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said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. | No speaker | street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive | led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was | of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without | her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive | the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate | beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they | thoughts whether pleasant or unpleasant. Shopping was the topic that now ensued. Under the chaplain's guidance they selected many hideous presents and mementoes--florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements | He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going,"<|quote|>said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.</|quote|>"Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; | A Room With A View |
"Drive? Oh, is our drive to come off?" | Lucy | enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her | his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little | been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite | discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. | him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known | in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they | that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, | audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.<|quote|>"Drive? Oh, is our drive to come off?"</|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered | A Room With A View |
Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. | No speaker | our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the | approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he | Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss | possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a | cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most | his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am | frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, | see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?"<|quote|>Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.</|quote|>"Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. | A Room With A View |
"Bother the drive!" | Lucy | of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon | a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It | he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had | God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of | That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, | wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for | vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, | "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored.<|quote|>"Bother the drive!"</|quote|>exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it | A Room With A View |
exclaimed the girl, as soon as he had departed. | No speaker | was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive | the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. | eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by | of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish | Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man | see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and | of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a | Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!"<|quote|>exclaimed the girl, as soon as he had departed.</|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided | A Room With A View |
"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." | Lucy | soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended | drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, | him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee | trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room | word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to | them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked | maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm | at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed.<|quote|>"It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."</|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was | A Room With A View |
Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. | No speaker | are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if | as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. | restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will | said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to | her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things | all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor | impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, | I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves."<|quote|>Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.</|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full | A Room With A View |
"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." | Miss Bartlett | this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has | the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, | we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy | spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations | was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note | qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and | knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend | in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.<|quote|>"If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."</|quote|>"How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. | A Room With A View |
"How?" | Lucy | a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked | Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." | to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood | the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of | God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from | thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered | as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur | had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish."<|quote|>"How?"</|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that | A Room With A View |
"Because Mr. Beebe has asked Eleanor Lavish to come, too." | Miss Bartlett | sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." | Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does | lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, | girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude | was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment | swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the | she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, | wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?"<|quote|>"Because Mr. Beebe has asked Eleanor Lavish to come, too."</|quote|>"That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of | A Room With A View |
"That will mean another carriage." | Lucy | Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does | "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows | unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at | the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily | a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had | "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full | some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte | We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too."<|quote|>"That will mean another carriage."</|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, | A Room With A View |
"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." | Miss Bartlett | "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the | Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. | so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city | with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, | followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of | "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the | were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to | intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage."<|quote|>"Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."</|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. | A Room With A View |
They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy | No speaker | is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," | truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of | with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was | We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have | the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do | indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, | was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to | at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him."<|quote|>They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy</|quote|>"where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the | A Room With A View |
"where things might lead to," | Miss Bartlett | could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of | to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached | there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to | questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out | and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. | by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We | advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon | will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy<|quote|>"where things might lead to,"</|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome | A Room With A View |
but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: | No speaker | "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe | could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. | beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only | The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, | with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and | shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius | remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. | the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to,"<|quote|>but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:</|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over | A Room With A View |
"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" | Miss Bartlett | As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the | walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that | a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. | Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as | English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but | shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What | he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he | just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured:<|quote|>"Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"</|quote|>"It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, | A Room With A View |
"It is indeed," | Lucy | Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a | carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What | altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, | carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's | beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the | he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped | that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated | addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"<|quote|>"It is indeed,"</|quote|>replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy | A Room With A View |
replied the girl, with a gravity that sounded sympathetic. | No speaker | it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about | for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed | scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to | Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of | the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, | in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For | dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had | Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed,"<|quote|>replied the girl, with a gravity that sounded sympathetic.</|quote|>"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that | A Room With A View |
"What do you think about it?" | Miss Bartlett | a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from | indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up | It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." | of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought | bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" | him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. | "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and | at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic.<|quote|>"What do you think about it?"</|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve | A Room With A View |
asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. | No speaker | do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I | gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." | I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were | groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who | to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," | ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends | knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy | man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?"<|quote|>asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.</|quote|>"I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The | A Room With A View |
"I don't know what I think, nor what I want." | Lucy | and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do | Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. | gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full | Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the | did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do | launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, | knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife | little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.<|quote|>"I don't know what I think, nor what I want."</|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still | A Room With A View |
"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." | Miss Bartlett | think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, | "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. | carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought | us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed | could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea | so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the | made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. | God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want."<|quote|>"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."</|quote|>"Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving | A Room With A View |
"Thank you, Charlotte," | Lucy | ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over | would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters | asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and | I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, | trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really | foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter | For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards | enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."<|quote|>"Thank you, Charlotte,"</|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, | A Room With A View |
said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. | No speaker | earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss | to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her | flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. | asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless | a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know | kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the | time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted. "To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?" "Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she | table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte,"<|quote|>said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.</|quote|>"And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish | A Room With A View |
"And the news?" | Miss Bartlett | much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse | a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone | she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea | had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in | think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. | bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one | them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their | Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.<|quote|>"And the news?"</|quote|>asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled | A Room With A View |
asked Miss Bartlett. | No speaker | traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son | which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said | to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really | for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius | asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of | to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against | losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of | up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?"<|quote|>asked Miss Bartlett.</|quote|>"Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his | A Room With A View |
"Mrs. Vyse and her son have gone to Rome," | Lucy | the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news | experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do | and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I | were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not | flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends | Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had | and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had | way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett.<|quote|>"Mrs. Vyse and her son have gone to Rome,"</|quote|>said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them | A Room With A View |
said Lucy, giving the news that interested her least. | No speaker | son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" | Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. | up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony | had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of | "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal | did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great | to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of | did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome,"<|quote|>said Lucy, giving the news that interested her least.</|quote|>"Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was | A Room With A View |
"Do you know the Vyses?" | Lucy | news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. | Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too | over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has | the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements | want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll | who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed | them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This | greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least.<|quote|>"Do you know the Vyses?"</|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy | A Room With A View |
"Oh, not that way back. We can never have too much of the dear Piazza Signoria." | Miss Bartlett | "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. | news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's | before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy | ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though | do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the | delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus | discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the | might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?"<|quote|>"Oh, not that way back. We can never have too much of the dear Piazza Signoria."</|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And | A Room With A View |
"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" | Lucy | of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The | can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony | much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, | life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of | you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert | it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with | that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him | Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria."<|quote|>"They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"</|quote|>"I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed | A Room With A View |
"I die for it!" | Miss Bartlett | long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too | what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It | Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of | road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero | were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. | nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the | chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial | earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?"<|quote|>"I die for it!"</|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And | A Room With A View |
The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. | No speaker | Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. | you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if | the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: | pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, | at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's | chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree | to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice | will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!"<|quote|>The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.</|quote|>"Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss | A Room With A View |
"Charlotte!" | Lucy | or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's | a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we | the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, | brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and | Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, | would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus | Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to | semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.<|quote|>"Charlotte!"</|quote|>cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. | A Room With A View |
cried the girl suddenly. | No speaker | a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if | hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome | conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, | It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive | Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her | do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a | Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to | Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!"<|quote|>cried the girl suddenly.</|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death | A Room With A View |
"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" | Lucy | "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, | or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! | Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, | no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized | bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it | how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist | at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in | of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly.<|quote|>"Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"</|quote|>Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and | A Room With A View |
Miss Bartlett, with equal vivacity, replied: | No speaker | of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, | you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your | goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, | the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages | that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the | think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in | unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the | experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!"<|quote|>Miss Bartlett, with equal vivacity, replied:</|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should | A Room With A View |
"Oh, you droll person! Pray, what would become of your drive in the hills?" | Miss Bartlett | Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the | the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, | "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive | the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in | know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left | dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed | dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' | everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied:<|quote|>"Oh, you droll person! Pray, what would become of your drive in the hills?"</|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into | A Room With A View |
They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. | No speaker | your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are | Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of | Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me | or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go | of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable | you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to | the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns. "And the news?" asked Miss Bartlett. "Mrs. Vyse and her son have gone to Rome," said Lucy, giving the news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating | news that interested her least. "Do you know the Vyses?" "Oh, not that way back. We can never have too much of the dear Piazza Signoria." "They're nice people, the Vyses. So clever--my idea of what's really clever. Don't you long to be in Rome?" "I die for it!" The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance--unless we believe in a presiding genius of places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?"<|quote|>They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.</|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, | A Room With A View |
"So, Miss Honeychurch, you are travelling? As a student of art?" | Rev. Cuthbert Eager | their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" | held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of | more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed | shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, | to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for | had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say | places--the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely | and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over.<|quote|>"So, Miss Honeychurch, you are travelling? As a student of art?"</|quote|>"Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager | A Room With A View |
"Oh, dear me, no--oh, no!" | Lucy | As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of | Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, | irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of | the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. | him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the | and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and | childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her | doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?"<|quote|>"Oh, dear me, no--oh, no!"</|quote|>"Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the | A Room With A View |
"Perhaps as a student of human nature," | Miss Lavish | "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" | As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here | and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence | of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch | not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock | all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think | of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had | happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!"<|quote|>"Perhaps as a student of human nature,"</|quote|>interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe | A Room With A View |
interposed Miss Lavish, | No speaker | a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I | me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." | to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living | of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, | that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present | to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so | maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, | Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature,"<|quote|>interposed Miss Lavish,</|quote|>"like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they | A Room With A View |
"like myself?" | Miss Lavish | human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here | "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," | till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together | been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what | know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over | the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." | Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible | his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish,<|quote|>"like myself?"</|quote|>"Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do | A Room With A View |
"Oh, no. I am here as a tourist." | Lucy | interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. | a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you | had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything | at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father | this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we | moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the | and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning | him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?"<|quote|>"Oh, no. I am here as a tourist."</|quote|>"Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can | A Room With A View |
"Oh, indeed," | Rev. Cuthbert Eager | am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you | "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not | hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is | to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, | was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing | their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were | and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple | a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist."<|quote|>"Oh, indeed,"</|quote|>said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right | A Room With A View |
said Mr. Eager. | No speaker | as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you | "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, | Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their | Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was | place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on | and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each | they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure | writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed,"<|quote|>said Mr. Eager.</|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred | A Room With A View |
"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" | Rev. Cuthbert Eager | "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we | am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the | her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and | But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at | the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch | got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss | immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god. "Charlotte!" cried the girl suddenly. "Here's an idea. What if we popped off to Rome to-morrow--straight to the Vyses' hotel? For I do know what I want. I'm sick of Florence. No, you said you'd go to the ends of the earth! Do! Do!" Miss Bartlett, with equal vivacity, replied: "Oh, you droll person! Pray, what would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent | It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager.<|quote|>"Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"</|quote|>'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand | A Room With A View |
'Say, poppa, what did we see at Rome?' | No speaker | girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, | whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place | living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less | Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her | had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, | no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on | would become of your drive in the hills?" They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined | he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:"<|quote|>'Say, poppa, what did we see at Rome?'</|quote|>"And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no | A Room With A View |
"And the father replies:" | Rev. Cuthbert Eager | did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the | who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the | unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite | as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are | joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the | in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio | They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. | the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?'<|quote|>"And the father replies:"</|quote|>'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just | A Room With A View |
'Why, guess Rome was the place where we saw the yaller dog.' | No speaker | Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! | what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," | is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of | indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it | the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. | and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one | the gaunt beauty of the square, laughing over the unpractical suggestion. Chapter VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is | to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:"<|quote|>'Why, guess Rome was the place where we saw the yaller dog.'</|quote|>"There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the | A Room With A View |
"There's travelling for you. Ha! ha! ha!" | Rev. Cuthbert Eager | we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss | Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times | go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all | me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you | became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the | Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was | VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and | event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.'<|quote|>"There's travelling for you. Ha! ha! ha!"</|quote|>"I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were | A Room With A View |
"I quite agree," | Miss Lavish | for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had | the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt | they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are | poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She | him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval | hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As | Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve | Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!"<|quote|>"I quite agree,"</|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. | A Room With A View |
said Miss Lavish, who had several times tried to interrupt his mordant wit. | No speaker | ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of | "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing | towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen | a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have | now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in | thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson | Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as | on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree,"<|quote|>said Miss Lavish, who had several times tried to interrupt his mordant wit.</|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, | A Room With A View |
"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." | Miss Lavish | to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English | who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and | Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we | Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene | her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the | on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said | Honeychurch Drive Out in Carriages to See a View; Italians Drive Them. It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, | refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit.<|quote|>"The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."</|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell | A Room With A View |
"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" | Rev. Cuthbert Eager | nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss | of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do | replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the | that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are | hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly | avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At | Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master's horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister--Persephone, tall and slender and pale, returning with the Spring to her mother's cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would | afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace."<|quote|>"Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"</|quote|>"It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling | A Room With A View |
"It does indeed!" | Miss Lavish | additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, | Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the | it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you | of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' | and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand | of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. | against imposition. But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to | introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?"<|quote|>"It does indeed!"</|quote|>cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To | A Room With A View |
cried Miss Lavish. | No speaker | it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they | it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that | stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs | though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an | somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. | stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the | the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old | to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!"<|quote|>cried Miss Lavish.</|quote|>"Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, | A Room With A View |
"Tell me, where do they place the scene of that wonderful seventh day?" | Miss Lavish | does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to | interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on | stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes | not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I | result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his | common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account | and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded | George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish.<|quote|>"Tell me, where do they place the scene of that wonderful seventh day?"</|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and | A Room With A View |
But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. | No speaker | of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs | do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval | perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going | part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. | know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one | a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would | favour, the goddess was allowed to mount beside the god. Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is | held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?"<|quote|>But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.</|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said | A Room With A View |
"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." | Rev. Cuthbert Eager | were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two | rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were | does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept | if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to | "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was | became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible | did not mind. Mr. Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened | Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill.<|quote|>"Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."</|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the | A Room With A View |
During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. | No speaker | what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, | think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over | the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause | right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at | Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the | "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we | moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind. It was hard on the poor chaplain to have his partie carree thus transformed. Tea at a Renaissance villa, if he had ever meditated it, was now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. | over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them."<|quote|>During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.</|quote|>"Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To | A Room With A View |
"Piano! piano!" | Rev. Cuthbert Eager | and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving | through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. | disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the | hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An | an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but | anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them | style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote | Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road.<|quote|>"Piano! piano!"</|quote|>said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed | A Room With A View |
said Mr. Eager, elegantly waving his hand over his head. | No speaker | the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, | Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, | had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other | unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, | interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the | get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the | them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go | me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!"<|quote|>said Mr. Eager, elegantly waving his hand over his head.</|quote|>"Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But | A Room With A View |
crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. | No speaker | signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said | over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them | be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock | they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But | scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom | palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting | a journalist who had murdered his wife in the sight of God--they should enter no villa at his introduction. Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. Emerson, hitherto fortunately asleep, thanks to a heavy lunch and the drowsy atmosphere of Spring. She looked on the expedition as the work of Fate. But for it she would have avoided George Emerson successfully. In an open manner he had shown that he wished to continue their intimacy. She had refused, not because she disliked him, but because she did not know what had happened, and suspected that he did know. And this frightened her. For the real event--whatever it was--had taken place, not in the Loggia, but by the river. To behave wildly at the sight of death is pardonable. But to discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, | now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene,"<|quote|>crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down.</|quote|>"She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. | A Room With A View |
said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. | No speaker | down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let | girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But | been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying | the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. | them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the | is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive | discuss it afterwards, to pass from discussion into silence, and through silence into sympathy, that is an error, not of a startled emotion, but of the whole fabric. There was really something blameworthy (she thought) in their joint contemplation of the shadowy stream, in the common impulse which had turned them to the house without the passing of a look or word. This sense of wickedness had been slight at first. She had nearly joined the party to the Torre del Gallo. But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively | new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister,"<|quote|>said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.</|quote|>"Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up | A Room With A View |
"Most certainly I would let them be," | Miss Lavish | support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare | ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant | its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as | lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the | or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, | farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We | she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had | Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism.<|quote|>"Most certainly I would let them be,"</|quote|>she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. | A Room With A View |
she cried. | No speaker | I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I | cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I | whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we | to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of | The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected | her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no | that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? | a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be,"<|quote|>she cried.</|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. | A Room With A View |
"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." | Miss Lavish | let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said | Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he | shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that | down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven | carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and | in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us | should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not | I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried.<|quote|>"But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."</|quote|>"We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you | A Room With A View |
"We must not submit," | Rev. Cuthbert Eager | what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew | all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. | unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the | down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might | "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and | squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He | him through the hills. Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the | few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure."<|quote|>"We must not submit,"</|quote|>said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come | A Room With A View |
said Mr. Eager. | No speaker | adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying | is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating | felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be | at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and | with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more | road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That | Meanwhile Mr. Eager held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio | began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit,"<|quote|>said Mr. Eager.</|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, | A Room With A View |
"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." | Rev. Cuthbert Eager | not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, | call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The | support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. | of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard | look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had | loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like | held her in civil converse; their little tiff was over. "So, Miss Honeychurch, you are travelling? As a student of art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the | One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager.<|quote|>"I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."</|quote|>"Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like | A Room With A View |
"Surely no!" | Miss Lavish | a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour | us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage | receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we | that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that | endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why | say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw | art?" "Oh, dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased | we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists."<|quote|>"Surely no!"</|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we | A Room With A View |
said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. | No speaker | of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson | if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom | support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's | lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the | kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down | have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo | dear me, no--oh, no!" "Perhaps as a student of human nature," interposed Miss Lavish, "like myself?" "Oh, no. I am here as a tourist." "Oh, indeed," said Mr. Eager. "Are you indeed? If you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split | was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!"<|quote|>said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.</|quote|>"Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by | A Room With A View |
"Leave them alone," | Mr. Emerson | sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, | warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in | it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege | "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians | lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. | a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss | you will not think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy | Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly.<|quote|>"Leave them alone,"</|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a | A Room With A View |
Mr. Emerson begged the chaplain, of whom he stood in no awe. | No speaker | themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so | would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn | is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard | would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it | the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the | envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il | think me rude, we residents sometimes pity you poor tourists not a little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold | perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone,"<|quote|>Mr. Emerson begged the chaplain, of whom he stood in no awe.</|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to | A Room With A View |
"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." | Mr. Emerson | he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss | begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that | "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, | receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said | he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. | to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: | little--handed about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to get 'done' or 'through' and go on somewhere else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy | on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe.<|quote|>"Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."</|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through | A Room With A View |
Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. | No speaker | sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to | part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had | chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at | if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak | whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he | his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the | else. The result is, they mix up towns, rivers, palaces in one inextricable whirl. You know the American girl in Punch who says:" 'Say, poppa, what did we see at Rome?' "And the father replies:" 'Why, guess Rome was the place where we saw the yaller dog.' "There's travelling for you. Ha! ha! ha!" "I quite agree," said Miss Lavish, who had several times tried to interrupt his mordant wit. "The narrowness and superficiality of the Anglo-Saxon tourist is nothing less than a menace." "Quite so. Now, the English colony at Florence, Miss Honeychurch--and it is of considerable size, though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not | increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know."<|quote|>Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click.</|quote|>"Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on | A Room With A View |
said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? | No speaker | off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her | till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at | stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," | know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded | as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly | his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a | though, of course, not all equally--a few are here for trade, for example. But the greater part are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking | Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!"<|quote|>said the man to Lucy, when the display had ceased. Why should he appeal to Lucy?</|quote|>"Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? | A Room With A View |
echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. | No speaker | he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. | display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together | nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would | Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he | decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss | little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay | are students. Lady Helen Laverstock is at present busy over Fra Angelico. I mention her name because we are passing her villa on the left. No, you can only see it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't | the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!"<|quote|>echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.</|quote|>"Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But | A Room With A View |
"Victory at last!" | Rev. Cuthbert Eager | got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his | at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages | a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to | is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. | Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most | the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and | it if you stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they | who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.<|quote|>"Victory at last!"</|quote|>said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. | A Room With A View |
said Mr. Eager, smiting his hands together as the carriages started again. | No speaker | the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said | Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. | said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the | stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is | the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to | immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was | stand--no, do not stand; you will fall. She is very proud of that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at | took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!"<|quote|>said Mr. Eager, smiting his hands together as the carriages started again.</|quote|>"It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the | A Room With A View |
"It is not victory," | Mr. Emerson | as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is | Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two | he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded | Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person | happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, | on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on | that thick hedge. Inside, perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" | as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again.<|quote|>"It is not victory,"</|quote|>said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one | A Room With A View |
said Mr. Emerson. | No speaker | again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have | together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were | "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree | resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed | we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo | eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory | perfect seclusion. One might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather | Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory,"<|quote|>said Mr. Emerson.</|quote|>"It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and | A Room With A View |
"It is defeat. You have parted two people who were happy." | Mr. Emerson | not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. | carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit | in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have | much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not | it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. | took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, | might have gone back six hundred years. Some critics believe that her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you | time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson.<|quote|>"It is defeat. You have parted two people who were happy."</|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced | A Room With A View |
Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. | No speaker | two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy | is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with | For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He | higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of | be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' | Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that | her garden was the scene of The Decameron, which lends it an additional interest, does it not?" "It does indeed!" cried Miss Lavish. "Tell me, where do they place the scene of that wonderful seventh day?" But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys | down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy."<|quote|>Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.</|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same | A Room With A View |
"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." | Mr. Emerson | for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is | agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you | were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He | carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to | resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding | And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question | lived Mr. Someone Something, an American of the best type--so rare!--and that the Somebody Elses were farther down the hill. "Doubtless you know her monographs in the series of 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her | At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son.<|quote|>"We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."</|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be | A Room With A View |
Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. | No speaker | no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us | is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted | sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened | as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" | preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring | I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally | 'Mediaeval Byways'? He is working at Gemistus Pletho. Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such | the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul."<|quote|>Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.</|quote|>"He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. | A Room With A View |
"He was not driving us well," | Miss Lavish | speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." | have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was | son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't | who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does | ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? | what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy | the wall, the electric tram squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and | on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.<|quote|>"He was not driving us well,"</|quote|>she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked | A Room With A View |
she said. | No speaker | was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I | out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful | what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to | his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for | and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there | must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry | up the new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for | them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well,"<|quote|>she said.</|quote|>"He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had | A Room With A View |
"He jolted us." | Miss Lavish | driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was | his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! | be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. | He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to | and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising | submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of | new road with its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was | sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said.<|quote|>"He jolted us."</|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the | A Room With A View |
"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" | Mr. Emerson | she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly | was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer | money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I | to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the | more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now | Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. | its loads of hot, dusty, unintelligent tourists who are going to 'do' Fiesole in an hour in order that they may say they have been there, and I think--think--I think how little they think what lies so near them." During this speech the two figures on the box were sporting with each other disgracefully. Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look | him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us."<|quote|>"That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"</|quote|>Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that | A Room With A View |
Miss Lavish bristled. | No speaker | heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do | young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il | sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs | he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which | box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them | alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to | of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view | from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?"<|quote|>Miss Lavish bristled.</|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly | A Room With A View |
"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" | Miss Lavish | de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he | you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer | is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the | it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring | last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was | begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were | that they wished to misbehave, it was pleasant for them to be able to do so. They were probably the only people enjoying the expedition. The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced | was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled.<|quote|>"Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"</|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she | A Room With A View |
"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" | Mr. Emerson | account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist | to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non | of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding | "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one | who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and | sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio | with agonizing jolts up through the Piazza of Fiesole and into the Settignano road. "Piano! piano!" said Mr. Eager, elegantly waving his hand over his head. "Va bene, signore, va bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? | Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?"<|quote|>"The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"</|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they | A Room With A View |
Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' | No speaker | go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." | yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have | Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in | would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their | sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that | was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." | bene, va bene," crooned the driver, and whipped his horses up again. Now Mr. Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If | carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'"<|quote|>Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'</|quote|>"would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and | A Room With A View |
"would render a correct meaning." | Rev. Cuthbert Eager | "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have | guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He | Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? | the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A | "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno | resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that | against each other on the subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming | eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May'<|quote|>"would render a correct meaning."</|quote|>"The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to | A Room With A View |
"The point is, we have warred with it. Look." | Mr. Emerson | "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val | "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far | know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning | do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps | what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not | make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that | subject of Alessio Baldovinetti. Was he a cause of the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if | had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning."<|quote|>"The point is, we have warred with it. Look."</|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees. "Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. | A Room With A View |
He pointed to the Val d'Arno, which was visible far below them, through the budding trees. | No speaker | have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and | meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire | wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged | of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still | to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which | in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe | the Renaissance, or was he one of its manifestations? The other carriage was left behind. As the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where | sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look."<|quote|>He pointed to the Val d'Arno, which was visible far below them, through the budding trees.</|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy | A Room With A View |
"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both." | Mr. Emerson | them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to | which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave | Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and | il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that | Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And | it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the | the pace increased to a gallop the large, slumbering form of Mr. Emerson was thrown against the chaplain with the regularity of a machine. "Piano! piano!" said he, with a martyred look at Lucy. An extra lurch made him turn angrily in his seat. Phaethon, who for some time had been endeavouring to kiss Persephone, had just succeeded. A little scene ensued, which, as Miss Bartlett said afterwards, was most unpleasant. The horses were stopped, the lovers were ordered to disentangle themselves, the boy was to lose his pourboire, the girl was immediately to get down. "She is my sister," said he, turning round on them with piteous eyes. Mr. Eager took the trouble to tell him that he was a liar. Phaethon hung down his head, not at the matter of the accusation, but at its manner. At this point Mr. Emerson, whom the shock of stopping had awoke, declared that the lovers must on no account be separated, and patted them on the back to signify his approval. And Miss Lavish, though unwilling to ally him, felt bound to support the cause of Bohemianism. "Most certainly I would let them be," she cried. "But I dare say I shall receive scant support. I have always flown in the face of the conventions all my life. This is what I call an adventure." "We must not submit," said Mr. Eager. "I knew he was trying it on. He is treating us as if we were a party of Cook's tourists." "Surely no!" said Miss Lavish, her ardour visibly decreasing. The other carriage had drawn up behind, and sensible Mr. Beebe called out that after this warning the couple would be sure to behave themselves properly. "Leave them alone," Mr. Emerson begged the chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George Emerson what his profession was, and he had answered "the railway." She was very sorry that she had asked him. She had no idea that it would be such a dreadful answer, or she would not have asked him. Mr. Beebe had turned the conversation so cleverly, and she hoped that the young man was not very much hurt at her asking him. "The railway!" gasped Miss Lavish. "Oh, but I shall die! Of course it was the railway!" She could not control her mirth. "He is the image of a porter--on, on the South-Eastern." "Eleanor, be quiet," plucking at her vivacious companion. "Hush! They'll hear--the Emersons--" "I can't stop. Let me go my wicked way. A porter--" "Eleanor!" "I'm sure it's all right," put in Lucy. "The Emersons won't hear, and they wouldn't mind if they did." Miss Lavish did not seem pleased at this. "Miss Honeychurch listening!" she said rather crossly. "Pouf! Wouf! You naughty girl! Go away!" "Oh, Lucy, you ought to be with Mr. Eager, I'm sure." "I can't find them now, and I don't want to either." "Mr. Eager will be offended. It is your party." "Please, I'd rather stop here with you." "No, I agree," said Miss Lavish. "It's like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear." The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her. "How tired one gets," said Miss Bartlett. "Oh, I do wish Freddy and your mother could be here." Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome. "Then sit you down," said Miss Lavish. "Observe my foresight." With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps. She sat on one; who was to sit on the other? "Lucy; without a moment's doubt, Lucy. The ground will do for me. Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother's feelings if I let you sit in the wet in your white linen." She sat down heavily where the ground looked particularly moist. "Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear; you are too unselfish; you don't assert yourself enough." She cleared her throat. "Now don't be alarmed; this isn't | chaplain, of whom he stood in no awe. "Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers--A king might envy us, and if we part them it's more like sacrilege than anything I know." Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. Mr. Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make himself heard. He addressed the driver again. Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. "Signorina!" said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? "Signorina!" echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box. "Victory at last!" said Mr. Eager, smiting his hands together as the carriages started again. "It is not victory," said Mr. Emerson. "It is defeat. You have parted two people who were happy." Mr. Eager shut his eyes. He was obliged to sit next to Mr. Emerson, but he would not speak to him. The old man was refreshed by sleep, and took up the matter warmly. He commanded Lucy to agree with him; he shouted for support to his son. "We have tried to buy what cannot be bought with money. He has bargained to drive us, and he is doing it. We have no rights over his soul." Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character. "He was not driving us well," she said. "He jolted us." "That I deny. It was as restful as sleeping. Aha! he is jolting us now. Can you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I'd be frightened of the girl, too. It doesn't do to injure young people. Have you ever heard of Lorenzo de Medici?" Miss Lavish bristled. "Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?" "The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line--so I heard yesterday--which runs like this: 'Don't go fighting against the Spring.'" Mr. Eager could not resist the opportunity for erudition. "Non fate guerra al Maggio," he murmured. "'War not with the May' "would render a correct meaning." "The point is, we have warred with it. Look." He pointed to the Val d'Arno, which was visible far below them, through the budding trees.<|quote|>"Fifty miles of Spring, and we've come up to admire them. Do you suppose there's any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both."</|quote|>No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. It was this promontory, uncultivated, wet, covered with bushes and occasional trees, which had caught the fancy of Alessio Baldovinetti nearly five hundred years before. He had ascended it, that diligent and rather obscure master, possibly with an eye to business, possibly for the joy of ascending. Standing there, he had seen that view of the Val d'Arno and distant Florence, which he afterwards had introduced not very effectively into his work. But where exactly had he stood? That was the question which Mr. Eager hoped to solve now. And Miss Lavish, whose nature was attracted by anything problematical, had become equally enthusiastic. But it is not easy to carry the pictures of Alessio Baldovinetti in your head, even if you have remembered to look at them before starting. And the haze in the valley increased the difficulty of the quest. The party sprang about from tuft to tuft of grass, their anxiety to keep together being only equalled by their desire to go different directions. Finally they split into groups. Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with the drivers; while the two clergymen, who were expected to have topics in common, were left to each other. The two elder ladies soon threw off the mask. In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio Baldovinetti, but the drive. Miss Bartlett had asked Mr. George | A Room With A View |
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