbite of movie "Some Like It. | (soundbite of movie "some like it hot") |
(As Jerry/Daphne) In the first place, I'm not a natural blonde. | (as jerry/daphne) in the first, place i'm not a natural | (As Jerry/Daphne) In the first place, I'm not a natural | (as jerry/daphne) in the first place, i'm not a natural blonde. |
(As Osgood Fielding III) Doesn't matter. | (as osgood fielding iii) doesn't, | (As Osgood Fielding; III) Doesn't | (as osgood fielding iii) doesn't matter. |
(As Jerry/Daphne) I can never have children. | (as jerry/daphne) i can never have | (As Jerry/Daphne) I can never have | (as jerry/daphne) i can never have children. |
(As Osgood Fielding III) We can adopt some. | (as osgood fielding. iii) we can adopt | (As Osgood Fielding III) We can adopt | (as osgood fielding iii) we can adopt some. |
When finally the wig is yanked off. Then the movie's last but most memorable line is delivered. | when finally the wig is yanked off then the movie's last but most. memorable line. is | When. finally the wig is yanked off Then the movie's last but most memorable line is | when finally the wig is yanked off. then the movie's last but most memorable line is delivered. |
(Soundbite of movie "Some Like It Hot") | (soundbite of; movie "some like it | (Soundbite of movie "Some Like It | (soundbite of movie "some like it hot") |
(As Jerry/Daphne) I'm a man. | (as jerry/daphne) i'm a | (As Jerry/Daphne) I'm, a | (as jerry/daphne) i'm a man. |
(As Osgood Fielding III) Well, nobody's perfect. | (as osgood fielding iii) well nobody's | (As. Osgood Fielding III) Well nobody's | (as osgood fielding iii) well, nobody's perfect. |
That's an ending that you remember because it's pithy and it gets a joke and you go out on a laugh. | that's an ending that you remember because it's pithy and it gets a joke and, you. go out on a | That's an ending that you remember because it's pithy and it gets a joke and you go out on a, | that's an ending that you remember because it's pithy and it gets a joke and you go out on a laugh. |
Producer Tom Jacobson has seen his share of audiences suffering through never-ending stories. There's the squirming, the constant watch-checking, the despair in the eyes of parents just hoping the babysitter can hang around for one more hour. | producer tom jacobson has seen his share of audiences suffering through never-ending stories there's the squirming the constant watch-checking the despair in the eyes of parents just hoping the babysitter can hang, around for one more | Producer Tom Jacobson has seen his share of audiences suffering through never-ending stories There's the, squirming the constant watch-checking, the despair, in the eyes of parents just, hoping; the babysitter, can hang around for, one more | producer tom jacobson has seen his share of audiences suffering through never-ending stories. there's the squirming, the constant watch-checking, the despair in the eyes of parents just hoping the babysitter can hang around for one more hour. |
Don't hang around. End it, be efficient, get out. Don't have multiple endings. Because the ending's the last thing that the audience is reacting to, if someone is filling out a card, grading a movie, or making comments about it, that's the freshest thing in their mind. So if that's not working, that'll come through som... | don't hang around end. it be efficient get out don't have multiple endings because. the ending's the last thing, that the audience is reacting to if someone is filling out a card grading a movie, or making comments about it that's, the freshest thing in their mind so if that's, not working that'll come through | Don't hang around End it be efficient get out Don't have multiple endings Because the ending's the last thing that the audience. is reacting to if someone is filling out a, card grading a movie or making comments about it that's the freshest thing in their mind So if that's not working that'll, come through | don't hang around. end it, be efficient, get out. don't have multiple endings. because the ending's the last thing that the audience is reacting to, if someone is filling out a card, grading a movie, or making comments about it, that's the freshest thing in their mind. so if that's not working, that'll come through som... |
Billy Wilder's most important rule is also the simplest, Don't be boring. Keep these rules in mind this summer when a Hollywood blockbuster is insulting your intelligence or taking up way too much of your valuable time. And just hope, whoever made the movie you're watching, has watched a lot of Billy Wilder movies. | billy wilder's most. important, rule is also the simplest don't. be, boring keep these rules in mind this summer when a hollywood blockbuster is insulting your. intelligence or taking up way too much of your valuable time, and just hope whoever made the movie you're watching has watched a lot of billy wilder | Billy Wilder's most important rule is, also the simplest, Don't be boring Keep, these rules in mind this summer when a Hollywood blockbuster is, insulting your intelligence or taking up way too much of your valuable, time And, just hope whoever, made the movie you're watching has watched a lot of Billy Wilder | billy wilder's most important rule is also the simplest, don't be boring. keep these rules in mind this summer when a hollywood blockbuster is insulting your intelligence or taking up way too much of your valuable time. and just hope, whoever made the movie you're watching, has watched a lot of billy wilder movies. |
Nihar Patel, NPR News, Los Angeles. | nihar patel, npr news los | Nihar Patel NPR News Los | nihar patel, npr news, los angeles. |
(Soundbite of music) | (soundbite of, | (Soundbite of. | (soundbite of music) |
You can see video clips from three of Billy Wilder's classic films plus an excerpt from a rare interview that Wilder insisted only be shown after his death. It's all at our website, npr.org. | you can see video clips from three. of billy wilder's classic films plus an excerpt from a rare. interview that wilder, insisted only be shown after his death it's, all at our website, | You can see video clips from three of. Billy Wilder's classic films plus, an excerpt from, a rare interview that Wilder insisted only be shown after his death It's all at our website | you can see video clips from three of billy wilder's classic films plus an excerpt from a rare interview that wilder insisted only be shown after his death. it's all at our website, npr.org. |
(Soundbite of music) | (soundbite of | (Soundbite of | (soundbite of music) |
This is DAY TO DAY. I'm Alex Chadwick. | this is day to day i'm alex | This is DAY TO. DAY I'm Alex, | this is day to day. i'm alex chadwick. |
And I'm Madeleine Brand. In the national debate about immigration, every word is politically charged. Do you say illegal aliens or undocumented workers? Illegal immigrants or economic refugees? | and i'm madeleine brand in, the national debate about immigration every word is politically charged do you say illegal aliens or undocumented workers? illegal immigrants or economic | And I'm, Madeleine Brand In the national; debate about immigration every word is politically charged Do you say illegal aliens or undocumented workers? Illegal immigrants or economic | and i'm madeleine brand. in the national debate about immigration, every word is politically charged. do you say illegal aliens or undocumented workers? illegal immigrants or economic refugees? |
From member station, KQED, Rob Schmitz examines the choices media, politicians, and analysts make when discussing this volatile issue. | from. member. station kqed rob schmitz examines the choices media politicians and analysts make when discussing this volatile | From member station KQED Rob Schmitz examines, the choices media politicians and analysts; make when discussing this volatile | from member station, kqed, rob schmitz examines the choices media, politicians, and analysts make when discussing this volatile issue. |
The cover of the April 10 edition of Newsweek carried a picture of a highway sign commonly seen near the border with Mexico. It depicts a mother, father, and child running for safety. The cover, with it's headline, caught Rafael Olmeda's eye. | the cover of the april 10 edition of. newsweek carried a picture of a highway sign commonly seen near the border with, mexico it depicts a. mother father and. child running for safety the cover with it's, headline caught rafael olmeda's | The cover of the April 10 edition of, Newsweek carried a picture of a highway sign commonly seen near the border with Mexico It depicts a mother father and child running for safety The cover with it's headline caught Rafael Olmeda's | the cover of the april 10 edition of newsweek carried a picture of a highway sign commonly seen near the border with mexico. it depicts a mother, father, and child running for safety. the cover, with it's headline, caught rafael olmeda's eye. |
It's glowing black and white with the words--Illegals Under Fire. I thought that this was like some kind of booth at the county fair where, you know, the more you shoot down, the more points you get and you get to take home a big stuffed teddy bear. I looked at it and I cringed. | it's glowing black and white with the, words--illegals, under fire i thought that this. was like some kind of booth at the county fair where you know. the more you shoot down the more points you get and you get, to take home a, big stuffed; teddy bear i looked at it, and i | It's glowing black and white, with the. words--Illegals Under Fire I thought that this was like some kind of booth at the county fair where you know the more you shoot down the more points you; get and you get to take. home a big stuffed teddy bear I looked at it and I, | it's glowing black and white with the words--illegals under fire. i thought that this was like some kind of booth at the county fair where, you know, the more you shoot down, the more points you get and you get to take home a big stuffed teddy bear. i looked at it and i cringed. |
Olmeda's organization, The National Association of Hispanic Journalists, had just sent a memo to major news organizations asking them to stop using the term illegals. Instead, it recommended undocumented immigrants and undocumented workers. | olmeda's organization the. national association of hispanic journalists, had. just sent, a memo to major news. organizations asking them to stop using the term, illegals. instead it recommended undocumented immigrants, and. undocumented | Olmeda's organization The National. Association of Hispanic Journalists had. just sent a memo to. major, news organizations asking them, to stop using the. term illegals Instead. it recommended undocumented immigrants and undocumented | olmeda's organization, the national association of hispanic journalists, had just sent a memo to major news organizations asking them to stop using the term illegals. instead, it recommended undocumented immigrants and undocumented workers. |
Olmeda, who is also assistant city editor of the South Florida Sun Sentinel, says the memo stirred up debates in newsrooms across the country on the often overlooked but perhaps most important aspect of the immigration: semantics. | olmeda who is also assistant city editor of the south florida sun sentinel says the memo, stirred up, debates in newsrooms across the country on the often overlooked but perhaps most important aspect of the | Olmeda. who is also assistant city editor of the. South Florida Sun Sentinel says the memo, stirred up debates in newsrooms across the country on the, often overlooked but perhaps. most important aspect of the | olmeda, who is also assistant city editor of the south florida sun sentinel, says the memo stirred up debates in newsrooms across the country on the often overlooked but perhaps most important aspect of the immigration: semantics. |
Nobody wants to say undocumented migrant workers, because undocumented migrant workers does not scare the American people into thinking, we need to secure our borders. | nobody wants to say undocumented migrant workers because undocumented migrant workers does not; scare the american, people into thinking we. need to secure our | Nobody wants, to say undocumented migrant workers because undocumented migrant workers does not scare the American people into thinking we. need to secure our | nobody wants to say undocumented migrant workers, because undocumented migrant workers does not scare the american people into thinking, we need to secure our borders. |
We should not start playing games and, you know, going through all sorts of semantic contortions to be politically correct. | we. should not start playing games and you know going. through all sorts of semantic contortions to be politically; | We, should not start playing games and you know going through all sorts of semantic contortions to be politically | we should not start playing games and, you know, going through all sorts of semantic contortions to be politically correct. |
You know, the Tigers' pitching has been just swell. They've got Kenny Rogers, who's only about 100 years old. | you know the tigers' pitching has been just swell they've got kenny rogers who's only about 100 years | You know the Tigers' pitching has been just swell They've got Kenny Rogers who's only about 100 years | you know, the tigers' pitching has been just swell. they've got kenny rogers, who's only about 100 years old. |
It's okay. I took - I don't know, I think eight years of French I. But I think, all right, dix-sept. | it's okay i took - i don't know i think eight years of french i but i think all right | It's okay I took - I don't know I. think eight years of French I, But I think all right | it's okay. i took - i don't know, i think eight years of french i. but i think, all right, dix-sept. |
Dix-sept is right. Good. | dix-sept is right | Dix-sept is right | dix-sept is right. good. |
One who transmits a document by telephone. One who transmits a document by telephone. | one who transmits a document by telephone one who transmits a document by | One who transmits a document by telephone One who transmits a document, by | one who transmits a document by telephone. one who transmits a document by telephone. |
Oh, a fax sender. | oh a fax | Oh a fax | oh, a fax sender. |
That's right. | that's | That's | that's right. |
It might be put on the back of a letter going by courier. So if you've got an old-fashioned letter and you'd drip candle on the back of it and what does it make? | it might be. put on the. back of a letter going by courier, so if you've got an old-fashioned letter and you'd drip candle on the, back of it and what does, it, | It might be put on the back of, a letter going by courier So if you've. got, an old-fashioned letter and you'd drip candle on the back of, it and what does it | it might be put on the back of a letter going by courier. so if you've got an old-fashioned letter and you'd drip candle on the back of it and what does it make? |
Umm. | umm. | ||
Mm-hmm. | mm-hmm. | ||
Wax. | wax. | ||
Yes? | yes? | ||
Sealer. | sealer. | ||
A wax seal is right. Good. | a wax seal is right; | A. wax seal is right | a wax seal is right. good. |
And here's your last one: where both men and women have their haircut. | and here's, your. last one: where both men and women have their | And here's your last one: where both men and; women have their | and here's your last one: where both men and women have their haircut. |
Mm-hmm. | mm-hmm. | ||
Oh. | oh. | ||
Where both men and women have their haircut. | where both men and women have their | Where both men. and women have their | where both men and women have their haircut. |
A unisex salon? | a unisex; | A unisex | a unisex salon? |
That is correct. | that is | That is | that is correct. |
Oh. | oh. | ||
Lydia. | lydia. | ||
(Soundbite of laughter) | (soundbite of | (Soundbite of. | (soundbite of laughter) |
I surprise myself. | i surprise | I surprise | i surprise myself. |
I know. We - I think we work as a great team here, you know. | i know we - i think we work as a great team here you. | I know We - I think we work as a great; team here you | i know. we - i think we work as a great team here, you know. |
Thanks, Liane. | thanks. | Thanks | thanks, liane. |
And you're really a good sport. | and you're really a good. | And you're really a good | and you're really a good sport. |
I'm so nervous. Thank you. | i'm so nervous thank | I'm. so nervous Thank | i'm so nervous. thank you. |
And I know. I know. And - but, you know what? It's like a slot machine, you know. You pull the ring and you get something anyway. | and i know i know and - but you know what? it's like a. slot machine you know. you pull the ring and you get something | And I know I know And, - but you know what? It's like a slot machine you know You pull the ring. and you get something. | and i know. i know. and - but, you know what? it's like a slot machine, you know. you pull the ring and you get something anyway. |
For playing our puzzle, you get a WEEKEND EDITION lapel pin, the "11th Edition of Merriam Webster's Collegiate Dictionary and Thesaurus," the "Scrabble Deluxe Edition" from Parker Brothers, "The Puzzle Master Presents" from Random House volume 2 - no, and I'm not finished yet. You got all three lemons here - Will Short... | for. playing our puzzle you. get a weekend edition lapel pin, the "11th edition of. merriam webster's collegiate dictionary and thesaurus" the "scrabble deluxe edition" from parker brothers. "the puzzle master presents" from. random house volume 2 - no and i'm not finished yet you got all three; lemons here - will shor... | For playing our puzzle you get a WEEKEND EDITION lapel pin the "11th Edition of Merriam Webster's Collegiate Dictionary and Thesaurus" the "Scrabble Deluxe, Edition" from Parker Brothers "The Puzzle Master Presents" from Random House. volume 2 - no and I'm not finished yet You got all three lemons here - Will, Shortz's... | for playing our puzzle, you get a weekend edition lapel pin, the "11th edition of merriam webster's collegiate dictionary and thesaurus," the "scrabble deluxe edition" from parker brothers, "the puzzle master presents" from random house volume 2 - no, and i'm not finished yet. you got all three lemons here - will short... |
Really? | really? | ||
Yeah. Lydia, tell us what member station you and your husband listen to? | yeah lydia, tell us. what member station you and your husband listen | Yeah Lydia tell us what member station, you. and your husband listen | yeah. lydia, tell us what member station you and your husband listen to? |
KPCC. | kpcc. | ||
In Pasadena. Well, Lydia Arciniaga from Whittier, California, I know we've reached you while you're on vacation, playing the slot. So we thank you a lot for playing the puzzle with us today. Okay? | in pasadena well lydia arciniaga from whittier california. i know we've reached you while you're on vacation, playing the slot so we thank you a lot for playing the puzzle with us today | In Pasadena Well Lydia Arciniaga from Whittier California I know we've reached you while, you're on vacation playing the slot So we thank you a lot for playing the. puzzle with us today | in pasadena. well, lydia arciniaga from whittier, california, i know we've reached you while you're on vacation, playing the slot. so we thank you a lot for playing the puzzle with us today. okay? |
I had so much fun. Thank you (unintelligible), Liane. | i had so much fun; thank you | I had so much fun Thank you | i had so much fun. thank you (unintelligible), liane. |
Oh, that's the point. Yeah. Okay. Take care, Lydia. | oh that's the point yeah okay take care | Oh that's the point Yeah Okay Take care | oh, that's the point. yeah. okay. take care, lydia. |
Thank you. | thank | Thank | thank you. |
All right. Will, a challenge for next week, please. | all right will a. challenge for next week | All right Will a challenge for next week | all right. will, a challenge for next week, please. |
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